Francesco Guardi

46 public-domain plates in the archive

• View of the Giudecca with the Zattere 1780
• The Doge's Palace from the Bacino di San Marco 1780
• Campo of Santi Giovanni et Paolo, with the Scuola di San Marco in Venice 1760
• Regatta on the Giudecca Canal 1784
• The Rialto-Bridge in Venice 1760
• The Fenice Theater in Venice (recto); Fragment of a Larger Drawing Representing Part of a Column and a Cornice (verso) 1712–1835
• Fire in the San Marcuola Oil Depot, Venice, 28 November 1789 1500
• Gondolas on the Lagoon 1765
• Piazza San Marco with Doges' Palace 1773–1778?
• Architectural Capriccio: Garden Entrance to a Palace (recto); Three Masked and Costumed Figures and Other Figure Studies (verso) 1712–93
• The Doge Alvise IV. Mocenigo on the Bucentaur near the Riva di Sant'Elena 1766
• Venetian Capriccio with Boats Unloading (recto); Figures among Ruins (verso) 1760s/1770s
• Santa Maria della Salute c. 1770
• An Elegantly Dressed Woman Struggling with a Lion 1780/1785
• A Capriccio of Ruins by the Lagoon
• Two Elegant Couples [verso] c. 1780
• An Elegant Couple, a Gooseboy, and a Gentleman [recto] c. 1780
• The Fortress of San Andrea from the Lagoon 1780s
• Fanciful View of the Castel Sant'Angelo, Rome c. 1785
• Capriccio of a Harbor c. 1760/1770
• Grand Canal with the Rialto Bridge, Venice probably c. 1780
• Temporary Tribune in the Campo San Zanipolo, Venice 1782 or after
• View on the Cannaregio Canal, Venice c. 1775-1780
• Panorama of Venice from the Bacino di San Marco, Including the Project for the Proposed Teatro Manin ca. 1788–93
• Architectural Capriccio: Courtyard of a Palace 1712–93
• Lagoon Capriccio with a Tower 1712–93
• Studies of Walking Figures 1712–93
• Capriccio: The Lagoon After 1770
• Ruined Archway 1775–93
• The Garden of Palazzo Contarini dal Zaffo Late 1770s
• The Grand Canal, Venice c. 1760
• Pair of Drawings: Sketch of the Labyrinth of the Villa Pisani and Piazza San Marco with Doges' Palace 1773–1778(?)
• Farmers and Fisherman Working 18th century
• Sketch of the Labyrinth of the Villa Pisani 1773–1778(?)
• Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of SS. Giovanni e Paolo, 1782 and Pontifical Ceremony in SS. Giovanni e Paolo, Venice, 1782 (pair) c. 1783
• Three Sketches of Arches (verso) 1782
• Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of SS. Giovanni e Paolo, 1782 c. 1783
• Pontifical Ceremony in SS. Giovanni e Paolo, Venice, 1782 c. 1783
• The Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series) 1750s
• The Angels Appearing to Abraham 1750s
• Tobias and the Angel 1750s
• Abraham Welcoming the Three Angels 1750s
• The Sacrifice of Isaac 1750s
• A Procession of Triumphal Cars in the Piazza San Marco, Venice, Celebrating the Visit of the Conti del Nord (recto); Three Sketches of Arches (verso) 1782
• Piazza San Marco, Venice 1780s
• A Procession of Triumphal Cars in the Piazza San Marco, Venice, Celebrating the Visit of the Conti del Nord (recto) 1782