Francisco Goya

357 public-domain plates in the archive

• The Madhouse 1794
• Portrait of Manuel Quijano 1815
• Popular Party Under a Bridge or Popular Dance
• Scene of Disciplines 1808
• Fire of a Hospital
• War Scene 1808
• Apparition of Saint Isidore to Saint Ferdinand, king, before the walls of Seville 1799
• Juana Galarza de Goicoechea 1805
• Agriculture 1804
• Manuela Goicoechea y Galarza 1805
• Queen María Luisa on horseback 1799
• Charles IV on Horseback 1800
• Cardinal Luis María de Borbón y Vallabriga 1800
• María Antonia Gonzaga, Dowager Marchioness of Villafranca 1795
• General José de Urrutia 1798
• General Antonio Ricardos 1793
• Charles IV in Court Dress 1789
• Tadea Arias de Enríquez 1789
• The Holy Family 1787
• Charles III in Hunting Dress 1786
• Ferdinand VII in Court Dress 1814
• Ferdinand VII at an Encampment 1815
• The Duchess of Abrantes 1816
• Saint Justa and Saint Rufina 1817
• The Actor Isidoro Máiquez 1807
• Saint John the Baptist in the Desert 1810
• The Immaculate Conception 1784
• Don Andrés del Peral 1798
• The Rape of Europa 1772
• Portrait of marquise de Montehermoso 1810
• The Repentant St. Peter 1823
• Portrait of the Actress Antonia Zarate 1810
• Portrait of Ferdinand VII 1814
• El tío Paquete 1820
• Time, Truth and History 1798
• Annunciation 1785
• Portrait of a Young Man in Brown, possibly Javier Goya
• Officer on Horseback
• Portrait of a Man in a Brown Coat
• Friar Pedro Shoots El Maragato as His Horse Runs Off 1806
• Winter Scene 1786
• Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun 1806
• Portrait of General José Manuel Romero 1810
• Portrait of Isidoro Maiquez 1807
• Friar Pedro Binds El Maragato with a Rope 1806
• Don Ramon de Posada y Soto 1801
• Two young women chasing and sweeping bird figures with mens' heads out of a door, encouraged by two old men in religious habits. Etching by F. Goya, 1796/98. [1796/98]
• Human figures with the heads of birds and donkeys riding on grotesque beasts. Etching by F. Goya, 1796/1798. [1796/1798]
• Bullfight, Suerte de Varas 1824
• Don Antonio Noriega 1801
• Young Lady Wearing a Mantilla and Basquina 1802
• Marquesa de Caballero 1807
• José Queraltó 1802
• Portrait of Maria Luisa di Parma
• Portrait of Charles IV, King of Spain 1790
• Saint Ignacius of Loyola 1780
• Ferdinand VII (1784–1833), Prince of Asturias 1800
• Narcisa Barañana de Goicoechea 1815
• José Costa y Bonells, Called Pepito 1800
• Portrait of Luis María de Cistué Martínez 1791
• Portrait of a Man 1806
• Woman with a Fan 1805
• Mariana Waldstein, Ninth Marquesa de Santa Cruz 1797
• The Architect Ventura Rodriguez 1784
• Portrait of the Poet Moratín 1824
• The Count of Fernán Núnez 1803
• Teresa Sureda 1804
• The Marchioness of Villafranca Painting her Husband 1804
• Señora Sabasa Garcia 1804
• Portrait of the Marquesa de Santiago 1804
• Portrait of the Marquise de Lazán 1804
• Portrait of the Duchess of Osuna 1785
• The Countess of Fernán Núñez 1803
• Portrait of Tomás Pérez de Estala 1798
• Lazarillo de Tormes 1804
• Portrait de Juan Martin Diez, the Determined 1809
• General Nicolas Philippe Guye 1810
• Portrait of Gaspar Melchor de Jovellanos 1798
• Equestrian portrait of Ferdinand VII 1808
• José Moñino y Redondo, count de Floridablanca 1783
• Portrait of Bartolomé Sureda y Miserol 1804
• Powder manufacturing in the Sierra de Tardienta 1814
• Manufacture of bullets in the Sierra de Tardienta 1810
• A Village Bullfight 1815
• Portrait of Don Ramón Satué 1823
• Portrait of Jacques Galos 1826
• The Sacrifice to Pan 1771
• Driving an ashlar 1786
• The Kite 1778
• The Quail Shoot 1775
• The Duchess of Alba and la Beata 1795
• fisherman with his rod 1775
• Hunter with his Dogs 1775
• the Drinker 1777
• Dance of the Majos at the Banks of Manzanares 1776
• Two Old Men 1819
• Hunter loading his rifle 1775
• The Madhouse 1814
• Self-Portrait 1815
• Attack on a Coach 1787
• Queen María Luisa in a Dress with hooped Skirt 1789
• Portrait of Jose de La Canal 1825
• Portrait of María Martínez de Puga 1824
• Portrait of Manuel Silvela 1809
• Leandro Fernández de Moratín 1799
• Portrait of Juan Bautista de Muguiro 1827
• Portrait of José Pío de Molina 1827
• Portrait of Jose Duaso y Latre 1824
• The wedding 1792
• Witches' Flight 1797
• Dead duck 1808
• The Letter 1814
• Portrait of Charles IV of Spain 1789
• Portrait of Cardinal Luis María de Borbón y Vallabriga 1800
• The Crockery Vendor 1779
• The Seesaw 1779
• Still Life with Golden Bream 1808
• The last communion of St Joseph of Calasanz 1819
• The Boar Hunt 1775
• Self-portrait 1771
• Card Players 1777
• The Flower Girls or Spring 1786
• portrait of Infante Luis of Spain 1783
• Luis María de Borbón y Vallabriga 1783
• Portrait of Rafael Esteve i Vilella 1815
• Portrait of Martín Zapater 1797
• Portrait of Senora Ceán Bermudez 1792
• Portrait of Martín Zapater 1790
• Portrait of María Teresa de Vallabriga on Horseback 1783
• Portrait of Maria Teresa de Vallabriga 1783
• Doña Maria Teresa de Vallabriga 1783
• Portrait of Doña María Teresa de Vallabriga y Rozas (1759-1820) 1783
• Portrait of María Luisa de Borbón y Vallabriga 1800
• María Teresa de Borbón y Vallabriga, later Condesa de Chinchón 1783
• La Tirana 1794
• The Time and the old woman 1810
• Self portrait with spectacles 1800
• The Water Bearer 1808
• Portrait of Sebastián Martínez y Pérez 1792
• Dogs and hunting gear 1775
• children inflating a bladder 1778
• Boys picking fruit 1778
• The Knifegrinder 1808
• Yard with Lunatics 1794
• Charles IV in his Hunting Clothes 1799
• La Leocadia 1819
• The Game of Horse and Rider 1791
• Pilgrimage to the Fountain of San Isidro 1819
• Josefa Bayeu 1814
• Our Lady of the Pillar 1769
• A woman and two children by a fountain 1786
• The stilts 1791
• Countess of Chinchon 1800
• Ferdinand Guillemardet 1798
• Village procession 1787
• Shepherd playing a Dulzaina 1786
• Children with a Cart 1779
• Women chatting 1791
• A Procession of Flagellants 1815
• Picnic 1786
• The Poor at the Fountain 1786
• the lumberjacks 1780
• Women carrying pitchers (sketch) 1791
• the washerwomen 1779
• The Threshing Floor 1786
• The magpie in a tree 1786
• School scene 1780
• Blind Man's Bluff (sketch) 1789
• Madrid fair 1778
• The hermitage of Saint Isidor 1798
• The Greasy Pole 1787
• the Rendezvous 1779
• The Fall 1787
• The seller of acerola 1778
• The Holy Family 1775
• Boys climbing a tree 1791
• Boys playing soldiers 1778
• José Álvarez de Toledo, marqués de Villafranca y duque de Alba 1795
• The Duke and Duchess of Osuna and their Children 1788
• The Bewitched Man 1798
• The Inquisition Tribunal 1812
• Portrait of the Duchess of Alba 1795
• The Family of the Infante Don Luis 1783
• Self-portrait in the Studio 1790
• The Victorious Hannibal Seeing Italy from the Alps for the First Time 1770
• Adoration of the Name of God 1772
• Blind Man's Bluff 1788
• Majas on a Balcony 1808
• A Pilgrimage to San Isidro 1820
• Men Reading 1819
• Two Old Men Eating Soup 1819
• Maja and Celestine on the balcony 1808
• Portrait of Maria Josefa of Spain 1800
• Portrait of the Infante Carlos María Isidro of Spain 1800
• Portrait of Infante Antonio Pascual of Spain (1755-1817) 1800
• The infante Francisco de Paula 1800
• Portrait of Luis of Etruria 1800
• The Third of May 1808 1814
• The Parasol 1777
• Truth, Time and History 1797
• Apparition of the Virgin of Pilar to Santiago and his disciples Zaragoza 1768
• Self-portrait with Dr Arrieta 1820
• The Clothed Maja 1800
• Picnic on the banks of the Manzanares 1776
• The Snowstorm (Winter) 1787
• Christ Crucified 1780
• Atropos 1819
• The Second of May 1808 1814
• Pedro Romero 1795
• The Milkmaid of Bordeaux 1827
• Saturn Devouring His Son 1819
• Cat fight 1786
• Assault of Thieves 1793
• Don Manuel Osorio de Zuniga 1787
• The Black Duchess 1797
• Judith and Holofernes 1819
• The Death of the Picador 1793
• Charles IV in Red 1789
• The Dog 1819
• San Bernardino of Siena preaching before Alfonso V of Aragon 1781
• La maja desnuda 1800
• Nadie se conoce (Nobody Knows Himself) 1799, printed later
• Fuerte cosa es! (That's Tough!) 1810 / 1820
• Y aun no se van! (And Still They Don't Go!) 1799
• Que valor! (What Courage!) published 1863
• No se convienen (They Do Not Agree) published 1863
• No Hay Quien Los Socorra (Nobody Can Help Them) 1810/1820, printed later
• Maja 1824/1828
• Buen Viage (Bon Voyage) 1799
• Estan Calientes (They Are Hot) 1799
• Mendigos que se llevan solos en Bordeaux (Beggars Who Get about on Their Own in Bordeaux) 1824/1827
• No hay quien nos desate? (Can't Anyone Untie Us?) 1799
• Subir y bajar (To Rise and To Fall) 1799
• Brujas à volar (Witches Preparing to Fly) [verso] 1796/1797
• Mascaras crueles (Cruel Masks) [recto] 1796/1797
• Caritas (Charity) c. 1780, probably printed c. 1920-1930
• Disparate conocido (Well-Known Folly) 1816
• Disparate puntual (Sure Folly) in or after 1816
• Disparate conocido (Well-Known Folly) in or after 1816
• María Teresa de Borbón y Vallabriga, later Condesa de Chinchón 1783
• Esto es lo verdadero (This Is the Truth) 1810/1820
• Fiero monstruo! (Fierce Monster!) 1810/1820
• Young Lady Wearing a Mantilla and Basquina c. 1800/1805
• Don Antonio Noriega 1801
• Los ensacados (The Men in Sacks) in or after 1816
• Disparate de Carnabal (Carnival Folly) in or after 1816
• Disparate femenino (Feminine Folly) in or after 1816
• Victor Guye 1810
• La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid) in or before 1816
• La filiacion (The Filiation) in or before 1799
• Al Conde Palatino (To the Count Palatine) in or before 1799
• Ya van desplumados (There They Go Plucked) in or before 1799
• Ni asi la distingue (Even Thus He Cannot Make Her Out) in or before 1799
• Disparate furioso (Furious Folly) in or after 1816
• Disparate desordenado (Disorderly Folly) in or after 1816
• No se puede saber por que (One Can't Tell Why) 1810/1820
• Esto es lo verdadero (This Is the Truth) 1810/1820
• Dios los cria y ellos se juntan (God Creates Them and They Join Up Together) in or after 1816
• La lealtad (Loyalty) in or after 1816
• Sanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words) in or after 1816
• Disparate claro (Clear Folly) in or after 1816
• Disparate de Carnabal (Carnival Folly) in or after 1816
• Modo de volar (A Way of Flying) in or after 1816
• Disparate allegre (Merry Folly) in or after 1816
• Disparate pobre (Poor Folly) in or after 1816
• El caballo raptor (The Horse-Abductor) in or after 1816
• Disparate general (General Folly) in or after 1816
• Los ensacados (The Men in Sacks) in or after 1816
• Disparate desordenado (Disorderly Folly) in or after 1816
• Disparate furioso (Furious Folly) in or after 1816
• Disparate volante (Flying Folly) in or after 1816
• Bobalicon (Simpleton) in or after 1816
• Disparate ridiculo (Ridiculous Folly) in or after 1816
• Disparate de miedo (Folly of Fear) in or after 1816
• Disparate femenino (Feminine Folly) in or after 1816
• Si es delinquente qe. muera presto (If He is Guilty, Let Him Die Quickly) c. 1810
• La seguridad de un reo no exige tormento (The Custody of a Criminal Does Not Call for Torture c. 1810
• Fiero monstruo! (Fierce Monster!) 1810/1820
• The Blind Singer 1824/1828
• Old Man on a Swing c. 1826/1828
• Old Woman on a Swing 1824/1828
• Bull Attacked by Dogs c. 1825
• Tal para qual (Two of a Kind) in or before 1799
• Si quebro el cantaro (Yes He Broke the Pot) 1799
• Nada (Nothing) 1810/1820
• Modo de volar (A Way of Flying) published 1864
• No se puede mirar (One Can't Look) published 1863
• Tanto y mas (Even Worse) published 1863
• Y esto tambien (And This Too) published 1863
• Yo lo vi (I Saw It) published 1863
• No se convienen (They Do Not Agree) published 1863
• Y no hai remedio (And There's No Help for It) published 1863
• Ni por esas (Neither Do These) published 1863
• No se puede saber por que (One Can't Tell Why) published 1863
• Que valor! (What Courage!) published 1863
• Por que? (Why?) published 1863
• Fuerte cosa es! (That's Tough!) published 1863
• Y son fieras (And They Are Like Wild Beasts) published 1863
• Duendecitos (Hobgoblins) published 1799
• No te escaparas (You Will Not Escape) published 1799
• Si amanece; nos vamos (When Day Breaks We Will Be Off) published 1799
• El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters) published 1799
• Linda maestra! (Pretty Teacher!) published 1799
• Ni mas ni menos (Neither More nor Less) published 1799
• Asta su abuelo (And So Was His Grandfather) published 1799
• A caza de dientes (Out Hunting for Teeth) published 1799
• Quien lo creyera! (Who Would Have Thought It!) published 1799
• El amour y la muerte (Love and Death) published 1799
• Volaverunt (They Have Flown) published 1799
• Por que fue sensible (Because She Was Susceptible) published 1799
• Que viene el coco (Here Comes the Bogey-Man) published 1799
• Nadie nos ha visto (No One Has Seen Us) published 1799
• Quien mas rendido? (Which of Them Is the More Overcome?) published 1799
• Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter) published 1799
• The Garroted Man in or before 1780
• Dios se lo pague a vsted (May God Repay You) probably c. 1804
• La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid) in or before 1816
• Dos grupos de picadores arrollados de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull) in or before 1816
• Banderillas de fuego (Banderillas with Firecrackers) in or before 1816
• Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull) in or before 1816
• Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte") in or before 1816
• El esforzado Rendon picando un toro, de cuya suerte murio en plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid) in or before 1816
• El celebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique) in or before 1816
• Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull) in or before 1816
• Echan perros al toro (They Loose Dogs on the Bull) in or before 1816
• El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid) in or before 1816
• Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse) in or before 1816
• Valor varonil de la celebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in the Ring at Saragossa) in or before 1816
• Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon) in or before 1816
• Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid) in or before 1816
• Otra locura suya en la misma plaza (Another Madness of His in the Same Ring) in or before 1816
• Temeridad de martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring a t Saragossa) in or before 1816
• Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls) in or before 1816
• El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid) in or before 1816
• El famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body) in or before 1816
• El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body) in or before 1816
• Un caballero espanol en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears without the Help of Assistants) in or before 1816
• Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms) in or before 1816
• El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull) in or before 1816
• Carlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid) in or before 1816
• Un caballero espanol mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost His Horse) in or before 1816
• Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring) in or before 1816
• Origen de los arpones o banderillas (Origin of the Harpoons or Banderillas) in or before 1816
• Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous) in or before 1816
• El animoso moro Gazul es el primero que lanceo toros en regla (The Spirited Moor Gazul is the First to Spear Bulls According to Rules) in or before 1816
• Capean otro encerrado (They Play Another with the Cape in an Enclosure) in or before 1816
• Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean un toro en el campo (The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Art of Hunting, and Spear a Bull in the Open) in or before 1816
• Otro modo de cazar a pie (Another Way of Hunting on Foot) in or before 1816
• Modo con que los antiguos Espanoles cazaban los toros a caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country) in or before 1816
• Thérèse Louise de Sureda c. 1803/1804
• Bartolomé Sureda y Miserol c. 1803/1804
• Bullfight in a Divided Ring 1825
• Dibersion de España (Spanish Entertainment) 1825
• Picador Caught by a Bull 1825
• El famoso Americano, Mariano Ceballos (The Famous American, Mariano Ceballos) 1825
• Señora Sabasa Garcia c. 1806/1811
• The Marquesa de Pontejos c. 1786