John Martin
15 public-domain plates in the archive
Born in Northumberland, John Martin began his career as a coach and ceramics painter before exhibiting oil paintings at the Royal Academy, London. His first critical success, Sadak in Search of the Waters of Oblivion (1812, Saint Louis Art Museum), introduced his penchant for dramatic compositions with diminutive figures in vast and often threatening landscapes. Joshua Commanding the Sun to Stand Still upon Gideon (1816, United Grand Lodge of England) and Belshazzar's Feast (1821, private collection) combined meticulous biblical and archaeological research with imaginative pictorial...
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Belshazzar's Feast
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The end of the world
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Paradise Lost: Adam and Eve Driven out of Paradise
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Text and cover, from Illustrations of the Bible
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Joshua Commanding the Sun to Stand Still upon Gibeon
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Joshua Commanding the Sun to Stand Still
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View on the River Wye, Looking towards Chepstow
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Gleaners in the Wheat Field
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Belshazzar's Feast
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Belshazzar's Feast, from Illustrations of the Bible
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Paradise Lost: The Creation of Light
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A Man Playing a Harp with other Figures beside a Lake
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Figures Seated by a Lake in a Wooded Landscape
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The Valley of the Tyne, My Native Country near Henshaw
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Ruins of an Ancient City
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Plates by John Martin
- Ruins of an Ancient City A catalogued plate
- The Valley of the Tyne, My Native Country near Henshaw A catalogued plate
- Figures Seated by a Lake in a Wooded Landscape A catalogued plate
- A Man Playing a Harp with other Figures beside a Lake A catalogued plate
- Paradise Lost: The Creation of Light A catalogued plate
- Belshazzar's Feast, from Illustrations of the Bible A catalogued plate
- Belshazzar's Feast A catalogued plate
- Gleaners in the Wheat Field A catalogued plate
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