William Holman Hunt
19 public-domain plates in the archive
Holman Hunt exhibited an early aptitude for art, which his father, a warehouse manager, initially opposed but later tolerated. Between 1839 and 1843 he practiced drawing and studied with the portrait painter Henry Rogers while sustaining himself as an office clerk. Hunt met John Everett Millais (1829-1896) the same year that he entered the Royal Academy Schools, 1844. A decisive conversion in his attitude toward art came with the reading of John Ruskin's Modern Painters in 1847, immediately after which he embarked on a new style of conscientious naturalism in The Flight of Madeline and...
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The Father's Leave-Taking
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The Triumph of the Innocents
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Claudio and Isabella
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Our English Coasts
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The Miracle of the Holy Fire
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The Finding of the Saviour in the Temple
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The Awakening Conscience
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A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids
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The Artist's Father, William Hunt
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The Father's Leave-Taking
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The Abundance of Egypt
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The Day in the Country
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Father's Leave-Taking
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My Beautiful Lady (top); Of My Lady in Death (bottom), frontispiece to The Germ, No. 1
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The Shadow of Death
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Study of the Crescent Moon in "The Ship"
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The Shadow of Death
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Study for "The Hireling Shepherd"
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Mary Walker Waugh
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