title: The Dream

medium: color lithograph

subjects: Print Switzerland

credit_line: Academie Nationale de Musique: The Dream , 1891. Théophile Alexandre Steinlen (Swiss, 1859–1923), G. Hartmann & Cie Editeurs, 20 rue Daunou, Paris. Color lithograph; sheet: 81.2 x 62.2 cm (31 15/16 x 24 1/2 in.); image: 76.8 x 59.7 cm (30 1/4 x 23 1/2 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.517


title: Horse Devoured by a Lion

creator: Théodore Géricault (French, 1791–1824)

medium: lithograph on chine collé

country: France, 19th century

subjects:
Print
France, 19th century

source: The Cleveland Museum of Art

source_id: cleveland

rights: Public Domain / CC0

rights_statement: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

credit_line: Horse Devoured by a Lion, 1823. Théodore Géricault (French, 1791–1824), Gihaut. Lithograph on chine collé; sheet: 22.8 x 29.7 cm (9 x 11 11/16 in.); image: 19.3 x 23.8 cm (7 5/8 x 9 3/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.533


title: Postman or Two Harnessed Horses

credit_line: Postman or Two Harnessed Horses, 1823. Théodore Géricault (French, 1791–1824), Gihaut. Lithograph on chine collé; sheet: 27.8 x 36.5 cm (10 15/16 x 14 3/8 in.); image: 12.8 x 17 cm (5 1/16 x 6 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.536


title: Egyptian Mare

medium: lithograph

credit_line: Egyptian Mare, 1822. Théodore Géricault (French, 1791–1824). Lithograph; sheet: 22 x 27.9 cm (8 11/16 x 11 in.); image: 18.1 x 23.5 cm (7 1/8 x 9 1/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.537


title: Seated Woman

creator: Charles Marie Dulac (French, 1865–1898)

date: late 1800s

medium: lithograph on chine collé printed in red-brown ink

credit_line: Seated Woman, late 1800s. Charles Marie Dulac (French, 1865–1898). Lithograph on chine collé printed in red-brown ink; sheet: 31.8 x 24.2 cm (12 1/2 x 9 1/2 in.); image: 28.9 x 18.6 cm (11 3/8 x 7 5/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.542


title: The Walker

creator: Jean Louis Forain (French, 1852–1931)

medium: etching

credit_line: The Walker , 1880–86. Jean Louis Forain (French, 1852–1931). Etching; sheet: 25.3 x 18 cm (9 15/16 x 7 1/16 in.); platemark: 15 x 9.8 cm (5 7/8 x 3 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.547


title: Paris Scenes and Murderers

medium: lithograph printed in black and red

country: France

subjects: Print France

credit_line: Paris Scenes and Murderers, 1800s. Adolphe Léon Willette (French, 1857–1926). Lithograph printed in black and red; sheet: 35 x 22 cm (13 3/4 x 8 11/16 in.); image: 23.9 x 27.4 cm (9 7/16 x 10 13/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.552


subjects:
Costume & fashion
Print
France, 19th century

credit_line: Military Costumes: Grenadier of the Royal Guard , 1814–18. Nicolas Toussaint Charlet (French, 1792–1845). Lithograph. The Cleveland Museum of Art, Gift of John Bonebrake, 2009.577


title: Vanity Case (Nécessaire)

creator: James Barbot (British)

medium: agate and gold

country: England, mid 18th century

credit_line: Vanity Case (Nécessaire), c. 1750. Or James Barbot (British), manner of James Cox (British). Agate and gold; overall: 7.3 x 8.3 x 6 cm (2 7/8 x 3 1/4 x 2 3/8 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.67


medium: supplementary weft pattern, wool

subjects:
Ornament & design
Costume & fashion
Textile

credit_line: Long Stole with Botehs and Orange Center, 1850–55. Austria, England, France, or Scotland, 19th century. Supplementary weft pattern, wool; overall: 308.6 x 57.1 cm (121 1/2 x 22 1/2 in.). The Cleveland Museum of Art, Gift of Arlene C. Cooper, 2010.135


title: The Veteran

medium: oil on canvas

country: France, 19th Century

subjects:
Painting
France, 19th century

credit_line: The Veteran, 1870. Marie-François Firmin-Girard (French, 1838–1921). Oil on canvas; unframed: 43 x 30.3 cm (16 15/16 x 11 15/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.20


creator: Ernst Fries (German, 1801–1833)

medium: lithograph printed in black and two tint stones: medium ochre overall and dark ochre/warm grey selectively

country: Germany, 19th century

subjects:
Print
Germany, 19th century

credit_line: Six Views of Heidelberg Castle: Castle Terrace , 1820. Ernst Fries (German, 1801–1833), Mohr & Winter, Heidelberg. Lithograph printed in black and two tint stones: medium ochre overall and dark ochre/warm grey selectively; sheet: 38.5 x 50 cm (15 3/16 x 19 11/16 in.). The Cleveland Museum of Art, Prints & Drawings Sundry Art Purchase and Dudley P. Allen Fund, 2010.280.5


title: London Types: Bluecoat Boy

creator: William Nicholson (British, 1872–1949)

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: London Types: Bluecoat Boy, 1898. William Nicholson (British, 1872–1949), Heineman. Color lithograph; sheet: 33.2 x 27.5 cm (13 1/16 x 10 13/16 in.); image: 25.4 x 22.9 cm (10 x 9 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.622


title: Twelve Portraits: Sir Henry Hawkins

subjects:
Print
England, 19th century
Portraits

credit_line: Twelve Portraits: Sir Henry Hawkins, 1898. William Nicholson (British, 1872–1949). Color lithograph; sheet: 27.6 x 25.2 cm (10 7/8 x 9 15/16 in.); image: 25.4 x 23.1 cm (10 x 9 1/8 in.); secondary support: 41.8 x 37.7 cm (16 7/16 x 14 13/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.636


title: Houses by the Bridge, Orthez

creator: Ian Strang (British, 1886–1952)

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: Houses by the Bridge, Orthez, 1926. Ian Strang (British, 1886–1952). Etching; sheet: 29.6 x 39.4 cm (11 5/8 x 15 1/2 in.); image: 23.8 x 32.8 cm (9 3/8 x 12 15/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.658


title: Lord Rich

medium: color stipple engraving

country: England, 18th Century

subjects:
Print
England, 18th century

credit_line: Lord Rich, 1794. Francesco Bartolozzi (British, 1727–1815), John Chamberlaine, after Hans Holbein (German, c. 1465–1524). Color stipple engraving; sheet: 40.9 x 33.3 cm (16 1/8 x 13 1/8 in.); platemark: 39 x 31.6 cm (15 3/8 x 12 7/16 in.); secondary support: 54.6 x 41.9 cm (21 1/2 x 16 1/2 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.664


title: The War

creator: Henri Rousseau (French, 1844–1910)

credit_line: Symbolist journal Ymagier II: The War, 1894–1895. Henri Rousseau (French, 1844–1910), Rèmy de Gourmont and Alfred Jarry. Lithograph; sheet: 25.7 x 38.5 cm (10 1/8 x 15 3/16 in.); image: 22 x 32.5 cm (8 11/16 x 12 13/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 2011.10


title: A Beech Wood with a Resting Traveler

creator: Christoph Nathe (German, 1753–1806)

medium: brown and gray wash with extensive point of brush work, with traces of black chalk underdrawing on ivory wove paper

subjects:
Drawing
Germany, 19th century

credit_line: A Beech Wood with a Resting Traveler, 1803. Christoph Nathe (German, 1753–1806). Brown and gray wash with extensive point of brush work, with traces of black chalk underdrawing on ivory wove paper; sheet: 37.5 x 57.6 cm (14 3/4 x 22 11/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2011.118


title: The Main Brace

credit_line: The Main Brace, 1929. Arthur John Trevor Briscoe (British, 1873–1943). Etching; sheet: 47.8 x 31.6 cm (18 13/16 x 12 7/16 in.); platemark: 35.5 x 25.4 cm (14 x 10 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2011.180


title: S. Giorgio Maggiore

creator: Michele Marieschi (Italian, 1710–1743)

country: Italy, 18th century

subjects:
Print
Italy, 18th century

credit_line: S. Giorgio Maggiore, 1741. Michele Marieschi (Italian, 1710–1743). Etching; sheet: 42.5 x 59.4 cm (16 3/4 x 23 3/8 in.); platemark: 32 x 46.7 cm (12 5/8 x 18 3/8 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2011.185


title: Game Pie Dish

medium: earthenware

subjects:
Ceramic
England, 19th century

credit_line: Game Pie Dish, c. 1860–80. Minton Pottery and Porcelain Factory (British). Earthenware; overall: 18.6 x 34.5 x 21.5 cm (7 5/16 x 13 9/16 x 8 7/16 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.120


title: Cover for a Vegetable Bowl

medium: porcelain

country: France, Limoges

subjects:
Ceramic
France, limoge

credit_line: Cover for a Vegetable Bowl, c. 1890–1910. France, Limoges. Porcelain; overall: 9.6 x 28 x 16.9 cm (3 3/4 x 11 x 6 5/8 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.121.b


title: Tankard

medium: ceramic

country: England, 18th century

subjects:
Ceramic
England, 18th century

credit_line: Tankard , c. 1770. England, 18th century. Ceramic; overall: 15 x 14.5 x 11.1 cm (5 7/8 x 5 11/16 x 4 3/8 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.131


title: Cann

credit_line: Cann, c. 1775. England, 18th century. Ceramic; overall: 11.5 x 8.5 x 12 cm (4 1/2 x 3 3/8 x 4 3/4 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.132


title: Tankard

credit_line: Tankard, 1765. England, 18th century. Ceramic; diameter: 11.5 cm (4 1/2 in.); overall: 16 x 16.1 cm (6 5/16 x 6 5/16 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.133


title: Wine Glass

creator: René Lalique (French, 1860–1945)

medium: glass

country: France, 20th century

subjects:
Glass
France, 20th century

credit_line: Wine Glass, 1925. René Lalique (French, 1860–1945). Glass; diameter: 7.8 cm (3 1/16 in.); overall: 18.3 cm (7 3/16 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.136


title: Egypt and Nubia, Volume I: Frontispiece

creator: Louis Haghe (British, 1806–1885)

credit_line: Egypt and Nubia, Volume I: Frontispiece, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 60.3 x 43.6 cm (23 3/4 x 17 3/16 in.); image: 49.9 x 35 cm (19 5/8 x 13 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.141


credit_line: Egypt and Nubia, Volume III: Bullack, Cairo, c. 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 45.3 x 60.3 cm (17 13/16 x 23 3/4 in.); image: 32.5 x 48.5 cm (12 13/16 x 19 1/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.146


credit_line: Egypt and Nubia, Volume II: Part of the Hall of Columns at Karnak, Thebes, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 46.3 x 40.6 cm (18 1/4 x 16 in.); image: 35.7 x 25.2 cm (14 1/16 x 9 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.205


title: Gustave Planche

medium: bronze

subjects:
Sculpture
France, 19th century

credit_line: Gustave Planche, 1832. Pierre-Jean David d'Angers (French, 1788–1856). Bronze; overall: 14.5 x 14.5 x 1.9 cm (5 11/16 x 5 11/16 x 3/4 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.263


title: Landscape near Granby, Connecticut

country: America

subjects: Painting America Landscapes

credit_line: Landscape near Granby, Connecticut, 1870s. Hendrik Dirk Kruseman van Elten (American, born The Netherlands, 1829–1904). Oil on canvas; unframed: 32 x 54.6 cm (12 5/8 x 21 1/2 in.). The Cleveland Museum of Art, Hinman B. Hurlbut Collection, 1915.690


title: Hinman B. Hurlbut

subjects: Painting America

credit_line: Hinman B. Hurlbut, 1870s. John Harrison Witt (American, 1840–1901). Oil on canvas; unframed: 97.8 x 76.9 cm (38 1/2 x 30 1/4 in.). The Cleveland Museum of Art, Hinman B. Hurlbut Collection, 1915.696


title: Sword (Kalis or Sundang)

date: before 1916

country: Philippines

subjects:
Arms and armor
Philippine

credit_line: Sword (Kalis or Sundang), before 1916. Philippines. Blade: metal with brass inlay; grip: cord; pommel: silver; overall: 71.3 x 11.1 x 3.2 cm (28 1/16 x 4 3/8 x 1 1/4 in.); scabbard: 56.1 x 5.1 x 1.8 cm (22 1/16 x 2 x 11/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.751.a


title: Scabbard for Sword (Kalis or Sundang)

medium: Wood and fiber cord

credit_line: Scabbard for Sword (Kalis or Sundang), before 1916. Philippines. Wood and fiber cord; overall: 71.3 x 11.1 x 3.2 cm (28 1/16 x 4 3/8 x 1 1/4 in.); scabbard: 56.1 x 5.1 x 1.8 cm (22 1/16 x 2 x 11/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.751.b


medium: gum tempera and ink on palm leaves

subjects: Painting Palms

credit_line: Text, Folio 11 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.11.a


credit_line: Text, Folio 122 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.122.a


credit_line: Text, Folio 142 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.142.b


credit_line: Text, Folio 152 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.152.b


credit_line: Text, folio 164 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.164.a


credit_line: Text, folio 164 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.164.b


credit_line: Text, folio 171 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.171.b


credit_line: Text, Folio 29 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.29.a


credit_line: Text, Folio 30 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.30.b


credit_line: Text, Folio 33 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.33.b


credit_line: Text, Folio 36 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.36.b


credit_line: Text, folio 44 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.44.a


credit_line: Text, folio 46 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.46.b


credit_line: Text, Folio 57 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.57.b


credit_line: Text, Folio 66 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.66.b


credit_line: Text, Folio 75 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.75.a


credit_line: Text, Folio 78 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.78.a


credit_line: Text, Folio 80 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.80.a


credit_line: Text, Folio 81 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.81.a


medium: jade

country: China, Qing dynasty (1644-1911)

subjects:
Jade
China, qing dynasty (1644-1911)

credit_line: Three-Sectional Altar Group: Small Bowl with Carved Dragon with Lid and Base, 1644–1911. China, Qing dynasty (1644-1911). Jade. The Cleveland Museum of Art, Bequest of Cornelia Blakemore Warner, 1947.683.2


title: Fragment of a Chasuble

medium: velvet (cut and voided); silk

country: Italy, beginning of the 15th century

subjects:
Velvet
Italy, beginning of the 15th century

credit_line: Fragment of a Chasuble, 1400–1420. Italy, beginning of the 15th century. Velvet (cut and voided); silk; overall: 24.1 x 12.1 cm (9 1/2 x 4 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1951.493.e


title: Gaming Piece (obverse)

creator: Martin Brunner (German, 1659–1725)

medium: wood

country: Germany, late 17th-early 18th Century

subjects:
Furniture and woodwork
Germany, late 17th-early 18th century

credit_line: Gaming Piece (obverse), c.1700. Martin Brunner (German, 1659–1725). Wood; diameter: 6.1 cm (2 3/8 in.); overall: 1.3 cm (1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1953.691.4.a


title: L'Incendie de Louvain

medium: pen and brush and black ink with white highlights

subjects:
Drawing
France, 20th century

credit_line: L'Incendie de Louvain, 1914. Auguste Louis Lepère (French, 1849–1918). Pen and brush and black ink with white highlights. The Cleveland Museum of Art, Delia E. Holden Fund, 1974.147.b


medium: black crayon

credit_line: La Mort et les Passions fondant sur la terre, 1914. Auguste Louis Lepère (French, 1849–1918). Black crayon. The Cleveland Museum of Art, Delia E. Holden Fund, 1974.149.d


creator: Yoshitsugu Haizan (Japanese, 1846–1915)

date: late 1800s-early 1900s

medium: page spread from double-sided accordion album; ink and color on paper

country: Japan, Meiji period (1868–1912) or Taishō period (1912–26)

credit_line: Painting One from Album of Paintings by Haizan, late 1800s-early 1900s. Yoshitsugu Haizan (Japanese, 1846–1915). Page spread from double-sided accordion album; ink and color on paper. The Cleveland Museum of Art, Gift of Irene D. Goldhamer, 1997.247.b


medium: Ink and gold on paper

credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.107.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.107.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.111.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.113.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.114.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.120.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.122.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.129.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.148.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.149.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.152.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.158.b


credit_line: Text, folio 17 (recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.17.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.171.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.177.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.187.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.190.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.29.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.37.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.44.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.52.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.62.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.62.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.79.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.81.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.94.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.99.a


title: London Types: Drum-Major

medium: woodcut hand-colored with watercolor

subjects:
Print
England, 19th century

credit_line: London Types: Drum-Major, 1898. William Nicholson (British, 1872–1949). Woodcut hand-colored with watercolor; sheet: 50.7 x 49.5 cm (19 15/16 x 19 1/2 in.); border: 25.4 x 22.9 cm (10 x 9 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.87.11


title: London Types: Guardsman

credit_line: London Types: Guardsman, 1898. William Nicholson (British, 1872–1949). Woodcut hand-colored with watercolor; sheet: 50.5 x 49.5 cm (19 7/8 x 19 1/2 in.); border: 25.5 x 23 cm (10 1/16 x 9 1/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.87.2


title: Locket Panel (3 of 4)

creator: Alexis Falize (French, 1811–1898)

medium: gold and cloisonné enamel

country: France, 19th century

subjects:
Jewelry
France, 19th century

credit_line: Locket Panel (3 of 4), 1800s. Alexis Falize (French, 1811–1898), Antoine Tard (French, active 1860–1889). Gold and cloisonné enamel; overall: 5.4 x 3.1 cm (2 1/8 x 1 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 2013.9.c


title: Portrait of William Powell

creator: James Scouler (British, 1740–1812)

medium: miniature on ivory in gilt-wood and gesso frame

subjects:
Portrait miniature
England, 18th century
Portraits

credit_line: Portrait of William Powell, c. 1765. James Scouler (British, 1740–1812). Miniature on ivory in gilt-wood and gesso frame; overall: 13.4 cm (5 1/4 in.). The Cleveland Museum of Art, Alma Kroeger Fund, 2013.92


medium: porcelain, sepia enamel, gold leaf

credit_line: Saucer from Oliver Wolcott, Jr. Tea Service (4 of 6), 1785–1805. Chinese Export porcelain, late 18th-early 19th century. Porcelain, sepia enamel, gold leaf; overall: 3 x 13 cm (1 3/16 x 5 1/8 in.). The Cleveland Museum of Art, Gift of Harvey Buchanan in memory of Penelope Draper Buchanan and Dorothy Tuckerman Draper, 2013.98.4.b


title: Alphonse

medium: color lithograph

country: Italy, 20th century

subjects:
Print
Italy, 20th century

credit_line: Alphonse, 1894. Julius Mendes Price (British, 1857-1924). Color lithograph; sheet: 39.7 x 26.9 cm (15 5/8 x 10 9/16 in.); image: 33.7 x 20.4 cm (13 1/4 x 8 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.232


credit_line: published in Vanity Fair June 19, 1886; Vanity Fair. (Boston: Frame Central, 1992.)  p. 17, 19 June, 1886, M. No. 362: Vanity Fair: "The Autocrat of the Breakfast Table", 1886. Leslie Matthew (Spy) Ward (British, 1851–1922), Vincent Brooks Day & Son. Color lithograph; sheet: 38.2 x 26.4 cm (15 1/16 x 10 3/8 in.); image: 31.5 x 18.8 cm (12 3/8 x 7 3/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.263


country: Italy, 19th century

subjects:
Print
Italy, 19th century

credit_line: published in Vanity Fair Oct. 29, 1870: Vanity Fair: Statesmen No. 67 "The representative of Romance", 1870. Carlo (Ape) Pellegrini (Italian, 1839–1889). Color lithograph; sheet: 35 x 23.6 cm (13 3/4 x 9 5/16 in.); image: 30.6 x 18.7 cm (12 1/16 x 7 3/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.278


title: Vanity Fair: "Hydrophobia"

creator: Théobald Chartran (French, 1849–1907)

subjects:
Print
France, 19th century

credit_line: published in Vanity Fair Jan 8, 1887: Vanity Fair: "Hydrophobia", 1887. Théobald Chartran (French, 1849–1907). Color lithograph; sheet: 40.8 x 27 cm (16 1/16 x 10 5/8 in.); image: 31.5 x 18.8 cm (12 3/8 x 7 3/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.291


creator: Carle Vernet (French, 1758–1836)

medium: lithograph gravure en couleurs a l'aquantinte par Debucourt

credit_line: Scenes of Daily Life, Roads and Paths: Road to Saint-Cloud (Scènes de la vie quotidienne, Route et Chemins: Route de Saint-Cloud), 1816. Carle Vernet (French, 1758–1836), Bance. Lithograph gravure en couleurs a l'aquantinte par Debucourt; sheet: 9 x 14 cm (3 9/16 x 5 1/2 in.); image: 8.4 x 11.6 cm (3 5/16 x 4 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.315


title: Portrait of Theo van Rysselberghe

creator: Édouard Vuillard (French, 1868–1940)

medium: etching and aquatint

country: France, 19th-20th century

subjects:
Print
France, 19th-20th century
Portraits

credit_line: Portrait of Theo van Rysselberghe, c. 1898. Édouard Vuillard (French, 1868–1940). Etching and aquatint; sheet: 23.7 x 32.6 cm (9 5/16 x 12 13/16 in.); platemark: 9.8 x 14 cm (3 7/8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.322


medium: lithograph

country: Switzerland

subjects: Print Switzerland

credit_line: Gil Blas Illustré: Une Curiosité, par Alexandre Hepp, 1897. Théophile Alexandre Steinlen (Swiss, 1859–1923). Lithograph; sheet: 35.6 x 25 cm (14 x 9 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.371


medium: wood engraving

credit_line: Bois du Monde: Les troubles du quartier Latin, 1882. Auguste Louis Lepère (French, 1849–1918), published in Le Monde Illustree, June 10, 1882, and later issued as signed print in the delux portfolio Bois du Monde. Wood engraving; sheet: 32.1 x 47 cm (12 5/8 x 18 1/2 in.); image: 15.6 x 22.1 cm (6 1/8 x 8 11/16 in.). The Cleveland Museum of Art, Gift of Dr. Irving and Enid Kushner, 2014.656


creator: John Sell Cotman (British, 1782–1842)

medium: softground etching, from a bound volume containing 48 plates

country: England, 19th century

credit_line: Liber Studiorum: Plate 4, View on the Yare, Norfolk, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 15.1 x 20.4 cm (5 15/16 x 8 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.e


credit_line: Liber Studiorum: Plate 32, Caernarvon Castle, N. Wales, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 18.8 x 12.7 cm (7 3/8 x 5 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.gg


title: Liber Studiorum: Plate 37, A Study

credit_line: Liber Studiorum: Plate 37, A Study, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 20.1 x 15.2 cm (7 15/16 x 6 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.ll


credit_line: Liber Studiorum: Plate 14, Tan-y-Bwlch, Merionethshire, North Wales, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 12.5 x 17.4 cm (4 15/16 x 6 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.o


credit_line: Liber Studiorum: Plate 21, View in North Wales, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 7.5 x 11.4 cm (2 15/16 x 4 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.v


title: Tristesse sur la Mer

creator: Raoul André Ulmann (French, 1867–1932)

medium: Color lithograph

country: France, Paris

credit_line: L'Estampe Moderne: Tristesse sur la Mer, 1898. Raoul André Ulmann (French, 1867–1932). Color lithograph; sheet: 39.9 x 30.5 cm (15 11/16 x 12 in.); image: 23.1 x 34.9 cm (9 1/8 x 13 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.cc


title: Jeux de Fillettes à Laghouat

creator: Étienne Dinet (French, 1861–1929)

credit_line: L'Estampe Moderne: Jeux de Fillettes à Laghouat, 1899. Étienne Dinet (French, 1861–1929). Color lithograph; sheet: 39.8 x 30.5 cm (15 11/16 x 12 in.); image: 24.4 x 34.5 cm (9 5/8 x 13 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.d


title: Impéria

country: France

credit_line: L'Estampe Moderne: Impéria, c. 1899. Alfred-Pierre Agache (French, 1843–1915), Imprimerie Champenois. Color lithograph from bound volume containing 50 lithographs, each with a tissue paper guard; sheet: 40.1 x 30.6 cm (15 13/16 x 12 1/16 in.); image: 33.7 x 24.8 cm (13 1/4 x 9 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.uu


creator: Victor Petit (French, 1817–1874)

medium: lithograph with tint stone, from portfolio of 100 lithographs with tint stone

subjects:
Architecture
Print
France, 19th century

credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl.17, Ruine De St. Jean-Le-Bas (Aisne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36.2 x 27.4 cm (14 1/4 x 10 13/16 in.); image: 23 x 14 cm (9 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.17


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 29, Chateau De La Bouverie (Sarthe), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36 x 27.5 cm (14 3/16 x 10 13/16 in.); image: 23 x 14 cm (9 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.28


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 41, Galerie Du Château De Jouancy (Saone et Loire), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.6 x 27.1 cm (14 x 10 11/16 in.); image: 22.8 x 14.1 cm (9 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.40


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 65, Le ChasteLet-Neuf (Corrèze), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.7 x 27.6 cm (14 1/16 x 10 7/8 in.); image: 22.9 x 14 cm (9 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.63


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 76, Pavillon De Chaumont (Saône et Loire), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.7 x 27.6 cm (14 1/16 x 10 7/8 in.); image: 23.5 x 14 cm (9 1/4 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.74


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 87, Prieuré de Sainte Gaudulfe (Eure), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.8 x 27.8 cm (14 1/8 x 10 15/16 in.); image: 23 x 14.1 cm (9 1/16 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.85


creator: Charles Marie Dulac (French, 1865–1898)

subjects:
Print
France, 19th century
Landscapes
Lilies

credit_line: Suite de Paysages: Landscape, Plate 6, Remarque, Lilies, 1892–93. Charles Marie Dulac (French, 1865–1898), Printer: Lemercier, Imprimeur Lemercier. Color lithograph; sheet: 64.9 x 50.4 cm (25 9/16 x 19 13/16 in.); image: 47.7 x 35.7 cm (18 3/4 x 14 1/16 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.7.8


title: Disasters of War: Pl. 37, This is worse

creator: Francisco de Goya (Spanish, 1746–1828)

medium: Etching and aquatint

country: Spain

subjects: Print Spain

credit_line: Disasters of War: Pl. 37, This is worse , 1810–1813. Francisco de Goya (Spanish, 1746–1828), Real Academia. Etching and aquatint; sheet: 22.7 x 30.9 cm (8 15/16 x 12 3/16 in.); platemark: 15.7 x 20.2 cm (6 3/16 x 7 15/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust, 2015.24


title: An Alphabet: J for Jockey

creator: William Nicholson (British, 1872–1949)

medium: lithograph on wove paper

country: Britain

subjects: Print Britain

credit_line: An Alphabet: J for Jockey, 1838. William Nicholson (British, 1872–1949). Lithograph on wove paper; image: 24.8 x 20 cm (9 3/4 x 7 7/8 in.); sheet: 30.8 x 24.4 cm (12 1/8 x 9 5/8 in.); matted: 40.6 x 35.4 cm (16 x 13 15/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard Davis in memory of Harvey Buchanan and Penelope Draper Buchanan, 2016.605


medium: glazed stoneware with molded and sculpted decoration

country: China, Western Jin dynasty (265-316 CE)

subjects:
Ceramic
China, western jin dynasty (265-316 ce)
Birds

credit_line: Funerary Urn (Hunping) with Figures, Pavilions, and Birds, 265–316 CE. China, Western Jin dynasty (265-316 CE). Glazed stoneware with molded and sculpted decoration; overall: 53 x 30 cm (20 7/8 x 11 13/16 in.). The Cleveland Museum of Art, Gift of Donna and James Reid, 2017.22


country: Germany

subjects: Print Germany

credit_line: Peter from Christ, the Apostles, and Saint Paul, 1563/64. Lucas Cranach the Elder, After (German, 1472–1553). Woodcut with letterpress text, hand colored; image and sheet: 21.9 x 11.6 cm (8 5/8 x 4 9/16 in.). The Cleveland Museum of Art, Anonymous Gift in honor of Jane Glaubinger, 2017.277.3


title: Monks Outside Temple, Ceylon

creator: A. W. A. Plâté Studio (Ceylonese)

medium: platinum print

country: Ceylon

subjects: Architecture Photograph Ceylon

credit_line: Monks Outside Temple, Ceylon, c. 1880s. A. W. A. Plâté Studio (Ceylonese). Platinum print; image: 23.6 x 28.7 cm (9 5/16 x 11 5/16 in.); paper: 23.6 x 28.7 cm (9 5/16 x 11 5/16 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos, 2018.493


title: Trees and Roots

creator: Eugène Atget (French, 1857–1927)

medium: albumen print from wet collodion negative

country: France, 20th century

subjects:
Photograph
France, 20th century
Trees

credit_line: Trees and Roots, 1900s. Eugène Atget (French, 1857–1927). Albumen print from wet collodion negative; image and paper: 22.5 x 17.7 cm (8 7/8 x 6 15/16 in.). The Cleveland Museum of Art, Gift of Arielle Kozloff Brodkey in memory of Dr. Jerald S. Brodkey, 2019.85


medium: albumen print from collodion negative

subjects:
Photograph
France
Reptiles & amphibians

credit_line: Palace of the Nuns at Uxmal (detail from the façade of the snake), c. 1860. Claude-Joseph-Désiré Charnay (French, 1828–1915). Albumen print from collodion negative; image: 27 x 39.8 cm (10 5/8 x 15 11/16 in.); paper: 30.4 x 42.5 cm (11 15/16 x 16 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2021.41


medium: ambrotype, sixth plate

country: America

subjects: Photograph America

credit_line: High Rock Tower and Stone Cottage, Lynn, Massachusetts, c. 1862. America. Ambrotype, sixth plate; overall: 7 x 8.3 cm (2 3/4 x 3 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2021.46


title: Black Woman and White Child

medium: daguerreotype, sixth plate

credit_line: Black Woman and White Child, c. 1855. America. Daguerreotype, sixth plate; overall: 8.3 x 7 cm (3 1/4 x 2 3/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.80


medium: daguerreotype, half-plate

credit_line: Secretary for a Lodge of a Temperance Organization, c. 1854–55. America. Daguerreotype, half-plate; overall: 14 x 10.8 cm (5 1/2 x 4 1/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.86


title: Seated Masonic lodge master and wife

medium: daguerreotype, quarter plate

credit_line: Seated Masonic lodge master and wife, c. 1852–53. America. Daguerreotype, quarter plate; overall: 11.4 x 8.3 cm (4 1/2 x 3 1/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.97


title: Untitled (man posing as a ballerina)

medium: woodburytype or gelatin silver print

country: America or England, 19th century

subjects:
Photograph
America or england, 19th century

credit_line: Untitled (man posing as a ballerina), 1870s-1880s. America or England, 19th century. Woodburytype or gelatin silver print; image: 21 x 13.3 cm (8 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.365


medium: albumen print mounted on an album page

subjects:
Photograph
England, 19th century

credit_line: Ashoka Pillar moved to its present position by Feroz Shah, 1870s-1880s (?). England, 19th century. Albumen print mounted on an album page; mounted: 35.6 x 45.7 cm (14 x 18 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.370.a


subjects:
Photograph
England, 19th century
Ships & the sea

credit_line: Untitled (elephant being loaded onto a ship, recto), 1870s-1880s. England, 19th century. Albumen print mounted on an album page; mounted: 27.9 x 35.6 cm (11 x 14 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.423.a


medium: tapestry weave; wool and linen

subjects: Egypt, abbasid or tulunid period, 9th century

credit_line: Square, Probably a Segmentum from a Tunic, 800s. Egypt, Abbasid or Tulunid period, 9th century. Tapestry weave; wool and linen; overall: 16.5 x 18.8 cm (6 1/2 x 7 3/8 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1914.562


title: Madam Han Neefang

medium: hanging scroll; ink and color on silk

country: China, Ming dynasty (1368–1644)

subjects:
Painting
China, ming dynasty (1368–1644)

credit_line: Madam Han Neefang, 1368–1644. China, Ming dynasty (1368–1644). Hanging scroll; ink and color on silk; painting: 130 x 78.3 cm (51 3/16 x 30 13/16 in.). The Cleveland Museum of Art, Gift of Charles L. Freer, 1915.112


title: Sickle Blade

medium: flint

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.23


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.30


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.35


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.54


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.58


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.63


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.70


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.81


title: Buckle

medium: silver

country: China, Tang dynasty (618–907)

subjects:
Jewelry
China, tang dynasty (618–907)

credit_line: Buckle, 618–907. China, Tang dynasty (618–907). Silver; overall: 5.8 cm (2 5/16 in.). The Cleveland Museum of Art, General Income Fund, 1915.403


title: Comb

medium: Wood and wire

credit_line: Comb, c. 1900s?. Africa, Central Africa, Democratic Republic of Congo, Luba-style maker. Wood and wire; overall: 4.5 cm (1 3/4 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1915.452


title: Embroidered Cover

date: 19th century

medium: embroidery: silk on cotton tabby ground

country: Uzbekistan, Bukhara, 19th century

subjects:
Embroidery
Uzbekistan, bukhara, 19th century

credit_line: Embroidered Cover, 19th century. Uzbekistan, Bukhara, 19th century. Embroidery: silk on cotton tabby ground; average: 257.9 x 157.5 cm (101 9/16 x 62 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1277


title: Embroidered Fragment

medium: embroidery; gold on velvet

country: India, 18th or 19th century

subjects:
Embroidery
India, 18th or 19th century

credit_line: Embroidered Fragment, 1700s or 1800s. India, 18th or 19th century. Embroidery; gold on velvet; overall: 111.8 x 94 cm (44 x 37 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1369


title: Gold Embroidered Pistol Cover

medium: embroidery; gold metallic thread

subjects: Embroidery Spain

credit_line: Gold Embroidered Pistol Cover, 1700s. Spain. Embroidery; gold metallic thread; overall: 53.3 x 55.9 cm (21 x 22 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1370.2


title: Velvet Panel

medium: velvet

country: Iran, 19th century

subjects:
Velvet
Iran, 19th century

credit_line: Velvet Panel, 1800s. Iran, 19th century. Velvet; overall: 80 x 51.5 cm (31 1/2 x 20 1/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1382


title: Two Pieces from a Scarf

medium: brocade

country: Iran, 18th century

subjects:
Costume & fashion
Textile
Iran, 18th century

credit_line: Two Pieces from a Scarf, 1700s. Iran, 18th century. Brocade; overall: 38.5 x 50.5 cm (15 3/16 x 19 7/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1429.a


title: Architectural Fragment

medium: stone

subjects: Architecture Sculpture France

credit_line: Architectural Fragment, 1400–1450. France. Stone; overall: 29.9 x 31.1 x 15.3 cm (11 3/4 x 12 1/4 x 6 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1916.2049


title: Earring

medium: silver, enamel, and red glass beads

country: Russia

subjects: Jewelry Russia

credit_line: Earring, 1800s. Russia. Silver, enamel, and red glass beads; overall: 6.4 x 2.6 cm (2 1/2 x 1 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.546


title: Sari

medium: tie-dyed, embroidered borders

country: India, 19th century

subjects:
Costume & fashion
Textile
India, 19th century

credit_line: Sari, 1800s. India, 19th century. Tie-dyed, embroidered borders; overall: 155 x 165.1 cm (61 x 65 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1917.1000


title: Gambling Dice

date: before 1917

medium: hollow shell, resin, glass beads, mica/seashell fragment

country: California, Tulare, Unassigned

subjects:
Tool and equipment
California, tulare, unassigned
Shells & molluscs

credit_line: Gambling Dice, before 1917. California, Tulare, Unassigned. Hollow shell, resin, glass beads, mica/seashell fragment; overall: 1.5 x 2 cm (9/16 x 13/16 in.). The Cleveland Museum of Art, Presented by William Albert Price in memory of Mrs. William Albert Price, 1917.413.2.g


title: Wall Hanging

date: late 1700s–early 1800s

country: China, Qing dynasty (1644-1911)

subjects:
Costume & fashion
Textile
China, qing dynasty (1644-1911)

credit_line: Wall Hanging, late 1700s–early 1800s. China, Qing dynasty (1644-1911). Silk; satin weave ground with supplementary silk weft wool; overall: 188 x 378.4 cm (74 x 149 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Ralph King, 1917.952


title: Stamped Velvet

medium: velvet (cut and stamped): silk

country: Spain

subjects: Velvet Spain

credit_line: Stamped Velvet, 1600s. Spain. Velvet (cut and stamped): silk; overall: 36 x 16.5 cm (14 3/16 x 6 1/2 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.213


title: Orphrey Band

medium: silk and metal thread: compound weave (lampas) with gold brocade

country: Italy, Florence

subjects:
Costume & fashion
Textile
Italy, florence

credit_line: Orphrey Band, 1450–99. Italy, Florence. Silk and metal thread: compound weave (lampas) with gold brocade; overall: 17.8 x 26.7 cm (7 x 10 1/2 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.32


title: Lace Insertion

medium: Bobbin lace

country: Italy

subjects: Lace Italy

credit_line: Lace Insertion, 1600s–1700s. Italy. Bobbin lace; average: 2.6 x 14.7 cm (1 x 5 13/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1053


title: Lace Edging

medium: Bobbin lace (Punto di Milano)

country: Italy, Milan

subjects:
Lace
Italy, milan

credit_line: Lace Edging, 1600s–1700s. Italy, Milan. Bobbin lace (Punto di Milano); average: 12.5 x 48.3 cm (4 15/16 x 19 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1213


title: Lace Edging

country: Belgium, Binche

subjects:
Lace
Belgium, binche

credit_line: Lace Edging, 1740–60. Belgium, Binche. Bobbin lace; average: 5.1 x 78.1 cm (2 x 30 3/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1234


title: Lace Insertion and Points

country: Italy, Venice

subjects:
Lace
Italy, venice

credit_line: Lace Insertion and Points, 1540–60. Italy, Venice. Bobbin lace (needle lace, reticella design); average: 9 x 3.9 cm (3 9/16 x 1 9/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.851


title: Quai de l'Hôtel de Ville

medium: wood engraving

country: France, 19th-20th century

subjects:
Print
France, 19th-20th century

credit_line: Quai de l'Hôtel de Ville, 1886. Auguste Louis Lepère (French, 1849–1918). Wood engraving. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1921.1327


title: Mask

medium: Wood and paint

credit_line: Mask, c. 1910. Africa, West Africa, Nigeria, Yorùbá-style maker. Wood and paint; overall: 17.8 x 26.8 x 23 cm (7 x 10 9/16 x 9 1/16 in.). The Cleveland Museum of Art, Gift of W. A. Price, 1921.1531


medium: painting on pith paper

country: China, Qing dynasty (1644–1911)

subjects:
Painting
China, qing dynasty (1644–1911)
Butterflies & moths
Flowers

credit_line: Painting Seven from Illustrated Book of Flowers and Butterflies, 1800s. China, Qing dynasty (1644–1911). Painting on pith paper; each page: 25.2 x 36.4 cm (9 15/16 x 14 5/16 in.); each painting: 20.1 x 32 cm (7 15/16 x 12 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Henry F. Lyman, 1921.915.g


title: Quai des Grands Augustins, Paris

credit_line: Quai des Grands Augustins, Paris, 1886. Auguste Louis Lepère (French, 1849–1918). Wood engraving. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1922.207


title: Mummy Linen

medium: plain weave: linen

subjects: Egypt, new kingdom (1540–1069 bce), dynasty 18

credit_line: Mummy Linen, 1550–1291 BCE?. Egypt, New Kingdom (1540–1069 BCE), Dynasty 18. Plain weave: linen; overall: 26.7 x 31.1 cm (10 1/2 x 12 1/4 in.). The Cleveland Museum of Art, Gift of Brown University through Dr. H. C. Bumpus, 1922.511.c


title: Lace Edging

country: Belgium, Mechelen

subjects:
Lace
Belgium, mechelen

credit_line: Lace Edging, 1780–99. Belgium, Mechelen. Silk: bobbin lace (with Mechelen cordonnet); average: 5.8 x 62.2 cm (2 5/16 x 24 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Justin G. Sholes, 1924.487


medium: etching and aquatint

subjects: Print Spain

credit_line: God Creates Them and They Join Up Together, 1815–24. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Gift of Philip Hofer, 1924.915


title: Head of a Patriarch

date: 1368–1644 or earlier

medium: wood covered with lacquer

subjects: China, ming dynasty (1368-1644) or earlier

credit_line: Head of a Patriarch, 1368–1644 or earlier. China, Ming dynasty (1368-1644) or earlier. Wood covered with lacquer; overall: 32 x 20 cm (12 5/8 x 7 7/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.133


title: Une Matinee Avenue de Clichy

creator: Auguste Brouet (French, 1872–1941)

date: before 1925

medium: etching

country: France, 20th century

subjects:
Print
France, 20th century

credit_line: Une Matinee Avenue de Clichy, before 1925. Auguste Brouet (French, 1872–1941). Etching. The Cleveland Museum of Art, Gift of Ralph King, 1925.25


title: Box of Architectural Instruments

creator: Pre. Le Maire (French)

medium: wood, fabric, and metal

country: France, Paris

subjects:
Architecture
Tool and equipment
France, pari

credit_line: Box of Architectural Instruments, 1753. Pre. Le Maire (French). Wood, fabric, and metal; box: 10.2 x 45.1 x 22.9 cm (4 x 17 3/4 x 9 in.). The Cleveland Museum of Art, Anonymous gift in memory of Dr. Dudley P. Allen, 1925.757


title: Fragmentary Segmentum from a Tunic

medium: tapestry; linen and wool

country: Egypt, Abbasid period

subjects:
Costume & fashion
Textile
Egypt, abbasid period

credit_line: Fragmentary Segmentum from a Tunic, 750 – 799. Egypt, Abbasid period. Tapestry; linen and wool; overall: 16.9 x 13.1 cm (6 5/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of George D. Pratt, 1926.156


title: Rug or Saddle Blanket

subjects:
Costume & fashion
Textile

credit_line: Rug or Saddle Blanket, c. 1890–1910. America, Native North American, Southwest, Navajo. Cotton and wool (handspun): tapestry weave; overall: 127 x 92 cm (50 x 36 1/4 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1927.490


title: Plane

medium: oak

subjects:
Tool and equipment
Spain

credit_line: Plane, 1600s. Spain. Oak; overall: 88.3 cm (34 3/4 in.). The Cleveland Museum of Art, Anonymous gift in memory of Dr. Dudley P. Allen, 1927.51


title: Embroidery

medium: embroidery; wool and silk thread

subjects: Embroidery Spain

credit_line: Embroidery, 1700s. Spain. Embroidery; wool and silk thread; average: 44.5 x 75 cm (17 1/2 x 29 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1930.334


medium: Gum tempera, ink, and gold on paper

credit_line: Text, Folio 19 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.19.b


credit_line: Text, Folio 2 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.2.b


credit_line: Text, Folio 38 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.38.b


credit_line: Text, Folio 40 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.40.b


credit_line: Text, Folio 42 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.42.b


credit_line: Text, Folio 50 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.50.b


title: Lace Handkerchief

country: France

subjects: Embroidery France

credit_line: Lace Handkerchief, 1800–1820. France. Plain weave linen ground: needle lace (drawnwork) border, bobbin lace edging, and embroidery; overall: 63.5 x 63.5 cm (25 x 25 in.). The Cleveland Museum of Art, Gift of Mrs. Henry White Cannon, 1936.14


title: Lace Handkerchief

country: Belgium, Brussels

subjects:
Lace
Belgium, brussel

credit_line: Lace Handkerchief, 1700–1750. Belgium, Brussels. Plain weave linen center with bobbin lace (Point d'Angleterre) edging; average: 44.5 x 44.5 cm (17 1/2 x 17 1/2 in.). The Cleveland Museum of Art, Gift of Elisabeth Ireland in memory of her mother, Mrs. P. W. Harvey, 1936.688


title: Embroidered Handkerchief

subjects: Embroidery Italy

credit_line: Embroidered Handkerchief, 1700s. Italy. Plain weave linen with needle lace (drawnwork) and embroidery; overall: 48.3 x 50.8 cm (19 x 20 in.). The Cleveland Museum of Art, Gift of Robert Livingston Ireland Jr. in memory of his mother, Mrs. P. W. Harvey, 1936.733


medium: gum tempera and ink on palm leaves

subjects: Painting Palms

credit_line: Text, Folio 154 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.154.b


title: Landscape

creator: Gabriel Perelle (French, c. 1603–1677)

subjects: Print France Landscapes

credit_line: Landscape, 1600s. Gabriel Perelle (French, c. 1603–1677). Etching. The Cleveland Museum of Art, Gift of Robert Hays Gries, 1939.595


creator: Wenceslaus Hollar (Bohemian, 1607–1677)

country: Bohemia

subjects: Print Bohemia

credit_line: The Several Habits of English Women, from the Nobility to the Country Women as they are in these times:  The Woman with a Handkerchief, 1639. Wenceslaus Hollar (Bohemian, 1607–1677). Etching. The Cleveland Museum of Art, Gift of Robert Hays Gries, 1939.611


title: Combats and Triumphs No. 8

medium: engraving

subjects: Print France

credit_line: Combats and Triumphs No. 8, c. 1550–72. Etienne Delaune (French, 1518/19-c. 1583). Engraving. The Cleveland Museum of Art, Gift of Robert Hays Gries, 1939.632


title: Embroidered Handkerchief

medium: Plain weave linen, embroidered

country: France or Switzerland

subjects:
Embroidery
France or switzerland

credit_line: Embroidered Handkerchief, 1800s. France or Switzerland. Plain weave linen, embroidered; average: 29.6 x 29.6 cm (11 5/8 x 11 5/8 in.). The Cleveland Museum of Art, Gift of Mrs. Louis Rorimer, 1940.9


title: Cruet Stand

creator: Paul Storr (British, 1771–1844)

medium: silver

country: England, London

subjects:
Silver
England, london

credit_line: Cruet Stand, 1817–18. Paul Storr (British, 1771–1844). Silver; overall: 24.8 x 24.2 x 14 cm (9 3/4 x 9 1/2 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Otto Miller, 1941.600.1


title: Beaded Necklace

date: early 1900s

medium: Glass beads and cord

country: Africa, probably Southern Africa

subjects:
Jewelry
Africa, probably southern africa

credit_line: Beaded Necklace, early 1900s. Africa, probably Southern Africa. Glass beads and cord; diameter: 0.3 cm (1/8 in.). The Cleveland Museum of Art, Gift of W. A. Price, 1942.1531


title: Cardinal Arnaud d'Ossat

creator: Gerard Edelinck (French, 1640–1707)

credit_line: Cardinal Arnaud d'Ossat, c. 1670–1700. Gerard Edelinck (French, 1640–1707). Engraving. The Cleveland Museum of Art, Gift of Robert Hays Gries, 1942.873


title: Sugar Tongs

credit_line: Sugar Tongs, c. 1750. England, London. Silver; overall: 11.8 cm (4 5/8 in.). The Cleveland Museum of Art, The Thomas S. Grasselli Memorial Collection, 1943.186


title: Blouse in four pieces (sleeve)

country: Philippines

subjects: Embroidery Philippine

credit_line: Blouse in four pieces (sleeve), 1800s. Philippines. Plain weave piña; needle lace (drawnwork) and white cotton embroidery; overall: 45.8 x 92.1 cm (18 1/16 x 36 1/4 in.). The Cleveland Museum of Art, Gift of Mrs. O. E. Kelsey, 1943.380.c


title: Lace Flounce

medium: Linen: bobbin lace

credit_line: Lace Flounce, 1700s. Belgium, Brussels. Linen: bobbin lace; average: 304 x 60.3 cm (119 11/16 x 23 3/4 in.). The Cleveland Museum of Art, Gift of Mrs. Edward S. Harkness in memory of Mrs. Stephen V. Harkness, 1946.414


title: Sleeve (one of two)

country: United States

subjects:
Embroidery
United state

credit_line: Sleeve (one of two), 1800s. United States. Plain weave cotton with appliqué and embroidery; overall: 41.6 x 39.6 cm (16 3/8 x 15 9/16 in.). The Cleveland Museum of Art, Gift of Mrs. Gertrude Ely Rossiter, 1946.442.b


creator: Israël Silvestre (French, 1621–1691)

credit_line: Vue du Château de Fontainebleau, du côté de l'Orangerie, 1679. Israël Silvestre (French, 1621–1691). Engraving. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1950.184


title: Textile Fragment

medium: silk and linen: lampas weave

country: Italy, Florence

subjects:
Costume & fashion
Textile
Italy, florence

credit_line: Textile Fragment, 1450–99. Italy, Florence. Silk and linen: lampas weave; average: 43.9 x 43.2 cm (17 5/16 x 17 in.). The Cleveland Museum of Art, Gift of Paul O. Berliz, 1951.85


title: Silk Fragment

medium: fancy satin, brocaded: silk and metal threads

country: Spain

subjects:
Costume & fashion
Textile
Spain

credit_line: Silk Fragment, 1700s. Spain. Fancy satin, brocaded: silk and metal threads; average: 97.8 x 55.9 cm (38 1/2 x 22 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.298


title: Fragment of Textile

medium: fancy satin, brocaded: wool

credit_line: Fragment of Textile, 1700s. Spain. Fancy satin, brocaded: wool; average: 109.3 x 46.1 cm (43 1/16 x 18 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.318


title: Silk Fragment

medium: plain compound cloth, brocaded; silk and metal

credit_line: Silk Fragment, 1700s. Spain. Plain compound cloth, brocaded; silk and metal; average: 80 x 55.3 cm (31 1/2 x 21 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.486


title: Goats

creator: August Gaul (German, 1869–1921)

medium: lithograph

country: Germany, 20th century

subjects:
Print
Germany, 20th century

credit_line: Goats, c. 1889–1921. August Gaul (German, 1869–1921). Lithograph. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1956.295


creator: Jacques Callot (French, 1592–1635)

medium: etching

credit_line: The Martyrdom of the Apostles:  St. Andrew, c. 1632. Jacques Callot (French, 1592–1635). Etching. The Cleveland Museum of Art, James Parmelee Fund, 1958.434


creator: Eric Gill (British, 1882–1940)

medium: wood engraving

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: Animals All:  Who Were the First to Cry Nowell?, 1916. Eric Gill (British, 1882–1940). Wood engraving. The Cleveland Museum of Art, Gift of Mrs. Malcolm L. McBride, 1959.297


title: Woman with a Millstone Ruff

credit_line: Woman with a Millstone Ruff, 1644. Wenceslaus Hollar (Bohemian, 1607–1677). Etching. The Cleveland Museum of Art, Gift of Mr. and Mrs. Severance A. Millikin, 1960.125


title: Three Sisters

date: 1868 and later

medium: etching and drypoint

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: Three Sisters, 1868 and later. Francis Seymour Haden (British, 1818–1910). Etching and drypoint. The Cleveland Museum of Art, Gift of Mrs. Malcolm L. McBride, 1965.265


title: The Pawnshop

creator: Jean Henri Marlet (French, 1770–1847)

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Scenes of Paris: The Pawnshop, 1820s. Jean Henri Marlet (French, 1770–1847). Lithograph. The Cleveland Museum of Art, L. E. Holden Fund, 1966.348


title: Covered Cup

creator: Gabriel Sleath (British, 1674–1756)

credit_line: Covered Cup, 1723–24. Gabriel Sleath (British, 1674–1756). Silver; overall: 25.7 x 23.2 x 13.7 cm (10 1/8 x 9 1/8 x 5 3/8 in.). The Cleveland Museum of Art, Gift of Mrs. Warren H. Corning in honor of Warren Holmes Corning, 1970.117.1


title: Cap

country: Netherlands

subjects: Garment Netherland

credit_line: Cap, 1900–1950. Netherlands. Machine-made lace net, plain weave cotton, bobbin lace edging and embroidery; overall: 35.6 x 17.8 x 22.9 cm (14 x 7 x 9 in.). The Cleveland Museum of Art, Gift of Mrs. Charles Arter, 1972.1232


title: Square Segmentum with Two Birds

medium: tapestry; linen and wool

country: Egypt, Byzantine period

subjects:
Tapestry
Egypt, byzantine period
Birds

credit_line: Square Segmentum with Two Birds, 400s - 500s. Egypt, Byzantine period. Tapestry; linen and wool; overall: 10 x 10 cm (3 15/16 x 3 15/16 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1982.379


title: The Four Seasons:  Summer

credit_line: The Four Seasons:  Summer, 1641. Wenceslaus Hollar (Bohemian, 1607–1677). Etching. The Cleveland Museum of Art, Anne Elizabeth Wilson Memorial Fund, 1989.96.1


title: The Four Seasons:  Winter

credit_line: The Four Seasons:  Winter, 1641. Wenceslaus Hollar (Bohemian, 1607–1677). Etching. The Cleveland Museum of Art, Anne Elizabeth Wilson Memorial Fund, 1989.96.3


title: Daoist Immortal

creator: Hanabusa Itchō (Japanese, 1652–1724)

medium: hanging scroll, ink and color on paper

country: Japan, Edo period (1615–1868)

subjects:
Painting
Japan, edo period (1615–1868)

credit_line: Daoist Immortal, 1615–1868. Hanabusa Itchō (Japanese, 1652–1724). Hanging scroll, ink and color on paper; overall: 38.2 x 51.2 cm (15 1/16 x 20 3/16 in.). The Cleveland Museum of Art, Gift of Leighton R. and Rosemarie Longhi, 1998.293


title: Staff

medium: Iron

credit_line: Staff, 1900s. Africa, West Africa, Mali, Bamana-style blacksmith-carver. Iron; overall: 50.1 x 4.9 x 10.5 cm (19 3/4 x 1 15/16 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Phyllis Sloane in memory of Rose White, 1998.86


title: Autumn Landscape

creator: Yang Borun (Chinese, 1837–1911)

medium: hanging scroll; ink and color on paper

country: China, Jiaxing, Qing dynasty (1644–1911)

subjects: China, jiaxing, qing dynasty (1644–1911)

credit_line: Autumn Landscape, late 1800s–1911. Yang Borun (Chinese, 1837–1911). Hanging scroll; ink and color on paper; overall: 146 x 58 cm (57 1/2 x 22 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1999.14


title: The Martyrs of Japan

country: France

credit_line: The Martyrs of Japan, 1600s. Jacques Callot (French, 1592–1635). Etching; sheet: 17.1 x 11.7 cm (6 3/4 x 4 5/8 in.); platemark: 16.7 x 11.3 cm (6 9/16 x 4 7/16 in.). The Cleveland Museum of Art, Gift of Ann and Richard Gridley, 2001.31


title: Three Worthy Christians

creator: Daniel Hopfer (German, c. 1470–1536)

date: after 1516

country: Germany

subjects: Print Germany

credit_line: Three Worthy Christians, after 1516. Daniel Hopfer (German, c. 1470–1536), after a design by Hans Burgkmair (German, 1473–1531). Etching; sheet: 17 x 24.5 cm (6 11/16 x 9 5/8 in.); platemark: 14.8 x 22.1 cm (5 13/16 x 8 11/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2001.49


medium: bronze

subjects: Coin Trees

credit_line: Provincial Coin: Apollo Sauroktonos, Tree (reverse), 138–61 CE. Roman, minted at Nicopolis ad Istrum (Moesia Inferior). Bronze; diameter: 2 cm (13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2004.93.b


creator: Claude Mellan (French, 1598–1688)

medium: engraving

subjects: Print France

credit_line: Henriette-Marie d'Angleterre, duchess d'Orleans, 1655–61, published 1781. Claude Mellan (French, 1598–1688). Engraving; sheet: 14.2 x 10.5 cm (5 9/16 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.299


title: St. Philip Neri

country: Germany, 19th century

subjects:
Print
Germany, 19th century

credit_line: St. Philip Neri , 1826. Johann Friedrich Overbeck (German, 1789–1869), Carl Schulze. Etching; sheet: 19.9 x 13.6 cm (7 13/16 x 5 3/8 in.); platemark: 14.1 x 8.3 cm (5 9/16 x 3 1/4 in.). The Cleveland Museum of Art, L. E. Holden Fund, 2006.175


title: Set of Six Spoons in Original Box

creator: Liberty and Company (British)

country: England, London

subjects:
Silver
England, london

credit_line: Set of Six Spoons in Original Box, c. 1895–1910. Liberty and Company (British), attributed to Archibald Knox (British, 1864–1933). Silver, enamel decoration and leather box. The Cleveland Museum of Art, Gift of Henry H. Hawley, 2008.166.5


title: Brooch

medium: pearls, diamonds, enamel, gold, platinum

country: America, New Jersey, Newark

subjects:
Jewelry
America, new jersey, newark

credit_line: Brooch, c. 1890–1910. America, New Jersey, Newark. Pearls, diamonds, enamel, gold, platinum; overall: 5.3 x 3.7 x 1.8 cm (2 1/16 x 1 7/16 x 11/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.361


title: The Siege of La Rochelle: Plate 13

credit_line: The Siege of La Rochelle: Plate 13, 1628–1630. Assistant of Jacques Callot (French, 1592–1635). Engraving; sheet: 63.9 x 20 cm (25 3/16 x 7 7/8 in.); platemark: 56.8 x 16.3 cm (22 3/8 x 6 7/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2009.4.13


title: The Siege of La Rochelle: Plate 3

medium: etching and engraving

credit_line: The Siege of La Rochelle: Plate 3, 1628–1630. Jacques Callot (French, 1592–1635), and Abraham Bosse (French, 1602–1676). Etching and engraving; sheet: 22.1 x 61.3 cm (8 11/16 x 24 1/8 in.); platemark: 16.2 x 59 cm (6 3/8 x 23 1/4 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2009.4.3


creator: Louis Haghe (British, 1806–1885)

medium: lithograph with black and beige tint stone

credit_line: The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia (Vol. III): Entrance to Petra, 1842. Louis Haghe (British, 1806–1885), F. G. Moon (British, 1797–1871), after David Roberts (Scottish, 1796–1864). Lithograph with black and beige tint stone; sheet: 60.9 x 43 cm (24 x 16 15/16 in.); image: 52 x 34.1 cm (20 1/2 x 13 7/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.559


title: Aeneid

creator: Pierre Lombart (French, 1612–1682)

credit_line: Aeneid, 1658. Pierre Lombart (French, 1612–1682), after Francis Cleyn (German, 1582–1658). Engraving; sheet: 25.8 x 19.8 cm (10 3/16 x 7 13/16 in.); image: 25.8 x 19.8 cm (10 3/16 x 7 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.304


medium: wood engraving from bound volume of 34

credit_line: Fontainebleau Forest: Manufacturer of Slats (La Forêt de Fontainebleau: Le Fabricant de lattes), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 7.4 x 9.5 cm (2 15/16 x 3 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.z


creator: Felice A. Beato (British, 1832–1909)

medium: albumen print

subjects:
Photograph
England, 19th century

credit_line: Lucknow After the Siege: The Churchyard and Residency in the Distance, 1858. Felice A. Beato (British, 1832–1909). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2019.170.31


title: Shah Najaf

credit_line: Lucknow After the Siege: Shah Najaf, 1858. Felice A. Beato (British, 1832–1909). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2019.170.34


title: St. Peter

creator: Hendrick Goltzius (Dutch, 1558–1617)

subjects: Print Netherland

credit_line: Christ, St. Paul, and the Twelve Apostles: St. Peter, c. 1578. Hendrick Goltzius (Dutch, 1558–1617), after Maarten de Vos (Flemish, 1532–1603). Engraving; plate: 21.2 x 29.3 cm (8 3/8 x 11 9/16 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2019.180.2


title: St. Philippus

credit_line: Christ, St. Paul, and the Twelve Apostles: St. Philippus, c. 1578. Hendrick Goltzius (Dutch, 1558–1617), after Maarten de Vos (Flemish, 1532–1603). Engraving; plate: 20.9 x 28.1 cm (8 1/4 x 11 1/16 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2019.180.8


creator: Ferdinand Olivier (German, 1785–1841)

credit_line: Seven Areas from Salzburg and Berchtesgaden. Arranged according to the seven days of the week, connected by two allegorical sheets (Sieben Gegenden aus Salzburg und Berchtesgaden. Geordnet nach den sieben Tagen der Woche, verbunden durch zwey allegorische Blätter): Tuesday. Bergveste Salzburg from the Midday Side, 1818–23. Ferdinand Olivier (German, 1785–1841). Lithograph; sheet: 19.5 x 27.5 cm (7 11/16 x 10 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.52.3


title: Dedication. John XI, 25

credit_line: Seven Areas from Salzburg and Berchtesgaden. Arranged according to the seven days of the week, connected by two allegorical sheets (Sieben Gegenden aus Salzburg und Berchtesgaden. Geordnet nach den sieben Tagen der Woche, verbunden durch zwey allegorische Blätter): Dedication. John XI, 25, 1818–23. Ferdinand Olivier (German, 1785–1841). Lithograph; sheet: 19.5 x 27.5 cm (7 11/16 x 10 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.52.8


medium: tapestry (originally inwoven in tabby ground); linen and wool

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, byzantine period

credit_line: Fragment, Part of an Ornament from a Garment, 500s. Egypt, Byzantine period. Tapestry (originally inwoven in tabby ground); linen and wool; overall: 8 x 9.9 cm (3 1/8 x 3 7/8 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1914.547


title: One of Three Pieces of an Arrow

medium: wood

credit_line: One of Three Pieces of an Arrow, 2123–1814 BCE. Egypt, First Intermediate period (2123–2040 BCE)–Middle Kingdom (2040–1648 BCE). Wood; part 1: 15.3 cm (6 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1914.871.a


title: Jug

medium: earthenware

country: Iran or Iraq, Seljuq period (1037–1194)

subjects:
Ceramic
Iran or iraq, seljuq period (1037–1194)

credit_line: Jug, 1100s–1200s. Iran or Iraq, Seljuq period (1037–1194). Earthenware; overall: 15.5 x 11 cm (6 1/8 x 4 5/16 in.). The Cleveland Museum of Art, The Worcester R. Warner Collection, 1915.305


title: Seated Buddha

medium: jade

country: China, Qing dynasty (1644-1911)

subjects:
Jade
China, qing dynasty (1644-1911)

credit_line: Seated Buddha, 1700s–1800s. China, Qing dynasty (1644-1911). Jade; overall: 31.6 x 27.4 cm (12 7/16 x 10 13/16 in.). The Cleveland Museum of Art, Gift of Ralph King, 1915.352


title: Vase: Ding ware

medium: porcelain

country: China, Ming dynasty (1368–1644)

subjects:
Ceramic
China, ming dynasty (1368–1644)

credit_line: Vase: Ding ware, 1368–1644. China, Ming dynasty (1368–1644). Porcelain; diameter: 20 cm (7 7/8 in.); overall: 33.7 cm (13 1/4 in.). The Cleveland Museum of Art, Gift of Ralph King, 1915.364


title: Jar, T'u Ting yao

credit_line: Jar, T'u Ting yao, 1368–1644. China, Ming dynasty (1368–1644). Porcelain; diameter: 27 cm (10 5/8 in.); overall: 76.8 cm (30 1/4 in.). The Cleveland Museum of Art, Gift of Ralph King, 1915.389


title: Ring

date: 200 CE or later

medium: agate

subjects: China, han dynasty (202 bce–220 ce) or later

credit_line: Ring, 200 CE or later. China, Han dynasty (202 BCE–220 CE) or later. Agate; diameter: 3.5 cm (1 3/8 in.). The Cleveland Museum of Art, Gift of A. W. Bahr, 1915.401


title: Jar:  Kuang Tung

subjects:
Ceramic
China, qing dynasty (1644-1911)

credit_line: Jar:  Kuang Tung, 1644–1911. China, Qing dynasty (1644-1911). Porcelain; diameter: 29.6 cm (11 5/8 in.); overall: 53.7 cm (21 1/8 in.). The Cleveland Museum of Art, Gift of Ralph King, 1915.409


title: Jug

date: 300s CE or later

medium: glass

country: Syro-Palestinian, Roman

subjects:
Glass
Syro-palestinian, roman

credit_line: Jug, 300s CE or later. Syro-Palestinian, Roman. Glass; overall: 12.5 x 7.1 x 5.8 cm (4 15/16 x 2 13/16 x 2 5/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.550


title: Mirror

country: China, Eastern Han dynasty (25–220 CE)

subjects:
Metalwork
China, eastern han dynasty (25–220 ce)

credit_line: Mirror, 25–220 CE. China, Eastern Han dynasty (25–220 CE). Bronze; diameter: 16 cm (6 5/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.607


title: Mirror

medium: bronze with silver inlay in lacquer

country: China, Tang dynasty (618-907)

subjects:
Metalwork
China, tang dynasty (618-907)

credit_line: Mirror, 618–907. China, Tang dynasty (618-907). Bronze with silver inlay in lacquer; overall: 17.8 x 17.8 cm (7 x 7 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.609


title: Embroidered Panel

medium: embroidery

country: Italy

subjects: Embroidery Italy

credit_line: Embroidered Panel, 1600s. Italy. Embroidery; overall: 100.3 x 181 cm (39 1/2 x 71 1/4 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.669


title: Fragments of a Shawl

medium: twill weave, brocaded; wool

country: India, Kashmir, 19th century

subjects:
Costume & fashion
Textile
India, kashmir, 19th century

credit_line: Fragments of a Shawl, 19th century. India, Kashmir, 19th century. Twill weave, brocaded; wool; overall: 43.1 x 36 cm (16 15/16 x 14 3/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.678


medium: polychrome woodblock print; ink and color on paper

subjects:
Print
Japan, edo period (1615–1868)

credit_line: Musashi  Province from the series Fashionable Six Jewel Rivers (Furyu Mu Tamagawa), c. 1804. Kitagawa Utamaro (Japanese, c. 1754–1806). Polychrome woodblock print; ink and color on paper; overall: 39.2 x 27 cm (15 7/16 x 10 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1104.a


title: Earring

medium: gold and enamel with pearls

country: Italy, Naples

subjects:
Jewelry
Italy, naple

credit_line: Earring, 1700s–1800s. Italy, Naples. Gold and enamel with pearls; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.111.1


creator: Chōbunsai Eishi (Japanese, 1756–1829)

date: early 1790s

medium: woodblock print from a triptych

credit_line: Women in a Pleasure Boat on the Sumida River, early 1790s. Chōbunsai Eishi (Japanese, 1756–1829). Woodblock print from a triptych; sheet: 38.8 x 25.8 cm (15 1/4 x 10 3/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1122.b


title: Hanging

medium: silk, embroidery

subjects:
Embroidery
China, qing dynasty (1644-1911)

credit_line: Hanging, 1850–1916. China, Qing dynasty (1644-1911). Silk, embroidery; overall: 132 x 127.7 cm (51 15/16 x 50 1/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1245


title: Earring

medium: gold

country: Italy, Sardinia

subjects:
Jewelry
Italy, sardinia

credit_line: Earring, 1700s - 1800s. Italy, Sardinia. Gold; overall: 11.8 cm (4 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.127.1


title: Prayer Mat

medium: embroidery, silk and gold thread

country: India, 18th-19th century

subjects:
Embroidery
India, 18th-19th century

credit_line: Prayer Mat, 1700s - 1800s. India, 18th-19th century. Embroidery, silk and gold thread; overall: 47.6 x 32.7 cm (18 3/4 x 12 7/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1275


title: Bedspread

medium: embroidery: silk on linen tabby ground

subjects: Greece, cyclade islands, naxos, 19th century

credit_line: Bedspread, 1800s. Greece, Cyclades Islands, Naxos, 19th century. Embroidery: silk on linen tabby ground; overall: 170.2 x 115.6 cm (67 x 45 1/2 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1312


title: Embroidered Cover

medium: embroidery: silk, metal, and cotton thread on cotton  ground; silk edging and velvet appliqué

country: India, 19th century

subjects:
Embroidery
India, 19th century

credit_line: Embroidered Cover, 1800s. India, 19th century. Embroidery: silk, metal, and cotton thread on cotton  ground; silk edging and velvet appliqué; overall: 125 x 88 cm (49 3/16 x 34 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1364


title: Ring

medium: gold band, silver setting with rubies, diamonds, opal, emerald and garnet

country: Italy or France, 18th century

subjects:
Jewelry
Italy or france, 18th century

credit_line: Ring, 1700s. Italy or France, 18th century. Gold band, silver setting with rubies, diamonds, opal, emerald and garnet; diameter: 1.8 cm (11/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.151


title: Velvet Fragment

medium: velvet (cut, voided, and brocaded): silk and gold thread

subjects: Velvet Italy

credit_line: Velvet Fragment, 1400s. Italy. Velvet (cut, voided, and brocaded): silk and gold thread; overall: 18.5 x 72.4 cm (7 5/16 x 28 1/2 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.284


title: Hood of a Cape

medium: brocade

subjects:
Costume & fashion
Textile
Italy

credit_line: Hood of a Cape, 1500s. Italy. Brocade; overall: 49.5 x 46.5 cm (19 1/2 x 18 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.291


title: Damask Fragment

medium: damask

credit_line: Damask Fragment, 1500s. Italy. Damask; overall: 53.5 x 50 cm (21 1/16 x 19 11/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.301


title: Silk Textile

medium: lampas weave (?), silk

credit_line: Silk Textile, 1600s. Italy. Lampas weave (?), silk; overall: 39.3 x 25.1 cm (15 1/2 x 9 7/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.913


title: Burial Urn (base)

country: Siam, 19th century

subjects:
Metalwork
Siam, 19th century

credit_line: Burial Urn (base), 1800s. Siam, 19th century. Gold; overall: 37.5 cm (14 3/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1919.573.a


title: Textile Fragment

medium: fancy compound cloth; silk

credit_line: Textile Fragment, 1600s. Italy. Fancy compound cloth; silk; overall: 39.3 x 21 cm (15 1/2 x 8 1/4 in.). The Cleveland Museum of Art, General Income Fund, 1920.1461


title: Lace Edging with Points

medium: Bobbin lace (rose lace)

country: Italy, possibly Genoa

subjects:
Lace
Italy, possibly genoa
Roses

credit_line: Lace Edging with Points, 1600s. Italy, possibly Genoa. Bobbin lace (rose lace); average: 6.7 x 19.1 cm (2 5/8 x 7 1/2 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.856


title: Medal

medium: bronze

country: France, 20th century

subjects:
Metalwork
France, 20th century

credit_line: Medal, 1918. Edmond-Eugene-Emile Lindauer (French, 1869–1942). Bronze; diameter: 5.1 cm (2 in.). The Cleveland Museum of Art, Gift of Lawrence Hitchcock, 1922.161


title: Console Table

medium: carved and painted wood

country: France

subjects:
Furniture and woodwork
France

credit_line: Console Table, c. 1720. France. Carved and painted wood; overall: 84.5 x 97.5 x 51.5 cm (33 1/4 x 38 3/8 x 20 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1923.225.a


title: Chateau Chambord from the Gardens

creator: Jacques Rigaud (French, 1681–1754)

medium: engraving

subjects: Print France

credit_line: Chateau Chambord from the Gardens, c. 1720–50. Jacques Rigaud (French, 1681–1754). Engraving. The Cleveland Museum of Art, Gift of Mrs. Andrew Squire, 1924.691


title: The Cascades of St. Cloud

credit_line: The Cascades of St. Cloud, c. 1720–50. Jacques Rigaud (French, 1681–1754). Engraving. The Cleveland Museum of Art, Gift of Mrs. Andrew Squire, 1924.701


title: View of the Cascade de Seaux

credit_line: View of the Cascade de Seaux, c. 1720–50. Jacques Rigaud (French, 1681–1754). Engraving. The Cleveland Museum of Art, Gift of Mrs. Andrew Squire, 1925.464


title: Madonna with the White Raven

medium: etching

subjects: Print Italy

credit_line: Madonna with the White Raven, 1500s. School of Annibale Carracci (Italian, c. 1560–1609). Etching. The Cleveland Museum of Art, Gift of Ralph King, 1925.53


title: Henry IV, King of France

credit_line: Henry IV, King of France, 1765. After Gabriel de Saint-Aubin (French, 1724–1780), Pierre Chenu (French, 1718?-1795). Engraving. The Cleveland Museum of Art, Gift of Richard Owen, 1928.629


title: Madonna and Children

creator: Jean Louis Forain (French, 1852–1931)

medium: drypoint

credit_line: Madonna and Children, 1909. Jean Louis Forain (French, 1852–1931). Drypoint. The Cleveland Museum of Art, Gift of Mrs. Ralph King, 1929.49


title: Sketch (verso)

medium: brush and black wash

subjects: Drawing Italy

credit_line: Sketch (verso), 1500s. Italy. Brush and black wash; sheet: 15.7 x 14.8 cm (6 3/16 x 5 13/16 in.). The Cleveland Museum of Art, The Charles W. Harkness Endowment Fund, 1929.556.b


title: Bust of a Man

creator: Pablo Picasso (Spanish, 1881–1973)

country: Spain

subjects: Print Spain

credit_line: The Saltimbanques: Bust of a Man, 1905, printed 1913. Pablo Picasso (Spanish, 1881–1973), Louis Fort (French, active 1800s–1900s), Ambroise Vollard (French, 1867–1939). Drypoint; image and plate: 12 x 9 cm (4 3/4 x 3 9/16 in.); sheet: 50.9 x 32.6 cm (20 1/16 x 12 13/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1929.899


title: The Two Saltimbanques

credit_line: The Saltimbanques: The Two Saltimbanques, 1905, printed 1913. Pablo Picasso (Spanish, 1881–1973), Louis Fort (French, active 1800s–1900s), Ambroise Vollard (French, 1867–1939). Drypoint; image and plate: 12 x 9 cm (4 3/4 x 3 9/16 in.); sheet: 51 x 33 cm (20 1/16 x 13 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1929.900


credit_line: Collection of Various Caprices and New Designs of Cartouches and Ornaments:  No. 2, Dedication Page, 1646. Stefano Della Bella (Italian, 1610–1664). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1932.374.2


title: Brocaded Silk

medium: brocade on tabby; silk

subjects:
Costume & fashion
Textile
France

credit_line: Brocaded Silk, 1723 – 1774. France. Brocade on tabby; silk; overall: 48.3 x 47.1 cm (19 x 18 9/16 in.). The Cleveland Museum of Art, Gift of Mrs. Ralph M. Coe and Mrs. Henry C. Osborn, 1933.163


title: Lace Edging for a Sheet

subjects: Lace Italy

credit_line: Lace Edging for a Sheet, 1600–1799. Italy. Linen: needle lace (cutwork) and silk embroidery, silk fringe; overall: 66.5 x 231.7 cm (26 3/16 x 91 1/4 in.). The Cleveland Museum of Art, Bequest of Louise Tifft Brown, 1933.321


title: View of a Woods

credit_line: View of a Woods, c. 1778. Antoine de Marcenay de Ghuy (French, 1724–1811). Etching. The Cleveland Museum of Art, Gift of Robert Hays Gries, 1939.589.c


title: Decorative Panel

creator: Pierre Rousseau (French, 1751–1829)

medium: oil on canvas

subjects:
Ornament & design
Painting
France

credit_line: Decorative Panel, 1790s. Pierre Rousseau (French, 1751–1829). Oil on canvas; unframed: 264 x 55 x 3.5 cm (103 15/16 x 21 5/8 x 1 3/8 in.). The Cleveland Museum of Art, Gift of Grace Rainey Rogers in memory of her father, William J. Rainey, 1942.2.5


title: Length of Velvet

medium: velvet; silk

credit_line: Length of Velvet, 1600s. Italy. Velvet; silk; overall: 254 x 50.2 cm (100 x 19 3/4 in.). The Cleveland Museum of Art, Bequest of John L. Severance, 1942.835


title: Landscape: Sunrise

creator: Alphonse Legros (French, 1837–1911)

country: France, 19th century

subjects:
Print
France, 19th century
Landscapes

credit_line: Landscape: Sunrise, c. 1857–1911. Alphonse Legros (French, 1837–1911). Drypoint. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1945.311


title: The Little Shed (Le Petit Hangar)

subjects:
Print
France, 19th century

credit_line: The Little Shed (Le Petit Hangar), c. 1857–1911. Alphonse Legros (French, 1837–1911). Drypoint. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1945.325


title: Who'll Turn the Grindstone?

medium: graphite

country: America

subjects: Drawing America

credit_line: Who'll Turn the Grindstone?, c. 1850. William Sidney Mount (American, 1807–1868). Graphite. The Cleveland Museum of Art, Hinman B. Hurlbut Collection, 1946.1707


credit_line: Royal Feast at the Hôtel de Ville, January 21, 1782, 1782. Jean-Michel the Younger Moreau (French, 1741–1814). Engraving. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1950.167


title: Two Lengths of Silk Damask

medium: damask, silk

credit_line: Two Lengths of Silk Damask, 1600s. Italy. Damask, silk; average: 49.8 x 58.5 cm (19 5/8 x 23 1/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.291


title: Two Lengths of Silk Damask

credit_line: Two Lengths of Silk Damask, 1600s. Italy. Damask, silk; overall: 49.8 x 58.5 cm (19 5/8 x 23 1/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.291.a


title: Two Lengths of Silk Damask

credit_line: Two Lengths of Silk Damask, 1600s. Italy. Damask, silk; overall: 51.2 x 59 cm (20 3/16 x 23 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.291.b


title: Length of Fabric

medium: plain cloth, brocaded; silk

credit_line: Length of Fabric, 1723–1774. France. Plain cloth, brocaded; silk; overall: 93.4 x 56 cm (36 3/4 x 22 1/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.295


title: Length of Textile

credit_line: Length of Textile, 1723–1774. France. Plain cloth, brocaded; silk; overall: 59.7 x 54 cm (23 1/2 x 21 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.306


title: Length of Silk Damask

credit_line: Length of Silk Damask, 1600s. Italy. Damask, silk; average: 92.4 x 57 cm (36 3/8 x 22 7/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.288


title: Hercules and the Girdle of Hippolyta

date: first quarter 1600

medium: graphite; squared in graphite

credit_line: Hercules and the Girdle of Hippolyta, first quarter 1600. Filippo Napoletano (Italian, c. 1587-c. 1629). Graphite; squared in graphite; sheet: 29.9 x 19 cm (11 3/4 x 7 1/2 in.). The Cleveland Museum of Art, The Norweb Collection, 1954.674.1


title: New Model for a Cartouche

credit_line: New Model for a Cartouche, 1647. Stefano Della Bella (Italian, 1610–1664). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1972.137.10


title: New Model for a Cartouche

credit_line: New Model for a Cartouche, 1647. Stefano Della Bella (Italian, 1610–1664). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1972.137.2


title: Passion Set:  Descent from the Cross

country: Netherlands, 16th century

subjects:
Print
Netherlands, 16th century

credit_line: Passion Set:  Descent from the Cross, 1596–98. Jacob de Gheyn II (Netherlandish, 1565–1629), after Karel van Mander I (Dutch, 1548-1606). Engraving. The Cleveland Museum of Art, Delia E. Holden Fund, 1975.122.12


title: Passion Set:  Christ  Crowned with Thorns

creator: Zacharias Dolendo (Dutch, 1561–1604)

credit_line: Passion Set:  Christ  Crowned with Thorns, 1596–98. Zacharias Dolendo (Dutch, 1561–1604), after Karel van Mander I (Dutch, 1548–1606), Jacob de Gheyn II (Netherlandish, 1565–1629). Engraving. The Cleveland Museum of Art, Delia E. Holden Fund, 1975.122.8


title: Two Sketches (verso)

creator: Josef Platzer (Austrian, 1751–1806)

medium: drawing

country: Austria

subjects: Drawing Austria

credit_line: Two Sketches (verso), late 1800s. Josef Platzer (Austrian, 1751–1806). Drawing. The Cleveland Museum of Art, Gift of Henry H. Hawley, 1982.367.b


date: 15th century

subjects: Sculpture Italy

credit_line: Medal of Isotta degli Atti da Rimini (obverse), 15th century. Matteo de' Pasti (Italian, 1420–1467/68). Bronze; diameter: 8.3 cm (3 1/4 in.). The Cleveland Museum of Art, Gift of Mrs. John C. Croxton, 1986.66.a