title: Camera Work: Number 23, July 1908

creator: Clarence H. White (American, 1871–1925)

credit_line: Camera Work: Number 23, July 1908, 1908. Clarence H. White (American, 1871–1925). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.23


title: Camera Work: Boys Wrestling

medium: photogravure

country: America

source: The Cleveland Museum of Art

source_id: cleveland

rights: Public Domain / CC0

rights_statement: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

credit_line: Camera Work: Boys Wrestling, 1908. Clarence H. White (American, 1871–1925). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.23.h


title: Camera Work: The White House

creator: J. Craig Annan (British, 1864–1946)

country: England, 20th century

credit_line: Camera Work: The White House, 1910. J. Craig Annan (British, 1864–1946). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.32.e


title: Camera Work: Number 37, January 1912

credit_line: Camera Work: Number 37, January 1912, 1912. David Octavius Hill (British, 1802–1870), and Robert Adamson (British, 1821–1848). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.37


title: Camera Work: Old Church - Burgos

credit_line: Camera Work: Old Church - Burgos, 1914. J. Craig Annan (British, 1864–1946). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.45.f


title: Camera Work: The Riva Schiavoni, Venice

credit_line: Camera Work: The Riva Schiavoni, Venice, 1904. J. Craig Annan (British, 1864–1946). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.8.e


title: Camera Work: The Dark Mountains

credit_line: Camera Work: The Dark Mountains, 1904. J. Craig Annan (British, 1864–1946). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.8.f


creator: Edward S. Curtis (American, 1868–1952)

subjects: Portfolio America

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio I, Plate 3: Desert Rovers-Apache, 1903. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.21.3


title: Portfolio II, Plate 59: Judith-Mohave

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio II, Plate 59: Judith-Mohave, 1903. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.22.20


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio VIII, Plate 257: Yellow Bull - Nez Percé, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.28.2


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio VIII, Plate 258: Typical Nez Percé, 1899. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.28.3


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio VIII, Plate 262: Nez Percé Warrior, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.28.7


title: Portfolio IX, Plates 293- 328

credit_line: The North American Indian: being a series of volumes picturing and describing the Indians of the United States, The Dominion of Canada, and Alaska: Portfolio IX, Plates 293- 328, 1898–1913. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.29


subjects: Portfolio America Fruits

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XVII, Plate 585: The Fruit Gatherer - San Ildefonso, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.37.6


title: Wine Warmer (Jue)

medium: pottery, tripod vessel with loop handle and rudimentary bowstring decoration

subjects:
Ceramic
Ships & the sea

credit_line: Wine Warmer (Jue), c. 1300–1023 BCE. China, Shang dynasty (c. 1600–c. 1046 BCE), Anyang phase (c. 1250–1046 BCE). Pottery, tripod vessel with loop handle and rudimentary bowstring decoration; diameter: 11 cm (4 5/16 in.); overall: 12.8 cm (5 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1995.205


date: late 300s BCE–50 CE

medium: bronze

subjects: China, western han dynasty (206 bce–8 ce)

credit_line: Mirror with Continuous Arcs and Quasi-Dragons, late 300s BCE–50 CE. China, Western Han dynasty (206 BCE–8 CE). Bronze; diameter: 7.7 cm (3 1/16 in.); overall: 0.4 cm (3/16 in.); rim: 0.2 cm (1/16 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.273


title: Mirror with Concentric Circles

credit_line: Mirror with Concentric Circles, late 300s BCE–50 CE. China, Western Han dynasty (206 BCE–8 CE). Bronze; diameter: 7.7 cm (3 1/16 in.); overall: 0.7 cm (1/4 in.); rim: 0.4 cm (3/16 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.312


title: Lobed Mirror with Shaluo Tree

date: mid 10th Century - mid 12th Century

country: China, Northern Song dynasty (960-1127)

subjects:
Metalwork
China, northern song dynasty (960-1127)
Trees

credit_line: Lobed Mirror with Shaluo Tree, mid 10th Century - mid 12th Century. China, Northern Song dynasty (960-1127). Bronze; diameter: 14.7 cm (5 13/16 in.); overall: 0.8 cm (5/16 in.); rim: 0.4 cm (3/16 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.380


title: Plate

medium: earthenware

country: Netherlands, Maastricht, 19th century

subjects:
Ceramic
Netherlands, maastricht, 19th century

credit_line: Plate, 1898. Carel-Adolphe-Lion Cachet (Netherlandish, 1864–1945), Petrus Regout & Co., Maastricht (Netherlandish). Earthenware; diameter: 20.4 cm (8 1/16 in.); overall: 2.7 cm (1 1/16 in.). The Cleveland Museum of Art, Anonymous Gift, 1996.264


title: Buttes Chaumont, Paris

creator: Charles Soulier (French, 1840–1875)

medium: albumen print from wet collodion negative

country: France, 19th century

subjects:
Photograph
France, 19th century

credit_line: Buttes Chaumont, Paris, c. 1860s. Charles Soulier (French, 1840–1875). Albumen print from wet collodion negative; image: 19.4 x 25.1 cm (7 5/8 x 9 7/8 in.); matted: 50.8 x 61 cm (20 x 24 in.). The Cleveland Museum of Art, Gift of Charles Isaacs, 1996.338


title: Fragment of a Belt

medium: camelid wool; tapestry

country: Peru, South Andes, Tiwanaku style

subjects:
Costume & fashion
Textile
Peru, south andes, tiwanaku style

credit_line: Fragment of a Belt, c. 400. Peru, South Andes, Tiwanaku style. Camelid wool; tapestry; overall: 86.5 x 4.7 cm (34 1/16 x 1 7/8 in.). The Cleveland Museum of Art, Gift of Steve and Gail Berger in honor of Margaret Young-Sanchez, 1996.348.a


creator: David Johnson (American, 1827–1908)

medium: graphite with pen and  brown ink

subjects: Drawing America Landscapes Trees

credit_line: Pine Tree, Conway, New Hampshire (recto); Landscape and Tree Studies (verso), c. 1851. David Johnson (American, 1827–1908). Graphite with pen and  brown ink; sheet: 36.2 x 25.4 cm (14 1/4 x 10 in.). The Cleveland Museum of Art, Gift of The Honorable Joseph P. Carroll and Roberta Carroll, M.D., 1996.369


subjects: Drawing America Trees

credit_line: Pine Tree, Conway, New Hampshire (recto), c. 1851. David Johnson (American, 1827–1908). Graphite with pen and  brown ink; sheet: 36.2 x 25.4 cm (14 1/4 x 10 in.). The Cleveland Museum of Art, Gift of The Honorable Joseph P. Carroll and Roberta Carroll, M.D., 1996.369.a


title: Cup

medium: porcelain

subjects: Ceramic America

credit_line: Cup, 1888. M. Louise McLaughlin (American, 1847–1939), Haviland & Co. (French). Porcelain; overall: 5.5 x 7.5 cm (2 3/16 x 2 15/16 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1997.264.a


title: Inkwell

creator: Alexandre Sandier (French, 1843–1916)

medium: stoneware

country: France, Sèvres

subjects:
Ceramic
France, sèvre

credit_line: Inkwell, 1903. Alexandre Sandier (French, 1843–1916), Sèvres Porcelain Factory (French, est. 1756). Stoneware; overall: 7.6 x 13.6 cm (3 x 5 3/8 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1997.271


title: Vase

creator: Jean Carriès (French, 1855–1894)

subjects:
Ceramic
France, 19th century

credit_line: Vase, c. 1890. Jean Carriès (French, 1855–1894). Stoneware; diameter: 7.8 cm (3 1/16 in.); overall: 14.1 cm (5 9/16 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1997.285


title: San Francisco de Paula (Caritas)

creator: Francisco de Goya (Spanish, 1746–1828)

medium: etching and drypoint

country: Spain

subjects: Print Spain

credit_line: San Francisco de Paula (Caritas), 1780. Francisco de Goya (Spanish, 1746–1828). Etching and drypoint; sheet: 21 x 17.7 cm (8 1/4 x 6 15/16 in.); platemark: 13.2 x 9.6 cm (5 3/16 x 3 3/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1997.29


title: Study of Weeds

creator: Jean Antoine Linck (Swiss, 1766–1843)

medium: brush and gray, black and white gouache over graphite

country: Switzerland

subjects: Drawing Switzerland

credit_line: Study of Weeds, 1800–1850. Jean Antoine Linck (Swiss, 1766–1843). Brush and gray, black and white gouache over graphite; sheet: 16.9 x 24.5 cm (6 5/8 x 9 5/8 in.). The Cleveland Museum of Art, Bequest of Robert deSteacy Paxton, 1998.252


title: St. Lawrence and St. Lucy

medium: round niello engraving

country: Italy, 19th century

subjects:
Print
Italy, 19th century

credit_line: St. Lawrence and St. Lucy, c. 1487. Italy, 19th century. Round niello engraving; sheet: 3.6 x 3.5 cm (1 7/16 x 1 3/8 in.); platemark: 2.3 cm (7/8 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.315


title: Vue de la Ville de Maaslins

medium: etching

country: Netherlands

subjects: Print Netherland

credit_line: Vue de la Ville de Maaslins, 1862. Johan Barthold Jongkind (Dutch, 1819–1891). Etching; sheet: 35.8 x 47.3 cm (14 1/8 x 18 5/8 in.); platemark: 23.7 x 32.3 cm (9 5/16 x 12 11/16 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.352


creator: Charles Laborde (French, 1886–1941)

medium: color etching and aquatint

country: France, 20th century

subjects:
Print
France, 20th century
Trees

credit_line: Streets and Fares of Berlin: Under the Linden Trees, 1930. Charles Laborde (French, 1886–1941). Color etching and aquatint; sheet: 32.5 x 43.3 cm (12 13/16 x 17 1/16 in.); platemark: 22.7 x 28.8 cm (8 15/16 x 11 5/16 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.355


title: At Neuilly (Seine)

creator: Maxime Lalanne (French, 1827–1886)

subjects:
Print
France, 19th century

credit_line: At Neuilly (Seine), 1864. Maxime Lalanne (French, 1827–1886). Etching. The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.364


title: The Duck

creator: Berthe Morisot (French, 1841–1895)

credit_line: The Duck, 1888–90. Berthe Morisot (French, 1841–1895). Etching and drypoint. The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.377


title: Dinner Plate

creator: Guérhard et Dihl (French)

country: France, Paris

subjects:
Ceramic
France, pari

credit_line: Dinner Plate, c.1805. Probably by Guérhard et Dihl (French). Porcelain; diameter: 23 cm (9 1/16 in.). The Cleveland Museum of Art, Gift of Ronald S. Kane, 1998.414


title: Disasters of War: It Always Happens

credit_line: Disasters of War: It Always Happens, 1810–1820. Francisco de Goya (Spanish, 1746–1828). Etching and drypoint; sheet: 24.1 x 33.3 cm (9 1/2 x 13 1/8 in.); image: 14.7 x 19.5 cm (5 13/16 x 7 11/16 in.); platemark: 17.5 x 21.8 cm (6 7/8 x 8 9/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.97


title: The Amorous Couple

credit_line: The Amorous Couple, 1642–64. Cornelis Pietersz Bega (Dutch, 1631/32–1664). Etching; sheet: 7.9 x 7.1 cm (3 1/8 x 2 13/16 in.). The Cleveland Museum of Art, Gift of Judith Mendelsohn in memory of Harvey and Michael Mendelsohn, 1999.144


creator: Auguste Brouet (French, 1872–1941)

medium: etchings

subjects:
Portfolio
France, 20th century

credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral, 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298


credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: tavern scene/ ruin and man (insert after p. 96), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.24


credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: monument (page 119), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.26


credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: bust of man with hat (page 23), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.5


credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: street scene and people at outdoor table (insert after p. 24), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.6


title: Netsuke of Child

date: early 1900s

medium: ivory, pigment

country: Japan, Meiji period (1868–1912)

subjects:
Ivory
Japan, meiji period (1868–1912)

credit_line: Netsuke of Child, early 1900s. Japan, Meiji period (1868–1912). Ivory, pigment; overall: 3.9 x 2.3 x 2.9 cm (1 9/16 x 7/8 x 1 1/8 in.). The Cleveland Museum of Art, Gift of Henry B. Andrews, 2000.1005


title: Horse Figurine with Looped Legs

date: mid-600s BCE

country: Northern Greece

subjects:
Metalwork
Northern greece

credit_line: Horse Figurine with Looped Legs, mid-600s BCE. Northern Greece. Bronze; overall: 3.6 x 5.8 cm (1 7/16 x 2 5/16 in.). The Cleveland Museum of Art, Gift of Bruce Ferrini, 2000.204


title: Hip Wrapper (tapis)

medium: cotton; plain weave; block printed, drawn resist, painted mordants, dyed

subjects: India, coromandel coast, 1st half 19th century

credit_line: Hip Wrapper (tapis), 1800–1850. India, Coromandel Coast, 1st half 19th Century. Cotton; plain weave; block printed, drawn resist, painted mordants, dyed; overall: 250.2 x 107.3 cm (98 1/2 x 42 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 2000.29


title: Hip Wrapper (tapis)

credit_line: Hip Wrapper (tapis), 1800–1850. India, Coromandel Coast, 1st half 19th Century. Cotton; plain weave; block printed, drawn resist, painted mordants, dyed; overall: 250.2 x 108.6 cm (98 1/2 x 42 3/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 2000.33


title: Tympanum, Strasbourg Cathedral

creator: Charles Marville (French, 1813–1879)

subjects:
Photograph
France, 19th century

credit_line: Tympanum, Strasbourg Cathedral, c. 1863. Charles Marville (French, 1813–1879). Albumen print from wet collodion negative; image: 27.2 x 35.7 cm (10 11/16 x 14 1/16 in.); mounted: 43.4 x 62.1 cm (17 1/16 x 24 7/16 in.); matted: 55.9 x 66 cm (22 x 26 in.). The Cleveland Museum of Art, John L. Severance Fund, 2001.149


title: Earring (Parure)

medium: seed pearl on Mother-of-Pearl

country: England, 19th century

subjects:
Jewelry
England, 19th century

credit_line: Earring (Parure), c. 1850. England, 19th century. Seed pearl on Mother-of-Pearl; overall: 6.3 cm (2 1/2 in.). The Cleveland Museum of Art, Gift of Alexander and Paula Kappos, 2001.156.3.a


title: Two Satyrs

creator: Stephen Gooden (British, 1892–1955)

medium: engraving

subjects:
Print
England, 20th century

credit_line: Two Satyrs, 1937. Stephen Gooden (British, 1892–1955). Engraving; sheet: 30 x 25.7 cm (11 13/16 x 10 1/8 in.); platemark: 15.7 cm (6 3/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2001.212


creator: Paul Gachet (French, 1828–1909)

credit_line: Six Etchings: The Thatched Bakery, Auvers, 1895. Paul Gachet (French, 1828–1909). Etching; sheet: 25 x 32.5 cm (9 13/16 x 12 13/16 in.); platemark: 12 x 16.9 cm (4 3/4 x 6 5/8 in.). The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in memory of Robert Lundie Shearer, 2002.142.3


title: Two Male Figures

creator: George Richmond (British, 1809–1896)

medium: pen and brown ink

subjects:
Drawing
England, 19th century

credit_line: Two Male Figures, c. 1829. George Richmond (British, 1809–1896). Pen and brown ink; sheet: 14.9 x 16 cm (5 7/8 x 6 5/16 in.). The Cleveland Museum of Art, James Parmelee Fund, 2003.228


title: Dessert Fork

creator: Maison Cardeilhac (French)

medium: gilt silver and ivory

subjects:
Silver
France, 19th century

credit_line: Dessert Fork, c. 1880. Maison Cardeilhac (French). Gilt silver and ivory; overall: 21.4 x 2.1 x 1.9 cm (8 7/16 x 13/16 x 3/4 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.245.2


title: Stand for a Sauce Tureen

creator: Wedgwood Factory (British)

medium: earthenware

country: England, 18th-19th century

subjects:
Ceramic
England, 18th-19th century

credit_line: Stand for a Sauce Tureen, c. 1780–1840. Wedgwood Factory (British). Earthenware; overall: 18 x 19.7 x 19.7 cm (7 1/16 x 7 3/4 x 7 3/4 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.248.c


title: Mother and Child

medium: ambrotype, tinted, sixth plate

country: America

subjects: Photograph America

credit_line: Mother and Child, c. 1865–70. America. Ambrotype, tinted, sixth plate; case: 9.6 x 8.3 cm (3 3/4 x 3 1/4 in.); overall: 8.3 x 7 cm (3 1/4 x 2 3/4 in.); matted: 61 x 48.3 cm (24 x 19 in.). The Cleveland Museum of Art, Gift of Charles Isaacs and Carol Nigro, 2003.293


title: The Progress of the Stars: Les Esclaves

creator: Henri Rivière (French, 1864–1951)

credit_line: Bound Volume illustrating the poetry and music of Georges Fragerolle: The Progress of the Stars: Les Esclaves, 1890. Henri Rivière (French, 1864–1951), C. Marpon & Flammarion. 18 color lithographs in a Bound Volume illustrating the poetry and music of Georges Fragerolle; book: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.395.k


title: The Prodigal Son: Sixième Tableau

credit_line: Bound Volume illustrating the poetry and music of Georges Fragerolle: The Prodigal Son: Sixième Tableau, 1895. Henri Rivière (French, 1864–1951), E. Flammarion. 15 color lithographs in a bound volume illustrating the poetry and music of Georges Fragerolle: color lithograph; book: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.396.o


title: Standard Bearer

creator: Henri de Groux (Belgian, 1867–1930)

medium: lithograph

country: Belgium, 19th century

subjects:
Print
Belgium, 19th century

credit_line: Published in L'Estampe Originale, Album IV, 1893: Standard Bearer, 1893. Henri de Groux (Belgian, 1867–1930), Andre Marty (French, b. 1857). Lithograph; sheet: 59.7 x 42.3 cm (23 1/2 x 16 5/8 in.); image: 27.6 x 21.5 cm (10 7/8 x 8 7/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.399


title: The Vintages!: The Abandoned Vine

credit_line: The Vintages!: The Abandoned Vine, 1894. Henri de Groux (Belgian, 1867–1930), Proof from an unpublished suite of lithographs intended to be published by L'Estampe Originale. Lithograph; sheet: 47.3 x 33.1 cm (18 5/8 x 13 1/16 in.); image: 34.2 x 23.6 cm (13 7/16 x 9 5/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.400


title: The Vintages!: Seven Owls and a Serpent

country: Belgium, late 18th-early 19th century

subjects:
Print
Belgium, late 18th-early 19th century

credit_line: The Vintages!: Seven Owls and a Serpent, c. 1900. Henri de Groux (Belgian, 1867–1930). Lithograph; sheet: 56.8 x 43.3 cm (22 3/8 x 17 1/16 in.); image: 48.8 x 40.1 cm (19 3/16 x 15 13/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.404


title: Hari-Hara

subjects: Eastern india, bengal, kolkata, kalighat

credit_line: Hari-Hara, c. 1890. Eastern India, Bengal, Kolkata, Kalighat. Gum tempera, graphite, ink, and tin on paper; secondary support: 46.5 x 28.3 cm (18 5/16 x 11 1/8 in.); painting only: 45.2 x 27.8 cm (17 13/16 x 10 15/16 in.). The Cleveland Museum of Art, Gift of William E. Ward in memory of his wife, Evelyn Svec Ward, 2003.99


title: Abandoned

country: England, 20th century

credit_line: Abandoned, 1930. Arthur John Trevor Briscoe (British, 1873–1943). Etching; sheet: 28.5 x 44.4 cm (11 1/4 x 17 1/2 in.); platemark: 22.4 x 40.1 cm (8 13/16 x 15 13/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2004.217


title: The Table

creator: Félix Bracquemond (French, 1833–1914)

country: France, 19th century

credit_line: The Table, 1868. Félix Bracquemond (French, 1833–1914), after Henri Leys (Belgian, 1815–1869). Etching; platemark: 26 x 18.5 cm (10 1/4 x 7 5/16 in.); sheet: 36.1 x 27.4 cm (14 3/16 x 10 13/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2005.254


title: Cecilia, Lady Killigrew

creator: Robert Gaywood (British, 1650–1711)

country: England, 18th century

subjects:
Print
England, 18th century

credit_line: Cecilia, Lady Killigrew. Robert Gaywood (British, 1650–1711). Etching; sheet: 25 x 19.5 cm (9 13/16 x 7 11/16 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.279


creator: Francis Sansom (British, 1815)

medium: engraving with hand coloring

subjects:
Botany
Print
England, 19th century
Flowers

credit_line: The Botanical Magazine or Flower Garden Displayed: Plate 929, Symphyum Asperrim. Prickley Comfrey. [Symphytum asperum] , 1806. Francis Sansom (British, 1815), Thomas Curtis (British, 1846–1920), after Sydenham Edwards (British, 1768–1819). Engraving with hand coloring ; sheet: 22.5 x 14 cm (8 7/8 x 5 1/2 in.); platemark: 20.1 x 11.8 cm (7 15/16 x 4 5/8 in.). The Cleveland Museum of Art, Gift of The Cleveland Museum of Art Library, 2005.334


credit_line: The Botanical Magazine or Flower Garden Displayed: Plate 933, Protea mucronifolia. Dagger-Leaved Protea. [Protea odorata] , 1806. Francis Sansom (British, 1815), Thomas Curtis (British, 1846–1920), after Sydenham Edwards (British, 1768–1819). Engraving with hand coloring; sheet: 22.5 x 14 cm (8 7/8 x 5 1/2 in.); platemark: 19.8 x 11.5 cm (7 13/16 x 4 1/2 in.). The Cleveland Museum of Art, Gift of The Cleveland Museum of Art Library, 2005.336


creator: Roger Fenton (British, 1819–1869)

medium: salt print from a collodion negative

subjects:
Photograph
England, 19th century

credit_line: Drawing by Raphael Sanzio in the British Museum, 1856. Roger Fenton (British, 1819–1869). Salt print from a collodion negative; image: 22.6 x 31.1 cm (8 7/8 x 12 1/4 in.); paper: 34 x 38.7 cm (13 3/8 x 15 1/4 in.); matted: 40.6 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, The Sarah Stern Michael Fund, 2005.60


title: Two Women

medium: ink and gum tempera on paper

credit_line: Two Women, 1750–99. India, Jodhpur, Sangram Singh seal on reverse, 2nd half of 18th century. Ink and gum tempera on paper; overall: 8.5 x 9.4 cm (3 3/8 x 3 11/16 in.). The Cleveland Museum of Art, Gift of Pamela Elizabeth Ward in loving memory of her parents, William E. and Evelyn Svec Ward, 2005.70


title: Large, multi-armed figure facing left

medium: ink and color on paper

credit_line: Large, multi-armed figure facing left, 1900s. Eastern India, Bihar State, Mithila or Madhubani School, 20th century. Ink and color on paper; overall: 36.5 x 26.9 cm (14 3/8 x 10 9/16 in.). The Cleveland Museum of Art, Gift of Pamela Elizabeth Ward in loving memory of her parents, William E. and Evelyn Svec Ward, 2005.85


medium: ink

country: Italy, Perugia

credit_line: Missale: Fol. 122: contains music for "Hely Hely Lama etc." within St. Mattion Passion, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.122.a


credit_line: Missale: Fol. 172: Music for "Alleluia" etc. at beginning of Easter, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.172.a


credit_line: Missale: Fol. 178v: Music for various ordinary prayers, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.178.b


credit_line: Missale: Fol. 179: Music for various ordinary prayers, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.179.a


title: Missale: Fol. 183: Foliage decoration

medium: ink, tempera and burnished gold on vellum

credit_line: Missale: Fol. 183: Foliage decoration, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.183.a


title: Missale: Fol. 184: Foliage

credit_line: Missale: Fol. 184: Foliage, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.184.a


credit_line: Missale: Fol. 287: Saint John the Baptist, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.287.a


creator: Alois Senefelder (German, 1771–1834)

country: Germany, 19th century

subjects:
Portfolio
Germany, 19th century

credit_line: Art of the Lithograph: Title Page, Plate I, 1819. Alois Senefelder (German, 1771–1834). Lithograph; sheet: 29.9 x 23.2 cm (11 3/4 x 9 1/8 in.); image: 18 x 16 cm (7 1/16 x 6 5/16 in.). The Cleveland Museum of Art, Gift of Susan Schulman Printseller and Carolyn Bullard Fine Prints in honor of Jane Glaubinger, 2006.194.2


credit_line: Art of the Lithograph: Landeck in Tirol, Plate III, 1819. Alois Senefelder (German, 1771–1834). Lithograph; sheet: 23.4 x 30.2 cm (9 3/16 x 11 7/8 in.); image: 15.3 x 20.7 cm (6 x 8 1/8 in.). The Cleveland Museum of Art, Gift of Susan Schulman Printseller and Carolyn Bullard Fine Prints in honor of Jane Glaubinger, 2006.194.4


credit_line: Art of the Lithograph: Saint Cecily, Plate XII , 1819. Alois Senefelder (German, 1771–1834). Lithograph; sheet: 30.3 x 23.6 cm (11 15/16 x 9 5/16 in.); image: 21.1 x 16.3 cm (8 5/16 x 6 7/16 in.). The Cleveland Museum of Art, Gift of Susan Schulman Printseller and Carolyn Bullard Fine Prints in honor of Jane Glaubinger, 2006.194.8


creator: Thomas Girtin (British, 1775–1802)

medium: softground etching and aquatint printed in brown, hand-colored with watercolor

subjects:
Print
England, 19th century

credit_line: A Selection of Twenty of the Most Picturesque Views in Paris: View of the Pont de la Tournelle & Notre Dame Taken from the Arsenal, 1802. Thomas Girtin (British, 1775–1802), Frederick Christian Lewis (British, 1779–1856). Softground etching and aquatint printed in brown, hand-colored with watercolor; sheet: 45.3 x 64.2 cm (17 13/16 x 25 1/4 in.); platemark: 22.7 x 53.8 cm (8 15/16 x 21 3/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.230


creator: John Girtin (British)

credit_line: A Selection of Twenty of the Most Picturesque Views in Paris, and its Environs: Dedication Page , 1803. John Girtin (British). Engraving; sheet: 49.3 x 66.8 cm (19 7/16 x 26 5/16 in.); platemark: 34.5 x 42.5 cm (13 9/16 x 16 3/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.239


title: At Harlem (Holland)

creator: Maxime Lalanne (French, 1827–1886)

medium: etching

subjects:
Print
France, 19th century

credit_line: At Harlem (Holland), 1877. Maxime Lalanne (French, 1827–1886). Etching; sheet: 25.4 x 34.5 cm (10 x 13 9/16 in.); image: 20.9 x 30.3 cm (8 1/4 x 11 15/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.248


medium: lacquer

subjects:
Lacquer
Japan, meiji period (1868–1912)

credit_line: Nested Boxes with Chrysanthemums (inner box), early 1900s. Japan, Meiji period (1868–1912). Lacquer; overall: 0.7 x 5.8 x 4.2 cm (1/4 x 2 5/16 x 1 5/8 in.). The Cleveland Museum of Art, Bequest of Lillian M. Kern, 2007.1009.3


creator: Charles Meryon (French, 1821–1868)

credit_line: Part of the City of Paris at the End of the Seventeenth Century, 1861. Charles Meryon (French, 1821–1868). Etching; sheet: 32.5 x 48.2 cm (12 13/16 x 19 in.); platemark: 15 x 32.3 cm (5 7/8 x 12 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.244


medium: etching and drypoint on chine collé

credit_line: Gazette des Beaux-Arts XIV: House with a Turret, No. 22, rue de L'Ecole de Médecine, Paris, (called the Turret of Marat), 1861. Charles Meryon (French, 1821–1868). Etching and drypoint on chine collé; sheet: 26.4 x 16.7 cm (10 3/8 x 6 9/16 in.); platemark: 21.4 x 13.2 cm (8 7/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.246


creator: Auguste Mestral (French, 1812–1884)

subjects:
Photograph
France, 19th century

credit_line: Porte Bachelier, Eglise Saint-Sernin, Toulouse (Haute-Garonne), 1851. And Auguste Mestral (French, 1812–1884), Gustave Le Gray (French, 1820–1884). Salted paper print from waxed paper negative; image: 33.1 x 23.2 cm (13 1/16 x 9 1/8 in.); paper: 60.6 x 47.2 cm (23 7/8 x 18 9/16 in.); matted: 66 x 55.9 cm (26 x 22 in.). The Cleveland Museum of Art, John L. Severance Fund, 2008.113


title: Temple of Athene, Cape Sunium, Greece

creator: Dimitri Constantin (Greek)

medium: albumen print from wet collodion negative

country: Greece, 19th century

subjects:
Architecture
Photograph
Greece, 19th century

credit_line: Temple of Athene, Cape Sunium, Greece, c. 1860's. Dimitri Constantin (Greek). Albumen print from wet collodion negative; image: 28.6 x 37.3 cm (11 1/4 x 14 11/16 in.); mounted: 36.4 x 45.2 cm (14 5/16 x 17 13/16 in.); matted: 50.8 x 61 cm (20 x 24 in.). The Cleveland Museum of Art, The Jane B. Tripp Charitable Lead Annuity Trust, 2008.120


creator: Henri Gabriel Ibels (French, 1867–1936)

credit_line: Ah, it's true, my poor old man, you would be the first to whom I would have made to miss his bus. "But I'll Miss My Bus" "My Customers Have Never Missed Their Bus", 1893. Henri Gabriel Ibels (French, 1867–1936). Lithograph; sheet: 37.8 x 27.8 cm (14 7/8 x 10 15/16 in.); image: 33 x 23.7 cm (13 x 9 5/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.181


title: Backstage of the Ballet

medium: lithograph hand-colored with watercolor

credit_line: Backstage of the Ballet, c. 1900. Sem (Georges Gourçat) (French, 1863–1934). Lithograph hand-colored with watercolor; sheet: 49.8 x 67.5 cm (19 5/8 x 26 9/16 in.); image: 42.3 x 54.1 cm (16 5/8 x 21 5/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.186


title: Tuileries Gardens

country: France

subjects: Print France

credit_line: Tuileries Gardens, 1884. Léon Augustin Lhermitte (French, 1844–1925). Etching; platemark: 20 x 25.3 cm (7 7/8 x 9 15/16 in.); sheet: 26.1 x 36.3 cm (10 1/4 x 14 5/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.191


medium: engraving, printed in sanguine hand-colored

credit_line: Description of Egypt: Thebes Byban el Molouk, Vol. II, Pl. 91, 1812. Antoine Maxime Monsaldy (French, 1768–1816), after André Dutertre (French, 1753–1842). Engraving, printed in sanguine hand-colored; sheet: 71 x 53.9 cm (27 15/16 x 21 1/4 in.); platemark: 58.5 x 42.5 cm (23 1/16 x 16 3/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.201


title: Long Shawl

subjects:
Ornament & design
Costume & fashion
Textile

credit_line: Long Shawl, c. 1825. Europe (England, Scotland or France), 19th century. 2/2 twill (S) weave ground with supplementary weft pattern in 3/1 (S) weave twill; silk; attached vertical border; overall: 261.6 x 127 cm (103 x 50 in.). The Cleveland Museum of Art, Gift of Arlene C. Cooper, 2008.217


title: Long Shawl

date: before 1815

country: France?, 19th century

subjects:
Ornament & design
Costume & fashion
Textile
France , 19th century

credit_line: Long Shawl, before 1815. France?, 19th century. 2/2 twill weave ground with supplementary weft pattern in 3/1 (Z) weave twill; silk; overall: 292.1 x 126.4 cm (115 x 49 3/4 in.). The Cleveland Museum of Art, Gift of Arlene C. Cooper, 2008.222


title: Grand Canal, Venice

creator: Frank Duveneck (American, 1848–1919)

medium: etching with pencil additions

subjects: Print America

credit_line: Desdemona's House, Grand Canal, Venice: Grand Canal, Venice, 1889. Frank Duveneck (American, 1848–1919), Frederick Keppel. Etching with pencil additions. The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2008.321


title: Inkwell

medium: swirl glass and silver

subjects: Glass America

credit_line: Inkwell, c. 1900 . George W. Shiebler (American, 1846–1920). Swirl glass and silver; overall: 11.5 x 14.6 cm (4 1/2 x 5 3/4 in.). The Cleveland Museum of Art, In loving memory of Donald M. Robiner, 2008.65


title: Teapot

medium: porcelain

country: Germany, Meissen

subjects:
Ceramic
Germany, meissen

credit_line: Teapot, c. 1750–70. Meissen Porcelain Factory (German, est. c. 1710). Porcelain; overall: 14.8 x 46.8 x 20.1 cm (5 13/16 x 18 7/16 x 7 15/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.105.a


title: Teapot

credit_line: Teapot, c. 1750–70. Meissen Porcelain Factory (German, est. c. 1710). Porcelain; overall: 12.9 x 39.2 x 18.3 cm (5 1/16 x 15 7/16 x 7 3/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.106


creator: George Dupuis (French, 1875–1932)

date: after 1901

medium: charcoal with transparent watercolor and gouache and border in pen and black ink

country: France, 20th century

subjects:
Drawing
France, 20th century

credit_line: Design for a Book Illustration, Standing Male Figure, after 1901. George Dupuis (French, 1875–1932). Charcoal with transparent watercolor and gouache and border in pen and black ink; sheet: 43.8 x 19.7 cm (17 1/4 x 7 3/4 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.114


title: Scent Bottle and Snuff Box

medium: agate, gold diamonds and enamel

country: England, late 18th century

credit_line: Scent Bottle and Snuff Box, c. 1760. England, late 18th century. Agate, gold diamonds and enamel; overall: 10.2 x 5.1 cm (4 x 2 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.29


title: Portrait of a Child

creator: Henri Lehmann (French, 1814–1882)

medium: graphite with white heightening on tan wove paper pasted down on cream wove paper - a page from an album

subjects:
Drawing
France, 19th century
Portraits

credit_line: Portrait of a Child, 1800s. Henri Lehmann (French, 1814–1882). Graphite with white heightening on tan wove paper pasted down on cream wove paper - a page from an album; sheet: 20.8 x 24.6 cm (8 3/16 x 9 11/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.305


title: Study of a Plaster Cast (a la bosse)

creator: Frederic Millet (French, 1786–1859)

medium: black chalk with graphite

subjects:
Drawing
France, 19th century

credit_line: Study of a Plaster Cast (a la bosse), 1806. Frederic Millet (French, 1786–1859). Black chalk with graphite ; sheet: 46.3 x 38.2 cm (18 1/4 x 15 1/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.311


title: Lady after a Bath

medium: gum tempera and gold on paper

country: India, Mughal, 18th century

subjects:
Painting
India, mughal, 18th century

credit_line: Lady after a Bath, 1700s. India, Mughal, 18th century. Gum tempera and gold on paper; image: 12.6 x 7.1 cm (4 15/16 x 2 13/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.317


title: Cover for a Vase

subjects:
Ceramic
France, 20th century

credit_line: Cover for a Vase, 1901. Sèvres Porcelain Factory (French, est. 1756), Taxile Maximin Doat (French, 1851–1939). Porcelain; overall: 17.5 x 8 x 8 cm (6 7/8 x 3 1/8 x 3 1/8 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 2009.374.b


creator: George Auriol (French, 1863–1938)

medium: color lithograph

credit_line: "Myrane" et "Les Chapons" (Program for Théâtre Libre), 1889. George Auriol (French, 1863–1938). Color lithograph; sheet: 22.5 x 32 cm (8 7/8 x 12 5/8 in.); image: 21.6 x 30.9 cm (8 1/2 x 12 3/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.515


creator: Paul Gavarni (French, 1804–1866)

medium: lithograph

credit_line: Baliverneries Parisiennes: Ah! Monsieu Radiguet, 1847. Paul Gavarni (French, 1804–1866). Lithograph; sheet: 34.4 x 26.3 cm (13 9/16 x 10 3/8 in.); image: 19.2 x 16.3 cm (7 9/16 x 6 7/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.528


title: Sheet of Six Antique Coins

creator: Eugène Delacroix (French, 1798–1863)

medium: lithograph with tint stone

credit_line: Sheet of Six Antique Coins , 1825. Eugène Delacroix (French, 1798–1863), Published by the artist (September 15, 1865 issue). Lithograph with tint stone; sheet: 27.3 x 36 cm (10 3/4 x 14 3/16 in.); image: 19.2 x 25.3 cm (7 9/16 x 9 15/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.538


title: Cigarette Case

medium: gold, multi-colored agate

subjects: Scotland, edinburgh, second half 20th century

credit_line: Cigarette Case, c. 1850. Scotland, Edinburgh, second half 20th century. Gold, multi-colored agate. The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.54


title: The Aura of Noon

creator: Jules Chéret (French, 1836–1932)

credit_line: The Aura of Noon , 1893. Jules Chéret (French, 1836–1932), Encres Lorilleux & Co.. Color lithograph; sheet: 39.1 x 28.9 cm (15 3/8 x 11 3/8 in.); image: 30.3 x 19.8 cm (11 15/16 x 7 13/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.544


title: The Café of the New Athens

creator: Jean Louis Forain (French, 1852–1931)

medium: etching

credit_line: The Café of the New Athens , c. 1876. Jean Louis Forain (French, 1852–1931). Etching; sheet: 25.1 x 18 cm (9 7/8 x 7 1/16 in.); platemark: 15.9 x 11.9 cm (6 1/4 x 4 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.548


title: La Revue Blanche

creator: Pierre Bonnard (French, 1867–1947)

credit_line: Masters of the Poster: La Revue Blanche, 1894. Pierre Bonnard (French, 1867–1947). Color lithograph. The Cleveland Museum of Art, Gift of John Bonebrake, 2009.556


title: Military Costumes: Infantry Sapper

subjects:
Costume & fashion
Print
France, 19th century

credit_line: Military Costumes: Infantry Sapper , 1817–1818. Nicolas Toussaint Charlet (French, 1792–1845). Lithograph; sheet: 40.2 x 28.1 cm (15 13/16 x 11 1/16 in.); image: 29.6 x 18.9 cm (11 5/8 x 7 7/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.575


title: Square Shawl with Quarter Shawl Layout

medium: supplementary weft pattern; silk & wool?

credit_line: Square Shawl with Quarter Shawl Layout, 1840s. Austria, England, France, or Scotland, 19th century. Supplementary weft pattern; silk & wool?; overall: 185.4 x 181.6 cm (73 x 71 1/2 in.). The Cleveland Museum of Art, Gift of Arlene C. Cooper, 2010.142


title: Studies of Animals (verso)

creator: Antoine-Louis Barye (French, 1796–1875)

medium: graphite

credit_line: Studies of Animals (verso), c. 1823–75. Antoine-Louis Barye (French, 1796–1875). Graphite; sheet: 15.5 x 23.1 cm (6 1/8 x 9 1/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.168.b


title: Ruined Church

creator: Adrien Dauzats (French, 1804–1868)

medium: oil on panel

subjects:
Painting
France, 19th century

credit_line: Ruined Church, c. 1840. Adrien Dauzats (French, 1804–1868). Oil on panel; unframed: 46.6 x 33.2 cm (18 3/8 x 13 1/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.18


title: East Fork, de Chelly River, Arizona

creator: John K. Hillers (American, 1843–1925)

medium: albumen print from wet collodion negative

subjects: Photograph America

credit_line: East Fork, de Chelly River, Arizona, 1879–1881. John K. Hillers (American, 1843–1925). Albumen print from wet collodion negative; image: 32.4 x 24.4 cm (12 3/4 x 9 5/8 in.); paper: 32.4 x 24.4 cm (12 3/4 x 9 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2010.213


medium: black chalk

credit_line: Study of Madame Marie Cantacuzène; Study of Standing Female Nude, c. 1883. Pierre Puvis de Chavannes (French, 1824–1898). Black chalk; sheet: 29.4 x 22.6 cm (11 9/16 x 8 7/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.243


title: Sketches at Home and Abroad: Trento

medium: lithograph with yellow-grey tint stone

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: Sketches at Home and Abroad: Trento, 1834. James Duffield Harding (British, 1798–1863), Charles Tilt, Fleet Street. Lithograph with yellow-grey tint stone; sheet: 51.8 x 36.6 cm (20 3/8 x 14 7/16 in.); image: 38.9 x 28.5 cm (15 5/16 x 11 1/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.560


creator: Louis Haghe (British, 1806–1885)

medium: lithograph on chine colle

credit_line: Picturesque and Romantic Travels in Old France, Picardie:  The Belfry Tower of Amiens, Picardie (Voyages pittoresques et romantiques dans l'ancienne France, Picardie : La Tour du Beffroi d' Amiens, Picardie), after François Bonhommé (French, 1809-1881), 1835. Louis Haghe (British, 1806–1885), Thierry Brothers. Lithograph on chine colle; sheet: 36.1 x 26.6 cm (14 3/16 x 10 1/2 in.); image: 32.7 x 23.7 cm (12 7/8 x 9 5/16 in.); secondary support: 47.4 x 35.3 cm (18 11/16 x 13 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.562


title: Characters of Romance: Gargantua

creator: William Nicholson (British, 1872–1949)

credit_line: portfolio of 16 lithographs: Characters of Romance: Gargantua, 1900. William Nicholson (British, 1872–1949). Color lithograph; sheet: 50.5 x 40.6 cm (19 7/8 x 16 in.); image: 34.4 x 27.4 cm (13 9/16 x 10 13/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.611


title: London Types: Lady

credit_line: London Types: Lady, 1898. William Nicholson (British, 1872–1949). Color lithograph; sheet: 33.2 x 28.5 cm (13 1/16 x 11 1/4 in.); image: 25.4 x 22.7 cm (10 x 8 15/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.626


creator: Richard Earlom (British, 1743–1822)

medium: etching and mezzotint printed in brown

subjects:
Print
England, 18th century
Landscapes

credit_line: Liber Veritatis:  No. 135, A Landscape, with Buildings, Mercury Stealing Admetuss' Cattle from Apollo, 1776. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682), John Boydell (British, 1720–1804). Etching and mezzotint printed in brown; sheet: 29.1 x 43 cm (11 7/16 x 16 15/16 in.); platemark: 20.9 x 26 cm (8 1/4 x 10 1/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.644


subjects:
Print
England, 18th century

credit_line: Liber Veritatis:  No. 138, A View of the Sea, with Christ Preaching on the Mount (the water below may probably be intended for the Sea of Tiberius), 1776. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682), John Boydell (British, 1720–1804). Etching and mezzotint printed in brown; sheet: 28.1 x 41 cm (11 1/16 x 16 1/8 in.); platemark: 20.8 x 25.8 cm (8 3/16 x 10 3/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.654


title: Sir Thomas Elyot

medium: color stipple engraving

credit_line: Sir Thomas Elyot, 1794. Francesco Bartolozzi (British, 1727–1815), John Chamberlaine, after Hans Holbein (German, c. 1465–1524). Color stipple engraving; sheet: 37.8 x 29.9 cm (14 7/8 x 11 3/4 in.); platemark: 33.7 x 23.9 cm (13 1/4 x 9 7/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.662


title: This View of Arundel Castle

creator: John Baily (British)

medium: color aquatint

credit_line: This View of Arundel Castle, 1819. John Baily (British), Wm Scott, after William Scott (British). Color aquatint; sheet: 54.1 x 68.2 cm (21 5/16 x 26 7/8 in.); platemark: 42.5 x 57 cm (16 3/4 x 22 7/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.673


title: Near Chichester, Sussex

creator: Muirhead Bone (British, 1876–1953)

medium: drypoint

subjects:
Print
England, 20th century

credit_line: Near Chichester, Sussex, 1909. Muirhead Bone (British, 1876–1953). Drypoint; sheet: 25.9 x 40 cm (10 3/16 x 15 3/4 in.); platemark: 10.8 x 25.5 cm (4 1/4 x 10 1/16 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2011.189


title: Shrine with a Seated Male Deity

medium: bronze

credit_line: Shrine with a Seated Male Deity, 1300s–1400s. South India, Kerala Style, c. 14th-15th century. Bronze; overall: 53.5 x 23 x 21.5 cm (21 1/16 x 9 1/16 x 8 7/16 in.). The Cleveland Museum of Art, Gift of Dr. Norman Zaworski, 2011.206


title: Madame Nicolas Louis Faret

creator: Martin Drölling (French, 1752–1817)

medium: oil on canvas

credit_line: Madame Nicolas Louis Faret, 1812. Martin Drölling (French, 1752–1817). Oil on canvas; unframed: 22.4 x 16.5 cm (8 13/16 x 6 1/2 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2011.71.2


title: Oil Lamp

medium: copper

subjects: Metalwork America

credit_line: Oil Lamp, 1880. Gorham Manufacturing Company (America, est. 1831). Copper ; overall: 6.7 x 12.4 x 7.4 cm (2 5/8 x 4 7/8 x 2 15/16 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.125


title: Cann

medium: ceramic

subjects:
Ceramic
England, 18th century

credit_line: Cann, c. 1770. England, 18th century. Ceramic; overall: 15.5 x 10.3 x 14.2 cm (6 1/8 x 4 1/16 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.135


medium: color lithograph

subjects:
Architecture
Print
England, 19th century

credit_line: Egypt and Nubia, Volume I: Libyan Chain of Mountains, from the Temple of Luxor, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 43 x 60.4 cm (16 15/16 x 23 3/4 in.); image: 34.7 x 50 cm (13 11/16 x 19 11/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.166


credit_line: Egypt and Nubia, Volume III: Grand Entrance to the Mosque of the Sultan Hassan, 1849. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 60.4 x 43.5 cm (23 3/4 x 17 1/8 in.); image: 48.8 x 32.5 cm (19 3/16 x 12 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.186


title: Egypt and Nubia, Volume II: Karnak

credit_line: Egypt and Nubia, Volume II: Karnak, 1848. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 60.4 x 43.6 cm (23 3/4 x 17 3/16 in.); image: 48.8 x 32.7 cm (19 3/16 x 12 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.191


credit_line: Egypt and Nubia, Volume III: Mosque el Mooristan, Cairo, 1849. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 60.2 x 43.6 cm (23 11/16 x 17 3/16 in.); image: 48.9 x 32.6 cm (19 1/4 x 12 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.193


credit_line: Egypt and Nubia, Volume I: View Under the Grand Portico of the Temple, Philae, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 60.3 x 43.7 cm (23 3/4 x 17 3/16 in.); image: 50.2 x 34.8 cm (19 3/4 x 13 11/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.196


credit_line: Egypt and Nubia, Volume I: Obelisk at Alexandria, Commonly called Cleopatra's Needle, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 35.1 x 42.9 cm (13 13/16 x 16 7/8 in.); image: 25.2 x 35.1 cm (9 15/16 x 13 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.197


credit_line: Egypt and Nubia, Volume II: Temple at Wady Dabod, Nubia, 1848. Louis Haghe (British, 1806–1885), after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 36 x 43.8 cm (14 3/16 x 17 1/4 in.); image: 25 x 35.1 cm (9 13/16 x 13 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.202


credit_line: Egypt and Nubia, Volume II: Excavated Temples of Abo Simble, Nubia, 1848. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 36.2 x 43.4 cm (14 1/4 x 17 1/16 in.); image: 25.2 x 35.3 cm (9 15/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.207


credit_line: Egypt and Nubia, Volume II: Temple of Amdda, of Hassaya in Nubia, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 36.5 x 43.7 cm (14 3/8 x 17 3/16 in.); image: 25.2 x 35.1 cm (9 15/16 x 13 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.209


title: Printed Silk Turnover Shawl

medium: silk; woven and printed

subjects:
Costume & fashion
Textile
France, 19th century

credit_line: Printed Silk Turnover Shawl, 1835–1840. France, 19th century. Silk; woven and printed; overall: 179.1 x 179.1 cm (70 1/2 x 70 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Arlene M. Holden, 2012.447


medium: watercolor and gouache with pen and ink on laid paper

credit_line: Self-Portrait in the Role of M. Prud'homme , 1873. Henry Bonaventure Monnier (French, 1805–1877). Watercolor and gouache with pen and ink on laid paper; sheet: 22 x 14.1 cm (8 11/16 x 5 9/16 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.246


title: A Votre Santé

medium: etching

subjects:
Print
France, 19th century

credit_line: Types de petits Gens: A Votre Santé, 1894. Jean-François Raffaëlli (French, 1850–1924). Etching; sheet: 20.4 x 26.4 cm (8 1/16 x 10 3/8 in.); platemark: 15 x 19.8 cm (5 7/8 x 7 13/16 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.276


title: Embers Glow

creator: Theodore Roussel (French, 1847–1926)

medium: color etching and aquatint

credit_line: Embers Glow, 1890–1897. Theodore Roussel (French, 1847–1926). Color etching and aquatint; sheet: 26.5 x 22.8 cm (10 7/16 x 9 in.); platemark: 24.8 x 21.1 cm (9 3/4 x 8 5/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.86.4


title: Embers Glow

credit_line: Embers Glow, 1890–1897. Theodore Roussel (French, 1847–1926). Color etching and aquatint; sheet: 24.6 x 20.7 cm (9 11/16 x 8 1/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.86.7


title: London Types: Lady

medium: woodcut hand-colored with watercolor

credit_line: London Types: Lady, 1898. William Nicholson (British, 1872–1949). Woodcut hand-colored with watercolor; sheet: 50.7 x 49.6 cm (19 15/16 x 19 1/2 in.); border: 25.4 x 22.9 cm (10 x 9 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.87.7


title: Landscape

medium: Ink and color on silk panel

country: China, Qing dynasty (1644-1911)

subjects:
Painting
China, qing dynasty (1644-1911)
Landscapes

credit_line: Landscape, 1644–1911. China, Qing dynasty (1644-1911). Ink and color on silk panel; overall: 177.5 x 105.4 cm (69 7/8 x 41 1/2 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.709


medium: painting on pith paper

country: China, Qing dynasty (1644–1911)

subjects:
Painting
China, qing dynasty (1644–1911)
Butterflies & moths
Flowers

credit_line: Painting Two from Illustrated Book of Flowers and Butterflies, 1800s. China, Qing dynasty (1644–1911). Painting on pith paper; each page: 25.2 x 36.4 cm (9 15/16 x 14 5/16 in.); each painting: 20.1 x 32 cm (7 15/16 x 12 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Henry F. Lyman, 1921.915.b


credit_line: Painting Eight from Illustrated Book of Flowers and Butterflies, 1800s. China, Qing dynasty (1644–1911). Painting on pith paper; each page: 25.2 x 36.4 cm (9 15/16 x 14 5/16 in.); each painting: 20.1 x 32 cm (7 15/16 x 12 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Henry F. Lyman, 1921.915.h


credit_line: Painting Eleven from Illustrated Book of Flowers and Butterflies, 1800s. China, Qing dynasty (1644–1911). Painting on pith paper; each page: 25.2 x 36.4 cm (9 15/16 x 14 5/16 in.); each painting: 20.1 x 32 cm (7 15/16 x 12 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Henry F. Lyman, 1921.915.k


credit_line: Painting Twelve from Illustrated Book of Flowers and Butterflies, 1800s. China, Qing dynasty (1644–1911). Painting on pith paper; each page: 25.2 x 36.4 cm (9 15/16 x 14 5/16 in.); each painting: 20.1 x 32 cm (7 15/16 x 12 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Henry F. Lyman, 1921.915.l


medium: Gum tempera, ink, and gold on paper

credit_line: Text, Folio 26 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.26.b


credit_line: Text, Folio 3 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.3.b


credit_line: Text, Folio 41 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.41.b


medium: gum tempera and ink on palm leaves

subjects: Painting Palms

credit_line: Text, Folio 100 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.100.b


credit_line: Text, Folio 103 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.103.b


credit_line: Text, Folio 114 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.114.b


credit_line: Text, Folio 123 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.123.a


credit_line: Text, Folio 128 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.128.a


credit_line: Text, folio 181 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.181.b


credit_line: Text, Folio 29 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.29.b


credit_line: Text, Folio 36 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.36.a


credit_line: Text, Folio 45 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.45.b


credit_line: Text, folio 48 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.48.a


credit_line: Text, folio 51 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.51.a


credit_line: Text, Folio 55 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.55.b


credit_line: Text, Folio 56 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.56.b


credit_line: Text, Folio 59 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.59.a


credit_line: Text, Folio 63 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.63.a


credit_line: Text, Folio 65 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.65.a


credit_line: Text, Folio 66 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.66.a


credit_line: Text, Folio 71 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.71.b


credit_line: Text, Folio 82 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.82.b


credit_line: Text, Folio 92 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.92.b


title: Fragrance Box

medium: tortoiseshell

credit_line: Fragrance Box, 1700s. China, Qing dynasty (1644-1911). Tortoiseshell; diameter: 8.6 cm (3 3/8 in.). The Cleveland Museum of Art, Gift of Mrs. John Lyon Collyer in memory of her mother, Mrs. G. M. G. Forman, 1962.220


title: L'Incendie de Louvain

medium: pen and brush and black ink with white highlights

subjects:
Drawing
France, 20th century

credit_line: L'Incendie de Louvain, 1914. Auguste Louis Lepère (French, 1849–1918). Pen and brush and black ink with white highlights. The Cleveland Museum of Art, Delia E. Holden Fund, 1974.147.e


medium: black crayon

credit_line: La Mort et les Passions fondant sur la terre, 1914. Auguste Louis Lepère (French, 1849–1918). Black crayon. The Cleveland Museum of Art, Delia E. Holden Fund, 1974.149.c


creator: Yoshitsugu Haizan (Japanese, 1846–1915)

date: late 1800s–early 1900s

medium: page spread from double-sided accordion album; ink and color on paper

country: Japan, Meiji period (1868–1912) or Taishō period (1912–26)

credit_line: Painting Eight from Album of Paintings by Haizan, late 1800s–early 1900s. Yoshitsugu Haizan (Japanese, 1846–1915). Page spread from double-sided accordion album; ink and color on paper. The Cleveland Museum of Art, Gift of Irene D. Goldhamer, 1997.247.i


medium: Ink and gold on paper

credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.117.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.127.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.128.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.140.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.146.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.150.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.151.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.151.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.153.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.155.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.159.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.162.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.164.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.166.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.167.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.170.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.179.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.185.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.191.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.197.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.30.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.38.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.39.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.40.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.41.b


credit_line: Text, Folio 6 (recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.6.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.60.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.73.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.77.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.86.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.90.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.90.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.93.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.95.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.96.b


title: Armchair

medium: mahogany, leather

country: America, New York

subjects:
Furniture and woodwork
America, new york

credit_line: Armchair, c. 1875–80. America, New York. Mahogany, leather; overall: 97 x 68 x 60 cm (38 3/16 x 26 3/4 x 23 5/8 in.). The Cleveland Museum of Art, Gift of Harvey Buchanan in memory of Penelope Draper Buchanan and Dorothy Tuckerman Draper, 2013.96


creator: David Lucas (British, 1802–1881)

medium: etching and roulette

credit_line: Salisbury Cathedral from the Meadows (Small Plate), 1855. David Lucas (British, 1802–1881), after John Constable (British, 1776–1837). Etching and roulette; sheet: 29.3 x 40.7 cm (11 9/16 x 16 in.); platemark: 17.6 x 25 cm (6 15/16 x 9 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.226


title: London from Greenwich

creator: Frank Short (British, 1857–1945)

medium: mezzotint on chine collé

country: England, 20th century

credit_line: London from Greenwich, 1904. Frank Short (British, 1857–1945), after Peter De Wint (British, 1784–1849), published by Robert Dunthorne, London. Mezzotint on chine collé; platemark: 10.1 x 26.4 cm (4 x 10 3/8 in.); sheet: 27.9 x 39.2 cm (11 x 15 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.247


title: Go Your Way (Passez Vot'Chemin)

creator: Henri Grevedon (French, 1776–1860)

medium: lithograph

country: France, 19th century

credit_line: Go Your Way (Passez Vot'Chemin) , 1833. Henri Grevedon (French, 1776–1860), Rittner & Goupil, Paris. Lithograph; image: 45 x 29.5 cm (17 11/16 x 11 5/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.293


creator: Adolphe Crespin (Belgian, 1859–1944)

medium: color lithograph

country: Belgium, 19th century

subjects:
Print
Belgium, 19th century

credit_line: Les Maitres de l'Affiche, Pl. 91: Paul Hankar, Architecte rue defacqz 63, c. 1894. Adolphe Crespin (Belgian, 1859–1944). Color lithograph; sheet: 38.6 x 27.6 cm (15 3/16 x 10 7/8 in.); image: 29.8 x 22.7 cm (11 3/4 x 8 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.326


title: Sea

creator: Max Klinger (German, 1857–1920)

medium: etching and aquatint on chine collé

country: Germany, 20th century

subjects:
Print
Germany, 20th century

credit_line: On Death, Part I: Sea, 1889. Max Klinger (German, 1857–1920). Etching and aquatint on chine collé; sheet: 38 x 28.5 cm (14 15/16 x 11 1/4 in.); platemark: 25.5 x 21.3 cm (10 1/16 x 8 3/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.346


title: Hare Pursued by a Goshawk

creator: Karl Bodmer (Swiss, 1809–1893)

medium: lithograph on chine collé

country: Switzerland

subjects: Print Switzerland

credit_line: Hare Pursued by a Goshawk, 1858. Karl Bodmer (Swiss, 1809–1893), Goupil & Co., Paris. Lithograph on chine collé; sheet: 62.5 x 45 cm (24 5/8 x 17 11/16 in.); image: 39.5 x 30.5 cm (15 9/16 x 12 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.364


creator: John Sell Cotman (British, 1782–1842)

medium: softground etching, from a bound volume containing 48 plates

credit_line: Liber Studiorum: Plate 26, Monnow Bridge, Monmouthshire, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 12.8 x 18.8 cm (5 1/16 x 7 3/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.aa


credit_line: Liber Studiorum: Plate 36, Church near Durham, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 30.2 x 22.4 cm (11 7/8 x 8 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.kk


title: Bal de Barrière

medium: Color lithograph

country: France, Paris

credit_line: L'Estampe Moderne: Bal de Barrière, 1898. Théophile Alexandre Steinlen (Swiss, 1859–1923). Color lithograph; sheet: 40.1 x 30.5 cm (15 13/16 x 12 in.); image: 21.1 x 34.6 cm (8 5/16 x 13 5/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.f


title: La Soupe à la Chambrée

creator: Jacques Baseilhac (French, 1874–1903)

credit_line: L'Estampe Moderne: La Soupe à la Chambrée, 1899. Jacques Baseilhac (French, 1874–1903). Color lithograph; sheet: 40.2 x 30.4 cm (15 13/16 x 11 15/16 in.); image: 24.5 x 32.6 cm (9 5/8 x 12 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.r


title: Salomé

creator: Luc-Olivier Merson (French, 1846–1920)

credit_line: L'Estampe Moderne: Salomé, 1899. Luc-Olivier Merson (French, 1846–1920), Imprimerie Champenois. Color lithograph from bound volume containing 50 lithographs, each with a tissue paper guard; sheet: 40.1 x 30.5 cm (15 13/16 x 12 in.); image: 34.5 x 19.2 cm (13 9/16 x 7 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.tt


creator: Victor Petit (French, 1817–1874)

medium: lithograph with tint stone, from portfolio of 100 lithographs with tint stone

subjects:
Architecture
Print
France, 19th century

credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl.13, Tour Solidor a St. Servan (Ille-et-Vilaine), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.9 x 27.6 cm (14 1/8 x 10 7/8 in.); image: 23 x 14 cm (9 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.14


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 46, Prieuré De Saint Gabriel (Calvados), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.8 x 27.5 cm (14 1/8 x 10 13/16 in.); image: 22.7 x 14 cm (8 15/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.45


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 49, Château De Lion (Calvados), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36 x 27.6 cm (14 3/16 x 10 7/8 in.); image: 23 x 14 cm (9 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.48


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 82, Fief de Sart-l'Abbé (Aisne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.8 x 27.5 cm (14 1/8 x 10 13/16 in.); image: 22.8 x 14.1 cm (9 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.80


title: Suite de Paysages

creator: Charles Marie Dulac (French, 1865–1898)

credit_line: Suite de Paysages, 1892–1893. Charles Marie Dulac (French, 1865–1898), Published by the artist, residing at 61 rue Pepic at that time.. Set of 8 color lithographs with a frontispiece, loose as issued in publisher's original board portfolio, half bound with green cloth, and interior with marbled endpapers.; overall: 65.7 x 51 x 8 cm (25 7/8 x 20 1/16 x 3 1/8 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.7


medium: color lithograph on chine collé

subjects:
Print
France, 19th century
Landscapes

credit_line: Suite de Paysages: Landscape, Plate 7, Remarque, Poppies, 1892–1893. Charles Marie Dulac (French, 1865–1898), Printed by Monrocq Frères, Paris. Color lithograph on chine collé; sheet: 50 x 65 cm (19 11/16 x 25 9/16 in.); image: 34.6 x 49.2 cm (13 5/8 x 19 3/8 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.7.9


medium: wood engraving from bound volume of 34

credit_line: Fontainebleau Forest: Bas-Bréau (La Forêt de Fontainebleau: Le Bas-Bréau), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 5.9 x 10.2 cm (2 5/16 x 4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.f


subjects:
France, 19th century
Lilies

credit_line: Fontainebleau Forest: Gatherine Lily-of-the-Valley (La Forêt de Fontainebleau: La Cueillette du Muguet), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 6 x 9.1 cm (2 3/8 x 3 9/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.q


credit_line: Fontainebleau Forest: Le Clovis, Plateau de Bellecroix (La Forêt de Fontainebleau: Plateau de Belle-Çroix, le Clovis), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 22.8 x 16.3 cm (9 x 6 7/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.v


creator: Francisco de Goya (Spanish, 1746–1828)

medium: Etching and aquatint

country: Spain

subjects: Print Spain

credit_line: Disasters of War: Pl., 3, The Same (Thing)  , 1810–1813. Francisco de Goya (Spanish, 1746–1828), Real Academia. Etching and aquatint ; sheet: 24.4 x 33.3 cm (9 5/8 x 13 1/8 in.); platemark: 15.8 x 22.9 cm (6 1/4 x 9 in.); to borderline: 14.6 x 19.8 cm (5 3/4 x 7 13/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust, 2015.22


title: Untitled

medium: Albumen print

country: 19th century

credit_line: Untitled, c. 1879. 19th century. Albumen print; image: 21.7 x 28.2 cm (8 9/16 x 11 1/8 in.); paper: 21.7 x 28.2 cm (8 9/16 x 11 1/8 in.). The Cleveland Museum of Art, Purchased with funds donated by Catherine Glynn Benkaim and Barbara Timmer, 2015.34


title: Amida

medium: Wood with lacquer and gilding

country: Japan, Kamakura period (1185–1333)

subjects:
Sculpture
Japan, kamakura period (1185–1333)

credit_line: Amida, 1200s. Japan, Kamakura period (1185–1333). Wood with lacquer and gilding; overall: 109 cm (42 15/16 in.); figure: 79 cm (31 1/8 in.). The Cleveland Museum of Art, Gift from the Collection of George Gund III, 2015.487.a


creator: Alphonse Legros (French, 1837–1911)

medium: etching on wove paper

country: France

subjects: Print France

credit_line: The Salmon Fisherman (Le Pêcheur du Saumon), c. 1880. Alphonse Legros (French, 1837–1911). Etching on wove paper; image: 26.4 x 36.5 cm (10 3/8 x 14 3/8 in.); platemark: 26.4 x 36.5 cm (10 3/8 x 14 3/8 in.); sheet: 38.4 x 53.3 cm (15 1/8 x 21 in.); matted: 42.9 x 60.6 cm (16 7/8 x 23 7/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard Davis in memory of Harvey Buchanan and Penelope Draper Buchanan, 2016.601


creator: William Walcot (British, 1874–1943)

country: Britain

subjects: Print Britain

credit_line: London Set: Piccadilly Circus (with Criterion Theatre), 1924. William Walcot (British, 1874–1943). Etching on wove paper; plate: 10.9 x 17 cm (4 5/16 x 6 11/16 in.); sheet: 24.3 x 31.2 cm (9 9/16 x 12 5/16 in.); image: 9.8 x 16.2 cm (3 7/8 x 6 3/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard Davis in memory of Harvey Buchanan and Penelope Draper Buchanan, 2016.609


country: Germany

subjects: Print Germany

credit_line: Andrew from Christ, the Apostles, and Saint Paul, 1563/64. Lucas Cranach the Elder, After (German, 1472–1553). Woodcut with letterpress text, hand colored; image and sheet: 21.2 x 11.3 cm (8 3/8 x 4 7/16 in.). The Cleveland Museum of Art, Anonymous Gift in honor of Jane Glaubinger, 2017.277.4


creator: Frederick H. Evans (British, 1853–1943)

medium: platinum print

country: England, 19th century

subjects:
Photograph
England, 19th century

credit_line: Bishop Alcock's Chapel from Reho-Choir, Ely Cathedral, 1897. Frederick H. Evans (British, 1853–1943). Platinum print; image and paper: 14.1 x 9.6 cm (5 9/16 x 3 3/4 in.); primary mount: 16.8 x 11.3 cm (6 5/8 x 4 7/16 in.); secondary mount: 17.5 x 12 cm (6 7/8 x 4 3/4 in.); tertiary mount: 35 x 25.4 cm (13 3/4 x 10 in.). The Cleveland Museum of Art, Gift of Arielle Kozloff Brodkey in memory of Dr. Jerald S. Brodkey, 2019.100


title: Bridge of St. Martin, Toledo

creator: J. Craig Annan (British, 1864–1946)

medium: Rotogravure

country: Scotland, 20th century

subjects:
Photograph
Scotland, 20th century

credit_line: Bridge of St. Martin, Toledo, 1914. J. Craig Annan (British, 1864–1946). Rotogravure; image: 13.3 x 18.4 cm (5 1/4 x 7 1/4 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.344


title: The Exchange, London

medium: albumen print

credit_line: The Exchange, London, c. 1880. England, 19th century. Albumen print; image: 13.3 x 22.2 cm (5 1/4 x 8 3/4 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.359


title: Wilhelm I, King of Prussia

medium: albumen print, cabinet card

country: Germany, 19th century

subjects:
Photograph
Germany, 19th century

credit_line: Wilhelm I, King of Prussia, 1870s–88. Germany, 19th century. Albumen print, cabinet card; image: 15.9 x 11.4 cm (6 1/4 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.360


credit_line: Untitled: (British soldiers, man on palequin, and indigenous workers); (ornate buildings, verso), 1870s-1880s. England, 19th century. Album page with two albumen prints mounted on both sides; mounted: 27.9 x 35.6 cm (11 x 14 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.424


credit_line: Commercial Street, Canton (recto); Untitled (man being carried in sedan chair, verso), c. 1860s & c. 1880s. Lai Fong (Afong Studio) (Chinese, c. 1839–1890). Albumen print and gelatin silver print mounted back to back; image: 21 x 26.7 cm (8 1/4 x 10 1/2 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.425


title: Fragment

medium: tabby weave with interwoven tapestry ornament, linen and wool

country: Egypt, Byzantine period

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, byzantine period

credit_line: Fragment, 400s - 650. Egypt, Byzantine period. Tabby weave with interwoven tapestry ornament, linen and wool; overall: 7 x 17.2 cm (2 3/4 x 6 3/4 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1914.553


title: Silver Necklace

medium: silver

country: Aegean, Minoan(?), Bronze Age

subjects:
Jewelry
Aegean, minoan , bronze age

credit_line: Silver Necklace, c. 1500 BCE. Aegean, Minoan(?), Bronze Age. Silver. The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1914.860


title: Sickle Blade

medium: flint

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.17


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.19


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.21


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.31


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.32


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.33


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.37


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.42


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.57


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.61


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.88


title: Velvet Textile

medium: velvet; silk and metallic thread

subjects:
Costume & fashion
Velvet
Spain

credit_line: Velvet Textile, 1500s. Spain. Velvet; silk and metallic thread; overall: 29.3 x 59.7 cm (11 9/16 x 23 1/2 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.210


title: Fragment of a Stola

medium: velvet (cut and uncut); silk

country: Italy

subjects: Velvet Italy

credit_line: Fragment of a Stola, 1680s-1690s. Italy. Velvet (cut and uncut); silk; overall: 44.5 x 20 cm (17 1/2 x 7 7/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.283


title: Lace Insertion

medium: Bobbin lace

country: Italy, Abruzzi, Pescocostanzo(?)

subjects:
Lace
Italy, abruzzi, pescocostanzo

credit_line: Lace Insertion, 1700s. Italy, Abruzzi, Pescocostanzo(?). Bobbin lace; average: 3.5 x 17.9 cm (1 3/8 x 7 1/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1044


title: Lace Fragment

medium: Linen: needle lace, reticella insertion

country: Italy, Venice

subjects:
Lace
Italy, venice

credit_line: Lace Fragment, 1500s. Italy, Venice. Linen: needle lace, reticella insertion; average: 2.9 x 13.4 cm (1 1/8 x 5 1/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1069


title: Lace Cuff

medium: Plain weave linen: embroidered

subjects: Embroidery France

credit_line: Lace Cuff, 1800s. France. Plain weave linen: embroidered; overall: 5.1 x 18.7 cm (2 x 7 3/8 in.). The Cleveland Museum of Art, Gift of Myrta Leonora Jones, 1920.1278


title: Six-Sided Bottle

medium: rock crystal

country: China, Qing dynasty (1644-1911)

subjects:
Vessel
China, qing dynasty (1644-1911)
Minerals & gems

credit_line: Six-Sided Bottle, 1644–1911. China, Qing dynasty (1644-1911). Rock crystal; overall: 15 cm (5 7/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.423.a


title: Six-Sided Bottle (stopper)

credit_line: Six-Sided Bottle (stopper), 1644–1911. China, Qing dynasty (1644-1911). Rock crystal; overall: 15 cm (5 7/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.423.b


title: Lace Insertion with Edging of Points

credit_line: Lace Insertion with Edging of Points, 1500s–1600s. Italy, Venice. Bobbin lace; average: 6.7 x 24.8 cm (2 5/8 x 9 3/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.854


title: Brace (Bit)

medium: metal

country: Europe, 17th-18th century

subjects:
Tool and equipment
Europe, 17th-18th century

credit_line: Brace (Bit), 1600s–1700s. Europe, 17th-18th century. Metal; overall: 9 x 27.7 cm (3 9/16 x 10 7/8 in.). The Cleveland Museum of Art, Anonymous gift in memory of Dr. Dudley P. Allen, 1920.86.b


title: Lace Edging of Points

credit_line: Lace Edging of Points, 1540–60. Italy, Venice. Bobbin lace; average: 2.9 x 20 cm (1 1/8 x 7 7/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.902


title: Lace Insertion

country: Italy, Genoa

subjects:
Lace
Italy, genoa

credit_line: Lace Insertion, 1580–99. Italy, Genoa. Bobbin lace (needle lace, reticella design); average: 4.5 x 31.1 cm (1 3/4 x 12 1/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.972


title: Retour du Bois

medium: wood engraving

country: France, 19th-20th century

subjects:
Print
France, 19th-20th century

credit_line: Retour du Bois, 1890. Auguste Louis Lepère (French, 1849–1918). Wood engraving. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1921.1355


title: Rug

medium: tapestry weave: wool (handspun)

subjects:
Costume & fashion
Textile

credit_line: Rug, c. 1890–1900. America, Native North American, Southwest, Navajo, Post-Contact, Transitional Period. Tapestry weave: wool (handspun); overall: 231.1 x 153.7 cm (91 x 60 1/2 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1921.563


title: Mummy Linen

medium: plain weave: linen

subjects: Egypt, new kingdom (1540–1069 bce), dynasty 18

credit_line: Mummy Linen, 1550–1291 BCE?. Egypt, New Kingdom (1540–1069 BCE), Dynasty 18. Plain weave: linen; overall: 28.3 x 38.7 cm (11 1/8 x 15 1/4 in.). The Cleveland Museum of Art, Gift of Brown University through Dr. H. C. Bumpus, 1922.511.b


title: Wall Tile–Female Bust

medium: glazed ceramic

country: Spain

subjects: Ceramic Spain

credit_line: Wall Tile–Female Bust, c. 1600s. Spain. Glazed ceramic; overall: 13.5 x 13.5 cm (5 5/16 x 5 5/16 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1923.656


title: Wall Tile–Knight on Horseback

credit_line: Wall Tile–Knight on Horseback, c. 1600s. Spain. Glazed ceramic; overall: 12.7 x 13.7 cm (5 x 5 3/8 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1923.657


title: Tomkin's Degree Supper and How it Ended

creator: Horace Harral (British, 1817–1905)

subjects:
Print
England, 19th century

credit_line: Tomkin's Degree Supper and How it Ended, 1868. Horace Harral (British, 1817–1905), after Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.410


title: Execution of the Earl of Strafford

creator: Wenceslaus Hollar (Bohemian, 1607–1677)

medium: etching

country: Bohemia

subjects: Print Bohemia

credit_line: Execution of the Earl of Strafford, 1641. Wenceslaus Hollar (Bohemian, 1607–1677). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.871


title: Plane

medium: wood

country: France

subjects:
Tool and equipment
France

credit_line: Plane, 1600s. France. Wood; overall: 14 x 85.1 x 6.7 cm (5 1/2 x 33 1/2 x 2 5/8 in.). The Cleveland Museum of Art, Anonymous gift in memory of Dr. Dudley P. Allen, 1925.753