creator: Stephen Gooden (British, 1892–1955)

medium: engraving

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: Illustration for "Peronnik the Fool":  Frontispiece, 1933. Stephen Gooden (British, 1892–1955). Engraving; image: 9 x 10 cm (3 9/16 x 3 15/16 in.); sheet: 32 x 25.5 cm (12 5/8 x 10 1/16 in.). The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in memory of her husband Robert Lundie Shearer, 1986.139.2


title: Jar

medium: earthenware

country: Netherlands

subjects: Ceramic Netherland

source: The Cleveland Museum of Art

source_id: cleveland

rights: Public Domain / CC0

rights_statement: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

credit_line: Jar, 1885. Theodorus A. C. Colenbrander (Dutch, 1841–1930), Rozenburg Factory (Netherlandish). Earthenware; overall: 39 x 12.5 cm (15 3/8 x 4 15/16 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1986.60.a


creator: Shōrakusai (Japanese)

medium: double-leaf from an accordion-style album; ink on paper (right) and ink and color on silk (left)

country: Japan, Edo period (1615–1868)

subjects:
Japan, edo period (1615–1868)
Portraits

credit_line: Double-Leaf from Album of Actor Portraits, c. 1790–1810. Shōrakusai (Japanese). Double-leaf from an accordion-style album; ink on paper (right) and ink and color on silk (left); painting only: 21.8 x 17.6 cm (8 9/16 x 6 15/16 in.); each page: 28.1 x 21 cm (11 1/16 x 8 1/4 in.). The Cleveland Museum of Art, Kelvin Smith Fund, 1988.105.l


medium: graphite

country: Germany

subjects: Germany Landscapes

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 51a: Roman Landscape, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.jjj


medium: graphite with white hightening on blue paper

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 10a: Roman Landscape, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite with white hightening on blue paper. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.l


credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 40a: Roman Landscape, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.xx


creator: Derby (Crown Derby Period) (British)

medium: porcelain

country: England, Derby, 18th century

subjects:
Ceramic
England, derby, 18th century

credit_line: Plate from Dessert Service: Picatee Carnation, c. 1800. Derby (Crown Derby Period) (British). Porcelain; diameter: 23.7 cm (9 5/16 in.); overall: 3.2 cm (1 1/4 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.189.17


credit_line: Plate from Dessert Service: Trailing Disandra, c. 1800. Derby (Crown Derby Period) (British). Porcelain; diameter: 23.7 cm (9 5/16 in.); overall: 3.1 cm (1 1/4 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.189.18


credit_line: Plate from Dessert Service: Venus Looking Glass, c. 1800. Derby (Crown Derby Period) (British). Porcelain; diameter: 23.5 cm (9 1/4 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.189.3


title: Plate from Dessert Service: Anemone

subjects:
Ceramic
England, derby, 18th century
Corals & anemones

credit_line: Plate from Dessert Service: Anemone, c. 1800. Derby (Crown Derby Period) (British). Porcelain; diameter: 24 cm (9 7/16 in.); overall: 3.2 cm (1 1/4 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.189.6


credit_line: Plate from Dessert Service: Marsh Mallow, c. 1800. Derby (Crown Derby Period) (British). Porcelain; diameter: 23.4 cm (9 3/16 in.); overall: 3.1 cm (1 1/4 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.189.8


title: Chest

date: late 1600s

medium: turned and joined wood, gilded and painted red with applied bone columns and bone inlays, wrought iron hardward

country: Spain, Colonial, late 17th Century

subjects:
Furniture and woodwork
Spain, colonial, late 17th century
Skeletons & bones

credit_line: Chest, late 1600s. Spain, Colonial, late 17th Century. Turned and joined wood, gilded and painted red with applied bone columns and bone inlays, wrought iron hardward; overall: 53.5 x 94.5 x 37 cm (21 1/16 x 37 3/16 x 14 9/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. James C. Gruener, 1990.135


title: Beads

date: after 1519

medium: gold

credit_line: Beads, after 1519. Gold; overall: 1.9 cm (3/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. James C. Gruener, 1990.234


title: Bead

credit_line: Bead, after 1519. Gold; overall: 1.9 cm (3/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. James C. Gruener, 1990.234.a


title: Embroidered Raffia Pile Cloth

medium: Raffia and dye

subjects:
Costume & fashion
Textile

credit_line: Embroidered Raffia Pile Cloth, 1900s. Africa, Central Africa, Democratic Republic of Congo, Kuba peoples, 20th century. Raffia and dye; overall: 52.3 x 122.5 cm (20 9/16 x 48 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1991.225


title: The Story of Elisha

creator: Nicolaes Rijckmans (Flemish, 1616-)

country: Flanders

subjects: Print Flander

credit_line: The Story of Elisha, 1643. Nicolaes Rijckmans (Flemish, 1616-), after Pieter I de Jode (Flemish, 1570–1634). Engraving. The Cleveland Museum of Art, Gift of Louise S. Richards, 1991.260


title: Sketchbook, page 82: Study of Fgures

creator: Ernest Meissonier (French, 1815–1891)

country: France

credit_line: Sketchbook, page 82: Study of Fgures, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.bbbb


title: Sketchbook, page 42: Three Figures

credit_line: Sketchbook, page 42: Three Figures, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.pp


title: Sketchbook, page 98: Study of Figures

credit_line: Sketchbook, page 98: Study of Figures, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.qqqq


title: Sketchbook, page 20: Animal Study

credit_line: Sketchbook, page 20: Animal Study, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.t


credit_line: Sketchbook, page 47: Studies of Three Faces, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.uu


title: Frederic Betts; Mary Ward Betts

creator: Henry Inman (American, 1801–1846)

medium: oil on canvas

country: America

subjects: Painting America

credit_line: Frederic Betts; Mary Ward Betts, 1830s. Henry Inman (American, 1801–1846). Oil on canvas; unframed: 87.7 x 69 cm (34 1/2 x 27 3/16 in.). The Cleveland Museum of Art, Gift of Dr. William E. S. James, 1994.116


title: Chioggia

medium: etching

country: Germany, 19th century

subjects:
Print
Germany, 19th century

credit_line: Chioggia. Friedrich Kallmorgan (German, 1856–1924). Etching. The Cleveland Museum of Art, Gift of Ruth E. Adomeit, 1995.119


title: Yixing Teapot

medium: stoneware

country: China, Qing dynasty (1644-1911)

subjects:
Ceramic
China, qing dynasty (1644-1911)

credit_line: Yixing Teapot, 1800s. China, Qing dynasty (1644-1911). Stoneware; diameter: 18 cm (7 1/16 in.); overall: 10 cm (3 15/16 in.). The Cleveland Museum of Art, Gift in memory of Saul and Dorothy Goldstein, 1995.12.a


title: Camera Work: Number 10, April 1905

creator: E.M. Bane (American)

medium: photogravure

country: 20th century

credit_line: Camera Work: Number 10, April 1905, 1905. E.M. Bane (American), Gertrude Käsebier (American, 1852–1934). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.10


title: Camera Work: Beyond

creator: A. Horsley Hinton (British, 1863–1908)

credit_line: Camera Work: Beyond, 1905. A. Horsley Hinton (British, 1863–1908). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.11.e


title: Camera Work: Marcella

credit_line: Camera Work: Marcella, 1905. F. Benedict Herzog (American, c. 1859–1912). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.12.i


subjects:
England, 20th century
Portraits

credit_line: Camera Work: Portrait of Alvin Langdon Coburn, 1906. George Bernard Shaw (British, 1856–1950). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.15.f


title: Camera Work: Entrance to the Garden

creator: Clarence H. White (American, 1871–1925)

credit_line: Camera Work: Entrance to the Garden, 1908. Clarence H. White (American, 1871–1925). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.23.k


subjects: America Portraits

credit_line: Camera Work: Portrait - Mrs. Clarence H. White, 1908. Clarence H. White (American, 1871–1925). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.23.l


title: Camera Work: Girl in Straw Hat

credit_line: Camera Work: Girl in Straw Hat, 1912. David Octavius Hill (British, 1802–1870), and Robert Adamson (British, 1821–1848). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.37.h


title: Ellen Terry, at the Age of Sixteen

credit_line: Camera Work: Ellen Terry, at the Age of Sixteen, 1913. Julia Margaret Cameron (British, 1815–1879). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.41.e


title: Camera Work: Wintry Weather

creator: William B. Post (American, 1857–1925)

credit_line: Camera Work: Wintry Weather, 1904. William B. Post (American, 1857–1925). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.6.f


title: Portfolio III, Plates 76-110, 119, 136

creator: Edward S. Curtis (American, 1868–1952)

subjects: Portfolio America

credit_line: The North American Indian: being a series of volumes picturing and describing the Indians of the United States, The Dominion of Canada, and Alaska: Portfolio III, Plates 76-110, 119, 136, 1904–8. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.23


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XVII, Plate 602: The Potter - Santa Clara, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.37.23


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XVII, Plate 607: A Zuñi Governor, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.37.28


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XVII, Plate 615: A Corner of Zuñi, 1903. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.37.36


title: St. Mark's Piazza

creator: Mortimer Menpes (British, 1860–1938)

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: St. Mark's Piazza, 1910. Mortimer Menpes (British, 1860–1938). Etching; sheet: 51.6 x 34.6 cm (20 5/16 x 13 5/8 in.); platemark: 42.8 x 27.8 cm (16 7/8 x 10 15/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1996.217


title: Untitled (Rocky Arcade)

medium: albumen print from wet collodion negative

country: 19th century

credit_line: Untitled (Rocky Arcade), 1800s. 19th century. Albumen print from wet collodion negative; paper: 9.5 x 15.6 cm (3 3/4 x 6 1/8 in.); matted: 30.6 x 35.6 cm (12 1/16 x 14 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1998.191


title: Landscape, Plate No. 140

creator: Richard Earlom (British, 1743–1822)

medium: etching and roulette

country: England, 18th century

subjects:
Print
England, 18th century
Landscapes

credit_line: Landscape, Plate No. 140, 1776. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and roulette; sheet: 26.4 x 31.6 cm (10 3/8 x 12 7/16 in.); platemark: 20.8 x 25.8 cm (8 3/16 x 10 3/16 in.). The Cleveland Museum of Art, Gift of Brenda and Evan H. Turner, 1998.215


title: Arran

country: England, late 19th Century

subjects:
Print
England, late 19th century

credit_line: Arran, 1889. David Young Cameron (British, 1865–1945). Etching; sheet: 27.9 x 38.2 cm (11 x 15 1/16 in.); platemark: 12.6 x 25.1 cm (4 15/16 x 9 7/8 in.). The Cleveland Museum of Art, Gift of Brenda and Evan H. Turner, 1998.216


title: Port of Rouen

creator: Maxime Lalanne (French, 1827–1886)

country: France, 19th century

subjects:
Drawing
France, 19th century

credit_line: Port of Rouen, 1884. Maxime Lalanne (French, 1827–1886). Graphite; sheet: 30.9 x 49.9 cm (12 3/16 x 19 5/8 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.310


creator: Hans Sebald Beham (German, 1500–1550)

subjects: Print Germany

credit_line: Christ and the Apostles: St. Peter and St. Paul, 1520. Hans Sebald Beham (German, 1500–1550). Engraving; sheet: 6.1 x 4.5 cm (2 3/8 x 1 3/4 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.324


title: The Stage Coach

creator: William Hogarth (British, 1697–1764)

medium: etching and engraving

subjects:
Print
England, 18th century

credit_line: The Stage Coach, 1747. William Hogarth (British, 1697–1764). Etching and engraving; scabbard: 21.1 x 29.9 cm (8 5/16 x 11 3/4 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.351


title: Camera Work: Lady in Black

country: England, 20th century

credit_line: Camera Work: Lady in Black, 1912. David Octavius Hill (British, 1802–1870), and Robert Adamson (British, 1821–1848). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.37.f


creator: Frederick H. Evans (British, 1853–1943)

credit_line: Camera Work: Height and Light in Bourges Cathedral, 1903. Frederick H. Evans (British, 1853–1943). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.4.c


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio III, Plate 119: In the Bad Lands, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.23.36


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio VIII, Plate 268: Piópio-Maksmaks, Profile - Wallawalla, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.28.13


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio IX, Plate 316: Sunset on Puget Sound, 1898. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.29.24


title: Portfolio XVI, Plate 574: Paguate

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XVI, Plate 574: Paguate, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.36.31


title: Mirror with Dragon Design

medium: bronze

subjects:
Metalwork
China, qing dynasty (1644-1911)

credit_line: Mirror with Dragon Design, 1700–1911. China, Qing dynasty (1644-1911). Bronze; diameter: 9.9 cm (3 7/8 in.); overall: 1.8 cm (11/16 in.); rim: 1.1 cm (7/16 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.390


date: early 1600s to mid-1800s

subjects:
Metalwork
Japan, edo period (1615–1868)
Butterflies & moths

credit_line: Mirror with Handle, Decorated with a Butterfly and Blooming Peony, early 1600s to mid-1800s. Japan, Edo period (1615–1868). Bronze; diameter: 14.5 cm (5 11/16 in.); overall: 0.5 cm (3/16 in.); rim: 0.5 cm (3/16 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.400


title: Halo

country: Tibet

subjects: Sculpture Tibet

credit_line: Halo, 1200s. Tibet. Bronze; with tang: 23.2 x 19.5 cm (9 1/8 x 7 11/16 in.). The Cleveland Museum of Art, Gift of Emmanuel Moatti, 1995.404.1


creator: Maurizio Lotze (Italian, 1809–1890)

country: Italy, 19th century

subjects:
Photograph
Italy, 19th century

credit_line: The Small Cloister of the Monastery at Pavia, c. 1860s. Attributed to Maurizio Lotze (Italian, 1809–1890). Albumen print from wet collodion negative; image: 29.9 x 25.9 cm (11 3/4 x 10 3/16 in.); matted: 55.9 x 45.7 cm (22 x 18 in.). The Cleveland Museum of Art, Gift of Charles Isaacs, 1996.337


title: Study of Orchids

subjects:
Photograph
France, 19th century
Orchids

credit_line: Study of Orchids, c. 1870s. France, 19th century. Albumen print from wet collodion negative; image: 38 x 46.4 cm (14 15/16 x 18 1/4 in.); paper: 48 x 63.2 cm (18 7/8 x 24 7/8 in.); matted: 61 x 71.1 cm (24 x 28 in.). The Cleveland Museum of Art, Gift of Charles Isaacs, 1996.341


title: Portrait of Nicolas Toussaint Charlet

creator: Anonymous

medium: lithograph with chine collé

subjects:
Print
France, 19th century
Portraits

credit_line: Portrait of Nicolas Toussaint Charlet, 1800s. Anonymous. Lithograph with chine collé; sheet: 33 x 24.8 cm (13 x 9 3/4 in.); platemark: 27 x 21.3 cm (10 5/8 x 8 3/8 in.). The Cleveland Museum of Art, Anonymous gift in honor of John Bonebrake, 1997.225


title: Box

medium: round wood core covered with tooled leather

country: France, 20th century

credit_line: Box, c. 1908. Marguerite de Felice (French, 1872–1933). Round wood core covered with tooled leather; diameter: 7.4 cm (2 15/16 in.); overall: 8.8 cm (3 7/16 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1997.263


title: Decanter

creator: Harry Powell (British, 1835–1922)

date: after 1902

medium: glass

subjects:
Glass
England, 20th century

credit_line: Decanter, after 1902. Harry Powell (British, 1835–1922), Whitefriars Glasshouse (British). Glass; diameter: 13.6 cm (5 3/8 in.); overall: 27.9 cm (11 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1997.265


title: Pill Box

medium: porcelain with blue and white decoration

subjects:
Ceramic
China, qing dynasty (1644-1911)

credit_line: Pill Box, c. 1752. China, Qing dynasty (1644-1911). Porcelain with blue and white decoration; diameter: 3.6 cm (1 7/16 in.); overall: 3 cm (1 3/16 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.281


title: Side-Dish with Dandelion in Rocks

country: Japan, Edo period (1615–1868)

subjects:
Ceramic
Japan, edo period (1615–1868)

credit_line: Side-Dish with Dandelion in Rocks, 1700s. Japan, Edo period (1615–1868). One of a set of five dishes; porcelain with underglaze blue and overglaze iron oxide (Arita ware, Kutani style); diameter: 11.8 cm (4 5/8 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.287.2


title: Porte du l'Avenue Uhrich

subjects:
Print
France, 19th century

credit_line: Porte du l'Avenue Uhrich, 1870–71. Maxime Lalanne (French, 1827–1886), Cadart and Luce. Etching. The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.363


credit_line: Souvenir artistiques du Siège de Paris: View from the Viaduct at the Pont-du-Jour, Panorama de la Seine, 1870–71. Maxime Lalanne (French, 1827–1886), Cadart et Luce. Etching. The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.366


title: Lucina Smiles on Her Boy

creator: Aristide Maillol (French, 1861–1944)

medium: woodcut

subjects:
Print
France, 20th century

credit_line: Lucina Smiles on Her Boy, 1912–14 or 1925. Aristide Maillol (French, 1861–1944). Woodcut. The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.370


title: Man with Walking Stick

subjects:
Print
England, 19th century

credit_line: Man with Walking Stick. Mortimer Menpes (British, 1860–1938). Etching. The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.374


title: Paris, Le Pont des Arts avec Remorqeurs

creator: Paul Signac (French, 1863–1935)

medium: etching and aquatint

credit_line: Paris, Le Pont des Arts avec Remorqeurs, 1927. Paul Signac (French, 1863–1935). Etching and aquatint. The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.390


title: The Chestnut Seller

creator: Auguste Brouet (French, 1872–1941)

medium: etching, drypoint and roulette

credit_line: The Chestnut Seller, c. 1902–41. Auguste Brouet (French, 1872–1941). Etching, drypoint and roulette; sheet: 29 x 22.2 cm (11 7/16 x 8 3/4 in.); platemark: 13.4 x 12.8 cm (5 1/4 x 5 1/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.292


medium: etchings

subjects:
Portfolio
France, 20th century

credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: two figures walking (page 40), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.11


credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: bust of a woman (page 41) DUPLICATE, 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.13


subjects:
Portfolio
France, 20th century
Trees

credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: tree (page 90), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.22


credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: round building (page 161), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.35


credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: still life (page 197), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.41


credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: man (page 211), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.43


title: Country Neighbors

creator: Félix Hilaire Buhot (French, 1847–1898)

medium: etching, drypoint and aquatint

credit_line: Country Neighbors, 1879–1880. Félix Hilaire Buhot (French, 1847–1898). Etching, drypoint and aquatint; sheet: 22.2 x 27.9 cm (8 3/4 x 11 in.); platemark: 13.4 x 18.2 cm (5 1/4 x 7 3/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.300


title: Death and the Woodcutter

creator: Alphonse Legros (French, 1837–1911)

medium: etching and drypoint

credit_line: Death and the Woodcutter, 1881. Alphonse Legros (French, 1837–1911). Etching and drypoint; platemark: 37.1 x 27.1 cm (14 5/8 x 10 11/16 in.); sheet: 42.7 x 32.9 cm (16 13/16 x 12 15/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.303


title: Chess Pieces: King and Queen

date: early 1900s

medium: ivory

country: Japan, Meiji period (1868–1912)

subjects:
Ivory
Japan, meiji period (1868–1912)

credit_line: Chess Pieces: King and Queen, early 1900s. Japan, Meiji period (1868–1912). Ivory; overall: 10.5 x 3.9 cm (4 1/8 x 1 9/16 in.). The Cleveland Museum of Art, Gift of Henry B. Andrews, 2000.1007


title: Man with Fish

subjects:
Fish
Ivory
Japan, meiji period (1868–1912)

credit_line: Man with Fish, early 1900s. Japan, Meiji period (1868–1912). Ivory; overall: 5.2 x 2.9 cm (2 1/16 x 1 1/8 in.). The Cleveland Museum of Art, Gift of Henry B. Andrews, 2000.1008


medium: lithograph

credit_line: Portraits of Actors and Actresses: Thirteen Lithographs: Sarah Bernhardt, 1898. Henri de Toulouse-Lautrec (French, 1864–1901). Lithograph; sheet: 39.2 x 32 cm (15 7/16 x 12 5/8 in.); image: 28.2 x 24 cm (11 1/8 x 9 7/16 in.). The Cleveland Museum of Art, Gift of Charlotte Trenkamp in memory of Henry Trenkamp Jr., 2000.59


title: Earring (Parure)

medium: seed pearl on Mother-of-Pearl

subjects:
Jewelry
England, 19th century

credit_line: Earring (Parure), c. 1850. England, 19th century. Seed pearl on Mother-of-Pearl; overall: 6.3 cm (2 1/2 in.). The Cleveland Museum of Art, Gift of Alexander and Paula Kappos, 2001.156.3.b


creator: Paul Gauguin (French, 1848–1903)

medium: black chalk

subjects:
Drawing
France, 19th century

credit_line: Mother and Child (recto); Profile Bust of a Man (verso), 1870s. Paul Gauguin (French, 1848–1903). Black chalk; sheet: 26.8 x 20.4 cm (10 9/16 x 8 1/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Charles Hickox, 2002.110


title: Self-Portrait

creator: Friedrich Preller (German, 1804–1878)

medium: graphite

subjects:
Drawing
Germany, 19th century
Portraits

credit_line: Self-Portrait, 1838. Friedrich Preller (German, 1804–1878). Graphite; sheet: 21.2 x 17.1 cm (8 3/8 x 6 3/4 in.). The Cleveland Museum of Art, Gift of the Helen Greene Perry Charitable Trust and John L. Severance Fund, 2002.56


country: Eastern India, Bengal, Kolkata, Kalighat

subjects: Eastern india, bengal, kolkata, kalighat

credit_line: Leaf from a Kalighat album: Rama and Sita in the Royal Palace (recto); Radha and Krishna (verso), c. 1890. Shri Gobinda Chandra Roy (Indian, active late 1800s). Woodcut, hand colored with gum tempera; gum tempera, graphite, ink, and tin on paper; secondary support: 29.7 x 47.7 cm (11 11/16 x 18 3/4 in.). The Cleveland Museum of Art, Gift of William E. Ward in memory of his wife, Evelyn Svec Ward, 2003.156


title: Dessert Knife and Fork

creator: Maison Cardeilhac (French)

medium: gilt silver and ivory

subjects:
Silver
France, 19th century

credit_line: Dessert Knife and Fork , c. 1880. Maison Cardeilhac (French). Gilt silver and ivory. The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.245


title: Cover for a Tea Caddy

creator: Staffordshire Factory (British)

medium: earthenware

subjects:
Ceramic
England, 18th century

credit_line: Cover for a Tea Caddy, c. 1750–1800. Staffordshire Factory (British). Earthenware; overall: 12.2 x 8.5 x 6.4 cm (4 13/16 x 3 3/8 x 2 1/2 in.); with cover: 13 cm (5 1/8 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.247.b


title: Glass from a Place Setting

country: probably America, late 19th-early 20th century

subjects: Probably america, late 19th-early 20th century

credit_line: Glass from a Place Setting, c. 1890–1920. Probably America, late 19th-early 20th century. Glass; overall: 17.8 x 9 cm (7 x 3 9/16 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.252.3


title: Textile Panel for Fire Screen

medium: tapestry weave, wool warp (gold and beige), silk weft (polychrome)

country: Unassigned, Unassigned

subjects:
Costume & fashion
Textile
Unassigned, unassigned

credit_line: Textile Panel for Fire Screen, c. 1780. Unassigned, Unassigned. Tapestry weave, wool warp (gold and beige), silk weft (polychrome); overall: 81.3 x 62.9 cm (32 x 24 3/4 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.253.b


title: Bowl with Yellow Glaze

medium: glazed porcelain

credit_line: Bowl with Yellow Glaze, 1723–1735. China, Qing dynasty (1644-1911), Yongzheng mark and reign (1723-35). Glazed porcelain; diameter: 14.8 cm (5 13/16 in.); overall: 6.7 cm (2 5/8 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.259.2


title: The Young Beggars

medium: aquatint

country: Germany, late 18th-early 19th century

subjects:
Print
Germany, late 18th-early 19th century

credit_line: The Young Beggars, c. 1800. Karl Ludwig Bernhard Buchhorn (German, 1770–1856). Aquatint; sheet: 31.2 x 23.1 cm (12 5/16 x 9 1/8 in.); platemark: 25.3 x 19.6 cm (9 15/16 x 7 11/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2003.26


title: Corsica e Satiro

creator: William Ryland (British, 1732–1783)

medium: chalk-manner etching and engraving printed in red

subjects:
Print
England, 18th century

credit_line: Corsica e Satiro, 1762–1763. William Ryland (British, 1732–1783), after Filippo Lauri (Italian, 1623–1694). Chalk-manner etching and engraving printed in red ; sheet: 52.6 x 36.2 cm (20 11/16 x 14 1/4 in.); part 1: 22.7 x 22.5 cm (8 15/16 x 8 7/8 in.); part 2: 15.7 x 19.7 cm (6 3/16 x 7 3/4 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.284


title: Untitled

medium: tintype

country: America

subjects: Photograph America

credit_line: Untitled, c. 1860s. America. Tintype; image: 5.9 x 4 cm (2 5/16 x 1 9/16 in.); matted: 61 x 48.3 cm (24 x 19 in.). The Cleveland Museum of Art, Gift of Charles Isaacs and Carol Nigro, 2003.298.a


title: The Prodigal Son: page 17

creator: Henri Rivière (French, 1864–1951)

credit_line: Bound Volume illustrating the poetry and music of Georges Fragerolle: The Prodigal Son: page 17, 1895. Henri Rivière (French, 1864–1951), E. Flammarion. 15 color lithographs in a bound volume illustrating the poetry and music of Georges Fragerolle: color lithograph; book: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.396.h


title: The Prodigal Son: page 37

credit_line: Bound Volume illustrating the poetry and music of Georges Fragerolle: The Prodigal Son: page 37, 1895. Henri Rivière (French, 1864–1951), E. Flammarion. 15 color lithographs in a bound volume illustrating the poetry and music of Georges Fragerolle: color lithograph; book: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.396.n


title: Ivory and Celadon

creator: Jules Jacquemart (French, 1837–1880)

medium: etching

subjects:
Print
France, 19th century

credit_line: Ivory and Celadon, 1872. Jules Jacquemart (French, 1837–1880), Gazette des Beaux-Arts. Etching; sheet: 18.1 x 27.5 cm (7 1/8 x 10 13/16 in.); platemark: 12.4 x 22.3 cm (4 7/8 x 8 3/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.406


title: Evening, New York Harbor

creator: Henry Farrer (American, 1843–1903)

subjects: Print America

credit_line: Evening, New York Harbor, 1884. Henry Farrer (American, 1843–1903). Etching; sheet: 35.8 x 49 cm (14 1/8 x 19 5/16 in.); platemark: 24.7 x 34.7 cm (9 3/4 x 13 11/16 in.). The Cleveland Museum of Art, Gift of Mitzie Verne in memory of Dr. Daniel Verne, 2004.208


title: The Beacon

subjects:
Print
England, 20th century

credit_line: The Beacon, 1925. Arthur John Trevor Briscoe (British, 1873–1943). Etching; sheet: 17 x 25.8 cm (6 11/16 x 10 3/16 in.); image: 13.7 x 22.8 cm (5 3/8 x 9 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2004.209


title: Textile Fragment with Interlace Pattern

medium: camelid fiber and cotton; brocaded plain-weave

subjects: Peru, south coast, paracas, yauca valley

credit_line: Textile Fragment with Interlace Pattern, 700–400 BCE. Peru, South Coast, Paracas, Yauca Valley(?). Camelid fiber and cotton; brocaded plain-weave; overall: 51.8 x 21.3 cm (20 3/8 x 8 3/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 2005.15


title: The Unknown

creator: Félix Bracquemond (French, 1833–1914)

credit_line: The Unknown, 1862. Félix Bracquemond (French, 1833–1914), A. Cadart & F. Chevalier, rue Richelieu, 66, Paris. Etching and drypoint; sheet: 19 x 32.7 cm (7 1/2 x 12 7/8 in.); platemark: 18.9 x 32.4 cm (7 7/16 x 12 3/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2005.236


title: Teals

credit_line: Teals, 1853 (printed 1864). Félix Bracquemond (French, 1833–1914), Cadart & Luquet, 79, rue Richelieu. Etching; sheet: 36.7 x 44.4 cm (14 7/16 x 17 1/2 in.); platemark: 27.2 x 33 cm (10 11/16 x 13 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2005.237


title: The Sea

country: France, early 20th century

subjects:
Print
France, early 20th century

credit_line: The Sea, 1905. Félix Bracquemond (French, 1833–1914), Art et Décoration. Etching; sheet: 44.4 x 29.9 cm (17 1/2 x 11 3/4 in.); platemark: 39.5 x 27.3 cm (15 9/16 x 10 3/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2005.241


title: Winter

country: France, 19th cenury

subjects:
Print
France, 19th cenury

credit_line: Winter, 1862. Félix Bracquemond (French, 1833–1914), Bildende Kunst. Etching; sheet: 23.5 x 32.5 cm (9 1/4 x 12 13/16 in.); platemark: 20.6 x 31.9 cm (8 1/8 x 12 9/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2005.251


title: Satyr

creator: Andrea Appiani (Italian, 1754–1817)

medium: softground etching

country: Italy

subjects: Print Italy

credit_line: Satyr, c. 1808–12. Andrea Appiani (Italian, 1754–1817). Softground etching; sheet: 15.5 x 10.3 cm (6 1/8 x 4 1/16 in.); platemark: 13.8 x 8.3 cm (5 7/16 x 3 1/4 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.262


medium: pencil and ink on paper

country: India, Pahari, 18th century

subjects:
Drawing
India, pahari, 18th century

credit_line: Sketch of  a Woman with an elephant and other animals on reverse, 1700s. India, Pahari, 18th century. Pencil and ink on paper; overall: 12 x 11 cm (4 3/4 x 4 5/16 in.). The Cleveland Museum of Art, Gift of Pamela Elizabeth Ward in loving memory of her parents, William E. and Evelyn Svec Ward, 2005.71


medium: ink and color on paper

credit_line: Woman in profile facing left  (by woman painter), 1900s. Eastern India, Bihar State, Mithila or Madhubani School, 20th century. Ink and color on paper; overall: 26.7 x 18 cm (10 1/2 x 7 1/16 in.). The Cleveland Museum of Art, Gift of Pamela Elizabeth Ward in loving memory of her parents, William E. and Evelyn Svec Ward, 2005.78


medium: ink

country: Italy, Perugia

subjects:
Italy, perugia
Palms

credit_line: Missale: Fol. 112: contains some music as part of Palm Sunday liturgy, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.112.a


credit_line: Missale: Fol. 112v: contains some music as part of Palm Sunday liturgy, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.112.b


title: Missale: Fol. 154v: Music for "Exultet"

credit_line: Missale: Fol. 154v: Music for "Exultet", 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.154.b


title: Missale: Fol. 157: Music for "Exultet"

credit_line: Missale: Fol. 157: Music for "Exultet", 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.157.a


title: Missale: Fol. 184v: Cross, Foliage

medium: ink, tempera and burnished gold on vellum

credit_line: Missale: Fol. 184v: Cross, Foliage, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.184.b


credit_line: Missale: Fol. 189: Music for various prayers, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.189.a


credit_line: Missale: Fol. 192v: Resurrection of Christ, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.192.b


title: Missale: Fol. 262: Saint Thomas

credit_line: Missale: Fol. 262: Saint Thomas, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.262.a


credit_line: Missale: Fol. 290v: Saints Peter and Paul, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.290.b


credit_line: Missale: Fol. 306: Assumption of the Virgin, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.306.a


creator: Thomas Girtin (British, 1775–1802)

date: 1803, printed 1810 or after

medium: softground etching and aquatint printed in brown, hand-colored with watercolor

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: A Selection of Twenty of the Most Picturesque Views in Paris: The Water Mill above the Bridge at Charenton, 1803, printed 1810 or after. Thomas Girtin (British, 1775–1802), Frederick Christian Lewis (British, 1779–1856). Softground etching and aquatint printed in brown, hand-colored with watercolor; sheet: 45.5 x 63.7 cm (17 15/16 x 25 1/16 in.); platemark: 20.6 x 33 cm (8 1/8 x 13 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.232


medium: softground etching and aquatint, printed in brown

credit_line: A Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, &c taken from Pont de la Concorde, 1802. Thomas Girtin (British, 1775–1802), Frederick Christian Lewis (British, 1779–1856). Softground etching and aquatint, printed in brown; sheet: 18.1 x 51.2 cm (7 1/8 x 20 3/16 in.); image: 5 x 19 cm (1 15/16 x 7 1/2 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.242


medium: lacquer

subjects:
Lacquer
Japan, meiji period (1868–1912)

credit_line: Nested Boxes with Chrysanthemum (inner box lid), early 1900s. Japan, Meiji period (1868–1912). Lacquer; overall: 1.4 x 5.8 x 4.2 cm (9/16 x 2 5/16 x 1 5/8 in.). The Cleveland Museum of Art, Bequest of Lillian M. Kern, 2007.1009.2.b


credit_line: Nested Boxes with Chrysanthemums (inner box), early 1900s. Japan, Meiji period (1868–1912). Lacquer; overall: 0.7 x 5.8 x 4.2 cm (1/4 x 2 5/16 x 1 5/8 in.). The Cleveland Museum of Art, Bequest of Lillian M. Kern, 2007.1009.5


credit_line: Nested Boxes with Chrysanthemums (inner box lid), early 1900s. Japan, Meiji period (1868–1912). Lacquer; overall: 0.7 x 5.8 x 4.2 cm (1/4 x 2 5/16 x 1 5/8 in.). The Cleveland Museum of Art, Bequest of Lillian M. Kern, 2007.1009.5.a


title: Abraham's Sacrifice

creator: Rembrandt van Rijn (Dutch, 1606–1669)

medium: etching and drypoint

country: Netherlands

subjects: Print Netherland

credit_line: Abraham's Sacrifice, 1655. Rembrandt van Rijn (Dutch, 1606–1669). Etching and drypoint; sheet: 16.1 x 13.8 cm (6 5/16 x 5 7/16 in.); platemark: 15.6 x 13.2 cm (6 1/8 x 5 3/16 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 2007.156


title: Amiens Cathedral, Inventory Day

country: France, 19th century

credit_line: Amiens Cathedral, Inventory Day, 1887. Auguste Louis Lepère (French, 1849–1918). Etching; sheet: 46.4 x 32.8 cm (18 1/4 x 12 15/16 in.); platemark: 37.7 x 26 cm (14 13/16 x 10 1/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.251


title: Sentimental Colloquy of Paul Verlaine

medium: etching and aquatint

credit_line: Sentimental Colloquy of Paul Verlaine , 1897. Auguste Louis Lepère (French, 1849–1918). Etching and aquatint; sheet: 43 x 26 cm (16 15/16 x 10 1/4 in.); image: 29.9 x 21.7 cm (11 3/4 x 8 9/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2007.287


subjects:
Print
France, 20th century

credit_line: Fishermen's Quarters (Saint-Jean-de-Monts), 1915. Auguste Louis Lepère (French, 1849–1918). Etching; sheet: 23.3 x 28.9 cm (9 3/16 x 11 3/8 in.); image: 18.5 x 19.4 cm (7 5/16 x 7 5/8 in.); plate: 19.2 x 20.1 cm (7 9/16 x 7 15/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2007.289


creator: Auguste Raffet (French, 1804–1860)

medium: lithograph

credit_line: Album of 1831: I want to kill one of Polignac's soldiers.  They did not spare my child (Historic), 1830. Auguste Raffet (French, 1804–1860). Lithograph; sheet: 27.7 x 36.3 cm (10 7/8 x 14 5/16 in.); image: 18 x 24.6 cm (7 1/16 x 9 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.183


creator: William Walcot (British, 1874–1943)

country: England, 20th century

credit_line: Herodias: Frontispiece, Herodias appeared, coiffed in an Assyrian mitre to which a chin strap was attached to the front, 1928. William Walcot (British, 1874–1943). Etching; sheet: 30.4 x 23.7 cm (11 15/16 x 9 5/16 in.); platemark: 20.8 x 17.2 cm (8 3/16 x 6 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2008.330.a


credit_line: Herodias: Page 39, The guests filled the banquet hall, 1928. William Walcot (British, 1874–1943). Etching; sheet: 31 x 24.5 cm (12 3/16 x 9 5/8 in.); platemark: 11.9 x 17.4 cm (4 11/16 x 6 7/8 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2008.330.g


title: Loincloth with Feather(?) Motifs

medium: plain weave, tapestry weave; cotton, camelid fiber

subjects:
Costume & fashion
Textile

credit_line: Loincloth with Feather(?) Motifs, 1000–1532. Peru, Central Andes, Chimú or Chimú-Inka, 11th-16th century. Plain weave, tapestry weave; cotton, camelid fiber; overall: 204.5 x 91.4 cm (80 1/2 x 36 in.). The Cleveland Museum of Art, The Charlotte Ekker and Charlotte Van der Veer Memorial Fund, 2008.58


title: Scent Bottle

medium: silver

subjects: Silver America

credit_line: Scent Bottle, c. 1860–70. Tiffany & Co. (America, New York, est. 1837). Silver; overall: 8 x 7.9 x 2.5 cm (3 1/8 x 3 1/8 x 1 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.101.a


title: Chronophotograph of a Flying Heron

creator: Étienne-Jules Marey (French, 1830–1904)

medium: gelatin silver print

subjects:
Photograph
France, 19th century

credit_line: Chronophotograph of a Flying Heron, c. 1883–87. Étienne-Jules Marey (French, 1830–1904). Gelatin silver print; image: 8.3 x 9.4 cm (3 1/4 x 3 11/16 in.); paper: 8.3 x 21.4 cm (3 1/4 x 8 7/16 in.); matted: 35.6 x 45.7 cm (14 x 18 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 2009.349


title: Ring

creator: Potter and Mellen, Inc. (American)

medium: enamel, gold, yellow stone

country: America, Ohio, Cleveland

subjects:
Jewelry
America, ohio, cleveland

credit_line: Ring, c. 1910. Potter and Mellen, Inc. (American). Enamel, gold, yellow stone; overall: 2.1 x 2.1 x 2.7 cm (13/16 x 13/16 x 1 1/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.363


title: Pepper Shaker

medium: silver and mixed metals

country: America, Rhode Island, Providence, 19th century

credit_line: Pepper Shaker, c.1875–1885. Gorham Manufacturing Company (America, est. 1831). Silver and mixed metals; overall: 7.5 x 3 x 3 cm (2 15/16 x 1 3/16 x 1 3/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.368.2


title: Vase

medium: porcelain

country: France, 20th century

subjects:
Ceramic
France, 20th century

credit_line: Vase, 1901. Sèvres Porcelain Factory (French, est. 1756), Taxile Maximin Doat (French, 1851–1939). Porcelain; overall: 17.5 x 8 x 8 cm (6 7/8 x 3 1/8 x 3 1/8 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 2009.374.a


title: Paper Knife

medium: agate with gold mounts and Wedgewood plaques set with diamonds

country: England, late 19th century

credit_line: Paper Knife, c. 1890–1910. England, late 19th century. Agate with gold mounts and Wedgewood plaques set with diamonds. The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.38


creator: Adolphe Appian (French, 1818–1898)

medium: etching

subjects:
Print
France, 19th century

credit_line: Fishing Boat/Coastal Shipping Boat (Italian Coast) (Barque de Pecheurs/Barque de Cabotage (Côtes d'Italie), 1874. Adolphe Appian (French, 1818–1898). Etching; sheet: 31.2 x 42.6 cm (12 5/16 x 16 3/4 in.); platemark: 15.6 x 22.8 cm (6 1/8 x 9 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.509


title: Fantastic Symphony: A Ball

creator: Henri Fantin-Latour (French, 1836–1904)

medium: lithograph on chine collé

credit_line: Hector Berlioz: His Life and Work: Fantastic Symphony: A Ball, 1888. Henri Fantin-Latour (French, 1836–1904). Lithograph on chine collé; sheet: 30.3 x 20.7 cm (11 15/16 x 8 1/8 in.); image: 23.7 x 15.5 cm (9 5/16 x 6 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.539


title: Military Costumes: Cavalry Man

subjects:
Costume & fashion
Print
France, 19th century

credit_line: Military Costumes: Cavalry Man , 1814–1818. Nicolas Toussaint Charlet (French, 1792–1845). Lithograph; sheet: 40.2 x 28.4 cm (15 13/16 x 11 3/16 in.); image: 28.9 x 21.4 cm (11 3/8 x 8 7/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.578


creator: Odilon Redon (French, 1840–1916)

medium: lithograph on China paper laid on Arches wove paper

subjects:
Print
France, 19th century
Flowers

credit_line: The Temptation of St. Anthony: Flowers Fall and the Head of a Python Appears, 1896. Odilon Redon (French, 1840–1916), printed by Blanchard. Lithograph on China paper laid on Arches wove paper; image: 26 x 19.8 cm (10 1/4 x 7 13/16 in.); sheet: 43.8 x 33.3 cm (17 1/4 x 13 1/8 in.). The Cleveland Museum of Art, Gift of Barry Bradley, 2009.599


title: Square Multi-Season Pieced Shawl

medium: wool; 2/2 twill tapestry (S), double interlocked, pieced

country: India, Kashmir

subjects:
Costume & fashion
Textile
India, kashmir

credit_line: Square Multi-Season Pieced Shawl, 1880s. India, Kashmir. Wool; 2/2 twill tapestry (S), double interlocked, pieced; overall: 194.9 x 193 cm (76 3/4 x 76 in.). The Cleveland Museum of Art, Gift of Arlene C. Cooper, 2010.139


medium: supplementary weft pattern; silk and cotton?

subjects:
Ornament & design
Costume & fashion
Textile

credit_line: Square Shawl in Renaissance Style with Black Center and Quarter Shawl Layout, 1840s. France, Nimes; Scotland, Paisley or England, Norwich, 19th century. Supplementary weft pattern; silk and cotton?; overall: 193 x 177.4 cm (76 x 69 13/16 in.). The Cleveland Museum of Art, Gift of Arlene C. Cooper, 2010.144


title: Three Figures

medium: black and colored crayons

subjects:
Drawing
France, 19th century

credit_line: Three Figures, 1900s. Théophile Alexandre Steinlen (Swiss, 1859–1923). Black and colored crayons; sheet: 19.6 x 26.8 cm (7 11/16 x 10 9/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.162


medium: black and brown chalk/pastel

subjects:
Drawing
France, 19th century
Landscapes

credit_line: Studies of Drapery and Study of a Landscape (verso), 1800s. Pierre Puvis de Chavannes (French, 1824–1898). Black and brown chalk/pastel; sheet: 24 x 31.6 cm (9 7/16 x 12 7/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.249.b


title: Six Views of Heidelberg Castle: Wrapper

creator: Ernst Fries (German, 1801–1833)

medium: gray paper wrapper for bound group of 6 lithographs with etched and engraved cover

country: Germany, 19th century

subjects:
Print
Germany, 19th century

credit_line: Six Views of Heidelberg Castle: Wrapper , 1820. Ernst Fries (German, 1801–1833), Mohr & Winter, Heidelberg. Gray paper wrapper for bound group of 6 lithographs with etched and engraved cover; folio: 53.6 x 38.2 cm (21 1/8 x 15 1/16 in.). The Cleveland Museum of Art, Prints & Drawings Sundry Art Purchase and Dudley P. Allen Fund, 2010.280.1


title: Sketch of Two Figures Embracing (verso)

creator: Théodule Ribot (French, 1823–1891)

medium: graphite

credit_line: Sketch of Two Figures Embracing (verso). Théodule Ribot (French, 1823–1891). Graphite; sheet: 23.5 x 17.1 cm (9 1/4 x 6 3/4 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.285.b


medium: lithograph in black and gray

subjects:
Print
England, 19th century

credit_line: Sketches at Home and Abroad: Ruins of Schonberg on the Rhine, 1834. James Duffield Harding (British, 1798–1863), Charles Tilt, Fleet Street. Lithograph in black and gray; sheet: 10.4 x 14.6 cm (4 1/8 x 5 3/4 in.); image: 10.4 x 14.6 cm (4 1/8 x 5 3/4 in.); secondary support: 41.5 x 55.6 cm (16 5/16 x 21 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.561


title: Ehrenbreitstein to Coblenz, No. 1

creator: Frank Short (British, 1857–1945)

medium: softground etching and aquatint

credit_line: published in "The Portfolio" vol. XXII, 1891: Ehrenbreitstein to Coblenz, No. 1, 1891. Frank Short (British, 1857–1945), after Joseph Mallord William Turner (British, 1775–1851). Softground etching and aquatint; sheet: 21.6 x 30.8 cm (8 1/2 x 12 1/8 in.); image: 17.4 x 22.8 cm (6 7/8 x 9 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.580


creator: William Nicholson (British, 1872–1949)

medium: color lithograph

credit_line: The Square Book of Animals: The Very Tame Lamb, 1899. William Nicholson (British, 1872–1949). Color lithograph; sheet: 24.9 x 23.6 cm (9 13/16 x 9 5/16 in.); image: 13 x 12.9 cm (5 1/8 x 5 1/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.641


title: Dog Watching

medium: Album leaf, ink and color on silk

country: China, Song dynasty (960-1279)

subjects:
Painting
China, song dynasty (960-1279)

credit_line: Dog Watching, 960–1279. China, Song dynasty (960-1279). Album leaf, ink and color on silk; diameter: 22.6 cm (8 7/8 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.700


title: Fan

date: before 1915

medium: wood, metal threads, silk, pigment on silk

credit_line: Fan, before 1915. Wood, metal threads, silk, pigment on silk; radius: 33 cm (13 in.); spread: 95.3 cm (37 1/2 in.). The Cleveland Museum of Art, Hinman B. Hurlbut Collection, 1915.726


title: Scabbard Spear

medium: metal

subjects: Africa, east africa, sudan, unknown maker

credit_line: Scabbard Spear, 1880–1910. Africa, East Africa, Sudan, unknown maker. Metal; overall: 31.2 cm (12 5/16 in.); blade: 19.9 cm (7 13/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.724.c


title: Gradual

creator: Girolamo dai Libri (Italian, 1474–1555)

medium: ink, tempera, and gold on parchment

country: Italy, Verona

subjects:
Manuscript
Italy, verona

credit_line: Gradual, c. 1520. Circle of Girolamo dai Libri (Italian, 1474–1555). Ink, tempera, and gold on parchment; codex: 51.1 x 35.6 x 8.9 cm (20 1/8 x 14 x 3 1/2 in.). The Cleveland Museum of Art, General Income Fund, 1921.140.2.b


title: Gradual

credit_line: Gradual, c. 1520. Circle of Girolamo dai Libri (Italian, 1474–1555). Ink, tempera, and gold on vellum; wood binding; codex: 51.1 x 35.6 x 8.9 cm (20 1/8 x 14 x 3 1/2 in.). The Cleveland Museum of Art, General Income Fund, 1921.140.28.b


title: Gaming Piece (reverse)

creator: Martin Brunner (German, 1659–1725)

medium: wood

country: Germany, late 17th-early 18th Century

subjects:
Furniture and woodwork
Germany, late 17th-early 18th century

credit_line: Gaming Piece (reverse), c.1700. Martin Brunner (German, 1659–1725). Wood; diameter: 6.1 cm (2 3/8 in.); overall: 1.3 cm (1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1953.691.3.b


title: L'Incendie de Louvain

medium: pen and brush and black ink with white highlights

subjects:
Drawing
France, 20th century

credit_line: L'Incendie de Louvain, 1914. Auguste Louis Lepère (French, 1849–1918). Pen and brush and black ink with white highlights. The Cleveland Museum of Art, Delia E. Holden Fund, 1974.147.c


title: La Retraite après Charleroi...

medium: pencil

credit_line: La Retraite après Charleroi..., 1914. Auguste Louis Lepère (French, 1849–1918). Pencil. The Cleveland Museum of Art, Delia E. Holden Fund, 1974.148.e


title: Fragment from a Tunic

medium: tabby weave with inwoven tapestry ornament, linen and wool

country: Egypt, 6th - 16th century

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, 6th - 16th century

credit_line: Fragment from a Tunic, 500s - 1500s. Egypt, 6th - 16th century. Tabby weave with inwoven tapestry ornament, linen and wool. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.283.h


medium: Ink and gold on paper

credit_line: Text, folio 13 (verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.13.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.18.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.19.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.29.b


credit_line: Text, Folio 4 (verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.4.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.42.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.49.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.53.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.54.b


credit_line: Text, Folio 6 (verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.6.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.63.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.70.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.72.b


credit_line: Text, Folio 9 (verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.9.b


creator: John Sell Cotman (British, 1782–1842)

medium: etching

subjects:
Architecture
Print
England, 19th century

credit_line: Architectural Antiquities of Normandy (Vol. II), Pl. 90:  Castle of Falaise (North View), 1821. John Sell Cotman (British, 1782–1842), J & A Arch Cornhill & J. S. Cotman. Etching; sheet: 35.4 x 49 cm (13 15/16 x 19 5/16 in.); platemark: 28 x 39 cm (11 x 15 3/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.670


title: Fallow Deer

creator: William Barraud (British, 1810–1850)

medium: lithograph with black and beige tint stone

credit_line: Fallow Deer. William Barraud (British, 1810–1850), and Henry Barraud (British, 1811–1874). Lithograph with black and beige tint stone; sheet: 53.6 x 36.7 cm (21 1/8 x 14 7/16 in.); image: 42.1 x 29.4 cm (16 9/16 x 11 9/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.671


title: Stable

credit_line: Stable , 1859. Charles-Émile Jacque (French, 1813–1894). Etching; sheet: 49.6 x 65.4 cm (19 1/2 x 25 3/4 in.); platemark: 39 x 53 cm (15 3/8 x 20 7/8 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2011.179


title: Egypt and Nubia, Volume II: Karnak

creator: Louis Haghe (British, 1806–1885)

credit_line: Egypt and Nubia, Volume II: Karnak, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 43.5 x 60.2 cm (17 1/8 x 23 11/16 in.); image: 32.6 x 48.9 cm (12 13/16 x 19 1/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.195


credit_line: Egypt and Nubia, Volume III: Dancing Girls at Cairo, 1849. Louis Haghe (British, 1806–1885), after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 36.9 x 43.8 cm (14 1/2 x 17 1/4 in.); image: 25.4 x 35.7 cm (10 x 14 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.198


title: Egypt and Nubia, Volume II: Philae

credit_line: Egypt and Nubia, Volume II: Philae, 1848. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 37.2 x 43.1 cm (14 5/8 x 16 15/16 in.); image: 25.3 x 35.3 cm (9 15/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.211


credit_line: Egypt and Nubia, Volume II: Colossus in Front of the Temple at Wady Saboua, Nubia, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 45.5 x 40.5 cm (17 15/16 x 15 15/16 in.); image: 34.6 x 24.3 cm (13 5/8 x 9 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.220


credit_line: Egypt and Nubia, Volume I: Statues of Memnon, Thebes, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 43.4 x 60.3 cm (17 1/16 x 23 3/4 in.); image: 32 x 48.6 cm (12 5/8 x 19 1/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.226


credit_line: Egypt and Nubia, Volume I: Nubian Women at Kortie, on the Nile, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 37.5 x 43 cm (14 3/4 x 16 15/16 in.); image: 25.5 x 35.3 cm (10 1/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.241


credit_line: Egypt and Nubia, Volume III: The Letter-Writer, Cairo, 1849. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 45 x 43.8 cm (17 11/16 x 17 1/4 in.); image: 35.2 x 24.8 cm (13 7/8 x 9 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.248


title: Scrolling Floral Vines (verso)

creator: Fayzullah (Indian, active c. 1730–1765)

medium: Gum tempera and gold on paper

country: India, Lucknow, Mughal, 18th century

subjects:
Calligraphy
India, lucknow, mughal, 18th century
Flowers

credit_line: Scrolling Floral Vines (verso), 1755. Fayzullah (Indian, active c. 1730–1765). Gum tempera and gold on paper. The Cleveland Museum of Art, Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection, 2013.343.b


title: Calligraphy (verso)

creator: Ahmad al-Husaini

subjects:
Calligraphy
India, lucknow, mughal, 18th century

credit_line: Calligraphy (verso), 1702. Ahmad al-Husaini. Gum tempera and gold on paper; page: 28.2 x 24.1 cm (11 1/8 x 9 1/2 in.). The Cleveland Museum of Art, Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection, 2013.350.b


title: London Types: Flower Girl

medium: woodcut hand-colored with watercolor

subjects:
Print
England, 19th century
Flowers

credit_line: London Types: Flower Girl, 1898. William Nicholson (British, 1872–1949). Woodcut hand-colored with watercolor; sheet: 50.7 x 49.6 cm (19 15/16 x 19 1/2 in.); border: 25.5 x 23 cm (10 1/16 x 9 1/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.87.12


creator: Samuel Prout (British, 1783–1852)

medium: lithograph

credit_line: Facisimilies of Sketches made in Flanders and Germany: Hotel de Ville, Prague, 1833. Samuel Prout (British, 1783–1852). Lithograph; sheet: 54.8 x 37.2 cm (21 9/16 x 14 5/8 in.); image: 41.9 x 28.4 cm (16 1/2 x 11 3/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.235


title: London

creator: William Walcot (British, 1874–1943)

medium: etching in brown, and drypoint, plate tone

subjects:
Print
England, 20th century

credit_line: London, 1920. William Walcot (British, 1874–1943). Etching in brown, and drypoint, plate tone; sheet: 27.3 x 25.4 cm (10 3/4 x 10 in.); platemark: 13 x 12.7 cm (5 1/8 x 5 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.258


creator: Adriano Cecioni (Italian, 1836–1886)

country: Italy, 19th century

subjects:
Print
Italy, 19th century

credit_line: published February 3rd, 1872: Vanity Fair: Men of the Day, No. 39 "The Novelist who invented Sensation", 1872. Adriano Cecioni (Italian, 1836–1886), Vanity Fair. (Boston: Frame Central, 1992.) p. 3, 3 Feb. 1872, S. No. 39. Color lithograph; sheet: 35.5 x 22.7 cm (14 x 8 15/16 in.); image: 30.4 x 18.9 cm (11 15/16 x 7 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.272


title: Scheherazade

creator: George Auriol (French, 1863–1938)

subjects:
Print
France, 20th century

credit_line: Scheherazade, 1901. George Auriol (French, 1863–1938). Color lithograph; sheet: 28.6 x 18.8 cm (11 1/4 x 7 3/8 in.); image: 23.7 x 15.2 cm (9 5/16 x 6 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.285


title: Radium

creator: Jean Baptiste Guth (French, 1883–1921)

subjects:
Print
France, 19th century

credit_line: Radium, 1904. Jean Baptiste Guth (French, 1883–1921), Vincent Brooks Day & Son. Color lithograph; sheet: 38.4 x 25.6 cm (15 1/8 x 10 1/16 in.); image: 31.8 x 19.4 cm (12 1/2 x 7 5/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.294


title: Jules Dalou

creator: Alphonse Legros (French, 1837–1911)

medium: etching and drypoint

country: France, 19th cenetury

subjects:
Print
France, 19th cenetury

credit_line: Jules Dalou, 1877. Alphonse Legros (French, 1837–1911). Etching and drypoint; sheet: 33.2 x 22.7 cm (13 1/16 x 8 15/16 in.); platemark: 25.2 x 16.3 cm (9 15/16 x 6 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.298


title: Auguste Rodin

credit_line: Auguste Rodin, 1881. Alphonse Legros (French, 1837–1911). Etching; sheet: 38.7 x 22.8 cm (15 1/4 x 9 in.); platemark: 25 x 17.5 cm (9 13/16 x 6 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.299


creator: Carle Vernet (French, 1758–1836)

medium: lithograph gravure en couleurs a l'aquantinte par Debucourt

credit_line: Scenes of Daily Life, Roads and Paths: Mail Route (Scènes de la vie quotidienne, Route et Chemins: Route de Poste), 1817. Carle Vernet (French, 1758–1836), Bance. Lithograph gravure en couleurs a l'aquantinte par Debucourt; sheet: 9 x 14.1 cm (3 9/16 x 5 9/16 in.); image: 8.3 x 11.4 cm (3 1/4 x 4 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.316


title: Napoleanic Battle Scene

date: late 1800s

country: Spain

subjects: Print Spain

credit_line: Napoleanic Battle Scene, late 1800s. Daniel Urrabieta Vierge (Spanish, 1851–1904). Lithograph; sheet: 39.2 x 32.3 cm (15 7/16 x 12 11/16 in.); image: 27.3 x 22.5 cm (10 3/4 x 8 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.362


medium: softground etching, from a bound volume containing 48 plates

country: England, 19th century

credit_line: Liber Studiorum: Plate 27, Kilgarren Castle, N. Wales, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 15.1 x 20.2 cm (5 15/16 x 7 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.bb


credit_line: Liber Studiorum: Plate 29, Harlech Castle, N. Wales, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 18.9 x 12.5 cm (7 7/16 x 4 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.dd


credit_line: Liber Studiorum: Plate 31, Conway Castle, N. Wales, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 18.9 x 12.6 cm (7 7/16 x 4 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.ff


credit_line: Liber Studiorum: Plate 8, Millbank on the Thames, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 32 x 49.7 cm (12 5/8 x 19 9/16 in.); platemark: 16.3 x 25.3 cm (6 7/16 x 9 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.i


credit_line: Liber Studiorum: Plate 15, Cader Iris, North Wales, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.7 x 32 cm (19 9/16 x 12 5/8 in.); platemark: 12.5 x 17.7 cm (4 15/16 x 6 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.p


credit_line: Liber Studiorum: Plate 41, House at Bristol, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 17.6 x 12.8 cm (6 15/16 x 5 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.pp


subjects:
England, 19th century
Trees

credit_line: Liber Studiorum: Plate 18, Trees at Norwich Thorp, Norfolk, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 11 x 8.5 cm (4 5/16 x 3 3/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.s


creator: Adolphe Giraldon (French, 1855–1933)

country: France, 19th century

credit_line: L'Estampe Moderne: L'Estampe Moderne: Cinquantes Estampes Originales Inédites en Couleur et Noir des Principaux Artistes Modernes Français et Étrangers, Vol. II, May1898-April 1899. Adolphe Giraldon (French, 1855–1933), Adolphe Léon Willette (French, 1857–1926), Alfred-Pierre Agache (French, 1843–1915), Alfredo Müller (Italian, 1869–1940), Angelo Jank (German, 1868–1940), Auguste Roedel (French, 1859–1900), Charles Huard (French, 1874–1965), Charles Paul Renouard (French, 1845–1924), Charles-François-Prosper Guérin (French, 1875–1939), Edward Burne-Jones (British, 1833–1898), Étienne Dinet (French, 1861–1929), Eugène Delâtre (French, 1864–1938), Eugène Grasset (French, 1841–1917), Eugène Trigoulet (French, 1867–1910), Félix Bracquemond (French, 1833–1914), Ferdinand Jean Luigini (French, 1870–1943), Fernand Cormon (French, 1845–1924), Fernand Piet (French, 1869–1942), Firmin Bouisset (French, 1859–1925), Francis Jourdain (French, 1876–1958), François Guiguet (French, 1860–1937), Gaston Bussiere (French, 1862–1929), Guillaume Dubufe (French, 1853–1909), Henri Bellery-Desfontaines (French, 1867–1910), Henri Fantin-Latour (French, 1836–1904), Henri Le Sidaner (French, 1862–1939), Henri Gabriel Ibels (French, 1867–1936), Henri Jean Guillaume Martin (French, 1860–1943), Henri Patrice Dillon (American, 1851–1909), Henri-Jules Guinier (French, 1867–1927), Jacques Baseilhac (French, 1874–1903), Jeanne Granès (French, 1887–1917), Jules Gustave Besson (French, b. 1868), Jules Léon Flandrin (French, 1871–1947), Jules-Alexis Muenier (French, 1863–1942), Louis Bourgeois Borgex (French, 1873–1959), Louis Joseph Raphaël Collin (French, 1830–1916), Louis Welden Hawkins (French, 1849–1910), Louise Breslau (Swiss, 1856–1927), Luc-Olivier Merson (French, 1846–1920), Lucien-Hector Monod (French, 1867–1957), Manuel Robbe (French, 1872–1936), Marguerite Delorme (French, 1876–1946), Maurice Desvallières (French, 1857–1926), Maximilienne Guyon (French, 1869–1903), Paul Alexandre Alfred Leroy (French, 1860–1942), Paul César Helleu (French, 1859–1927), Raoul André Ulmann (French, 1867–1932), Théophile Alexandre Steinlen (Swiss, 1859–1923), Victor Emile Prouvé (French, 1858–1943), Imprimerie Champenois. Bound volume containing 50 lithographs, each with a tissue paper guard ; overall: 41.1 x 32.8 x 2.4 cm (16 3/16 x 12 15/16 x 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695


title: Immortalité

creator: Henri Fantin-Latour (French, 1836–1904)

country: France, Paris

credit_line: L'Estampe Moderne: Immortalité, 1898. Henri Fantin-Latour (French, 1836–1904). Lithograph; sheet: 40.3 x 30.6 cm (15 7/8 x 12 1/16 in.); image: 34.6 x 24.6 cm (13 5/8 x 9 11/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.c


title: Parisienne

creator: Paul César Helleu (French, 1859–1927)

medium: Color lithograph

credit_line: L'Estampe Moderne: Parisienne, 1898. Paul César Helleu (French, 1859–1927). Color lithograph; sheet: 32.2 x 23.8 cm (12 11/16 x 9 3/8 in.); image: 32.2 x 23.8 cm (12 11/16 x 9 3/8 in.); secondary support: 40 x 30.5 cm (15 3/4 x 12 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.ee


title: La Lampe

creator: François Guiguet (French, 1860–1937)

credit_line: L'Estampe Moderne: La Lampe, 1899?. François Guiguet (French, 1860–1937). Color lithograph; sheet: 40.1 x 30.5 cm (15 13/16 x 12 in.); image: 22.2 x 31.7 cm (8 3/4 x 12 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.jj


title: Beauty

creator: Edward Burne-Jones (British, 1833–1898)

credit_line: L'Estampe Moderne: Beauty, 1887–1889. Edward Burne-Jones (British, 1833–1898), Imprimerie Champenois. Color lithograph from bound volume containing 50 lithographs, each with a tissue paper guard; sheet: 33.4 x 19.2 cm (13 1/8 x 7 9/16 in.); image: 33.4 x 19.2 cm (13 1/8 x 7 9/16 in.); secondary support: 40.2 x 30.7 cm (15 13/16 x 12 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.oo


title: Joueuses d'Osselets

credit_line: L'Estampe Moderne: Joueuses d'Osselets, 1899. Paul Alexandre Alfred Leroy (French, 1860–1942). Color lithograph; sheet: 40.1 x 30.6 cm (15 13/16 x 12 1/16 in.); image: 24 x 34.5 cm (9 7/16 x 13 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.p


title: Le Retour des Champs

credit_line: L'Estampe Moderne: Le Retour des Champs, 1898–1899. Jules-Alexis Muenier (French, 1863–1942). Color lithograph; sheet: 40.1 x 30.5 cm (15 13/16 x 12 in.); image: 26.5 x 35.1 cm (10 7/16 x 13 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.q


title: Avant Le Ballet

credit_line: L'Estampe Moderne: Avant Le Ballet, 1898. Charles Paul Renouard (French, 1845–1924). Color lithograph; sheet: 31.4 x 22.5 cm (12 3/8 x 8 7/8 in.); image: 31.4 x 22.5 cm (12 3/8 x 8 7/8 in.); secondary support: 40 x 30.6 cm (15 3/4 x 12 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.s


title: Porteur d'Amphore

credit_line: L'Estampe Moderne: Porteur d'Amphore, 1899. Maurice Desvallières (French, 1857–1926). Color lithograph; sheet: 40.1 x 30.5 cm (15 13/16 x 12 in.); image: 37.7 x 23.1 cm (14 13/16 x 9 1/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.x


title: L'Enfant

creator: Guillaume Dubufe (French, 1853–1909)

credit_line: L'Estampe Moderne: L'Enfant, 1899. Guillaume Dubufe (French, 1853–1909), Imprimerie Champenois. Color lithograph from bound volume containing 50 lithographs, each with a tissue paper guard; sheet: 40.2 x 30.3 cm (15 13/16 x 11 15/16 in.); image: 31.3 x 20.4 cm (12 5/16 x 8 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.xx


title: Bouderie

creator: Alfredo Müller (Italian, 1869–1940)

credit_line: L'Estampe Moderne: Bouderie, 1898. Alfredo Müller (Italian, 1869–1940). Color lithograph; sheet: 34.5 x 25 cm (13 9/16 x 9 13/16 in.); image: 34.5 x 25 cm (13 9/16 x 9 13/16 in.); secondary support: 40.3 x 30.6 cm (15 7/8 x 12 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.y


creator: Victor Petit (French, 1817–1874)

medium: lithograph with tint stone, from portfolio of 100 lithographs with tint stone

subjects:
Architecture
Print
France, 19th century

credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 19, Restes Du Chateau De Chaumot (Yonne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.8 x 27.5 cm (14 1/8 x 10 13/16 in.); image: 23 x 14 cm (9 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.19


date: published 1860

credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 27, Maison A Peronne (Somme), published 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.7 x 27.7 cm (14 1/16 x 10 7/8 in.); image: 23 x 14 cm (9 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.26


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 28, Chateau De La Verdiere (Ille en Vilaine), published 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36 x 27.5 cm (14 3/16 x 10 13/16 in.); image: 23 x 14 cm (9 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.27


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 33, Château De Tanlay (Yonne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.7 x 27.7 cm (14 1/16 x 10 7/8 in.); image: 22.9 x 14 cm (9 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.32


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 40, Église Des Pénitents À Avignon (Vaucluse), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36 x 27.5 cm (14 3/16 x 10 13/16 in.); image: 22.9 x 14.1 cm (9 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.39


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 47, Manoir De Sousmont (Calvados), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.7 x 27.4 cm (14 1/16 x 10 13/16 in.); image: 22.8 x 24 cm (9 x 9 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.46


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 48, Porte Du Château de Fresnay-Le-Puceux (Calvados), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.6 x 27.3 cm (14 x 10 3/4 in.); image: 23.6 x 14 cm (9 5/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.47


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 51, Château De Jumillac (Dordogne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.9 x 27.3 cm (14 1/8 x 10 3/4 in.); image: 22.9 x 14 cm (9 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.50


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 59, Château De Baclair (Seine inférieure), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.8 x 27.4 cm (14 1/8 x 10 13/16 in.); image: 22.9 x 14.1 cm (9 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.57


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl.3, Tour du chateau de Montfort-l'Amaury (Seine-et-Oise), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36 x 27.5 cm (14 3/16 x 10 13/16 in.); image: 23 x 14.3 cm (9 1/16 x 5 5/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.6


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 64, Château De La Sauloye (Mayenne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36.2 x 27.4 cm (14 1/4 x 10 13/16 in.); image: 22.9 x 14 cm (9 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.62


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 81, FIEf Des Bordes-Compigny (Yonne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.9 x 27.5 cm (14 1/8 x 10 13/16 in.); image: 23.4 x 14 cm (9 3/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.79


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 84, Petit Château d'Exideuil (Dordogne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.6 x 27.5 cm (14 x 10 13/16 in.); image: 22.9 x 14 cm (9 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.82


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 86, Ancien Château de Gisy-Les-Nobles (Yonne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.8 x 27.6 cm (14 1/8 x 10 7/8 in.); image: 23 x 14.1 cm (9 1/16 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.84


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl.7, Porte du Chateau d'Exideuil (Dordogne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.7 x 27.3 cm (14 1/16 x 10 3/4 in.); image: 23 x 14.2 cm (9 1/16 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.9


creator: Charles Marie Dulac (French, 1865–1898)

medium: color lithograph

subjects:
Print
France, 19th century
Landscapes

credit_line: Suite de Paysages: Landscape, Plate 2, Remarque, Starflowers, 1892–1893. Charles Marie Dulac (French, 1865–1898), Printer: Bellefond (per colophon). Color lithograph; sheet: 65.2 x 50.4 cm (25 11/16 x 19 13/16 in.); image: 49.3 x 32 cm (19 7/16 x 12 5/8 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.7.4


medium: wood engraving from bound volume of 34

credit_line: Fontainebleau Forest: Ride to the Hounds at Mont-Gérard (La Forêt de Fontainebleau: Une chasse au Mont-Gérard), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 12.7 x 15.9 cm (5 x 6 1/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.l


credit_line: Catalogue de L'Exposition de August Lepère, 1908. Auguste Louis Lepère (French, 1849–1918). Leather-bound volume containing two etchings and one lithograph. The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.709


credit_line: Catalogue de L'Exposition de August Lepère: Carrière à Gentilly, 1908. Auguste Louis Lepère (French, 1849–1918). Etching, from leather-bound volume containing two etchings and one lithograph ; sheet: 26.3 x 17.5 cm (10 3/8 x 6 7/8 in.); platemark: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.709.b


credit_line: Catalogue de L'Exposition de Auguste Lepère: Return from the Fields (Auguste Lepère: Retour des champs), 1908. Auguste Louis Lepère (French, 1849–1918). Lithograph with remarque, from leather-bound volume containing two etchings and one lithograph; sheet: 26.4 x 17.5 cm (10 3/8 x 6 7/8 in.); image: 20 x 12.1 cm (7 7/8 x 4 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.709.c


title: Untitled

creator: Skeen & Co. (British, active 1860–1920)

medium: Albumen print, gold-toned

subjects:
Photograph
England, 19th century

credit_line: Untitled, 1880s. Possibly by Skeen & Co. (British, active 1860–1920), possibly by Charles T. Scowen (British). Albumen print, gold-toned; image: 26.4 x 20.9 cm (10 3/8 x 8 1/4 in.); paper: 26.4 x 20.9 cm (10 3/8 x 8 1/4 in.). The Cleveland Museum of Art, Purchased with funds donated by Catherine Glynn Benkaim and Barbara Timmer, 2015.31


creator: Thomas Barker (British, 1769–1847)

date: published 1813

country: Britain

subjects: Print Britain Landscapes

credit_line: Forty Lithographic Impressions from Drawings of Landscape Scenery by Thomas Barker, Selected from His Studies of Rustic Figures after Nature: [Old Woman in Cloak with Clasped Hands], published 1813. Thomas Barker (British, 1769–1847), Wood and Co., Bath, David J. Redman (British, active 1808–1823). Pen lithograph, hand colored with brown wash; image: 23.2 x 15.9 cm (9 1/8 x 6 1/4 in.); sheet: 40.6 x 31.8 cm (16 x 12 1/2 in.); matted: 50.5 x 39.7 cm (19 7/8 x 15 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard Davis in memory of Harvey Buchanan and Penelope Draper Buchanan, 2016.628


title: Tokyo Views: Ducks

creator: Tsuchiya Kōitsu (Japanese, 1870–1949)

medium: color woodcut

country: Japan

subjects: Print Japan

credit_line: Tokyo Views: Ducks, 1940. Tsuchiya Kōitsu (Japanese, 1870–1949). Color woodcut. The Cleveland Museum of Art, Gift of the Norman W. Zaworski Trust, 2016.77


country: Germany

subjects: Print Germany

credit_line: Jude from Christ, the Apostles, and Saint Paul, 1563/64. Lucas Cranach the Elder, After (German, 1472–1553). Woodcut with letterpress text, hand colored; image and sheet: 19.3 x 11 cm (7 5/8 x 4 5/16 in.). The Cleveland Museum of Art, Anonymous Gift in honor of Jane Glaubinger, 2017.277.13


title: The Taj

creator: Samuel Bourne (British, 1834–1912)

medium: albumen print

credit_line: The Taj, c. 1860s. Samuel Bourne (British, 1834–1912). Albumen print; image: 23.4 x 28.9 cm (9 3/16 x 11 3/8 in.); paper: 23.4 x 28.9 cm (9 3/16 x 11 3/8 in.). The Cleveland Museum of Art, Purchase from the Karl B. Goldfield Trust, 2018.225.b


title: Church with Round Tower, Pompeii, Italy

medium: albumen print from collodion negative

subjects:
Photograph
Italy, 19th century

credit_line: Church with Round Tower, Pompeii, Italy, c. 1860s. Italy, 19th century. Albumen print from collodion negative; image: 19.7 x 25.7 cm (7 3/4 x 10 1/8 in.); paper: 48.9 x 64 cm (19 1/4 x 25 3/16 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos, 2018.437


title: Fragment

medium: tapestry weave

country: Egypt, Byzantine period

subjects:
Costume & fashion
Textile
Egypt, byzantine period

credit_line: Fragment, 500s - 700s. Egypt, Byzantine period. Tapestry weave; overall: 15.9 x 18.5 cm (6 1/4 x 7 5/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1914.563


title: Earring

medium: silver, enamel, and red glass beads

country: Russia

subjects: Jewelry Russia

credit_line: Earring, 1800s. Russia. Silver, enamel, and red glass beads; overall: 6.4 x 2.6 cm (2 1/2 x 1 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.546.2


title: Blanket

date: 19th century

medium: weft faced plain weave with supplementary weft: wool

country: Tibet ?, 19th century

subjects:
Costume & fashion
Textile
Tibet , 19th century

credit_line: Blanket, 19th century. Tibet ?, 19th century. Weft faced plain weave with supplementary weft: wool; overall: 314 x 166 cm (123 5/8 x 65 3/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1918.15


title: Lace Insertion

medium: Bobbin lace

country: Italy, Abruzzi, Pescocostanzo

subjects:
Lace
Italy, abruzzi, pescocostanzo

credit_line: Lace Insertion, 1600s–1700s. Italy, Abruzzi, Pescocostanzo. Bobbin lace; average: 5.1 x 31.8 cm (2 x 12 1/2 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1042


title: Lace Insertion

credit_line: Lace Insertion, 1600s–1700s. Italy, Abruzzi, Pescocostanzo. Bobbin lace; average: 10.9 x 47.7 cm (4 5/16 x 18 3/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1210


title: Lace Fragment

medium: Linen: needle lace, reticella insertion

country: Italy, Venice

subjects:
Lace
Italy, venice

credit_line: Lace Fragment, 1500s. Italy, Venice. Linen: needle lace, reticella insertion; average: 5.1 x 28.9 cm (2 x 11 3/8 in.). The Cleveland Museum of Art, Gift of Myrta Leonora Jones, 1920.1264


title: Lace Fragment

credit_line: Lace Fragment, 1500s. Italy, Venice. Linen: needle lace, reticella insertion; average: 5.8 x 13.1 cm (2 5/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Myrta Leonora Jones, 1920.1265


title: Lace Flounce

country: Belgium; Brussels

subjects:
Lace
Belgium; brussel

credit_line: Lace Flounce, 1800s. Belgium; Brussels. Bobbin lace (point plat appliqué) applied to machine-made net; average: 15.9 x 38.1 cm (6 1/4 x 15 in.). The Cleveland Museum of Art, Gift of Richard Greenleaf, 1920.1290.a


title: Lace Flounce

country: Belgium, Brussels

subjects:
Lace
Belgium, brussel

credit_line: Lace Flounce, 1800s. Belgium, Brussels. Bobbin lace (point plat appliqué) applied to machine-made net; average: 16.6 x 43.2 cm (6 9/16 x 17 in.). The Cleveland Museum of Art, Gift of Richard Greenleaf, 1920.1290.b


title: Lace Insertion

credit_line: Lace Insertion, 1540–60. Italy, Venice. Bobbin lace; average: 3.5 x 24.8 cm (1 3/8 x 9 3/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.857


title: Lace Edging of Bell Points

medium: Bobbin lace (rose lace)

country: Italy, Genoa

subjects:
Lace
Italy, genoa
Roses

credit_line: Lace Edging of Bell Points, 1600s–1700s. Italy, Genoa. Bobbin lace (rose lace); average: 5.5 x 20.4 cm (2 3/16 x 8 1/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.946


title: Lace Edging of Points

credit_line: Lace Edging of Points, 1600s. Italy, Genoa. Bobbin lace (rose lace); average: 10.5 x 45.7 cm (4 1/8 x 18 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.956


title: Lace Edging of Points

subjects:
Lace
Italy, genoa

credit_line: Lace Edging of Points, 1550–99. Italy, Genoa. Bobbin lace (needle lace, reticella design); average: 3.5 x 17.2 cm (1 3/8 x 6 3/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.961


title: Coin de la Rue de la Lune

medium: wood engraving

subjects:
Print
France, 19th century

credit_line: Coin de la Rue de la Lune, 1890. Auguste Louis Lepère (French, 1849–1918). Wood engraving. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1921.1299


title: Le Pont St. Michel

credit_line: Le Pont St. Michel, 1890. Auguste Louis Lepère (French, 1849–1918). Wood engraving. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1921.1360


title: The Boulevard des Italiens

creator: Honoré Daumier (French, 1808–1879)

credit_line: The Boulevard des Italiens, 1862, printed 1920. Honoré Daumier (French, 1808–1879), Charles Maurand (French, 1824–1904), François Louis Schmied (Swiss, 1873–1941). Wood engraving; image: 16.2 x 22.6 cm (6 3/8 x 8 7/8 in.); sheet: 32.4 x 47 cm (12 3/4 x 18 1/2 in.). The Cleveland Museum of Art, Gift of Ralph King, 1921.1487


title: Saltillo Style Blanket/Sarape

medium: tapestry weave: wool

subjects:
Costume & fashion
Textile

credit_line: Saltillo Style Blanket/Sarape, c. 1860–1875. America, Native North American, Southwest, Rio Grande Hispanic, Post-Contact, Classic Period. Tapestry weave: wool; overall: 207 x 119.5 cm (81 1/2 x 47 1/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1921.558


medium: painting on pith paper

country: China, Qing dynasty (1644–1911)

subjects:
Painting
China, qing dynasty (1644–1911)
Butterflies & moths
Flowers

credit_line: Painting Five from Illustrated Book of Flowers and Butterflies, 1800s. China, Qing dynasty (1644–1911). Painting on pith paper; each page: 25.2 x 36.4 cm (9 15/16 x 14 5/16 in.); each painting: 20.1 x 32 cm (7 15/16 x 12 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Henry F. Lyman, 1921.915.e


title: Mercier Ambulant

creator: Paul Gavarni (French, 1804–1866)

medium: lithograph

credit_line: Mercier Ambulant, c. mid-1800s. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.198


title: Wall Tile–Rampant Lion

medium: glazed ceramic

subjects: Ceramic Spain

credit_line: Wall Tile–Rampant Lion, c. 1600s. Spain. Glazed ceramic; overall: 13.3 x 13.3 cm (5 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1923.654


title: Wall Tile–Floral Spray

subjects: Ceramic Spain Flowers

credit_line: Wall Tile–Floral Spray, c. 1600s. Spain. Glazed ceramic; overall: 14 x 14 cm (5 1/2 x 5 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1923.658


title: Wall Tile–Oval Medallion or Ornament

subjects:
Ornament & design
Ceramic
Spain

credit_line: Wall Tile–Oval Medallion or Ornament, c. 1600s. Spain. Glazed ceramic; overall: 8.4 x 6.7 cm (3 5/16 x 2 5/8 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1923.674


title: Tile–Foliated Scrolls

credit_line: Tile–Foliated Scrolls, c. 1700s. Spain. Glazed ceramic; overall: 14.9 x 15.2 cm (5 7/8 x 6 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1924.775


title: Segmentum from a Tunic

medium: tapestry (originally inwoven in tabby ground); wool and linen

credit_line: Segmentum from a Tunic, 400s - 600s. Egypt, Byzantine period. Tapestry (originally inwoven in tabby ground); wool and linen; overall: 21.9 x 22.6 cm (8 5/8 x 8 7/8 in.). The Cleveland Museum of Art, Gift of George D. Pratt, 1926.150


credit_line: Emilienne d'Alecon and Mariquita of the Follies-Bergère, 1893. Henri de Toulouse-Lautrec (French, 1864–1901). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Ralph King, 1926.292


title: El Deir Petra

creator: David Roberts (Scottish, 1796–1864)

medium: color lithograph

subjects:
Print
England, 19th century

credit_line: El Deir Petra, 1839. David Roberts (Scottish, 1796–1864). Color lithograph. The Cleveland Museum of Art, Gift of the Ohio C. Barber Estate through Andrew C. Squire, 1927.141


date: mid 700s - mid 800s

medium: tapestry weave; wool and linen

country: Egypt, Abbasid period

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, abbasid period

credit_line: Fragmentary Ornament from a Tunic with Lozenges and Medallions, mid 700s - mid 800s. Egypt, Abbasid period. Tapestry weave; wool and linen; overall: 16.5 x 12.7 cm (6 1/2 x 5 in.). The Cleveland Museum of Art, Gift of George D. Pratt, 1929.102


title: Wool Embroidery

medium: wool embroidery on wool tabby ground

subjects: Egypt, early islamic period, 8th-9th century

credit_line: Wool Embroidery, 700s - 800s. Egypt, early Islamic period, 8th-9th century. Wool embroidery on wool tabby ground; overall: 4.8 x 26.9 cm (1 7/8 x 10 9/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1929.949


medium: Gum tempera, ink, and gold on paper

credit_line: Text, Folio 28 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.28.b


credit_line: Text, Folio 74 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.74.b


title: Lace Edging

medium: Linen: bobbin lace (bride ground)

country: Italy, Milan

subjects:
Lace
Italy, milan

credit_line: Lace Edging, 1700s. Italy, Milan. Linen: bobbin lace (bride ground); average: 10.2 x 13.4 cm (4 x 5 1/4 in.). The Cleveland Museum of Art, Bequest of Louise Tifft Brown, 1933.368


title: Embroidered Handkerchief

medium: Plain weave linen, embroidered

country: Italy

subjects: Embroidery Italy

credit_line: Embroidered Handkerchief, 1800s. Italy. Plain weave linen, embroidered; overall: 45.7 x 45.7 cm (18 x 18 in.). The Cleveland Museum of Art, Gift of Elisabeth Ireland in memory of her mother, Mrs. P. W. Harvey, 1936.697


title: Lace Handkerchief

country: France or Switzerland

subjects:
Embroidery
France or switzerland

credit_line: Lace Handkerchief, 1800s. France or Switzerland. Plain weave linen: needle lace (drawnwork) and embroidery; overall: 38.8 x 36.8 cm (15 1/4 x 14 1/2 in.). The Cleveland Museum of Art, Gift of Robert Livingston Ireland Jr. in memory of his mother, Mrs. P. W. Harvey, 1936.742


medium: gum tempera and ink on palm leaves

subjects: Painting Palms

credit_line: Text, Folio 105 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.105.a