credit_line: Book by Albert Jacquemart: History of the Ceramic Art: A Descriptive and Philosophical Study of the Pottery of All Ages and All Nations: France: Moustieres- Sugar Caster, Blue Decoration (Plate IX), 1877. Jules Jacquemart (French, 1837–1880). Etching; sheet: 25.5 x 18 cm (10 1/16 x 7 1/16 in.); platemark: 19.2 x 13 cm (7 9/16 x 5 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2004.73.i


title: Noonday, Lake Noxen, Sweden

creator: Muirhead Bone (British, 1876–1953)

medium: watercolor and graphite

country: England, 20th century

subjects:
Drawing
England, 20th century

source: The Cleveland Museum of Art

source_id: cleveland

rights: Public Domain / CC0

rights_statement: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

credit_line: Noonday, Lake Noxen, Sweden , c. 1896–1953. Muirhead Bone (British, 1876–1953). Watercolor and graphite; sheet: 25.4 x 35.6 cm (10 x 14 in.). The Cleveland Museum of Art, Gift of Dr. and Mrs. William L. Huffman, 2005.149


title: Alphonse Legros

creator: Félix Bracquemond (French, 1833–1914)

medium: etching on chine collé

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Alphonse Legros, 1861 (printed 1875). Félix Bracquemond (French, 1833–1914), Cadart. Etching on chine collé; sheet: 51.8 x 36.3 cm (20 3/8 x 14 5/16 in.); platemark: 17.1 x 11.9 cm (6 3/4 x 4 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2005.242


title: The French Cock

medium: etching

credit_line: The French Cock, 1893. Félix Bracquemond (French, 1833–1914). Etching; sheet: 40.5 x 27.2 cm (15 15/16 x 10 11/16 in.); platemark: 33.3 x 23 cm (13 1/8 x 9 1/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2005.244


title: Don Quichote, after Goya

medium: etching in brown ink

credit_line: Don Quichote, after Goya, 1860. Félix Bracquemond (French, 1833–1914). Etching in brown ink; sheet: 27.4 x 18.6 cm (10 13/16 x 7 5/16 in.); platemark: 23.7 x 15.7 cm (9 5/16 x 6 3/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2005.250


title: The Storks

credit_line: The Storks, 1865. Félix Bracquemond (French, 1833–1914), Cadart & Luquet, Paris. Etching; sheet: 52 x 35.5 cm (20 1/2 x 14 in.); platemark: 24.5 x 18.7 cm (9 5/8 x 7 3/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2005.252


title: Aspens on the Bank of the Seine

medium: etching and drypoint

credit_line: Aspens on the Bank of the Seine, 1884. Félix Bracquemond (French, 1833–1914). Etching and drypoint; sheet: 20.1 x 28.8 cm (7 15/16 x 11 5/16 in.); platemark: 10.2 x 15.2 cm (4 x 6 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.267


medium: ink and color on paper

credit_line: Three Figures: woman with two children playing ball, 1900s. Eastern India, Bihar State, Mithila or Madhubani School, 20th century. Ink and color on paper; overall: 27 x 23.3 cm (10 5/8 x 9 3/16 in.). The Cleveland Museum of Art, Gift of Pamela Elizabeth Ward in loving memory of her parents, William E. and Evelyn Svec Ward, 2005.77


creator: Joris Hoefnagel (Flemish, 1542–1600)

medium: engraving

country: Flanders

subjects: Print Flander

credit_line: Archetypes and Studies: What can emerge in keeping with such a cavernous promise? (Part IV, plate 2), 1592. Joris Hoefnagel (Flemish, 1542–1600), after Jacob Hoefnagel (Flemish, 1575–1630). Engraving; sheet: 18.6 x 27.2 cm (7 5/16 x 10 11/16 in.); platemark: 15.7 x 21.1 cm (6 3/16 x 8 5/16 in.). The Cleveland Museum of Art, Anne Elizabeth Wilson Memorial Fund, 2006.122


medium: ink

country: Italy, Perugia

credit_line: Missale: Fol. 121: contains music for "Hely Hely Lama etc." within St. Mattion Passion, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.121.a


credit_line: Missale: Fol. 128v: contains music for "Hely Hely Lama etc." within St. Mattion Passion, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.128.b


credit_line: Missale: Fol. 181: Music for various ordinary prayers, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.181.a


title: Missale: Fol. 183v: Cross, Foliage

medium: ink, tempera and burnished gold on vellum

credit_line: Missale: Fol. 183v: Cross, Foliage, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.183.b


credit_line: Missale: Fol. 190v: Music for various prayers, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.190.b


title: Missale: Fol. 275v: Annunciation

credit_line: Missale: Fol. 275v: Annunciation, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.275.b


credit_line: Missale: Fol. 30v: Adoration of the Magi, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.30.b


credit_line: Missale: Fol. 319v: St. Francis & Full Mass of St. Francis, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.319.b


creator: Alois Senefelder (German, 1771–1834)

medium: lithograph

country: Germany, 19th century

subjects:
Print
Germany, 19th century

credit_line: Art of the Lithograph: Dedication Sheet, Plate VII, 1819. Alois Senefelder (German, 1771–1834). Lithograph; sheet: 29.9 x 23.5 cm (11 3/4 x 9 1/4 in.); image: 21.2 x 14.2 cm (8 3/8 x 5 9/16 in.). The Cleveland Museum of Art, L. E. Holden Fund, 2006.179


title: Punchinello on Stilts

credit_line: Punchinello on Stilts, c. 1888. Henri Charles Guérard (French, 1846–1897). Etching; sheet: 27.5 x 8.9 cm (10 13/16 x 3 1/2 in.); platemark: 26.2 x 7.7 cm (10 5/16 x 3 1/16 in.). The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in memory of Robert Lundie Shearer, 2006.192


creator: Thomas Girtin (British, 1775–1802)

date: 1802, printed 1810 or after

medium: softground etching and aquatint printed in brown, hand-colored with watercolor

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: A Selection of Twenty of the Most Picturesque Views in Paris: View of St. Cloud & Mount Calvary taken from Pont de Sêve, 1802, printed 1810 or after. Thomas Girtin (British, 1775–1802), Frederick Christian Lewis (British, 1779–1856). Softground etching and aquatint printed in brown, hand-colored with watercolor; sheet: 45.5 x 62.8 cm (17 15/16 x 24 3/4 in.); platemark: 20.1 x 53.6 cm (7 15/16 x 21 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.233


credit_line: A Selection of Twenty of the Most Picturesque Views in Paris: View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf, 1802. Thomas Girtin (British, 1775–1802), J.B. Harraden (British). Softground etching and aquatint printed in brown, hand-colored with watercolor; sheet: 37.7 x 62.8 cm (14 13/16 x 24 3/4 in.); platemark: 25.1 x 52.6 cm (9 7/8 x 20 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.237


creator: John Girtin (British)

credit_line: A Selection of Twenty of the Most Picturesque Views in Paris, And its Environs: Title Page, 1803. John Girtin (British), M.A. & John Girtin, London 1803. Engraving; sheet: 49.1 x 66.8 cm (19 5/16 x 26 5/16 in.); platemark: 33 x 40.5 cm (13 x 15 15/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.238


title: Heroic Landscape

subjects:
Print
Germany, 19th century
Landscapes

credit_line: Heroic Landscape, 1795. Johann Christian Reinhart (German, 1761–1847). Etching; sheet: 42.9 x 53.8 cm (16 7/8 x 21 3/16 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2006.72


credit_line: Heroic Landscape: The Satyr and the Nymph, 1799. Johann Christian Reinhart (German, 1761–1847). Etching; sheet: 42 x 53.4 cm (16 9/16 x 21 in.); platemark: 21.3 x 29.5 cm (8 3/8 x 11 5/8 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2006.72.5


credit_line: Heroic Landscape: The Satyr Playing the Flute, 1795. Johann Christian Reinhart (German, 1761–1847). Etching; sheet: 42.3 x 53.6 cm (16 5/8 x 21 1/8 in.); platemark: 20.7 x 28.8 cm (8 1/8 x 11 5/16 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2006.72.6


title: Patch Box (lid)

medium: enamel on gold

credit_line: Patch Box (lid), c. 1809–1819. France, 19th century. Enamel on gold; diameter: 4.8 cm (1 7/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.300.b


title: Scent Bottle

medium: porcelain with gilt metal mounts

country: Germany, Meissen, 19th century

credit_line: Scent Bottle, 1800s. Manner of Meissen Porcelain Factory (German, est. c. 1710). Porcelain with gilt metal mounts; overall: 7.2 x 3.1 cm (2 13/16 x 1 1/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.646.a


title: Lid for Bowl

medium: Cedar bark, deer grass; wrapped twining

subjects: Northwest coast, makah, late 19th century

credit_line: Lid for Bowl, c 1900. Northwest Coast, Makah, late 19th century. Cedar bark, deer grass; wrapped twining. The Cleveland Museum of Art, Presented by William Albert Price in memory of Mrs. William Albert Price, 1917.448.b


title: Sword Buckle

medium: iron and silver

country: Java

subjects:
Arms and armor
Java

credit_line: Sword Buckle, 1800s. Java. Iron and silver; overall: 43.8 cm (17 1/4 in.); blade: 33.7 cm (13 1/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1918.660.c


title: Gradual

creator: Girolamo dai Libri (Italian, 1474–1555)

medium: ink, tempera, and gold on parchment

country: Italy, Verona

subjects:
Manuscript
Italy, verona

credit_line: Gradual, c. 1520. Circle of Girolamo dai Libri (Italian, 1474–1555). Ink, tempera, and gold on parchment; codex: 51.1 x 35.6 x 8.9 cm (20 1/8 x 14 x 3 1/2 in.). The Cleveland Museum of Art, General Income Fund, 1921.140.20.b


title: Gaming Piece (reverse)

creator: Martin Brunner (German, 1659–1725)

medium: wood

country: Germany, late 17th-early 18th Century

subjects:
Furniture and woodwork
Germany, late 17th-early 18th century

credit_line: Gaming Piece (reverse), c.1700. Martin Brunner (German, 1659–1725). Wood; diameter: 6.1 cm (2 3/8 in.); overall: 1.3 cm (1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1953.691.2.b


title: Gaming Piece (obverse)

credit_line: Gaming Piece (obverse), c.1700. Martin Brunner (German, 1659–1725). Wood; diameter: 6.1 cm (2 3/8 in.); overall: 1.3 cm (1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1953.691.3.a


title: Dans les Vosges

medium: brush and black ink over pencil with white highlights

country: France, 20th century

subjects:
Drawing
France, 20th century

credit_line: Dans les Vosges, 1914. Auguste Louis Lepère (French, 1849–1918). Brush and black ink over pencil with white highlights. The Cleveland Museum of Art, Delia E. Holden Fund, 1974.146.b


medium: glazed porcelain with slip decoration

subjects: Ceramic Flowers

credit_line: Round Covered Box with Floral Scrolls in Relief:  Qingbai type Ware (lid), 1300s. China, Fujian province, Anxi xian, Yuan dynasty (1271-1368). Glazed porcelain with slip decoration. The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.279.b


date: early 1900s

medium: lacquer

credit_line: Nested Boxes with Chrysanthemums (inner box), early 1900s. Japan, Meiji period (1868–1912) or Taishō period (1912–26). Lacquer; overall: 1.4 x 5.8 x 4.2 cm (9/16 x 2 5/16 x 1 5/8 in.). The Cleveland Museum of Art, Bequest of Lillian M. Kern, 2007.1009.4.b


title: The Potato Peelers

creator: Théodule Ribot (French, 1823–1891)

medium: etching on chine collé

credit_line: The Potato Peelers, 1863. Théodule Ribot (French, 1823–1891), A. Cadart & F. Chevalier, rue Richelieu, 66. Etching on chine collé; sheet: 43.5 x 29.3 cm (17 1/8 x 11 9/16 in.); platemark: 31.8 x 24 cm (12 1/2 x 9 7/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.192


title: Cover for a Sugar Bowl

medium: porcelain

country: Germany, Meissen

subjects:
Ceramic
Germany, meissen

credit_line: Cover for a Sugar Bowl, c. 1750–70. Meissen Porcelain Factory (German, est. c. 1710). Porcelain; overall: 14 x 38 x 14 cm (5 1/2 x 14 15/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.107.b


title: Teapot

country: England, Worcester

subjects:
Ceramic
England, worcester

credit_line: Teapot, c. 1755–75. Worcester Porcelain Factory (British, established 1751). Porcelain; overall: 16 x 45.6 x 19 cm (6 5/16 x 17 15/16 x 7 1/2 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.108


title: Fish

creator: House of Fabergé (Russian, 1842–1918)

medium: agate

country: Russia, St. Petersburg

subjects:
Fish
Russia, st. petersburg

credit_line: Fish, c. 1890. House of Fabergé (Russian, 1842–1918). Agate; overall: 3 cm (1 3/16 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.30.c


title: Salt Shaker

medium: silver and mixed metals

country: America, Rhode Island, Providence, 19th century

credit_line: Salt Shaker, c.1875–1885. Gorham Manufacturing Company (America, est. 1831). Silver and mixed metals; overall: 7.5 x 3 x 3 cm (2 15/16 x 1 3/16 x 1 3/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.368.1


title: Mantle Clock

creator: Lenzkirch Clock Factory (German)

medium: brass, mahogany

country: America

subjects: Wood America

credit_line: Mantle Clock, 1901. Lenzkirch Clock Factory (German), Tiffany & Co. (America, New York, est. 1837). Brass, mahogany; overall: 40 x 22.9 x 8.9 cm (15 3/4 x 9 x 3 1/2 in.). The Cleveland Museum of Art, Gift of Barry Bradley, 2009.443


title: Allocution (July 28, 1830)

credit_line: Allocution (July 28, 1830) , 1830. Nicolas Toussaint Charlet (French, 1792–1845). Lithograph; sheet: 37 x 44.6 cm (14 9/16 x 17 9/16 in.); image: 25 x 33 cm (9 13/16 x 13 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.518


title: Snuff Box

medium: gold-mounted agate, sapphire, diamonds

country: France, late 18th century

credit_line: Snuff Box, c. 1760. France, late 18th century. Gold-mounted agate, sapphire, diamonds; overall: 6.7 x 4.9 cm (2 5/8 x 1 15/16 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.62


title: Fragment, Snakes and Flowers

medium: wool; 2/2 twill tapestry (S), double interlocked

country: India, Kashmir

subjects:
Costume & fashion
Textile
India, kashmir
Flowers
Reptiles & amphibians

credit_line: Fragment, Snakes and Flowers, 1790–1810. India, Kashmir. Wool; 2/2 twill tapestry (S), double interlocked; overall: 66.6 x 90.1 cm (26 1/4 x 35 1/2 in.). The Cleveland Museum of Art, Gift of Arlene C. Cooper, 2010.143


title: Long Shawl with Galleries

medium: wool?; supplementary weft pattern

country: France, Paris

subjects:
Ornament & design
Costume & fashion
Textile
France, pari

credit_line: Long Shawl with Galleries, 1830–35. France, Paris. Wool?; supplementary weft pattern; overall: 316.2 x 142.7 cm (124 1/2 x 56 3/16 in.). The Cleveland Museum of Art, Gift of Arlene C. Cooper, 2010.146


title: The Truffle Gatherers

medium: brown ink heightened with black and white chalk

country: France, 19th century

subjects:
Drawing
France, 19th century

credit_line: The Truffle Gatherers, c. 1849. Charles-Émile Jacque (French, 1813–1894). Brown ink heightened with black and white chalk; sheet: 15.1 x 27.3 cm (5 15/16 x 10 3/4 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.159


title: Cats (recto)

medium: black ink applied with pen (reed) and brush

credit_line: Cats (recto). Théodule Ribot (French, 1823–1891). Black ink applied with pen (reed) and brush ; sheet: 23.5 x 17.1 cm (9 1/4 x 6 3/4 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.285.a


title: The Exhibition

creator: William Nicholson (British, 1872–1949)

medium: lithograph

credit_line: The Exhibition, 1897–1898. William Nicholson (British, 1872–1949). Lithograph; sheet: 15.6 x 1.4 cm (6 1/8 x 9/16 in.); image: 7.1 x 7.4 cm (2 13/16 x 2 15/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.630


title: Band

medium: white cotton; plain weave

subjects: Peru, chimú or chimú-inka, 12th-16th century

credit_line: Band, 1100–1532. Peru, Chimú or Chimú-Inka, 12th-16th century. White cotton; plain weave; overall: 5.1 cm (2 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2011.111.2


title: Dancing Child-Saint Sambandar

medium: bronze

country: South India, Vijayanagor period

subjects:
Sculpture
South india, vijayanagor period

credit_line: Dancing Child-Saint Sambandar, c. 1300s. South India, Vijayanagor period. Bronze; overall: 33 x 25 x 13 cm (13 x 9 13/16 x 5 1/8 in.); with base: 38 x 25 x 13 cm (14 15/16 x 9 13/16 x 5 1/8 in.). The Cleveland Museum of Art, Gift of Dr. Norman Zaworski, 2011.205


title: Entombment of Christ

creator: Giuseppe Scolari (Italian)

date: late 1500s-early 1600s

medium: woodcut on two sheets of joined paper

country: Italy, late 16th-early 17th century

subjects:
Print
Italy, late 16th-early 17th century

credit_line: Entombment of Christ, late 1500s-early 1600s. Giuseppe Scolari (Italian). Woodcut on two sheets of joined paper; sheet: 68 x 43.8 cm (26 3/4 x 17 1/4 in.); image: 67.4 x 43.4 cm (26 9/16 x 17 1/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2012.10


title: Game Pie Dish (Dish)

medium: earthenware

country: England, 19th century

subjects:
Ceramic
England, 19th century

credit_line: Game Pie Dish (Dish), c. 1860–80. Minton Pottery and Porcelain Factory (British). Earthenware; overall: 18.6 x 34.5 x 21.5 cm (7 5/16 x 13 9/16 x 8 7/16 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.120.a


creator: Louis Haghe (British, 1806–1885)

medium: color lithograph

subjects:
Print
England, 19th century

credit_line: Egypt and Nubia, Volume II: Hagar Setsilis, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 43.8 x 60.2 cm (17 1/4 x 23 11/16 in.); image: 34.5 x 50.4 cm (13 9/16 x 19 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.168


credit_line: Egypt and Nubia, Volume I: View on the Nile Looking Towards the Pyramids of Dashour and Saccara, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 43.6 x 60.2 cm (17 3/16 x 23 11/16 in.); image: 35.5 x 51 cm (14 x 20 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.179


credit_line: Egypt and Nubia, Volume I: General View of the Ruins of Luxor, From the Nile, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 42.9 x 60.4 cm (16 7/8 x 23 3/4 in.); image: 35.3 x 50.2 cm (13 7/8 x 19 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.183


credit_line: Egypt and Nubia, Volume I: Pyramids of Geezeh, from the Nile, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 37 x 43.8 cm (14 9/16 x 17 1/4 in.); image: 25.2 x 35 cm (9 15/16 x 13 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.201


credit_line: Egypt and Nubia, Volume I: Abyssinian Slaves Resting at Korti-Nubia, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 37.3 x 42.9 cm (14 11/16 x 16 7/8 in.); image: 25.9 x 35.1 cm (10 3/16 x 13 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.215


credit_line: Egypt and Nubia, Volume III: Gate of Victory and Minaret of the Mosque El Hakim, 1848. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 40.2 x 43 cm (15 13/16 x 16 15/16 in.); image: 24 x 34 cm (9 7/16 x 13 3/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.230


credit_line: Egypt and Nubia, Volume III: The Nileometer.  Island of Rhoda, 1849. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 44.6 x 43.5 cm (17 9/16 x 17 1/8 in.); image: 35.4 x 25.2 cm (13 15/16 x 9 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.231


credit_line: Egypt and Nubia, Volume III: In the Slave Market at Cairo, 1849. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 37.4 x 43.6 cm (14 3/4 x 17 3/16 in.); image: 25.1 x 35.2 cm (9 7/8 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.242


title: Egypt and Nubia, Volume I: Dendera

credit_line: Egypt and Nubia, Volume I: Dendera, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 39.9 x 42.9 cm (15 11/16 x 16 7/8 in.); image: 24.1 x 34.2 cm (9 1/2 x 13 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.245


title: Boat in Port

creator: Paul Signac (French, 1863–1935)

medium: watercolor

credit_line: Boat in Port, c. 1929–1931. Paul Signac (French, 1863–1935). Watercolor; sheet: 24.8 x 19.1 cm (9 3/4 x 7 1/2 in.). The Cleveland Museum of Art, In loving memory of Frank and Peggy Taplin, 2012.26


subjects:
Portfolio
England, 19th century

credit_line: Sketches in Belgium and Germany, Volume I: Confessional in St. Gudule, Brussels, 1840. Louis Haghe (British, 1806–1885), Hodgson & Graves, 6 Pall Mall, London. Color lithograph; sheet: 37.2 x 54.1 cm (14 5/8 x 21 5/16 in.); image: 28.7 x 39.1 cm (11 5/16 x 15 3/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.280


title: Bibliothèque du Vatican

creator: Charles Soulier (French, 1840–1875)

medium: albumen print from a collodion negative

subjects:
Photograph
France, 19th century

credit_line: Bibliothèque du Vatican, c. 1860. Charles Soulier (French, 1840–1875). Albumen print from a collodion negative; image: 25.4 x 19.1 cm (10 x 7 1/2 in.); paper: 25.4 x 19.1 cm (10 x 7 1/2 in.); matted: 61 x 50.8 cm (24 x 20 in.); mounted, primary: 35.2 x 24.7 cm (13 7/8 x 9 3/4 in.); mounted, secondary: 53.2 x 38 cm (20 15/16 x 14 15/16 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2012.441


title: Figure of Medea

creator: W. T. Copeland & Sons (British)

medium: Parian porcelain

credit_line: Figure of Medea, c. 1870–1890. W. T. Copeland & Sons (British). Parian porcelain; overall: 33.1 x 14.5 x 10.3 cm (13 1/16 x 5 11/16 x 4 1/16 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.237


title: Ruins of Chateau d'Arque

medium: pen and brown ink, brush and brown wash over black chalk on laid paper

credit_line: Ruins of Chateau d'Arque, 1819. Isidore Justin Taylor (French, 1789–1879). Pen and brown ink, brush and brown wash over black chalk on laid paper; sheet: 21.5 x 18.3 cm (8 7/16 x 7 3/16 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.243


creator: James Pradier (Swiss, 1790–1852)

country: Switzerland

subjects: Sculpture Switzerland Portraits

credit_line: Sappho: Portrait of a Woman (Louise Colet), c. 1830. James Pradier (Swiss, 1790–1852). Bronze; overall: 24.7 x 32 x 17.5 cm (9 3/4 x 12 5/8 x 6 7/8 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.259


medium: oil on board

subjects:
Painting
England, 19th century

credit_line: Study for "Come Rest in this Bosom my own Stricken Dear", 1800s. Augustus Leopold Egg (British, 1816-c. 1863). Oil on board; framed: 40.6 x 34.3 x 3.8 cm (16 x 13 1/2 x 1 1/2 in.); unframed: 27.3 x 20.5 cm (10 3/4 x 8 1/16 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.262


medium: Gum tempera, ink, and gold on paper

country: India, Mughal, 17th century

subjects:
Painting
India, mughal, 17th century

credit_line: Kabir and Two Followers on a Terrace (recto), c. 1610–1620. India, Mughal, 17th century. Gum tempera, ink, and gold on paper; page: 28 x 21 cm (11 x 8 1/4 in.). The Cleveland Museum of Art, Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection, 2013.326.a


title: London Types: Sandwich-Man

medium: woodcut hand-colored with watercolor

credit_line: London Types: Sandwich-Man, 1898. William Nicholson (British, 1872–1949). Woodcut hand-colored with watercolor; sheet: 50.6 x 49.6 cm (19 15/16 x 19 1/2 in.); border: 25.4 x 23 cm (10 x 9 1/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.87.5


title: London Types: Coster

credit_line: London Types: Coster, 1898. William Nicholson (British, 1872–1949). Woodcut hand-colored with watercolor; sheet: 50.6 x 49.6 cm (19 15/16 x 19 1/2 in.); border: 25.4 x 23 cm (10 x 9 1/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.87.6


medium: porcelain, sepia enamel, gold leaf

credit_line: Cup from Oliver Wolcott, Jr. Tea Service (1 of 6), 1785–1805. Chinese Export porcelain, late 18th-early 19th century. Porcelain, sepia enamel, gold leaf; overall: 7 x 7 x 6 cm (2 3/4 x 2 3/4 x 2 3/8 in.). The Cleveland Museum of Art, Gift of Harvey Buchanan in memory of Penelope Draper Buchanan and Dorothy Tuckerman Draper, 2013.98.1.a


credit_line: Cup and Saucer from Oliver Wolcott, Jr. Tea Service (5 of 6), 1785–1805. Chinese Export porcelain, late 18th-early 19th century. Porcelain, sepia enamel, gold leaf; overall: 7 x 9 x 6 cm (2 3/4 x 3 9/16 x 2 3/8 in.). The Cleveland Museum of Art, Gift of Harvey Buchanan in memory of Penelope Draper Buchanan and Dorothy Tuckerman Draper, 2013.98.5


credit_line: Saucer from Oliver Wolcott, Jr. Tea Service (5 of 6), 1785–1805. Chinese Export porcelain, late 18th-early 19th century. Porcelain, sepia enamel, gold leaf; overall: 3 x 13 cm (1 3/16 x 5 1/8 in.). The Cleveland Museum of Art, Gift of Harvey Buchanan in memory of Penelope Draper Buchanan and Dorothy Tuckerman Draper, 2013.98.5.b


title: Stopham Bridge

medium: color aquatint

country: England, 19th-20th century

subjects:
Print
England, 19th-20th century

credit_line: Stopham Bridge. Edward Louis Laurenson (British, 1868–1940). Color aquatint; sheet: 38.8 x 48.3 cm (15 1/4 x 19 in.); image: 26.5 x 35.1 cm (10 7/16 x 13 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.222


title: Paris

creator: Adolphe Rouargue (French, 1810–1870)

subjects:
Print
France, 19th century

credit_line: Paris, c. 1830–55. Adolphe Rouargue (French, 1810–1870). Lithograph; sheet: 27.7 x 38.4 cm (10 7/8 x 15 1/8 in.); image: 20.1 x 33.8 cm (7 15/16 x 13 5/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.309


title: African Hunter (Chasseur Africain)

creator: Horace Vernet (French, 1789–1863)

credit_line: African Hunter (Chasseur Africain), 1818. Horace Vernet (French, 1789–1863). Lithograph; sheet: 27.5 x 42.5 cm (10 13/16 x 16 3/4 in.); image: 12.2 x 17.7 cm (4 13/16 x 6 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.321


title: Angel in the Snow

creator: Georg Tippel (German, 1875–1915)

country: Germany, 19th-20th century

subjects:
Print
Germany, 19th-20th century

credit_line: Angel in the Snow. Georg Tippel (German, 1875–1915). Color lithograph; sheet: 40 x 29.2 cm (15 3/4 x 11 1/2 in.); image: 31.5 x 21.7 cm (12 3/8 x 8 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.358


title: Oeuvres de A. Calame: No. 52

creator: Alexandre Calame (Swiss, 1810–1864)

medium: color lithograph on chine collé

subjects: Print Switzerland

credit_line: Oeuvres de A. Calame: No. 52, c. 1850–60. Alexandre Calame (Swiss, 1810–1864), F. Delarue, r. J.J. Rouseau, 18, Paris. Color lithograph on chine collé; sheet: 43 x 37 cm (16 15/16 x 14 9/16 in.); unfolded: 54 x 37 cm (21 1/4 x 14 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.367


title: Bust of Victor Hugo

creator: Auguste Rodin (French, 1840–1917)

date: 1883 modeled; cast by 1917

subjects:
Sculpture
France, 19th century

credit_line: Bust of Victor Hugo, 1883 modeled; cast by 1917. Auguste Rodin (French, 1840–1917). Bronze; overall: 56.5 x 24 x 25.5 cm (22 1/4 x 9 7/16 x 10 1/16 in.). The Cleveland Museum of Art, Gift of Gregory M. Bishop and Jeffrey B. Bishop, 2014.411


creator: Thomas Nast (American, 1840–1902)

subjects: Print America

credit_line: published in Vanity Fair, May 25th 1872: Vanity Fair: Statesman, No. 113 "The Massive Grievance", 1872. Thomas Nast (American, 1840–1902). Color lithograph; sheet: 35.6 x 33.1 cm (14 x 13 1/16 in.); border: 30.3 x 19.1 cm (11 15/16 x 7 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.677


creator: John Sell Cotman (British, 1782–1842)

medium: softground etching, from a bound volume containing 48 plates

credit_line: Liber Studiorum; Frontispiece, View of a Garden House on the Banks of the River Yare, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.7 x 31.9 cm (19 9/16 x 12 9/16 in.); platemark: 30.4 x 21.5 cm (11 15/16 x 8 7/16 in.); to borderline: 28.9 x 20.5 cm (11 3/8 x 8 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.a


credit_line: Liber Studiorum: Plate 5, Walsingham, Norfolk, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 30.2 x 49.5 cm (11 7/8 x 19 1/2 in.); platemark: 15.3 x 22.4 cm (6 x 8 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.f


credit_line: Liber Studiorum: Plate 34, Llanathony Abbey, Monmouthshire, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 18.7 x 12.5 cm (7 3/8 x 4 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.ii


credit_line: Liber Studiorum: Plate 19, Postwick Grove, Norfolk, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 7.8 x 11.3 cm (3 1/16 x 4 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.t


title: La Romance

creator: Auguste Roedel (French, 1859–1900)

medium: Color lithograph

credit_line: L'Estampe Moderne: La Romance, 1898. Auguste Roedel (French, 1859–1900). Color lithograph; sheet: 40.1 x 30.4 cm (15 13/16 x 11 15/16 in.); image: 34.2 x 22.6 cm (13 7/16 x 8 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.b


title: Lutèce

creator: Adolphe Giraldon (French, 1855–1933)

credit_line: L'Estampe Moderne: Lutèce, 1898. Adolphe Giraldon (French, 1855–1933). Color lithograph; sheet: 40 x 30.3 cm (15 3/4 x 11 15/16 in.); image: 35.8 x 19.2 cm (14 1/8 x 7 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.e


title: Polichinelle

credit_line: L'Estampe Moderne: Polichinelle, 1899. Henri Patrice Dillon (American, 1851–1909). Color lithograph; sheet: 40.2 x 30.7 cm (15 13/16 x 12 1/16 in.); image: 34.9 x 25.6 cm (13 3/4 x 10 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.ff


title: Bouquetière

creator: Firmin Bouisset (French, 1859–1925)

date: published 1899

credit_line: L'Estampe Moderne: Bouquetière, published 1899. Firmin Bouisset (French, 1859–1925). Color lithograph; sheet: 40.1 x 30.4 cm (15 13/16 x 11 15/16 in.); image: 35.1 x 24.6 cm (13 13/16 x 9 11/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.kk


title: La Servante

credit_line: L'Estampe Moderne: La Servante, 1899. Ferdinand Jean Luigini (French, 1870–1943). Color lithograph; sheet: 40.2 x 30.2 cm (15 13/16 x 11 7/8 in.); image: 33 x 22.1 cm (13 x 8 11/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.mm


creator: Victor Petit (French, 1817–1874)

date: published 1860

medium: lithograph with tint stone, from portfolio of 100 lithographs with tint stone

subjects:
Architecture
Print
France, 19th century

credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 25, Maison En Bois Sculpte A Cravan (Yonne), published 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.5 x 27.7 cm (14 x 10 7/8 in.); image: 23 x 13.8 cm (9 1/16 x 5 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.25


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 56, Église Du Tilleul (Seine inférieure), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.7 x 27.6 cm (14 1/16 x 10 7/8 in.); image: 22.8 x 14.1 cm (9 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.54


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 69, Château de Rochefort (Côte d'Or), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.9 x 27.6 cm (14 1/8 x 10 7/8 in.); image: 23.6 x 14 cm (9 5/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.67


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 78, Manoir de Belvau (Corrèze), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.7 x 27.6 cm (14 1/16 x 10 7/8 in.); image: 23.3 x 14.1 cm (9 3/16 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.76


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 92, Château de Bernesq (Calvados), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.9 x 27.8 cm (14 1/8 x 10 15/16 in.); image: 23 x 14 cm (9 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.90


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 95, Porte de Villeneuve-Le-Roi (Yonne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36.6 x 27.5 cm (14 7/16 x 10 13/16 in.); image: 23.6 x 14 cm (9 5/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.93


creator: Charles Marie Dulac (French, 1865–1898)

subjects:
Print
France, 19th century
Landscapes
Reptiles & amphibians

credit_line: Suite de Paysages: Landscape, Plate 4, Remarque, Snake, 1892–93. Charles Marie Dulac (French, 1865–1898), Printer: Lemercier, Imprimeur Lemercier (per colophon). Color lithograph; sheet: 49.9 x 65 cm (19 5/8 x 25 9/16 in.); image: 34 x 49.1 cm (13 3/8 x 19 5/16 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.7.6


medium: wood engraving from bound volume of 34

credit_line: Fontainebleau Forest: The Cirque of Long-Rocher (La Forêt de Fontainebleau: Le cirque du Long-Rocher), 1888 (block engraved when reproduced in Revue Illustrée 1888), published 1908. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 8.1 x 16 cm (3 3/16 x 6 5/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.aa


credit_line: Fontainebleau Forest: Coalmen (La Forêt de Fontainebleau: Les Charbonniers), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; sheet: 16.7 x 22.1 cm (6 9/16 x 8 11/16 in.); image: 7.7 x 16 cm (3 1/16 x 6 5/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.d


credit_line: Fontainebleau Forest: Sandstone Quarry (La Forêt de Fontainebleau: La Carrièrre de Grès), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 6.1 x 5.1 cm (2 3/8 x 2 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.s


credit_line: Fontainebleau Forest: The Trembling Rock (La Forêt de Fontainebleau: La roche qui tremble), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 5.5 x 6.5 cm (2 3/16 x 2 9/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.w


title: Amida (base)

medium: wood

credit_line: Amida (base), 1300s. Japan, Kamakura period (1185–1333) to Nanbokuchō period (1336–92). Wood. The Cleveland Museum of Art, Gift from the Collection of George Gund III, 2015.500.b


title: View of the Castle Gnandstein

creator: Adrian Zingg (Swiss, 1734–1816)

subjects: Drawing Switzerland

credit_line: View of the Castle Gnandstein, c. 1795. Adrian Zingg (Swiss, 1734–1816). Gray wash and black ink (applied with pen and point-of-brush) with brown ink and traces of graphite underdrawing; sheet: 38.5 x 52.3 cm (15 3/16 x 20 9/16 in.). The Cleveland Museum of Art, Alma Kroeger Fund, 2015.76


title: Reclining Female Nude

medium: Graphite, heightened with white

country: France

subjects: Drawing France

credit_line: Reclining Female Nude. William-Adolphe Bouguereau (French, 1825–1905). Graphite, heightened with white; sheet: 30.3 x 48.3 cm (11 15/16 x 19 in.). The Cleveland Museum of Art, Gift of Martin Kline in celebration of the museum’s centennial, 2016, 2016.304


title: London Set: Horseguards

creator: William Walcot (British, 1874–1943)

medium: etching and drypoint on wove paper

country: Britain

subjects: Print Britain

credit_line: London Set: Horseguards, 1924. William Walcot (British, 1874–1943). Etching and drypoint on wove paper; image: 8.9 x 14 cm (3 1/2 x 5 1/2 in.); plate: 10.1 x 14.6 cm (4 x 5 3/4 in.); sheet: 24.1 x 31.5 cm (9 1/2 x 12 3/8 in.); matted: 46.7 x 32.9 cm (18 3/8 x 12 15/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard Davis in memory of Harvey Buchanan and Penelope Draper Buchanan, 2016.608


creator: Giorgio Sommer (Italian, 1834–1914)

medium: albumen print from collodion negative

country: Italy

subjects: Photograph Italy

credit_line: Farnese Hercules, Museum of Naples, Italy, c. 1860s. Giorgio Sommer (Italian, 1834–1914). Albumen print from collodion negative; image: 37.9 x 27.3 cm (14 15/16 x 10 3/4 in.); paper: 64 x 49 cm (25 3/16 x 19 5/16 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos, 2018.436


title: View of Karnak Temple, Hypostyle Hall

creator: Wilhelm Hammerschmidt (German, 1869)

medium: albumen print from wet collodion negative

country: Germany, 19th century

subjects:
Architecture
Photograph
Germany, 19th century

credit_line: View of Karnak Temple, Hypostyle Hall, c. 1880s-90s. Wilhelm Hammerschmidt (German, 1869). Albumen print from wet collodion negative; image and paper: 31.1 x 23.5 cm (12 1/4 x 9 1/4 in.). The Cleveland Museum of Art, Gift of Arielle Kozloff Brodkey in memory of Dr. Jerald S. Brodkey, 2019.102


title: Lace Border

medium: Linen: bobbin lace (bride ground)

country: Italy, Milan

subjects:
Lace
Italy, milan

credit_line: Lace Border, 1600s. Italy, Milan. Linen: bobbin lace (bride ground); overall: 10.5 x 44 cm (4 1/8 x 17 5/16 in.). The Cleveland Museum of Art, Hinman B. Hurlbut Collection, 1915.504.b


title: Scarf

medium: weaving, embroidery and ikat techniques

country: Mexico, late 18th-19th century

subjects:
Costume & fashion
Textile
Mexico, late 18th-19th century

credit_line: Scarf, late 1700s-1800s. Mexico, late 18th-19th century. Weaving, embroidery and ikat techniques; overall: 257.8 x 29.3 cm (101 1/2 x 11 9/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1280


title: Gold Embroidered Saddle Ornament

medium: embroidery; gold metallic thread

country: Spain

subjects:
Ornament & design
Embroidery
Spain

credit_line: Gold Embroidered Saddle Ornament, 1700s. Spain. Embroidery; gold metallic thread ; overall: 53.4 x 101.6 cm (21 x 40 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1370.1


title: Velvet Brocade

medium: velvet brocade, gold thread

credit_line: Velvet Brocade, 1700s. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Velvet brocade, gold thread; overall: 289.6 x 190.5 cm (114 x 75 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1680


title: Textile Hanging

medium: wool and cotton: warp faced plain weave

country: Tibet

subjects:
Costume & fashion
Textile
Tibet

credit_line: Textile Hanging, 1900–1915. Tibet. Wool and cotton: warp faced plain weave; average: 256.6 x 166.4 cm (101 x 65 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. James J. Tracy, 1917.39


title: Cloth of Gold

medium: silk velvet

subjects: Velvet Spain

credit_line: Cloth of Gold, 1500s. Spain. Silk velvet; overall: 9 x 21.5 cm (3 9/16 x 8 7/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.243


title: Lace Insertion

country: Italy, Genoa

subjects:
Lace
Italy, genoa

credit_line: Lace Insertion, 1600s. Italy, Genoa. Bobbin lace (needle lace, drawnwork design); average: 5.1 x 18.5 cm (2 x 7 5/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1009


title: Lace fragment

country: Italy, Venice

subjects:
Lace
Italy, venice

credit_line: Lace fragment, 1500s. Italy, Venice. Linen: needle lace (cutwork and reticella) insertion with embroidery; curl stitch (punto aria); average: 7.4 x 17.2 cm (2 15/16 x 6 3/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1100


title: Swaddling Band

credit_line: Swaddling Band, 1540–60. Italy, Venice. Linen: needle lace (drawnwork) and bobbin lace; average: 14.4 x 91.5 cm (5 11/16 x 36 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1130


title: Lace Insertion and Edging

medium: Bobbin lace (Punto di Milano)

credit_line: Lace Insertion and Edging, 1600s–1700s. Italy, Milan. Bobbin lace (Punto di Milano); average: 10.5 x 45.8 cm (4 1/8 x 18 1/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1214


title: Lace Insertion with Edging

medium: Bobbin lace

credit_line: Lace Insertion with Edging, 1580–99. Italy, Venice. Bobbin lace; average: 6.4 x 16.9 cm (2 1/2 x 6 5/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.839


title: Lace Insertion (no selvage)

credit_line: Lace Insertion (no selvage), 1580–99. Italy, Venice. Bobbin lace; average: 2.6 x 37.2 cm (1 x 14 5/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.858


title: Bobbin Lace Insertion

credit_line: Bobbin Lace Insertion, 1550–99. Italy, Genoa. Bobbin lace (needle lace, reticella design); average: 3.5 x 11.2 cm (1 3/8 x 4 7/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.937


title: Lace Edging of Points

credit_line: Lace Edging of Points, 1550–99. Italy, Genoa. Bobbin lace (needle lace, reticella or punto in aria design); average: 2.6 x 11.5 cm (1 x 4 1/2 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.959


title: Lace Insertion

credit_line: Lace Insertion, 1600s. Italy, Genoa. Bobbin lace (needle lace, drawnwork design); average: 7.7 x 21.3 cm (3 1/16 x 8 3/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.965


medium: painting on pith paper

country: China, Qing dynasty (1644–1911)

subjects:
Painting
China, qing dynasty (1644–1911)
Butterflies & moths
Flowers

credit_line: Painting Four from Illustrated Book of Flowers and Butterflies, 1800s. China, Qing dynasty (1644–1911). Painting on pith paper; each page: 25.2 x 36.4 cm (9 15/16 x 14 5/16 in.); each painting: 20.1 x 32 cm (7 15/16 x 12 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Henry F. Lyman, 1921.915.d


credit_line: Painting Six from Illustrated Book of Flowers and Butterflies, 1800s. China, Qing dynasty (1644–1911). Painting on pith paper; each page: 25.2 x 36.4 cm (9 15/16 x 14 5/16 in.); each painting: 20.1 x 32 cm (7 15/16 x 12 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Henry F. Lyman, 1921.915.f


medium: woodcut

country: Netherlands, 16th century

subjects:
Print
Netherlands, 16th century

credit_line: The Twelve Kings of Israel:  David, Solomon, Rehoboam, 1515–1517. Lucas van Leyden (Netherlandish, 1494–about 1533). Woodcut. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.275


title: Wall Tile–Man with a Sword

medium: glazed ceramic

subjects: Ceramic Spain

credit_line: Wall Tile–Man with a Sword, c. 1600s. Spain. Glazed ceramic; overall: 13.7 x 13.7 cm (5 3/8 x 5 3/8 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1923.663


title: Wall Tile–Leaping Animal

credit_line: Wall Tile–Leaping Animal, c. 1600s. Spain. Glazed ceramic; overall: 6.7 x 6.7 cm (2 5/8 x 2 5/8 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1923.673


title: Hercules and Antaeus

creator: Hieronymus Hopfer (German)

medium: etching

country: Germany

subjects: Print Germany

credit_line: Hercules and Antaeus, 1528–63. Hieronymus Hopfer (German), after Andrea Mantegna (Italian, about 1431–1506). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.622


medium: ink, tempera, and gold on vellum

country: France (Angers, Nantes, or Poitiers)

subjects:
Manuscript
France (angers, nantes, or poitiers)

credit_line: Bifolio from a Book of Hours: Text (verso), c. 1435. France (Angers, Nantes, or Poitiers). Ink, tempera, and gold on vellum. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1926.244.b


title: Fragment of a Carpet

date: 16th century (?)

medium: silk

subjects:
Carpet
India iran herat , 16th century

credit_line: Fragment of a Carpet, 16th century (?). India ? Iran ? Herat ?, 16th century (?). Silk; average: 33 x 12.1 cm (13 x 4 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1927.374


medium: Gum tempera, ink, and gold on paper

credit_line: Text, Folio 33 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.33.b


credit_line: Text, Folio 5 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.5.b


credit_line: Text, Folio 68 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.68.b


title: Lace Handkerchief

country: France or Flanders

subjects:
Lace
France or flander

credit_line: Lace Handkerchief, 1880–99. France or Flanders. Plain weave linen center: bobbin lace (Valenciennes) border; average: 24.2 x 22.9 cm (9 1/2 x 9 in.). The Cleveland Museum of Art, Gift of Robert Livingston Ireland Jr. in memory of his mother, Mrs. P. W. Harvey, 1936.743


medium: gum tempera and ink on palm leaves

subjects: Painting Palms

credit_line: Text, Folio 100 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.100.a


credit_line: Text, Folio 102 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.102.b


credit_line: Text, Folio 111 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.111.a


credit_line: Text, Folio 111 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.111.b


credit_line: Text, Folio 112 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.112.b


credit_line: Text, Folio 114 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.114.a


credit_line: Text, Folio 13 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.13.a


credit_line: Text, Folio 136 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.136.a


credit_line: Text, Folio 141 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.141.a


credit_line: Text, folio 166 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.166.a


credit_line: Text, Folio 17 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.17.b


credit_line: Text, Folio 18 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.18.a


credit_line: Text, Folio 18 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.18.b


credit_line: Text, Folio 20 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.20.b


credit_line: Text, Folio 38 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.38.b


credit_line: Text, Folio 62 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.62.a


credit_line: Text, Folio 62 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.62.b


credit_line: Text, Folio 69 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.69.b


credit_line: Text, Folio 70 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.70.a


credit_line: Text, Folio 70 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.70.b


credit_line: Text, Folio 76 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.76.a


credit_line: Text, Folio 84 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.84.b


title: Blouse in four pieces (blouse)

country: Philippines

subjects: Embroidery Philippine

credit_line: Blouse in four pieces (blouse), 1800s. Philippines. Plain weave piña; needle lace (drawnwork) and white cotton embroidery; overall: 93 x 52.1 cm (36 5/8 x 20 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. O. E. Kelsey, 1943.380.a


title: Copperplate Printed Textile Fragment

medium: copperplate printed cotton

subjects:
Costume & fashion
Textile
Spain

credit_line: Copperplate Printed Textile Fragment, 1700s. Spain. Copperplate printed cotton; average: 29.2 x 87.7 cm (11 1/2 x 34 1/2 in.). The Cleveland Museum of Art, Gift of Arnoldo Rosentingl, 1949.500


title: Fragment of a Chasuble

medium: velvet (cut and voided); silk

country: Italy, beginning of the 15th century

subjects:
Velvet
Italy, beginning of the 15th century

credit_line: Fragment of a Chasuble, 1400–1420. Italy, beginning of the 15th century. Velvet (cut and voided); silk; overall: 7.3 x 7.9 cm (2 7/8 x 3 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1951.493.g


title: Towel

country: Spain(?)

credit_line: Towel, 1900–1920. Spain(?). Plain weave and weft brocaded linen: crochet and embroidery; average: 103.9 x 46.4 cm (40 7/8 x 18 1/4 in.). The Cleveland Museum of Art, Anonymous gift in memory of Mrs. Henry G. Keller, 1956.320


title: La Retraite après Charleroi...

medium: pencil

country: France, 20th century

subjects:
Drawing
France, 20th century

credit_line: La Retraite après Charleroi..., 1914. Auguste Louis Lepère (French, 1849–1918). Pencil. The Cleveland Museum of Art, Delia E. Holden Fund, 1974.148.b


title: Fragment of a Large Hanging

medium: tapestry weave: wool

country: Egypt, Tulunid period, 9th century

subjects:
Costume & fashion
Textile
Egypt, tulunid period, 9th century

credit_line: Fragment of a Large Hanging, 800s. Egypt, Tulunid period, 9th century. Tapestry weave: wool; overall: 29.2 x 29.5 cm (11 1/2 x 11 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.266


medium: tabby weave with inwoven tapestry ornament, linen and wool

country: Egypt, Umayyad period (661–750)?

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, umayyad period (661–750)

credit_line: Fragment with Roundel and Decorative Stripes, 600s - 700s. Egypt, Umayyad period (661–750)?. Tabby weave with inwoven tapestry ornament, linen and wool; overall: 17.3 x 29.3 cm (6 13/16 x 11 9/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.275


title: Fragment from a Tunic: Clavi

medium: tabby weave, inwoven tapestry ornament; wool and linen

credit_line: Fragment from a Tunic: Clavi, 600s. Egypt, Umayyad period (661–750)?. Tabby weave, inwoven tapestry ornament; wool and linen; overall: 36 x 15.4 cm (14 3/16 x 6 1/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.143.b


title: Spade-shaped Terminus of a Clavus

medium: tapestry; linen and wool

country: Egypt, Byzantine period

subjects:
Costume & fashion
Textile
Egypt, byzantine period

credit_line: Spade-shaped Terminus of a Clavus, 400s - 600s. Egypt, Byzantine period. Tapestry; linen and wool; overall: 6.8 x 11.5 cm (2 11/16 x 4 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.255


creator: Yoshitsugu Haizan (Japanese, 1846–1915)

date: late 1800s-early 1900s

medium: page spread from double-sided accordion album; ink and color on paper

country: Japan, Meiji period (1868–1912) or Taishō period (1912–26)

credit_line: Painting Two from Album of Paintings by Haizan, late 1800s-early 1900s. Yoshitsugu Haizan (Japanese, 1846–1915). Page spread from double-sided accordion album; ink and color on paper. The Cleveland Museum of Art, Gift of Irene D. Goldhamer, 1997.247.c


date: late 1800s–early 1900s

credit_line: Painting Four from Album of Paintings by Haizan, late 1800s–early 1900s. Yoshitsugu Haizan (Japanese, 1846–1915). Page spread from double-sided accordion album; ink and color on paper. The Cleveland Museum of Art, Gift of Irene D. Goldhamer, 1997.247.e


credit_line: Painting Ten from Album of Paintings by Haizan, late 1800s–early 1900s. Yoshitsugu Haizan (Japanese, 1846–1915). Page spread from double-sided accordion album; ink and color on paper. The Cleveland Museum of Art, Gift of Irene D. Goldhamer, 1997.247.k


medium: Ink and gold on paper

credit_line: Text, Folio 1 (recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.1.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.104.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.108.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.109.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.111.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.116.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.126.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.142.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.150.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.154.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.161.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.176.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.186.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.189.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.192.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.201.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.202.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.23.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.25.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.61.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.69.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.74.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.75.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.79.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.80.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.82.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.91.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.91.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.99.b


creator: Antoine Phelippeaux (French, 1767–1830)

medium: engraving, hand-colored

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Description of Egypt: Thebes. Medynet-Abou, Vol. II, Pl. 12, 1822. Antoine Phelippeaux (French, 1767–1830), after Henri Joseph Redouté (French, 1766–1853). Engraving, hand-colored; sheet: 53 x 71.8 cm (20 7/8 x 28 1/4 in.); platemark: 42.7 x 59 cm (16 13/16 x 23 1/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.198


title: Mother with son with blind right eye

medium: daguerreotype, sixth plate

country: America

subjects: Photograph America

credit_line: Mother with son with blind right eye, c. 1855. America. Daguerreotype, sixth plate; overall: 8.3 x 7 cm (3 1/4 x 2 3/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.100


medium: daguerreotype, quarter plate

credit_line: Prize Horse in winter, Chemung County, New York, c. 1852–56. America. Daguerreotype, quarter plate; overall: 8.3 x 10.8 cm (3 1/4 x 4 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2021.48


title: Shakespearean Actor

medium: ambrotype, tinted, sixth plate

credit_line: Shakespearean Actor, c. 1858–1862. America. Ambrotype, tinted, sixth plate; overall: 8.3 x 7 cm (3 1/4 x 2 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2021.49


country: France

subjects: Photograph France

credit_line: Post-mortem of man with Legion d'Honneur ribbon, c. 1850. France. Daguerreotype, sixth plate; overall: 8 x 7 cm (3 1/8 x 2 3/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.81


title: Seated couple in mourning attire

credit_line: Seated couple in mourning attire, c. 1856–58. America. Daguerreotype, sixth plate; overall: 8.3 x 7 cm (3 1/4 x 2 3/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.82


title: High-born lady in white bonnet

creator: Antoine Claudet (French, 1797–1867)

medium: daguerreotype, tinted, sixth plate

credit_line: High-born lady in white bonnet, c. 1855–58. Antoine Claudet (French, 1797–1867). Daguerreotype, tinted, sixth plate; overall: 8.3 x 7 cm (3 1/4 x 2 3/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.88


title: Seated old woman

credit_line: Seated old woman, c. 1864–65. America. Ambrotype, tinted, sixth plate; overall: 8.3 x 7 cm (3 1/4 x 2 3/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.89


title: Venice in Moonlight

creator: Carlo Naya (Italian, 1816–1882)

medium: albumen print

country: Italy, 19th century

subjects:
Photograph
Italy, 19th century

credit_line: Venice in Moonlight, 1870s. Carlo Naya (Italian, 1816–1882). Albumen print; image: 26 x 33.7 cm (10 1/4 x 13 1/4 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.354


medium: woodburytype

country: England, 19th century

subjects:
Photograph
England, 19th century

credit_line: Untitled (theatrical scene with seven costumed figures), 1880s. England, 19th century. Woodburytype; image: 19.1 x 24.1 cm (7 1/2 x 9 1/2 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.362


title: Fragment of Burial Clothing

medium: embroidery

subjects: Egypt, egypto-arabic, c. 10th - 11th century

credit_line: Fragment of Burial Clothing, 900s - 1000s. Egypt, Egypto-Arabic, c. 10th - 11th century. Embroidery; overall: 18.5 x 6.4 cm (7 5/16 x 2 1/2 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1914.525


title: Sickle Blade

medium: flint

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.47


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.49


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.50


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.85


title: Box

medium: enamel on copper with metal mounts

country: Germany, Augsburg

credit_line: Box, c. 1730. Germany, Augsburg. Enamel on copper with metal mounts; overall: 6.9 x 7.7 x 5 cm (2 11/16 x 3 1/16 x 1 15/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.609


title: Fragment of a Chasuble

medium: velvet (cut and voided); silk and metal

country: Italy

subjects: Velvet Italy

credit_line: Fragment of a Chasuble, 1400s. Italy. Velvet (cut and voided); silk and metal; overall: 48.8 x 24.7 cm (19 3/16 x 9 3/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.216


title: Velvet Fragment

medium: velvet

credit_line: Velvet Fragment, 1600s. Italy. Velvet; overall: 26 x 18 cm (10 1/4 x 7 1/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.257


title: Velvet Fragment

credit_line: Velvet Fragment, 1600s. Italy. Velvet; overall: 17 x 12 cm (6 11/16 x 4 3/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.262


title: Velvet Textile

medium: velvet (cut and uncut); silk

country: Italy, possibly Genoa

subjects:
Costume & fashion
Velvet
Italy, possibly genoa

credit_line: Velvet Textile, 1600s. Italy, possibly Genoa. Velvet (cut and uncut); silk; overall: 90.2 x 24.2 cm (35 1/2 x 9 1/2 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.312


title: Brocade Textile

medium: brocade; silk and metal

subjects:
Costume & fashion
Velvet
Italy

credit_line: Brocade Textile, 1600s. Italy. Brocade; silk and metal; overall: 38.1 x 27.9 cm (15 x 11 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.891


title: Brocaded Textile

subjects:
Costume & fashion
Textile
Italy

credit_line: Brocaded Textile, 1500s. Italy. Brocade; silk and metal; overall: 46.3 x 52.7 cm (18 1/4 x 20 3/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.898


title: Fragment (Mounted with 1919.544a)

medium: brocade, silk

credit_line: Fragment (Mounted with 1919.544a), 1600s. Italy. Brocade, silk; overall: 106.7 x 20.3 cm (42 x 8 in.). The Cleveland Museum of Art, Gift of Miss Caroline E. Coit, 1919.544.b


title: L'Amour desarme

creator: Christophe Guerin (French, 1758–1831)

medium: engraving

subjects: Print France

credit_line: L'Amour desarme, c. 1780–1831. Christophe Guerin (French, 1758–1831). Engraving. The Cleveland Museum of Art, Gift of George A. Goddard, 1919.671


title: Lace fragment

country: Italy, Venice

subjects:
Lace
Italy, venice

credit_line: Lace fragment, 1500s. Italy, Venice. Linen: needle lace (drawnwork); punto riccio embroidery; average: 5.1 x 22.9 cm (2 x 9 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1108


title: Lace Fragment

medium: Linen: needle lace, reticella insertion

credit_line: Lace Fragment, 1500s. Italy, Venice. Linen: needle lace, reticella insertion; average: 2.6 x 30.8 cm (1 x 12 1/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1111


title: Six-Sided Bottle

medium: rock crystal

country: China, Qing dynasty (1644-1911)

subjects:
Vessel
China, qing dynasty (1644-1911)
Minerals & gems

credit_line: Six-Sided Bottle, 1644–1911. China, Qing dynasty (1644-1911). Rock crystal; overall: 15 cm (5 7/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.423


title: Medal (obverse)

medium: bronze

subjects:
Metalwork
France, 20th century

credit_line: Medal (obverse), 1918. Edmond-Eugene-Emile Lindauer (French, 1869–1942). Bronze; diameter: 5.1 cm (2 in.). The Cleveland Museum of Art, Gift of Lawrence Hitchcock, 1922.161.a


title: Console Table (table top)

medium: marble

subjects:
Furniture and woodwork
France

credit_line: Console Table (table top), c. 1720. France. Marble; top: 2.3 x 97.5 x 51.5 cm (7/8 x 38 3/8 x 20 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1923.225.b


title: Modern Reproduction of Iranian Brocade

date: late 1800s–before 1923

medium: compound weave, silk(?)

credit_line: Modern Reproduction of Iranian Brocade, late 1800s–before 1923. Italy, late 19th century-early 20th century. Compound weave, silk(?); overall: 54 x 50.5 cm (21 1/4 x 19 7/8 in.). The Cleveland Museum of Art, 1923.826


title: Chateau of Berny

creator: Jacques Rigaud (French, 1681–1754)

credit_line: Chateau of Berny, c. 1720–50. Jacques Rigaud (French, 1681–1754). Engraving. The Cleveland Museum of Art, Gift of Mrs. Andrew Squire, 1924.683


title: The Chateau of Saint Ouen

credit_line: The Chateau of Saint Ouen, c. 1720–50. Jacques Rigaud (French, 1681–1754). Engraving. The Cleveland Museum of Art, Gift of Mrs. Andrew Squire, 1924.694


creator: Robert Nanteuil (French, 1623–1678)

credit_line: Marie Louise de Gonzague, Reine de Pologne, 1653. Robert Nanteuil (French, 1623–1678). Engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.35


title: Plane

medium: wood

subjects:
Tool and equipment
France

credit_line: Plane, 1600s. France. Wood; overall: 12.5 x 88 x 6.7 cm (4 15/16 x 34 5/8 x 2 5/8 in.). The Cleveland Museum of Art, Anonymous gift in memory of Dr. Dudley P. Allen, 1925.752


title: Scraper

country: France or Italy

subjects:
Tool and equipment
France or italy

credit_line: Scraper, 1600s. France or Italy. Wood; overall: 3.9 x 28.3 x 4.8 cm (1 9/16 x 11 1/8 x 1 7/8 in.). The Cleveland Museum of Art, Anonymous gift in memory of Dr. Dudley P. Allen, 1925.754


title: Fragment

medium: tapestry weave: silk and wool

subjects:
Costume & fashion
Textile
Iran or iraq, abbasid period (750–1258)

credit_line: Fragment, 800s–1000s. Iran or Iraq, Abbasid period (750–1258) ?. Tapestry weave: silk and wool; overall: 14.6 x 13 cm (5 3/4 x 5 1/8 in.). The Cleveland Museum of Art, Gift of Dorothea Russell, 1930.88


medium: etching

subjects: Print Italy

credit_line: Collection of Various Caprices and New Designs of Cartouches and Ornaments:  No 10, 1646. Stefano Della Bella (Italian, 1610–1664). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1932.374.10


credit_line: Collection of Various Caprices and New Designs of Cartouches and Ornaments:  No. 9, 1646. Stefano Della Bella (Italian, 1610–1664). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1932.374.9


title: Lace Fragment

medium: Linen: needle lace (Reticella)

subjects: Lace Italy

credit_line: Lace Fragment, 1600s. Italy. Linen: needle lace (Reticella); average: 7 x 3.9 cm (2 3/4 x 1 9/16 in.). The Cleveland Museum of Art, Bequest of Louise Tifft Brown, 1933.346


title: Bottle

medium: stoneware

subjects: Siam, sawankhalok ware, late 13th-14th century

credit_line: Bottle, late 1200s-1300s. Siam, Sawankhalok ware, late 13th-14th Century. Stoneware; overall: 7 cm (2 3/4 in.). The Cleveland Museum of Art, Gift of Edwin Lowe Neville, 1939.529


title: Combats and Triumphs No. 1

credit_line: Combats and Triumphs No. 1, c. 1550–72. Etienne Delaune (French, 1518/19-c. 1583). Engraving. The Cleveland Museum of Art, Gift of Robert Hays Gries, 1939.623


title: Snuff Box

medium: enamel on copper

country: England, Birmingham

subjects:
Enamel
England, birmingham

credit_line: Snuff Box, 1759. England, Birmingham. Enamel on copper; overall: 5.6 x 3 cm (2 3/16 x 1 3/16 in.). The Cleveland Museum of Art, Gift of Robert A. Weaver, 1940.135


title: Two Pieces of Embroidery

creator: Philippe de Lasalle (French, 1723–1805)

medium: embroidery, silk

subjects: Embroidery France

credit_line: Two Pieces of Embroidery, 1723–1774. Philippe de Lasalle (French, 1723–1805). Embroidery, silk; overall: 23.7 x 40.2 cm (9 5/16 x 15 13/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1940.483.b


title: Velvet Fragments

date: early 16th century

medium: velvet (cut, voided, and brocaded): silk and gold thread

country: Spain

subjects: Velvet Spain

credit_line: Velvet Fragments, early 16th century. Spain. Velvet (cut, voided, and brocaded): silk and gold thread; overall: 33.5 x 28.6 cm (13 3/16 x 11 1/4 in.). The Cleveland Museum of Art, Bequest of James Parmelee, 1940.603.d


title: Embroidered Cover

credit_line: Embroidered Cover, 1700s. France. Embroidery, silk; overall: 54.5 x 8.2 cm (21 7/16 x 3 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.168.c


title: Mask

date: 550 BCE

medium: terracotta

country: Greece, Sicily, Selinus

subjects:
Sculpture
Greece, sicily, selinus

credit_line: Mask, 550 BCE. Greece, Sicily, Selinus. Terracotta; overall: 10.8 x 9.6 x 7 cm (4 1/4 x 3 3/4 x 2 3/4 in.). The Cleveland Museum of Art, The Mary Spedding Milliken Memorial Collection, Gift of William Mathewson Milliken, 1943.451


subjects: Print Italy Landscapes

credit_line: Various Figures and Landscapes:  Women Watching Bathers along a River, 1649. Stefano Della Bella (Italian, 1610–1664). Etching. The Cleveland Museum of Art, Gift of Carl Fredric Clarke, 1945.401.3


title: Silk Textile

medium: silk

subjects:
Costume & fashion
Textile
Italy

credit_line: Silk Textile, 1600s. Italy. Silk; overall: 45.1 x 30.2 cm (17 3/4 x 11 7/8 in.). The Cleveland Museum of Art, Gift of Joseph F. Sindelar, 1948.105


title: Anne of Austria, Queen of France

subjects: Print France

credit_line: Anne of Austria, Queen of France, 1660. Robert Nanteuil (French, 1623–1678). Engraving. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1950.169


creator: Israël Silvestre (French, 1621–1691)

credit_line: Vue du palais et des jardins des Tuileries, du côté du cours la Reine, 1673. Israël Silvestre (French, 1621–1691). Engraving. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1950.176


credit_line: Vue du Château de Versailles, vu de la Grande Place, 1684. Israël Silvestre (French, 1621–1691). Engraving. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1950.180


credit_line: Vue de la Cour du Cheval-Blanc de Fontainebleau, 1667. Israël Silvestre (French, 1621–1691). Engraving. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1950.182


credit_line: Henri-Auguste de Loménie Comte de Brienne, 1660. Robert Nanteuil (French, 1623–1678). Engraving. The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard H. Zinser, 1950.447


title: Saucer

creator: Wedgwood Factory (British)

medium: jasper ware with relief decoration

country: England, Staffordshire, 18th century

subjects:
Ceramic
England, staffordshire, 18th century

credit_line: Saucer, c. 1784. Wedgwood Factory (British). Jasper ware with relief decoration; diameter: 13.2 cm (5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. John Sherwin, 1951.304.b


title: Pieces from Disassembled Cape

medium: velvet (cut and voided); silk

subjects: Velvet Italy

credit_line: Pieces from Disassembled Cape, 1400s. Italy. Velvet (cut and voided); silk; average: 56.5 x 100.5 cm (22 1/4 x 39 9/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1951.496


title: Figurine

country: Greece

subjects: Sculpture Greece

credit_line: Figurine, 300–100 BCE. Greece. Terracotta; overall: 22.3 cm (8 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1951.537


title: Cap

country: Germany, Hesse

subjects:
Embroidery
Germany, hesse

credit_line: Cap, 1800s. Germany, Hesse. Plain weave linen: needle lace (drawnwork) and embroidery; overall: 20 x 14 x 14 cm (7 7/8 x 5 1/2 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Walter Littwitz, 1953.328


title: Coverlet Fragment

medium: embroidered satin and silk

subjects:
Costume & fashion
Textile
France

credit_line: Coverlet Fragment, c. 1760–1770. Philippe de Lasalle (French, 1723–1805). Embroidered satin and silk; overall: 11.1 x 36.8 cm (4 3/8 x 14 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.152.k


title: Coverlet Fragment

credit_line: Coverlet Fragment, c. 1760–1770. Philippe de Lasalle (French, 1723–1805). Embroidered satin and silk; overall: 19.1 x 14.6 cm (7 1/2 x 5 3/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.152.m


title: Length of Cloth

medium: plain cloth, warp brocade

credit_line: Length of Cloth, 1774–1793. France. Plain cloth, warp brocade; overall: 92 x 54.3 cm (36 1/4 x 21 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.312


title: Fragment of Brocaded Silk

medium: satin, brocaded; silk and metal

subjects:
Costume & fashion
Textile
Spain

credit_line: Fragment of Brocaded Silk, 1700s. Spain. Satin, brocaded; silk and metal; average: 106.4 x 22.1 cm (41 7/8 x 8 11/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.323


title: Fragment of Silk Brocade

medium: plain cloth, brocaded; silk and metal

credit_line: Fragment of Silk Brocade, 1700s. Spain. Plain cloth, brocaded; silk and metal; average: 102.9 x 54.1 cm (40 1/2 x 21 5/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.325


title: The Four Evangelists:  St. Matthew

medium: engraving

credit_line: The Four Evangelists:  St. Matthew, c. 1518. Italy. Engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1954.339.4


date: first half 1500s

medium: pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink

subjects: Architecture Drawing Italy

credit_line: Chariot Drawn by Lions with Amorini (recto) Partial Architectural Study (verso) , first half 1500s. Italy. Pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink; sheet: 9 x 42.4 cm (3 9/16 x 16 11/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1954.693


creator: Jane Poupelet (French, 1878–1932)

date: first third 1900s

medium: brush and gray wash

country: France, 20th century

subjects:
Drawing
France, 20th century

credit_line: Sleeping Cat (recto) Torso of a Nude Woman (verso) , first third 1900s. Jane Poupelet (French, 1878–1932). Brush and gray wash; sheet: 16.7 x 25.8 cm (6 9/16 x 10 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. Malcolm L. McBride, 1956.229


title: Bon Voyage, Plate 64

creator: Francisco de Goya (Spanish, 1746–1828)

medium: etching and aquatint

subjects: Print Spain

credit_line: Los Caprichos: Bon Voyage, Plate 64, 1799. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint; platemark: 21.4 x 14.9 cm (8 7/16 x 5 7/8 in.); sheet: 31.8 x 22.3 cm (12 1/2 x 8 3/4 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1956.273


creator: Jacques Callot (French, 1592–1635)

medium: etching

credit_line: The Martyrdom of the Apostles:  The Death of Judas, c. 1632. Jacques Callot (French, 1592–1635). Etching. The Cleveland Museum of Art, James Parmelee Fund, 1958.445


title: Aloys Senefelder

creator: Lorenzo II Quaglio (German, 1793–1869)

medium: lithograph

country: Germany, 19th century

subjects:
Print
Germany, 19th century

credit_line: Aloys Senefelder, 1818. Lorenzo II Quaglio (German, 1793–1869). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1961.312


title: The Small Passion:  The Resurrection

creator: Albrecht Dürer (German, 1471–1528)

medium: woodcut

country: France

credit_line: The Small Passion:  The Resurrection, 1509–11. Albrecht Dürer (German, 1471–1528). Woodcut. The Cleveland Museum of Art, In memory of William J. Collins, 1962.391


title: Cardinal Mazarin

credit_line: Cardinal Mazarin, 1656. Robert Nanteuil (French, 1623–1678). Engraving. The Cleveland Museum of Art, In memory of Mr. and Mrs. Ralph King, 1962.401


subjects:
Print
England, 19th century

credit_line: Rouen:  Entrée de la Salle des Pas Perdus, Palais du Justice, 1824. Richard Parkes Bonington (British, 1802–1828). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1962.89


title: Old Gateway at Stirling

credit_line: Old Gateway at Stirling, 1826. Richard Parkes Bonington (British, 1802–1828). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1962.91


title: Whistler's House at Old Chelsea

medium: etching and drypoint

credit_line: Whistler's House at Old Chelsea, 1863. Francis Seymour Haden (British, 1818–1910). Etching and drypoint. The Cleveland Museum of Art, Gift of Mrs. Malcolm L. McBride, 1965.264


title: Children with Candle

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Children with Candle, 1818. Jean-Baptiste Isabey (French, 1767–1855). Lithograph. The Cleveland Museum of Art, L. E. Holden Fund, 1966.342


title: Landscape

creator: Adrien Manglard (French, 1695–1760)

medium: intaglio

subjects: Print France Landscapes

credit_line: Landscape, c. 1753. Adrien Manglard (French, 1695–1760). Intaglio. The Cleveland Museum of Art, Gift of Jean Corser, 1968.116


title: The Crucifixion

creator: Moderno (Italian, 1467–1528)

date: 16th century

medium: bronze

subjects: Sculpture Italy

credit_line: The Crucifixion, 16th century. Cast after a model by Moderno (Italian, 1467–1528). Bronze; overall: 10.8 x 7.7 cm (4 1/4 x 3 1/16 in.). The Cleveland Museum of Art, Gift of Michael Skop, 1969.259


title: Covered Cup

creator: Gabriel Sleath (British, 1674–1756)

medium: silver

country: England, London

subjects:
Silver
England, london

credit_line: Covered Cup, 1723–24. Gabriel Sleath (British, 1674–1756). Silver; overall: 25.7 x 23.2 x 13.7 cm (10 1/8 x 9 1/8 x 5 3/8 in.). The Cleveland Museum of Art, Gift of Mrs. Warren H. Corning in honor of Warren Holmes Corning, 1970.117.1.a


title: Triumph

creator: Max Klinger (German, 1857–1920)

credit_line: A Glove: Triumph, 1880. Max Klinger (German, 1857–1920). Etching. The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard H. Zinser for the fiftieth anniversary of The Print Club of Cleveland, 1971.50.5


title: Passion Set:  The Treason of Judas

creator: Zacharias Dolendo (Dutch, 1561–1604)

country: Netherlands, 16th century

subjects:
Print
Netherlands, 16th century

credit_line: Passion Set:  The Treason of Judas, 1596–98. Zacharias Dolendo (Dutch, 1561–1604), after Karel van Mander I (Dutch, 1548–1606), Jacob de Gheyn II (Netherlandish, 1565–1629). Engraving. The Cleveland Museum of Art, Delia E. Holden Fund, 1975.122.4


title: Landscape with Farmhouses

medium: etching with burin

country: Flanders

subjects: Print Flander Landscapes

credit_line: The Set of Landscapes with Farmhouses: Landscape with Farmhouses, 1613–14. Boetius Adams Bolswert (Flemish, 1580–1633), after Abraham Bloemaert (Dutch, 1566–1651). Etching with burin; sheet: 25.7 x 35.6 cm (10 1/8 x 14 in.); platemark: 15.6 x 24.3 cm (6 1/8 x 9 9/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.37


title: Decorative Urn

creator: Jean Le Pautre (French, 1618–1682)

subjects:
Ornament & design
Print
France

credit_line: Decorative Urn, 1600s. Jean Le Pautre (French, 1618–1682). Etching; sheet: 23.1 x 15.3 cm (9 1/8 x 6 in.); secondary support: 30.3 x 21.7 cm (11 15/16 x 8 9/16 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.282


title: The Boat Trip

medium: 16 etchings

subjects:
Portfolio
France, 19th century

credit_line: The Boat Trip, 1861. Charles François Daubigny (French, 1817–1878). 16 etchings. The Cleveland Museum of Art, John L. Severance Fund, 2004.95


title: Roman Charity

subjects: Print France

credit_line: After a Relief in Fountainbleau Palace, Gallery of Francis I: Roman Charity, 1500s. France. Etching; sheet: 18.7 x 32.8 cm (7 3/8 x 12 15/16 in.); platemark: 14.3 x 32.2 cm (5 5/8 x 12 11/16 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.261


medium: lithograph on chine collé tipped into mount

country: England, 19th century

subjects:
Architecture
Print
England, 19th century

credit_line: Architectural Remains and Fragments: Rouen - Fontaine de la Crosse, 1827. Richard Parkes Bonington (British, 1802–1828), after François Alexandre Pernot (French, 1793–1865). Lithograph on chine collé tipped into mount; sheet: 52.1 x 33.6 cm (20 1/2 x 13 1/4 in.); platemark: 23.2 x 16.3 cm (9 1/8 x 6 7/16 in.); with black border: 28 x 20 cm (11 x 7 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.204


title: Inkwell

creator: Wilhelm Kralik Sohn (Bohemian)

medium: glass with bronze mount

country: Bohemia

subjects: Glass Bohemia

credit_line: Inkwell, c. 1900 . Attributed to Wilhelm Kralik Sohn (Bohemian). Glass with bronze mount; overall: 7 x 12.4 cm (2 3/4 x 4 7/8 in.). The Cleveland Museum of Art, In loving memory of Donald M. Robiner, 2008.66


title: Snuff Box

medium: dark brown stone, gold

country: Germany, Berlin

credit_line: Snuff Box, c. 1730–60. Germany, Berlin. Dark brown stone, gold; overall: 2.9 x 7.6 cm (1 1/8 x 3 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.45


creator: Louis Haghe (British, 1806–1885)

medium: color lithograph

credit_line: Egypt and Nubia, Volume II: Temple of Kababshe, Nubia, 1848. Louis Haghe (British, 1806–1885), after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 38.4 x 43 cm (15 1/8 x 16 15/16 in.); image: 25.3 x 35.3 cm (9 15/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.203


title: Scholars at a Lecture

creator: William Hogarth (British, 1697–1764)

medium: etching and engraving

country: England, 18th century

subjects:
Print
England, 18th century

credit_line: Scholars at a Lecture, 1736–37. William Hogarth (British, 1697–1764). Etching and engraving; sheet: 25.2 x 21.5 cm (9 15/16 x 8 7/16 in.); platemark: 22.2 x 18.4 cm (8 3/4 x 7 1/4 in.); border: 20.5 x 17.4 cm (8 1/16 x 6 7/8 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.279


creator: Mushfiq (Indian, active early 1600s)

medium: Gum tempera, ink, and gold on paper

country: India, Mughal patronage in Deccan style, early 17th century

credit_line: Folios A and B from the "Five Treasures" (Panj Ganj) of Jami, 1520–1607. Mushfiq (Indian, active early 1600s), and others (Indian). Gum tempera, ink, and gold on paper; page: 30.2 x 18.1 cm (11 7/8 x 7 1/8 in.). The Cleveland Museum of Art, Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection, 2013.315


creator: Carle Vernet (French, 1758–1836)

credit_line: Racing Scenes: The Race (Scènes Hippiques: La course), c. 1780–1836. Carle Vernet (French, 1758–1836), Gravure en noir a l'aquatinte par Jazet, published by Jazet and Aumont. Lithograph; sheet: 9.1 x 14.1 cm (3 9/16 x 5 9/16 in.); image: 6.6 x 10.9 cm (2 5/8 x 4 5/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.319


creator: Paul Berthon (French, 1872–1909)

credit_line: Her Most Gracious Majesty Queen Wilhelmina (Sa Très Gracieuse Majesté La Reine Wilhelmine), 1901. Paul Berthon (French, 1872–1909). Color lithograph; image: 38.6 x 35.6 cm (15 3/16 x 14 in.); sheet: 64.9 x 49.8 cm (25 9/16 x 19 5/8 in.). The Cleveland Museum of Art, Bequest of Elizabeth Carroll Shearer, 2016.105