credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 303vr, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.303.b


title: Medal of Anne of Austria (obverse)

creator: Jean Warin (French, 1604–1672)

medium: bronze

country: France

subjects: Sculpture France

source: The Cleveland Museum of Art

source_id: cleveland

rights: Public Domain / CC0

rights_statement: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

credit_line: Medal of Anne of Austria (obverse), 1660. Jean Warin (French, 1604–1672). Bronze; diameter: 6 cm (2 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1987.195.a


title: Medal of Anne of Austria (reverse)

credit_line: Medal of Anne of Austria (reverse), 1660. Jean Warin (French, 1604–1672). Bronze; diameter: 6 cm (2 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1987.195.b


title: Door (right)

date: early 1400s

medium: gilded and painted wood (pine)

country: Spain

subjects:
Furniture and woodwork
Spain

credit_line: Door (right), early 1400s. Spain. Gilded and painted wood (pine); overall: 170.2 x 86.4 cm (67 x 34 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.565.2


title: Book of Hours (Use of Rouen): fol. 105v

medium: ink, tempera, and gold on vellum

country: France, Rouen

credit_line: Book of Hours (Use of Rouen): fol. 105v, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.105.b


title: Book of Hours (Use of Rouen): fol. 108r

credit_line: Book of Hours (Use of Rouen): fol. 108r, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.108.a


credit_line: Book of Hours (Use of Rouen): fol. 111r, Calendar Page for November, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.11.a


title: Book of Hours (Use of Rouen): fol. 113r

credit_line: Book of Hours (Use of Rouen): fol. 113r, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.113.a


title: Book of Hours (Use of Rouen): fol. 115r

credit_line: Book of Hours (Use of Rouen): fol. 115r, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.115.a


title: Book of Hours (Use of Rouen): fol. 118r

credit_line: Book of Hours (Use of Rouen): fol. 118r, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.118.a


title: Book of Hours (Use of Rouen): fol. 118v

credit_line: Book of Hours (Use of Rouen): fol. 118v, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.118.b


title: Book of Hours (Use of Rouen): fol. 122v

credit_line: Book of Hours (Use of Rouen): fol. 122v, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.122.b


title: Book of Hours (Use of Rouen): fol. 127r

credit_line: Book of Hours (Use of Rouen): fol. 127r, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.127.a


title: Book of Hours (Use of Rouen): fol. 136r

credit_line: Book of Hours (Use of Rouen): fol. 136r, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.136.a


title: Book of Hours (Use of Rouen): fol. 142r

credit_line: Book of Hours (Use of Rouen): fol. 142r, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.142.a


title: Book of Hours (Use of Rouen): fol. 154a

credit_line: Book of Hours (Use of Rouen): fol. 154a, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.154.a


title: Book of Hours (Use of Rouen): fol. 16r

credit_line: Book of Hours (Use of Rouen): fol. 16r, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.16.a


credit_line: Book of Hours (Use of Rouen): fol. 18v, Prayers to the Virgin, Large Initial O with Elaborate Border, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.18.b


title: Book of Hours (Use of Rouen): fol. 30r

credit_line: Book of Hours (Use of Rouen): fol. 30r, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.30.a


title: Book of Hours (Use of Rouen): fol. 49r

credit_line: Book of Hours (Use of Rouen): fol. 49r, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.49.a


title: Book of Hours (Use of Rouen): fol. 61v

credit_line: Book of Hours (Use of Rouen): fol. 61v, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.61.b


title: Book of Hours (Use of Rouen): fol. 66r

credit_line: Book of Hours (Use of Rouen): fol. 66r, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.66.a


title: Book of Hours (Use of Rouen): fol. 66v

credit_line: Book of Hours (Use of Rouen): fol. 66v, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.66.b


title: Book of Hours (Use of Rouen): fol. 72v

credit_line: Book of Hours (Use of Rouen): fol. 72v, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.72.b


credit_line: Book of Hours (Use of Rouen): fol. 80r, Opening Penitential Psalms, David Penitent, in the Distance David Slaying Goliath, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.80.a


title: Book of Hours (Use of Rouen): fol. 85r

credit_line: Book of Hours (Use of Rouen): fol. 85r, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.85.a


title: Book of Hours (Use of Rouen): fol. 88r

credit_line: Book of Hours (Use of Rouen): fol. 88r, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.88.a


title: Book of Hours (Use of Rouen): fol. 9v

credit_line: Book of Hours (Use of Rouen): fol. 9v, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.9.b


title: Book of Hours (Use of Rouen)

credit_line: Book of Hours (Use of Rouen), c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.91.a


country: France, Paris

credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 31v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.31.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425), fol. 319v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.319.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 41r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.41.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 66r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.66.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 68r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.68.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 73r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.73.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 75v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.75.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 76v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.76.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 93v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.93.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 97r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.97.a


medium: ceramic, slip, resist paint

country: Colombia, Calima region, Yotoco style

subjects:
Ceramic
Colombia, calima region, yotoco style
Ships & the sea

credit_line: Double-Spouted Vessel with Reclining Figure, c. 1–800 CE. Colombia, Calima region, Yotoco style. Ceramic, slip, resist paint; diameter: 19.6 x 19.5 cm (7 11/16 x 7 11/16 in.); overall: 19.6 x 19.5 cm (7 11/16 x 7 11/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1995.44


title: Vima Kadphises (reverse)

medium: gold

country: India, Mathura, Kushan period

subjects:
Coin
India, mathura, kushan period

credit_line: Vima Kadphises (reverse), 50–78 CE. India, Mathura, Kushan period. Gold; diameter: 2.2 cm (7/8 in.). The Cleveland Museum of Art, Anonymous Gift, 1999.225.b


title: Cellarette

medium: chiefly rosewood veneer with pine and poplar secondary woods

country: America, New York

subjects:
Furniture and woodwork
America, new york

credit_line: Cellarette, c. 1840. Firm of Duncan Phyfe and Son (American, 1768–1854). Chiefly rosewood veneer with pine and poplar secondary woods; overall: 59.4 x 72.4 x 50.2 cm (23 3/8 x 28 1/2 x 19 3/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 2000.72.2


medium: ink, tempera and gold on vellum

subjects:
Manuscript
Austria or bohemia , 15th century
Flowers

credit_line: Bifolio from a Book of Hours: Initial V with Floral Border (recto), c. 1460–1500. Austria (? ) or Bohemia (?), 15th century. Ink, tempera and gold on vellum. The Cleveland Museum of Art, The Jeanne Miles Blackburn Collection, 2006.12.a


title: Bow Fibula

medium: silver gilt and niello

country: Frankish, 6th century

subjects:
Jewelry
Frankish, 6th century

credit_line: Bow Fibula, 500–550. Frankish, 6th century. Silver gilt and niello; overall: 7.7 x 4.5 x 1.1 cm (3 1/16 x 1 3/4 x 7/16 in.). The Cleveland Museum of Art, Gift of Joe Hatzenbuehler, 2007.222


subjects: Southern france, toulouse , 13th century

credit_line: Fol. 1r, Genesis, with a full-length historiated initial I, showing the Creation and the Crucifixion, all on burnished gold grounds, with diapered pink and blue frames and cusped dragon and foliage extensions at top and bottom, on which are perched a vari, c. 1275–1300. Southern France, Toulouse(?), 13th century. Ink, tempera and gold on vellum; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 2008.2.1.a


credit_line: Fol. 20v, Exodus, historiated initial H, Moses and two followers with the tablets of the law, c. 1275–1300. Southern France, Toulouse(?), 13th century. Ink, tempera and gold on vellum; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 2008.2.20.b


credit_line: Fol. 233r, Psalm 109, historiated initial D, God the Father and Son, the Holy Ghost between them, c. 1275–1300. Southern France, Toulouse(?), 13th century. Ink, tempera and gold on vellum; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 2008.2.233.a


credit_line: Fol. 357r, Obadiah, historiated initial V, Obadiah and a Jew in discussion, c. 1275–1300. Southern France, Toulouse(?), 13th century. Ink, tempera and gold on vellum; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 2008.2.357.a


credit_line: Fol. 412v, Luke, historiated initial F, Luke praying at an altar, bust of God above, c. 1275–1300. Southern France, Toulouse(?), 13th century. Ink, tempera and gold on vellum; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 2008.2.412.b


credit_line: Fol. 477v, Peter, historiated initial P, Peter with a key, talking to the bust of God above, c. 1275–1300. Southern France, Toulouse(?), 13th century. Ink, tempera and gold on vellum; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 2008.2.477.b


title: Bangle

creator: Fortunato Pio Castellani Firm (Italian)

medium: gold, glass mosaic

country: Italy, Rome

subjects:
Jewelry
Italy, rome

credit_line: Bangle, c. 1860–70. Attributed to Fortunato Pio Castellani Firm (Italian). Gold, glass mosaic; diameter: 7.7 cm (3 1/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2009.84


title: Bacchanalian Relief

date: 200s CE

medium: schist

country: Pakistan, Gandhara, Kushan period

subjects:
Stone
Pakistan, gandhara, kushan period

credit_line: Bacchanalian Relief, 200s CE. Pakistan, Gandhara, Kushan period. Schist; overall: 24.5 x 61 x 14 cm (9 5/8 x 24 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Maxeen and John Flower in honor of Dr. Stanislaw Czuma, 2011.140


title: Spouted Ewer with Handle

medium: glazed stoneware with carved decoration, Cizhou ware

credit_line: Spouted Ewer with Handle, 900s. Northern China, Northern Song dynasty (960-1127). Glazed stoneware with carved decoration, Cizhou ware; diameter: 15.9 cm (6 1/4 in.); overall: 17.6 cm (6 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1948.219


title: Saint Margaret

creator: Antonello Gaggini (Italian, 1478–1536)

medium: marble

country: Italy, Sicily, Palermo, 16th century

subjects:
Sculpture
Italy, sicily, palermo, 16th century

credit_line: Saint Margaret, c. 1520–1530. Antonello Gaggini (Italian, 1478–1536). Marble; overall: 139.7 x 54.6 x 18.2 cm (55 x 21 1/2 x 7 3/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.564


title: Vasudhara, Goddess of Abundance

medium: gilt bronze and semiprecious stones

country: Nepal

subjects: Sculpture Nepal

credit_line: Vasudhara, Goddess of Abundance, 1300s–1400s. Nepal. Gilt bronze and semiprecious stones; overall: 16.2 cm (6 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1947.493


title: The Peddler Goblet

medium: green and blue glass, enameled and gilded

country: Italy, Venice (Murano), 19th century

subjects:
Glass
Italy, venice (murano), 19th century

credit_line: The Peddler Goblet, 1800s. Italy, Venice (Murano), 19th century. Green and blue glass, enameled and gilded; diameter of mouth: 21.5 x 11.4 cm (8 7/16 x 4 1/2 in.); diameter of base: 12 cm (4 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.364


medium: ivory with gold and polychrome

country: Northern India, Kashmir, 8th century

subjects:
Ivory
Northern india, kashmir, 8th century

credit_line: Temptation of Buddha by the Evil Forces of Mara, 700s. Northern India, Kashmir, 8th century. Ivory with gold and polychrome; overall: 13 x 8.9 cm (5 1/8 x 3 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1971.18


title: The Martyrdom of St. Sebastian

creator: Master ES (German, active 1450–67)

medium: engraving

country: Germany

subjects: Print Germany

credit_line: The Martyrdom of St. Sebastian, 1450–67. Master ES (German, active 1450–67). Engraving; image: 14.8 x 10.5 cm (5 13/16 x 4 1/8 in.); sheet: 14.8 x 10.5 cm (5 13/16 x 4 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1949.7


title: Street Singer and Child

creator: John Opie (British, 1761–1807)

medium: oil on canvas

country: England, 18th century

subjects:
Painting
England, 18th century

credit_line: Street Singer and Child, 1700s. John Opie (British, 1761–1807). Oil on canvas; framed: 100 x 87.5 x 11 cm (39 3/8 x 34 7/16 x 4 5/16 in.); unframed: 76.5 x 64.3 cm (30 1/8 x 25 5/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1030


title: Death of the Virgin

medium: oil on wood

country: Italy, Venice

subjects:
Painting
Italy, venice

credit_line: Death of the Virgin, mid-1500s. Italy, Venice. Oil on wood; framed: 78.8 x 130.9 cm (31 x 51 9/16 in.); unframed: 25 x 103.5 cm (9 13/16 x 40 3/4 in.). The Cleveland Museum of Art, Holden Collection, 1916.797


title: The Blue Feather

country: America, Ohio, Cleveland

subjects:
Painting
America, ohio, cleveland

credit_line: The Blue Feather, 1917. William J. Edmondson (American, 1868–1966). Oil on canvas; framed: 107.3 x 112.4 x 5.8 cm (42 1/4 x 44 1/4 x 2 5/16 in.); unframed: 70.5 x 75.6 cm (27 3/4 x 29 3/4 in.). The Cleveland Museum of Art, Gift of Morris Glauber, 1917.400


medium: Wool (Germantown): tapestry weave

subjects:
Costume & fashion
Textile

credit_line: Hubbell Revival-Style Rug with Moki (Moqui) Stripes, c. 1890–1910. America, Native North American, Southwest, Navajo (Dine), female artist. Wool (Germantown): tapestry weave; overall: 194.8 x 138.4 cm (76 11/16 x 54 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. L. E. Holden, 1917.62


medium: tempera, and gold on vellum

credit_line: Bifolio with Scenes from the Life of Christ, 1230–1240. Germany, Lower Saxony (Diocese of Hildesheim), Braunschweig(?), 13th century. Tempera, and gold on vellum; sheet: 31 x 22.5 cm (12 3/16 x 8 7/8 in.); framed: 48.3 x 63.5 cm (19 x 25 in.); overall: 30.7 x 45.2 cm (12 1/16 x 17 13/16 in.); matted: 40.6 x 55.9 cm (16 x 22 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1933.448.2


title: Man's Morning Coat

medium: cotton: tabby weave, resist-dyed (mordant resist and batik); applied gold leaf

country: India, Mughal

subjects:
Garment
India, mughal

credit_line: Man's Morning Coat, 1700–1750. India, Mughal. Cotton: tabby weave, resist-dyed (mordant resist and batik); applied gold leaf; overall: 142 x 172 cm (55 7/8 x 67 11/16 in.). The Cleveland Museum of Art, Gift of The Textile Arts Club, 1936.443


medium: Surimono; color woodblock print

country: Japan, Edo period (1615–1868)

subjects:
Print
Japan, edo period (1615–1868)

credit_line: Tsukasa and Other Courtesans of the Ogiya Watching the Autumn Moon Rise Over Rice Fields from a Balcony in the Yoshiwara, 1799. Katsushika Hokusai (Japanese, 1760–1849). Surimono; color woodblock print; sheet: 56.6 x 21 cm (22 5/16 x 8 1/4 in.). The Cleveland Museum of Art, Gift of Mrs. Ralph King, 1943.4


title: The Pietà

country: Italy

subjects: Print Italy

credit_line: The Pietà, c. 1515–17. Marcantonio Raimondi (Italian, 1470/82–1527/34), after Raphael (Italian, 1483–1520). Engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1944.22


title: Beach, St. Malo

medium: watercolor with gouache over graphite

country: America, early 20th Century

subjects:
Drawing
America, early 20th century

credit_line: Beach, St. Malo, c. 1907. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Watercolor with gouache over graphite; sheet: 34.9 x 50.5 cm (13 3/4 x 19 7/8 in.). The Cleveland Museum of Art, Gift of William Mathewson Milliken, in memory of H. Oothout Milliken, 1949.543


title: Genesis II

creator: Franz Marc (German, 1880–1916)

medium: color woodcut

country: Germany, 20th century

subjects:
Print
Germany, 20th century

credit_line: Genesis II, 1914. Franz Marc (German, 1880–1916). Color woodcut. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1959.228


title: The Betrothal of the Virgin

creator: Albrecht Dürer (German, 1471–1528)

medium: woodcut

country: Germany, early 16th Century

subjects:
Print
Germany, early 16th century

credit_line: The Life of the Virgin: The Betrothal of the Virgin, c. 1504–1505. Albrecht Dürer (German, 1471–1528). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1959.99.7


title: The Visitation

credit_line: The Life of the Virgin: The Visitation, c. 1504. Albrecht Dürer (German, 1471–1528). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1959.99.9


title: Wisteria Maiden (Fuji Musume)

medium: hanging scroll; ink and color on paper

subjects:
Painting
Japan, edo period (1615–1868)

credit_line: Wisteria Maiden (Fuji Musume), 1615–99. Japan, Edo period (1615–1868). Hanging scroll; ink and color on paper; with mount: 154.9 x 28.9 cm (61 x 11 3/8 in.); painting only: 71 x 25.2 cm (27 15/16 x 9 15/16 in.). The Cleveland Museum of Art, Anonymous Gift, 1963.96


date: late 1600s

subjects:
Ceramic
Japan, edo period (1615–1868)
Flowers

credit_line: Dish with Zhou Maoshu Admiring Lotus Flowers (周茂叔愛蓮図皿), late 1600s. Japan, Edo period (1615–1868). Porcelain with overglaze color enamel and iron oxide rim (Arita ware); diameter: 31 cm (12 3/16 in.); height: 6.2 cm (2 7/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.246


creator: Shen Zhou (Chinese, 1427–1509)

date: after 1490

country: China, Ming dynasty (1368–1644)

subjects:
Painting
China, ming dynasty (1368–1644)

credit_line: (虎丘十二景圖): The Pine Retreat, from Twelve Views of Tiger Hill, Suzhou, after 1490. Shen Zhou (Chinese, 1427–1509). Album leaf; ink on paper or ink and slight color on paper; image: 31.3 x 40.9 cm (12 5/16 x 16 1/8 in.); overall: 36.5 x 49.9 cm (14 3/8 x 19 5/8 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1964.371.3


title: Hercules and the Nemean Lion

creator: Moderno (Italian, 1467–1528)

date: 16th century

medium: bronze

subjects: Sculpture Italy

credit_line: Hercules and the Nemean Lion, 16th century. Moderno (Italian, 1467–1528). Bronze; overall: 7.6 x 5.7 cm (3 x 2 1/4 in.). The Cleveland Museum of Art, Sundry Purchase Fund, 1967.135


medium: color woodblock print

subjects:
Fish
Print
Japan, edo period (1615–1868)

credit_line: Matsumoto Koshiro IV as Gorobei, the Fish Seller from Sanya, 1794. Tōshūsai Sharaku (Japanese, active 1794–95). Color woodblock print; sheet: 38.4 x 25.1 cm (15 1/8 x 9 7/8 in.). The Cleveland Museum of Art, Gift of Jeptha H. Wade in honor of Emily V. Wade, 1974.78


title: Nessus and Deianeira

creator: Francesco Fanelli (Italian, 1661)

date: made in England, probably 1630–40

credit_line: Nessus and Deianeira, made in England, probably 1630–40. Francesco Fanelli (Italian, 1661). Bronze; overall: 24.3 x 18.9 cm (9 9/16 x 7 7/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1975.31


title: Bamboo in Rain; Bamboo in Wind

creator: Genga (Japanese)

date: early 1500s

medium: hanging scroll; ink on silk

country: Japan, Muromachi period (1392–1573)

subjects:
Painting
Japan, muromachi period (1392–1573)

credit_line: Bamboo in Rain; Bamboo in Wind, early 1500s. Genga (Japanese). Hanging scroll; ink on silk. The Cleveland Museum of Art, Gift in memory of Mrs. Samuel Savage, 1975.71


title: Portrait of Kō Sūkoku

creator: Watanabe Kazan (Japanese, 1793–1841)

date: possibly 1817

subjects:
Painting
Japan, edo period (1615–1868)
Portraits

credit_line: Portrait of Kō Sūkoku, possibly 1817. Watanabe Kazan (Japanese, 1793–1841), Tani Buncho (Japanese, 1763–1840). Fan, wood with ink, color, gold, and silver on paper; overall: 17.8 x 45.7 cm (7 x 18 in.). The Cleveland Museum of Art, James Parmelee Fund, 1976.8


title: Leaving the Oasis

creator: Jean-Léon Gérôme (French, 1824–1904)

medium: oil on wood panel

country: France, 19th century

subjects:
Painting
France, 19th century

credit_line: Leaving the Oasis, 1880s. Jean-Léon Gérôme (French, 1824–1904). Oil on wood panel; framed: 67.3 x 98.4 x 9.5 cm (26 1/2 x 38 3/4 x 3 3/4 in.); unframed: 50 x 81.2 cm (19 11/16 x 31 15/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Noah L. Butkin, 1977.126


title: The Fisherman (Le Pêcheur)

creator: Théodore Rousseau (French, 1812–1867)

medium: pen and brown ink and brush, gray and  black wash (scratched away in places), with touches of pink watercolor

subjects:
Drawing
France, 19th century

credit_line: The Fisherman (Le Pêcheur), c. 1840–45. Théodore Rousseau (French, 1812–1867). Pen and brown ink and brush, gray and  black wash (scratched away in places), with touches of pink watercolor; sheet: 20.9 x 28 cm (8 1/4 x 11 in.); secondary support: 20.9 x 28 cm (8 1/4 x 11 in.); tertiary support: 29.6 x 37.9 cm (11 5/8 x 14 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1980.18


title: Bamboo in Four Seasons: Summer

country: China, Yuan dynasty (1271-1368)

subjects:
Painting
China, yuan dynasty (1271-1368)

credit_line: Bamboo in Four Seasons: Summer, 1279–1368. China, Yuan dynasty (1271-1368). Hanging scroll; ink on silk; overall: 232.3 x 82.6 cm (91 7/16 x 32 1/2 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1982.150.1


title: Water Jar (Olla)

medium: Ceramic, slip

credit_line: Water Jar (Olla), 1150–1325. Southwest, Ancestral Pueblo, Tularosa Black-on-White style. Ceramic, slip; overall: 30 x 40.5 cm (11 13/16 x 15 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1984.159


title: Plum Blossoms

creator: Wang Shishen (Chinese, 1686–1759)

date: probably 1739

medium: Hanging scroll; ink on paper

country: China, Qing dynasty (1644-1911)

subjects:
Painting
China, qing dynasty (1644-1911)
Flowers

credit_line: Plum Blossoms (梅花), probably 1739. Wang Shishen (Chinese, 1686–1759). Hanging scroll; ink on paper; painting: 144.4 x 75.7 cm (56 7/8 x 29 13/16 in.); overall: 238 x 89.1 cm (93 11/16 x 35 1/16 in.). The Cleveland Museum of Art, The Kelvin Smith Collection, given by Mrs. Kelvin Smith, 1985.366


title: Amiens

creator: Édouard Baldus (French, 1813–1889)

medium: albumen print from wet collodion negative

subjects:
Photograph
France, 19th century

credit_line: Amiens, 1855. Édouard Baldus (French, 1813–1889). Albumen print from wet collodion negative; matted: 50.8 x 61 cm (20 x 24 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1986.15


title: Bear Lake, LVRR

creator: William H. Rau (American, 1855–1920)

medium: albumen print from gelatin dry plate negative

country: America

subjects: Photograph America

credit_line: Lehigh Valley Railroad: Bear Lake, LVRR, c. 1898–99. William H. Rau (American, 1855–1920). Albumen print from gelatin dry plate negative; image: 43.5 x 51.9 cm (17 1/8 x 20 7/16 in.); paper: 45.3 x 53.7 cm (17 13/16 x 21 1/8 in.); matted: 55.9 x 66 cm (22 x 26 in.). The Cleveland Museum of Art, John L. Severance Fund, 1988.88


title: Landscape

creator: Henry White (British, 1819–1903)

country: England, 19th century

subjects:
Photograph
England, 19th century
Landscapes

credit_line: Landscape, 1856. Henry White (British, 1819–1903). Albumen print from wet collodion negative; image: 19 x 25 cm (7 1/2 x 9 13/16 in.); matted: 50.8 x 61 cm (20 x 24 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1993.162


title: Untitled (Winter Landscape)

creator: William B. Post (American, 1857–1925)

medium: platinum print

subjects: Photograph America Landscapes

credit_line: Untitled (Winter Landscape), c. 1900. William B. Post (American, 1857–1925). Platinum print; image: 14.9 x 23 cm (5 7/8 x 9 1/16 in.); matted: 40.6 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, John L. Severance Fund, 1993.28


credit_line: Cathedral Rocks and Reflections, Yosemite, 1864. Charles Leander Weed (American, 1824–1903). Albumen print from wet collodion negative; image: 51.9 x 39.9 cm (20 7/16 x 15 11/16 in.); paper: 70.8 x 55.4 cm (27 7/8 x 21 13/16 in.); matted: 76.2 x 61 cm (30 x 24 in.). The Cleveland Museum of Art, Jo Hershey Selden Fund, 1995.78


title: Untitled (Scene of Fontainebleau)

creator: André Giroux (French, 1801–1879)

medium: salted paper print from waxed paper negative

credit_line: Untitled (Scene of Fontainebleau), c. 1853. André Giroux (French, 1801–1879). Salted paper print from waxed paper negative; image: 21.3 x 27.5 cm (8 3/8 x 10 13/16 in.); matted: 55.9 x 66 cm (22 x 26 in.). The Cleveland Museum of Art, John L. Severance Fund, 1996.9


title: George Washington

medium: oil on canvas

country: United States

subjects:
Painting
United state

credit_line: George Washington, c. 1790s. United States. Oil on canvas; unframed: 52.7 x 43.2 cm (20 3/4 x 17 in.). The Cleveland Museum of Art, Hinman B. Hurlbut Collection, 1921.2552


creator: Auguste Rodin (French, 1840–1917)

medium: plaster

country: France, late 19th-early 20th Century

subjects:
Sculpture
France, late 19th-early 20th century

credit_line: Heroic Head of Pierre de Wissant, One of the Burghers of Calais, 1886. Auguste Rodin (French, 1840–1917). Plaster; overall: 85.1 x 61 x 50.8 cm (33 1/2 x 24 x 20 in.). The Cleveland Museum of Art, Gift of Loïe Fuller, 1917.722


creator: Sesshū Tōyō (Japanese, 1420–1506)

date: second half of the 1500s

subjects:
Painting
Japan, muromachi period (1392–1573)
Birds
Flowers
Landscapes

credit_line: Birds and Flowers in a Landscape of the Four Seasons, second half of the 1500s. Follower of Sesshū Tōyō (Japanese, 1420–1506). Six-panel folding screen, ink and color on paper; image: 158.5 x 359.4 cm (62 3/8 x 141 1/2 in.); overall: 175.2 x 374.4 cm (69 x 147 3/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1960.173


medium: Gum tempera, ink, and gold on paper

country: India, Subimperial Mughal school, 17th century

subjects: India, subimperial mughal school, 17th century

credit_line: Vabhruvahana Approaches Arjuna, page from the Khan Khanan's Razm-nama, c. 1610?–17. Sur Das Gujarati (Indian, active 16th century). Gum tempera, ink, and gold on paper; overall: 35 x 24 cm (13 3/4 x 9 7/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1960.44


title: Peasants Crossing a Stream

creator: Jan Siberechts (Flemish, 1627-c. 1703)

country: Flanders

subjects: Painting Flander

credit_line: Peasants Crossing a Stream, c. 1670. Jan Siberechts (Flemish, 1627-c. 1703). Oil on canvas; framed: 119 x 143 x 9 cm (46 7/8 x 56 5/16 x 3 9/16 in.); unframed: 99.7 x 122.5 cm (39 1/4 x 48 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1969.18


title: Festival Scenes

medium: pair of six-panel folding screens; ink, color, gold, and gold leaf on paper

subjects:
Painting
Japan, edo period (1615–1868)

credit_line: Festival Scenes, 1615–99. Japan, Edo period (1615–1868). Pair of six-panel folding screens; ink, color, gold, and gold leaf on paper; overall: 51.1 x 208.9 cm (20 1/8 x 82 1/4 in.). The Cleveland Museum of Art, The Kelvin Smith Collection, given by Mrs. Kelvin Smith, 1985.279


title: Study for "The Revolt of Cairo"

medium: pen and brown ink; framing lines in pen and brown ink

credit_line: Study for "The Revolt of Cairo", 1810. Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824). Pen and brown ink; framing lines in pen and brown ink; sheet: 28.1 x 43 cm (11 1/16 x 16 15/16 in.); secondary support: 29.8 x 44.4 cm (11 3/4 x 17 1/2 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2008.372


title: Valmy and Léa

creator: Jean Béraud (French, 1849–1935)

medium: brush and brown wash, heightened with white gouache, over graphite

country: France, 20th century

subjects:
Drawing
France, 20th century

credit_line: Valmy and Léa, c. 1885–95. Jean Béraud (French, 1849–1935). Brush and brown wash, heightened with white gouache, over graphite; sheet: 36 x 51.7 cm (14 3/16 x 20 3/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2008.407


date: before 1467

medium: engraving

country: Italy, Ferrara, 15th century

subjects:
Print
Italy, ferrara, 15th century

credit_line: Music (from the Tarocchi, series C:  Liberal Arts, #26), before 1467. Master of the E-Series Tarocchi (Italian, active 1460s). Engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.432.26


medium: ink, tempera, and gold on vellum

credit_line: Miniature Excised from a Psalter: Christ in Majesty with Symbols of the Four Evangelists, c. 1235. England, Abbey of Peterborough(?), 13th century. Ink, tempera, and gold on vellum; sheet: 18.9 x 13.9 cm (7 7/16 x 5 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1945.132


title: Birth of the Buddha

medium: Black chlorite

credit_line: Birth of the Buddha, 800s. Northeastern India, Bengal, Pala dynasty (730-1197). Black chlorite; overall: 46.4 x 27.3 x 11.4 cm (18 1/4 x 10 3/4 x 4 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1959.349


credit_line: Krishna and the Gopis Gather for Rasamandala, c. 1720–30. Northwestern India, Rajasthan, Rajput Kingdom of Kota. Gum tempera, ink, and gold on paper; image: 41.5 x 28.5 cm (16 5/16 x 11 1/4 in.); overall: 50 x 32.5 cm (19 11/16 x 12 13/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1960.45


country: Japan, Edo period (1615–1868)

subjects:
Ceramic
Japan, edo period (1615–1868)

credit_line: Dish with Lotus in Rui-Head-Shaped Cartouches, mid-1800s. Japan, Edo period (1615–1868). Porcelain with underglaze blue and overglaze enamel (Hizen ware, Nabeshima type); diameter: 20.4 cm (8 1/16 in.); overall: 5.6 cm (2 3/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.258


title: Teapot with Landscape and Imperial Poem

country: China, Jiangsu province, Yixing, Qing dynasty (1644–1911), Qianlong reign  (1736–95)

subjects: Ceramic Landscapes

credit_line: Teapot with Landscape and Imperial Poem (山水御製詩貼金宜興壺), 1762–95. Chen Hanwen (Chinese, active c. 1720s–90s). Stoneware, with gold pigment, Yixing ware; diameter: 10.8 cm (4 1/4 in.); overall: 7.5 cm (2 15/16 in.); with spout: 15 cm (5 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1980.27


title: Demon Intoning the Name of the Buddha

medium: hanging scroll, ink and color on paper

credit_line: Demon Intoning the Name of the Buddha (鬼の念仏図), 1700s. Japan, Edo period (1615–1868). Hanging scroll, ink and color on paper; painting only: 59.2 x 22.1 cm (23 5/16 x 8 11/16 in.); including mounting: 126.4 x 33 cm (49 3/4 x 13 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.26


title: Tiger Family

creator: Kishi Ganku (Japanese, 1749/56–1838)

date: early 1800s

credit_line: Tiger Family, early 1800s. Kishi Ganku (Japanese, 1749/56–1838). Pair of six-panel folding screens; ink and color on paper; overall: 179.4 x 384.8 cm (70 5/8 x 151 1/2 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1983.3


title: The Cattle Vendor

medium: pen and brown ink and brush and brown wash, over black chalk; framing lines in brown ink and graphite

country: Italy, 18th century

subjects:
Drawing
Italy, 18th century

credit_line: The Cattle Vendor, 1790s. Giovanni Domenico Tiepolo (Italian, 1727–1804). Pen and brown ink and brush and brown wash, over black chalk; framing lines in brown ink and graphite; sheet: 35.4 x 47.3 cm (13 15/16 x 18 5/8 in.); image: 29.5 x 41.7 cm (11 5/8 x 16 7/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1937.574


title: Madonna and Child

creator: Jacopo Chimenti (Italian, c. 1554–1640)

medium: black and red chalk and pen and brown ink (iron gall)

country: Italy, late 15th-early 16th Century

subjects:
Drawing
Italy, late 15th-early 16th century

credit_line: Madonna and Child, c. 1600. Jacopo Chimenti (Italian, c. 1554–1640). Black and red chalk and pen and brown ink (iron gall); sheet: 32.7 x 22.3 cm (12 7/8 x 8 3/4 in.); secondary support: 32.7 x 22.3 cm (12 7/8 x 8 3/4 in.). The Cleveland Museum of Art, The Charles W. Harkness Endowment Fund, 1929.10


title: Peasants with a Farm-cart

medium: pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over black chalk

credit_line: Peasants with a Farm-cart, c. 1790. Giovanni Domenico Tiepolo (Italian, 1727–1804). Pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over black chalk; sheet: 28.6 x 41.3 cm (11 1/4 x 16 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1937.568


title: Silk fragment

medium: lampas: silk

country: Egypt or Iran, Ayyubid period, 1100s

subjects:
Costume & fashion
Textile
Egypt or iran, ayyubid period, 1100

credit_line: Silk fragment, 1100s. Egypt or Iran, Ayyubid period, 1100s. Lampas: silk; overall: 36.8 x 23.5 cm (14 1/2 x 9 1/4 in.); mounted: 47 x 33.7 cm (18 1/2 x 13 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1937.23


title: Stele of Djedatumiufankh

medium: brown quartzite

subjects: Egypt, late period (715–332 bce), dynasty 26

credit_line: Stele of Djedatumiufankh, 664–525 BCE. Egypt, Late period (715–332 BCE), Dynasty 26. Brown quartzite; overall: 27.5 x 25 cm (10 13/16 x 9 13/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1920.1977


title: Chasuble with Orphrey Band

credit_line: Chasuble with Orphrey Band, 1500–1520. England, London (embroidery) and Italy, Florence (velvet), early 16th century. Silk, gold thread, sequins; appliqué, embroidery: couching stitches Velvet: solid pile, silk; embroidery: or nué (shaded gold); overall: 122.5 x 74 cm (48 1/4 x 29 1/8 in.). The Cleveland Museum of Art, Gift of Walter C. and Alvin W. Littwitz in memory of their father, Max Littwitz, 1947.2


title: Portrait of a Prelate

country: Italy

subjects: Painting Italy Portraits

credit_line: Portrait of a Prelate, mid-1500s. Girolamo da Carpi (Italian, c. 1501–1556). Oil on canvas; framed: 171 x 138.5 x 12.5 cm (67 5/16 x 54 1/2 x 4 15/16 in.); unframed: 140.4 x 108 cm (55 1/4 x 42 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1947.210


country: Spain, Almeria

subjects:
Costume & fashion
Textile
Spain, almeria

credit_line: Fragment with confronted sphinxes in roundels from the tomb of Saint Bernard Calvo, 1200–43. Spain, Almeria. Silk and gold thread: lampas, taqueté, and plain-weave variant; overall: 54.6 x 65.4 cm (21 1/2 x 25 3/4 in.); mount: 66.7 x 76.8 cm (26 1/4 x 30 1/4 in.); framed: 69.2 x 79.4 cm (27 1/4 x 31 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1950.394


title: Fragment with arcade and palmettes

medium: Silk and gold thread: tapestry weave

country: Spain, probably Granada

subjects:
Costume & fashion
Textile
Spain, probably granada

credit_line: Fragment with arcade and palmettes, 1200s. Spain, probably Granada. Silk and gold thread: tapestry weave; overall: 17.8 x 10.8 cm (7 x 4 1/4 in.); mounted: 26.4 x 19.7 cm (10 3/8 x 7 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1952.105


title: Writing Box with Spitting Courtesan

date: early to mid-1800s

subjects:
Lacquer
Japan, edo period (1615–1868)

credit_line: Writing Box with Spitting Courtesan (唾を吐く遊女蒔絵硯箱), early to mid-1800s. Japan, Edo period (1615–1868). Lacquered wood with maki-e (image made of sprinkled gold dust); box: 21.6 x 19.8 x 3.2 cm (8 1/2 x 7 13/16 x 1 1/4 in.); closed: 21 cm (8 1/4 in.); cover: 20.7 x 20.7 cm (8 1/8 x 8 1/8 in.). The Cleveland Museum of Art, Worcester R. Warner Collection, 1963.260


title: Naga-enthroned Buddha

medium: bronze

credit_line: Naga-enthroned Buddha , 1100–1150. Cambodia, Angkor, Angkor Wat Period, 12th century. Bronze; overall: 58.4 x 28 cm (23 x 11 in.); figure: 31.4 x 27.6 x 18.5 cm (12 3/8 x 10 7/8 x 7 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1963.263.a


title: Naga-enthroned Buddha (base)

credit_line: Naga-enthroned Buddha (base), 1100–1150. Cambodia, Angkor, Angkor Wat Period, 12th century. Bronze; overall: 58.4 x 28 cm (23 x 11 in.). The Cleveland Museum of Art, John L. Severance Fund, 1963.263.b


title: Naga-enthroned Buddha (serpent hoods)

credit_line: Naga-enthroned Buddha (serpent hoods), 1100–1150. Cambodia, Angkor, Angkor Wat Period, 12th century. Bronze; overall: 58.4 x 28 cm (23 x 11 in.). The Cleveland Museum of Art, John L. Severance Fund, 1963.263.c


title: Wooded and Hilly Landscape

medium: oil on canvas

country: Netherlands

subjects: Painting Netherland Landscapes

credit_line:
Wooded and Hilly Landscape
, 1660s. Jacob van Ruisdael (Dutch, 1628/29–1682). Oil on canvas; framed: 73 x 81.5 x 11 cm (28 3/4 x 32 1/16 x 4 5/16 in.); unframed: 51.6 x 59.4 cm (20 5/16 x 23 3/8 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.575


title: Hunters Near Ruins

creator: Jan Baptist Weenix (Dutch, 1621–1660)

subjects: Painting Netherland

credit_line: Hunters Near Ruins, 1648. Jan Baptist Weenix (Dutch, 1621–1660). Oil on canvas; framed: 123.5 x 154 x 11.5 cm (48 5/8 x 60 5/8 x 4 1/2 in.); unframed: 98.8 x 129.2 cm (38 7/8 x 50 7/8 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.294


title: Laban Searching for His Stolen Gods

country: France

subjects: Painting France

credit_line: Laban Searching for His Stolen Gods, 1753. Augustin de Saint-Aubin (French, 1736–1807). Oil on canvas; framed: 62 x 72 x 7.5 cm (24 7/16 x 28 3/8 x 2 15/16 in.); unframed: 45.6 x 57.3 cm (17 15/16 x 22 9/16 in.). The Cleveland Museum of Art, Gift of Ruth and Sherman E. Lee in memory of their parents, George B. and Inez W. Ward, and Emery and Adelia Lee, 1965.548


medium: lampas: silk, cotton, and gold thread

country: Eastern Iran, Ilkhanid period

subjects:
Costume & fashion
Textile
Eastern iran, ilkhanid period

credit_line: Lampas with phoenixes amid undulating vines, late 1200s-1300s. Eastern Iran, Ilkhanid period. Lampas: silk, cotton, and gold thread; overall: 43.5 x 39.5 cm (17 1/8 x 15 9/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1985.4


title: The Suburbs: Stock Raiser and Captain

creator: Paul Gavarni (French, 1804–1866)

date: probably 1859–1860

medium: watercolor (mixed with white gouache in places) over graphite, heightened with white gouache

country: France, 19th century

subjects:
Drawing
France, 19th century

credit_line: The Suburbs: Stock Raiser and Captain, probably 1859–1860. Paul Gavarni (French, 1804–1866). Watercolor (mixed with white gouache in places) over graphite, heightened with white gouache; sheet: 29.4 x 21 cm (11 9/16 x 8 1/4 in.); secondary support: 38 x 29.4 cm (14 15/16 x 11 9/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2008.411


title: Armchair (Fauteuil) (1 of 2)

medium: carved and gilded wood

subjects:
Furniture and woodwork
France

credit_line: Armchair (Fauteuil) (1 of 2), c. 1765. Jean-Baptiste II Tilliard (French, 1797). Carved and gilded wood; overall: 101.9 x 73.7 x 63.5 cm (40 1/8 x 29 x 25 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1927.423.1


title: Firedog (2 of 2)

creator: Jacques Caffieri (French, 1678–1755)

medium: gilt bronze

credit_line: Firedog (2 of 2), 1752. Jacques Caffieri (French, 1678–1755). Gilt bronze; overall: 44.2 x 54.6 x 14 cm (17 3/8 x 21 1/2 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John L. Severance, 1942.799.2


title: In Expectation

creator: Constantin Guys (French, 1805–1892)

medium: pen and black ink and brush and black ink and black, gray and green wash

credit_line: In Expectation, 1800s. Constantin Guys (French, 1805–1892). Pen and black ink and brush and black ink and black, gray and green wash; sheet: 30.4 x 20.5 cm (11 15/16 x 8 1/16 in.); secondary support: 30.4 x 20.5 cm (11 15/16 x 8 1/16 in.); tertiary support: 30.4 x 20.5 cm (11 15/16 x 8 1/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1926.51


title: The Dead Christ

creator: Albrecht Dürer (German, 1471–1528)

medium: charcoal; framing line in graphite (top edge)

country: Germany, early 16th Century

subjects:
Drawing
Germany, early 16th century

credit_line: The Dead Christ, 1505. Albrecht Dürer (German, 1471–1528). Charcoal; framing line in graphite (top edge); sheet: 17.1 x 23.5 cm (6 3/4 x 9 1/4 in.). The Cleveland Museum of Art, Gift of the Hanna Fund, 1952.531


title: Cinerary Box

medium: marble

country: Italy, Roman

subjects:
Sculpture
Italy, roman

credit_line: Cinerary Box, 1–100 CE. Italy, Roman. Marble; overall: 29 x 24 cm (11 7/16 x 9 7/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.560


title: Sarong

subjects: Indonesia, java, north coast, mid-19th century

credit_line: Sarong, mid-1800s. Indonesia, Java, North Coast, mid-19th century. Cotton: plain weave, wax-resist dyed (batik); overall: 106 x 192.4 cm (41 3/4 x 75 3/4 in.). The Cleveland Museum of Art, Gift of Mrs. James J. Tracy, 1917.26


medium: tapestry weave: wool and silk

subjects: Netherlands, hainault, early 16th century

credit_line: Millefleurs Tapestry with Medici Coat of Arms, 1520s. Netherlands, Hainault, early 16th century. Tapestry weave: wool and silk; overall: 274.2 x 652.8 cm (107 15/16 x 257 in.). The Cleveland Museum of Art, Bequest of John L. Severance, 1942.824


medium: plain weave with inwoven tapestry weave: linen, silk, and gold filé

subjects:
Costume & fashion
Textile

credit_line: Tiraz with gold, probably from a wide sleeve, 1013–1020. Egypt, Fatimid period, reign of Caliph al-Hakim, 1013–20. Plain weave with inwoven tapestry weave: linen, silk, and gold filé; overall: 23.5 x 62.3 cm (9 1/4 x 24 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1950.549


title: Double Cup (Mazer)

medium: maple wood with gilt-silver mounts

country: Germany

subjects: Wood Germany

credit_line: Double Cup (Mazer), c. 1530. Germany. Maple wood with gilt-silver mounts; part 2: 17.4 cm (6 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1950.83


title: Self-Portrait

creator: Lié Louis Périn (French, 1753–1817)

subjects: Painting France Portraits

credit_line: Self-Portrait, c. 1790s. Lié Louis Périn (French, 1753–1817). Oil on canvas; framed: 78 x 67 x 7 cm (30 11/16 x 26 3/8 x 2 3/4 in.); unframed: 64.4 x 53.2 cm (25 3/8 x 20 15/16 in.). The Cleveland Museum of Art, Gift of Carrie Moss Halle in memory of Salmon Portland Halle, 1961.334


title: Chair

creator: Samuel McIntire (American, 1757–1811)

medium: mahogany

country: America, Salem, early 19th Century

subjects:
Furniture and woodwork
America, salem, early 19th century

credit_line: Chair, c. 1800. Attributed to Samuel McIntire (American, 1757–1811). Mahogany; overall: 97.2 x 57.2 x 46.4 cm (38 1/4 x 22 1/2 x 18 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1962.125


title: Shiva as Lord of Music

credit_line: Shiva as Lord of Music, c. 1000. South India, Tamil Nadu, Chola period (900-13th century). Bronze; overall: 76.5 x 45 cm (30 1/8 x 17 11/16 in.); base: 26 x 25 cm (10 1/4 x 9 13/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1971.117


title: Guardian Figure: Nio

medium: chestnut and cypress

country: Japan, Kamakura period (1185–1333)

subjects:
Sculpture
Japan, kamakura period (1185–1333)

credit_line: Guardian Figure: Nio, 1200s. Japan, Kamakura period (1185–1333). Chestnut and cypress; overall: 167.9 cm (66 1/8 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1972.158.1


title: Guardian Figure: Nio

credit_line: Guardian Figure: Nio, 1200s. Japan, Kamakura period (1185–1333). Chestnut and cypress; overall: 167.9 cm (66 1/8 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1972.158.2


title: Samite fragment with hunters

medium: Silk: compound twill

country: Eastern Iran or Central Asia

subjects:
Costume & fashion
Textile
Eastern iran or central asia

credit_line: Samite fragment with hunters, 800s. Eastern Iran or Central Asia. Silk: compound twill; overall: 22 x 41.8 cm (8 11/16 x 16 7/16 in.); mounted: 40 x 61 cm (15 3/4 x 24 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1974.98


medium: bronze with gilding, pigment, and semiprecious stones

country: Nepal

subjects: Sculpture Nepal

credit_line: Avalokitesvara Padmapani:  Bodhisattva of Mercy Bearing a Lotus, c. 1000s. Nepal. Bronze with gilding, pigment, and semiprecious stones; overall: 62 cm (24 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1976.3


title: Demon in chains

creator: Muhammad Siya Qalam (Iranian)

medium: opaque watercolor and gold on paper

country: Iran or Central Asia, Timurid or Turkoman Period

credit_line: Demon in chains, c. 1453. Style of Muhammad Siya Qalam (Iranian). Opaque watercolor and gold on paper; image: 25.7 x 34.4 cm (10 1/8 x 13 9/16 in.); overall: 27 x 35.2 cm (10 5/8 x 13 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.63


title: Textile with Tiny Leaves

country: Central Asia, Il-khanid (Mongol) period

subjects:
Costume & fashion
Textile
Central asia, il-khanid (mongol) period

credit_line: Textile with Tiny Leaves, 1275–1350. Central Asia, Il-khanid (Mongol) period. Silk and gold thread; tabby with supplementary weft; overall: 14.5 x 15.5 cm (5 11/16 x 6 1/8 in.); mounted: 30.5 x 33.7 cm (12 x 13 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1985.33


title: Liberty

medium: black chalk and pastel

credit_line: Liberty, 1848–49. Jean-François Millet (French, 1814–1875). Black chalk and pastel; sheet: 47.2 x 31.7 cm (18 9/16 x 12 1/2 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2008.395


credit_line: Mingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers, 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Handscroll, silk: tapestry weave; ink and colors; silk: embroidery. The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.618.a


credit_line: Wrapper for the Tapestry Scroll Mingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers, 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Silk and metal thread: tapestry weave, painted with ink and colors; warp: 76.2 cm (30 in.); weft: 93.3 cm (36 3/4 in.); overall: 55.5 x 55 cm (21 7/8 x 21 5/8 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.618.b


title: Capri Lace Maker

creator: George B. Butler (American, 1838–1907)

medium: oil on canvas

country: America

subjects: Painting America

credit_line: Capri Lace Maker, 1884. George B. Butler (American, 1838–1907). Oil on canvas; unframed: 160 x 84.5 cm (63 x 33 1/4 in.). The Cleveland Museum of Art, Gift of Helen C. Butler, 1915.76


title: Lace Ecclesiastical Square

medium: Needle lace (Venetian flat point)

country: Italy, Venice

subjects:
Lace
Italy, venice

credit_line: Lace Ecclesiastical Square, 1600s. Italy, Venice. Needle lace (Venetian flat point); average: 15.9 x 15.9 cm (6 1/4 x 6 1/4 in.). The Cleveland Museum of Art, Gift of Mrs. Edward B. Greene, G. G. Wade and J. H. Wade Jr. for the Ellen Garretson Wade Memorial Collection, 1923.1026


title: Eddyville

credit_line: Eddyville, 1917. Samuel Halpert (American, born Russian Empire [now Poland], 1884–1930). Oil on canvas; unframed: 63.5 x 76.2 cm (25 x 30 in.). The Cleveland Museum of Art, Hinman B. Hurlbut Collection, 1925.1408


country: Italy

subjects: Embroidery Italy

credit_line: Embroidered Border: The Pharaoh Being Submerged in the Sea, 1500s-1600s. Italy. Plain weave linen; embroidery in silk; attached border of needle lace; overall: 18.1 x 43.2 cm (7 1/8 x 17 in.). The Cleveland Museum of Art, Gift of The Textile Arts Club, 1939.352


credit_line: Embroidered Border: The Making of Unleavened Bread and the Israelites Sent Away, 1500s-1600s. Italy. Plain weave linen; embroidery in silk; attached border of needle lace; overall: 18.1 x 45.4 cm (7 1/8 x 17 7/8 in.). The Cleveland Museum of Art, Gift of The Textile Arts Club, 1939.353


credit_line: Embroidered Border: The Baking of Unleavened Bread, 1500s-1600s. Italy. Plain weave linen; embroidery in silk; attached border of needle lace; overall: 18.1 x 45.4 cm (7 1/8 x 17 7/8 in.). The Cleveland Museum of Art, Gift of The Textile Arts Club, 1939.354


credit_line: Embroidered Border: The Death of the First Born and the Israelites Sent Away, 1500s-1600s. Italy. Plain weave linen; embroidery in silk; attached border of needle lace; overall: 18.1 x 50.2 cm (7 1/8 x 19 3/4 in.). The Cleveland Museum of Art, Gift of The Textile Arts Club, 1939.355


creator: Isaac Oliver (French, c. 1565–1617)

medium: watercolor on vellum with gold and silver in original stained ivory case

country: England, 17th century

subjects:
Portrait miniature
England, 17th century
Portraits

credit_line: Portrait of Lucy Russell, Countess of Bedford, née Harrington, 1612. Studio of Isaac Oliver (French, c. 1565–1617). Watercolor on vellum with gold and silver in original stained ivory case; unframed: 5.3 x 4.2 cm (2 1/16 x 1 5/8 in.); diameter of frame: 5.9 cm (2 5/16 in.). The Cleveland Museum of Art, The Edward B. Greene Collection, 1949.547


title: Silk Fragments with Palmette Blossoms

subjects:
Costume & fashion
Textile
Flowers

credit_line: Silk Fragments with Palmette Blossoms, 700s. Egypt or Syria, Umayyad period (661–750) or Abbasid period (750–1258). Silk: complementary weft-faced twill with inner warps (samit); overall: 22.5 x 29.5 cm (8 7/8 x 11 5/8 in.); mounted: 27.9 x 34.9 cm (11 x 13 3/4 in.). The Cleveland Museum of Art, Gift of The Textile Arts Club, 1951.91


title: The Adoration of the Magi

medium: woodcut

subjects:
Print
Germany, early 16th century

credit_line: The Life of the Virgin: The Adoration of the Magi, c. 1501–1503. Albrecht Dürer (German, 1471–1528). Woodcut; sheet: 29.8 x 21.1 cm (11 3/4 x 8 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1959.99.12


credit_line: The Life of the Virgin: The Meeting of Joachim and Anna at the Golden Gate,  1504. Albrecht Dürer (German, 1471–1528). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1959.99.4


title: Dish with Figures in a Chinese Garden

country: Japan, Edo period (1615–1868)

subjects:
Ceramic
Japan, edo period (1615–1868)

credit_line: Dish with Figures in a Chinese Garden (唐庭人物図皿), 1700s. Japan, Edo period (1615–1868). Porcelain with underglaze blue and overglaze color enamel and gold, with iron oxide rim (Arita ware); height: 3.2 cm (1 1/4 in.); diameter: 21 cm (8 1/4 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.257


creator: Shen Zhou (Chinese, 1427–1509)

country: China, Ming dynasty (1368–1644)

subjects:
Painting
China, ming dynasty (1368–1644)

credit_line: (虎丘十二景圖): Cloud-Climbing Pavilion, from Twelve Views of Tiger Hill, Suzhou, after 1490. Shen Zhou (Chinese, 1427–1509). Album leaf; ink on paper or ink and slight color on paper; image: 31.6 x 40.5 cm (12 7/16 x 15 15/16 in.); overall: 36.5 x 49.9 cm (14 3/8 x 19 5/8 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1964.371.12


credit_line: (虎丘十二景圖): The Enlightened Stone Retreat, from Twelve Views of Tiger Hill, Suzhou, after 1490. Shen Zhou (Chinese, 1427–1509). Album leaf; ink on paper or ink and slight color on paper; image: 31.2 x 40.8 cm (12 5/16 x 16 1/16 in.); overall: 36.5 x 49.9 cm (14 3/8 x 19 5/8 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1964.371.4


medium: Gum tempera and ink on paper

country: Northwestern India, Rajasthan, Isarda

subjects:
Painting
Northwestern india, rajasthan, isarda

credit_line: Akrura Drives Krishna and Balarama to Mathura, from the “Isarda Bhagavata Purana”, c. 1560–70. Northwestern India, Rajasthan, Isarda. Gum tempera and ink on paper; overall: 19.3 x 25.7 cm (7 5/8 x 10 1/8 in.); with mat: 36.3 x 49 cm (14 5/16 x 19 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1971.234


medium: Silk: lampas weave

subjects:
Costume & fashion
Textile
Italy
Birds

credit_line: Silk fragment with scrolling vines, grape leaves, grapes, and birds, 1325–50. Italy. Silk: lampas weave; overall: 24.1 x 25.4 cm (9 1/2 x 10 in.); mounted: 42.2 x 43.2 cm (16 5/8 x 17 in.). The Cleveland Museum of Art, Florence and Charles Abel Oriental Rug Collection by exchange, 1971.75


title: Thunder God (Raijin)

medium: wood with traces of gesso and red and black pigment

credit_line: Thunder God (Raijin), 1300s. Japan, Kamakura period (1185–1333). Wood with traces of gesso and red and black pigment; overall: 66.7 cm (26 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1972.64


title: Solitary Colors of the Autumn Woods

date: first half 1600s

medium: hanging scroll; ink and color on satin

credit_line: Solitary Colors of the Autumn Woods, first half 1600s. Wang Jianzhang (Chinese, active 1621–1662). Hanging scroll; ink and color on satin; image: 117.8 x 51.2 cm (46 3/8 x 20 3/16 in.); overall: 227 x 81.3 cm (89 3/8 x 32 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1972.68


title: Shepherds in a Landscape

medium: pastel

country: France

subjects: Drawing France Landscapes

credit_line: Shepherds in a Landscape, 1779. Jean Baptiste Pillement (French, 1728–1808). Pastel; unframed: 46.3 x 60.5 cm (18 1/4 x 23 13/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1973.1


title: Summer Night

creator: Maruyama Ōkyo (Japanese, 1733–1795)

subjects:
Painting
Japan, edo period (1615–1868)

credit_line: Summer Night, 1784. Maruyama Ōkyo (Japanese, 1733–1795). Six-panel folding screen, ink, gold, and silver on paper; image: 154 x 362 cm (60 5/8 x 142 1/2 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1973.156.1


title: Rest on the Flight into Egypt

creator: Charles Poërson (French, 1609–1667)

medium: oil on wood

subjects: Painting France

credit_line: Rest on the Flight into Egypt, c. 1640. Charles Poërson (French, 1609–1667). Oil on wood; framed: 57.5 x 67.5 x 6.5 cm (22 5/8 x 26 9/16 x 2 9/16 in.); unframed: 35.5 x 45.9 cm (14 x 18 1/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1973.32


title: Landscape with Haywain

subjects: Painting America Landscapes

credit_line: Landscape with Haywain, 1861. Worthington Whittredge (American, 1820–1910). Oil on canvas; framed: 65.5 x 103 x 12.5 cm (25 13/16 x 40 9/16 x 4 15/16 in.); unframed: 40.2 x 78 cm (15 13/16 x 30 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1975.20


title: Album of Miscellaneous Subjects, Leaf 1

creator: Fan Qi (Chinese, 1616–after 1694)

date: early 1650s

medium: album cover

country: China, Qing dynasty (1644-1911)

subjects:
Painting
China, qing dynasty (1644-1911)

credit_line: Album of Miscellaneous Subjects, Leaf 1 (山水花鳥圖冊), early 1650s. Fan Qi (Chinese, 1616–after 1694). Album cover; image: 12.6 x 17.3 cm (4 15/16 x 6 13/16 in.); overall: 21 x 22 cm (8 1/4 x 8 11/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1975.22.1


title: The Eight Immortals of the Wine Cup

creator: Soga Shōhaku (Japanese, 1730–1781)

date: later 1700s

credit_line: The Eight Immortals of the Wine Cup, later 1700s. Soga Shōhaku (Japanese, 1730–1781). Six-panel folding screen, ink and cut-gold foil on paper; image: 120 x 352.2 cm (47 1/4 x 138 11/16 in.); including mounting: 137.2 x 369.6 cm (54 x 145 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1976.11.1


title: Embroidered Panel: Holy Kinship

medium: embroidery: silk and linen on linen ground; contours of design applied with ink

country: Germany or Switzerland, 16th century

subjects:
Embroidery
Germany or switzerland, 16th century

credit_line: Embroidered Panel: Holy Kinship, 1500s. Germany or Switzerland, 16th century. Embroidery: silk and linen on linen ground; contours of design applied with ink; overall: 147.3 x 152.4 cm (58 x 60 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1979.1


title: Landscape

medium: hanging scroll; ink and color on silk

subjects:
Painting
Japan, edo period (1615–1868)
Landscapes

credit_line: Landscape, 1700s. Japan, Edo period (1615–1868). Hanging scroll; ink and color on silk; painting only: 102.8 x 54 cm (40 1/2 x 21 1/4 in.); including mounting: 182.9 x 60.7 cm (72 x 23 7/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1985.111


subjects:
Print
Japan, edo period (1615–1868)

credit_line: Hanaōgi of Ōgiya from the series Picture Puzzles, c. 1797. Kitagawa Utamaro (Japanese, c. 1754–1806). Color woodblock print; ink and color on paper; sheet: 37.6 x 25.4 cm (14 13/16 x 10 in.). The Cleveland Museum of Art, The Kelvin Smith Collection, given by Mrs. Kelvin Smith, 1985.359


credit_line: Act VII from the series The Storehouse of Loyal Retainers, c. 1801–2. Kitagawa Utamaro (Japanese, c. 1754–1806). Color woodblock print; ink and color on paper; sheet: 39.1 x 26.3 cm (15 3/8 x 10 3/8 in.). The Cleveland Museum of Art, The Kelvin Smith Collection, given by Mrs. Kelvin Smith, 1985.360


title: Phoenixes and Paulownia

creator: Tosa Mitsuyoshi (Japanese, 1539–1613)

date: late 1500s

country: Japan, Momoyama period (1573–1615)

subjects:
Painting
Japan, momoyama period (1573–1615)

credit_line: Phoenixes and Paulownia (孔雀鳳凰図屏風), late 1500s. Attributed to Tosa Mitsuyoshi (Japanese, 1539–1613). One of a pair of six-panel screens; ink, color, and gold on gilded paper; image: 160.5 x 362 cm (63 3/16 x 142 1/2 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1986.2.1


title: Peacocks and Bamboo

credit_line: Peacocks and Bamboo (孔雀鳳凰図屏風), late 1500s. Attributed to Tosa Mitsuyoshi (Japanese, 1539–1613). One of a pair of six-panel screens; ink, color, and gold on gilded paper; image: 160.5 x 362 cm (63 3/16 x 142 1/2 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1986.2.2


medium: ink, tempera, and gold on vellum

subjects: Manuscript France

credit_line: Miniature from a Speculum Historiale: Claudius Designates Nero as His Successor, 1447–60. Master of Jouvenel des Ursins (French, active 1447–60). Ink, tempera, and gold on vellum; sheet: 12.9 x 9.7 cm (5 1/16 x 3 13/16 in.); framed: 44.5 x 34.3 cm (17 1/2 x 13 1/2 in.); matted: 40.6 x 30.5 cm (16 x 12 in.). The Cleveland Museum of Art, John L. Severance Fund, 1987.4


title: Dr. Johann Henning Kjetil Hjardemaal

creator: Christen Købke (Danish, 1810–1848)

medium: oil on fabric

country: Denmark

subjects: Painting Denmark

credit_line: Dr. Johann Henning Kjetil Hjardemaal, 1833. Christen Købke (Danish, 1810–1848). Oil on fabric; framed: 45 x 37 x 7.5 cm (17 11/16 x 14 9/16 x 2 15/16 in.); unframed: 33.5 x 25.6 cm (13 3/16 x 10 1/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1987.51


title: Seasonal Landscapes

date: mid- to late 1500s

medium: hanging scroll; ink on paper

country: Japan, Muromachi period (1392–1573)

subjects:
Painting
Japan, muromachi period (1392–1573)
Landscapes

credit_line: Seasonal Landscapes, mid- to late 1500s. Kano Hideyori (Japanese, active mid- to late 1500s). Hanging scroll; ink on paper; overall: 153.6 x 53.9 cm (60 1/2 x 21 1/4 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1988.13


title: Carpet

credit_line: Carpet, 1800–1850. Undyed wool: ground warp; dark brown wool: ground weft; dyed wool (polychrome): Ghiordes knotted pile; overall: 219.4 x 154.9 cm (86 3/8 x 61 in.). The Cleveland Museum of Art, Gift of Charles and Irma Wilkinson in honor of Evan and Brenda Turner, 1989.473


title: Cinnabar Mountain, Devil Slide

creator: Frank Jay Haynes (American, 1853–1921)

medium: albumen print from wet collodion negative

subjects: Photograph America

credit_line: Cinnabar Mountain, Devil Slide, 1880s. Frank Jay Haynes (American, 1853–1921). Albumen print from wet collodion negative; image: 44.6 x 54.8 cm (17 9/16 x 21 9/16 in.); paper: 45.4 x 55.6 cm (17 7/8 x 21 7/8 in.); matted: 61 x 76.2 cm (24 x 30 in.). The Cleveland Museum of Art, John L. Severance Fund, 1993.217


title: Pelerine (Collar or Cape)

subjects:
Costume & fashion
Textile

credit_line: Pelerine (Collar or Cape), c. 1830–1860. Northeastern Woodlands, Great Lakes/St. Lawrence River Region or Europe. Cotton, peacock feathers, guinea fowl feathers?, Gadwalls duck feathers; overall (display): 78.7 x 63.5 x 22.9 cm (31 x 25 x 9 in.); overall: 92.7 x 166.4 cm (36 1/2 x 65 1/2 in.). The Cleveland Museum of Art, Gift of the Textile Art Alliance in honor of their 60th Anniversary, 1996.14


creator: Simon Marmion (French, 1420s-1489)

medium: tempera on vellum

country: France, Valenciennes

subjects:
Manuscript
France, valencienne

credit_line: Leaf Excised from a Breviary of Charles the Bold and Margaret of York: The Martyrdom of Saint Denis, c. 1467–70. Simon Marmion (French, 1420s-1489). Tempera on vellum; sheet: 15.2 x 11.2 cm (6 x 4 7/16 in.); framed: 44.5 x 34.3 cm (17 1/2 x 13 1/2 in.); matted: 40.6 x 30.5 cm (16 x 12 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.55


title: L'Invite

medium: Sanguine on white woven paper

subjects: Drawing France

credit_line: L'Invite, 1775. Louis Rolland Trinquesse (French, c. 1746–c. 1800). Sanguine on white woven paper; sheet: 36 x 24.5 cm (14 3/16 x 9 5/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2008.364


title: Leaf from a Psalter: The Crucifixion

medium: ink, tempera and gold on vellum

country: Flanders, Liège, 14th century

subjects:
Manuscript
Flanders, liège, 14th century

credit_line: Leaf from a Psalter: The Crucifixion, c. 1300–1330. Flanders, Liège, 14th century. Ink, tempera and gold on vellum; leaf: 9.4 x 7.3 cm (3 11/16 x 2 7/8 in.). The Cleveland Museum of Art, The Jeanne Miles Blackburn Collection, 2011.54


medium: silk; velvet, cut, pile-warp substitution

subjects: Iran, kashan, safavid period (1501-1722)

credit_line: Velvet Fragment, Khusrau Sees Shirin Bathing, 1550–99. Iran, Kashan, Safavid period (1501-1722). Silk; velvet, cut, pile-warp substitution; overall: 21 x 15.9 cm (8 1/4 x 6 1/4 in.); mounted: 44.5 x 26.7 cm (17 1/2 x 10 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1944.499.a


title: Ifá divination vessel (àgéré Ifá)

date: mid- late 1800s

medium: Wood and colorant

subjects:
Sculpture
Ships & the sea

credit_line: Ifá divination vessel (àgéré Ifá), mid- late 1800s. Africa, West Africa, Nigeria, possibly Èkìtì State, Yorùbá-style carver. Wood and colorant; overall: 31.7 x 15.7 x 15.9 cm (12 1/2 x 6 3/16 x 6 1/4 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1994.200


title: At the Window

creator: Clarence H. White (American, 1871–1925)

medium: platinum print with watercolor and gouache

credit_line: At the Window, 1896. Clarence H. White (American, 1871–1925). Platinum print with watercolor and gouache; image: 20.3 x 15.4 cm (8 x 6 1/16 in.); matted: 45.7 x 35.6 cm (18 x 14 in.). The Cleveland Museum of Art, Gift of John Flory, Elizabeth Flory Kelly, and Phoebe Flory, 1980.129


title: The Storm

medium: drypoint

subjects: Print America

credit_line: The Storm, 1861. James McNeill Whistler (American, 1834–1903). Drypoint. The Cleveland Museum of Art, Gift of Mr. and Mrs. Ralph King, 1924.47


creator: Pierre Lenfant (French, 1704–1787)

medium: red and black chalk heightened with white chalk

credit_line: Study of Hands (recto); Sketch of a Hand (verso), 1700s. Pierre Lenfant (French, 1704–1787). Red and black chalk heightened with white chalk; sheet: 20.1 x 20.4 cm (7 15/16 x 8 1/16 in.). The Cleveland Museum of Art, Gift of Victor Spark, New York, 1946.447


medium: Gum tempera and gold on cotton

country: Central Tibet, Ngor monastery

subjects:
Painting
Central tibet, ngor monastery

credit_line: Vajradhara, Nairatmya, and mahasiddhas Virupa and Kanha, c. 1450. Central Tibet, Ngor monastery. Gum tempera and gold on cotton; framed: 74.8 x 59.8 cm (29 7/16 x 23 9/16 in.); overall: 57.5 x 50.2 cm (22 5/8 x 19 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1960.206


title: Abraham Going to Sacrifice Isaac

medium: woodcut

country: Netherlands, 16th century

subjects:
Print
Netherlands, 16th century

credit_line: Abraham Going to Sacrifice Isaac, 1517–19. Lucas van Leyden (Netherlandish, 1494–about 1533). Woodcut. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1969.233


creator: Albrecht Dürer (German, 1471–1528)

medium: engraving

country: Germany, late 15th Century

subjects:
Print
Germany, late 15th century

credit_line: The Offer of Love (or the Ill-Assorted Couple), 1495–96. Albrecht Dürer (German, 1471–1528). Engraving; platemark: 15 x 13.9 cm (5 7/8 x 5 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1972.309


title: Figure from a Crèche: Angel

medium: painted wood and terracotta with various textiles

subjects: Italy, naples, late 18th-early 19th century

credit_line: Figure from a Crèche: Angel, 1780–1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 36.1 cm (14 3/16 in.). The Cleveland Museum of Art, Gift of the Womens Council of the Cleveland Museum of Art, 1972.368.18


title: Shazanrō Picture Book

creator: Tani Bunchō (Japanese, 1763–1841)

credit_line: Shazanrō Picture Book (写山楼画本), 1816. Tani Bunchō (Japanese, 1763–1841). Woodblock-printed book; ink and color on paper; book: 28.6 x 38.2 cm (11 1/4 x 15 1/16 in.); book page: 28 x 18.5 cm (11 x 7 5/16 in.). The Cleveland Museum of Art, The Kelvin Smith Collection, given by Mrs. Kelvin Smith, 1985.375


title: Tunic (Shirt) with Tapestry-woven Yoke

medium: camelid fiber and cotton; tapestry-weave yoke and chest plaque, plain-weave body

country: Central Andes, Northern Central Coast

subjects:
Costume & fashion
Textile
Central andes, northern central coast

credit_line: Tunic (Shirt) with Tapestry-woven Yoke, 650–850. Central Andes, Northern Central Coast. Camelid fiber and cotton; tapestry-weave yoke and chest plaque, plain-weave body; overall: 71.1 x 100 cm (28 x 39 3/8 in.); mounted: 86.4 x 116.8 cm (34 x 46 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1925.668


title: The Letter

creator: Karl Hofer (German, 1878–1955)

medium: oil on canvas

country: Germany, 20th century

subjects:
Painting
Germany, 20th century

credit_line: The Letter, 1934. Karl Hofer (German, 1878–1955). Oil on canvas; unframed: 90.7 x 70 cm (35 11/16 x 27 9/16 in.). The Cleveland Museum of Art, Hinman B. Hurlbut Collection, 1939.750


title: The Roses: China or Bengal Rose

medium: color stipple with watercolor added by hand

country: France, 19th century

subjects:
Print
France, 19th century
Roses

credit_line: The Roses: China or Bengal Rose, 1817–24. Henri Joseph Redouté (French, 1766–1853), after Bessin (French), Pierre-Joseph Redouté. Color stipple with watercolor added by hand; sheet: 36.5 x 27.3 cm (14 3/8 x 10 3/4 in.); platemark: 35.3 x 26.1 cm (13 7/8 x 10 1/4 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, for the Donald Gray Memorial Collection, 1943.138


country: Italy, Ferrara, 15th century

subjects:
Manuscript
Italy, ferrara, 15th century

credit_line: Initial R from a Choral Book with King David(?), c. 1470–1480. Attributed to Guglielmo Giraldi del Magri [or del Magro] (Italian). Ink, tempera and gold on vellum; sheet: 16 x 18 cm (6 5/16 x 7 1/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.22


title: The Shepherd and the Shepherdess

medium: etching

subjects:
Print
France, 19th century

credit_line: The Shepherd and the Shepherdess, 1874. Charles François Daubigny (French, 1817–1878). Etching; sheet: 32.8 x 24.8 cm (12 15/16 x 9 3/4 in.); platemark: 28.9 x 21.5 cm (11 3/8 x 8 7/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1956.655


title: Eye

medium: watercolor on ivory set in brooch

country: United States

subjects:
Portrait miniature
United state
Portraits

credit_line: Eye, 1900s. United States. Watercolor on ivory set in brooch; framed: 1.5 cm (9/16 in.); diameter: 1 cm (3/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. John W. Starr, 1961.327


title: Macbeth Consulting the Witches

creator: Eugène Delacroix (French, 1798–1863)

medium: lithograph

credit_line: Macbeth Consulting the Witches, 1825. Eugène Delacroix (French, 1798–1863). Lithograph; image: 32.2 x 25.2 cm (12 11/16 x 9 15/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1962.109


title: Aeneas and His Family Fleeing Troy

creator: Agostino Carracci (Italian, 1557–1602)

country: Italy

subjects: Print Italy

credit_line: Aeneas and His Family Fleeing Troy, 1595. Agostino Carracci (Italian, 1557–1602), after Federico Barocci (Italian, 1528–1612). Engraving; platemark: 40.6 x 52.5 cm (16 x 20 11/16 in.); sheet: 40.7 x 54 cm (16 x 21 1/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. H. Austin Hauxhurst, 1963.456


medium: graphite

country: Austria

subjects: Drawing Austria

credit_line: Saint Agostino from Bulagajo, Perugia (San Agostino dalla parte del Bulagajo, Perugia), 1829. Edward Jakob von Steinle (Austrian, 1810–1886). Graphite; sheet: 28 x 42.2 cm (11 x 16 5/8 in.). The Cleveland Museum of Art, Sundry Purchase Fund, 1966.723


title: Chestnut and Pine

creator: David Johnson (American, 1827–1908)

country: America

subjects: Drawing America

credit_line: Chestnut and Pine, 1869. David Johnson (American, 1827–1908). Graphite; sheet: 30.5 x 46.9 cm (12 x 18 7/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1969.241


title: The Large Hunt

creator: Jacques Callot (French, 1592–1635)

country: France

subjects: Print France

credit_line: The Large Hunt, 1619. Jacques Callot (French, 1592–1635). Etching; sheet: 20.7 x 47.1 cm (8 1/8 x 18 9/16 in.); platemark: 19.8 x 46.3 cm (7 13/16 x 18 1/4 in.). The Cleveland Museum of Art, Gift of Margaret Crile Garretson in memory of Hiram Garretson, 1970.342


title: Apothecary's Bottle

medium: porcelain with underglaze blue and overglaze color enamels (Hizen ware, Arita type)

country: Japan, Edo period (1615–1868)

subjects:
Ceramic
Japan, edo period (1615–1868)

credit_line: Apothecary's Bottle, 1670s. Japan, Edo period (1615–1868). Porcelain with underglaze blue and overglaze color enamels (Hizen ware, Arita type); overall: 51 cm (20 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. James J. Rorimer in memory of Maurice Rohrheimer, 1971.169


creator: Chen Hongshou (Chinese, 1598/99–1652)

medium: album leaf; ink and color on silk

country: China, Ming dynasty (1368–1644)

subjects:
Painting
China, ming dynasty (1368–1644)
Landscapes

credit_line: Paintings after Ancient Masters: Autumn Landscape, 1598–1652. Chen Hongshou (Chinese, 1598/99–1652). Album leaf; ink and color on silk; overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1979.27.1.4


medium: album leaf, ink and color on silk

subjects:
Painting
China, ming dynasty (1368–1644)
Birds
Flowers

credit_line: Paintings after Ancient Masters: A Bird and Peach-Blossom Branch, 1598–1652. Chen Hongshou (Chinese, 1598/99–1652). Album leaf, ink and color on silk; overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1979.27.2.14


title: Cloud Study

creator: Anonymous

medium: watercolor

country: England, 19th century

subjects:
Drawing
England, 19th century

credit_line: Cloud Study, 1800s. Anonymous. Watercolor. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1980.112


title: Cloud Study

credit_line: Cloud Study, 1800s. Anonymous. Watercolor. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1980.113


title: Cloud Study

credit_line: Cloud Study, 1800s. Anonymous. Watercolor. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1980.114


title: Cloud Study

credit_line: Cloud Study, 1800s. Anonymous. Watercolor. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1980.115


medium: ink, tempera, and gold on vellum

country: Northeastern France

subjects:
Manuscript
Northeastern france

credit_line: Single Leaf Excised from a Psalter: Initial D[ominus illuminatio mea] with Samuel Anointing David, c. 1270–1290. Northeastern France. Ink, tempera, and gold on vellum; sheet: 26.1 x 19.3 cm (10 1/4 x 7 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1985.82


creator: Taddeo Zuccaro (Italian, 1529–1566)

medium: brush and point of brush and red chalk wash, with red chalk; traces of framing lines in brown ink

subjects: Drawing Italy

credit_line: A Miracle of Saint Philip Benizzi: The Healing of a Demoniac Woman, c. 1557. Taddeo Zuccaro (Italian, 1529–1566). Brush and point of brush and red chalk wash, with red chalk; traces of framing lines in brown ink; sheet: 29 x 22 cm (11 7/16 x 8 11/16 in.); secondary support: 29 x 22 cm (11 7/16 x 8 11/16 in.). The Cleveland Museum of Art, Gift of Robert Hays Gries, 1939.662


title: Design for United States Currency

creator: Kenyon Cox (American, 1856–1919)

credit_line: Design for United States Currency, 1912. Kenyon Cox (American, 1856–1919). Graphite; image: 15.9 x 37.8 cm (6 1/4 x 14 7/8 in.); sheet: 30.3 x 50.8 cm (11 15/16 x 20 in.). The Cleveland Museum of Art, Gift of J. D. Cox, 1916.1069


title: Ceres and Bacchus

country: Flanders

subjects: Painting Flander

credit_line: Ceres and Bacchus, 1600s. Copy after Bartholomaeus Spranger (Flemish, 1546–1611). Oil on canvas; framed: 197.2 x 133.7 x 9.5 cm (77 5/8 x 52 5/8 x 3 3/4 in.); unframed: 163.5 x 100 cm (64 3/8 x 39 3/8 in.). The Cleveland Museum of Art, Holden Collection, 1916.805


title: Gift Bowl

medium: willow, sedge, with beads; coiled (1 rod)

subjects:
Basketry
Grasses & sedges

credit_line: Gift Bowl, c. 1895. California, Wappo, late 19th- early 20th century. Willow, sedge, with beads; coiled (1 rod); overall: 6 x 13 cm (2 3/8 x 5 1/8 in.). The Cleveland Museum of Art, Presented by William Albert Price in memory of Mrs. William Albert Price, 1917.403


date: late 1790s

medium: color woodblock print

subjects:
Print
Japan, edo period (1615–1868)

credit_line: Chushingura: Act X of The Storehouse of Loyalty, late 1790s. Kitagawa Utamaro (Japanese, c. 1754–1806). Color woodblock print; sheet: 36.6 x 26.1 cm (14 7/16 x 10 1/4 in.). The Cleveland Museum of Art, Gift from J. H. Wade, 1921.358


title: The Swing

creator: Nicolas Delaunay (French, 1739–1792)

medium: engraving

credit_line: The Swing, 1782. Nicolas Delaunay (French, 1739–1792), after Jean-Honoré Fragonard (French, 1732–1806). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.580


title: David Playing the Harp before Saul

subjects:
Print
Netherlands, 16th century

credit_line: David Playing the Harp before Saul, c. 1508. Lucas van Leyden (Netherlandish, 1494–about 1533). Engraving. The Cleveland Museum of Art, Gift of Ralph King, 1923.774


medium: ink, gold, and colors on paper

subjects: Afghanistan, herat, safavid period (1501–1722)

credit_line: Qur'an Manuscript Folio (Recto); Illuminated Page, 1500s. Afghanistan, Herat, Safavid period (1501–1722). Ink, gold, and colors on paper; sheet: 49 x 36.3 cm (19 5/16 x 14 5/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1924.746.1.a


credit_line: Qur'an Manuscript Folio (Recto); Left Folio of Double-Page Illuminated Frontispiece, 1500s. Afghanistan, Herat, Safavid period (1501–1722). Ink, gold, and colors on paper; sheet: 28 x 17.4 cm (11 x 6 7/8 in.); text area: 8.4 x 6.4 cm (3 5/16 x 2 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1924.746.2.a


title: Christ Healing the Lepers

medium: chiaroscuro woodcut (in two shades of gray and black)

credit_line: Christ Healing the Lepers, 1608. Andrea Andreani (Italian, about 1558–1610), Guiseppe Rossigliani (Italian, c. 1510-), after Parmigianino (Italian, 1503–1540). Chiaroscuro woodcut (in two shades of gray and black); sheet: 29.8 x 41.8 cm (11 3/4 x 16 7/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.983


title: The Resurrection

medium: woodcut

country: Germany

subjects: Print Germany

credit_line: The Great Passion: The Resurrection, 1510. Albrecht Dürer (German, 1471–1528). Woodcut; sheet: 39.2 x 27.6 cm (15 7/16 x 10 7/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland in memory of Ralph King, 1926.122


creator: Edgar Degas (French, 1834–1917)

medium: softground etching, drypoint, aquatint, and etching

subjects:
Print
France, 19th century

credit_line: Mary Cassatt at the Louvre: The Etruscan Gallery, 1879–80. Edgar Degas (French, 1834–1917). Softground etching, drypoint, aquatint, and etching; platemark: 26.7 x 23.2 cm (10 1/2 x 9 1/8 in.). The Cleveland Museum of Art, The Charles W. Harkness Endowment Fund, 1929.877


title: The Whirlpools of Awa

creator: Utagawa Hiroshige (Japanese, 1797–1858)

credit_line: The Whirlpools of Awa, 1857. Utagawa Hiroshige (Japanese, 1797–1858). One of a triptych of color woodblock prints; sheet: 38.4 x 25.8 cm (15 1/8 x 10 3/16 in.). The Cleveland Museum of Art, Bequest of Edward L. Whittemore, 1930.183.c


title: Vase

medium: earthenware with slip coating and painted decoration

country: China, Gansu province, Neolithic period

subjects:
Ceramic
China, gansu province, neolithic period

credit_line: Vase, c. 3000–2500 BCE. China, Gansu province, Neolithic period. Earthenware with slip coating and painted decoration; diameter of mouth: 14 cm (5 1/2 in.); overall: 20.4 cm (8 1/16 in.). The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.333


title: The Bewitched Groom

creator: Hans Baldung (German, 1484/85–1545)

credit_line: The Bewitched Groom, 1544. Hans Baldung (German, 1484/85–1545). Woodcut. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.539


medium: black chalk and pastel

subjects:
Costume & fashion
Drawing
America

credit_line: Japanese Woman Painting a Fan (recto); Standing Woman Holding Up Her Dress (verso), c. 1872. James McNeill Whistler (American, 1834–1903). Black chalk and pastel; sheet: 27.9 x 17.6 cm (11 x 6 15/16 in.); secondary support: 38.5 x 28.9 cm (15 3/16 x 11 3/8 in.). The Cleveland Museum of Art, Gift of Mrs. Henry A. Everett for the Dorothy Burnham Everett Memorial Collection, 1933.222


title: Qur'an Manuscript Folio

medium: ink, gold, and color on parchment

country: Southern Spain

subjects:
Manuscript
Southern spain

credit_line: Qur'an Manuscript Folio, 1200s–1300s. Southern Spain. Ink, gold, and color on parchment; sheet: 52.7 x 55.4 cm (20 3/4 x 21 13/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1933.440


creator: Zoan Andrea (Italian)

subjects:
Ornament & design
Print
Italy

credit_line: Ornament Panel: Triton and Two Infant Satyrs, c. 1505–15. Zoan Andrea (Italian), after Giovanni Pietro da Birago (Italian). Engraving. The Cleveland Museum of Art, The Norweb Collection, 1934.180


title: The Lady Riding and the Landsknecht

country: Germany, late 15th-early 16th Century

subjects:
Print
Germany, late 15th-early 16th century

credit_line: The Lady Riding and the Landsknecht, c. 1497. Albrecht Dürer (German, 1471–1528). Engraving. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1934.343


credit_line: The Offer of Love (or The Ill-Assorted Couple), 1495–1496. Albrecht Dürer (German, 1471–1528). Engraving; sheet: 14.8 x 13.7 cm (5 13/16 x 5 3/8 in.). The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1934.344


title: Butterfly

medium: bronze

subjects:
Sculpture
America
Butterflies & moths

credit_line: Butterfly, c. 1919. Emil Fuchs (American, born Austria, 1866–1929). Bronze; overall: 35.6 cm (14 in.); without base: 26.1 x 8.5 cm (10 1/4 x 3 3/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Dudley S. Blossom, 1937.590


medium: watercolor on ivory in a gold and enamel frame

subjects:
Portrait miniature
France
Portraits

credit_line: Portrait of Henri Gratien, Comte Bertrand, 1808. Jean-Baptiste Isabey (French, 1767–1855). Watercolor on ivory in a gold and enamel frame; framed: 4.3 x 3.4 cm (1 11/16 x 1 5/16 in.); unframed: 3.9 x 3 cm (1 9/16 x 1 3/16 in.). The Cleveland Museum of Art, The Edward B. Greene Collection, 1940.1211


title: Portrait of King Louis XIV

creator: Jean Petitot (Swiss, 1607–1691)

medium: enamel in a silver and diamond frame

credit_line: Portrait of King Louis XIV, 1600s. School of Jean Petitot (Swiss, 1607–1691). Enamel in a silver and diamond frame; framed: 3.4 x 3.1 cm (1 5/16 x 1 1/4 in.); unframed: 2.8 x 2.4 cm (1 1/8 x 15/16 in.). The Cleveland Museum of Art, The Edward B. Greene Collection, 1940.1216


title: Venus Anadyomène

creator: Théodore Chassériau (French, 1819–1856)

medium: lithograph

credit_line: Venus Anadyomène, 1839. Théodore Chassériau (French, 1819–1856). Lithograph; sheet: 44.5 x 31.3 cm (17 1/2 x 12 5/16 in.); image: 28.4 x 22.7 cm (11 3/16 x 8 15/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1942.83


title: Flowers and Vegetables

medium: Color lithograph

subjects: Print America Flowers

credit_line: Flowers and Vegetables, 1800s. Anton Carl Rahn (American, born Germany, 1842–1907). Color lithograph; sheet: 51.8 x 39.5 cm (20 3/8 x 15 9/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, for the Donald Gray Memorial Collection, 1944.14


title: Wall Covering with Classical Figure

creator: Philippe de Lasalle (French, 1723–1805)

date: late 1700s - early 1800s

country: France, late 18th-early 19th Century

subjects:
Costume & fashion
Textile
France, late 18th-early 19th century

credit_line: Wall Covering with Classical Figure, late 1700s - early 1800s. Philippe de Lasalle (French, 1723–1805), Camille Pernon & Cie (French). Silk: llampas (satin weave and plain weave variant), brocaded, appliquéd, embroidered; overall: 210.2 x 61 cm (82 3/4 x 24 in.); mounted: 218.4 x 71.1 cm (86 x 28 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1945.97


title: Samson Rending the Lion

creator: Master ES (German, active 1450–67)

credit_line: Samson Rending the Lion, 1450–67. Master ES (German, active 1450–67). Engraving. The Cleveland Museum of Art, Grace Rainey Rogers Fund, 1948.456


title: View of Venice

medium: woodcut from six blocks on six sheets of paper

country: Italy, early 16th Century

subjects:
Print
Italy, early 16th century

credit_line: View of Venice, 1500. Jacopo de' Barbari (Italian, c. 1460/70–c. 1516). Woodcut from six blocks on six sheets of paper. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1949.565.1


title: The Rocky Seashore

medium: watercolor with traces of graphite

subjects: Drawing America

credit_line: The Rocky Seashore, c. 1907–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Watercolor with traces of graphite; sheet: 38.3 x 55.6 cm (15 1/16 x 21 7/8 in.). The Cleveland Museum of Art, Anonymous Gift, 1953.655


title: Mink Lake, Adirondacks

creator: Winslow Homer (American, 1836–1910)

medium: watercolor

credit_line: Mink Lake, Adirondacks, 1892. Winslow Homer (American, 1836–1910). Watercolor. The Cleveland Museum of Art, Anonymous Gift, 1954.833


medium: ink and tempera on vellum

country: Germany, Bavaria

subjects:
Manuscript
Germany, bavaria

credit_line: Single Leaf from a "Biblia Pauperum": Christ Crowned with Thorns (recto) Christ Carrying the Cross (verso), c. 1410. Germany, Bavaria. Ink and tempera on vellum; sheet: 19.8 x 14.2 cm (7 13/16 x 5 9/16 in.). The Cleveland Museum of Art, Gift in honor of William M. Milliken from members of his staff, 1919-1958, 1958.255


title: The Circumcision

creator: Albrecht Dürer (German, 1471–1528)

country: Germany, early 16th Century

subjects:
Print
Germany, early 16th century

credit_line: The Life of the Virgin: The Circumcision, c. 1504–1505. Albrecht Dürer (German, 1471–1528). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1959.99.11


subjects:
Architecture
Print
Germany, early 16th century

credit_line: The Life of the Virgin: The Presentation of Christ in the Temple, c. 1504–1505. Albrecht Dürer (German, 1471–1528). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1959.99.13


title: The Repose in Egypt

credit_line: The Life of the Virgin: The Repose in Egypt, c. 1501–1502. Albrecht Dürer (German, 1471–1528). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1959.99.15


credit_line: The Life of the Virgin: Joachim's Offering Rejected by the High Priest, c. 1504–1505. Albrecht Dürer (German, 1471–1528). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1959.99.2


title: The Birth of the Virgin

credit_line: The Life of the Virgin: The Birth of the Virgin, c. 1503–1504. Albrecht Dürer (German, 1471–1528). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1959.99.5


title: Gourd Basket with Chrysanthemum Design

creator: Ogata Kōrin (Japanese, 1658–1716)

medium: gourd; lacquered and painted with gesso, color, and gold pigments

credit_line: Gourd Basket with Chrysanthemum Design, 1700s. Attributed to Ogata Kōrin (Japanese, 1658–1716). Gourd; lacquered and painted with gesso, color, and gold pigments; overall: 16 x 30.2 cm (6 5/16 x 11 7/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1963.101


title: The Abduction on a Unicorn

medium: etching

credit_line: The Abduction on a Unicorn, 1516. Albrecht Dürer (German, 1471–1528). Etching. The Cleveland Museum of Art, John L. Severance Fund, 1963.469


title: Sake Bottle with Three Figures

date: late 1700s

medium: porcelain with overglaze enamel and gold decoration (Hizen ware, Arita type)

subjects:
Ceramic
Japan, edo period (1615–1868)

credit_line: Sake Bottle with Three Figures, late 1700s. Japan, Edo period (1615–1868). Porcelain with overglaze enamel and gold decoration (Hizen ware, Arita type); diameter: 14.3 cm (5 5/8 in.); with cover: 27.2 cm (10 11/16 in.); without cover: 24.2 cm (9 1/2 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.272.a


title: Sake Bottle with Three Figures (lid)

medium: porcelain with overglaze enamel and gold decoration

credit_line: Sake Bottle with Three Figures (lid), late 1700s. Japan, Edo period (1615–1868). Porcelain with overglaze enamel and gold decoration; diameter: 14.3 cm (5 5/8 in.); with cover: 27.2 cm (10 11/16 in.); without cover: 24.2 cm (9 1/2 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.272.b


title: Adam and Eve

medium: woodcut

subjects: Print Germany

credit_line: Adam and Eve, 1519. Hans Baldung (German, 1484/85–1545). Woodcut; image: 25.2 x 9.7 cm (9 15/16 x 3 13/16 in.); sheet: 25.2 x 9.7 cm (9 15/16 x 3 13/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1966.6


title: Gaudi Ragini

medium: Gum tempera, ink, and gold on paper

credit_line: Gaudi Ragini, c. 1700–1725. India, Rajasthan, probably Jaipur, 18th century. Gum tempera, ink, and gold on paper; image: 25.5 x 19 cm (10 1/16 x 7 1/2 in.); overall: 30.7 x 23.8 cm (12 1/16 x 9 3/8 in.). The Cleveland Museum of Art, Gift of the American Foundation for the Maud E. and Warren H. Corning Botanical Collection, 1968.109


medium: watercolor and gouache

credit_line: Cormorant Cliff, Jamestown, Rhode Island, 1877. William Trost Richards (American, 1833–1905). Watercolor and gouache; sheet: 58.4 x 94.1 cm (23 x 37 1/16 in.). The Cleveland Museum of Art, Gift of the Reverend and Mrs. Danila Pascu, 1969.125


title: Incantation

creator: Henri Cros (French, 1840–1907)

medium: pâte-de-verre

country: France, 19th century

subjects:
Glass
France, 19th century

credit_line: Incantation, 1892. Henri Cros (French, 1840–1907). Pâte-de-verre; overall: 33.4 x 23.3 cm (13 1/8 x 9 3/16 in.). The Cleveland Museum of Art, James Parmelee Fund, 1969.24


title: Glaucus and Scylla

creator: Salvator Rosa (Italian, 1615–1673)

country: Italy

subjects: Print Italy

credit_line: Glaucus and Scylla, c. 1661. Salvator Rosa (Italian, 1615–1673). Etching; framed: 52.4 x 39.4 cm (20 5/8 x 15 1/2 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Wilbur D. Prescott, 1971.176


title: The Ecstasy of St. Mary Magdalene

creator: Lucas Cranach (German, 1472–1553)

credit_line: The Ecstasy of St. Mary Magdalene, 1506. Lucas Cranach (German, 1472–1553). Woodcut; image: 24.6 x 14.5 cm (9 11/16 x 5 11/16 in.); sheet: 24.6 x 14.5 cm (9 11/16 x 5 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1973.230


title: Isola Bella, Lago Maggiore

creator: Edward Lear (British, 1812–1888)

medium: graphite heightened with white

subjects:
Drawing
England, 19th century

credit_line: Isola Bella, Lago Maggiore, 1839. Edward Lear (British, 1812–1888). Graphite heightened with white. The Cleveland Museum of Art, Gift of Mr. and Mrs. Eugene Victor Thaw, 1973.83


title: Saint Jerome

subjects: Print France

credit_line: Saint Jerome, 1763–64. Jean-Honoré Fragonard (French, 1732–1806), after Johann Liss (German, c. 1597–1631). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1974.266


title: Happy New Year 1917

creator: Max Beckmann (German, 1884–1950)

medium: drypoint

country: Germany, 20th century

subjects:
Print
Germany, 20th century

credit_line: The Faces (Die Gesichter): Happy New Year 1917, 1917. Max Beckmann (German, 1884–1950). Drypoint; sheet: 29.8 x 37 cm (11 3/4 x 14 9/16 in.); plate: 24.2 x 29.8 cm (9 1/2 x 11 3/4 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1975.53


title: Lake Memphremagog

creator: Harry Fenn (American, 1838/45–1911)

medium: watercolor and gouache over graphite

country: America

credit_line: Lake Memphremagog, c. 1880s. Harry Fenn (American, 1838/45–1911). Watercolor and gouache over graphite; sheet: 34.3 x 47.4 cm (13 1/2 x 18 11/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Noah L. Butkin, 1976.115


title: Cupid and Psyche

creator: Giorgio Ghisi (Italian, 1520–1582)

medium: engraving

credit_line: Cupid and Psyche, 1574. Giorgio Ghisi (Italian, 1520–1582), after Giulio Romano (Italian, 1492/99–1546). Engraving; sheet: 36 x 23.4 cm (14 3/16 x 9 3/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 1980.94