title: Bust of Empress Josephine

creator: Joseph Chinard (French, 1756–1825)

medium: terracotta

subjects:
Sculpture
France, 19th century

credit_line: Bust of Empress Josephine, 1805. Joseph Chinard (French, 1756–1825). Terracotta; overall: 29.6 x 17 x 11 cm (11 5/8 x 6 11/16 x 4 5/16 in.). The Cleveland Museum of Art, Bequest of Ethlyne J. Seligman, 1994.125


title: Profile of a Woman's Head

creator: Pierre Roche (French, 1855–1922)

medium: gypsograph

country: France, early 20th Century

source: The Cleveland Museum of Art

source_id: cleveland

rights: Public Domain / CC0

rights_statement: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

credit_line: La Loïe Fuller, by Roger Marx: Profile of a Woman's Head, 1904. Pierre Roche (French, 1855–1922), Les Cents Bibliophiles. Gypsograph. The Cleveland Museum of Art, John L. Severance Fund, 1995.54.b


title: Suite of Vases:  Plate 9

medium: etching

country: France

subjects: Print France

credit_line: Suite of Vases:  Plate 9, 1746. Jacques François Saly (French, 1717–1776). Etching. The Cleveland Museum of Art, John L. Severance Fund, 1996.229.10


title: Suite of Vases:  Plate 16

credit_line: Suite of Vases:  Plate 16, 1746. Jacques François Saly (French, 1717–1776). Etching. The Cleveland Museum of Art, John L. Severance Fund, 1996.229.17


medium: ink, tempera, and gold on vellum; binding:  brown Morocco over original wooden boards

country: Netherlands, Utrecht, 15th century

credit_line: Book of Hours (Use of Utrecht): fol. 157v, Text, c. 1460–1465. Master of Gijsbrecht van Brederode (Netherlandish), Master of the Boston City of God (Netherlandish). Ink, tempera, and gold on vellum; binding:  brown Morocco over original wooden boards; overall: 5.9 x 11.6 cm (2 5/16 x 4 9/16 in.). The Cleveland Museum of Art, Gift of Milton B. Freudenheim in memory of his wife, Elizabeth Ege Freudenheim, 1998.124.157.b


title: Album of Calligraphy and Paintings

creator: Bian Shoumin (Chinese, 1684–1752)

date: first half of the 1700s

medium: album leaf; ink and color on paper

country: China, Qing dynasty (1644-1911)

subjects:
Painting
China, qing dynasty (1644-1911)

credit_line: Album of Calligraphy and Paintings, first half of the 1700s. Bian Shoumin (Chinese, 1684–1752). Album leaf; ink and color on paper; overall: 18.5 x 27.5 cm (7 5/16 x 10 13/16 in.). The Cleveland Museum of Art, Gift of Dr. and Mrs. Roger Y. K. Hsu, Dr. Daphne T. Hsu, and Dr. Jeffrey T. Hsu in memory of Robert P. Bergman, 1999.260.k


title: Tetradrachm

medium: silver

credit_line: Tetradrachm, 262–241 BCE. Anatolia, Kingdom of Pergamum (281–133 BCE), Eumenes I (263–241 BCE). Silver; diameter: 2.8 cm (1 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1999.317


title: Narragansett Salt Cellar and Spoon

medium: handwrought sterling silver, partially gilt

country: America, Rhode Island, Providence, 19th century

credit_line: Narragansett Salt Cellar and Spoon, 1884. Gorham Manufacturing Company (America, est. 1831). Handwrought sterling silver, partially gilt; overall: 2.8 x 12.3 x 6.1 cm (1 1/8 x 4 13/16 x 2 3/8 in.). The Cleveland Museum of Art, Gift of the Trideca Society, 2000.14


title: You'll find that's rather a hard one !

date: 1901, published 1902

medium: color lithograph

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Crimes and Punishments: You'll find that's rather a hard one !, 1901, published 1902. Félix Vallotton (Swiss French, 1865–1925). Color lithograph. The Cleveland Museum of Art, Bequest of John Bonebrake, 2011.482


title: You shall conjugate...

credit_line: Crimes and Punishments: You shall conjugate..., 1901, published 1902. Félix Vallotton (Swiss French, 1865–1925). Color lithograph. The Cleveland Museum of Art, Bequest of John Bonebrake, 2011.483


title: Leaf from a Qur'an (recto)

medium: ink, gold, color on pink paper

subjects: Egypt, cairo, mamluk sultanate (1250–1517)

credit_line: Leaf from a Qur'an (recto), 1300s. Egypt, Cairo, Mamluk Sultanate (1250–1517). Ink, gold, color on pink paper; sheet: 45 x 33 cm (17 11/16 x 13 in.). The Cleveland Museum of Art, Gift of Donna L. and Robert H. Jackson, 2013.102.a


title: A Man Seated on the Edge of a Table

creator: Charles Parrocel (French, 1688–1752)

date: 18th century

medium: Red chalk

subjects: Drawing France

credit_line: A Man Seated on the Edge of a Table, 18th century. Charles Parrocel (French, 1688–1752). Red chalk; sheet: 42.2 x 22.7 cm (16 5/8 x 8 15/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2017.209


title: Woman with a Letter

creator: Sigmond Freudeberg (Swiss, 1745–1801)

credit_line: Woman with a Letter, 1750–1800. Attributed to Sigmond Freudeberg (Swiss, 1745–1801). Watercolor and gouache with point of brushwork; overall: 32.5 x 22.5 cm (12 13/16 x 8 7/8 in.); sheet: 23.5 x 14.7 cm (9 1/4 x 5 13/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2017.217


title: Shawabty of Ditamenpaankh

subjects: Egypt, late period (715–332 bce), dynasty 25

credit_line: Shawabty of Ditamenpaankh, 715–656 BCE. Egypt, Late period (715–332 BCE), Dynasty 25. Terracotta; overall: 3.5 x 1.4 x 1.3 cm (1 3/8 x 9/16 x 1/2 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1914.718.46


title: Lace Insertion with Fringe

country: Italy, Genoa

subjects:
Lace
Italy, genoa

credit_line: Lace Insertion with Fringe, 1550–99. Italy, Genoa. Linen: bobbin lace (needle lace, reticella design); average: 10.2 x 24.5 cm (4 x 9 5/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1013


date: before 1467

medium: engraving hand-colored with gold

country: Italy, Ferrara, 15th century

subjects:
Print
Italy, ferrara, 15th century

credit_line: The Merchant (from the Tarocchi, series E: Conditions of Man, #4), before 1467. Master of the E-Series Tarocchi (Italian, active 1460s). Engraving hand-colored with gold. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.432.4


title: Former dandies under the Directory

creator: Honoré Daumier (French, 1808–1879)

medium: lithograph

credit_line: As You Like It: Former dandies under the Directory, 1847. Honoré Daumier (French, 1808–1879), Aubert. Lithograph; sheet: 35.9 x 27.5 cm (14 1/8 x 10 13/16 in.). The Cleveland Museum of Art, Gift of Philip Hofer, 1924.912


title: Fragment

medium: Silk and metal: brocade

country: India, Gulbarga(?)

subjects:
Costume & fashion
Textile
India, gulbarga

credit_line: Fragment, 1800s. India, Gulbarga(?). Silk and metal: brocade; overall: 14 x 9.5 cm (5 1/2 x 3 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1925.695


medium: Gum tempera, ink, and gold on paper

country: Western India, Gujarat

subjects:
Painting
Western india, gujarat

credit_line: Text, folio 12 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.12.b


title: Bridge and Gate (verso)

creator: Abraham Bloemaert (Dutch, 1566–1651)

medium: pen and brown ink and brush and brown, red, green, yellow and blue wash, over red and black chalk

country: Netherlands, early 17th Century

subjects:
Drawing
Netherlands, early 17th century

credit_line: Bridge and Gate (verso), c. 1600. Abraham Bloemaert (Dutch, 1566–1651). Pen and brown ink and brush and brown, red, green, yellow and blue wash, over red and black chalk; sheet: 17.5 x 27.2 cm (6 7/8 x 10 11/16 in.). The Cleveland Museum of Art, Bequest of James Parmelee, 1940.737.b


credit_line: News of the Day: Achilles Véron withdrawing into his tent., 1850. Honoré Daumier (French, 1808–1879), Aubert. Lithograph; sheet: 37.4 x 51.2 cm (14 3/4 x 20 3/16 in.); image: 26 x 21.8 cm (10 1/4 x 8 9/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Theodore Spector, 1946.204


title: Leaf from a Buddhist Manuscript (recto)

medium: fiber paper

subjects: Sri lanka, singhalese, late 17th century

credit_line: Leaf from a Buddhist Manuscript (recto), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.20.a


title: Leaf from a Buddhist Manuscript (verso)

credit_line: Leaf from a Buddhist Manuscript (verso), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.32.b


title: Leaf from a Buddhist Manuscript (verso)

credit_line: Leaf from a Buddhist Manuscript (verso), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.33.b


title: Leaf from a Buddhist Manuscript (verso)

credit_line: Leaf from a Buddhist Manuscript (verso), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.42.b


title: Leaf from a Buddhist Manuscript (verso)

credit_line: Leaf from a Buddhist Manuscript (verso), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.6.b


title: Leaf from a Buddhist Manuscript (verso)

credit_line: Leaf from a Buddhist Manuscript (verso), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.61.b


title: Leaf from a Buddhist Manuscript (verso)

credit_line: Leaf from a Buddhist Manuscript (verso), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.66.b


title: Leaf from a Buddhist Manuscript (verso)

credit_line: Leaf from a Buddhist Manuscript (verso), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.72.b


title: Leaf from a Buddhist Manuscript (verso)

credit_line: Leaf from a Buddhist Manuscript (verso), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.76.b


title: Leaf from a Buddhist Manuscript (recto)

credit_line: Leaf from a Buddhist Manuscript (recto), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.83.a


title: Leaf from a Buddhist Manuscript (recto)

credit_line: Leaf from a Buddhist Manuscript (recto), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.9.a


medium: graphite

country: America

credit_line: Sketchbook- The Granite Shore Hotel, Rockport, page 090 & 91: "Annisquam" , 1905–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.424.ll


medium: graphite and watercolor

credit_line: Sketchbook, The Dells, N° 127, page 166 & 167: Village with Houses and road , c. 1919–1921. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite and watercolor; sheet: 20 x 13.1 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.425.lll


subjects: America Landscapes

credit_line: Sketchbook, The Dells, N° 127, page 120 & 121: Landscape with Houses, c. 1919–1921. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite ; sheet: 20 x 13.1 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.425.rr


credit_line: Sketchbook, The Dells, N° 127, page 090 & 91: Harbor with a Road, c. 1919–1921. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite ; sheet: 20 x 13.1 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.425.z


medium: satin weave silk with silk embroidery

country: China

subjects: Garment China

credit_line: Uncut Sleeve Turnbacks for Manchu Woman's Coat, 1900–1950. China. Satin weave silk with silk embroidery; overall: 105.1 x 50.2 cm (41 3/8 x 19 3/4 in.). The Cleveland Museum of Art, The Harold T. Clark Educational Extension Fund, 1956.83


title: Two-Handled Cup

creator: Anthony Nelme (British)

country: England, London

subjects:
Silver
England, london

credit_line: Two-Handled Cup, 1712. Anthony Nelme (British). Silver; overall: 25.4 x 26.1 cm (10 x 10 1/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Warren H. Corning, 1961.197.a


title: Two-Handled Cup (lid)

credit_line: Two-Handled Cup (lid), 1712. Anthony Nelme (British). Silver; overall: 25.4 x 26.1 cm (10 x 10 1/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Warren H. Corning, 1961.197.b


title: The Gotha Missal:  Fol. 115v, Text

creator: Master of the Boqueteaux (French)

medium: ink, tempera, and gold on vellum; blind-tooled leather binding

country: France, Paris

credit_line: The Gotha Missal:  Fol. 115v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.115.b


credit_line: The Gotha Missal:  Fol. 117v, St. Peter Tied Upside Down to Cross, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.117.b


title: The Gotha Missal:  Fol. 127r, All Saints

credit_line: The Gotha Missal:  Fol. 127r, All Saints, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.127.a


title: The Gotha Missal:  Fol. 132v, Text

credit_line: The Gotha Missal:  Fol. 132v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.132.b


title: The Gotha Missal:  Fol. 150v, Text

credit_line: The Gotha Missal:  Fol. 150v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.150.b


title: The Gotha Missal:  Fol. 153r, Text

credit_line: The Gotha Missal:  Fol. 153r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.153.a


title: The Gotha Missal:  Fol. 25v, Text

credit_line: The Gotha Missal:  Fol. 25v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.25.b


title: The Gotha Missal:  Fol. 44v, Text

credit_line: The Gotha Missal:  Fol. 44v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.44.b


title: The Gotha Missal:  Fol. 45r, Text

credit_line: The Gotha Missal:  Fol. 45r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.45.a


title: The Gotha Missal:  Fol. 49r, Text

credit_line: The Gotha Missal:  Fol. 49r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.49.a


title: The Gotha Missal:  Fol. 56r, Text

credit_line: The Gotha Missal:  Fol. 56r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.56.a


title: The Gotha Missal:  Fol. 57r, Text

credit_line: The Gotha Missal:  Fol. 57r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.57.a


title: The Gotha Missal:  Fol. 59r, Text

credit_line: The Gotha Missal:  Fol. 59r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.59.a


title: The Gotha Missal:  Fol. 72v, Text

credit_line: The Gotha Missal:  Fol. 72v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.72.b


title: The Gotha Missal:  Fol. 77r, Text

credit_line: The Gotha Missal:  Fol. 77r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.77.a


title: The Gotha Missal:  Fol. 82r, Text

credit_line: The Gotha Missal:  Fol. 82r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.82.a


title: The Gotha Missal:  Fol. 84r, Text

credit_line: The Gotha Missal:  Fol. 84r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.84.a


title: The Gotha Missal:  Fol. 84v, Text

credit_line: The Gotha Missal:  Fol. 84v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.84.b


title: The Gotha Missal:  Fol. 88r, Text

credit_line: The Gotha Missal:  Fol. 88r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.88.a


title: The Gotha Missal:  Fol. 89v, Text

credit_line: The Gotha Missal:  Fol. 89v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.89.b


medium: gold

country: Byzantium

subjects: Coin Byzantium

credit_line: Nomisma with Nicephorus II Phocas (obverse), c. 963–969. Byzantium. Gold; diameter: 2.1 cm (13/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1964.423.a


title: Gold Easel and Photograph

date: before 1896

medium: gold, enamel, sapphire, gold easel and stand, photograph covered with faceted green glass

country: Russia, St. Petersburg

credit_line: Gold Easel and Photograph, before 1896. Russia, St. Petersburg. Gold, enamel, sapphire, gold easel and stand, photograph covered with faceted green glass. The Cleveland Museum of Art, The India Early Minshall Collection, 1966.435.c


title: Punch-Marked Coin

medium: silver

subjects: India, rajasthan, maurya period (322–185 bce)

credit_line: Punch-Marked Coin, 400–300 BCE. India, Rajasthan, Maurya period (322–185 BCE). Silver; overall: 1.4 x 1.2 cm (9/16 x 1/2 in.). The Cleveland Museum of Art, Gift of Sri B. D. Dwivedi, 1967.242.b


title: Putto

date: late 1500s

medium: gilt bronze

country: Italy, Rome

subjects:
Sculpture
Italy, rome

credit_line: Putto, late 1500s. Italy, Rome. Gilt bronze; overall: 9.3 x 7.7 x 4.2 cm (3 11/16 x 3 1/16 x 1 5/8 in.). The Cleveland Museum of Art, Gift of William Mathewson Milliken in honor of Mr. and Mrs. Henry S. Francis, 1968.64.1


date: late 1100s

medium: Handscroll; ink and gold on dyed paper

country: Japan, Heian period (794–1185)

subjects:
Manuscript
Japan, heian period (794–1185)

credit_line: Volume from the Great Perfection of Wisdom Sutra, late 1100s. Japan, Heian period (794–1185). Handscroll; ink and gold on dyed paper. The Cleveland Museum of Art, Anonymous Gift, 1969.130.2.h


credit_line: Sketchbook, page 02: Figure in a Landscape  with Dog, 1859. Sanford Robinson Gifford (American, 1823–1880). Graphite. The Cleveland Museum of Art, Sundry Purchase Fund, 1971.116.b


credit_line: Sketchbook, page 05: "Bethel ME Aug 19th", 1859. Sanford Robinson Gifford (American, 1823–1880). Graphite. The Cleveland Museum of Art, Sundry Purchase Fund, 1971.116.e


credit_line: Sketchbook, page 20: "Peak's Island, ME, Sept. 7th, 59", 1859. Sanford Robinson Gifford (American, 1823–1880). Graphite. The Cleveland Museum of Art, Sundry Purchase Fund, 1971.116.p


title: Grape Leaf from a Curtain

medium: weft-faced plain weave with tapestry weave and supplementary weft wrapping; undyed linen and dyed wool

country: Egypt, Byzantine period

subjects:
Costume & fashion
Textile
Egypt, byzantine period

credit_line: Grape Leaf from a Curtain, 400s-500s. Egypt, Byzantine period. Weft-faced plain weave with tapestry weave and supplementary weft wrapping; undyed linen and dyed wool; overall: 19 x 31.5 cm (7 1/2 x 12 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.262.a


title: Side Chairs

medium: mahogany

credit_line: Side Chairs, c. 1790–1800. America, Massachusetts, Boston, late 18th Century. Mahogany; overall: 90.8 x 48.3 x 52.1 cm (35 3/4 x 19 x 20 1/2 in.). The Cleveland Museum of Art, Gift of Gordon D. Meals and Jean F. Meals in memory of Moselle T. Meals, 1986.208


creator: Kamisaka Sekka (Japanese, 1866–1942)

medium: color woodcuts with gold and silver

country: Japan, Meiji period (1868–1912)

subjects:
Japan, meiji period (1868–1912)
Flowers

credit_line: Flowers of a Hundred Worlds (Momoyogusa): Fishing Village (Ryoson), 1909–10. Kamisaka Sekka (Japanese, 1866–1942). Color woodcuts with gold and silver; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 1988.23.1.4


credit_line: Flowers of a Hundred Worlds (Momoyogusa): Hydrangea (Ajisai), 1909–10. Kamisaka Sekka (Japanese, 1866–1942). Color woodcuts with gold and silver; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 1988.23.2.13


credit_line: Flowers of a Hundred Worlds (Momoyogusa): God of Thunder (Raijin) (Kaminari), 1909–10. Kamisaka Sekka (Japanese, 1866–1942). Color woodcuts with gold and silver; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 1988.23.2.19


credit_line: Flowers of a Hundred Worlds (Momoyogusa): Shibaraku (Shibaraku), 1909–10. Kamisaka Sekka (Japanese, 1866–1942). Color woodcuts with gold and silver; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 1988.23.2.3


credit_line: Flowers of a Hundred Worlds (Momoyogusa): Woodcutter (Shomu), 1910–11. Kamisaka Sekka (Japanese, 1866–1942). Color woodcuts with gold and silver; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 1988.23.2.4


credit_line: Flowers of a Hundred Worlds (Momoyogusa): Plum (Ume), 1909–10. Kamisaka Sekka (Japanese, 1866–1942). Color woodcuts with gold and silver; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 1988.23.2.6


credit_line: Flowers of a Hundred Worlds (Momoyogusa): Hotei (Hotei), 1909–10. Kamisaka Sekka (Japanese, 1866–1942). Color woodcuts with gold and silver; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 1988.23.3.11


credit_line: Flowers of a Hundred Worlds (Momoyogusa): Windswept Pines (Sonarematsu), 1909–10. Kamisaka Sekka (Japanese, 1866–1942). Color woodcuts with gold and silver; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 1988.23.3.13


credit_line: Flowers of a Hundred Worlds (Momoyogusa): Suminoe (Suminoe), 1909–10. Kamisaka Sekka (Japanese, 1866–1942). Color woodcuts with gold and silver; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 1988.23.3.2


title: A Young Man

creator: Orazio Marinali (Italian, 1643–1720)

medium: marble

country: Italy, early 18th Century

subjects:
Sculpture
Italy, early 18th century

credit_line: A Young Man, c. 1700. Orazio Marinali (Italian, 1643–1720). Marble; overall: 26.5 x 20.6 x 5.1 cm (10 7/16 x 8 1/8 x 2 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1991.75


medium: etching, mounted in album form, 16 leaves plus two additional leaves of inscriptions

country: China, Qing dynasty (1644–1911), Qianlong reign (1736–95)

credit_line: Battle at Yixi'er Ku'ernao'er: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems, c. 1765–74; poem dated 1766. Jean Damascene Sallusti (Italian, d. 1781). Etching, mounted in album form, 16 leaves plus two additional leaves of inscriptions; overall: 51 x 87 cm (20 1/16 x 34 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.103.12


creator: Jean Denis Attiret (French, 1702–1768)

credit_line: The Presentation of Uigur Captives: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems, c. 1765–74; poem dated 1760. Jean Denis Attiret (French, 1702–1768). Etching, mounted in album form, 16 leaves plus two additional leaves of inscriptions; overall: 51 x 87 cm (20 1/16 x 34 1/4 in.). The Cleveland Museum of Art, The A. W. Ellenberger, Sr., Endowment Fund, 1998.103.14


credit_line: Battle of Kulongkui: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems, c. 1765–74; poem dated 1766. Jean Damascene Sallusti (Italian, d. 1781). Etching, mounted in album form, 16 leaves plus two additional leaves of inscriptions; overall: 51 x 87 cm (20 1/16 x 34 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.103.5


credit_line: Battle at Tunggushi Luke: from Battle Scenes of the Quelling of the Rebellions in the Western Regions, with Imperial Poems, c. 1765–74; poem dated 1766. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Etching, mounted in album form, 16 leaves plus two additional leaves of inscriptions; overall: 51 x 87 cm (20 1/16 x 34 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.103.9


medium: ink, tempera, and gold on vellum; binding:  brown Morocco over original wooden boards

country: Netherlands, Utrecht, 15th century

credit_line: Book of Hours (Use of Utrecht): fol. 158r, Text, c. 1460–1465. Master of Gijsbrecht van Brederode (Netherlandish), Master of the Boston City of God (Netherlandish). Ink, tempera, and gold on vellum; binding:  brown Morocco over original wooden boards; overall: 5.9 x 11.6 cm (2 5/16 x 4 9/16 in.). The Cleveland Museum of Art, Gift of Milton B. Freudenheim in memory of his wife, Elizabeth Ege Freudenheim, 1998.124.158.a


credit_line: Book of Hours (Use of Utrecht): fol. 63r, Initial with Holy Trinity, c. 1460–1465. Master of Gijsbrecht van Brederode (Netherlandish), and Master of the Boston City of God (Netherlandish). Ink, tempera, and gold on vellum; binding:  brown Morocco over original wooden boards; overall: 5.9 x 11.6 cm (2 5/16 x 4 9/16 in.). The Cleveland Museum of Art, Gift of Milton B. Freudenheim in memory of his wife, Elizabeth Ege Freudenheim, 1998.124.63.a


title: The Music Teacher's Wife

medium: daguerreotype, applied color, quarter-plate

subjects: Photograph America

credit_line: The Music Teacher's Wife, c. 1850s. America. Daguerreotype, applied color, quarter-plate; image: 10.8 x 8.3 cm (4 1/4 x 3 1/4 in.); case: 11.8 x 9.4 cm (4 5/8 x 3 11/16 in.); matted: 50.8 x 61 cm (20 x 24 in.). The Cleveland Museum of Art, John L. Severance Fund, 2002.37.b


title: Bowl with Yellow Glaze

medium: glazed porcelain

credit_line: Bowl with Yellow Glaze, 1821–50. China, Qing dynasty (1644-1911), Daoguang mark and reign (1821-50). Glazed porcelain; diameter: 14.7 cm (5 13/16 in.); overall: 6.8 cm (2 11/16 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.263


title: Large Bowl with Yellow Enamel

medium: enameled porcelain

credit_line: Large Bowl with Yellow Enamel, 1821–50. China, Qing dynasty (1644-1911), Daoguang mark and reign (1821-50). Enameled porcelain; diameter: 38.5 cm (15 3/16 in.); overall: 16.5 cm (6 1/2 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.264


title: Winter Landscape

creator: Jan Griffier (Dutch, 1648–1718)

medium: oil on copper, mounted on wood

country: Netherlands

subjects: Painting Netherland Landscapes

credit_line: Winter Landscape, c. 1680–1718. Attributed to Jan Griffier (Dutch, 1648–1718). Oil on copper, mounted on wood; framed: 32 x 41 x 4 cm (12 5/8 x 16 1/8 x 1 9/16 in.); unframed: 19.6 x 29 cm (7 11/16 x 11 7/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2008.287


creator: Théodore Géricault (French, 1791–1824)

medium: pen and brown ink and brush and brown wash over graphite

country: France, 19th century

subjects:
Drawing
France, 19th century

credit_line: Man Clutching a Horse in Water, after Poussin's "Deluge" (recto); Compositional Study? (possibly for "Poussin's Deluge") (verso), c. 1816. Théodore Géricault (French, 1791–1824), after Nicolas Poussin (French, 1594–1665). Pen and brown ink and brush and brown wash over graphite; sheet: 18 x 26.2 cm (7 1/16 x 10 5/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2008.378


title: Landscape

creator: Franz Kobell (German, 1749–1822)

medium: pen and ink with wash

country: Germany, 18th

subjects:
Drawing
Germany, 18th
Landscapes

credit_line: Landscape, c 1780. Franz Kobell (German, 1749–1822). Pen and ink with wash. The Cleveland Museum of Art, Gift of Monroe Warshaw, 2009.21


title: Robert Macaire Bookseller

medium: lithograph

subjects:
Print
France, 19th century

credit_line: Caricaturana: Robert Macaire Bookseller, 1836. Honoré Daumier (French, 1808–1879), Aubert. Lithograph; sheet: 36.2 x 27.8 cm (14 1/4 x 10 15/16 in.); image: 25.8 x 21.9 cm (10 3/16 x 8 5/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.508


credit_line: Tetradrachm Coin of Erognetos, Magistrate of Magnesia, 155–145 BCE. Turkey, Ionia, Magnesia on the Maeander, Hellenistic Period. Silver; diameter: 3.2 x 0.5 cm (1 1/4 x 3/16 in.). The Cleveland Museum of Art, Gift of Dr. Norman Zaworski, 2011.209.b


title: Coin of Eukratides I

country: Afghanistan, Bactria

subjects:
Silver
Afghanistan, bactria

credit_line: Coin of Eukratides I, 170–145 BCE. Afghanistan, Bactria. Silver; diameter: 3.3 x 0.5 cm (1 5/16 x 3/16 in.). The Cleveland Museum of Art, Gift of Dr. Norman Zaworski, 2011.211


title: You can bawl...

medium: color lithograph

credit_line: Crimes and Punishments: You can bawl..., 1901, published 1902. Félix Vallotton (Swiss French, 1865–1925). Color lithograph. The Cleveland Museum of Art, Bequest of John Bonebrake, 2011.478


title: You'll learn...

credit_line: Crimes and Punishments: You'll learn..., 1901, published 1902. Félix Vallotton (Swiss French, 1865–1925). Color lithograph; sheet: 32 x 24 cm (12 5/8 x 9 7/16 in.); image: 26.8 x 20.6 cm (10 9/16 x 8 1/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2011.479


creator: Louis Haghe (British, 1806–1885)

country: England, 19th century

subjects:
Architecture
Print
England, 19th century

credit_line: Egypt and Nubia, Volume II: Temple of Dandour, Nubia, 1848. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 37.4 x 43.7 cm (14 3/4 x 17 3/16 in.); image: 26 x 35.3 cm (10 1/4 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.212


title: Leaf from a Qur'an

medium: ink, gold, color on pink paper

subjects: Egypt, cairo, mamluk sultanate (1250–1517)

credit_line: Leaf from a Qur'an, 1300s. Egypt, Cairo, Mamluk Sultanate (1250–1517). Ink, gold, color on pink paper; sheet: 45 x 33 cm (17 11/16 x 13 in.). The Cleveland Museum of Art, Gift of Donna L. and Robert H. Jackson, 2013.102


medium: Gum tempera, ink, and gold on paper

country: India, Bijapur, Deccan

subjects:
Painting
India, bijapur, deccan

credit_line: Bijan killing the wild boars of Irman, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020), (recto), c. 1610. India, Bijapur, Deccan. Gum tempera, ink, and gold on paper; page: 20.3 x 12 cm (8 x 4 3/4 in.). The Cleveland Museum of Art, Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection, 2013.283.1.a


creator: Benigno Bossi (Italian, 1727–1792)

medium: etching

country: Italy, 18th century

subjects:
Print
Italy, 18th century

credit_line: Mascarade à la Grecque: Title Page, Plate 1, 1771. Benigno Bossi (Italian, 1727–1792), after Ennemond Alexandre Petitot (French, 1727-1801). Etching; sheet: 41.9 x 28.1 cm (16 1/2 x 11 1/16 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.6.2


title: Scepter

date: late 1800s or early 1900s

credit_line: Scepter, late 1800s or early 1900s. Africa, Central Africa, Angola, Ovimbundu-style maker. Wood, copper alloy, upholstery studs, iron alloy, and cotton; overall: 57.5 x 4.5 x 5.5 cm (22 5/8 x 1 3/4 x 2 3/16 in.). The Cleveland Museum of Art, Gift of Dr. Anita J. Glaze, 2015.155


title: The Great Temple of Abu Simbel

date: before 1943

country: England, 19th-20th century

subjects:
Architecture
Drawing
England, 19th-20th century

credit_line: The Great Temple of Abu Simbel, before 1943. Walter Frederick Roofe Tyndale (British, born Belgium, 1855–1943). Watercolor and wash, with white highlights; sheet: 46.3 x 33.9 cm (18 1/4 x 13 3/8 in.). The Cleveland Museum of Art, Bequest of William Kelly Simpson, 2018.73


creator: Chōbunsai Eishi (Japanese, 1756–1829)

date: early 1790s

medium: woodblock print from a triptych; ink and color on paper

country: Japan, Edo period (1615–1868)

subjects:
Print
Japan, edo period (1615–1868)

credit_line: Print from Women Resting in the Votive Picture Hall at Asakusa, early 1790s. Chōbunsai Eishi (Japanese, 1756–1829). Woodblock print from a triptych; ink and color on paper; sheet: 39.4 x 25.4 cm (15 1/2 x 10 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1150


title: Fez

date: early 1900s

medium: Silk, metal threads, dye

credit_line: Fez, early 1900s. Africa, North Africa, Algeria, Algerian embroiderer. Silk, metal threads, dye; overall: 78.7 x 38.4 cm (31 x 15 1/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1224


title: Embroidered Textile

country: Turkey

subjects:
Costume & fashion
Embroidery
Turkey

credit_line: Embroidered Textile, 1700s–1800s. Turkey. Wool: silk and metal threads embroidery; cotton backing; average: 124.5 x 93 cm (49 x 36 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1246


title: Ogival Lattice with Horizontal Design

country: Turkey, Bursa

subjects:
Costume & fashion
Textile
Turkey, bursa

credit_line: Ogival Lattice with Horizontal Design, 1600–1650. Turkey, Bursa. Silk and gilt-metal thread: lampas weave; average: 135.3 x 35.6 cm (53 1/4 x 14 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1679.c


medium: silver

country: Greek, minted at Chalkis (Euboia)

subjects:
Coin
Greek, minted at chalki (euboia)

credit_line: Drachm: Flying Eagle with Serpent (reverse), 337–308 BCE. Greek, minted at Chalkis (Euboia). Silver; diameter: 1.7 cm (11/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.972.b


credit_line: Tetradrachm: Head of Antiochos V (obverse), 164–162 BCE. Greek, Seleukid, minted at Antioch (Syria), reign of Antiochos V. Silver; diameter: 3.1 cm (1 1/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.975.a


title: Ducks and Reeds

date: early 1600s

medium: hanging scroll; ink on paper

credit_line: Ducks and Reeds, early 1600s. Japan, Momoyama period (1573-1615) to Edo period (1615-1858). Hanging scroll; ink on paper; including mounting: 19.2 x 39.1 cm (7 9/16 x 15 3/8 in.). The Cleveland Museum of Art, Worcester R. Warner Collection, 1917.104


title: Lace Edging

medium: Silk: needle lace (Burano Point)

country: Italy, Burano(?), 1700s

subjects:
Lace
Italy, burano , 1700

credit_line: Lace Edging, 1700s. Italy, Burano(?), 1700s. Silk: needle lace (Burano Point); average: 6.4 x 45.4 cm (2 1/2 x 17 7/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1233


title: Furuichi Dance at the Hisagataya

date: mid 1820s

medium: second of a pentaptych of woodblock prints; ink and color on paper

credit_line: Furuichi Dance at the Hisagataya, mid 1820s. Gakutei Harunobu (Japanese, 1786(?)–1868). Second of a pentaptych of woodblock prints; ink and color on paper; sheet: 21.3 x 18.8 cm (8 3/8 x 7 3/8 in.). The Cleveland Museum of Art, Gift from J. H. Wade, 1921.332


title: Food Bowl

medium: coiled

credit_line: Food Bowl, c 1875– 1925. California, Southern, Gabrielino (San Gabriel, Mission or Tongva), Late 19th- Early 20th century. Coiled; overall: 15 x 43 cm (5 7/8 x 16 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. Lionel A. Sheldon, 1929.268


title: Bowl

medium: glazed stoneware; Northern Celadon ware, Yaozhou type

country: China, Northern Song dynasty (960–1127)

subjects:
Ceramic
China, northern song dynasty (960–1127)

credit_line: Bowl, 1000s. China, Northern Song dynasty (960–1127). Glazed stoneware; Northern Celadon ware, Yaozhou type; diameter: 13.4 cm (5 1/4 in.); overall: 8 cm (3 1/8 in.). The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.308


country: Western India, Gujarat

subjects:
Painting
Western india, gujarat

credit_line: Text, Folio 25 (recto), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.25.a


title: Qur'an Manuscript Folio

medium: ink, gold, and colors on paper

country: Egypt, Mamluk sultanate (1250–1517)

subjects:
Drawing
Egypt, mamluk sultanate (1250–1517)

credit_line: Qur'an Manuscript Folio, 1300s–1400s. Egypt, Mamluk sultanate (1250–1517). Ink, gold, and colors on paper. The Cleveland Museum of Art, Edward L. Whittemore Fund, 1933.473


date: late 1790s

medium: color woodblock print

credit_line: Scene Adapted from the play The Treasury of Loyal Retainers (Chushingura), late 1790s. Kitagawa Utamaro (Japanese, c. 1754–1806). Color woodblock print; sheet: 36.9 x 75 cm (14 1/2 x 29 1/2 in.). The Cleveland Museum of Art, Bequest of James Parmelee, 1940.1043


date: late 1400s

medium: opaque watercolor, ink, and gold on paper

subjects: Iran, shiraz, timurid period (1370-1501)

credit_line: Persian verses (verso) from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025), late 1400s. Iran, Shiraz, Timurid period (1370-1501). Opaque watercolor, ink, and gold on paper; overall: 32.4 x 21.6 cm (12 3/4 x 8 1/2 in.); text area: 22.6 x 16.1 cm (8 7/8 x 6 5/16 in.). The Cleveland Museum of Art, Gift of Heeramaneck Galleries, 1942.871.b


credit_line: Komurasaki of the Miuraya and Shirai Gonpachi, c. 1868–1943. Japan, Meiji period (1868–1912) to Shōwa period (1926–89). Color woodblock print; sheet: 30.6 x 16.6 cm (12 1/16 x 6 9/16 in.). The Cleveland Museum of Art, Gift of Mrs. Ralph King, 1943.41


title: Thumb Ring

medium: green and white jade

credit_line: Thumb Ring, 1800s–1900s. China, Qing dynasty (1644-1911) or Republican period (1912-49). Green and white jade; diameter: 3.1 cm (1 1/4 in.); overall: 2.6 cm (1 in.). The Cleveland Museum of Art, Bequest of Cornelia Blakemore Warner, 1947.547


title: Opium Pipe

medium: enamel

country: China, Qing dynasty (1644-1911)

credit_line: Opium Pipe, 1800s. China, Qing dynasty (1644-1911). Enamel; overall: 53.4 cm (21 in.). The Cleveland Museum of Art, Bequest of Cornelia Blakemore Warner, 1947.580


creator: Hans Sebald Beham (German, 1500–1550)

medium: engraving

country: Germany

subjects: Print Germany

credit_line: The Labors of Hercules:  Hercules Defeating the Centaurs, 1542. Hans Sebald Beham (German, 1500–1550). Engraving. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1950.457


credit_line: The Labors of Hercules:  Hercules Killing the Lernean Hydra, 1545. Hans Sebald Beham (German, 1500–1550). Engraving. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1950.464


credit_line: The Labors of Hercules: Hercules on his Pyre, 1548. Hans Sebald Beham (German, 1500–1550). Engraving. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1950.470


title: Gothic Marriage Chest

medium: wood with painting and gilding

subjects: Spain, catalonia, barcelona , 16th century

credit_line: Gothic Marriage Chest, c. 1500–1525. Spain, Catalonia, Barcelona(?), 16th century. Wood with painting and gilding; overall: 73.2 x 136.5 x 54.8 cm (28 13/16 x 53 3/4 x 21 9/16 in.). The Cleveland Museum of Art, Gift of William G. Mather, 1950.568


title: Necklace

date: before 1532

medium: polished stone beads

country: Peru

subjects: Jewelry Peru

credit_line: Necklace, before 1532. Peru. Polished stone beads; overall: 48.2 cm (19 in.). The Cleveland Museum of Art, The Norweb Collection, 1951.176


medium: graphite

country: America

credit_line: Sketchbook, page 133: Marine View with color notations , 1905–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.423.hhh


credit_line: Sketchbook, page 155: Three Female Figures seen from the back , 1905–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.423.ooo


subjects: America Landscapes

credit_line: Sketchbook, page 080 & 81: Landscape with Figures and Houses , 1905–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.423.pp


credit_line: Sketchbook, page 106: Figures with color notaions , 1907. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; book page: 18.7 x 23.6 cm (7 3/8 x 9 5/16 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.423.zz


credit_line: Sketchbook- The Granite Shore Hotel, Rockport, page 020: Harbor View , c. 1916/19. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 19.7 x 12.8 cm (7 3/4 x 5 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.424.e


credit_line: Sketchbook- The Granite Shore Hotel, Rockport, page 136 & 137: The Dock , 1905–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.424.hhh


credit_line: Sketchbook- The Granite Shore Hotel, Rockport, page 083: Village Scene , 1905–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.424.ii


credit_line: Sketchbook- The Granite Shore Hotel, Rockport, page 056 & 57: Village Scene with Church , 1905–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.424.v


credit_line: Sketchbook, The Dells, N° 127, page 096 & 97: Landscape with Houses, c. 1919–1921. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite ; sheet: 20 x 13.1 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.425.dd


medium: graphite and watercolor

credit_line: Sketchbook, The Dells, N° 127, page 042 & 43: Cove with Boats and Figures, c. 1919–1921. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite and watercolor; sheet: 20 x 13.1 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.425.h


credit_line: Sketchbook, The Dells, N° 127, page 110 & 111: Figures in a Landscape  , c. 1919–1921. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite and watercolor; sheet: 20 x 13.1 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.425.ll


credit_line: Sketchbook, The Dells, N° 127, page 112 & 113: View of Dock , c. 1919–1921. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite ; sheet: 20 x 13.1 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.425.mm


credit_line: Sketchbook, The Dells, N° 127, page 118: Figure, c. 1919–1921. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 20 x 13.1 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.425.pp


credit_line: Sketchbook, The Dells, N° 127, page 078 & 79: Landscape with Houses, c. 1919–1921. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite ; sheet: 20 x 13.1 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.425.u


credit_line: Sketchbook, The Dells, N° 127, page 132 & 133: Landscape, c. 1919–1921. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 20 x 13.1 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.425.xx


medium: color lithograph

subjects:
Print
England, 19th century

credit_line: Egypt and Nubia:  Volume III - No. 36, Interior of the Mosque of the Sultan El Ghoree, 1838. Louis Haghe (British, 1806–1885), after David Roberts (Scottish, 1796–1864). Color lithograph. The Cleveland Museum of Art, Gift of J. Byers Hays, 1953.534


title: Adam and Eve

creator: Albrecht Dürer (German, 1471–1528)

country: Germany, early 16th Century

subjects:
Print
Germany, early 16th century

credit_line: Adam and Eve, 1504. Albrecht Dürer (German, 1471–1528). Engraving. The Cleveland Museum of Art, Bequest of Leonard C. Hanna Jr., 1958.111


medium: ink, tempera, and gold on vellum; blind-tooled leather binding

country: France, Paris

credit_line: The Gotha Missal:  Fol. 103r, St. Andrew Being Tied to the Cross, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.103.a


title: The Gotha Missal:  Fol. 109r, Text

credit_line: The Gotha Missal:  Fol. 109r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.109.a


title: The Gotha Missal:  Fol. 109v, Text

credit_line: The Gotha Missal:  Fol. 109v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.109.b


title: The Gotha Missal:  Fol. 11v, Text

credit_line: The Gotha Missal:  Fol. 11v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.11.b


title: The Gotha Missal:  Fol. 118v, Text

credit_line: The Gotha Missal:  Fol. 118v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.118.b


title: The Gotha Missal:  Fol. 121r, Text

credit_line: The Gotha Missal:  Fol. 121r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.121.a


title: The Gotha Missal:  Fol. 13r, Text

credit_line: The Gotha Missal:  Fol. 13r, Text , c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.13.a


title: The Gotha Missal:  Fol. 130r, Text

credit_line: The Gotha Missal:  Fol. 130r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.130.a


title: The Gotha Missal:  Fol. 133r, Text

credit_line: The Gotha Missal:  Fol. 133r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.133.a


title: The Gotha Missal:  Fol. 134r, Text

credit_line: The Gotha Missal:  Fol. 134r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.134.a


title: The Gotha Missal:  Fol. 135v, Text

credit_line: The Gotha Missal:  Fol. 135v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.135.b


title: The Gotha Missal:  Fol. 136r, Text

credit_line: The Gotha Missal:  Fol. 136r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.136.a


title: The Gotha Missal:  Fol. 136v, Text

credit_line: The Gotha Missal:  Fol. 136v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.136.b


title: The Gotha Missal:  Fol. 150r, Text

credit_line: The Gotha Missal:  Fol. 150r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.150.a


title: The Gotha Missal:  Fol. 158v, Text

credit_line: The Gotha Missal:  Fol. 158v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.158.b


title: The Gotha Missal:  Fol. 159r, Text

credit_line: The Gotha Missal:  Fol. 159r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.159.a


title: The Gotha Missal:  Fol. 163r, Text

credit_line: The Gotha Missal:  Fol. 163r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.163.a


title: The Gotha Missal:  Fol. 17r, Text

credit_line: The Gotha Missal:  Fol. 17r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.17.a


title: The Gotha Missal:  Fol. 21v, Text

credit_line: The Gotha Missal:  Fol. 21v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.21.b


title: The Gotha Missal:  Fol. 22r, Text

credit_line: The Gotha Missal:  Fol. 22r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.22.a


title: The Gotha Missal:  Fol. 23v, Text

credit_line: The Gotha Missal:  Fol. 23v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.23.b


title: The Gotha Missal:  Fol. 24v, Text

credit_line: The Gotha Missal:  Fol. 24v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.24.b


title: The Gotha Missal:  Fol. 4v, Text

credit_line: The Gotha Missal:  Fol. 4v, Text , c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.4.b


title: The Gotha Missal:  Fol. 48r, Text

credit_line: The Gotha Missal:  Fol. 48r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.48.a


title: The Gotha Missal:  Fol. 48v, Text

credit_line: The Gotha Missal:  Fol. 48v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.48.b


title: The Gotha Missal:  Fol. 5v, Text

credit_line: The Gotha Missal:  Fol. 5v, Text , c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.5.b


title: The Gotha Missal:  Fol. 50r, Text

credit_line: The Gotha Missal:  Fol. 50r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.50.a


title: The Gotha Missal:  Fol. 51r, Text

credit_line: The Gotha Missal:  Fol. 51r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.51.a


title: The Gotha Missal:  Fol. 66v, Text

credit_line: The Gotha Missal:  Fol. 66v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.66.b


title: The Gotha Missal:  Fol. 75r, Text

credit_line: The Gotha Missal:  Fol. 75r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.75.a


title: The Gotha Missal:  Fol. 86r, Text

credit_line: The Gotha Missal:  Fol. 86r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.86.a


medium: gold

country: Byzantium

subjects: Coin Byzantium

credit_line: Nomisma with Constantine IX Monomachus (reverse), 1042–1055. Byzantium. Gold; diameter: 2.9 cm (1 1/8 in.). The Cleveland Museum of Art, The Norweb Collection, 1964.424.b


title: Stamp Moistener (Tomato)

creator: Peter Carl Fabergé (Russian, 1846–1920)

date: late 1800s-early 1900s

medium: jade, diamonds, gold

country: Russia, St. Petersburg

credit_line: Stamp Moistener (Tomato), late 1800s-early 1900s. Firm of Peter Carl Fabergé (Russian, 1846–1920). Jade, diamonds, gold; overall: 6.3 x 5.3 cm (2 1/2 x 2 1/16 in.). The Cleveland Museum of Art, The India Early Minshall Collection, 1966.478.a


title: Nomisma with John I Zimisces (reverse)

country: Byzantium, Constantinople

subjects:
Coin
Byzantium, constantinople

credit_line: Nomisma with John I Zimisces (reverse), 969–976. Byzantium, Constantinople. Gold; diameter: 2.3 cm (7/8 in.). The Cleveland Museum of Art, Gift of William Mathewson Milliken, in memory of his father Thomas Kennedy Milliken, 1968.61.b


title: The Queen of the Fishes: Plate 9

creator: Lucien Pissarro (British, 1863–1944)

medium: woodcut printed in gray

country: England, 19th century

subjects:
Fish
England, 19th century

credit_line: The Queen of the Fishes: Plate 9, 1894. Lucien Pissarro (British, 1863–1944). Woodcut printed in gray; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley for the fiftieth anniversary of The Print Club of Cleveland, 1970.50.i


credit_line: Sketchbook, page 04: Sea Scape with Color Notations, 1859. Sanford Robinson Gifford (American, 1823–1880). Graphite. The Cleveland Museum of Art, Sundry Purchase Fund, 1971.116.d


credit_line: Sketchbook, page 37: Maine Landscape Vignittes, 1859. Sanford Robinson Gifford (American, 1823–1880). Graphite. The Cleveland Museum of Art, Sundry Purchase Fund, 1971.116.q


medium: gum tempera and ink on palm leaf

subjects:
Painting
Western india, gujarat
Palms

credit_line: Folio 141 (recto), from a Kalpa-sutra and Story of Kalakacharya, 1287. Western India, Gujarat. Gum tempera and ink on palm leaf; overall: 5.6 x 33 cm (2 3/16 x 13 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1971.127.a


creator: Antico (Italian, c. 1460–1528)

medium: bronze

country: Italy

subjects: Sculpture Italy Portraits

credit_line: Portrait of Gianfrancesco Gonzaga di Ròdigo, 1443-1496, Lord of Sabbionetta (obverse), 1479. Antico (Italian, c. 1460–1528). Bronze; diameter: 3.9 cm (1 9/16 in.). The Cleveland Museum of Art, Gift of Mrs. Chester D. Tripp, 1974.13.a


title: Ceremonial Paddle

medium: wood

credit_line: Ceremonial Paddle, 1700s-1800s. Polynesia, Ra'ivavae, Austral Islands, 18th-19th Century. Wood; overall: 115 x 24.7 cm (45 1/4 x 9 3/4 in.). The Cleveland Museum of Art, Bequest of Robert W. Mettner by exchange, 1977.29


creator: Abdallah ibn al-Fadl (Iraq)

medium: ink and opaque watercolor on paper

country: Iraq, Baghdad, Abbasid Period, 13th Century

subjects: Iraq, baghdad, abbasid period, 13th century

credit_line: Text page from a Materia Medica of Dioscorides, c. 1224. Abdallah ibn al-Fadl (Iraq). Ink and opaque watercolor on paper; sheet: 33.1 x 24.5 cm (13 1/16 x 9 5/8 in.); image: 24 x 19 cm (9 7/16 x 7 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1977.91.a


title: Grape Leaves from a Curtain

medium: weft-faced plain weave with tapestry weave and supplementary weft wrapping; undyed linen and dyed wool

country: Egypt, Byzantine period

subjects:
Costume & fashion
Textile
Egypt, byzantine period

credit_line: Grape Leaves from a Curtain, 400s-500s. Egypt, Byzantine period. Weft-faced plain weave with tapestry weave and supplementary weft wrapping; undyed linen and dyed wool; average: 19 x 31.5 cm (7 1/2 x 12 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.262


medium: color woodcuts with gold and silver

country: Japan, Meiji period (1868–1912)

subjects:
Japan, meiji period (1868–1912)
Flowers

credit_line: Flowers of a Hundred Worlds (Momoyogusa): Seven Herbs of Early Spring (Nanagusa), 1909–10. Kamisaka Sekka (Japanese, 1866–1942). Color woodcuts with gold and silver; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 1988.23.3.20


credit_line: Flowers of a Hundred Worlds (Momoyogusa): Late Spring (Boshun), 1909–10. Kamisaka Sekka (Japanese, 1866–1942). Color woodcuts with gold and silver; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 1988.23.3.8


medium: ink and color on paper

subjects:
Drawing
Japan, meiji period (1868–1912)
Flowers

credit_line: Flowers of a Hundred Worlds (Momoyogusa): Asazuma in Her Boat (Asazuma-bune), 1909. Kamisaka Sekka (Japanese, 1866–1942). Ink and color on paper. The Cleveland Museum of Art, John L. Severance Fund, 1989.85.6


credit_line: Flowers of a Hundred Worlds (Momoyogusa): Rooster (Chabo), 1909. Kamisaka Sekka (Japanese, 1866–1942). Ink and color on paper. The Cleveland Museum of Art, John L. Severance Fund, 1989.85.9


title: Decorative Motif/ Small Standing Figure

creator: Pierre Roche (French, 1855–1922)

medium: gypsograph

country: France, early 20th Century

subjects:
Ornament & design
France, early 20th century

credit_line: La Loïe Fuller, by Roger Marx: Decorative Motif/ Small Standing Figure, 1904. Pierre Roche (French, 1855–1922), Les Cents Bibliophiles. Gypsograph. The Cleveland Museum of Art, John L. Severance Fund, 1995.54.c


title: Dancing Woman Slightly Crouched

credit_line: La Loïe Fuller, by Roger Marx: Dancing Woman Slightly Crouched, 1904. Pierre Roche (French, 1855–1922), Les Cents Bibliophiles. Gypsograph. The Cleveland Museum of Art, John L. Severance Fund, 1995.54.h


credit_line: La Loïe Fuller, by Roger Marx: Decorative Knife Motif/ Dancing Woman with Arms in Pushing Gesture, 1904. Pierre Roche (French, 1855–1922), Les Cents Bibliophiles. Gypsograph. The Cleveland Museum of Art, John L. Severance Fund, 1995.54.i


title: Suite of Vases:  Plate 18

medium: etching

country: France

subjects: Print France

credit_line: Suite of Vases:  Plate 18, 1746. Jacques François Saly (French, 1717–1776). Etching. The Cleveland Museum of Art, John L. Severance Fund, 1996.229.19


title: Suite of Vases:  Plate 2

credit_line: Suite of Vases:  Plate 2, 1746. Jacques François Saly (French, 1717–1776). Etching. The Cleveland Museum of Art, John L. Severance Fund, 1996.229.3


title: A Calling

medium: oil on fabric

country: France, 19th century

subjects:
Painting
France, 19th century

credit_line: A Calling, 1896. William Adolphe Bouguereau (French, 1825–1905). Oil on fabric; framed: 132 x 99 x 10.6 cm (51 15/16 x 39 x 4 3/16 in.); unframed: 104 x 71 cm (40 15/16 x 27 15/16 in.). The Cleveland Museum of Art, Gift of the Frances W. Ingalls Trust, 1996.272


title: Studies of a Male Nude (verso)

medium: charcoal

subjects: Drawing America

credit_line: Studies of a Male Nude (verso), 1918–19?. John Singer Sargent (American, born Italy, 1856–1925). Charcoal; sheet: 48 x 62.5 cm (18 7/8 x 24 5/8 in.); overall: 48.1 x 62.5 cm (18 15/16 x 24 5/8 in.). The Cleveland Museum of Art, Gift of Jane Iglauer Fallon in memory of Harold Fallon, 1997.256.b


title: Covered Jar

medium: stoneware with blue and white decoration

country: Vietnam

subjects: Ceramic Vietnam

credit_line: Covered Jar, 1500s–1600s. Vietnam. Stoneware with blue and white decoration; diameter: 21.8 cm (8 9/16 in.); with cover: 23 cm (9 1/16 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.285


title: Sagot's Gallery

medium: color proof of the Remarque Woman with Cat

subjects:
Print
France, 19th century

credit_line: Sagot's Gallery, 1898. Georges Alfred Bottini (French, 1874–1907). Color proof of the Remarque Woman with Cat; sheet: 39.2 x 24 cm (15 7/16 x 9 7/16 in.); image: 10.7 x 6.7 cm (4 3/16 x 2 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.42.7


title: Figurine Holding A Ball(?)

medium: earthenware, pigment

country: Mexico, Guerrero, Xochipala style

subjects:
Ceramic
Mexico, guerrero, xochipala style

credit_line: Figurine Holding A Ball(?), 1500–500 BCE. Mexico, Guerrero, Xochipala style. Earthenware, pigment; overall: 15 cm (5 7/8 in.). The Cleveland Museum of Art, Gift of Clara Taplin Rankin, 1998.82


title: Jaguar Bowl

medium: resist-painted earthenware

country: Colombia

subjects: Ceramic Colombia

credit_line: Jaguar Bowl, c. 850–1500. Colombia. Resist-painted earthenware; overall: 12.1 x 12.8 x 17.6 cm (4 3/4 x 5 1/16 x 6 15/16 in.). The Cleveland Museum of Art, Gift of Phyllis Sloane in memory of Rose White, 1998.87


medium: silver

credit_line: Tetradrachm: Head of Philetauros with Laureate Diadem (obverse), 262–241 BCE. Anatolia, Kingdom of Pergamum (281–133 BCE), Eumenes I (263–241 BCE). Silver; diameter: 2.8 cm (1 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1999.317.a


creator: Bernard Gaillot (French, 1780–1847)

medium: oil on canvas

subjects: Painting France Landscapes

credit_line: Woman Sleeping in a Landscape with a Letter, c. 1800. Bernard Gaillot (French, 1780–1847). Oil on canvas; framed: 36 x 44 cm (14 3/16 x 17 5/16 in.); unframed: 32.4 x 40.6 cm (12 3/4 x 16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2008.289


title: Profile Portrait of a Man

medium: Black chalk counterproof

subjects:
Drawing
France, 19th century
Portraits

credit_line: Profile Portrait of a Man, 18th century. Attributed to Louis Rolland Trinquesse (French, c. 1746–c. 1800). Black chalk counterproof; sheet: 20.3 x 17.5 cm (8 x 6 7/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2018.41


title: Carding Tool

date: 305 BCE or later

credit_line: Carding Tool, 305 BCE or later. Egypt, Greco-Roman period (332 BCE–395 CE), Ptolemaic dynasty (305–30 BCE) or later. Wood; overall: 25 cm (9 13/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1914.867


title: Flowers and Rocks

medium: hanging scroll; color on silk

country: China, Ming dynasty (1368–1644)

subjects:
Painting
China, ming dynasty (1368–1644)
Flowers

credit_line: Flowers and Rocks (花石圖), 1368–1644. China, Ming dynasty (1368–1644). Hanging scroll; color on silk; overall: 162.6 x 48.6 cm (64 x 19 1/8 in.). The Cleveland Museum of Art, Gift of Charles L. Freer, 1915.116


title: Fragment

medium: Silk, linen

credit_line: Fragment, 1600s-1700s. Africa, North Africa, Morocco, Moroccan embroiderer. Silk, linen; average: 97.8 x 42.6 cm (38 1/2 x 16 3/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1236


country: Greek, minted at Syracuse (Sicily)

subjects:
Coin
Greek, minted at syracuse (sicily)

credit_line: Tetradrachm: Quadriga, Nike, Ketos (obverse), c. 467–440 BCE. Greek, minted at Syracuse (Sicily). Silver; diameter: 2.5 cm (1 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.976.a


title: Fragment of a furnishing textile

medium: Silk, dye

subjects: Africa, north africa, morocco, moroccan weaver

credit_line: Fragment of a furnishing textile, 1800s. Africa, North Africa, Morocco, Moroccan weaver. Silk, dye; overall: 23.8 x 11.6 cm (9 3/8 x 4 9/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.187


title: Lace Insertion

medium: Bobbin lace

country: Italy, Umbria

subjects:
Lace
Italy, umbria

credit_line: Lace Insertion, 1600s–1700s. Italy, Umbria. Bobbin lace; average: 6.7 x 21.3 cm (2 5/8 x 8 3/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1048


title: Lace fragment

country: Italy, Venice

subjects:
Lace
Italy, venice

credit_line: Lace fragment, 1500s. Italy, Venice. Linen: needle lace (drawnwork or punto tirato) insertion; average: 3.5 x 29.3 cm (1 3/8 x 11 9/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1116


title: Album of Textile Samples

medium: silk

country: Japan and China

subjects:
Costume & fashion
Textile
Japan and china

credit_line: Album of Textile Samples, 1700s–1800s. Japan and China. Silk; overall: 30 x 29.5 x 3.5 cm (11 13/16 x 11 5/8 x 1 3/8 in.). The Cleveland Museum of Art, General Income Fund, 1920.1949


title: Fragment

creator: Benedetto Buglioni (Italian, 1461–1521)

medium: glazed terracotta

country: Italy, Florence

subjects:
Sculpture
Italy, florence

credit_line: Fragment, c. 1900–1910. Benedetto Buglioni (Italian, 1461–1521). Glazed terracotta; overall: 198.1 x 165.1 cm (78 x 65 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1921.1180.g


title: Fishing at Iwaya on Enoshima

medium: triptych of color woodblock prints

country: Japan, Edo period (1615–1868)

subjects:
Print
Japan, edo period (1615–1868)

credit_line: Fishing at Iwaya on Enoshima (江之島岩屋の釣遊び), c. 1790. Kitagawa Utamaro (Japanese, c. 1754–1806). Triptych of color woodblock prints; each: 37.8 x 25.2 cm (14 7/8 x 9 15/16 in.). The Cleveland Museum of Art, Gift from J. H. Wade, 1921.407


title: Eight Views of Kanazawa at Night

creator: Utagawa Hiroshige (Japanese, 1797–1858)

medium: Triptych of color woodblock prints

credit_line: Eight Views of Kanazawa at Night, 1857. Utagawa Hiroshige (Japanese, 1797–1858). Triptych of color woodblock prints; sheet: 35.6 x 24.8 cm (14 x 9 3/4 in.); overall: 35.6 x 24.8 cm (14 x 9 3/4 in.). The Cleveland Museum of Art, Gift from J. H. Wade, 1921.410


title: The Pedestrian

creator: Honoré Daumier (French, 1808–1879)

medium: lithograph

credit_line: Bohemians of Paris: The Pedestrian, 1841. Honoré Daumier (French, 1808–1879), Aubert. Lithograph; sheet: 34.6 x 26.8 cm (13 5/8 x 10 9/16 in.); image: 24.5 x 17.7 cm (9 5/8 x 6 15/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.375


medium: ink, gold, and colors on paper

subjects: Afghanistan, herat, safavid period (1501–1722)

credit_line: Qur'an Manuscript Folio (verso); Text Page, 1500s. Afghanistan, Herat, Safavid period (1501–1722). Ink, gold, and colors on paper; sheet: 28 x 17.4 cm (11 x 6 7/8 in.); text area: 19.6 x 10.6 cm (7 11/16 x 4 3/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1924.746.2.b


title: Lace Handkerchief

country: Switzerland

subjects: Embroidery Switzerland

credit_line: Lace Handkerchief, 1800s. Switzerland. Plain weave linen center: bobbin lace (Valenciennes lace) edging and embroidery; average: 43.8 x 43.8 cm (17 1/4 x 17 1/4 in.). The Cleveland Museum of Art, Gift of John L. Severance, 1930.659


country: Egypt, Mamluk sultanate (1250–1517)

subjects:
Drawing
Egypt, mamluk sultanate (1250–1517)

credit_line: Qur'an Manuscript Folio (recto) (left side of bifolio), 1300s–1400s. Egypt, Mamluk sultanate (1250–1517). Ink, gold, and colors on paper; sheet: 23.7 x 16.2 cm (9 5/16 x 6 3/8 in.); text area: 15.4 x 8.5 cm (6 1/16 x 3 3/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1933.473.2.a


title: Qur'an Manuscript Folio

credit_line: Qur'an Manuscript Folio, 1300s–1400s. Egypt, Mamluk sultanate (1250–1517). Ink, gold, and colors on paper; sheet: 23.5 x 16.4 cm (9 1/4 x 6 7/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1933.474


title: Qur'an Manuscript Folio (verso)

credit_line: Qur'an Manuscript Folio (verso), 1300s–1400s. Egypt, Mamluk sultanate (1250–1517). Ink, gold, and colors on paper; sheet: 23.5 x 16.4 cm (9 1/4 x 6 7/16 in.); text area: 15.1 x 10.2 cm (5 15/16 x 4 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1933.474.b


title: Lace Edging Fragment

medium: Linen: needle lace (punto in aria)

country: Italy

subjects: Lace Italy

credit_line: Lace Edging Fragment, 1560–99. Italy. Linen: needle lace (punto in aria); average: 13.4 x 31.2 cm (5 1/4 x 12 5/16 in.). The Cleveland Museum of Art, The Frances McIntosh Sherwin Collection, 1936.203


medium: gum tempera and ink on palm leaves

subjects: Painting Palms

credit_line: Colophon, folio 188 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.188.a


title: Train Track Section

medium: wood

country: Denmark

subjects: Wood Denmark

credit_line: Train Track Section, 1900s. Denmark. Wood. The Cleveland Museum of Art, John D. Rockefeller General Education Board Grant II, 1939.681.1


title: Complete Skirt Border

medium: embroidery: silk on linen tabby ground

country: Greece, Crete, 18th century

subjects:
Embroidery
Greece, crete, 18th century

credit_line: Complete Skirt Border, 1700s. Greece, Crete, 18th century. Embroidery: silk on linen tabby ground; overall: 42.2 x 205.8 cm (16 5/8 x 81 in.). The Cleveland Museum of Art, Gift of Mrs. Chester C. Bolton, 1940.359


title: Lace Handkerchief

credit_line: Lace Handkerchief, 1800–1820. Switzerland. Plain weave linen center: bobbin lace (Valenciennes) and embroidered edging; average: 45.7 x 45.7 cm (18 x 18 in.). The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., for the Coralie Walker Hanna Memorial Collection, 1940.451


medium: color woodblock print

credit_line: A View of Mount Fuji and Travellers by a Bridge, ca. 1835. Katsushika Hokusai (Japanese, 1760–1849). Color woodblock print; sheet: 25.1 x 37.8 cm (9 7/8 x 14 7/8 in.). The Cleveland Museum of Art, Bequest of James Parmelee, 1940.997


title: Tea Bowl: Jian ware

medium: purplish brown stoneware with iron slip glaze coating

subjects: China, near shui ch'i, song dynasty (960-1279)

credit_line: Tea Bowl: Jian ware, 960–1279. China, near Shui ch'i, Song dynasty (960-1279). Purplish brown stoneware with iron slip glaze coating; diameter: 9 cm (3 9/16 in.); overall: 4.6 cm (1 13/16 in.). The Cleveland Museum of Art, John L. Severance Collection, 1942.134


medium: ink, tempera, and gold on vellum

country: France, Paris

credit_line: Book of Hours (Use of Paris): Decorated Initial, c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.169.139.a


title: A minister back in the water

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: News of the Day: A minister back in the water, 1851. Honoré Daumier (French, 1808–1879), Aubert. Lithograph; sheet: 23.6 x 34.8 cm (9 5/16 x 13 11/16 in.); image: 19.6 x 26.8 cm (7 11/16 x 10 9/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Theodore Spector, 1946.206


credit_line: News of the Day: Jean Goujon and Philibert Delorme Looking for the Courtyard of the Louvre, 1851. Honoré Daumier (French, 1808–1879), Aubert. Lithograph; sheet: 26.2 x 37.5 cm (10 5/16 x 14 3/4 in.); image: 19.9 x 27.7 cm (7 13/16 x 10 7/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Theodore Spector, 1946.207


credit_line: News of the Day: Convicted for having sold crushed sandstone instead of brown sugar, 1855. Honoré Daumier (French, 1808–1879), Destouches, Mon. Martinet, r. Rivoli, et 41 r. Vivienne. Lithograph; sheet: 24.7 x 36 cm (9 3/4 x 14 3/16 in.); image: 19.3 x 25.6 cm (7 5/8 x 10 1/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Theodore Spector, 1946.209


title: The revolt of the pastry chefs

credit_line: News of the Day: The revolt of the pastry chefs, 1858. Honoré Daumier (French, 1808–1879), Destouches, Mon. Martinet, r. Rivoli, et 41 r. Vivienne. Lithograph; sheet: 24.4 x 33.4 cm (9 5/8 x 13 1/8 in.); image: 20 x 25.6 cm (7 7/8 x 10 1/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Theodore Spector, 1946.211


title: A Candidate

medium: lithograph with watercolor

credit_line: Caricaturana: A Candidate, 1837. Honoré Daumier (French, 1808–1879), Aubert. Lithograph with watercolor; sheet: 33.2 x 26.1 cm (13 1/16 x 10 1/4 in.); image: 24.3 x 22.3 cm (9 9/16 x 8 3/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Theodore Spector, 1946.213


credit_line: News of the Day: It is not surprising that it is long with so many corrections., 1872. Honoré Daumier (French, 1808–1879). Lithograph; sheet: 29.3 x 27.2 cm (11 9/16 x 10 11/16 in.); image: 22.8 x 20.8 cm (9 x 8 3/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Theodore Spector, 1947.328


title: Cover for a Beaker

medium: enameled glass

country: Germany

subjects: Glass Germany

credit_line: Cover for a Beaker, 1693. Germany. Enameled glass. The Cleveland Museum of Art, John L. Severance Fund, 1948.234.b


title: Leaf from a Buddhist Manuscript (recto)

medium: fiber paper

subjects: Sri lanka, singhalese, late 17th century

credit_line: Leaf from a Buddhist Manuscript (recto), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.28.a


title: Leaf from a Buddhist Manuscript (verso)

credit_line: Leaf from a Buddhist Manuscript (verso), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.43.b


title: Leaf from a Buddhist Manuscript (verso)

credit_line: Leaf from a Buddhist Manuscript (verso), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.47.b


title: Leaf from a Buddhist Manuscript (recto)

credit_line: Leaf from a Buddhist Manuscript (recto), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.58.a


title: Leaf from a Buddhist Manuscript (verso)

credit_line: Leaf from a Buddhist Manuscript (verso), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.58.b


title: Leaf from a Buddhist Manuscript (verso)

credit_line: Leaf from a Buddhist Manuscript (verso), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.60.b


title: Leaf from a Buddhist Manuscript (recto)

credit_line: Leaf from a Buddhist Manuscript (recto), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.65.a


title: Leaf from a Buddhist Manuscript (recto)

credit_line: Leaf from a Buddhist Manuscript (recto), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.74.a


title: Leaf from a Buddhist Manuscript (recto)

credit_line: Leaf from a Buddhist Manuscript (recto), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.76.a


title: Leaf from a Buddhist Manuscript (recto)

credit_line: Leaf from a Buddhist Manuscript (recto), c. 1700. Sri Lanka, Singhalese, Late 17th century. Fiber paper; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1949.227.78.a


title: Crucifix

medium: silver

country: Spain

subjects: Sculpture Spain

credit_line: Crucifix, 1500s. Spain. Silver; overall: 22.7 x 21 cm (8 15/16 x 8 1/4 in.). The Cleveland Museum of Art, The Norweb Collection, 1950.366


medium: engraving

subjects: Print Germany

credit_line: The Labors of Hercules: Hercules Conquering Troy, 1545. Hans Sebald Beham (German, 1500–1550). Engraving. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1950.462


title: Sketchbook, (II): Sailboats

medium: graphite

country: America

credit_line: Sketchbook, (II): Sailboats , 1905–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.423.b


credit_line: Sketchbook, page 040: Notes and Two Figures , 1905–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.423.bb


title: Sketchbook, page 070: Two Figures

credit_line: Sketchbook, page 070: Two Figures , 1905–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.423.jj


title: Sketchbook, page 010: Notes

credit_line: Sketchbook, page 010: Notes , 1905–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.423.k


title: Sketchbook, page 013: Notes

credit_line: Sketchbook, page 013: Notes , 1905–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.423.m


title: Sketchbook, page 144: Notes

credit_line: Sketchbook, page 144: Notes , 1905–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.423.mmm


credit_line: Sketchbook, page 156 & 157: View of Sailboats , 1905–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.423.ppp


credit_line: Sketchbook- The Granite Shore Hotel, Rockport, page 028 & 29: "Rockport" , 1905–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.424.i


subjects: America Landscapes

credit_line: Sketchbook- The Granite Shore Hotel, Rockport, page 171: Landscape , 1905–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.424.ttt


credit_line: Sketchbook- The Granite Shore Hotel, Rockport, page 178: Fence, 1905–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.424.xxx


credit_line: Sketchbook- The Granite Shore Hotel, Rockport, page 063: Bathers, 1905–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.424.z


credit_line: Sketchbook, The Dells, N° 127, page 146 & 147: Landscape with figures and buildings, c. 1919–1921. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite ; sheet: 20 x 13.1 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.425.ddd


credit_line: Sketchbook, The Dells, N° 127, page 154 & 155: Landscape with Houses, c. 1919–1921. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite ; sheet: 20 x 13.1 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.425.hhh


credit_line: Sketchbook, The Dells, N° 127, page 046: House, c. 1919–1921. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite ; sheet: 20 x 13.1 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.425.j


credit_line: Sketchbook, The Dells, N° 127, page 107: Landscape with Figures and dog, c. 1919–1921. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 20 x 13.1 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.425.jj


credit_line: Sketchbook, The Dells, N° 127, page 176 & 177: "Annisquam - Glocester", c. 1919–1921. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite ; sheet: 20 x 13.1 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.425.nnn


credit_line: Sketchbook, The Dells, N° 127, page 186: Dock, c. 1919–1921. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 20 x 13.1 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.425.ppp


credit_line: Sketchbook, The Dells, N° 127, page 119: Two Seated Figures , c. 1919–1921. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite ; sheet: 20 x 13.1 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.425.qq


title: Book of Fountains:  No. 3

creator: Gabriel Huquier (French, 1695–1772)

medium: etching

country: France

subjects: Print France

credit_line: Book of Fountains:  No. 3, c. 1736. Gabriel Huquier (French, 1695–1772), after François Boucher (French, 1703–1770). Etching. The Cleveland Museum of Art, Gift of Erich Lederer, 1953.673


creator: Samuel Prout (British, 1783–1852)

medium: graphite with gray wash

country: England, 19th century

subjects:
England, 19th century
Landscapes

credit_line: Sketchbook: "Mountainous Landscape with Bridge", 1814. Samuel Prout (British, 1783–1852). Graphite with gray wash; each page: 13.5 x 23.4 cm (5 5/16 x 9 3/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Herbert N. Bier, London, 1954.648.f


title: The Gotha Missal:  Fol. 10v, Text

creator: Master of the Boqueteaux (French)

medium: ink, tempera, and gold on vellum; blind-tooled leather binding

credit_line: The Gotha Missal:  Fol. 10v, Text , c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.10.b


title: The Gotha Missal:  Fol. 100r, Text

credit_line: The Gotha Missal:  Fol. 100r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.100.a


title: The Gotha Missal:  Fol. 119r, Text

credit_line: The Gotha Missal:  Fol. 119r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.119.a


credit_line: The Gotha Missal:  Fol. 122v, The Birth of the Virgin, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.122.b


title: The Gotha Missal:  Fol. 14v, Text

credit_line: The Gotha Missal:  Fol. 14v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.14.b


title: The Gotha Missal:  Fol. 140v, Text

credit_line: The Gotha Missal:  Fol. 140v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.140.b


title: The Gotha Missal:  Fol. 151v, Text

credit_line: The Gotha Missal:  Fol. 151v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.151.b


title: The Gotha Missal:  Fol. 154v, Text

credit_line: The Gotha Missal:  Fol. 154v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.154.b


title: The Gotha Missal:  Fol. 162v, Text

credit_line: The Gotha Missal:  Fol. 162v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.162.b


title: The Gotha Missal:  Fol. 38r, Text

credit_line: The Gotha Missal:  Fol. 38r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.38.a


title: The Gotha Missal:  Fol. 39r, Text

credit_line: The Gotha Missal:  Fol. 39r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.39.a


title: The Gotha Missal:  Fol. 40r, Text

credit_line: The Gotha Missal:  Fol. 40r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.40.a


title: The Gotha Missal:  Fol. 47v, Text

credit_line: The Gotha Missal:  Fol. 47v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.47.b


title: The Gotha Missal:  Fol. 5r, Text

credit_line: The Gotha Missal:  Fol. 5r, Text , c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.5.a


title: The Gotha Missal:  Fol. 53v, Text

credit_line: The Gotha Missal:  Fol. 53v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.53.b


title: The Gotha Missal:  Fol. 54v, Text

credit_line: The Gotha Missal:  Fol. 54v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.54.b


title: The Gotha Missal:  Fol. 57v, Text

credit_line: The Gotha Missal:  Fol. 57v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.57.b


title: The Gotha Missal:  Fol. 58r, Text

credit_line: The Gotha Missal:  Fol. 58r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.58.a


title: The Gotha Missal:  Fol. 59v, Text

credit_line: The Gotha Missal:  Fol. 59v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.59.b


title: The Gotha Missal:  Fol. 67v, Text

credit_line: The Gotha Missal:  Fol. 67v, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.67.b


title: The Gotha Missal:  Fol. 8v, Text

credit_line: The Gotha Missal:  Fol. 8v, Text , c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.8.b


credit_line: The Gotha Missal:  Fol. 83r, Corpus Domini, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.83.a


title: The Gotha Missal:  Fol. 97r, Text

credit_line: The Gotha Missal:  Fol. 97r, Text, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.97.a


title: Ragini

date: early to mid-1900s

medium: Gum tempera and ink on paper

country: India

subjects: Painting India

credit_line: Ragini, early to mid-1900s. India. Gum tempera and ink on paper; overall: 20.8 x 18.1 cm (8 3/16 x 7 1/8 in.). The Cleveland Museum of Art, Grace Rainey Rogers Fund, 1963.99


medium: gold

country: Byzantium, late 7th-early 8th century

subjects:
Coin
Byzantium, late 7th-early 8th century

credit_line: Solidus with Tiberius III Apsimarus (reverse), 698–705. Byzantium, late 7th-early 8th century. Gold; diameter: 2 cm (13/16 in.). The Cleveland Museum of Art, Gift of William Mathewson Milliken, in memory of his father Thomas Kennedy Milliken, 1968.58.b


title: Hotei with Daoist Immortals: Hotei

creator: Kyūseki Tomonobu (Japanese, 1653–1721)

date: late 1600s–early 1700s

medium: triptych of hanging scrolls: ink on paper

subjects:
Painting
Japan, edo period (1615–1868)

credit_line: Hotei with Daoist Immortals: Hotei, late 1600s–early 1700s. Kyūseki Tomonobu (Japanese, 1653–1721). Triptych of hanging scrolls: ink on paper; painting only: 119.6 x 51 cm (47 1/16 x 20 1/16 in.); including mounting: 210.2 x 68.6 cm (82 3/4 x 27 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1989.8.2


medium: gold, ink and colors on parchment

credit_line: Qur'an Manuscript Folio (verso); Left side of Bifolio, 800s. North Africa, Aghlabid or Abbasid Period, 9th century. Gold, ink and colors on parchment; overall: 26.7 x 73 cm (10 1/2 x 28 3/4 in.); text area: 22.8 x 30 cm (9 x 11 13/16 in.). The Cleveland Museum of Art, The Severance and Greta Millikin Purchase Fund, 1993.39.2.b


title: Suite of Vases:  Plate 28

credit_line: Suite of Vases:  Plate 28, 1746. Jacques François Saly (French, 1717–1776). Etching. The Cleveland Museum of Art, John L. Severance Fund, 1996.229.29