credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.240.a


medium: gum tempera, ink, and gold on paper

source: The Cleveland Museum of Art

source_id: cleveland

rights: Public Domain / CC0

rights_statement: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.241.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.242.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.251.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.255.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.257.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.260.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.265.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.288.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20 x 13.6 cm (7 7/8 x 5 3/8 in.); text field: 16.7 x 10.6 cm (6 9/16 x 4 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.29.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.290.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.297.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.298.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.303.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.317.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.339.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20 x 14.3 cm (7 7/8 x 5 5/8 in.); text field: 16.7 x 10.3 cm (6 9/16 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.34.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.54.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20 x 13.6 cm (7 7/8 x 5 3/8 in.); text field: 16.7 x 9.9 cm (6 9/16 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.58.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20 x 13.4 cm (7 7/8 x 5 1/4 in.); text field: 16.6 x 10 cm (6 9/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.61.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 19.9 x 14.2 cm (7 13/16 x 5 9/16 in.); text field: 16.4 x 10.6 cm (6 7/16 x 4 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.8.b


creator: Louis Haghe (British, 1806–1885)

medium: lithograph

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: Sketches in Belgium and Germany, First Series, Pulpit in the Cathedral of Treves, 1845. Louis Haghe (British, 1806–1885). Lithograph. The Cleveland Museum of Art, Gift of J. Byers Hays, 1963.184


creator: Joseph Nash (British, 1808–1878)

subjects:
Architecture
Print
England, 19th century

credit_line: Architecture of the Middle Ages:  Chapel in St. Jacques, Dieppe, 1838. Joseph Nash (British, 1808–1878). Lithograph. The Cleveland Museum of Art, Gift of J. Byers Hays, 1963.192


credit_line: Architecture of the Middle Ages:  Church at Serran, near Gisore, 1838. Joseph Nash (British, 1808–1878). Lithograph. The Cleveland Museum of Art, Gift of J. Byers Hays, 1963.194


credit_line: Architecture of the Middle Ages:  In St. Remi, Abbeville, 1838. Joseph Nash (British, 1808–1878). Lithograph. The Cleveland Museum of Art, Gift of J. Byers Hays, 1963.199


credit_line: Architecture of the Middle Ages:  In Arundel Church, Sussex, 1832 (?). Joseph Nash (British, 1808–1878). Lithograph. The Cleveland Museum of Art, Gift of J. Byers Hays, 1963.196


creator: Thomas Rowlandson (British, 1756–1827)

medium: etching, hand colored

credit_line: Dolphins Inn:  Greenwich and Woolwich Coaches, 1816. Thomas Rowlandson (British, 1756–1827). Etching, hand colored. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1964.19


title: Vase (lid)

medium: carved wood

credit_line: Vase (lid), 1622–1722. China, Qing dynasty (1644-1911), Kangxi reign (1661-1722). Carved wood; lid: 9.8 x 12.8 cm (3 7/8 x 5 1/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.190.b


title: Pair of Cylinders

medium: jade; carved jade and gilt bronze

credit_line: Pair of Cylinders, 1800–1940. China, Qing dynasty (1644-1911) or Republican period (1912-49). Jade; carved jade and gilt bronze; with base: 25.6 x 10.5 cm (10 1/16 x 4 1/8 in.); cylinder: 21.1 x 5.7 cm (8 5/16 x 2 1/4 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.234


medium: silver

credit_line: Drachma: Bust of Hormizd II, r., wearing crown (obverse), 302–9 CE. Iran, (minted), Sasanian Empire (224–651 CE), reign of Hormizd II (303–309). Silver; diameter: 2.6 cm (1 in.). The Cleveland Museum of Art, Gift of Edward Gans, 1965.316.a


medium: lacquer on wood with decoration in maki-e

country: Japan, Muromachi period (1392–1573)

subjects:
Lacquer
Japan, muromachi period (1392–1573)
Trees

credit_line: Mirror Container with Design of Maple Tree and Autumn Shower (lid), 1400s. Japan, Muromachi period (1392–1573). Lacquer on wood with decoration in maki-e; diameter: 12.2 cm (4 13/16 in.); overall: 3.1 cm (1 1/4 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1965.34.b


title: The Old Oaken Bucket

country: America

subjects: Print America

credit_line: The Old Oaken Bucket, c. 1857–72. And James Merritt Ives (American, 1824–1895), Nathaniel Currier (American, 1813–1888). Lithograph. The Cleveland Museum of Art, In memory of Harold T. Clark, Gift of Mrs. Harold T. Clark, 1965.531


title: Crest of the Hill

creator: Ernest Haskell (American, 1876–1925)

credit_line: Crest of the Hill. Ernest Haskell (American, 1876–1925). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Ernest Haskell, 1965.54


title: Box with Cover

medium: porcelain with wucai (five color) overglaze enamel decoration

credit_line: Box with Cover, 1573–1620. China, Jiangxi province, Jingdezhen kilns, Ming dynasty (1368-1644), Wanli reign (1572-1620). Porcelain with wucai (five color) overglaze enamel decoration; overall: 9 x 18.4 cm (3 9/16 x 7 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.117


title: Voyage en Italie en 1822

country: France, 19th century

credit_line: Voyage en Italie en 1822, 1833. Jean-Baptiste Isabey (French, 1767–1855). Lithograph. The Cleveland Museum of Art, Gift of Harold T. Clark in memory of Mrs. William B. Sanders, 1966.218.g


title: Voyage en Italie en 1822

credit_line: Voyage en Italie en 1822, 1833. Jean-Baptiste Isabey (French, 1767–1855). Lithograph. The Cleveland Museum of Art, Gift of Harold T. Clark in memory of Mrs. William B. Sanders, 1966.218.n


creator: Jean Henri Marlet (French, 1770–1847)

subjects:
Print
France, 19th century

credit_line: Scenes of Paris: The Brothers Conducting the Children to St. Nicholas of the Fields, 1820s. Jean Henri Marlet (French, 1770–1847). Lithograph. The Cleveland Museum of Art, L. E. Holden Fund, 1966.347


title: Vulture

creator: Félix Bracquemond (French, 1833–1914)

medium: etching

country: France, early 20th Century

subjects:
Print
France, early 20th century

credit_line: Vulture, 1904. Félix Bracquemond (French, 1833–1914). Etching; sheet: 38.3 x 28.3 cm (15 1/16 x 11 1/8 in.); platemark: 36.2 x 26.4 cm (14 1/4 x 10 3/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard H. Zinser, 1966.726


creator: Zhang Ruoai (Chinese, 1713–1746)

medium: album leaf, ink and color on paper

country: China, Qing dynasty (1644-1911)

subjects:
Painting
China, qing dynasty (1644-1911)
Birds
Flowers

credit_line: Desk Album: Flower and Bird Paintings (mallow flowers), 1700s. Zhang Ruoai (Chinese, 1713–1746). Album leaf, ink and color on paper; image: 14.4 x 20.3 cm (5 11/16 x 8 in.); album, closed: 15 x 10.8 x 3 cm (5 7/8 x 4 1/4 x 1 3/16 in.). The Cleveland Museum of Art, Anonymous Gift, 1967.193.c


title: Reproduction of a Florentine Velvet

date: mid 20th century

medium: plain weave cotton

country: Italy, Venice

subjects:
Costume & fashion
Textile
Italy, venice

credit_line: Reproduction of a Florentine Velvet, mid 20th century. Mariano Fortuny y Madrazo (Spanish, 1871–1949). Plain weave cotton; overall: 166.7 x 72.4 cm (65 5/8 x 28 1/2 in.). The Cleveland Museum of Art, Gift of Louise G. Schroeder, 1967.213


title: Portrait of Jan Six

creator: Rembrandt van Rijn (Dutch, 1606–1669)

country: Netherlands

subjects: Print Netherland Portraits

credit_line: Portrait of Jan Six. After Rembrandt van Rijn (Dutch, 1606–1669). Etching. The Cleveland Museum of Art, Gift of Mrs. Charles F. Devine, 1968.252


creator: Horace Vernet (French, 1789–1863)

credit_line: Receuil d'essais lithographiques:  Le Lancier en Vedette, 1816. Horace Vernet (French, 1789–1863). Lithograph; image: 23.5 x 20.6 cm (9 1/4 x 8 1/8 in.); overall: 31 x 24.2 cm (12 3/16 x 9 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1968.253.b


creator: William Blake (British, 1757–1827)

medium: engraving

credit_line: The Book of Job:  Pl. 2, When the Almighty was yet with me, When my Children / were about me, 1825. William Blake (British, 1757–1827). Engraving. The Cleveland Museum of Art, Gift of Edgar A. Hahn, 1968.260.c


credit_line: The Book of Job:  Pl. 17, I have heard thee with the hearing of the Ear but now my Eye seeth thee, 1825. William Blake (British, 1757–1827). Engraving. The Cleveland Museum of Art, Gift of Edgar A. Hahn, 1968.260.r


credit_line: The Book of Job:  Pl. 20, There were not found Women fair as the Daughters of Job / in all the Land, 1825. William Blake (British, 1757–1827). Engraving. The Cleveland Museum of Art, Gift of Edgar A. Hahn, 1968.260.u


title: Ribbon

medium: silk

country: France, late 19th century

subjects:
Costume & fashion
Textile
France, late 19th century

credit_line: Ribbon, c. 1870s. France, late 19th century. Silk; overall: 134.6 x 10.8 cm (53 x 4 1/4 in.). The Cleveland Museum of Art, Transfer from Education Art Collection, 1968.475


date: early 600s

medium: gold

country: England, Anglo-Saxon, early 7th century

subjects:
Coin
England, anglo-saxon, early 7th century

credit_line: Witmen Tremissis: Cross Fourchée (reverse), early 600s. England, Anglo-Saxon, early 7th century. Gold; diameter: 1.1 cm (7/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.159.b


country: England, Edward III, 1327-1377

subjects:
Ornament & design
Coin
England, edward iii, 1327-1377

credit_line: Noble: Ornamental Cross with Lis Terminals (reverse), 1351. England, Edward III, 1327-1377. Gold; diameter: 3.4 cm (1 5/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.160.b


country: England, Henry IV, 1399-1413

subjects:
Ornament & design
Coin
England, henry iv, 1399-1413
Ships & the sea

credit_line: Noble: Henry IV Standing in Ship with Shield of Arms (obverse); Ornamental Cross with Lis Terminals (reverse), 1399–1412. England, Henry IV, 1399-1413. Gold; diameter: 3.4 cm (1 5/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.163.a


title: Halfcrown: Elizabeth I (obverse)

country: England, Elizabeth I, 1558-1603

subjects:
Coin
England, elizabeth i, 1558-1603

credit_line: Halfcrown: Elizabeth I (obverse), 1592–95. England, Elizabeth I, 1558-1603. Gold; diameter: 1.5 cm (9/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.184.a


title: Rose Ryal: James I (obverse)

country: England, James I, 1603-1625

subjects:
Coin
England, jame i, 1603-1625
Roses

credit_line: Rose Ryal: James I (obverse), 1619–1620. England, James I, 1603-1625. Gold; diameter: 4.3 cm (1 11/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.190.a


title: Laurel: James I (obverse)

subjects:
Coin
England, jame i, 1603-1625

credit_line: Laurel: James I (obverse), 1619–1620. England, James I, 1603-1625. Gold; diameter: 3.7 cm (1 7/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.191.a


title: Five Guineas: Charles II (obverse)

creator: John Roettier (British, 1631–1703)

country: England, Charles II, 1660-1685

subjects:
Coin
England, charle ii, 1660-1685

credit_line: Five Guineas: Charles II (obverse), 1668. Design by John Roettier (British, 1631–1703). Gold; diameter: 3.7 cm (1 7/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.199.a


country: England, William and Mary, 1688-1694

subjects:
Coin
England, william and mary, 1688-1694

credit_line: Five Guineas: Crowned Shield of Arms (reverse), 1691. England, William and Mary, 1688-1694. Gold; diameter: 3.6 cm (1 7/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.201.b


title: Two Pound Piece: William IV (obverse)

country: England, William IV, 1830-1837

subjects:
Coin
England, william iv, 1830-1837

credit_line: Two Pound Piece: William IV (obverse), 1831. Engraved by Jean Baptiste Merlen (French, 1769–1850), William Wyon (British, 1795–1851). Gold; diameter: 3.8 cm (1 1/2 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.216.a


title: Ring

medium: Copper alloy

credit_line: Ring, by 1969. Africa, West Africa, Côte d'Ivoire, Senufo-style maker. Copper alloy. The Cleveland Museum of Art, The Harold T. Clark Educational Extension Fund, 1969.582


medium: gum tempera and ink on palm leaf

country: Western India, Gujarat, 13th century

subjects:
Painting
Western india, gujarat, 13th century
Palms

credit_line: Folio 2 (verso), from a Kalpa-sutra and Story of Kalakacharya, 1287. Western India, Gujarat, 13th century. Gum tempera and ink on palm leaf; overall: 5.3 x 17.1 cm (2 1/16 x 6 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1971.120.b


creator: Jan Saenredam (Dutch, 1565–1607)

country: Netherlands, 16th century

subjects:
Print
Netherlands, 16th century

credit_line: Heroines of the New Testament:  The Woman of Samaria, c. 1595. Jan Saenredam (Dutch, 1565–1607), after Hendrick Goltzius (Dutch, 1558–1617). Engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1973.131.1


credit_line: Heroines of the New Testament:  The Woman with the Issue of Blood, c. 1595. Jan Saenredam (Dutch, 1565–1607), after Hendrick Goltzius (Dutch, 1558–1617). Engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1973.131.3


title: Jar

medium: earthenware

credit_line: Jar, 3000 BCE. South East Asia, Thailand, Ban Chiang, Neolithic period. Earthenware; overall: 23.2 cm (9 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1973.162


title: Male Feline-Shaped Container

medium: cast copper alloy

country: Peru, North Coast, Moche style

subjects:
Sculpture
Peru, north coast, moche style

credit_line: Male Feline-Shaped Container, 50–800 CE. Peru, North Coast, Moche style. Cast copper alloy; overall: 7.7 x 10.2 cm (3 1/16 x 4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1973.164.a


title: One of Ten Nesting Wedding Baskets

medium: Plant fiber and leather

subjects: Botany Vessel

credit_line: One of Ten Nesting Wedding Baskets, c 1900s?. Africa, Western Africa, Burkina Faso, Lobi–style maker. Plant fiber and leather; diameter of mouth with rim: 6.8 x 7 cm (2 11/16 x 2 3/4 in.). The Cleveland Museum of Art, The Harold T. Clark Educational Extension Fund, 1975.1011.8


creator: Léopold Robert (Swiss, 1794–1835)

medium: pencil with white ink corrections

country: France, 19th century

subjects:
Drawing
France, 19th century

credit_line: Pilgrims Returning from the Feast Day of the Madonna dell'Arco, 1827. Léopold Robert (Swiss, 1794–1835). Pencil with white ink corrections. The Cleveland Museum of Art, Mary E. Hercik Bequest, 1975.27


title: Figure of a Woman

medium: pencil on paper

credit_line: Figure of a Woman. Michel-Martin Drölling (French, 1786–1851). Pencil on paper; image: 15.3 x 5.1 cm (6 x 2 in.); paper: 17.8 x 9.6 cm (7 x 3 3/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Noah L. Butkin, 1977.1030


creator: Jules Abel Faivre (French, 1867–1945)

medium: red and blue crayon, heightened with white, on tan paper

country: France, late 19th-early 20th century

subjects:
Drawing
France, late 19th-early 20th century

credit_line: Study of a Child's Head and Study of a Woman's Hand and Drapery. Jules Abel Faivre (French, 1867–1945). Red and blue crayon, heightened with white, on tan paper; image: 24.2 x 21.6 cm (9 1/2 x 8 1/2 in.); paper: 28.6 x 21.6 cm (11 1/4 x 8 1/2 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Noah L. Butkin, 1977.1040


title: Sugar Bowl and Lid (lid)

country: England, 19th century

subjects:
Ceramic
England, 19th century

credit_line: Sugar Bowl and Lid (lid), c. 1800–1825. England, 19th century. Earthenware; overall: 14.7 x 22.6 x 13.7 cm (5 13/16 x 8 7/8 x 5 3/8 in.). The Cleveland Museum of Art, Gift from the Collection of Albert G. Levine, 1977.85.2.b


creator: Félix Ziem (French, 1821–1911)

medium: graphite and gray, blue, orange and red wash

credit_line: Pavilion Near a Mosque (recto) Sketch for Pavilion Near a Mosque (verso) , 1800s. Félix Ziem (French, 1821–1911). Graphite and gray, blue, orange and red wash; sheet: 26.7 x 41.2 cm (10 1/2 x 16 1/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Noah L. Butkin, 1978.130


title: Three Fragments from a Border

date: before 1968

medium: Wool and linen: tapestry weave

country: Egypt

subjects:
Costume & fashion
Textile
Egypt

credit_line: Three Fragments from a Border, before 1968. Egypt. Wool and linen: tapestry weave; overall: 18.5 x 4.1 cm (7 5/16 x 1 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.273.a


title: Fragment

country: Unassigned, Probably Modern

subjects:
Costume & fashion
Textile
Unassigned, probably modern

credit_line: Fragment, before 1968. Unassigned, Probably Modern. Silk; overall: 26 x 22.7 cm (10 1/4 x 8 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.282.a


title: Fragment

credit_line: Fragment, before 1968. Unassigned, Probably Modern. Silk; overall: 16.8 x 21 cm (6 5/8 x 8 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.282.b


title: Fragment

medium: velvet

country: India, 6th-16th century

subjects:
Velvet
India, 6th-16th century

credit_line: Fragment, 500s–1500s. India, 6th-16th century. Velvet; overall: 53.5 x 17.5 cm (21 1/16 x 6 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.294


title: Fragments from a Curtain

medium: tapestry (originally inwoven in tabby ground, applied to plain tabby linen); linen and wool

country: Egypt, Byzantine period

subjects:
Costume & fashion
Textile
Egypt, byzantine period

credit_line: Fragments from a Curtain, 300s–500s CE. Egypt, Byzantine period. Tapestry (originally inwoven in tabby ground, applied to plain tabby linen); linen and wool; overall: 6.8 x 6.2 cm (2 11/16 x 2 7/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.142.c


title: Fragment

medium: tabby with supplementary weft; silk

country: Egypt, Ayyubid, 12th century

subjects:
Costume & fashion
Textile
Egypt, ayyubid, 12th century

credit_line: Fragment, 1100s. Egypt, Ayyubid, 12th century. Tabby with supplementary weft; silk; overall: 21.5 x 5 cm (8 7/16 x 1 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.147.a


country: Egypt, Umayyad period (661–750)?

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, umayyad period (661–750)

credit_line: Fragment from a Child's Tunic: Right Corner Band, 600s–700s. Egypt, Umayyad period (661–750)?. Wool and linen: tabby weave, inwoven tapestry ornament; overall: 20.5 x 22.5 cm (8 1/16 x 8 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.152.e


title: Fragment of a Textile

date: early 1900s

medium: damask; silk and gold filé

country: France, early 20th century

subjects:
Costume & fashion
Textile
France, early 20th century

credit_line: Fragment of a Textile, early 1900s. France, early 20th century. Damask; silk and gold filé; overall: 18 x 14 cm (7 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mr. S. Amini, 1983.241


title: Fragment of Decorative Band

medium: silk: compound twill weave

country: Egypt or Syria

subjects:
Ornament & design
Costume & fashion
Textile
Egypt or syria

credit_line: Fragment of Decorative Band, before 1968. Egypt or Syria. Silk: compound twill weave; overall: 22.5 x 6.3 cm (8 7/8 x 2 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.247


title: Norwich Cathedral Spire

creator: Muirhead Bone (British, 1876–1953)

medium: drypoint

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: Norwich Cathedral Spire, 1937. Muirhead Bone (British, 1876–1953). Drypoint. The Cleveland Museum of Art, Gift of Mr. and Mrs. Robert L. Shearer in memory of Leona E. Prasse, 1985.167


creator: Torii Kiyomasu (Japanese)

medium: color woodblock print

country: Japan, Edo period (1615–1868)

subjects:
Print
Japan, edo period (1615–1868)
Flowers

credit_line: A Beauty Carrying Two Buckets of Flowers, c. 1696–1716. Style of Torii Kiyomasu (Japanese). Color woodblock print; sheet: 17.5 x 17 cm (6 7/8 x 6 11/16 in.). The Cleveland Museum of Art, Gift of Jeptha H. Wade in honor of Emily V. Wade, 1985.242


title: Delftware Plate

medium: glazed ceramic

country: Netherlands, Holland

subjects:
Ceramic
Netherlands, holland

credit_line: Delftware Plate, c. 1750. Netherlands, Holland. Glazed ceramic; overall: 5.7 x 34.9 cm (2 1/4 x 13 3/4 in.). The Cleveland Museum of Art, Bequest of Mrs. Maude F. Laws, 1986.1099


title: Cover for a Bowl

medium: twined grasses

subjects:
Basketry
Grasses & sedges

credit_line: Cover for a Bowl, c. 1875–1925. Northwest Coast, Makah, late 19th-early 20th century. Twined grasses; overall: 6 x 8.5 cm (2 3/8 x 3 3/8 in.). The Cleveland Museum of Art, Anonymous Gift, 1986.1139.b


creator: Stephen Gooden (British, 1892–1955)

medium: engraving

credit_line: Illustration for "Peronnik the Fool":  A Gargoyle, 1933. Stephen Gooden (British, 1892–1955). Engraving; image: 7.2 x 10 cm (2 13/16 x 3 15/16 in.); sheet: 31 x 25.5 cm (12 3/16 x 10 1/16 in.). The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in memory of her husband Robert Lundie Shearer, 1986.139.8


medium: watercolor with graphite on white paper laid down on brown paper

country: Germany

subjects: Germany Landscapes

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 22a: "Terme di Diocleziano, Rome", c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Watercolor with graphite on white paper laid down on brown paper. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.bb


medium: graphite on brown paper

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 45a: Rocky Landscape, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite on brown paper. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.ccc


medium: graphite

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 03a: In villa Walkonsky, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.d


medium: graphite and brown wash

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 47a: " Torre del Nero, Rome", c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite and brown wash. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.eee


medium: graphite with brown wash

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 27a: "Frascati", c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite with brown wash. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.gg


credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 48b: Roman Landscape, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.ggg


subjects: Architecture Germany Landscapes

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 32a: Roman Temple, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite on brown paper. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.mm


credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 35a: "Rocca di Papa", c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.pp


credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 16b: Roman View, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.t


medium: graphite with watercolor

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 41a: "St. Pietro, Toscanella", c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite with watercolor. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.yy


creator: Derby (Crown Derby Period) (British)

medium: porcelain

country: England, Derby, 18th century

subjects:
Ceramic
England, derby, 18th century

credit_line: Plate from Dessert Service: Tall Blue Aster, c. 1800. Derby (Crown Derby Period) (British). Porcelain; diameter: 23.6 cm (9 5/16 in.); overall: 3.1 cm (1 1/4 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.189.10


credit_line: Plate from Dessert Service: Geranium Terabinthinum, c. 1800. Derby (Crown Derby Period) (British). Porcelain; diameter: 23.7 cm (9 5/16 in.); overall: 3.2 cm (1 1/4 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.189.7


creator: Anonymous

date: 19th century

medium: graphite, with stylus and traces of red gouache(?)

subjects:
Botany
Drawing
France, 19th century

credit_line: Reclining Female Nude (recto); Various Sketches of Figures and Plants (verso), 19th century. Anonymous. Graphite, with stylus and traces of red gouache(?); sheet: 33.8 x 22.6 cm (13 5/16 x 8 7/8 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.242


title: Female Figure

medium: pottery with burnished buff slip and asphalt paint

credit_line: Female Figure, 200–500 CE. Mexico, Southern Veracruz, Limon, Remojades Monumental Sculpture type. Pottery with burnished buff slip and asphalt paint; overall: 51.8 x 34.2 x 12.7 cm (20 3/8 x 13 7/16 x 5 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. James C. Gruener, 1990.243.2


medium: cloisonné enamel

subjects: Enamel Flowers

credit_line: Snuff Bottle with Floral Scrolls (stopper) (鼻煙壺), 1736–95. China, Qing dynasty (1644-1911), Qianlong mark and reign (1736-95). Cloisonné enamel; overall: 7 cm (2 3/4 in.). The Cleveland Museum of Art, Seventy-fifth anniversary gift of Mrs. Noah L. Butkin, 1991.128.2.b


title: Sketchbook, page 2: Studies of Legs

creator: Ernest Meissonier (French, 1815–1891)

country: France

credit_line: Sketchbook, page 2: Studies of Legs, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.b


title: Sketchbook, page 29: Landscape Study

subjects: France Landscapes

credit_line: Sketchbook, page 29: Landscape Study, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.cc


credit_line: Sketchbook, page 83: Study of a Face, Legs, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.cccc


credit_line: Sketchbook, page 56 & 57: Study of a Horse, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.ddd


subjects:
France
Ships & the sea

credit_line: Sketchbook, page 84: Figure Study, Study of a Ship, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.dddd


title: Sketchbook, page 32: Study of Figures

credit_line: Sketchbook, page 32: Study of Figures, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.ff


credit_line: Sketchbook, page 91: Figures on Horseback, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.jjjj


credit_line: Sketchbook, page 64: Figures on a Stairway, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.kkk


credit_line: Sketchbook, page 13: Bust of a Man in Profile, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.m


title: Sketchbook, page 78: Landscape Study

credit_line: Sketchbook, page 78: Landscape Study, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.xxx


credit_line: Sketchbook, page 26: Study of a Head and a Lamp, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.z


title: Dagger

medium: cassowary bone

subjects: New guinea, sepik river region, 20th century

credit_line: Dagger, 1900s. New Guinea, Sepik River Region, 20th century. Cassowary bone; overall: 31.2 x 4.8 x 4.9 cm (12 5/16 x 1 7/8 x 1 15/16 in.). The Cleveland Museum of Art, Gift of Al Schroeder and his grandchildren, 1992.366


medium: gilt bronze

country: Japan, possibly Edo period (1615-1868)

subjects:
Ornament & design
Metalwork
Japan, possibly edo period (1615-1868)

credit_line: Tortoise-shaped Sword-Grip Ornament (Menuki), c. 1615–1868. Japan, possibly Edo period (1615-1868). Gilt bronze. The Cleveland Museum of Art, Bequest of Maud Eells Corning, 1992.376


title: Beyond Human Forces (Part 2)

creator: Édouard Vuillard (French, 1868–1940)

medium: lithograph

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Beyond Human Forces (Part 2), 1897. Édouard Vuillard (French, 1868–1940). Lithograph. The Cleveland Museum of Art, Gift of Cleveland Print Auction, 1992.396


creator: Abraham Munting (Dutch, 1626–1683)

medium: etching, hand colored with watercolor

country: Netherlands

subjects: Print Netherland

credit_line: Phytographia Curiosa:  Apocynum Virginianum, c. 1651–83. Abraham Munting (Dutch, 1626–1683). Etching, hand colored with watercolor; overall: 31.9 cm (12 9/16 in.). The Cleveland Museum of Art, Gift of John C. Bonebrake in honor of Louise S. Richards, 1994.144


title: Camera Work: Poplars and Clouds

creator: Hans Watzek (Austrian, 1848–1903)

medium: photogravure

country: Austria

credit_line: Camera Work: Poplars and Clouds, 1906. Hans Watzek (Austrian, 1848–1903). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.13.h


title: Camera Work: Spring

creator: Joseph T. Keiley (American, 1969–1914)

country: America

credit_line: Camera Work: Spring, 1907. Joseph T. Keiley (American, 1969–1914). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.17.d


title: Camera Work: The Banks of Lethe

credit_line: Camera Work: The Banks of Lethe, 1907. F. Benedict Herzog (American, c. 1859–1912). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.17.e


title: Camera Work: Bolney Backwater

creator: J. Craig Annan (British, 1864–1946)

credit_line: Camera Work: Bolney Backwater, 1910. J. Craig Annan (British, 1864–1946). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.32.d


title: Camera Work: Number 41, January 1913

creator: Alfred Stieglitz (American, 1864–1946)

credit_line: Camera Work: Number 41, January 1913, 1913. Alfred Stieglitz (American, 1864–1946), Julia Margaret Cameron (British, 1815–1879). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.41


title: Camera Work: Joachim

credit_line: Camera Work: Joachim, 1913. Julia Margaret Cameron (British, 1815–1879). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.41.d


title: Camera Work: A Franciscan, Venice

credit_line: Camera Work: A Franciscan, Venice, 1904. J. Craig Annan (British, 1864–1946). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.8.a


credit_line: Camera Work: Prof. John Young, of Glascow University, 1904. J. Craig Annan (British, 1864–1946). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.8.d


creator: Edward S. Curtis (American, 1868–1952)

subjects: Portfolio America

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio I, Plate 12: Renegade Type-Apache, 1903. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.21.12


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio I, Plate 38: Sunset in Navaho-Land, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.21.38


title: Portfolio I, Plate 5: Alchisé-Apache

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio I, Plate 5: Alchisé-Apache, 1903. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.21.5


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio IV, Plate 136: In Black Cañon--Apsaroke, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.24.25


title: Portfolio VI, Plate 212: Cheyenne Girl

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio VI, Plate 212: Cheyenne Girl, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.26.29


title: Portfolio IX, Plate 311: Basket Carrier

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio IX, Plate 311: Basket Carrier, 1899. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.29.19


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XVI, Plate 545: Iahla ("Willow") - Taos, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.36.2


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XVI, Plate 566: Acoma from the South, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.36.23


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XVI, Plate 567: Old Trail at Acoma, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.36.24


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XVI, Plate 568: Acoma Water Carriers, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.36.25


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XVI, Plate 571: At the Old Well of Acoma, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.36.28


title: Portfolio XVII, Plates 580- 615

credit_line: The North American Indian: being a series of volumes picturing and describing the Indians of the United States, The Dominion of Canada, and Alaska: Portfolio XVII, Plates 580- 615, 1903–26. Edward S. Curtis (American, 1868–1952), published by The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.37


title: Wine Warmer (Jue)

medium: pottery, tripod vessel with loop handle and rudimentary bowstring decoration

subjects:
Ceramic
Ships & the sea

credit_line: Wine Warmer (Jue), c. 1300–1023 BCE. China, Shang dynasty (c. 1600–c. 1046 BCE), Anyang phase (c. 1250–1046 BCE). Pottery, tripod vessel with loop handle and rudimentary bowstring decoration; diameter: 10.4 cm (4 1/8 in.); overall: 14.7 cm (5 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1995.206


title: Wine Warmer (Jue)

credit_line: Wine Warmer (Jue), c. 1300–1023 BCE. China, Shang dynasty (c. 1600–c. 1046 BCE), Anyang phase (c. 1250–1046 BCE). Pottery, tripod vessel with loop handle and rudimentary bowstring decoration; diameter: 13.4 cm (5 1/4 in.); overall: 12.2 cm (4 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1995.209


title: Mirror with Concentric Circles

date: late 300s BCE–50 CE

medium: bronze

subjects: China, western han dynasty (206 bce–8 ce)

credit_line: Mirror with Concentric Circles, late 300s BCE–50 CE. China, Western Han dynasty (206 BCE–8 CE). Bronze; diameter: 5.9 cm (2 5/16 in.); overall: 0.6 cm (1/4 in.); rim: 0.3 cm (1/8 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.310


title: Dragon Mirror

country: China, Ming dynasty (1368–1644)

subjects:
Metalwork
China, ming dynasty (1368–1644)

credit_line: Dragon Mirror, mid-1300s–mid-1600s. China, Ming dynasty (1368–1644). Bronze; diameter: 14.1 cm (5 9/16 in.); overall: 1.3 cm (1/2 in.); rim: 1 cm (3/8 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.377


title: Narrative Mirror with Handle

date: early 12th Century - mid 14th Century

credit_line: Narrative Mirror with Handle, early 12th Century - mid 14th Century. China, Jin dynasty (1115-1234) - Yuan dynasty (1271-1368). Bronze; diameter: 9.7 cm (3 13/16 in.); overall: 0.5 cm (3/16 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.384


title: Mirror with Four Leaves

subjects: Eastern anatolia or northern mesopotamia

credit_line: Mirror with Four Leaves, 1100s–1200s. Eastern Anatolia or Northern Mesopotamia. Bronze; diameter: 7.7 cm (3 1/16 in.); overall: 0.9 cm (3/8 in.); rim: 0.3 cm (1/8 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.403


title: The High-Fired Service: Rooster

creator: Félix Bracquemond (French, 1833–1914)

medium: etching

credit_line: The High-Fired Service: Rooster, c. 1860. Félix Bracquemond (French, 1833–1914). Etching; sheet: 30.3 x 44.8 cm (11 15/16 x 17 5/8 in.); platemark: 20.7 x 24 cm (8 1/8 x 9 7/16 in.). The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in memory of Robert Lundie Shearer, 1996.306


title: Fragments of a Belt

medium: camelid wool; tapestry

country: Peru, South Andes, Tiwanaku style

subjects:
Costume & fashion
Textile
Peru, south andes, tiwanaku style

credit_line: Fragments of a Belt, c. 400. Peru, South Andes, Tiwanaku style. Camelid wool; tapestry; average: 86.5 x 4.7 cm (34 1/16 x 1 7/8 in.). The Cleveland Museum of Art, Gift of Steve and Gail Berger in honor of Margaret Young-Sanchez, 1996.348


title: Fragment of a Belt

credit_line: Fragment of a Belt, c. 400. Peru, South Andes, Tiwanaku style. Camelid wool; tapestry; overall: 52.7 x 4.5 cm (20 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Steve and Gail Berger in honor of Margaret Young-Sanchez, 1996.348.b


title: Horse's Head

date: 206 BCE–220 CE

medium: earthenware

country: China, Han dynasty (202 BCE–220 CE)

subjects:
Sculpture
China, han dynasty (202 bce–220 ce)

credit_line: Horse's Head, 206 BCE–220 CE. China, Han dynasty (202 BCE–220 CE). Earthenware; overall: 15.3 cm (6 in.). The Cleveland Museum of Art, Bequest of Mrs. A. Dean Perry, 1997.115


title: The King's Palace, Naples

date: before 1852

medium: salted paper print from calotype negative

country: England, 19th century

subjects:
Photograph
England, 19th century

credit_line: The King's Palace, Naples, before 1852. Reverend George Wilson Bridges (British, 1788–1863). Salted paper print from calotype negative; image: 15.8 x 20.3 cm (6 1/4 x 8 in.); matted: 35.6 x 45.7 cm (14 x 18 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1997.13


credit_line: Winners and Losers, All Are Food for the Devil, 1822. Nicolas Toussaint Charlet (French, 1792–1845). Lithograph; image: 19.3 x 16 cm (7 5/8 x 6 5/16 in.). The Cleveland Museum of Art, Anonymous gift in honor of John Bonebrake, 1997.229


title: Cup and Saucer

subjects: Ceramic America

credit_line: Cup and Saucer, 1888. M. Louise McLaughlin (American, 1847–1939), Haviland & Co. (French). Porcelain; overall: 5.5 x 7.5 cm (2 3/16 x 2 15/16 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1997.264


title: Pitcher

creator: George E. Ohr (American, 1857–1918)

medium: stoneware

country: America, early 20th Century

subjects:
Ceramic
America, early 20th century

credit_line: Pitcher, c. 1900. George E. Ohr (American, 1857–1918). Stoneware; overall: 10.6 x 12.5 x 9.1 cm (4 3/16 x 4 15/16 x 3 9/16 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1997.274


title: Vase

country: France, early 20th Century

subjects:
Ceramic
France, early 20th century

credit_line: Vase, c. 1900. Pierre Adrien Dalpayrat (French, 1844–1910). Stoneware; diameter: 9.6 cm (3 3/4 in.); overall: 10.5 cm (4 1/8 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1997.279


title: Perseus and Minerva before a Temple

creator: Jan Goeree (Dutch, 1670–1731)

date: early 1700s?

medium: pen and brown ink, brush and brown and gray wash, over traces of red chalk, heightened with white gouache; framing lines in brown ink

subjects: Architecture Drawing Netherland

credit_line: Perseus and Minerva before a Temple, early 1700s?. Jan Goeree (Dutch, 1670–1731). Pen and brown ink, brush and brown and gray wash, over traces of red chalk, heightened with white gouache; framing lines in brown ink; sheet: 21.4 x 15.8 cm (8 7/16 x 6 1/4 in.); secondary support: 25.5 x 19.7 cm (10 1/16 x 7 3/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.152


title: Plate

medium: porcelain, with celadon glaze

credit_line: Plate, 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Porcelain, with celadon glaze; diameter: 16.7 cm (6 9/16 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.280


title: Pill Box

medium: porcelain with blue and white decoration

country: China, Qing dynasty (1644-1911)

subjects:
Ceramic
China, qing dynasty (1644-1911)

credit_line: Pill Box, c. 1752. China, Qing dynasty (1644-1911). Porcelain with blue and white decoration; diameter: 3.6 cm (1 7/16 in.); overall: 3 cm (1 3/16 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.281.a


title: Bowl

medium: porcelain with gray glaze

credit_line: Bowl, c. 1690. China, Qing dynasty (1644-1911). Porcelain with gray glaze; diameter: 12.3 cm (4 13/16 in.); overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.284


title: Side-Dish with Dandelion in Rocks

country: Japan, Edo period (1615–1868)

subjects:
Ceramic
Japan, edo period (1615–1868)

credit_line: Side-Dish with Dandelion in Rocks, 1700s. Japan, Edo period (1615–1868). One of a set of five dishes; porcelain with underglaze blue and overglaze iron oxide (Arita ware, Kutani style); diameter: 11.8 cm (4 5/8 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.287.3


title: The Jester

medium: etching and drypoint

subjects: Print America

credit_line: The Jester, c. 1890. William Merritt Chase (American, 1849–1916). Etching and drypoint; sheet: 23.5 x 16.1 cm (9 1/4 x 6 5/16 in.); platemark: 17 x 11.4 cm (6 11/16 x 4 1/2 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.337


title: Breaking Up of the "Agamemnon," No. 1

subjects:
Print
England, 19th century

credit_line: Breaking Up of the "Agamemnon," No. 1, 1870. Francis Seymour Haden (British, 1818–1910). Etching and drypoint; sheet: 23.7 x 45.3 cm (9 5/16 x 17 13/16 in.); platemark: 19.4 x 41.4 cm (7 5/8 x 16 5/16 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.348


title: The Prodigal Son

creator: William Strang (British, 1859–1921)

credit_line: The Prodigal Son, 1882. William Strang (British, 1859–1921). Etching. The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.394


title: Trapezoidal Bag

medium: alpaca wool

subjects:
Costume & fashion
Textile

credit_line: Trapezoidal Bag, 1200–1400. Peru, South Coast, Arica culture, or Chile, North Coast, 13th-15th century. Alpaca wool; overall: 52.5 x 39 cm (20 11/16 x 15 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.52


title: Disasters of War: Barbarians!

creator: Francisco de Goya (Spanish, 1746–1828)

medium: etching, aquatint, and engraving

country: Spain

subjects: Print Spain

credit_line: Disasters of War: Barbarians!, 1810–1820. Francisco de Goya (Spanish, 1746–1828). Etching, aquatint, and engraving; sheet: 24.1 x 33.7 cm (9 1/2 x 13 1/4 in.); image: 13.5 x 18.9 cm (5 5/16 x 7 7/16 in.); platemark: 15.2 x 20.7 cm (6 x 8 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.96


title: The Bar

creator: Louis Marcoussis (French, 1883–1941)

medium: aquatint, etching and drypoint

country: France, 20th century

subjects:
Print
France, 20th century

credit_line: The Bar, 1920. Louis Marcoussis (French, 1883–1941). Aquatint, etching and drypoint; sheet: 40.7 x 30.8 cm (16 x 12 1/8 in.); platemark: 18.6 x 14.3 cm (7 5/16 x 5 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1999.102


title: The Print Collector

creator: Auguste Brouet (French, 1872–1941)

medium: etching and aquatint

credit_line: The Print Collector, c. 1902–41. Auguste Brouet (French, 1872–1941). Etching and aquatint; sheet: 18.4 x 15 cm (7 1/4 x 5 7/8 in.); platemark: 10 x 7.5 cm (3 15/16 x 2 15/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.290


medium: etchings

subjects:
Portfolio
France, 20th century

credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: figures in a cloister/ crucifix and bust of a man (insert after p. 56), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.17


credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: three figures (page 81), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.21


credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: Romanesque church and figures/ man in boat (insert after p. 168), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.36


title: Pendant (Parure)

medium: seed pearl on mother-of-pearl

subjects:
Jewelry
England, 19th century

credit_line: Pendant (Parure), c. 1850. England, 19th century. Seed pearl on mother-of-pearl; overall: 6 cm (2 3/8 in.). The Cleveland Museum of Art, Gift of Alexander and Paula Kappos, 2001.156.2


title: Pair of Earrings (Parure)

medium: seed pearl on Mother-of-Pearl

credit_line: Pair of Earrings (Parure), c. 1850. England, 19th century. Seed pearl on Mother-of-Pearl. The Cleveland Museum of Art, Gift of Alexander and Paula Kappos, 2001.156.3


title: Six Etchings: Head of a Kitten

creator: Paul Gachet (French, 1828–1909)

subjects:
Print
France, 19th century

credit_line: Six Etchings: Head of a Kitten, 1895. Paul Gachet (French, 1828–1909). Etching and drypoint; sheet: 32.3 x 25 cm (12 11/16 x 9 13/16 in.); platemark: 13 x 10 cm (5 1/8 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in memory of Robert Lundie Shearer, 2002.142.2


title: Manasa, The Snake Goddess

subjects: Eastern india, bengal, kolkata, kalighat

credit_line: Manasa, The Snake Goddess, c. 1890. Eastern India, Bengal, Kolkata, Kalighat. Gum tempera, graphite, ink, and tin on paper; secondary support: 35.4 x 27.5 cm (13 15/16 x 10 13/16 in.); painting only: 33 x 25.3 cm (13 x 9 15/16 in.). The Cleveland Museum of Art, Gift of William E. Ward in memory of his wife, Evelyn Svec Ward, 2003.106


creator: Anonymous

medium: etching and engraving

country: Netherlands (?), 16th century

subjects:
Print
Netherland , 16th century

credit_line: Copy of Cornelis Cort: Christ Giving the Key of the Church to Saint Peter, c. 1567. Anonymous, after Girolamo Muziano (Italian, 1528/32–1592). Etching and engraving; sheet: 27.5 x 20.4 cm (10 13/16 x 8 1/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Theodore Alfred in memory of Carey Croneis, 2003.312


medium: albumen print from wet collodion negative, hand colored

country: Japan

subjects: Photograph Japan

credit_line: Yashamon Gate, Taiyuin Mausoleum, Nikko, Japan, c. 1870s. Japan. Albumen print from wet collodion negative, hand colored; overall: 40.2 x 52.2 cm (15 13/16 x 20 9/16 in.). The Cleveland Museum of Art, Gift of Mitzie Verne, 2003.358


title: The Gale

medium: etching

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: The Gale, 1926. Arthur John Trevor Briscoe (British, 1873–1943). Etching; sheet: 30 x 39.2 cm (11 13/16 x 15 7/16 in.); image: 25.2 x 35 cm (9 15/16 x 13 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2004.212


title: Bacchanal with Children and Chariot

country: France, 19th century

credit_line: Bacchanal with Children and Chariot, c. 1860–70. Jean-Baptiste Carpeaux (French, 1827–1875). Etching; sheet: 16.7 x 23.1 cm (6 9/16 x 9 1/8 in.); platemark: 11.1 x 14.5 cm (4 3/8 x 5 11/16 in.). The Cleveland Museum of Art, Alma and Robert D. Milne Fund, 2004.38.2


title: Lace Fan

country: Belgium

subjects: Lace Belgium

credit_line: Lace Fan, c. 1860. Belgium. Linen: bobbin lace (Brussels); frame: mother-of-pearl and ivory; overall: 30.5 x 50.8 x 3.2 cm (12 x 20 x 1 1/4 in.). The Cleveland Museum of Art, Gift of Anne E. Wardwell, 2005.132


title: The Vulture

credit_line: The Vulture, 1904. Félix Bracquemond (French, 1833–1914), Emil Dolot (Société des amis de l'estampes français). Etching; sheet: 60.8 x 44.4 cm (23 15/16 x 17 1/2 in.); platemark: 36.4 x 26.5 cm (14 5/16 x 10 7/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2005.246


title: The Maidservant

credit_line: The Maidservant, 1868. Félix Bracquemond (French, 1833–1914), after Henri Leys (Belgian, 1815–1869). Etching; platemark: 25.8 x 15.5 cm (10 3/16 x 6 1/8 in.); sheet: 34 x 25.2 cm (13 3/8 x 9 15/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2005.253


credit_line: The Seine at Bas-Meudon with the Seguin and Mottiaux Islands, 1868. Félix Bracquemond (French, 1833–1914). Etching; sheet: 18.4 x 27.6 cm (7 1/4 x 10 7/8 in.); platemark: 16 x 23 cm (6 5/16 x 9 1/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2005.255


creator: Johan Ulrich Krauss (German, 1655–1719)

country: Germany

subjects: Print Germany

credit_line: L'Art Ancien Zurich: View in the Church of the Franciscans, Barfüsser-Kirke, 1681. Johan Ulrich Krauss (German, 1655–1719), after Johann Andreas Graf (German, 1637–1701). Etching; sheet: 48.5 x 32.3 cm (19 1/8 x 12 11/16 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.289


title: The Knifesharpener

medium: drypoint

credit_line: The Knifesharpener, 1907. Jean-François Raffaëlli (French, 1850–1924). Drypoint; sheet: 36 x 54.3 cm (14 3/16 x 21 3/8 in.); platemark: 22 x 46.9 cm (8 11/16 x 18 7/16 in.). The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in memory of her husband Robert Lundie Shearer, 2005.340


title: Two Women facing each other

medium: ink and color on paper

credit_line: Two Women facing each other, 1900s. Eastern India, Bihar State, Mithila or Madhubani School, 20th century. Ink and color on paper; overall: 25.3 x 27.1 cm (9 15/16 x 10 11/16 in.). The Cleveland Museum of Art, Gift of Pamela Elizabeth Ward in loving memory of her parents, William E. and Evelyn Svec Ward, 2005.80


title: Missale: Fol. 156v: Music for "Exultet"

medium: ink

country: Italy, Perugia

credit_line: Missale: Fol. 156v: Music for "Exultet", 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.156.b


title: Missale: Fol. 158: Music for "Exultet"

credit_line: Missale: Fol. 158: Music for "Exultet", 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.158.a


title: Missale: Fol. 208v: Ascension of Christ

medium: ink, tempera and burnished gold on vellum

credit_line: Missale: Fol. 208v: Ascension of Christ, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.208.b


title: Missale: Fol. 318v: Saint Francis

credit_line: Missale: Fol. 318v: Saint Francis, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.318.b


title: Missale: Folio 400: Colophon

credit_line: Missale: Folio 400: Colophon, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.400.a


creator: Maxime Lalanne (French, 1827–1886)

medium: etching on chine collé

credit_line: Demolition for the Opening of Boulevard St. Germain, 1862. Maxime Lalanne (French, 1827–1886), A. Cadart & J. Luquet, rue Richelieu, 79, Paris. Etching on chine collé; sheet: 42.9 x 30.7 cm (16 7/8 x 12 1/16 in.); platemark: 32.1 x 24.4 cm (12 5/8 x 9 5/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.253


title: Paris, View from the Concorde Bridge

credit_line: Paris, View from the Concorde Bridge, 1866. Maxime Lalanne (French, 1827–1886). Etching; sheet: 44 x 60.6 cm (17 5/16 x 23 7/8 in.); platemark: 20.1 x 25.6 cm (7 15/16 x 10 1/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.258


title: Beadle

creator: Anders Zorn (Swedish, 1860–1920)

country: Sweden, 20th century

subjects:
Print
Sweden, 20th century

credit_line: Beadle, 1911. Anders Zorn (Swedish, 1860–1920). Etching; sheet: 32.3 x 25.3 cm (12 11/16 x 9 15/16 in.); platemark: 16 x 11.8 cm (6 5/16 x 4 5/8 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2006.269


title: Surround for Turkish Silk Cushion Cover

date: early 1600s

country: Iran, Safavid period (1501–1722)

subjects:
Costume & fashion
Textile
Iran, safavid period (1501–1722)

credit_line: Surround for Turkish Silk Cushion Cover, early 1600s. Iran, Safavid period (1501–1722). Silk, silver-metal thread: plain weave with inner warps and with continuous and discontinuous supplementary wefts bound in plain and 1/3 Z twill order; overall: 109 x 23.3 cm (42 15/16 x 9 3/16 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 2007.13.5


creator: Eugène Isabey (French, 1803–1886)

medium: lithograph on chine collé

credit_line: Plate 129 from Voyages Pittoresques...Auvergne vol. II: Picturesque and Romantic Journeys in Old France: Auvergne (vol. II): St. John Church, Thiers, Plate 129 , 1831. Eugène Isabey (French, 1803–1886). Lithograph on chine collé; sheet: 53.4 x 35.1 cm (21 x 13 13/16 in.); platemark: 38.4 x 31.1 cm (15 1/8 x 12 1/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.242


medium: color woodcut

country: France, early 20th century

subjects:
Print
France, early 20th century

credit_line: Les Pêcheuses de Pignons, Saint-Jean-de-Mont, 1903 . Auguste Louis Lepère (French, 1849–1918). Color woodcut; sheet: 29.4 x 21.1 cm (11 9/16 x 8 5/16 in.); platemark: 22.1 x 15.1 cm (8 11/16 x 5 15/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.257


title: The Festival for the victims of duty

medium: wood engraving

credit_line: The Festival for the victims of duty , 1884. Auguste Louis Lepère (French, 1849–1918). Wood engraving; sheet: 31.2 x 46.3 cm (12 5/16 x 18 1/4 in.); image: 21.2 x 14.6 cm (8 3/8 x 5 3/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.259


credit_line: Fontainebleau Forest: The Cirque of Long-Rocher , 1888. Auguste Louis Lepère (French, 1849–1918). Wood engraving; sheet: 17 x 22.5 cm (6 11/16 x 8 7/8 in.); platemark: 8.1 x 16 cm (3 3/16 x 6 5/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2007.291


title: Long Shawl

country: India, Kashmir, 19th century

subjects:
Costume & fashion
Textile
India, kashmir, 19th century

credit_line: Long Shawl, c. 1812. India, Kashmir, 19th century. 2/2 twill tapestry weave, double interlocked; wool; overall: 311.2 x 135.9 cm (122 1/2 x 53 1/2 in.). The Cleveland Museum of Art, Gift of Arlene C. Cooper, 2008.216


title: Landscape with Farmhouse

medium: watercolor with graphite underdrawing

subjects:
Drawing
France, 19th century
Landscapes

credit_line: Landscape with Farmhouse, 1892. Henri Joseph Harpignies (French, 1819–1916). Watercolor with graphite underdrawing; sheet: 12 x 16.9 cm (4 3/4 x 6 5/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.132


title: Saftar Jung Tomb, Delhi

creator: A. W. A. Plâté Studio (Ceylonese)

medium: platinum print

country: Ceylon, now Sri Lanka, 19th century

subjects:
Photograph
Ceylon, now sri lanka, 19th century

credit_line: Saftar Jung Tomb, Delhi, c. 1890s. A. W. A. Plâté Studio (Ceylonese). Platinum print; image: 22.8 x 27.4 cm (9 x 10 13/16 in.); paper: 22.8 x 27.7 cm (9 x 10 7/8 in.); matted: 40.6 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, Jo Hershey Selden Fund, 2009.14


title: Portrait of a Young Man

medium: black chalk heightened with white chalk

subjects:
Drawing
France, 19th century
Portraits

credit_line: Portrait of a Young Man, 1837. Louis Léopold Boilly (French, 1761–1845). Black chalk heightened with white chalk; sheet: 41.9 x 28 cm (16 1/2 x 11 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.296


title: Portrait of an Infant

creator: Henri Cros (French, 1840–1907)

medium: sanguine on off-white laid paper

country: France, 19th/20th century

subjects:
Drawing
France, 19th/20th century
Portraits

credit_line: Portrait of an Infant, 1800s-1900s. Henri Cros (French, 1840–1907). Sanguine on off-white laid paper; sheet: 27.7 x 28.6 cm (10 7/8 x 11 1/4 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.304


title: Almanac

medium: agate and gold

country: England, early 19th century

credit_line: Almanac, 1818–1830. England, early 19th century. Agate and gold; overall: 7 cm (2 3/4 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.33


creator: Eugene Bléry (French, 1805–1886)

medium: lithograph on chine colle

subjects:
Botany
Print
France, 19th century

credit_line: Plate 1 from ?: Plant Study from Group of Various Plants Drawn and Lithographed after Nature (Groupes de Plantes varies dessinées sur Nature et lithographiées...), 1848. Eugene Bléry (French, 1805–1886). Lithograph on chine colle. The Cleveland Museum of Art, Gift of John Bonebrake, 2009.493


title: Powder or Patch Box

medium: averturine, gold, interior lined with tortoiseshell

country: France, Paris

credit_line: Powder or Patch Box, c. 1780–89. France, Paris. Averturine, gold, interior lined with tortoiseshell; overall: 1.9 x 6.1 cm (3/4 x 2 3/8 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.68


medium: wool; 3/1 twill weave

subjects:
Costume & fashion
Textile

credit_line: Square shawl with Quarter Shawl Layout and Ivory Center, 1848–51. Austria, England, France, or Scotland, 19th century. Wool; 3/1 twill weave; overall: 200.7 x 171.5 cm (79 x 67 1/2 in.). The Cleveland Museum of Art, Gift of Arlene C. Cooper, 2010.137


medium: silk?; supplementary weft pattern

subjects:
Ornament & design
Costume & fashion
Textile
France, pari

credit_line: Long Shawl with Large Symmetrical Botehs and Small Black Center, 1855–62. France, Paris. Silk?; supplementary weft pattern; overall: 355.7 x 165.1 cm (140 1/16 x 65 in.). The Cleveland Museum of Art, Gift of Arlene C. Cooper, 2010.138


creator: Édouard Baldus (French, 1813–1889)

medium: salted paper print from a gelatin paper negative

subjects:
Architecture
Photograph
France, 19th century

credit_line: Façade, Temple of Augustus and Livia, Vienne, 1851. Édouard Baldus (French, 1813–1889). Salted paper print from a gelatin paper negative; mounted: 50.3 x 40 cm (19 13/16 x 15 3/4 in.); paper: 27.3 x 20.1 cm (10 3/4 x 7 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2010.265


title: Peat Bog, Scotland

creator: Frank Short (British, 1857–1945)

medium: etching and mezzotint in brown

credit_line: Peat Bog, Scotland, 1937. Frank Short (British, 1857–1945), after Joseph Mallord William Turner (British, 1775–1851). Etching and mezzotint in brown; sheet: 31 x 43.3 cm (12 3/16 x 17 1/16 in.); platemark: 20.2 x 27.4 cm (7 15/16 x 10 13/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.572


title: Moonlight on the Medway at Chatham

medium: mezzotint

credit_line: Moonlight on the Medway at Chatham, 1920. Frank Short (British, 1857–1945), after Joseph Mallord William Turner (British, 1775–1851). Mezzotint; platemark: 20.6 x 27 cm (8 1/8 x 10 5/8 in.); sheet: 30.8 x 43.6 cm (12 1/8 x 17 3/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.574


title: The Mildmay Sea-Piece

medium: etching and mezzotint

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: The Mildmay Sea-Piece, 1886. Frank Short (British, 1857–1945). Etching and mezzotint; platemark: 21.6 x 28.8 cm (8 1/2 x 11 5/16 in.); sheet: 30.5 x 42.8 cm (12 x 16 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.575


creator: John Sell Cotman (British, 1782–1842)

date: 1821, published 1822

medium: softground etching

subjects:
Architecture
Print
England, 19th century

credit_line: Architectural Antiquities of Normandy (Vol. II), Pl. 66:  Tower of the Church of Tréport, near Eu, 1821, published 1822. John Sell Cotman (British, 1782–1842), J & A Arch, Cornhill & J.S. Cotman, London 1821. Softground etching; sheet: 48.6 x 34 cm (19 1/8 x 13 3/8 in.); platemark: 33.2 x 22.8 cm (13 1/16 x 9 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.591


creator: Richard Earlom (British, 1743–1822)

medium: etching and mezzotint printed in brown

country: England, 18th century

subjects:
Print
England, 18th century

credit_line: Liber Veritatis:  No. 7, An Island Scene of a Mountainous Country with Cattle, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682), John Boydell (British, 1720–1804). Etching and mezzotint printed in brown; sheet: 27.3 x 40.6 cm (10 3/4 x 16 in.); platemark: 20.9 x 25.8 cm (8 1/4 x 10 3/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.652


creator: René Lalique (French, 1860–1945)

medium: glass

country: France, 20th century

subjects:
Glass
France, 20th century

credit_line: Ring of Dogs Footed Water Glass (Verre à pied bague chiens), c. 1913–21. René Lalique (French, 1860–1945). Glass; overall: 13.5 x 7 cm (5 5/16 x 2 3/4 in.). The Cleveland Museum of Art, Museum purchase from various donors by exchange, 2011.121.5


medium: color lithograph

credit_line: Views of Ancient Monuments in Central America, Chiapas and Yucatan, Pl. 20: Well of Bolonchen, 1844. Frederick Catherwood (British, 1799–1854). Color lithograph. The Cleveland Museum of Art, Bequest of John Bonebrake, 2011.488


creator: Louis Haghe (British, 1806–1885)

credit_line: Egypt and Nubia Volume I: Portico of the Temple Edfou, Upper Egypt, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 43.5 x 60.3 cm (17 1/8 x 23 3/4 in.); image: 33.3 x 51.1 cm (13 1/8 x 20 1/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.148


credit_line: Egypt and Nubia, Volume II: Temple of Isis on the Roof of the Great Temple of Dendera , 1848. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 39.2 x 43.8 cm (15 7/16 x 17 1/4 in.); image: 25.2 x 35.3 cm (9 15/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.216


credit_line: Egypt and Nubia, Volume I: Excavated Temple of Gyrshe, Nubia, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 35.8 x 40.7 cm (14 1/8 x 16 in.); image: 23.9 x 17.6 cm (9 7/16 x 6 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.221


credit_line: Egypt and Nubia, Volume I: One of Two Colossal Statues of Rameses II.  Entrance to the Temple of Luxor, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 38.2 x 40.7 cm (15 1/16 x 16 in.); image: 29.8 x 25.3 cm (11 3/4 x 9 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.222


credit_line: Egypt and Nubia, Volume II: Group of Nubians-Wady Kardasey, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 36.4 x 43.4 cm (14 5/16 x 17 1/16 in.); image: 25.3 x 35.2 cm (9 15/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.224


credit_line: Egypt and Nubia, Volume I: Sanctuary of the Temple of Aboo-Simbel, Nubia, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 37 x 43.4 cm (14 9/16 x 17 1/16 in.); image: 25.2 x 31.8 cm (9 15/16 x 12 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.235


title: St. Jean de Lateran, Rome

creator: Tommaso Cuccioni (Italian, 1864)

medium: albumen print from collodion negative

country: Italy, 19th century

subjects:
Photograph
Italy, 19th century

credit_line: St. Jean de Lateran, Rome, c. 1860. Attributed to Tommaso Cuccioni (Italian, 1864). Albumen print from collodion negative; image: 22.7 x 30.8 cm (8 15/16 x 12 1/8 in.); mounted: 31.2 x 45.8 cm (12 5/16 x 18 1/16 in.); paper: 22.7 x 30.8 cm (8 15/16 x 12 1/8 in.); matted: 40.6 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2012.438


title: Portrait of a Woman

medium: watercolor on ivory in a gold frame

country: France, early 19th century

subjects:
Portrait miniature
France, early 19th century
Portraits

credit_line: Portrait of a Woman, 1810s. Louis-Marie Autissier (French, 1772–1830). Watercolor on ivory in a gold frame; framed: 5.8 x 4.6 cm (2 5/16 x 1 13/16 in.); overall: 5.8 cm (2 5/16 in.). The Cleveland Museum of Art, Purchase from the Karl B. Goldfield Trust, 2012.96


title: Portrait of a Lady

medium: oil on canvas

country: Germany, 19th century

subjects:
Painting
Germany, 19th century
Portraits

credit_line: Portrait of a Lady, 1874. Johann Heinrich Neumann (German, 1801–1879). Oil on canvas; framed: 73.7 x 59.8 cm (29 x 23 9/16 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.256


title: Chateaubriand

medium: bronze

country: France, 19th century

subjects:
Sculpture
France, 19th century

credit_line: Chateaubriand, 1820. Pierre-Jean David d'Angers (French, 1788–1856). Bronze; overall: 13.3 x 13.2 x 2.2 cm (5 1/4 x 5 3/16 x 7/8 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.264


title: London Types: Policeman

creator: William Nicholson (British, 1872–1949)

medium: woodcut hand-colored with watercolor

credit_line: London Types: Policeman, 1898. William Nicholson (British, 1872–1949). Woodcut hand-colored with watercolor; sheet: 50.7 x 49.5 cm (19 15/16 x 19 1/2 in.); border: 25.5 x 23 cm (10 1/16 x 9 1/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.87.9


title: Set of Four Locket Panels

creator: Alexis Falize (French, 1811–1898)

medium: gold and cloisonné enamel

subjects:
Jewelry
France, 19th century

credit_line: Set of Four Locket Panels, 1800s. Alexis Falize (French, 1811–1898), Antoine Tard (French, active 1860–1889). Gold and cloisonné enamel. The Cleveland Museum of Art, John L. Severance Fund, 2013.9


medium: porcelain, sepia enamel, gold leaf

credit_line: Cup from Oliver Wolcott, Jr. Tea Service (2 of 6), 1785–1805. Chinese Export porcelain, late 18th-early 19th century. Porcelain, sepia enamel, gold leaf; overall: 7 x 9 x 6 cm (2 3/4 x 3 9/16 x 2 3/8 in.). The Cleveland Museum of Art, Gift of Harvey Buchanan in memory of Penelope Draper Buchanan and Dorothy Tuckerman Draper, 2013.98.2.a


credit_line: Cup from Oliver Wolcott, Jr. Tea Service (6 of 6), 1785–1805. Chinese Export porcelain, late 18th-early 19th century. Porcelain, sepia enamel, gold leaf; overall: 7 x 9 x 6 cm (2 3/4 x 3 9/16 x 2 3/8 in.). The Cleveland Museum of Art, Gift of Harvey Buchanan in memory of Penelope Draper Buchanan and Dorothy Tuckerman Draper, 2013.98.6.a


title: Lower Broadway, Down-Town New York

creator: William Walcot (British, 1874–1943)

medium: etching in brown, plate tone

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: Lower Broadway, Down-Town New York, 1924. William Walcot (British, 1874–1943). Etching in brown, plate tone; sheet: 27 x 23.3 cm (10 5/8 x 9 3/16 in.); platemark: 11.8 x 15.2 cm (4 5/8 x 6 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.256


title: Punishment

medium: color lithograph with hand coloring

subjects:
Print
France, 19th century

credit_line: Punishment, 1821. Louis Léopold Boilly (French, 1761–1845). Color lithograph with hand coloring; sheet: 36.6 x 25.7 cm (14 7/16 x 10 1/8 in.); image: 26.2 x 20.5 cm (10 5/16 x 8 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.286


creator: Gabrielle Niel (French, 1831–1919)

medium: etching on chine collé

credit_line: Eaux-Fortes sur le Vieux Paris: Ancienne école de médecine rue de la Bûcherie (Etchings of Old Paris: Former Medical School, rue de la Bucherie), 1865. Gabrielle Niel (French, 1831–1919), Published by Cadart, Printed by Auguste Delatre. Etching on chine collé; platemark: 32.5 x 24.5 cm (12 13/16 x 9 5/8 in.); secondary support: 36.5 x 29.6 cm (14 3/8 x 11 5/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.307


creator: Carle Vernet (French, 1758–1836)

medium: lithograph gravure en couleurs a l'aquantinte par Debucourt

credit_line: Scenes of Daily Life, Roads and Paths: Road to Market (Scènes de la vie quotidienne, Routes et Chemins: Route du Marché), 1819. Carle Vernet (French, 1758–1836). Lithograph gravure en couleurs a l'aquantinte par Debucourt; sheet: 9.1 x 14.1 cm (3 9/16 x 5 9/16 in.); image: 8.3 x 11.4 cm (3 1/4 x 4 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.314


title: Mirror Frame

medium: wood

country: England, early 18th century

subjects:
Furniture and woodwork
England, early 18th century

credit_line: Mirror Frame, c. 1710–20. England, early 18th century. Wood; overall: 137.2 x 76.9 x 5.1 cm (54 x 30 1/4 x 2 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.242


title: Mountain Terrace and Pavilion

medium: Album leaf, ink on silk

country: China, Song dynasty (960-1279)

subjects:
Painting
China, song dynasty (960-1279)

credit_line: Mountain Terrace and Pavilion, 960–1279. China, Song dynasty (960-1279). Album leaf, ink on silk; diameter: 24.6 cm (9 11/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.701


title: A Palace

medium: Album leaf; ink and color on silk

country: China, Yuan dynasty (1271-1368)

subjects:
Painting
China, yuan dynasty (1271-1368)

credit_line: A Palace, 1271–1368. China, Yuan dynasty (1271-1368). Album leaf; ink and color on silk; diameter: 26.2 cm (10 5/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.704


title: Sunday in New England

medium: watercolor

country: America

subjects: Drawing America

credit_line: Sunday in New England, c. 1876. Albert Fitch Bellows (American, 1829–1883). Watercolor; sheet: 63.6 x 91.8 cm (25 1/16 x 36 1/8 in.). The Cleveland Museum of Art, Hinman B. Hurlbut Collection, 1915.715


title: Stopper for a Scent Bottle

medium: glass with enameled silver mounts, partially gilt

credit_line: Stopper for a Scent Bottle, 1850–1870. France, 19th century. Glass with enameled silver mounts, partially gilt. The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.319.b


title: Scabbard Tweezers

medium: metal

country: Africa, Sudan

subjects:
Arms and armor
Africa, sudan

credit_line: Scabbard Tweezers, 1880–1910. Africa, Sudan. Metal; overall: 31.2 cm (12 5/16 in.); blade: 19.9 cm (7 13/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.724.d


title: Cruet Stand (Bottle)

medium: silver and glass

credit_line: Cruet Stand (Bottle), 1700s(?). France, bottle and cover old, but probably not original, 18th Century(?). Silver and glass; overall: 17.2 cm (6 3/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1969.27.3


title: Dans les Vosges

medium: brush and black ink over pencil with white highlights

subjects:
Drawing
France, 20th century

credit_line: Dans les Vosges, 1914. Auguste Louis Lepère (French, 1849–1918). Brush and black ink over pencil with white highlights. The Cleveland Museum of Art, Delia E. Holden Fund, 1974.146.c


title: L'Incendie de Louvain

medium: pen and brush and black ink with white highlights

credit_line: L'Incendie de Louvain, 1914. Auguste Louis Lepère (French, 1849–1918). Pen and brush and black ink with white highlights. The Cleveland Museum of Art, Delia E. Holden Fund, 1974.147.f


medium: glazed porcelain with slip decoration

subjects: Ceramic Flowers

credit_line: Round Covered Box with Floral Scrolls in Relief:  Qingbai type Ware, 1300s. China, Fujian province, Anxi xian, Yuan dynasty (1271-1368). Glazed porcelain with slip decoration. The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.279.a


medium: ink, tempera and burnished gold on vellum

country: Italy, Perugia

credit_line: Missale: Fol. 8r: November Calendar Page, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.8.a


creator: Eugène Carrière (French, 1849–1906)

medium: lithograph

credit_line: Newborn in a Bonnet (Le nouveau-né au bonnet], 1890. Eugène Carrière (French, 1849–1906). Lithograph; sheet: 34.9 x 26.7 cm (13 3/4 x 10 1/2 in.); image: 25.5 x 19.2 cm (10 1/16 x 7 9/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.495


creator: Félix Hilaire Buhot (French, 1847–1898)

medium: drypoint, roulette and aquatint

credit_line: Letters from My Windmill:The Diligence of Beaucaire , 1880. Félix Hilaire Buhot (French, 1847–1898). Drypoint, roulette and aquatint. The Cleveland Museum of Art, Gift of John Bonebrake, 2009.527


title: Snuff Box

medium: agate with gold mounts

credit_line: Snuff Box, c. 1730–40. England, early 18th century. Agate with gold mounts; overall: 6 x 4 cm (2 3/8 x 1 9/16 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.56


title: Émile Forgues (Old Nick)

creator: Paul Gavarni (French, 1804–1866)

medium: lithograph on chine collé

credit_line: Émile Forgues (Old Nick), c. 1835–1840. Paul Gavarni (French, 1804–1866). Lithograph on chine collé; sheet: 48.3 x 31.4 cm (19 x 12 3/8 in.); image: 19.8 x 17 cm (7 13/16 x 6 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.582


title: Cap St. Mathieu

creator: Eugène Cicéri (French, 1813–1890)

credit_line: Cap St. Mathieu, 1846. Eugène Cicéri (French, 1813–1890). Lithograph on chine collé; sheet: 39.2 x 53.3 cm (15 7/16 x 21 in.); image: 23.7 x 40 cm (9 5/16 x 15 3/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.586


medium: black ink (pen and wash)

subjects:
Drawing
France, 19th century

credit_line: Study for the Magician in "Conte de Fée" (Story of a Fairy), 1800s. Jehan-Georges Vibert (French, 1840–1902). Black ink (pen and wash) ; sheet: 20.4 x 12.1 cm (8 1/16 x 4 3/4 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.172


medium: lithograph in black and beige

subjects:
Fish
Print
England, 19th century

credit_line: Monuments of Ninevah: Plate 6, Fish-god (Nimroud); Figure near an Entrance (Kouyunjik), 1853. Austen Henry Layard (British, 1817–1894). Lithograph in black and beige; sheet: 37.9 x 57 cm (14 15/16 x 22 7/16 in.); right image: 34.9 x 17.8 cm (13 3/4 x 7 in.); left image: 34.9 x 14.6 cm (13 3/4 x 5 3/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.668


title: Nicolas Louis Faret

creator: Martin Drölling (French, 1752–1817)

medium: oil on canvas

subjects:
Painting
France, 19th century

credit_line: Nicolas Louis Faret, 1812. Martin Drölling (French, 1752–1817). Oil on canvas; unframed: 22.4 x 16.5 cm (8 13/16 x 6 1/2 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2011.71.1


title: Pipe in the Form of Coiled Snake

medium: lead-glazed earthenware

subjects:
Ceramic
Reptiles & amphibians

credit_line: Pipe in the Form of Coiled Snake, 1780–1820. England, Staffordshire, late 18th-early 19th Century. Lead-glazed earthenware; diameter: 17 cm (6 11/16 in.); overall: 25 x 17 x 3.5 cm (9 13/16 x 6 11/16 x 1 3/8 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.122


title: Goblet

medium: glass

subjects:
Glass
England, 18th century

credit_line: Goblet, c. 1725–1750. England, 18th century. Glass; diameter: 7.3 cm (2 7/8 in.); overall: 14 cm (5 1/2 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.127


medium: color lithograph

subjects:
Architecture
Print
England, 19th century

credit_line: Egypt and Nubia, Volume II: Front Elevation of the Great Temple of Aboo Simbel, Nubia, 1848. Louis Haghe (British, 1806–1885), F. G. Moon (British, 1797–1871), after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 43.8 x 60.2 cm (17 1/4 x 23 11/16 in.); image: 32.7 x 48.9 cm (12 7/8 x 19 1/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.260


title: View of Rome

medium: albumen print from a collodion negative

country: Italy or France(?), 19th century

subjects:
Photograph
Italy or france , 19th century

credit_line: View of Rome, c. 1860. Italy or France(?), 19th century. Albumen print from a collodion negative; image: 22.6 x 31.2 cm (8 7/8 x 12 5/16 in.); mounted: 28.6 x 39 cm (11 1/4 x 15 3/8 in.); paper: 22.6 x 31.2 cm (8 7/8 x 12 5/16 in.); matted: 40.6 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2012.443


medium: Gum tempera, ink, and gold on paper

country: Mughal India

subjects:
Calligraphy
Mughal india

credit_line: Calligraphy: A Page of Text from Sadi's Bustan (verso), c. 1710–20. Mughal India. Gum tempera, ink, and gold on paper; page: 30.5 x 24.1 cm (12 x 9 1/2 in.). The Cleveland Museum of Art, Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection, 2013.335.b


title: Embers Glow: Lotus Pattern Frame

creator: Theodore Roussel (French, 1847–1926)

medium: color etching and aquatint

subjects:
Ornament & design
Print
France, 19th century

credit_line: Embers Glow: Lotus Pattern Frame, 1897–1899. Theodore Roussel (French, 1847–1926). Color etching and aquatint; sheet: 24.9 x 54.9 cm (9 13/16 x 21 5/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.86.1.a


title: London Types: Quatorzains

medium: original brown paper portfolio

subjects:
Portfolio
England, 19th century

credit_line: London Types: Quatorzains, 1898. William Nicholson (British, 1872–1949). Original brown paper portfolio. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.87.15


title: Life School Royal Academy

creator: Charles West Cope (British,1811–1890)

medium: etching

subjects:
Print
England, 19th century

credit_line: Life School Royal Academy, 1865. Charles West Cope (British,1811–1890). Etching; platemark: 19.6 x 28 cm (7 11/16 x 11 in.); sheet: 25.2 x 31.2 cm (9 15/16 x 12 5/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.195


title: Pine Trees and Bridge

medium: lithograph with tint stone

subjects:
Print
England, 19th century
Trees

credit_line: Pine Trees and Bridge, 1841. James Duffield Harding (British, 1798–1863). Lithograph with tint stone; sheet: 36.3 x 54 cm (14 5/16 x 21 1/4 in.); image: 28.4 x 40.9 cm (11 3/16 x 16 1/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.218


title: Fondamenta della Zattere

creator: Otto H. Bacher (American, 1856–1909)

medium: etching on chine collé

subjects: Print America

credit_line: Fondamenta della Zattere, 1880. Otto H. Bacher (American, 1856–1909). Etching on chine collé; sheet: 35.8 x 45.6 cm (14 1/8 x 17 15/16 in.); platemark: 7.7 x 25.5 cm (3 1/16 x 10 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.53


title: Bride in the Greek Style, Plate 6

creator: Benigno Bossi (Italian, 1727–1792)

country: Italy, 18th century

subjects:
Print
Italy, 18th century

credit_line: Mascarade à la Grecque:: Bride in the Greek Style, Plate 6, 1771. Benigno Bossi (Italian, 1727–1792), after Ennemond Alexandre Petitot (French, 1727-1801). Etching; sheet: 42.1 x 28 cm (16 9/16 x 11 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.6.7


creator: John Sell Cotman (British, 1782–1842)

medium: softground etching, from a bound volume containing 48 plates

country: England, 19th century

credit_line: Liber Studiorum: Plate 30, Bambro' Castle, Northumberland, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 11.4 x 20 cm (4 1/2 x 7 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.ee


credit_line: Liber Studiorum: Plate 11: Parson's Bridge, Cardingshire, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 17.6 x 12.5 cm (6 15/16 x 4 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.l


credit_line: Liber Studiorum: Plate 38, View at Deptford, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 39.6 x 32 cm (15 9/16 x 12 5/8 in.); platemark: 29 x 27.9 cm (11 7/16 x 11 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.mm


credit_line: Liber Studiorum: Plate 45, French Beggars, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 15.1 x 11.4 cm (5 15/16 x 4 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.tt


credit_line: Liber Studiorum: Plate 20, Felbrigg Heath, Norfolk, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 7.6 x 11.3 cm (3 x 4 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.u


title: Liber Studiorum: Plate 22, Whitby

credit_line: Liber Studiorum: Plate 22, Whitby, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 18.7 x 25.2 cm (7 3/8 x 9 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.w


credit_line: Liber Studiorum: Plate 25, Harlech Castle, N. Wales, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 12.5 x 18.9 cm (4 15/16 x 7 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.z


title: Brunnhild

creator: Gaston Bussiere (French, 1862–1929)

medium: Color lithograph

country: France, Paris

credit_line: L'Estampe Moderne: Brunnhild, 1899. Gaston Bussiere (French, 1862–1929). Color lithograph; sheet: 40.2 x 30.5 cm (15 13/16 x 12 in.); image: 34.1 x 22.3 cm (13 7/16 x 8 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.a


title: La Ronde

creator: Henri Le Sidaner (French, 1862–1939)

medium: Lithograph printed in blue

credit_line: L'Estampe Moderne: La Ronde, 1899. Henri Le Sidaner (French, 1862–1939). Lithograph printed in blue; sheet: 24.9 x 34.4 cm (9 13/16 x 13 9/16 in.); image: 24.9 x 34.4 cm (9 13/16 x 13 9/16 in.); secondary support: 40.2 x 30.6 cm (15 13/16 x 12 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.h


title: Pantomime

creator: Henri Gabriel Ibels (French, 1867–1936)

credit_line: L'Estampe Moderne: Pantomime, 1899. Henri Gabriel Ibels (French, 1867–1936). Color lithograph; sheet: 39.9 x 30.5 cm (15 11/16 x 12 in.); image: 26.3 x 34.9 cm (10 3/8 x 13 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.n


title: Kacia

creator: Eugène Delâtre (French, 1864–1938)

credit_line: L'Estampe Moderne: Kacia, 1898. Eugène Delâtre (French, 1864–1938). Color lithograph; sheet: 40.1 x 30.7 cm (15 13/16 x 12 1/16 in.); image: 28.4 x 21 cm (11 3/16 x 8 1/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.o


creator: Victor Petit (French, 1817–1874)

medium: lithograph with tint stone, from portfolio of 100 lithographs with tint stone

subjects:
Architecture
Print
France, 19th century

credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl.15, Manoir De Chastenay (Sarthe), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 26.3 x 28 cm (10 3/8 x 11 in.); image: 23 x 14 cm (9 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.16


date: published 1860

credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl.22, Chapelle de Fontaine-Jean (Loiret), published 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36 x 27.5 cm (14 3/16 x 10 13/16 in.); image: 23.5 x 14 cm (9 1/4 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.22


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 30, Chateau De Crussol (Drome), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36 x 27.5 cm (14 3/16 x 10 13/16 in.); image: 23 x 14 cm (9 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.29


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 42, Tour De L'Horloge De St. Fargeau (Yonne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36.1 x 27.5 cm (14 3/16 x 10 13/16 in.); image: 23.1 x 14.1 cm (9 1/8 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.41


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 45 Château De Chassy (Saône et Loire), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.5 x 27.3 cm (14 x 10 3/4 in.); image: 22.8 x 13.8 cm (9 x 5 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.44


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 58, Église De Requeil (Sarthe), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.7 x 27.3 cm (14 1/16 x 10 3/4 in.); image: 23.6 x 13.9 cm (9 5/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.56


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 68, Le Plessis-Bas (Aisne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.9 x 27.4 cm (14 1/8 x 10 13/16 in.); image: 23 x 14 cm (9 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.66


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 74, Galerie Ruinée D'Un Château, d'aprés un vieux dessin, 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36 x 28 cm (14 3/16 x 11 in.); image: 22.8 x 13.9 cm (9 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.72


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 94, Ancien Château de la Pommeraie (Aisne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.9 x 27.8 cm (14 1/8 x 10 15/16 in.); image: 23.6 x 14 cm (9 5/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.92


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 99, Ancien Château de Belin (Sarthe), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.7 x 27.2 cm (14 1/16 x 10 11/16 in.); image: 23.6 x 14 cm (9 5/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.97


creator: Charles Marie Dulac (French, 1865–1898)

subjects:
Print
France, 19th century
Landscapes

credit_line: Suite de Paysages: Landscape, Plate 8, Remarque, Pansies, 1892–93. Charles Marie Dulac (French, 1865–1898), Printed by Monrocq Frères, Paris. Color lithograph; sheet: 50.2 x 65.1 cm (19 3/4 x 25 5/8 in.); image: 32.1 x 50 cm (12 5/8 x 19 11/16 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.7.10


title: Suite de Paysages: Colophon

subjects:
Print
France, 19th century

credit_line: Suite de Paysages: Colophon, 1892–93. Charles Marie Dulac (French, 1865–1898), Eugène Martial Simas (French, 1862–1926), Printer: A. Bergier (French). Color lithograph; sheet: 65.3 x 50 cm (25 11/16 x 19 11/16 in.); image: 54.3 x 41.5 cm (21 3/8 x 16 5/16 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.7.2