title: Shivagana Blowing Conch Shell

medium: stone

subjects: India, sarnath, gupta period, 5th century

credit_line: Shivagana Blowing Conch Shell, c. 400s. India, Sarnath, Gupta Period, 5th Century. Stone; overall: 45.7 x 34.3 cm (18 x 13 1/2 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1971.42


title: One of Ten Nesting Wedding Baskets

medium: Plant fiber and leather

subjects: Botany Vessel

source: The Cleveland Museum of Art

source_id: cleveland

rights: Public Domain / CC0

rights_statement: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

credit_line: One of Ten Nesting Wedding Baskets, c 1900s ?. Africa, Western Africa, Burkina Faso, Lobi–style maker. Plant fiber and leather; diameter of mouth with rim: 10 x 9.3 cm (3 15/16 x 3 11/16 in.). The Cleveland Museum of Art, The Harold T. Clark Educational Extension Fund, 1975.1011.6


title: Vase

medium: ivory

credit_line: Vase, 1800s. Japan, Edo period (1615–1868) to Meiji period (1868–1912). Ivory; overall: 25.1 cm (9 7/8 in.). The Cleveland Museum of Art, Gift of Linda Robb, 1975.1028


creator: Zeng Yandong (Chinese, c. 1751–1827)

medium: album leaf, ink and color on paper

country: China, Qing dynasty (1644–1911), Qianlong reign (1736–95)

subjects: Painting Landscapes

credit_line: Miniature Album with Figures and Landscape (Landscape with Two Buildings), 1822. Zeng Yandong (Chinese, c. 1751–1827). Album leaf, ink and color on paper; overall: 6.1 x 7.7 cm (2 3/8 x 3 1/16 in.). The Cleveland Museum of Art, Cornelia Blakemore Warner Fund, 1975.11.c


credit_line: Miniature Album with Figures and Landscape (Landscape with Hill, House, Boat and Bridge), 1822. Zeng Yandong (Chinese, c. 1751–1827). Album leaf, ink and color on paper; overall: 6.1 x 7.7 cm (2 3/8 x 3 1/16 in.). The Cleveland Museum of Art, Cornelia Blakemore Warner Fund, 1975.11.k


title: Bowl

creator: Wedgwood Factory (British)

medium: black basalt ware with applied decorations in white jasper

country: England, Staffordshire, 19th century

subjects:
Ceramic
England, staffordshire, 19th century

credit_line: Bowl, 1800–1850. Wedgwood Factory (British). Black basalt ware with applied decorations in white jasper; diameter: 15.6 cm (6 1/8 in.); overall: 7 cm (2 3/4 in.). The Cleveland Museum of Art, Gift of Mrs. William E. Crofut, 1967.232


creator: William Blake (British, 1757–1827)

medium: engraving

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: The Book of Job:  Pl. 11, With Dreams upon my bed thou scarest me and affrightest me / with Visions, 1825. William Blake (British, 1757–1827). Engraving. The Cleveland Museum of Art, Gift of Edgar A. Hahn, 1968.260.l


credit_line: The Book of Job:  Pl. 14, When the morning Stars sang together, and all the / Sons of God shouted for  joy, 1825. William Blake (British, 1757–1827). Engraving. The Cleveland Museum of Art, Gift of Edgar A. Hahn, 1968.260.o


medium: gold

country: England, Richard III, 1483-1485

subjects:
Coin
England, richard iii, 1483-1485

credit_line: Angel: St. George Slaying the Dragon (obverse), 1483–1485. England, Richard III, 1483-1485. Gold; diameter: 2.8 cm (1 1/8 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.168.a


country: England, Elizabeth I, 1558-1603

subjects:
Coin
England, elizabeth i, 1558-1603

credit_line: Halfcrown: Crowned Shield of Arms (reverse), 1560–1561. England, Elizabeth I, 1558-1603. Gold; diameter: 1.7 cm (11/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.182.b


title: Broad: Crowned Shield of Arms (reverse)

creator: Thomas Simon (British)

country: England, Oliver Cromwell, Lord Protector, 1653-1658

credit_line: Broad: Crowned Shield of Arms (reverse), 1656. Design by Thomas Simon (British). Gold; diameter: 2.9 cm (1 1/8 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.197.b


country: England, George I, 1714-1727

subjects:
Coin
England, george i, 1714-1727

credit_line: Five Guineas: Shields and Star of the Order of the Garter (reverse), 1716. England, George I, 1714-1727. Gold; diameter: 3.7 cm (1 7/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.206.b


creator: William Wyon (British, 1795–1851)

country: England, Victoria, 1837-1901

subjects:
Coin
England, victoria, 1837-1901

credit_line: Five Pound Piece: Una, Guiding the Lion (reverse), 1839. Design by William Wyon (British, 1795–1851). Gold; diameter: 3.7 cm (1 7/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.217.b


country: England, George V, 1910-1936

subjects:
Coin
England, george v, 1910-1936

credit_line: Two Pound Piece: St. George and the Dragon (reverse), 1911. After Benedetto Pistrucci (Italian, 1784–1855). Gold; diameter: 2.8 cm (1 1/8 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.222.b


title: Wine Ewer (lid)

date: late 1700's

medium: lacquer, nacre and metal

country: Japan

subjects: Lacquer Japan

credit_line: Wine Ewer (lid), late 1700's. Japan. Lacquer, nacre and metal; overall: 15.9 x 20.3 cm (6 1/4 x 8 in.); outer diameter: 9.3 cm (3 11/16 in.). The Cleveland Museum of Art, Gift of Stouffer Restaurant-Inn Corp., 1971.1065.a


title: Shiva

medium: bronze

country: South India, Chola period (900–1200s)

subjects:
Sculpture
South india, chola period (900–1200s)

credit_line: Shiva, 1200s–1300s. South India, Chola period (900–1200s). Bronze; overall: 30.3 cm (11 15/16 in.). The Cleveland Museum of Art, Gift of George P. Bickford, 1971.226


title: Male Feline-Shaped Container (lid)

medium: cast copper alloy

country: Peru, North Coast, Moche style

subjects:
Sculpture
Peru, north coast, moche style

credit_line: Male Feline-Shaped Container (lid), 50–800 CE. Peru, North Coast, Moche style. Cast copper alloy; overall: 7.7 x 10.2 cm (3 1/16 x 4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1973.164.b


title: Apparel from a Dalmatic

date: early 1500s

medium: embroidery; silk and metallic threads

country: Italy, early 16th century

subjects:
Embroidery
Italy, early 16th century

credit_line: Apparel from a Dalmatic, early 1500s. Italy, early 16th century. Embroidery; silk and metallic threads; overall: 19.7 x 54.3 cm (7 3/4 x 21 3/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. William J. Robertson, 1977.169.d


title: Loom Piece

medium: silk

country: China, Qing dynasty (1644-1911)

subjects:
Costume & fashion
Textile
China, qing dynasty (1644-1911)

credit_line: Loom Piece, 1700s-1800s. China, Qing dynasty (1644-1911). Silk; overall: 1550.2 x 78.2 cm (610 5/16 x 30 13/16 in.). The Cleveland Museum of Art, Gift of Ralph and Helen Cortell, 1977.170


creator: Michele Marieschi (Italian, 1710–1743)

medium: etching

country: Italy, 18th century

subjects:
Print
Italy, 18th century

credit_line: Views of Venice:  The Piazzetta and Ducal Palace, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.2


title: Three Fragments from a Border

date: before 1968

medium: Wool and linen: tapestry weave

country: Egypt

subjects:
Costume & fashion
Textile
Egypt

credit_line: Three Fragments from a Border, before 1968. Egypt. Wool and linen: tapestry weave; overall: 3.8 x 18 cm (1 1/2 x 7 1/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.273.c


title: Fragment of a Tiraz-Style Textile

medium: tabby ground with inwoven tapestry ornament; linen and silk

country: Egypt, Fatimid period, mid-12th century

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, fatimid period, mid-12th century

credit_line: Fragment of a Tiraz-Style Textile, 1140 – 1160. Egypt, Fatimid period, mid-12th century. Tabby ground with inwoven tapestry ornament; linen and silk; overall: 20.8 x 14.3 cm (8 3/16 x 5 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.290


country: Egypt, Umayyad period (661–750)?

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, umayyad period (661–750)

credit_line: Fragment from a Child's Tunic: Neck Opening, 600s–700s. Egypt, Umayyad period (661–750)?. Wool and linen: tabby weave, inwoven tapestry ornament; overall: 67.5 x 34 cm (26 9/16 x 13 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.152.a


date: 7th-8th century

medium: compound twill, silk

country: Syria

subjects:
Costume & fashion
Textile
Syria
Trees

credit_line: Fragment of a Segmentum with Palmette Tree, 7th-8th century. Syria. Compound twill, silk; overall: 11.3 x 6.7 cm (4 7/16 x 2 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.249


creator: Utagawa Hiroshige (Japanese, 1797–1858)

medium: color woodblock print

country: Japan, Edo period (1615–1868)

subjects:
Print
Japan, edo period (1615–1868)

credit_line: The Fifty-Three Stations of the Tokaido: Numazu, c. 1850. Utagawa Hiroshige (Japanese, 1797–1858). Color woodblock print; sheet: 22.1 x 16.9 cm (8 11/16 x 6 5/8 in.). The Cleveland Museum of Art, Gift of Jeptha H. Wade in honor of Emily V. Wade, 1985.236


credit_line: The Fifty-Three Stations of the Tokaido: Chiryu, 1833–1834. Utagawa Hiroshige (Japanese, 1797–1858). Color woodblock print; sheet: 22.6 x 35 cm (8 7/8 x 13 3/4 in.). The Cleveland Museum of Art, Gift of Jeptha H. Wade in honor of Emily V. Wade, 1985.239


title: Branch of Begonia in Bloom

creator: Kono Bairei (Japanese, 1844–1895)

medium: ink on paper

country: Japan, Meiji period (1868–1912)

subjects:
Drawing
Japan, meiji period (1868–1912)

credit_line: Branch of Begonia in Bloom, c. 1880–95. Attributed to Kono Bairei (Japanese, 1844–1895). Ink on paper; sheet: 39.4 x 26.7 cm (15 1/2 x 10 1/2 in.). The Cleveland Museum of Art, The Kelvin Smith Collection, given by Mrs. Kelvin Smith, 1985.289


creator: Stephen Gooden (British, 1892–1955)

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: Illustration for "Peronnik the Fool":  A Lion Tearing at a Sack, 1933. Stephen Gooden (British, 1892–1955). Engraving; image: 6.3 x 10 cm (2 1/2 x 3 15/16 in.); sheet: 32.1 x 26 cm (12 5/8 x 10 1/4 in.). The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in memory of her husband Robert Lundie Shearer, 1986.139.4


creator: Shōrakusai (Japanese)

medium: double-leaf from an accordion-style album; ink and color on silk (right), and ink on paper (left)

subjects:
Japan, edo period (1615–1868)
Portraits

credit_line: Double-Leaf from Album of Actor Portraits, c. 1790–1810. Shōrakusai (Japanese). Double-leaf from an accordion-style album; ink and color on silk (right), and ink on paper (left); painting only: 21.8 x 17.6 cm (8 9/16 x 6 15/16 in.); each page: 28.1 x 21 cm (11 1/16 x 8 1/4 in.). The Cleveland Museum of Art, Kelvin Smith Fund, 1988.105.z


medium: graphite

country: Germany

subjects: Germany Landscapes

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 01b: Roman Landscape, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.b


credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 02a: "Olevano", c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.c


medium: watercolor with graphite

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 48a: Roman Panoramic View, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Watercolor with graphite. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.fff


medium: graphite with brown wash

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 06a: "Rome von der Porta St. Paolo", c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite with brown wash. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.h


title: Stand for a Cup

medium: porcelain

country: Austria, Vienna

subjects:
Ceramic
Austria, vienna

credit_line: Stand for a Cup, c. 1780. Du Paquier Porcelain Manufactory (Austrian, active 1719–1864). Porcelain; overall: 3.2 x 17.3 cm (1 1/4 x 6 13/16 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.187.2


title: St. Jerome in His Study

creator: Albrecht Dürer (German, 1471–1528)

medium: engraving

subjects: Print Germany

credit_line: St. Jerome in His Study, 1514. Albrecht Dürer (German, 1471–1528). Engraving. The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.232


medium: porcelain with famille verte overglaze enamel decoration

credit_line: Vase with Decoration of Figures in Chariots, 1622–1722. China, Qing dynasty (1644-1911), Kangxi reign (1662-1722). Porcelain with famille verte overglaze enamel decoration. The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.302


title: Chest (Base)

date: late 1600s

medium: turned and joined wood with wrought iron hardware

country: Spain, Colonial, late 17th Century

subjects:
Furniture and woodwork
Spain, colonial, late 17th century

credit_line: Chest (Base), late 1600s. Spain, Colonial, late 17th Century. Turned and joined wood with wrought iron hardware; overall: 53.5 x 94.5 x 37 cm (21 1/16 x 37 3/16 x 14 9/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. James C. Gruener, 1990.135.b


title: Brushwasher in Shape of Lotus Leaf

date: 19th Century

medium: translucent jadeite

subjects:
Jade
China, qing dynasty (1644-1911)

credit_line: Brushwasher in Shape of Lotus Leaf, 19th Century. China, Qing dynasty (1644-1911). Translucent jadeite; overall: 61 x 10 cm (24 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Nancy Narten, 1990.35


title: Bowl (Maigelein)

medium: green glass

subjects: Glass Germany

credit_line: Bowl (Maigelein), 1400s. Germany. Green glass; diameter: 9.9 cm (3 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1991.13


creator: Lievin Cruyl (Flemish, c. 1640-c. 1720)

country: Flanders

subjects: Print Flander

credit_line: Trajan's Column from "Prospectus Locurum Urbis Romae Insign[ium], 1666. Lievin Cruyl (Flemish, c. 1640-c. 1720). Etching. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1991.64.5


credit_line: S. Giovanni in Laterano from "Prospectus Locurum Urbis Romae Insign[ium]", 1666. Lievin Cruyl (Flemish, c. 1640-c. 1720). Etching. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1991.64.8


title: Sketchbook, page 3: Figure Study

creator: Ernest Meissonier (French, 1815–1891)

country: France

credit_line: Sketchbook, page 3: Figure Study, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.c


title: Sketchbook, page 31: Study of Figures

credit_line: Sketchbook, page 31: Study of Figures, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.ee


credit_line: Sketchbook, page 33: Study of a Cow from Behind and Profile Study, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.gg


title: Sketchbook, page 40: Perspective Study

credit_line: Sketchbook, page 40: Perspective Study, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.nn


credit_line: Sketchbook, page 69: Study of a Hand, a Horse, and a Figure, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.ppp


credit_line: Sketchbook, page 73: Study of a Horse, profile, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.ttt


title: Sketchbook, page 21: Study of a Horse

credit_line: Sketchbook, page 21: Study of a Horse, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.u


title: Sketchbook, page 51: Figure Study

credit_line: Sketchbook, page 51: Figure Study, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.yy


title: Sketchbook, page 79: Soldier with Drum

credit_line: Sketchbook, page 79: Soldier with Drum, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.yyy


title: Sketchbook, page 80: Study of Faces

credit_line: Sketchbook, page 80: Study of Faces, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.zzz


medium: metal

subjects:
Metalwork
Japan, edo period (1615–1868)

credit_line: Knife with Handle (Kozuka) with Mandarin Ducks in Plum, 1615–1868. Japan, Edo period (1615–1868). Metal. The Cleveland Museum of Art, Bequest of Maud Eells Corning, 1992.373


title: Vase

medium: glazed porcelain

subjects:
Ceramic
China, qing dynasty (1644-1911)

credit_line: Vase, 1644–1911. China, Qing dynasty (1644-1911). Glazed porcelain; diameter: 3.8 cm (1 1/2 in.); overall: 7.7 cm (3 1/16 in.); width of mouth: 1.5 cm (9/16 in.). The Cleveland Museum of Art, Bequest of Maud Eells Corning, 1992.391


title: Frederic Betts

creator: Henry Inman (American, 1801–1846)

medium: oil on canvas

country: America

subjects: Painting America

credit_line: Frederic Betts, 1830s. Henry Inman (American, 1801–1846). Oil on canvas; unframed: 87.7 x 69 cm (34 1/2 x 27 3/16 in.). The Cleveland Museum of Art, Gift of Dr. William E. S. James, 1994.116.1


creator: Abraham Munting (Dutch, 1626–1683)

medium: etching, hand colored with watercolor

country: Netherlands

subjects: Print Netherland

credit_line: Phytographia Curiosa:  Horminum Indicum Majus, c. 1651–83. Abraham Munting (Dutch, 1626–1683). Etching, hand colored with watercolor; overall: 32 cm (12 5/8 in.). The Cleveland Museum of Art, Gift of John C. Bonebrake in honor of Louise S. Richards, 1994.145


credit_line: Phytographia Curiosa:  Lapathum Longifolium Crispum, c. 1651–83. Abraham Munting (Dutch, 1626–1683). Etching, hand colored with watercolor; overall: 31.5 cm (12 3/8 in.). The Cleveland Museum of Art, Gift of John C. Bonebrake in honor of Louise S. Richards, 1994.146


title: Object (Purpose Unknown)

medium: damask; compound twill; silk

country: China, Liao dynasty (907-1125)

subjects:
Costume & fashion
Textile
China, liao dynasty (907-1125)

credit_line: Object (Purpose Unknown), 907–1125. China, Liao dynasty (907-1125). Damask; compound twill; silk; overall: 53 x 25.7 cm (20 7/8 x 10 1/8 in.). The Cleveland Museum of Art, Gift of Lisbet Holmes, 1995.107


creator: Clarence H. White (American, 1871–1925)

medium: photogravure

credit_line: Camera Work: Lady in Black with Statuette, 1908. Clarence H. White (American, 1871–1925). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.23.d


title: Camera Work: Boy with Wagon

credit_line: Camera Work: Boy with Wagon, 1908. Clarence H. White (American, 1871–1925). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.23.n


title: Camera Work: Carlyle

credit_line: Camera Work: Carlyle, 1913. Julia Margaret Cameron (British, 1815–1879). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.41.b


title: Camera Work: A Gitana - Granada

creator: J. Craig Annan (British, 1864–1946)

credit_line: Camera Work: A Gitana - Granada, 1914. J. Craig Annan (British, 1864–1946). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.45.b


title: Camera Work: In Sure and Certain Hope

creator: Frederick H. Evans (British, 1853–1943)

credit_line: Camera Work: In Sure and Certain Hope, 1904. Frederick H. Evans (British, 1853–1943). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.8.h


creator: Edward S. Curtis (American, 1868–1952)

subjects: Portfolio America

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio I, Plate 1:  The Vanishing Race-Navajo, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.21.1


title: Portfolio IV, Plates 111-118, 120-149

credit_line: The North American Indian: being a series of volumes picturing and describing the Indians of the United States, The Dominion of Canada, and Alaska: Portfolio IV, Plates 111-118, 120-149, 1905–8. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.24


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio IV, Plate 147: Apsaroke War Group, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.24.36


title: Portfolio VI, Plates 184- 219

credit_line: The North American Indian: being a series of volumes picturing and describing the Indians of the United States, The Dominion of Canada, and Alaska: Portfolio VI, Plates 184- 219, 1900–1911. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.26


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio VIII, Plate 265: Black Eagle - Nez Percé, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.28.10


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio VIII, Plate 266: Nez Percé Babe, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.28.11


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XVII, Plate 597: San Juan Pottery, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.37.18


title: Portfolio XVII, Plate 613: A Zuñi Girl

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XVII, Plate 613: A Zuñi Girl, 1903. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.37.34


title: Wine Warmer (Jue)

medium: pottery, tripod vessel with loop handle and rudimentary bowstring decoration

subjects:
Ceramic
Ships & the sea

credit_line: Wine Warmer (Jue), c. 1300–1023 BCE. China, Shang dynasty (c. 1600–c. 1046 BCE), Anyang phase (c. 1250–1046 BCE). Pottery, tripod vessel with loop handle and rudimentary bowstring decoration; diameter: 11.5 cm (4 1/2 in.); overall: 13.3 cm (5 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1995.207


title: Tripod Whistle Figurine

date: c. 150–1 BCE

medium: earthenware with asphalt paint

country: Mexico, Veracruz, Remojadas

subjects:
Sculpture
Mexico, veracruz, remojada

credit_line: Tripod Whistle Figurine, c. 150–1 BCE. Mexico, Veracruz, Remojadas. Earthenware with asphalt paint; overall: 15.4 x 14.6 x 5.3 cm (6 1/16 x 5 3/4 x 2 1/16 in.). The Cleveland Museum of Art, Gift of Semi J. and Ruth W. Begun, 1995.93


title: Figurine Head

medium: pottery

country: Mexico, Guerrero, Xochipala

subjects:
Sculpture
Mexico, guerrero, xochipala

credit_line: Figurine Head, 1500–1000 BCE. Mexico, Guerrero, Xochipala. Pottery; overall: 3.1 x 2.4 x 2 cm (1 1/4 x 15/16 x 13/16 in.). The Cleveland Museum of Art, Gift of Semi J. and Ruth W. Begun, 1995.97


title: Umbrellas in Snow

creator: Ohara Shoson (Japanese, 1877–1945)

medium: color woodblock print

country: Japan

subjects: Print Japan

credit_line: Umbrellas in Snow, 1931. Ohara Shoson (Japanese, 1877–1945). Color woodblock print; overall: 38.5 x 25.5 cm (15 3/16 x 10 1/16 in.). The Cleveland Museum of Art, Bequest of Mrs. A. Dean Perry, 1997.121


medium: hard-paste porcelain with overglaze enamel decoration and gilt and silver decoration

country: France, Sèvres

subjects:
Ceramic
France, sèvre

credit_line: Cup and Saucer (Gobelet litron et soucoupe), 1778. Sèvres Porcelain Factory (French, est. 1756). Hard-paste porcelain with overglaze enamel decoration and gilt and silver decoration; diameter: 12.9 cm (5 1/16 in.); overall: 6 cm (2 3/8 in.). The Cleveland Museum of Art, Gift of Nicholas J. Velloney, 1997.158


title: Saint Roch

date: early 1600s

medium: polychromy on cloth

country: Japan, Momoyama period (1573–1615)

subjects:
Painting
Japan, momoyama period (1573–1615)

credit_line: Saint Roch, early 1600s. Japan, Momoyama period (1573–1615). Polychromy on cloth; overall: 98.7 x 35.8 cm (38 7/8 x 14 1/8 in.). The Cleveland Museum of Art, Gift of The Honorable Joseph P. Carroll and Roberta Carroll, M.D., 1997.239


title: Pitcher

creator: Baccarat glasshouse (French)

medium: glass with metal mounts

country: France, 19th century

subjects:
Glass
France, 19th century

credit_line: Pitcher, c. 1880. Baccarat glasshouse (French). Glass with metal mounts; overall: 24.5 x 16.8 cm (9 5/8 x 6 5/8 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1997.266


title: Vase

creator: Auguste Delaherche (French, 1857–1940)

medium: stoneware

country: France, early 20th Century

subjects:
Ceramic
France, early 20th century

credit_line: Vase, c. 1910. Auguste Delaherche (French, 1857–1940). Stoneware; diameter: 6.9 cm (2 11/16 in.); overall: 16.7 cm (6 9/16 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1997.287


creator: Baron A. Faÿs (French, active 1850s)

date: 1854 or earlier

medium: salted paper print from waxed paper negative, Blanquart-Évrard process

subjects:
Photograph
France, 19th century

credit_line: Imprimerie photographique de Lille, Recueil photographique , pl. 19: Santa Maria della Salute, View of the Grand Canal, Venice, 1854 or earlier. Baron A. Faÿs (French, active 1850s). Salted paper print from waxed paper negative, Blanquart-Évrard process; image: 16.1 x 20.9 cm (6 5/16 x 8 1/4 in.); matted: 40.6 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, John L. Severance Fund, 1997.40


title: Church Interior

medium: salted paper print, varnished, from wet collodion negative

country: England, 19th century

subjects:
Photograph
England, 19th century

credit_line: Church Interior, c. 1855. Farnham Maxwell Lyte (British, 1828–1906). Salted paper print, varnished, from wet collodion negative; image: 21.5 x 16.6 cm (8 7/16 x 6 9/16 in.); matted: 45.7 x 35.6 cm (18 x 14 in.). The Cleveland Museum of Art, John L. Severance Fund, 1997.41


creator: Thomas Rowlandson (British, 1756–1827)

medium: graphite, pen and brown ink, and watercolor, heightened with traces of white gouache

country: England, 18th century

subjects:
Drawing
England, 18th century

credit_line: Lady Elliott, Commonly Called Dolly The Tall, 1775–1827. Thomas Rowlandson (British, 1756–1827). Graphite, pen and brown ink, and watercolor, heightened with traces of white gouache; image: 16.2 x 10.9 cm (6 3/8 x 4 5/16 in.); secondary support: 25.4 x 20 cm (10 x 7 7/8 in.). The Cleveland Museum of Art, Bequest of Mrs. A. Dean Perry, 1997.84


title: Sybille

creator: Simon Petrus Klotz (German, 1776–1824)

medium: lithograph

country: Germany, 19th century

subjects:
Print
Germany, 19th century

credit_line: Sybille, 1803. Simon Petrus Klotz (German, 1776–1824). Lithograph; sheet: 52.1 x 34.7 cm (20 1/2 x 13 11/16 in.); image: 36.2 x 28.6 cm (14 1/4 x 11 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.100


title: Untitled (Bridge with Town in Distance)

medium: albumen print from wet collodion negative

country: 19th century

credit_line: Untitled (Bridge with Town in Distance), 1900s. 19th century. Albumen print from wet collodion negative; paper: 9.6 x 15.5 cm (3 3/4 x 6 1/8 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1998.192


title: Paquetá, Rio de Janeiro, Brazil

creator: Marc Ferrez (Brazilian, 1843–1923)

medium: platinum print

country: Brazil

subjects: Photograph Brazil

credit_line: Paquetá, Rio de Janeiro, Brazil, c. 1890. Attributed to Marc Ferrez (Brazilian, 1843–1923). Platinum print; image: 17.5 x 35.5 cm (6 7/8 x 14 in.); mounted: 32 x 47.7 cm (12 5/8 x 18 3/4 in.); matted: 50.8 x 61 cm (20 x 24 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.272


title: Canal at Martiques

creator: Adolphe Appian (French, 1818–1898)

medium: etching

subjects:
Print
France, 19th century

credit_line: Canal at Martiques, 1872. Adolphe Appian (French, 1818–1898). Etching; sheet: 27.5 x 40.4 cm (10 13/16 x 15 7/8 in.); image: 11.3 x 20.2 cm (4 7/16 x 7 15/16 in.); platemark: 15.8 x 23.9 cm (6 1/4 x 9 7/16 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.318


creator: Maxime Lalanne (French, 1827–1886)

credit_line: Souvenirs artistiques du Siége du Paris: Avenue de Boulogne, Vue Prise de la porte d'Auteuil, St. Cloud au fond, Dévastation du Bois de Boulogne, 1879–81. Maxime Lalanne (French, 1827–1886), Cadant and Luce. Etching; sheet: 28.7 x 43.2 cm (11 5/16 x 17 in.); platemark: 15.8 x 23.6 cm (6 1/4 x 9 5/16 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.357


title: Hubert van den Eyden

medium: etching and engraving

country: Flanders

subjects: Print Flander

credit_line: Hubert van den Eyden, 1630–33. Lucas Emil Vorsterman (Flemish, 1595–1675), after Anthony van Dyck (Flemish, 1599–1641). Etching and engraving. The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.384


title: Disasters of War: There isn't Time Now

creator: Francisco de Goya (Spanish, 1746–1828)

medium: etching, drypoint, lavis, and engraving

country: Spain

subjects: Print Spain

credit_line: Disasters of War: There isn't Time Now, 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching, drypoint, lavis, and engraving; sheet: 24.1 x 33.3 cm (9 1/2 x 13 1/8 in.); image: 13.1 x 19.9 cm (5 3/16 x 7 13/16 in.); platemark: 16.4 x 23.7 cm (6 7/16 x 9 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.98


title: View of Niagara Falls

medium: oil on canvas

country: America

subjects: Painting America

credit_line: View of Niagara Falls, c. 1851–1852. John Frederick Kensett (American, 1816–1872). Oil on canvas; unframed: 35.9 x 51.2 cm (14 1/8 x 20 3/16 in.). The Cleveland Museum of Art, Gift in memory of John M. Henderson, 1999.210


creator: Auguste Brouet (French, 1872–1941)

medium: etchings

country: France, 20th century

subjects:
Portfolio
France, 20th century

credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: old man (page 156), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.32


credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: pillar (page 31), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.9


title: Man with Rake and Woman with Broom

date: early 1900s

medium: pair of ivory figures

country: Japan, Meiji period (1868–1912)

subjects:
Ivory
Japan, meiji period (1868–1912)

credit_line: Man with Rake and Woman with Broom, early 1900s. Japan, Meiji period (1868–1912). Pair of ivory figures; overall: 7.8 x 2.9 cm (3 1/16 x 1 1/8 in.). The Cleveland Museum of Art, Gift of Henry B. Andrews, 2000.1006


title: Japanese Man with Rake

medium: ivory

credit_line: Japanese Man with Rake, early 1900s. Japan, Meiji period (1868–1912). Ivory; overall: 7.8 x 2.9 cm (3 1/16 x 1 1/8 in.). The Cleveland Museum of Art, Gift of Henry B. Andrews, 2000.1006.1


title: Hip Wrapper (tapis)

medium: cotton; plain weave; block printed, drawn resist, painted mordants, dyed

subjects: India, coromandel coast, 1st half 19th century

credit_line: Hip Wrapper (tapis), 1800–1850. India, Coromandel Coast, 1st half 19th Century. Cotton; plain weave; block printed, drawn resist, painted mordants, dyed; overall: 251.5 x 106.8 cm (99 x 42 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2000.30


title: Woman with Hands behind Her Back

medium: lithograph printed in sanguine ink

subjects:
Print
France, 20th century

credit_line: Woman with Hands behind Her Back, 1913. Albert de Belleroche (British, 1864–1944). Lithograph printed in sanguine ink; sheet: 61 x 42 cm (24 x 16 9/16 in.); image: 43 x 38.1 cm (16 15/16 x 15 in.). The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in memory of Robert Lundie Shearer, 2001.168


creator: Albrecht Dürer (German, 1471–1528)

medium: woodcut

country: Germany

subjects: Print Germany

credit_line: The Little Passion: Pilate Washing his Hands, 1509–1510. Albrecht Dürer (German, 1471–1528). Woodcut; sheet: 13.1 x 10.1 cm (5 3/16 x 4 in.); image: 12.7 x 9.7 cm (5 x 3 13/16 in.). The Cleveland Museum of Art, Gift of Ann and Richard Gridley, 2001.30


title: Rai Raja, from a Kalighat album

medium: Gum tempera, graphite, and ink on paper

subjects: Eastern india, bengal, kolkata, kalighat

credit_line: Rai Raja, from a Kalighat album, c. 1890. Eastern India, Bengal, Kolkata, Kalighat. Gum tempera, graphite, and ink on paper; secondary support: 36 x 28.4 cm (14 3/16 x 11 3/16 in.); painting only: 30.2 x 25.2 cm (11 7/8 x 9 15/16 in.). The Cleveland Museum of Art, Gift of William E. Ward in memory of his wife, Evelyn Svec Ward, 2003.123


title: Kalighat Painting

country: Eastern India, Bengal, Kolkata, Kalighat

credit_line: Kalighat Painting, c. 1890. Shri Gobinda Chandra Roy (Indian, active late 1800s). Woodcut; secondary support: 30 x 49.7 cm (11 13/16 x 19 9/16 in.); painting only: 27.8 x 41.7 cm (10 15/16 x 16 7/16 in.). The Cleveland Museum of Art, Gift of William E. Ward in memory of his wife, Evelyn Svec Ward, 2003.139


credit_line: Kalaketu Receiving a Boon from the Goddess Chandi, c. 1890. Eastern India, Bengal, Kolkata, Kalighat. Gum tempera, graphite, ink, and tin on paper; painting only: 13.6 x 8.8 cm (5 3/8 x 3 7/16 in.). The Cleveland Museum of Art, Gift of William E. Ward in memory of his wife, Evelyn Svec Ward, 2003.143


title: Raja Riding a Horse

credit_line: Raja Riding a Horse, c. 1890. Eastern India, Bengal, Kolkata, Kalighat. Gum tempera, graphite, and ink on paper; painting only: 45.4 x 27.8 cm (17 7/8 x 10 15/16 in.). The Cleveland Museum of Art, Gift of William E. Ward in memory of his wife, Evelyn Svec Ward, 2003.161


title: Kali

credit_line: Kali, c. 1890. Eastern India, Bengal, Kolkata, Kalighat. Gum tempera, graphite, ink, and tin on paper; painting only: 44.8 x 27.8 cm (17 5/8 x 10 15/16 in.). The Cleveland Museum of Art, Gift of William E. Ward in memory of his wife, Evelyn Svec Ward, 2003.164


title: Trivikramapada (Three Steps of Vishnu)

credit_line: Trivikramapada (Three Steps of Vishnu), c. 1890. Eastern India, Bengal, Kolkata, Kalighat. Gum tempera, graphite, ink, and tin on paper; painting only: 45.6 x 27.9 cm (17 15/16 x 11 in.). The Cleveland Museum of Art, Gift of William E. Ward in memory of his wife, Evelyn Svec Ward, 2003.165


title: Glass from a Place Setting

medium: glass

country: probably America, late 19th-early 20th century

subjects: Probably america, late 19th-early 20th century

credit_line: Glass from a Place Setting, c. 1890–1920. Probably America, late 19th-early 20th century. Glass; overall: 16 x 7.2 cm (6 5/16 x 2 13/16 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.252.4


title: The Young Beggars

medium: aquatint

country: Germany, late 18th-early 19th century

subjects:
Print
Germany, late 18th-early 19th century

credit_line: The Young Beggars, c.1800. Karl Ludwig Bernhard Buchhorn (German, 1770–1856). Aquatint; sheet: 31 x 23.3 cm (12 3/16 x 9 3/16 in.); platemark: 25.3 x 19.9 cm (9 15/16 x 7 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2003.32


title: Soldiers

creator: Édouard Detaille (French, 1848–1912)

medium: oil on panel

subjects:
Painting
France, 19th century

credit_line: Soldiers, c. 1892. Édouard Detaille (French, 1848–1912). Oil on panel; unframed: 20.7 x 17.2 cm (8 1/8 x 6 3/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.357


title: Copy after Raphael's Sistine Madonna

creator: Rudolph Geudtner (German, 1811–1892)

date: 19th century

medium: watercolor and gouache

subjects: Drawing Germany

credit_line: Copy after Raphael's Sistine Madonna, 19th century. Rudolph Geudtner (German, 1811–1892). Watercolor and gouache; sheet: 26 x 20 cm (10 1/4 x 7 7/8 in.); secondary support: 26.8 x 22.7 cm (10 9/16 x 8 15/16 in.). The Cleveland Museum of Art, Hinman B. Hurlbut Collection, 1915.713


title: Covered Flat Jar

medium: glazed buff stoneware, Guan ware

credit_line: Covered Flat Jar, 1127–1279. China, Hangzhou, Suburban Altar Kiln, Southern Song dynasty (1127-1279). Glazed buff stoneware, Guan ware. The Cleveland Museum of Art, John L. Severance Fund, 1957.45.a


title: Covered Flat Jar (lid)

credit_line: Covered Flat Jar (lid), 1127–1279. China, Hangzhou, Suburban Altar Kiln, Southern Song dynasty (1127-1279). Glazed buff stoneware, Guan ware. The Cleveland Museum of Art, John L. Severance Fund, 1957.45.b


creator: Henri Rivière (French, 1864–1951)

credit_line: Bound Volume illustrating the poetry and music of Georges Fragerolle: The Progress of the Stars: La Marche à l'Etoile Mystère en dix tableaux, 1890. Henri Rivière (French, 1864–1951), C. Marpon & Flammarion. 18 color lithographs in a Bound Volume illustrating the poetry and music of Georges Fragerolle; book: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.395.c


title: The Prodigal Son: page 13

credit_line: Bound Volume illustrating the poetry and music of Georges Fragerolle: The Prodigal Son: page 13, 1895. Henri Rivière (French, 1864–1951), E. Flammarion. 15 color lithographs in a bound volume illustrating the poetry and music of Georges Fragerolle: color lithograph; book: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.396.f


title: The Prodigal Son: page 43

credit_line: Bound Volume illustrating the poetry and music of Georges Fragerolle: The Prodigal Son: page 43, 1895. Henri Rivière (French, 1864–1951), E. Flammarion. 15 color lithographs in a bound volume illustrating the poetry and music of Georges Fragerolle: color lithograph; book: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.396.p


title: Riflemen

medium: color photogravure of drawing enhanced with roulette

credit_line: Riflemen , 1887. Édouard Detaille (French, 1848–1912). Color photogravure of drawing enhanced with roulette; sheet: 46 x 33.1 cm (18 1/8 x 13 1/16 in.); image: 29.7 x 21.3 cm (11 11/16 x 8 3/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.410


title: Oyster Grounds

medium: etching

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: Oyster Grounds, 1925. Arthur John Trevor Briscoe (British, 1873–1943). Etching; sheet: 24 x 32.3 cm (9 7/16 x 12 11/16 in.); platemark: 18.2 x 27.4 cm (7 3/16 x 10 13/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2004.211


title: Sorting Fish

subjects:
Fish
Print
England, 20th century

credit_line: Sorting Fish, 1926. Arthur John Trevor Briscoe (British, 1873–1943). Etching; sheet: 20.9 x 31.8 cm (8 1/4 x 12 1/2 in.); platemark: 17.4 x 27.7 cm (6 7/8 x 10 7/8 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2004.213


title: Hove To

credit_line: Hove To, 1929. Arthur John Trevor Briscoe (British, 1873–1943). Etching; sheet: 23.8 x 39.1 cm (9 3/8 x 15 3/8 in.); platemark: 20.3 x 30.2 cm (8 x 11 7/8 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2004.216


title: Dunkerque

credit_line: Dunkerque, 1937. Arthur John Trevor Briscoe (British, 1873–1943). Etching; sheet: 21 x 33.8 cm (8 1/4 x 13 5/16 in.); platemark: 12.8 x 27.8 cm (5 1/16 x 10 15/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2004.218


title: Les Bretonneries

creator: Émile Bernard (French, 1868–1941)

medium: zincograph

country: France, 19th century

credit_line: Les Bretonneries, 1889, printed 1896. Émile Bernard (French, 1868–1941). Zincograph; sheet: 41.1 x 57.7 cm (16 3/16 x 22 11/16 in.); image: 31.5 x 24.8 cm (12 3/8 x 9 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2005.180


title: Various Lions

creator: Abraham Blooteling (Dutch, 1640–1690)

country: Netherlands

subjects: Print Netherland

credit_line: Various Lions, 1655–90. Abraham Blooteling (Dutch, 1640–1690), after Peter Paul Rubens (Flemish, 1577–1640). Etching; sheet: 14.6 x 19.6 cm (5 3/4 x 7 11/16 in.); platemark: 14 x 17.8 cm (5 1/2 x 7 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.266.4


title: Waiting for a Bite

creator: Winslow Homer (American, 1836–1910)

medium: wood engraving

subjects: Print America

credit_line: Waiting for a Bite, 1874. Winslow Homer (American, 1836–1910). Wood engraving; sheet: 27.2 x 39.8 cm (10 11/16 x 15 11/16 in.); image: 23.1 x 35 cm (9 1/8 x 13 3/4 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.286


creator: Anthonie Waterloo (Dutch, 1609/10–1690)

subjects: Print Netherland Landscapes

credit_line: Twelve landscapes (H.95-106): The Gateway, 1640–90. Anthonie Waterloo (Dutch, 1609/10–1690). Etching; sheet: 15.6 x 20.5 cm (6 1/8 x 8 1/16 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.308


title: Devotional painting (female figure)

medium: ink and color on paper

credit_line: Devotional painting (female figure), 1900s. Eastern India, Bihar State, Mithila or Madhubani School, 20th century. Ink and color on paper; overall: 27.2 x 18 cm (10 11/16 x 7 1/16 in.). The Cleveland Museum of Art, Gift of Pamela Elizabeth Ward in loving memory of her parents, William E. and Evelyn Svec Ward, 2005.79


medium: ink

country: Italy, Perugia

subjects:
Italy, perugia
Palms

credit_line: Missale: Fol. 111v; contains some music as part of Palm Sunday liturgy, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.111.b


title: Missale: Fol. 131: Saint Luke with Bull

medium: ink, tempera and burnished gold on vellum

credit_line: Missale: Fol. 131: Saint Luke with Bull, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.131.a


credit_line: Missale: Fol. 177: Music for various ordinary prayers, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.177.a


title: Missale: Fol. 225: Chalice with Host

credit_line: Missale: Fol. 225: Chalice with Host, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.225.a


credit_line: Missale: Fol. 311v: Saint Anne holding the newborn Virgin, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.311.b


title: Missale: Fol. 324v: Saint Martin

credit_line: Missale: Fol. 324v: Saint Martin, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.324.b


creator: Alois Senefelder (German, 1771–1834)

medium: color lithograph

subjects:
Print
Germany, 19th century

credit_line: Art of the Lithograph: Psalter- Initial B, Plate VIII, 1818–1819. Alois Senefelder (German, 1771–1834). Color lithograph; sheet: 22.9 x 30.8 cm (9 x 12 1/8 in.); image: 14.5 x 22.2 cm (5 11/16 x 8 3/4 in.). The Cleveland Museum of Art, L. E. Holden Fund, 2006.178


medium: lithograph

subjects:
Portfolio
Germany, 19th century

credit_line: Art of the Lithograph: Italian Church Ruin, Plate XVII , 1819. Alois Senefelder (German, 1771–1834). Lithograph; sheet: 30.2 x 23.4 cm (11 7/8 x 9 3/16 in.); image: 17.6 x 15.7 cm (6 15/16 x 6 3/16 in.). The Cleveland Museum of Art, Gift of Susan Schulman Printseller and Carolyn Bullard Fine Prints in honor of Jane Glaubinger, 2006.194.13


credit_line: Art of the Lithograph: Albanian, Plate XVIII, 1819. Alois Senefelder (German, 1771–1834). Lithograph; sheet: 30.1 x 23.2 cm (11 7/8 x 9 1/8 in.); image: 7.2 x 11.2 cm (2 13/16 x 4 7/16 in.). The Cleveland Museum of Art, Gift of Susan Schulman Printseller and Carolyn Bullard Fine Prints in honor of Jane Glaubinger, 2006.194.14


title: Boulevard Montmartre

subjects:
Print
France, 19th century

credit_line: Boulevard Montmartre, 1884. Maxime Lalanne (French, 1827–1886). Etching; sheet: 23 x 30.4 cm (9 1/16 x 11 15/16 in.); platemark: 20.1 x 25.6 cm (7 15/16 x 10 1/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.245


title: View from the Louvre

credit_line: View from the Louvre, 1882. Maxime Lalanne (French, 1827–1886). Etching; sheet: 24.7 x 35.4 cm (9 3/4 x 13 15/16 in.); platemark: 18.5 x 28.7 cm (7 5/16 x 11 5/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.246


medium: lacquer

subjects:
Lacquer
Japan, meiji period (1868–1912)

credit_line: Nested Boxes with Chrysanthemums (inner box), early 1900s. Japan, Meiji period (1868–1912). Lacquer; overall: 0.7 x 5.8 x 4.2 cm (1/4 x 2 5/16 x 1 5/8 in.). The Cleveland Museum of Art, Bequest of Lillian M. Kern, 2007.1009.2


title: Surround for Turkish Silk Cushion Cover

medium: silk, silver-metal thread: plain weave with inner warps and with continuous and discontinuous supplementary wefts bound in plain and 1/3 Z twill order

country: Iran, Safavid period (1501–1722)

subjects:
Costume & fashion
Textile
Iran, safavid period (1501–1722)

credit_line: Surround for Turkish Silk Cushion Cover, early 1600s. Iran, Safavid period (1501–1722). Silk, silver-metal thread: plain weave with inner warps and with continuous and discontinuous supplementary wefts bound in plain and 1/3 Z twill order; overall: 110.2 x 23.7 cm (43 3/8 x 9 5/16 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 2007.13.4


credit_line: Traité de La Gravure a l’eau forte: Plate 5, 1866. Maxime Lalanne (French, 1827–1886), Cadar and Luquet. Etching; platemark: 18.1 x 11.6 cm (7 1/8 x 4 9/16 in.); book page: 23.2 x 15 cm (9 1/8 x 5 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.237.d


creator: Eugène Isabey (French, 1803–1886)

medium: lithograph on chine collé

credit_line: Six Marines: Refitting of a Boat at Low Tide , 1833. Eugène Isabey (French, 1803–1886), Morlot, Paris and McLean. Lithograph on chine collé; sheet: 55.9 x 36.4 cm (22 x 14 5/16 in.); platemark: 31.5 x 24.8 cm (12 3/8 x 9 3/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.238.4


title: Summer Evening

medium: woodcut in black and brown

credit_line: Annuaire de Graveure Francaise: Summer Evening, 1910. Auguste Louis Lepère (French, 1849–1918). Woodcut in black and brown; sheet: 21.5 x 16.6 cm (8 7/16 x 6 9/16 in.); platemark: 15.2 x 12 cm (6 x 4 3/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.256


title: [Man in a Boat with Three Sheep]

credit_line: [Man in a Boat with Three Sheep], c. 1870–1918. Auguste Louis Lepère (French, 1849–1918). Etching; sheet: 32 x 24.5 cm (12 5/8 x 9 5/8 in.); platemark: 18.6 x 17.8 cm (7 5/16 x 7 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.264


title: City Fire

credit_line: City Fire, c. 1870–1918. Auguste Louis Lepère (French, 1849–1918). Wood engraving; sheet: 37 x 25.8 cm (14 9/16 x 10 3/16 in.); platemark: 22.1 x 15.6 cm (8 11/16 x 6 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.266


medium: embossed color lithograph

country: France, late 19th century

subjects:
Print
France, late 19th century

credit_line: Decoration in Enameled Tiles for Bathroom, 1898. Félix Albert Anthyme Aubert (French, 1866–1940), and Alexandre-Louis-Marie Charpentier (French, 1856–1909). Embossed color lithograph; sheet: 28.7 x 19.3 cm (11 5/16 x 7 5/8 in.); image: 22.3 x 16.5 cm (8 3/4 x 6 1/2 in.). The Cleveland Museum of Art, In memory of Marie C. Carey, 2008.143


title: John Poines

creator: Conrad Martin Metz (German, 1749–1827)

medium: stipple hand-colored with watercolor

country: Germany, 18th century

subjects:
Print
Germany, 18th century

credit_line: John Poines, 1792. Conrad Martin Metz (German, 1749–1827), after Hans Holbein (German, c. 1465–1524). Stipple hand-colored with watercolor; sheet: 54.4 x 40.7 cm (21 7/16 x 16 in.); platemark: 33 x 25.3 cm (13 x 9 15/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.206


creator: William Walcot (British, 1874–1943)

credit_line: Herodias: Page 7, The sun made the cliffs of white marble glitter, and the golden rays on its roof, 1928. William Walcot (British, 1874–1943). Etching; sheet: 30.7 x 23.7 cm (12 1/16 x 9 5/16 in.); platemark: 20.7 x 17.4 cm (8 1/8 x 6 7/8 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2008.330.c


subjects:
Print
England, 20th century
Roses

credit_line: Herodias: Page 27, The voice rose: Woe to thee, Pharisees and Sadducees, race of vipers, bursting with pride!, 1928. William Walcot (British, 1874–1943). Etching; sheet: 30.8 x 24.4 cm (12 1/8 x 9 5/8 in.); platemark: 21.1 x 17.6 cm (8 5/16 x 6 15/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2008.330.f


title: Herodias: Page 55, Cul-de-lampe

credit_line: Herodias: Page 55, Cul-de-lampe, 1928. William Walcot (British, 1874–1943). Etching; sheet: 30.4 x 24.4 cm (11 15/16 x 9 5/8 in.); platemark: 9.2 x 16.1 cm (3 5/8 x 6 5/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2008.330.k


title: Male Figure

date: early 1800s

medium: Wood and organic materials

credit_line: Male Figure, early 1800s. Africa, Central Africa, Republic of the Congo or Democratic Republic of the Congo, Teke-style maker. Wood and organic materials; with base: 44 x 7 x 7 cm (17 5/16 x 2 3/4 x 2 3/4 in.). The Cleveland Museum of Art, The Nina M. Traub Trust, 2008.59


title: Teapot

medium: porcelain

country: Germany, Meissen

subjects:
Ceramic
Germany, meissen

credit_line: Teapot, c. 1750–70. Meissen Porcelain Factory (German, est. c. 1710). Porcelain; overall: 12 x 43.5 x 19.5 cm (4 3/4 x 17 1/8 x 7 11/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.104.a


title: Vanity Case (Etui)

medium: gold, agate. diamonds, interior fitted with implements

country: England, 18th century

credit_line: Vanity Case (Etui), c. 1750. England, 18th century. Gold, agate. diamonds, interior fitted with implements; overall: 11.8 cm (4 5/8 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.28


title: Portrait of his Mother

creator: Henri Lehmann (French, 1814–1882)

medium: graphite with slight red chalk on cream wove paper pasted down on heavy-weight cream wove paper; page from album

subjects:
Drawing
France, 19th century
Portraits

credit_line: Portrait of his Mother, 1851. Henri Lehmann (French, 1814–1882). Graphite with slight red chalk on cream wove paper pasted down on heavy-weight cream wove paper; page from album; sheet: 25.3 x 32.3 cm (9 15/16 x 12 11/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.307


title: Untitled (Man and Woman Relaxing)

medium: salted paper print from a wet collodion negative on glass

country: Belgium, 19th century

subjects:
Photograph
Belgium, 19th century

credit_line: Untitled (Man and Woman Relaxing), c. 1854. Louis Pierre Théophile Dubois de Nehaut (Belgian, 1799–1872). Salted paper print from a wet collodion negative on glass; image: 21.1 x 25.3 cm (8 5/16 x 9 15/16 in.); paper: 21.8 x 26.2 cm (8 9/16 x 10 5/16 in.); matted: 40.6 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.346


title: Snuff Box

creator: Johannes George Klette

medium: gold-mounted carved bloodstone

country: Germany, Berlin, mid-18th century

credit_line: Snuff Box, c. 1750. Attributed to Johannes George Klette, Carl Gustav Klingstedt (Swedish, 1657–1734). Gold-mounted carved bloodstone ; overall: 4.1 x 7.6 x 7.3 cm (1 5/8 x 3 x 2 7/8 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.36


title: Necklace

medium: diamonds, pearl, gold, platinum

country: America

subjects: Jewelry America

credit_line: Necklace, c. 1900–20. America. Diamonds, pearl, gold, platinum; overall: 24 x 3 x 0.5 cm (9 7/16 x 1 3/16 x 3/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.362


title: Salt and Pepper Shakers

medium: silver and mixed metals

country: America, Rhode Island, Providence

subjects:
Silver
America, rhode island, providence

credit_line: Salt and Pepper Shakers, c.1875–85. Gorham Manufacturing Company (America, est. 1831). Silver and mixed metals; overall: 7.5 x 3 x 3 cm (2 15/16 x 1 3/16 x 1 3/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.368


title: Edmond de Goncourt

creator: Eugène Carrière (French, 1849–1906)

credit_line: Edmond de Goncourt, 1896. Eugène Carrière (French, 1849–1906), l'imprimeur Lemercier. Lithograph on chine collé. The Cleveland Museum of Art, Gift of John Bonebrake, 2009.500


title: The Basin of the Tuileries

creator: Eugène Bejot (French, 1867–1931)

medium: etching

country: France, 20th century

subjects:
Print
France, 20th century

credit_line: The Basin of the Tuileries, 1906 . Eugène Bejot (French, 1867–1931). Etching. The Cleveland Museum of Art, Gift of John Bonebrake, 2009.512


title: The Park

creator: Gaston de Latenay (French, 1859–1943)

medium: color lithograph

credit_line: published in L'Estampe Moderne: The Park , 1897. Gaston de Latenay (French, 1859–1943). Color lithograph; sheet: 30.5 x 40.5 cm (12 x 15 15/16 in.); image: 24.5 x 32.9 cm (9 5/8 x 12 15/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.562


title: Snuff Box

creator: Pierre-André Montauban (French)

medium: gold-mounted tortoiseshell, agate, enamel

country: France, Paris

credit_line: Snuff Box , c. 1810–20. Pierre-André Montauban (French). Gold-mounted tortoiseshell, agate, enamel; overall: 9.5 x 7 x 1.9 cm (3 3/4 x 2 3/4 x 3/4 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.66


title: Snuff Box

medium: agate with gold mounts

country: England, mid-18th century

credit_line: Snuff Box, c. 1750. England, mid-18th century. Agate with gold mounts; overall: 7 x 5.7 x 5.8 cm (2 3/4 x 2 1/4 x 2 5/16 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.74


title: St. George's Hall, Liverpool

creator: Thomas Sutton (British, 1819–1875)

medium: salted paper print from a paper negative

country: England, 19th century

subjects:
Photograph
England, 19th century

credit_line: St. George's Hall, Liverpool, 1854. Thomas Sutton (British, 1819–1875). Salted paper print from a paper negative; image: 17.3 x 24.5 cm (6 13/16 x 9 5/8 in.); mounted: 17.3 x 24.5 cm (6 13/16 x 9 5/8 in.); matted: 35.6 x 45.7 cm (14 x 18 in.). The Cleveland Museum of Art, The Charlotte Ekker and Charlotte Van der Veer Memorial Fund, 2009.88


creator: Emile Frederic Herbert (French)

medium: supplemental weft pattern; silk?

subjects:
Ornament & design
Costume & fashion
Textile
France, pari

credit_line: Long Shawl with Botehs, Black Center, and Lobed Arcades, 1855. Emile Frederic Herbert (French). Supplemental weft pattern; silk?; overall: 360.7 x 157.4 cm (142 x 61 15/16 in.). The Cleveland Museum of Art, Gift of Arlene C. Cooper, 2010.145


creator: Ernst Fries (German, 1801–1833)

medium: lithograph printed in black with two tint stones: deep ochre overall and gray selectively

country: Germany, 19th century

credit_line: Six Views of Heidelberg Castle: Towards Northeast , 1820. Ernst Fries (German, 1801–1833), Mohr & Winter, Heidelberg. Lithograph printed in black with two tint stones: deep ochre overall and gray selectively; sheet: 38.5 x 50 cm (15 3/16 x 19 11/16 in.). The Cleveland Museum of Art, Prints & Drawings Sundry Art Purchase and Dudley P. Allen Fund, 2010.280.4


title: Little Devil's Bridge

creator: Frank Short (British, 1857–1945)

medium: etching and mezzotint

subjects:
Print
England, 19th century

credit_line: Little Devil's Bridge, 1886. Frank Short (British, 1857–1945), Robert Dunthorne, London, after Joseph Mallord William Turner (British, 1775–1851). Etching and mezzotint; sheet: 24.3 x 31.9 cm (9 9/16 x 12 9/16 in.); platemark: 22.7 x 30.4 cm (8 15/16 x 11 15/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.577


title: Mt. Rigi at Dawn

medium: mezzotint on chine collé

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: Mt. Rigi at Dawn, 1910. Frank Short (British, 1857–1945), after Joseph Mallord William Turner (British, 1775–1851). Mezzotint on chine collé; image: 24.5 x 37.2 cm (9 5/8 x 14 5/8 in.); sheet: 47.6 x 60.5 cm (18 3/4 x 23 13/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.583


title: A Wintry Blast on the Stourbridge Canal

medium: drypoint

credit_line: A Wintry Blast on the Stourbridge Canal, 1890. Frank Short (British, 1857–1945), Print Collectors' Club. Drypoint; image: 17.4 x 25.1 cm (6 7/8 x 9 7/8 in.); sheet: 22.3 x 32.4 cm (8 3/4 x 12 3/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.585


title: An Alphabet: D is for Dandy

creator: William Nicholson (British, 1872–1949)

credit_line: An Alphabet: D is for Dandy, 1897. William Nicholson (British, 1872–1949). Color lithograph; sheet: 30.8 x 25 cm (12 1/8 x 9 13/16 in.); image: 24.4 x 19.3 cm (9 5/8 x 7 5/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.629


subjects:
Print
England, 19th century
Portraits

credit_line: Twelve Portraits: H.R.H. The Prince of Wales, 1898. William Nicholson (British, 1872–1949). Color lithograph; sheet: 27.6 x 25.3 cm (10 7/8 x 9 15/16 in.); image: 25.4 x 23.1 cm (10 x 9 1/8 in.); secondary support: 41.6 x 37.9 cm (16 3/8 x 14 15/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.635


credit_line: The Square Book of Animals: The British Bull-Dog, 1899. William Nicholson (British, 1872–1949). Color lithograph; sheet: 24.9 x 23.7 cm (9 13/16 x 9 5/16 in.); image: 13 x 12.9 cm (5 1/8 x 5 1/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.638


credit_line: The Square Book of Animals: The Toilsome Goat, 1899. William Nicholson (British, 1872–1949). Color lithograph; sheet: 25 x 23.8 cm (9 13/16 x 9 3/8 in.); image: 13 x 12.9 cm (5 1/8 x 5 1/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.642


creator: Richard Earlom (British, 1743–1822)

medium: etching and mezzotint printed in brown

subjects:
Print
England, 18th century
Landscapes

credit_line: Liber Veritatis:  No. 68, A Landscape at Sunset with Fishermen Drawing a Net, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682), John Boydell (British, 1720–1804). Etching and mezzotint printed in brown; sheet: 26.6 x 40.7 cm (10 1/2 x 16 in.); platemark: 20.7 x 25.7 cm (8 1/8 x 10 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.647


title: Vanity Fair: A Symphony

credit_line: Vanity Fair January 12, 1878: Vanity Fair: A Symphony, 1878. Leslie Matthew (Spy) Ward (British, 1851–1922), Vincent Brooks Day & Son. Color lithograph; sheet: 40 x 27.5 cm (15 3/4 x 10 13/16 in.); image: 30.4 x 18.5 cm (11 15/16 x 7 5/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.655


title: The Gout

creator: James Gillray (British, 1757–1815)

medium: etching hand-colored with watercolor

subjects:
Print
England, 18th century

credit_line: The Gout, 1799. James Gillray (British, 1757–1815), Hannah Humphrey (c. 1745–1818). Etching hand-colored with watercolor ; sheet: 32.3 x 46.5 cm (12 11/16 x 18 5/16 in.); platemark: 26 x 36.5 cm (10 1/4 x 14 3/8 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2011.182


title: Shrine with a Seated Male Deity

medium: bronze

credit_line: Shrine with a Seated Male Deity, 1300s–1400s. South India, Kerala Style, c. 14th-15th century. Bronze; overall: 53.5 x 23 x 21.5 cm (21 1/16 x 9 1/16 x 8 7/16 in.). The Cleveland Museum of Art, Gift of Dr. Norman Zaworski, 2011.206.a


title: Histamenon of Romanus III

medium: gold

country: Byzantium

subjects: Coin Byzantium

credit_line: Histamenon of Romanus III, 1028–1034. Byzantium. Gold; diameter: 2.4 cm (15/16 in.). The Cleveland Museum of Art, Gift of Dr. Norman Zaworski, 2011.213.a


title: Goblet

medium: glass

subjects:
Glass
England, 18th century

credit_line: Goblet, c. 1725–1750. England, 18th century. Glass; diameter: 8 cm (3 1/8 in.); overall: 18.5 cm (7 5/16 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.128


creator: Louis Haghe (British, 1806–1885)

credit_line: Egypt and Nubia, Volume II: Dayr-El-Medeeneh, Thebes, 1848. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 36.5 x 43.6 cm (14 3/8 x 17 3/16 in.); image: 25.4 x 35.2 cm (10 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.154


title: Egypt and Nubia, Volume II: Karnak

credit_line: Egypt and Nubia, Volume II: Karnak, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 60.3 x 43.6 cm (23 3/4 x 17 3/16 in.); image: 48.8 x 32.7 cm (19 3/16 x 12 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.167


subjects:
Architecture
Print
England, 19th century

credit_line: Egypt and Nubia, Volume I: Grand Approach to the Temple of Philae, Nubia, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 43.2 x 60.3 cm (17 x 23 3/4 in.); image: 34.5 x 51.5 cm (13 9/16 x 20 1/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.182


credit_line: Egypt and Nubia, Volume III: Minarets, and Grand Entrance of the Metwaleys, at Cairo, 1848. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 63 x 43.1 cm (24 13/16 x 16 15/16 in.); image: 48.6 x 32.5 cm (19 1/8 x 12 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.194


credit_line: Egypt and Nubia, Volume II: Hermont, Ancient Hermonthis, 1848. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 36.9 x 43 cm (14 1/2 x 16 15/16 in.); image: 25.5 x 35.2 cm (10 1/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.213


credit_line: Egypt and Nubia, Volume II: Island of Philae, on the Nile, Nubia, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 40.8 x 43.6 cm (16 1/16 x 17 3/16 in.); image: 25.2 x 35.2 cm (9 15/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.244


title: Egypt and Nubia, Volume I: Dendera

credit_line: Egypt and Nubia, Volume I: Dendera, 1847. Louis Haghe (British, 1806–1885), F. G. Moon (British, 1797–1871), after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 43 x 60.3 cm (16 15/16 x 23 3/4 in.); image: 32.6 x 48.8 cm (12 13/16 x 19 3/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.255


medium: lithograph

credit_line: Picturesque Sketches in Spain: Gate of the Vivarrambla, Granada, 1837. Thomas Shotter Boys (British, 1803–1874), Hodgson & Graves6, Pall Mall, London, after David Roberts (Scottish, 1796–1864). Lithograph; sheet: 55.1 x 37.4 cm (21 11/16 x 14 3/4 in.); image: 36.1 x 27.2 cm (14 3/16 x 10 11/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.265


creator: Pietro Fancelli (Italian, 1764–1850)

medium: pen and brown ink and watercolor with graphite under drawing

country: Italy, 19th century

subjects:
Architecture
Drawing
Italy, 19th century

credit_line: Design for a Fresco of an Artist's Tomb in the Certosa of Bologna (recto); Architectural Drawing of Columns (verso), c. 1810–1820. Pietro Fancelli (Italian, 1764–1850). Pen and brown ink and watercolor with graphite under drawing; sheet: 49.2 x 34.3 cm (19 3/8 x 13 1/2 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2013.11


title: Sleeping Beauty (Dornröschen)

creator: Anonymous

medium: graphite with white heightening on medium-weight brown wove paper

subjects:
Drawing
Germany, 19th century

credit_line: Sleeping Beauty (Dornröschen), 1864. Anonymous. Graphite with white heightening on medium-weight brown wove paper; sheet: 18 x 22.5 cm (7 1/16 x 8 7/8 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.245


title: Scharley in Oberschleisien

creator: Carl Julius Rieden (German, 1802–1858)

medium: lithograph hand-colored with gouache

subjects:
Print
Germany, 19th century

credit_line: Scharley in Oberschleisien, c. 1850. Carl Julius Rieden (German, 1802–1858), after Ernest William Knippel (German, 1811–1900). Lithograph hand-colored with gouache; sheet: 27.3 x 41.6 cm (10 3/4 x 16 3/8 in.); image: 27.3 x 41.6 cm (10 3/4 x 16 3/8 in.); mounted: 43.7 x 56.1 cm (17 3/16 x 22 1/16 in.). The Cleveland Museum of Art, Alma and Robert D. Milne Fund, 2013.3


medium: Gum tempera, ink, and gold on paper

subjects: India, farrukhabad, mughal, 18th century

credit_line: Calligraphy of a ghazal of Amir Khusrau Dihlavi (Indian, 1253–1325) (verso), c. 1760. India, Farrukhabad, Mughal, 18th century. Gum tempera, ink, and gold on paper; overall: 25.4 x 19.7 cm (10 x 7 3/4 in.). The Cleveland Museum of Art, Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection, 2013.341.b


medium: etching printed in olive green ink

credit_line: Fan, The Seine seen from the Pont Royal (Éventail, La Seine vue du Pont Royal), 1901. Eugène Bejot (French, 1867–1931). Etching printed in olive green ink; sheet: 44.3 x 62.7 cm (17 7/16 x 24 11/16 in.); platemark: 58.4 x 17.5 cm (23 x 6 7/8 in.). The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in memory of Richard Reed Armstrong, 2013.474


medium: porcelain, sepia enamel, gold leaf

credit_line: Cup and Saucer from Oliver Wolcott, Jr. Tea Service (2 of 6), 1785–1805. Chinese Export porcelain, late 18th-early 19th century. Porcelain, sepia enamel, gold leaf; overall: 7 x 9 x 6 cm (2 3/4 x 3 9/16 x 2 3/8 in.). The Cleveland Museum of Art, Gift of Harvey Buchanan in memory of Penelope Draper Buchanan and Dorothy Tuckerman Draper, 2013.98.2


credit_line: Cup and Saucer from Oliver Wolcott, Jr. Tea Service (6 of 6), 1785–1805. Chinese Export porcelain, late 18th-early 19th century. Porcelain, sepia enamel, gold leaf; overall: 7 x 9 x 6 cm (2 3/4 x 3 9/16 x 2 3/8 in.). The Cleveland Museum of Art, Gift of Harvey Buchanan in memory of Penelope Draper Buchanan and Dorothy Tuckerman Draper, 2013.98.6


title: Scarborough

medium: mezzotint

credit_line: Scarborough, 1884. Frank Short (British, 1857–1945), after J.B. Carter (British). Mezzotint; sheet: 14.5 x 19.4 cm (5 11/16 x 7 5/8 in.); platemark: 7.6 x 10.1 cm (3 x 4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.244


creator: James Tissot (French, 1836–1902)

medium: color lithograph

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: published in Vanity Fair Oct. 26, 1972: Vanity Fair: Statesman, No. 128  "Newcastle-on-Tyne", 1872. James Tissot (French, 1836–1902), Published in Vanity Fair, vol. VIII, July to December, 1872, p. 134. Mr. Joseph Cowen, M.P.. Color lithograph; sheet: 35.6 x 22.6 cm (14 x 8 7/8 in.); image: 30.9 x 19.1 cm (12 3/16 x 7 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.253


title: Sevins Cathedral

medium: etching

credit_line: Sevins Cathedral, c. 1930. Herbert Gordon Warlow (British, 1885–1942). Etching; sheet: 26.1 x 21.4 cm (10 1/4 x 8 7/16 in.); platemark: 20.2 x 15.9 cm (7 15/16 x 6 1/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.269


creator: Carle Vernet (French, 1758–1836)

country: France

subjects: Print France

credit_line: Racing Scenes: The Jockey Mounting the Horse (Scènes Hippiques: Le jockey montant a cheval), c. 1780–1836. Carle Vernet (French, 1758–1836), Jazet and Aumont. Lithograph; sheet: 9.1 x 14.1 cm (3 9/16 x 5 9/16 in.); image: 6.6 x 10.9 cm (2 5/8 x 4 5/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.318


title: Mill at Bruges

medium: woodcut, printed in dark green

country: Netherlands

subjects: Print Netherland

credit_line: Mill at Bruges, c. 1905. Wynand Otto Jan Nieuwenkamp (Dutch, 1874–1950). Woodcut, printed in dark green; sheet: 37.5 x 52.5 cm (14 3/4 x 20 11/16 in.); image: 21 x 38 cm (8 1/4 x 14 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.333


creator: Max Klinger (German, 1857–1920)

country: Germany, 20th century

subjects:
Print
Germany, 20th century

credit_line: On Death Part Two, Opus XIII Print 4: Genius (Artist), 1903. Max Klinger (German, 1857–1920), Felsing, Berlin. Etching; sheet: 50.9 x 40 cm (20 1/16 x 15 3/4 in.); platemark: 44.6 x 34.5 cm (17 9/16 x 13 9/16 in.); to borderline: 41.6 x 31.5 cm (16 3/8 x 12 3/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.686


creator: John Sell Cotman (British, 1782–1842)

medium: softground etching, from a bound volume containing 48 plates

subjects:
England, 19th century
Trees

credit_line: Liber Studiorum: Plate 3, Trees near Twickenham, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 32 x 49.7 cm (12 5/8 x 19 9/16 in.); platemark: 17.8 x 30.4 cm (7 x 11 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.d


credit_line: Liber Studiorum: Plate 35, Wenlock Priory, Salop, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 18.6 x 12.5 cm (7 5/16 x 4 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.jj


medium: wood engraving from bound volume of 34

credit_line: Fontainebleau Forest: Pulling the Heather (La Forêt de Fontainebleau: Arracheurs de Bruyères), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 8.1 x 10.4 cm (3 3/16 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.k


credit_line: Fontainebleau Forest: Au dormoir de Lantara (La Forêt de Fontainebleau: Au dormoir de Lantara), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; sheet: 15.4 x 22.2 cm (6 1/16 x 8 3/4 in.); image: 6.4 x 11.3 cm (2 1/2 x 4 7/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.o


credit_line: Fontainebleau Forest: Pass of the Seven Caverns (La Forêt de Fontainebleau: Au défilé de Sept-Cavernes), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 8.8 x 4 cm (3 7/16 x 1 9/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.u


credit_line: Auguste Lepère: Le pommier renversé (Picardie)	, 1931. Auguste Louis Lepère (French, 1849–1918). Etching, from bound volume with seven etchings; sheet: 22.6 x 30.5 cm (8 7/8 x 12 in.); platemark: 12.6 x 13.5 cm (4 15/16 x 5 5/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.710.f


title: Sketches (verso)

creator: Gustave Doré (French, 1832–1883)

medium: graphite (verso)

subjects:
Drawing
France, 19th century

credit_line: Sketches (verso), c. 1848–49. Gustave Doré (French, 1832–1883). Graphite (verso); sheet: 25.2 x 40.4 cm (9 15/16 x 15 7/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2015.448.b


medium: albumen print from collodion negative

subjects:
Photograph
Italy, 19th century

credit_line: Panorama dalla Cupola di S. Pietro, Rome, 1885–95. Italy, 19th century. Albumen print from collodion negative; image: 19.6 x 25.7 cm (7 11/16 x 10 1/8 in.); paper: 19.6 x 25.7 cm (7 11/16 x 10 1/8 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos, 2016.542


title: A Clump of Trees on a Rocky Outcrop

medium: Graphite

country: Britain

subjects: Drawing Britain Trees

credit_line: A Clump of Trees on a Rocky Outcrop. John Claude Nattes (British, c. 1765–1839). Graphite; image: 29.8 x 41.9 cm (11 3/4 x 16 1/2 in.); sheet: 38.4 x 49.8 cm (15 1/8 x 19 5/8 in.); matted: 43.2 x 56.5 cm (17 x 22 1/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard Davis in memory of Harvey Buchanan and Penelope Draper Buchanan, 2016.634


title: Caire. Allée de Pyramides

creator: Félix Bonfils (French, 1831–1885)

medium: albumen print from wet collodion negative

subjects:
Photograph
France, 19th century

credit_line: Caire. Allée de Pyramides, c. 1870. Félix Bonfils (French, 1831–1885). Albumen print from wet collodion negative; image and paper: 21.8 x 27.9 cm (8 9/16 x 11 in.). The Cleveland Museum of Art, Gift of Arielle Kozloff Brodkey in memory of Dr. Jerald S. Brodkey, 2019.90


title: Scent Bottle

medium: blue-gray opaline glass mounted in gold

country: Germany (?)

credit_line: Scent Bottle, 1800s. Germany (?). Blue-gray opaline glass mounted in gold; overall: 8.1 x 5.6 x 2.7 cm (3 3/16 x 2 3/16 x 1 1/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.318.a


title: Chest Front

medium: wood

country: India or Syria

subjects:
Wood
India or syria

credit_line: Chest Front, 1700s. India or Syria. Wood; overall: 36.6 x 98.5 cm (14 7/16 x 38 3/4 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1917.1082


title: Scabbard

country: Java

subjects:
Arms and armor
Java

credit_line: Scabbard, 1800s. Java. Wood; overall: 46.1 cm (18 1/8 in.); blade: 36.5 cm (14 3/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1918.651.b


title: Armored Sleeve (Kote)

medium: Arms and Armor

country: Japan, Edo period (1615–1868)

subjects:
Arms and armor
Japan, edo period (1615–1868)

credit_line: Armored Sleeve (Kote), 1615–1868. Japan, Edo period (1615–1868). The Cleveland Museum of Art, Gift of J. H. Donahey, 1922.31.f


title: Side Chair

medium: tulipwood

subjects:
Furniture and woodwork
Netherland

credit_line: Side Chair, 1705–15. Netherlands. Tulipwood; overall: 102.3 x 54.6 x 51.5 cm (40 1/4 x 21 1/2 x 20 1/4 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1922.677.1


medium: Gum tempera, ink, and gold on paper

credit_line: Text, Folio 15 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.15.b


credit_line: Text, Folio 32 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.32.b


credit_line: Text, Folio 52 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.52.b


credit_line: Text, Folio 55 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.55.b


credit_line: Text, Folio 58 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.58.b


credit_line: Text, Folio 73 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.73.b


medium: gum tempera and ink on palm leaves

subjects: Painting Palms

credit_line: Text, Folio 10 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.10.a


credit_line: Text, Folio 102 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.102.a


credit_line: Text, Folio 106 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.106.a


credit_line: Text, Folio 106 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.106.b


credit_line: Text, Folio 107 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.107.b


credit_line: Text, Folio 15 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.115.a


credit_line: Text, Folio 119 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.119.b


credit_line: Text, Folio 123 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.123.b


credit_line: Text, Folio 137 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.137.a


credit_line: Text, Folio 147 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.147.b


credit_line: Text, Folio 154 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.154.a


credit_line: Text, folio 158 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.158.a


credit_line: Text, folio 159 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.159.a


credit_line: Text, Folio 25 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.25.a


credit_line: Text, Folio 27 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.27.a


credit_line: Text, Folio 28 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.28.a


credit_line: Text, Folio 38 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.38.a


credit_line: Text, Folio 40 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.40.a


credit_line: Text, folio 43 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.43.a


credit_line: Text, folio 46 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.46.a


credit_line: Text, Folio 48 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.48.b


credit_line: Text, folio 49 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.49.b


credit_line: Text, folio 50 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.50.a


credit_line: Text, folio 50 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.50.b


credit_line: Text, folio 51 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.51.b


credit_line: Text, Folio 56 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.56.a


credit_line: Text, Folio 9 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.9.b


title: Gaming Piece (reverse)

creator: Martin Brunner (German, 1659–1725)

country: Germany, late 17th-early 18th Century

subjects:
Furniture and woodwork
Germany, late 17th-early 18th century

credit_line: Gaming Piece (reverse), c.1700. Martin Brunner (German, 1659–1725). Wood; diameter: 6.1 cm (2 3/8 in.); overall: 1.3 cm (1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1953.691.4.b


title: Painting from Flowers and Grasses

creator: Tsubaki Chinzan (Japanese, 1801–1854)

medium: album; ink and color on silk

subjects:
Painting
Japan, edo period (1615–1868)
Flowers
Grasses & sedges

credit_line: Painting from Flowers and Grasses, 1841. Tsubaki Chinzan (Japanese, 1801–1854). Album; ink and color on silk. The Cleveland Museum of Art, Cornelia Blakemore Warner Fund, 1976.56.b


title: Tea Service

medium: earthenware

subjects:
Ceramic
England, 19th century

credit_line: Tea Service, c. 1800–1825. England, 19th century. Earthenware. The Cleveland Museum of Art, Gift from the Collection of Albert G. Levine, 1977.85


title: Sugar Bowl and Lid

country: England

subjects: Ceramic England

credit_line: Sugar Bowl and Lid, c. 1800–1825. England. Earthenware; overall: 14.7 x 22.6 x 13.7 cm (5 13/16 x 8 7/8 x 5 3/8 in.). The Cleveland Museum of Art, Gift from the Collection of Albert G. Levine, 1977.85.2


creator: Yoshitsugu Haizan (Japanese, 1846–1915)

date: late 1800s-early 1900s

medium: page spread from double-sided accordion album; ink and color on paper

country: Japan, Meiji period (1868–1912) or Taishō period (1912–26)

credit_line: Painting Three from Album of Paintings by Haizan, late 1800s-early 1900s. Yoshitsugu Haizan (Japanese, 1846–1915). Page spread from double-sided accordion album; ink and color on paper. The Cleveland Museum of Art, Gift of Irene D. Goldhamer, 1997.247.d


date: late 1800s–early 1900s

credit_line: Painting Five from Album of Paintings by Haizan, late 1800s–early 1900s. Yoshitsugu Haizan (Japanese, 1846–1915). Page spread from double-sided accordion album; ink and color on paper. The Cleveland Museum of Art, Gift of Irene D. Goldhamer, 1997.247.f


medium: Ink and gold on paper

credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.100.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.110.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.121.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.131.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.131.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.132.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.134.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.135.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.141.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.157.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.171.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.183.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.184.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.184.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.42.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.43.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.55.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.56.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.67.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.68.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.76.b