title: Salamanca [Material gráfico]: Iglesia de San Francisco = Église de St. François


title: Salamanca [Material gráfico]: Plaza Mayor = Place Major

country: Spain

source: Europeana

source_id: europeana

rights: Public Domain / CC0

rights_statement: Public Domain — Creative Commons Zero (CC0) dedication; free to reuse.

credit_line: Europeana, via Digital Library of Castilla y León.


title: Salamanca [Material gráfico]: puerta mudéjar de las Dueñas = porte mudéjar des Dueñas


title: Salamanca [Material gráfico]: Puerta románica de San Martín = Porte romanique de St. Martin


title: Salamanca [Material gráfico]: Purísima, de Rivera = La Conception, par Rivéra


title: Salamanca [Material gráfico]: Rito muzárabe = Messe selon le rite mozárabe


title: Salamanca [Material gráfico]: rotonda de San Marcos = église ronde de St. Marc


title: Salamanca [Material gráfico]: torreón del Palacio de Monterrey = tour du Palais de Monterrey


title: Salamanca [Material gráfico]: Universidad, detalle = Détail de l'Université


title: Salamanca [Material gráfico]: Virgen de la Vega = Vierge de la Vega


title: Salamanca [Material gráfico]: vista de la Clerecía = vue de la "Clerecia"


title: Salamanque [Material gráfico]: vue d'ensemble


title: Sancti-Spiritus, Salamanque [Material gráfico]: détail portail


title: Santiago (Coruña) [Material gráfico]: la Catedral


title: Sequeros [Material gráfico]: la salida


title: Sequeros [Material gráfico]: preparativos


title: Silos [Material gráfico]: claustro románico del Monasterio de Santo Domingo (Ala de N.)


title: Soria, Palacio del Conde de Gómara [Material gráfico]= Soria, Palace of the Conde de Gomara = Soria, Palast des Grafen Gómara


title: Subida a La Peña de Francia [Material gráfico]


title: Toro (Zamora) [Material gráfico]: puerta de la Colegiata


title: Tour du Clavero, Salamanque [Material gráfico]: ensemble


title: La última fotografía al reanudar la excursión [Material gráfico]


title: L'Université et cour des Écoles, Salamanque [Material gráfico]: ensemble


title: L'Université, Salamanque [Material gráfico]: chaire du Frère Louis de Leon


title: L'Université, Salamanque [Material gráfico]: cour intérieure : détail, garde-corps


title: L'Université, Salamanque [Material gráfico]: détail de la façade pile.


title: L'Université, Salamanque [Material gráfico]: entrée à la bibliothèque


title: L'Université, Salamanque [Material gráfico]: escalier principal


title: L'Université, Salamanque [Material gráfico]: façade principale


title: Couvent des Dueñas, Salamanque [Material gráfico]: cour, détail, chapiteaux, galerie supérieure


title: Couvent des Dueñas, Salamanque [Material gráfico]: cour, détail, galerie inférieure


title: Couvent des Dueñas, Salamanque [Material gráfico]: cour, détail, galerie supérieure


title: Couvent des Dueñas, Salamanque [Material gráfico]: cour, ensemble


title: Couvent des Dueñas, Salamanque [Material gráfico]: portail


title: Couvent des Dueñas, Salamanque [Material gráfico]: portail principal


title: El vecindario de Fragosa en el día de la fiesta del Cristo [Material gráfico]


title: Vieille Cathédrale, Salamanque [Material gráfico]: chapelle du D. Diego de Anaya : tombeau de Gutierre de Monroy et de sa femme Constanza de Anaya


title: Vieille Cathédrale, Salamanque [Material gráfico]: cloître


title: Vieille Cathédrale, Salamanque [Material gráfico]: cloître, détail d'un chapiteau


title: Vieille Cathédrale, Salamanque [Material gráfico]: détail entrée au cloître


title: Vieille Cathédrale, Salamanque [Material gráfico]: détail tours


title: Vieille Cathédrale, Salamanque [Material gráfico]: ensemble


title: Vieille Cathédrale, Salamanque [Material gráfico]: intérieur, détail retombée arc en cloître


title: Vieille Cathédrale, Salamanque [Material gráfico]: tombeau de D. Diego de Anaya, détail couronnement grille


title: Vieille Cathédrale, Salamanque [Material gráfico]: tombeau de D. Diego de Anaya, grille


title: Visita de SS. MM. y AA. a Burgos. Palacio Muguiro, residencia de la Real Familia en la ciudad y propiedad de D. Juan Mugiro y Casi [Material gráfico]

date: 19. Jahrhundert


title: Vista de Granadilla [Material gráfico]


title: Vista general del valle y ruinas del convento de carmelitas del Desierto de San José del Monte, de Las Batuecas [Material gráfico]


title: Zamora [Material gráfico]: interior de San Pedro de la Nave


title: Mucientes [Material gráfico]: el pueblo y la iglesia parroquial de San Pedro


title: Exterior de la iglesia de Santa María la Antigua [Material gráfico]


title: [Valladolid] [Material gráfico]: exterior de la Iglesia parroquial de Nuestra Señora de San Lorenzo


title: Teatro Lope de Vega [Material gráfico]: Compañía Española de Revistas, domingo 12 de marzo de 1933


title: Burgos [Material gráfico]: Catedral, Capilla del Condestable : detalle del altar gótico


title: Burgos [Material gráfico]: panteón del Infante D. Alfonso, Cartuja


title: Burgos [Material gráfico]: retablo de San Nicolás


title: D. Juan de Ferreras

date: 18. Jahrhundert


title: Fortunata amor, Flora! exquo, nominis heres, parva, sed aeterna est Queria nata mihi [Material gráfico]: [retrato de Joseph Quer]

subjects: Botany Spain


title: Sala de esculturas del Museo [Material gráfico]


title: Alegoría de la fundación de la Academia de Bellas Artes de Valladolid [Material gráfico]


title: Colección de las principales suertes de una corrida de toros [Material gráfico]


title: Teatro Latorre [Material gráfico]: Ferias de San Agustín : Gran Compañía de Comedia Arturo Maestud : hoy viernes 30 de agosto de 1946


title: Histórico castillo de Osma [Material gráfico]


title: Ermita y cerro de la heroica Numancia (hoy Garray) [Material gráfico]


title: Almazán [Material gráfico]: Puerta de Herreros


title: Berlanga [Material gráfico]: interior de la colegiata


title: Puente de Osma y Torre del Agua del castillo [Material gráfico]


title: Palacio del siglo XVI de los Condes de Gómara [Material gráfico]


title: Torre de Doña Urraca [Material gráfico]


title: Puerta Rabanera [Material gráfico]


title: Soria [Material gráfico]: Casa de San Polo, antiguo Convento de Templarios


title: Soria [Material gráfico]: arcos de San Juan de Duero


title: Soria [Material gráfico]: portada plateresca de la Colegiata de San Pedro


title: Soria [Material gráfico]: portada de la derruida Iglesia de San Nicolás


title: Ábside de la Iglesia de San Juan de Rabanera [Material gráfico]


title: Crucero de San Juan de Rabanera [Material gráfico]


title: Interior del ábside de San Juan de Rabanera, antes de colocar el actual retablo moderno [Material gráfico]


title: Ermita de San Saturio, patrono de Soria [Material gráfico]


title: Burgo de Osma [Material gráfico]: nave central de la Catedral


title: Burgo de Osma [Material gráfico]: claustro de la Catedral


title: Gormaz [Material gráfico]: ruinas del castillo


title: Gormaz [Material gráfico]: vista parcial del histórico castillo


title: Medinaceli [Material gráfico]: arco romano


title: Santa María de Huerta [Material gráfico]: Palacio moderno del Marqués de Cerralbo


title: Patio de los Caballeros en el Monasterio de Huerta [Material gráfico]


title: D. Alfonso Cartagena [Material gráfico]: [retrato]


title: Todos a Villalar [Material gráfico]: 23 de abril.


title: Alzado este de Iglesia de San Martín (Arévalo) [Material gráfico]


title: Alzado norte de Iglesia de San Martín (Arévalo) [Material gráfico]


title: Alzado oeste de Iglesia de San Martín (Arévalo) [Material gráfico]


title: Sección longitudinal de Iglesia de San Martín (Arévalo) [Material gráfico]


title: Sección transversal de Iglesia de San Martín (Arévalo) [Material gráfico]


title: Alzado sur de Iglesia de San Martín (Arévalo) [Material gráfico]


title: Planta de cubierta de Iglesia de San Martín (Arévalo) [Material gráfico]


title: Planta (hipótesis, según Cervera Vera y Gutiérrez Robledo) de Iglesia de San Martín (Arévalo) [Material gráfico]


title: Planta de Iglesia de San Miguel (Arévalo) [Material gráfico]


title: Alzado este de Iglesia de San Miguel (Arévalo) [Material gráfico]


title: Alzado norte de Iglesia de San Miguel (Arévalo) [Material gráfico]


title: Sección longitudinal de Iglesia de San Miguel (Arévalo) [Material gráfico]


title: Planta de Iglesia de San Pedro (Ávila) [Material gráfico]


title: Azado este de Iglesia de San Pedro (Ávila) [Material gráfico]


title: Alzado sur de Iglesia de San Pedro (Ávila) [Material gráfico]


title: Alzado norte de Iglesia de San Pedro (Ávila) [Material gráfico]


title: Alzado oeste de Iglesia de San Pedro (Ávila) [Material gráfico]


title: Sección longitudinal de Iglesia de San Pedro (Ávila) [Material gráfico]


title: Sección transversal de Iglesia de San Pedro (Ávila) [Material gráfico]


title: Planta de Basílica de San Vicente (Ávila) [Material gráfico]


title: Sección nave lateral de Basílica de San Vicente (Ávila) [Material gráfico]


title: Alzado este de Basílica de San Vicente (Ávila) [Material gráfico]


title: Sección longitudinal de Basílica de San Vicente (Ávila) [Material gráfico]


title: Planta de cubiertas de Basílica de San Vicente (Ávila) [Material gráfico]


title: Alzado oeste de Basílica de San Vicente (Ávila) [Material gráfico]


title: Alzado norte de Basílica de San Vicente (Ávila) [Material gráfico]


title: Alzado sur de Basílica de San Vicente (Ávila) [Material gráfico]


title: Sección transversal de Basílica de San Vicente (Ávila) [Material gráfico]


title: Sección por crucero de Basílica de San Vicente (Ávila) [Material gráfico]


title: Planta - pavimento de Basílica de San Vicente (Ávila) [Material gráfico]


title: Planta cubierta de Ermita del Santo Cristo (Coruña del Conde) [Material gráfico]


title: Planta de Ermita del Santo Cristo (Coruña del Conde) [Material gráfico]


title: Alzado este de Ermita del Santo Cristo (Coruña del Conde) [Material gráfico]


title: Alzado sur de Ermita del Santo Cristo (Coruña del Conde) [Material gráfico]


title: Alzado oeste de Ermita del Santo Cristo (Coruña del Conde) [Material gráfico]


title: Alzado norte de Ermita del Santo Cristo (Coruña del Conde) [Material gráfico]


title: Sección longitudinal de Ermita del Santo Cristo (Coruña del Conde) [Material gráfico]


title: Sección transversal de Ermita del Santo Cristo (Coruña del Conde) [Material gráfico]


title: Sección transversal de Iglesia de San Miguel Arcángel (Lastras de las Eras) [Material gráfico]


title: Sección longitudinal de Iglesia de San Miguel Arcángel (Lastras de las Eras) [Material gráfico]


title: Alzado este de Iglesia de San Miguel Arcángel (Lastras de las Eras) [Material gráfico]


title: Planta de Iglesia de San Miguel Arcángel (Lastras de las Eras) [Material gráfico]


title: Planta de Ermita de Nuestra Señora del Valle (Monasterio de Rodilla) [Material gráfico]


title: Alzado este de Ermita de Nuestra Señora del Valle (Monasterio de Rodilla) [Material gráfico]


title: Alzado sur de Ermita de Nuestra Señora del Valle (Monasterio de Rodilla) [Material gráfico]


title: Alzado oeste de Ermita de Nuestra Señora del Valle (Monasterio de Rodilla) [Material gráfico]


title: Alzado norte de Ermita de Nuestra Señora del Valle (Monasterio de Rodilla) [Material gráfico]


title: Sección longitudinal de Ermita de Nuestra Señora del Valle (Monasterio de Rodilla) [Material gráfico]


title: Sección transversal de Ermita de Nuestra Señora del Valle (Monasterio de Rodilla) [Material gráfico]


title: Cubiertas de Ermita de Nuestra Señora del Valle (Monasterio de Rodilla) [Material gráfico]


title: Alzado este de Iglesia de San Cipriano (Oquillas) [Material gráfico]


title: Alzado sur con secciones del pórtico y de la torre de Iglesia de San Cipriano (Oquillas) [Material gráfico]


title: Alzado este de Iglesia de El Salvador (Castrocalbón) [Material gráfico]


title: Planta general con la muralla de Real Colegiata de San Isidoro (León) [Material gráfico]


title: Planta de la iglesia de Real Colegiata de San Isidoro (León) [Material gráfico]


title: Sección longitudinal de Real Colegiata de San Isidoro (León) [Material gráfico]


title: Alzado oeste de Real Colegiata de San Isidoro (León) [Material gráfico]


title: Alzado sur de Real Colegiata de San Isidoro (León) [Material gráfico]


title: Planta baja de la iglesia de Real Colegiata de San Isidoro (León) [Material gráfico]


title: Sección transversal de Real Colegiata de San Isidoro (León) [Material gráfico]


title: Planta del panteón de Real Colegiata de San Isidoro (León) [Material gráfico]


title: Sección del panteón de Real Colegiata de San Isidoro (León) [Material gráfico]


title: Sección transversal del pórtico de Real Colegiata de San Isidoro (León) [Material gráfico]


title: Sección del claustro de Real Colegiata de San Isidoro (León) [Material gráfico]


title: Planta de Iglesia de San Lorenzo (Sahagún) [Material gráfico]


title: Alzado este de Iglesia de San Lorenzo (Sahagún) [Material gráfico]


title: Alzado sur de Iglesia de San Lorenzo (Sahagún) [Material gráfico]


title: Sección longitudinal de Iglesia de San Lorenzo (Sahagún) [Material gráfico]


title: Sección transversal de Iglesia de San Lorenzo (Sahagún) [Material gráfico]


title: Alzado norte de Iglesia de San Lorenzo (Sahagún) [Material gráfico]


title: Alzado oeste de Iglesia de San Lorenzo (Sahagún) [Material gráfico]


title: Alzado sur de Iglesia de San Tirso (Sahagún) [Material gráfico]


title: Alzado este de Iglesia de San Tirso (Sahagún) [Material gráfico]


title: Alzado oeste de Iglesia de San Tirso (Sahagún) [Material gráfico]


title: Alzado norte de Iglesia de San Tirso (Sahagún) [Material gráfico]


title: Planta de cubiertas de Iglesia de San Tirso (Sahagún) [Material gráfico]


title: Planta de Iglesia de San Tirso (Sahagún) [Material gráfico]


title: Sección longitudinal de Iglesia de San Tirso (Sahagún) [Material gráfico]


title: Sección transversal de Iglesia de San Tirso (Sahagún) [Material gráfico]


title: Alzado sur de Iglesia de San Martín (Frómista) [Material gráfico]


title: Alzado norte de Iglesia de San Martín (Frómista) [Material gráfico]


title: Alzado este de Iglesia de San Martín (Frómista) [Material gráfico]


title: Axonometría de Iglesia de San Martín (Frómista) [Material gráfico]


title: Alzado oeste de Iglesia de San Martín (Frómista) [Material gráfico]


title: Planta cubierta de Iglesia de San Martín (Frómista) [Material gráfico]


title: Sección longitudinal de Iglesia de San Martín (Frómista) [Material gráfico]


title: Sección transversal de Iglesia de San Martin (Frómista) [Material gráfico]


title: Planta de Iglesia de San Martín (Frómista) [Material gráfico]


title: Planta de cubiertas de Monasterio de San Isidro (Dueñas) [Material gráfico]


title: Sección transversal de Monasterio de San Isidro (Dueñas) [Material gráfico]


title: Alzado este de Monasterio de San Isidro (Dueñas) [Material gráfico]


title: Sección longitudinal de Monasterio de San Isidro (Dueñas) [Material gráfico]


title: Alzado oeste de Monasterio de San Isidro (Dueñas) [Material gráfico]


title: Alzado sur de Monasterio de San Isidro (Dueñas) [Material gráfico]


title: Planta de Monasterio de San Isidro (Dueñas) [Material gráfico]


title: Friso de Iglesia de Santiago (Carrión de los Condes) [Material gráfico]


title: Seccion longitudinal de Iglesia de Santiago (Carrión de los Condes) [Material gráfico]


title: Alzado oeste de Iglesia de Santiago (Carrión de los Condes) [Material gráfico]


title: Planta de Iglesia de Santiago (Carrión de los Condes) [Material gráfico]


title: Planta de cubiertas de Iglesia de Santiago (Carrión de los Condes) [Material gráfico]


title: Seccion transversal de Iglesia de Santiago (Carrión de los Condes) [Material gráfico]


title: Alzado sur de Iglesia de Santiago (Carrión de los Condes) [Material gráfico]


title: Borrador de planta de la iglesia (1993) de Monasterio de San Zoilo (Carrión de los Condes) [Material gráfico]


title: Planta y alzado de la portada occidental de la iglesia (1993) de Monasterio de San Zoilo (Carrión de los Condes) [Material gráfico]


title: Planta de la iglesia (1993) de Monasterio de San Zoilo (Carrión de los Condes) [Material gráfico]


title: Alzado oeste de Iglesia de San Pedro (Becerril del Carpio) [Material gráfico]


title: Alzado norte de Iglesia de San Pedro (Becerril del Carpio) [Material gráfico]


title: Alzado sur de Iglesia de San Pedro (Becerril del Carpio) [Material gráfico]


title: Sección longitudinal de Iglesia de San Juan de Baños (Baños de Cerrato) [Material gráfico]


title: Sección transversal de Iglesia de San Juan de Baños (Baños de Cerrato) [Material gráfico]


title: Alzado sur de Iglesia de San Juan de Baños (Baños de Cerrato) [Material gráfico]


title: Alzado oeste de Iglesia de San Juan de Baños (Baños de Cerrato) [Material gráfico]


title: Alzado norte de Iglesia de San Juan de Baños (Baños de Cerrato) [Material gráfico]


title: Alzado este de Iglesia de San Juan de Baños (Baños de Cerrato) [Material gráfico]


title: Planta de cubierta de Iglesia de San Juan de Baños (Baños de Cerrato) [Material gráfico]


title: Planta de Iglesia de San Juan de Baños (Baños de Cerrato) [Material gráfico]


title: Planta de Monasterio de Santa María la Real (Aguilar de Campoo) [Material gráfico]


title: Alzado oeste, alzado norte y seccion oeste-este. Comedor norte de Monasterio de Santa María la Real (Aguilar de Campoo) [Material gráfico]


title: Sección sur-norte (iglesia-sala capitular) y sección longitudional de la iglesia de Monasterio de Santa María la Real (Aguilar de Campoo) [Material gráfico]


title: Sección oeste-este (claustro) y sección norte-sur (iglesia-comedor este) de Monasterio de Santa María la Real (Aguilar de Campoo) [Material gráfico]


title: Sección longitudinal del conjunto catedralicio de Catedral de Palencia [Material gráfico]


title: Planta de Iglesia de Santa María la Mayor (Villamuriel de Cerrato) [Material gráfico]


title: Sección transversal de Iglesia de Santa María la Mayor (Villamuriel de Cerrato) [Material gráfico]


title: Axonometria de Iglesia de Santa María la Mayor (Villamuriel de Cerrato) [Material gráfico]


title: Alzado este de Iglesia de Santa María la Mayor (Villamuriel de Cerrato) [Material gráfico]


title: Alzado norte de Iglesia de Santa María la Mayor (Villamuriel de Cerrato) [Material gráfico]


title: Alzado sur de Catedral de Santa María de la Asunción (Ciudad Rodrigo) [Material gráfico]


title: Sección longitudinal de Catedral de Santa María de la Asunción (Ciudad Rodrigo) [Material gráfico]


title: Sección transversal de Catedral de Santa María de la Asunción (Ciudad Rodrigo) [Material gráfico]


title: Planta de Catedral de Santa María de la Asunción (Ciudad Rodrigo) [Material gráfico]


title: Sección transversal de Catedral Vieja de Santa María de la Sede (Salamanca) [Material gráfico]


title: Planta de Catedral Vieja de Santa María de la Sede (Salamanca) [Material gráfico]


title: Alzado este de Catedral Vieja de Santa María de la Sede (Salamanca) [Material gráfico]


title: Sección longitudinal de Catedral Vieja de Santa María de la Sede (Salamanca) [Material gráfico]


title: Alzado de la Torre del Gallo de Catedral Vieja de Santa María de la Sede (Salamanca) [Material gráfico]


title: Planta de Iglesia de San Marcos (Salamanca) [Material gráfico]


title: Sección transversal de Iglesia de San Marcos (Salamanca) [Material gráfico]


title: Alzado este de Iglesia de San Marcos (Salamanca) [Material gráfico]


title: Alzado sur de Iglesia de Santa María la Mayor (Ledesma) [Material gráfico]


title: Planta de Iglesia de Santa María la Mayor (Ledesma) [Material gráfico]


title: Sección transversal de Iglesia de San Martín (Salamanca) [Material gráfico]


title: Sección longitudinal de Iglesia de San Martín (Salamanca) [Material gráfico]


title: Alzado norte de Iglesia de San Martín (Salamanca) [Material gráfico]


title: Planta de Iglesia de San Martín (Salamanca) [Material gráfico]


title: Sección transversal de Iglesia de Santo Tomás Cantuariense (Salamanca) [Material gráfico]


title: Sección longitudinal de Iglesia de Santo Tomás Cantuariense (Salamanca) [Material gráfico]


title: Alzado este de Iglesia de Santo Tomás Cantuariense (Salamanca) [Material gráfico]


title: Alzado norte de Iglesia de Santo Tomás Cantuariense (Salamanca) [Material gráfico]


title: Planta de Iglesia de Santo Tomás Cantuariense (Salamanca) [Material gráfico]


title: Planta de Iglesia de Nuestra Señora de la Asunción (Frumales) [Material gráfico]


title: Planta cubierta de Iglesia de Nuestra Señora de la Asunción (Frumales) [Material gráfico]


title: Alzado norte y alzado oeste de Iglesia de Nuestra Señora de la Asunción (Frumales) [Material gráfico]


title: Alzado sur y alzado este de Iglesia de Nuestra Señora de la Asunción (Frumales) [Material gráfico]


title: Sección longitudinal y transversal de Iglesia de Nuestra Señora de la Asunción (Frumales) [Material gráfico]


title: Alzado oeste de Iglesia de Nuestra Señora de la Asunción (Frumales) [Material gráfico]


title: Alzado este de Iglesia de San Pedro (Bocigas de Perales) [Material gráfico]


title: Planta de Iglesia de San Pedro (Bocigas de Perales) [Material gráfico]


title: Planta de Catedral de Santa María (El Burgo de Osma) [Material gráfico]


title: Planta y sección de la sala capitular de Catedral de Santa María (El Burgo de Osma) [Material gráfico]


title: Planta y alzado de Catedral de Santa María (El Burgo de Osma) [Material gráfico]


title: Arquerías de la sala capitular de Catedral de Santa María (El Burgo de Osma) [Material gráfico]


title: Sección transversal de Iglesia de la Purificación de Nuestra Señora (Cubo de Hogueras) [Material gráfico]


title: Planta de Iglesia de la Purificación de Nuestra Señora (Cubo de Hogueras) [Material gráfico]


title: Alzado sur de Iglesia de la Purificación de Nuestra Señora (Cubo de Hogueras) [Material gráfico]


title: Alzado sur de Iglesia de Nuestra Señora de los Ángeles (Fuensaúco) [Material gráfico]


title: Sección transversal de Iglesia de Nuestra Señora de los Ángeles (Fuensaúco) [Material gráfico]


title: Planta de Iglesia de San Juan Bautista (Galapagares) [Material gráfico]


title: Alzado sur de Iglesia de San Juan Bautista (Galapagares) [Material gráfico]


title: Sección transversal de Iglesia de San Juan Bautista (Galapagares) [Material gráfico]


title: Planta de Iglesia de San Miguel Arcángel (Ribarroya) [Material gráfico]


title: Alzado sur de Iglesia de San Miguel Arcángel (Ribarroya) [Material gráfico]


title: Sección transversal de Iglesia de San Miguel Arcángel (Ribarroya) [Material gráfico]


title: Sección transversal de Monasterio de Santa María de Huerta (Santa María de Huerta) [Material gráfico]


title: Sección longitudinal de la iglesia de Monasterio de Santa María de Huerta (Santa María de Huerta) [Material gráfico]


title: Sección transversal por el claustro de Monasterio de Santa María de Huerta (Santa María de Huerta) [Material gráfico]


title: Alzado norte de Monasterio de Santa María de Huerta (Santa María de Huerta) [Material gráfico]


title: Alzado este de Monasterio de Santa María de Huerta (Santa María de Huerta) [Material gráfico]


title: Planta baja de Monasterio de Santa María de Huerta (Santa María de Huerta) [Material gráfico]


title: Planta superior de Monasterio de Santa María de Huerta (Santa María de Huerta) [Material gráfico]


title: Sección longitudinal por claustros de Monasterio de Santa María de Huerta (Santa María de Huerta) [Material gráfico]


title: Sección longitudinal por la iglesia de Monasterio de Santa María de Huerta (Santa María de Huerta) [Material gráfico]


title: Alzado oeste de Monasterio de Santa María de Huerta (Santa María de Huerta) [Material gráfico]


title: Alzado sur de Monasterio de Santa María de Huerta (Santa María de Huerta) [Material gráfico]


title: Planta cubiertas de Monasterio de Santa María de Huerta (Santa María de Huerta) [Material gráfico]


title: Planta de Monasterio de San Juan de Duero (Soria) [Material gráfico]


title: Alzado norte del claustro de Monasterio de San Juan de Duero (Soria) [Material gráfico]


title: Planta del claustro de Monasterio de San Juan de Duero (Soria) [Material gráfico]


title: Alzado oeste del claustro de Monasterio de San Juan de Duero (Soria) [Material gráfico]


title: Alzado este del claustro de Monasterio de San Juan de Duero (Soria) [Material gráfico]


title: Sección transversal de la iglesia de Monasterio de San Juan de Duero (Soria) [Material gráfico]


title: Alzado sur de la iglesia de Monasterio de San Juan de Duero (Soria) [Material gráfico]


title: Planta de cubiertas de Iglesia de San Juan de Rabanera (Soria) [Material gráfico]


title: Planta de Iglesia de San Juan de Rabanera (Soria) [Material gráfico]


title: Alzado sur de Iglesia de San Juan de Rabanera (Soria) [Material gráfico]


title: Alzado norte de Iglesia de San Juan de Rabanera (Soria) [Material gráfico]


title: Alzado oeste de Iglesia de San Juan de Rabanera (Soria) [Material gráfico]


title: Sección longitudinal de Iglesia de San Juan de Rabanera (Soria) [Material gráfico]


title: Sección transversal de Iglesia de San Juan de Rabanera (Soria) [Material gráfico]


title: Planta de Iglesia de San Nicolás (Soria) [Material gráfico]


title: Alzado este de Iglesia de San Nicolás (Soria) [Material gráfico]


title: Alzado norte de Iglesia de San Nicolás (Soria) [Material gráfico]


title: Sección transversal de Iglesia de San Nicolás (Soria) [Material gráfico]


title: Alzado sur de Ermita de San Bartolomé (Ucero) [Material gráfico]


title: Alzado sur de Iglesia de Nuestra Señora de la Asunción (Valderrueda) [Material gráfico]


title: Alzado sur de Ermita de San Pedro (Villálvaro) [Material gráfico]


title: Planta de Iglesia de San Andrés (Aguilar de Campos) [Material gráfico]


title: Alzado oeste de Iglesia de San Andrés (Aguilar de Campos) [Material gráfico]


title: Sección longitudinal de Iglesia de San Andrés (Aguilar de Campos) [Material gráfico]


title: Planta, sección, alzado de Santa María del Temple (Ceinos de Campos) [Material gráfico]

subjects: Architecture Spain


title: Alzado este de Castillo de Fuensaldaña (Fuensaldaña) [Material gráfico]


title: Alzado sur de Castillo de Fuensaldaña (Fuensaldaña) [Material gráfico]


title: Alzado norte de Castillo de Fuensaldaña (Fuensaldaña) [Material gráfico]


title: Alzado oeste de Castillo de Fuensaldaña (Fuensaldaña) [Material gráfico]


title: Planta de Castillo de Fuensaldaña (Fuensaldaña) [Material gráfico]


title: Sección longitudinal de Castillo de Fuensaldaña (Fuensaldaña) [Material gráfico]


title: Alzado norte de Iglesia de San Juan Bautista (antiguo convento) (Olmedo) [Material gráfico]


title: Sección transversal de Iglesia de Santa María de la Antigua (Valladolid) [Material gráfico]


title: Alzado este de Iglesia de Santa María de la Antigua (Valladolid) [Material gráfico]


title: Alzado sur de Iglesia de Santa María de la Antigua (Valladolid) [Material gráfico]


title: Alzado oeste de Iglesia de Santa María de la Antigua (Valladolid) [Material gráfico]


title: Alzado norte de Iglesia de Santa María de la Antigua (Valladolid) [Material gráfico]


title: Planta de cubiertas de Iglesia de Santa María de la Antigua (Valladolid) [Material gráfico]


title: Planta (nivel 1) de Iglesia de Santa María de la Antigua (Valladolid) [Material gráfico]


title: Sección longitudinal de Iglesia de Santa María de la Antigua (Valladolid) [Material gráfico]


title: Planta de Iglesia de San Juan del Mercado (Benavente) [Material gráfico]


title: Alzado norte de Iglesia de San Juan del Mercado (Benavente) [Material gráfico]


title: Alzado sur de Iglesia de San Juan del Mercado (Benavente) [Material gráfico]


title: Alzado este de Iglesia de San Juan del Mercado (Benavente) [Material gráfico]


title: Sección longitudinal de Iglesia de San Juan del Mercado (Benavente) [Material gráfico]


title: Sección longitudinal por la nave de la epístola de Iglesia de Santa María del Azogue (Benavente) [Material gráfico]


title: Alzado sur de Iglesia de Santa María del Azogue (Benavente) [Material gráfico]


title: Alzado este de Iglesia de Santa María del Azogue (Benavente) [Material gráfico]


title: Planta de Iglesia de Santa María del Azogue (Benavente) [Material gráfico]


title: Planta de Catedral (Zamora) [Material gráfico]


title: Sección longitudinal de Catedral (Zamora) [Material gráfico]


title: Alzado sur de Catedral (Zamora) [Material gráfico]


title: Sección transversal de Catedral (Zamora) [Material gráfico]


title: Alzado oeste de Catedral (Zamora) [Material gráfico]


title: Alzado norte de Catedral (Zamora) [Material gráfico]


title: Sección longitudinal de Iglesia de San Pedro y San Ildefonso (Zamora) [Material gráfico]


title: Sección longitudinal de Iglesia de Santa María Magdalena (Zamora) [Material gráfico]


title: Alzado norte de Iglesia de Santa María Magdalena (Zamora) [Material gráfico]


title: Alzado este de Iglesia de Santa María Magdalena (Zamora) [Material gráfico]


title: Sección transversal de Iglesia de Santa María Magdalena (Zamora) [Material gráfico]


title: Alzado oeste de Iglesia de Santa María Magdalena (Zamora) [Material gráfico]


title: Alzado sur de Iglesia de Santa María Magdalena (Zamora) [Material gráfico]


title: Planta de Iglesia de Santa María Magdalena (Zamora) [Material gráfico]


title: Alzado norte de Iglesia de Santa María la Nueva (Zamora) [Material gráfico]


title: Alzado este de Iglesia de Santa María la Nueva (Zamora) [Material gráfico]


title: Planta de cubiertas de Iglesia de Santa María la Nueva (Zamora) [Material gráfico]


title: Sección longitudinal de Iglesia de Santa María la Nueva (Zamora) [Material gráfico]


title: Planta de Iglesia de Santa María la Nueva (Zamora) [Material gráfico]


title: Sección transversal de Iglesia de Santa María la Nueva (Zamora) [Material gráfico]


title: Fiestas y toros en Arenas de San Pedro (Ávila) [Material gráfico] : programa de las grandes fiestas que han de celebrarse en esta población durante los días 11 y 12 de octubre de 1942, fiestas religiosas, fiestas cívicas, fiestas taurinas


title: Plaza de toros de Arenas de San Pedro [Material gráfico] : el domingo 30 de agosto de 1942, gran corrida de novillos


title: Teatro Lope de Vega [Material gráfico]: viernes 13 de septiembre de 1935 : Compañía Cómica Salvador Mora-Juan Espantaleón


title: Teatro Zorrilla [Material gráfico]: hoy domingo 3 de junio de 1917, 3 grandes secciones de cinematógrafo y varietés


title: Teatro Zorrilla [Material gráfico]: el martes 16 de noviembre de 1915, beneficio del eminente actor Francisco Morano


title: Teatro Zorrilla [Material gráfico]: hoy 26 de abril de 1916, 2 grandes funciones populares


title: Representación geognóstica del Declive Oriental del Reyno de Nueva España (Camino de México a Veracruz por Puebla y Xalapa) fundada sobre operaciones, Barométricas, Trigonométricas y Astronómicas; executadas en Enero y Febrero 1804 [Material gráfico no proyectable]

rights_statement: Public Domain — Public Domain Mark 1.0; this work is free of known copyright; free to reuse.

credit_line: Europeana, via Digital Library Real Academia de la Historia.


title: Tabla geológica del Reyno de N. E. [Material gráfico no proyectable]


title: [Corte desde la altura de Guaginclán hasta Actopan] [Material gráfico no proyectable]


title: Mapa geográfico de Siria y tierras adyacentes


title: Carta que comprehende la tierra llana del Rosellón, el Valle de Espira, Conflan, y frontera de Cataluña [Material cartográfico]


title: Mapa de una porción del Reyno de España que comprehende los parages por donde anduvo Don Quijote, y los sitios de sus aventuras [Material cartográfico]


title: Mapa general del obispado de Lugo


title: Obispado de Mondoñedo [Material cartográfico]


title: Rotero del Viage [Material cartográfico]


title: [Mapa del obispado de Mondoñedo] [Material cartográfico]


title: Arcedianato de Mellid, perteneciente al Obispado de Mondoñedo, i separado tres leguas de su confín por la parte del Sudoeste [Material cartográfico]


title: Carta geométrica de Galicia, dividida en sus provincias de Coruña, Lugo, Orense, Pontevedra y subdividida en Partidos y Ayuntamientos: Presentada en 1834 a S.M. La Reina Gobernadora Doña Maria Cristina de Borbón por su Secretario de Estado y del despacho de lo Interior [Material cartográfico]


title: España y Portugal [Material cartográfico]


title: Península Ibérica [Material cartográfico]


title: Triangulación geodésica de España : Estado en 1º Enero 1864 [Material cartográfico]


title: Mapa de la guía oficial de los ferro-carriles de España y Portugal [Material cartográfico]


title: Plano general de las líneas de la compañía de los ferrocarriles del Noroeste y de las que con ella se relacionan [Material cartográfico]


title: Mapa de las carreras de Postas de España. Dedicado al Rey N. S. D. Carlos III por mano del Exmo, Sr. D.Ricardo Wall, caballero comendador de la Orden de Santiago, del Consejo de Estado de S. M.C., su primer Secretario de Estado y de Guerra, Superintendente General de Correos, Postas y Estafetas de dentro y fuera de España, etc. [Material cartográfico]


title: Celtiberiae et finitimarum regionum tabula, ad veram Segobricae positionem cognoscendam [Material cartográfico]


title: Mapa de la Provincia Eclesiástica de Cartagena en tiempo de los Godos [Material cartográfico]


title: [Mapa de Cabeza de Griego y sus alrededores] [Material cartográfico]


title: Mapa geográfico del Reyno de Jaén, dividido en los Partidos de Jaén, Baeza, Úbeda, Andújar, Martos y las Poblaciones de Sierra Morena [Material cartográfico]


title: [Mapa geográfico de una parte de la provincia de Jaén]. "Map. a" [Material cartográfico]

subjects:
Maps & charts
Spain


title: Atlas Geographico del Reyno de España, è Islas Adyacentes con una breve descripcion de sus Provincias. Dispuesto, para la utilidad publica [Material cartográfico]


title: Cádiz [Material cartográfico]


title: Alava [Material cartográfico]


title: Palencia [Material cartográfico]


title: Vizcaya [Material cartográfico]


title: Idea dell'Uniuerso [Material cartográfico]


title: Parte correspondiente a la America de la Carta General de Juan de la Cosa Piloto en el segundo Viage de Cristobal Colon en 1493 y en la expedicion de Alonzo de Hojeda en 1499 [Material cartográfico]: calcada sobre la original que posee el Sr. Baron de Walckenaer para servir de ilustración a la Historia Fisica Politica y Natural de la Isla de Cuba


title: Grabados compostelanos [Material gráfico no proyectable]iconografía del apóstol, grabadores de Compostela, estampas de tema santiagués


title: [Espada gineta de Boabdil el Chico] [Material gráfico no proyectable]


title: Tabula Noua Hispaniae [Material cartográfico]


title: [Hispania] [Material cartográfico]


title: Hispania ad mentem Ptolemaei [Material cartográfico]


title: Atlas Novus, sive Theatrum Orbis Terrarum: In quo Hispaniae, Italie, Asiae, Africae, nec-non Americae. Tabulae & Descriptiones luculentissimae [Material gráfico no proyectable]


title: Civitates Statvs Ecclesiastici [Material gráfico no proyectable]


title: Atlas Universel [Material gráfico no proyectable]


title: Gandavvm vulgo Gent [Material cartográfico]


title: Mappe Monde suivant la projection des cartes reduites [Material cartográfico]


title: Ancien continent Avec Plusieurs Isles [Material cartográfico]


title: Hispaniae Veteris Descriptio [Material cartográfico]


title: Regni Hispaniae post omnivm editiones locvpletissima descriptio [Material cartográfico]


title: Hispania [Material cartográfico]


title: Hispaniae Nova describtio, de integro multis in locis secundum hydrographicas desc. Emendata [Material cartográfico]


title: Typvs Hispaniae [Material cartográfico]


title: Heavier than a Dead Donkey, plate 1 from Los Proverbios

creator: Francisco José de Goya y Lucientes (Spanish, 1746-1828)

medium: Etching and aquatint, with scratches, in brown on ivory wove paper

subjects: Etching Spain

source: Art Institute of Chicago

source_id: aic

rights_statement: Public Domain — CC0 via the Art Institute of Chicago Open Access programme.

credit_line: The Charles Deering Collection


title: The Kiss IV

creator: Edvard Munch

medium: Woodcut printed from two blocks (one sawn into two sections) in gray-brown and black ink on cream Japanese paper

country: Norway

subjects: Woodcut Norway

credit_line: Clarence Buckingham Collection


title: Robe (Boubou Lomasa)

creator: Soninke

date: Late 19th century

medium: Handspun cotton, indigo dye; polychrome silk and cotton; strip weave, hand embroidery

country: Senegal

subjects: Garment Senegal

credit_line: Arts of Africa and the Americas Curatorial Discretionary and Vedder Price Kaufmann & Kammholtz Endowment funds


title: Giacomo Feeding a Dog

creator: Giovanni Battista Piazzetta

medium: Black chalk with stumping, with traces of charcoal, heightened with touches of white chalk, on blue-gray laid paper, discolored to cream, laid down on cream wood-pulp board

country: Italy

subjects: Chalk Italy

credit_line: Helen Regenstein Collection


title: Male Head

creator: Possibly after Michelangelo Buonarroti

medium: Pen and black and brown ink, on cream laid paper, hinged onto cream wove paper

subjects:
Pen and ink drawing
Italy

credit_line: The Leonora Hall Gurley Memorial Collection


title: Kiss of Judas

creator: Attributed to Ludovico Carracci

medium: Pen and brown ink, with traces of black chalk, on ivory laid paper, tipped onto cream wove paper


title: Drunkenness of Noah

creator: After Michelangelo Buonarroti

medium: Pen and brown ink on tan laid paper, laid down on ivory laid paper


title: Head of a Black Woman with a Lace Kerchief Hat

creator: Wenceslaus Hollar

medium: Etching on ivory laid paper

country: Bohemia

subjects: Etching Bohemia

credit_line: Joseph Brooks Fair Fund


title: Head of a Young Black Boy in Profile to Right


title: The Cobbler

creator: Adriaen van Ostade

medium: Etching in black on cream laid paper

country: Holland

subjects: Print Holland


title: Pond and a Village, plate fifteen after Pictures of Farms, Country Houses and Rustic Villages (Praediorum villarum et rusticarum casularum icones)

creator: Claes Jansz. Visscher (Dutch, 1587-1652)

medium: Etching in black on ivory laid paper

country: Netherlands

subjects: Etching Netherland


title: Two Old Men beside a Sled Bearing the Coats of Arms of Amsterdam and Utrecht

creator: Hendrick Avercamp

medium: Opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper

subjects: Watercolor Netherland


title: Pittacus Mitylenaeus, from Seven Wise Men of Greece

creator: Jacques de Gheyn III

credit_line: Charles Hack and the Hearn Family Trust Collection, purchased with funds provided by the Harry B. and Bessie K. Braude Memorial, Amanda S. Johnson and Marion J. Livingston, anonymous, and Suzanne Searle Dixon endowment funds


title: Judah and Tamar, from Landscapes with Old and New Testament Scenes and Hunting Scenes

creator: Adriaen Collaert (Flemish, c. 1560–1618)

medium: Engraving in black on cream laid paper, laid down on cream laid paper

country: Flanders

subjects: Engraving Flander Landscapes

credit_line: The Amanda S. Johnson and Marion J. Livingston Fund


title: Truth has died, plate 79 from The Disasters of War

creator: Francisco José de Goya y Lucientes

medium: Etching and burnishing on ivory wove paper with gilt edges

credit_line: Gift of J. C. Cebrian


title: Feste Bacchique, plate 97 from " L'Oeuvre d'Antoine Watteau"

creator: Jean Moyreau (French, 1690-1762)

country: France

subjects: Etching France

credit_line: Gift of the Print and Drawing Club


title: Saint Benedict Presenting his Rule to Benedictine and Cistercian Monks in a Historiated Initial "O" from a Choirbook

creator: Italian (Siena)

medium: Manuscript cutting with tempera and gold leaf, with rounded gothica textualis inscriptions in black ink, ruled in red, on parchment

subjects: Tempera Italy

credit_line: Gift of the Frank W. Gunsaulus Estate


title: The Beast with Seven Heads

creator: Jean Duvet

medium: Engraving in black on ivory laid paper

subjects: Engraving France

credit_line: Bequest of Mrs. Potter Palmer, Jr.


title: The Rider in the Woods, small plate

creator: Jean-Baptiste-Camille Corot

medium: Cliché-verre on ivory photographic paper

subjects: Cliché-verre France


title: Venus Clipping Cupid's Wings, first plate

medium: Etching on off-white Japanese paper


title: Souvenir of Tuscany


title: Gust of Wind

medium: Transfer lithograph on tan China paper laid down on white wove paper

subjects: Lithograph France

credit_line: William McCallin McKee Memorial Endowment


title: Moonlight. Night in St Cloud

creator: Edvard Munch

medium: Drypoint, with open bite and burnishing, on cream wove paper

subjects: Etching Norway


title: Mother Shipton (recto); Sheet of Sketches: Fleur-de-Lis and Figures (verso)

creator: George Cruikshank

medium: Graphite and watercolor wash (recto), and graphite with brush and gray wash (verso), on cream laid paper

country: England

subjects: Watercolor England

credit_line: Gift of Mrs. John W. Taylor, Mrs. Winthrop M. Robinson, Jr. and Mrs. Fred D. Sauter from the Estate of Frances Hooper


title: Figure Studies

creator: George Romney

date: c. late 1770s

medium: Pen and brown ink, with brush and brown wash, over graphite (recto), and graphite (verso), on cream laid paper

subjects:
Pen and ink drawing
England


title: Classical Combat (recto); Sketch of Male Nude (verso)

creator: Possibly William Blake (English, 1757-1827)

medium: Pen and black ink over graphite (recto), and graphite (verso), on tan laid paper


title: Gainsborough Sketching in Woods

creator: Attributed to Thomas Gainsborough

medium: Black crayon on cream laid paper

subjects: Crayon England


title: Combat of Two Greeks

creator: Henry Fuseli

medium: Pen and brown ink, over graphite, on cream wove paper


title: Landscape with Cows

creator: Thomas Monro (English, 1759-1833)

medium: Black chalk, with black and white crayon, on gray wove paper

subjects: Chalk England Landscapes


title: Man with Dog in Forest

creator: Unknown Artist

medium: Black crayon on ivory laid paper

subjects: Chalk England


title: City Canal

creator: George Hadfield

medium: Black chalk and crayon, on ivory laid paper, laid down on ivory laid paper

country: United States

subjects:
Chalk
United state


title: Study

creator: William Hamilton

medium: Pen and gray ink, with brush and gray wash, on ivory laid paper, laid down on card

subjects:
Ink or chalk wash
England


title: Sketches of Caricature Heads (recto), and Various Small Figures (verso)

creator: Attributed to George Woodward

medium: Graphite (recto and verso) on tan wove paper

subjects: Graphite England


title: Company of Painters

creator: Attributed to James Thornhill (English, 1675-1734)

medium: Brush and brown wash, over graphite, on ivory laid paper


title: Sketches of Male Heads (recto); Two Old Women (verso)

creator: Thomas Patch (English, 1725-1782)

medium: Black chalk (recto and verso) on ivory laid paper


title: Project for a Monument

creator: Edward Pierce, the younger (English, c. 1630-1695)

medium: Pen and brown ink, with brush and gray and brown  wash, over traces of graphite, with gold paint in borders on ivory laid paper


title: Woman Washing Clothes

creator: George Morland

medium: Graphite on cream wove paper


title: Two Men at a Table

creator: Possbily after George Morland


title: Child Playing with Ball and Dog

medium: Black crayon on brown wove paper


title: Family at a Table

creator: Attributed to George Morland


title: Three Men with Dogs

creator: After George Morland

medium: Graphite with touches of red chalk on ivory wove paper


title: Shepherd Dog

medium: Black chalk on cream wove paper


title: Helmeted Warrior

creator: John Hamilton Mortimer (English, 1740-1779)

medium: Pen and brown ink, with brush and brown and gray wash, on gray laid paper


title: Standing Girl with Basket


title: A Turkish Soldier

creator: Attributed to James Durno (English, c. 1745-1795)

medium: Pen and brown ink on cream wove paper


title: Character Sketch

creator: Possibly John Hamilton Mortimer (English, 1740-1779)

medium: Pen and gray ink, with brush and wash, on cream laid paper, laid down on card


title: Wooded Landscape

creator: Francis Towne

medium: Pen and black ink, with brush and gray wash, on cream laid paper, laid down on cream laid card

subjects:
Ink or chalk wash
England
Landscapes


title: Nobilitas

creator: George Vertue

medium: Pen and brown ink with brush and gray wash, on ivory laid paper, laid down on ivory laid paper


title: Cybele on Chariot Drawn by Lions

creator: John Vanderbank

medium: Pen and brown ink, on cream laid paper, laid down on card


title: Seated Male Figure with Raised Arm

medium: Pen and brown ink on ivory laid paper, laid down on card


title: Un Cativo

creator: Jonathan Richardson, the elder (British, 1667-1745)

medium: Graphite on ivory wove paper

country: United Kingdom

subjects:
Graphite
United kingdom


title: Procession of Three Draped Women Holding Crosses or Sceptres

creator: Attributed to George Romney

medium: Pen and brown ink, with brush and brown ink, over graphite, on ivory laid paper, tipped onto tan wove paper


title: Seated Man and Woman

creator: Unknown Artist

medium: Pen and brown ink,over red chalk, on ivory laid paper, tipped onto board

country: Great Britain

subjects:
Pen and ink drawing
Great britain


title: Carriage Horses and Hostlers

creator: Thomas Rowlandson

medium: Pen and black ink with brush and gray wash on tan laid paper, (background cut away) laid down on board


title: Half-Length Profile Portrait of a Woman Facing Left

creator: George Romney (English, 1734-1802)

medium: Red chalk on tan laid paper

subjects: Chalk England Portraits


title: Rider Visiting Farm

creator: John Inigo Richards (English, 1731-1810)

medium: Pen and black ink, with brush and gray wash, on cream wove paper


title: Paul Before Festus and Agrippa

creator: Charles Reuben Ryley

medium: Pen and wash on paper


title: Rustic Seaside Scene

creator: Possibly Jean-Baptiste Le Prince

medium: Pen and black ink, with brush and gray wash, on ivory wove paper

subjects:
Ink or chalk wash
France


title: English Farmhouse

creator: Possibly Samuel Hieronymus Grimm (Swiss, 1733-1794)

medium: Pen and black ink, with brush and gray wash, on ivory laid paper

country: Switzerland

subjects:
Ink or chalk wash
Switzerland


title: The Hop Gatherers

creator: Thomas Stothard

medium: Pen and brown ink with brush and brown wash, on cream wove paper


title: Thatched Cottage

creator: Paul Sandby (English, 1731-1809)

medium: Pen and gray ink with brush and gray wash on ivory wove paper


title: Shepherd Boy with Flock, Watched by Warrior, Women and Children

medium: Pen and black ink with brush and gray wash, on cream wove card


title: Sketches for Samuel Rogers' Poetry

medium: Pen and brown and black ink on cream laid paper, laid down on blue wove paper


title: Putti Carrying Young Bacchus

medium: Graphite with brush and brown wash, squared in brown ink, on ivory wove paper


title: Design for Funerary Monument

creator: Attributed to John Flaxman, II

medium: Graphite with brush and brown ink on ivory wove paper


title: Sketches for Silver Salver (recto); Sketches of Friezes, Groups of Women (verso)

creator: Recto by Thomas Stothard (English, 1755-1834)

medium: Pen and brown ink (recto), and pen and brown ink with brush and brown wash and watercolor (verso); on cream wove paper


title: Six Vignettes

creator: Attributed to Thomas Stothard

medium: Graphite, brushed with shellac, on ivory laid paper


title: Lady of the Lake

creator: Richard Westall

medium: Pen and brown ink with brush and gray and brown wash, heightened with touches of white gouache, on cream wove paper, laid down on board


title: Putti at Play with Deer and Dog

medium: Pen and brown ink over black chalk, on cream laid paper


title: Sleeping Congregation

creator: John Thurston

medium: Pen and gray ink with brush and gray wash, heightened with touches of white gouache, on cream wove paper, laid down on card


title: Allegory of England, Scotland, and Ireland

medium: Pen and brown ink with brush and brown wash, on ivory wove paper

subjects:
Mythology
Pen and ink drawing
England


title: Crowning Homer

medium: Pen and gray ink with brush and gray wash, on gray wove paper, laid down on board


title: Three Muses (recto); Study of Knight and Monk for an Illustration in a Gothic Novel (verso)

medium: Pen and brown ink with brush and brown wash, over traces of graphite (recto), and pen and brown ink with brush and brown and blue wash and graphite (verso), on ivory laid paper


title: Athena, or Britannia identified as Athena

medium: Pen and brown ink with brush and brown wash, over traces of graphite, on ivory wove paper, laid down on cream wove paper


title: Seated Cupid

creator: Samuel Shelley

medium: Pen and brown ink with brush and brown wash on cream laid paper, tipped onto card


title: Three Draped Female Figures


title: Holy Family

creator: James Stuart

medium: Pen and brown ink with red chalk, and brush and red chalk wash, on ivory laid paper, laid down on cream wove paper


title: Moses and the Tables of Law

creator: James Thornhill

medium: Pen and brown ink with brush and brown wash, over graphite, on ivory laid paper, laid down on card


title: Josiah Wedgewood

creator: George Stubbs

medium: Black chalk on cream wove paper


title: Project for a Statue: Woman Holding Book with Right Hand

creator: John Michael Rysbrack

medium: Pen and brown ink, with brush and brown wash, over red chalk and graphite, on cream laid paper, tipped onto ivory laid paper

subjects:
Pen and ink drawing
Flander


title: Preliminary Design for Monument to John Gay the Poet

creator: John Michael Rysbrack (Flemish, 1693-1770)

medium: Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, tipped onto ivory laid paper


title: Portrait of a Geographer, Wife, and Child

medium: Pen and brown ink with brush and gray wash, over traces of graphite, on ivory laid paper, laid down on ivory laid paper

subjects:
Pen and ink drawing
England
Portraits


title: Securitas Publica

medium: Pen and brown ink with brush and green wash, heightened with white gouache, over graphite, on tan wove paper, laid down on board


title: Deifying of Horofilia

medium: Pen and brown ink with brush and brown wash, over graphite, on cream laid paper


title: Edmond Nicholas


title: Sir J. Thorndale


title: Unexecuted Design for the Monument to the First Duke of Marlborough

medium: Pen and brown ink, with brush and gray and brown wash, over traces of graphite, on ivory laid paper, tipped onto cream wove paper


title: Grinling Gibbons


title: Warrior Accompanied by Britannia, Minerva, and Fame (recto); Design for the Monument to Nicholas Rowe (verso)

medium: Pen and brown ink, with brush and brown wash, over red chalk and graphite (recto); pen and brown ink over graphite (verso), on cream laid paper


title: Bacchus and Ariadne


title: Neptune and Amphitrite Flanked by Jupiter and Juno: Design for Painted Hall or Garden Bench

medium: Pen and brown ink with brush and gray wash, over graphite, on ivory laid paper


title: Flora Design for Closet Ceiling (left) and Statue of Apollo Design for Blank Niche (right), for Bateman House, London

subjects:
Botany
Pen and ink drawing
England


title: Wall Decoration with Story of Egeria & Numa Pompilius

medium: Pen and brown ink with brush and gray wash, on cream laid paper, laid down on ivory wove paper

subjects:
Pen and ink drawing
England


title: Design for Stage Scenery (Hampton Court) with Mythological Figures

medium: Pen and brown ink with brush and gray wash, over graphite, on tan laid paper

subjects:
Mythology
Pen and ink drawing
England
Landscapes


title: Three Studies for Statue of John Locke

medium: Pen and brown ink, with brush and brown wash, over red chalk and graphite, on cream laid paper


title: Five Sketches for the Triumph of Silenus

medium: Pen and brown ink with brush and green wash, over traces of graphite, on cream laid paper, tipped onto ivory laid paper


medium: Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, tipped onto ivory wove paper


title: Unexecuted Designs for the Monument to the First Duke of Marlborough

medium: Pen and brown ink, with brush and brown wash, over graphite, on tan laid paper


title: Design for a Funerary Monument: Four Draped Mourning Female Figures

medium: Pen and brown ink, with brush and brown wash, over traces of graphite, on cream laid paper, tipped onto ivory laid paper


title: Fortitude: Unexecuted Design for the Monument to the First Duke of Marlborough


title: Wisdom: Unexecuted Design for the Monument to the First Duke of Marlborough


title: Fate with Urn


title: Design for Ceiling Fresco: Apollo and the Muses with Minerva Destroying Ignorance

medium: Pen and brown ink with brush and gray wash, over black chalk and graphite, on tan laid paper, partially laid down


title: Standing Female Figure Turning to the Left


title: Warrior upon Sarcophagus Accompanied by Trophies: Unexecuted Design for the Monument to the First Duke of Marlborough

medium: Pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, tipped onto ivory laid paper


title: Hope: Design for the Unexecuted Monument to the First Duke of Marlborough

medium: Pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, tipped onto cream laid paper


medium: Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper


title: Standing Female Figure with Right Arm Raised

medium: Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, tipped onto ivory laid paper


title: Standing Allegorical Figure with Caduceus (Peace?)

subjects:
Mythology
Pen and ink drawing
Flander


title: Study

medium: Pen and brown ink with brush and tan and gray wash on ivory laid paper


title: Saint Paul and Barnabas at Lystra

medium: Black chalk with brush and brown wash, on cream laid paper, tipped onto card

subjects: Chalk England


title: Standing Female Figure Pointing to Left


title: Four Classic Scenes for Overdoors

medium: Pen and brown ink with brush and gray-brown wash, over graphite, on ivory laid paper, laid down on ivory wove paper


title: Design for a Funerary Monument with Fate, Urn, Putto


title: Design for a Funerary Monument with Fate, Putto, and Urn


title: Standing Female Figure with Right Hand Raised


title: Italian Landscape with Umbrella Pine in Foreground

creator: Richard Wilson

medium: Black chalk on blue laid paper, laid down on ivory laid paper

subjects: Chalk England Landscapes


title: Arcadian Landscape

creator: Possibly Sir George Howland Beaumont (English, 1753-1827)

medium: Black crayon on ivory wove paper

subjects: Crayon England Landscapes


title: Rest on the Flight into Egypt

creator: Attributed to Richard Wilson (English, 1714-1782)

medium: Graphite on ivory laid paper


title: Banks of the River Dee near Eaton Hall, Cheshire

medium: Black and white chalk on blue laid paper, laid down on card


title: Interior of a Grotto

creator: Possibly Richard Wilson

medium: Black chalk with stumping, heightened with touches of white chalk, on blue laid paper, laid down on card


title: View of Saint Peter's from the Palace of the Caesars, with Circus Maximus Below

medium: Black crayon on blue laid paper, laid down on ivory laid paper

subjects: Crayon England


title: Earl of Mountrath

creator: Attributed to Godfrey Kneller (English, born Germany, 1646-1723)

medium: Pen and brown ink with brush and gray wash, heightened with lead white (partly discolored), over black chalk, on tan laid paper


title: Design for a Chimney Piece

creator: Charles Alfred Stothard (English, 1786-1821)

medium: Pen and brown ink, with brush and gray wash, on ivory wove paper, laid down on ivory laid paper

subjects:
Pen and ink drawing
United kingdom


title: Funerary Monument

creator: Possibly Thomas Stothard (English, 1755-1834)

medium: Pen and gray ink with brush and gray wash, over graphite, on cream wove paper, tipped onto board

subjects:
Ink or chalk wash
England


title: Frieze Design in Classical Manner

creator: Thomas Stothard

medium: Pen and brown ink with brush and brown wash, over graphite, on ivory laid paper, tipped onto tan wove paper


title: Portrait of a Man

creator: Possibly William Hoare (English, c. 1707-1792)

medium: Black chalk, with touches of white chalk, on blue laid paper


title: Couple Playing Shuttlecock and Battledore

creator: Paul Sandby

medium: Graphite with brush and brown wash on cream laid paper, laid down on cream wove paper


title: Sculpture of a Horseman Accompanied by Standing Woman

creator: Attributed to Thomas Stothard

medium: Pen and brown ink over graphite, on gray laid paper


title: Pedimental Design for a Wren Building

creator: Possibly by Grinling Gibbons

medium: Pen and brown ink with brush and gray wash, over traces of graphite, on cream laid paper


title: Young Man at Scribe's Table

medium: Pen and brown ink with brush and brown wash, on ivory laid paper, tipped onto cream laid paper


title: Children Playing near Statue in Garden

creator: John Vanderbank

medium: Pen and brown ink with brush and brown wash, on tan laid paper


title: Three Putti at Play

creator: Attributed to Thomas Stothard (English, 1755-1834)

medium: Pen and brown ink with bush and brown wash over graphite, on ivory wove paper, tipped onto ivory wove paper


title: Roman Campagna with Figures

medium: Black chalk with stumping, heightened with white chalk, on blue laid paper (faded to brown)


title: Farmyard

creator: Attributed to George Morland

medium: Pen and black ink, with brush and gray wash, black chalk and graphite, on ivory laid paper


title: Abraham Casting out Hagar and Ishmael

creator: Jean Pierre Antoine Tassaert

medium: Black and red crayon, with brush and brown wash, heightened with white gouache, on cream laid paper

subjects: Crayon Flander


title: Child Leading Three Horses and Wagon

medium: Brush and brown ink, heightened with blue and white gouache, on green wove paper

subjects:
Brush and wash
England


title: Sketches of Male Profiles, Couple Embracing

medium: Graphite and pen and brown ink, on cream laid paper

subjects: Graphite England


title: Sketch of Standing Man with Uplifted Arm

medium: Pen and brown ink on ivory laid paper, tipped onto board


title: Base of Pilaster with Relief, with 2 Putti, Shield

medium: Brush and brown ink and wash, over graphite, on ivory wove paper, tipped onto cream wove paper


title: Sketch of Man Leaning on Staff, Looking at Sleeping Woman

medium: Pen and brown ink with brush and blue wash, on cream wove paper, tipped onto cream wove paper


title: Two Allegorical Female Figures Clasping Hands before Book

medium: Pen and black ink with brush and gray wash, on cream wove paper


title: Sketch of Figure Leaning on Cane

medium: Pen and brown ink on cream laid paper, tipped onto cream wove paper


title: Sheet of Sketches of Mythological Subjects

medium: Pen and brown ink with graphite on tan tinted laid paper


title: Sculpture of Horseman Accompanied by Two Standing Figures, with Sketch of One of Latter


title: Lupercalia (recto), and Sketches of Figures (verso)

creator: James Thornhill

medium: Pen and brown ink, with brush and brown wash, over graphite (recto), and black chalk (verso), on ivory wove paper


title: Design for the Overmantel of a Chimneypiece with Bust of Pompilius Numa

medium: Pen and brown ink with brush and green wash, over graphite, on ivory laid paper, tipped onto ivory wove paper


title: Sketches for Tristram Shandy (recto); Sketches of Medallion with Seated Allegorical Figure (verso)

medium: Graphite (recto and verso) on ivory laid paper

subjects: Mythology Graphite England


title: Canterbury Pilgrims

medium: Pen and black ink with brush and gray wash, over graphite, on ivory laid paper, laid down on card


title: Abraham Sending Away Hagar and Ishmael

creator: John Hamilton Mortimer (English, 1740-1779)

medium: Pen and brown ink, with brush and brown wash over graphite, on cream laid paper


title: Full Length Portrait of a Man Standing near Balustrade

medium: Pen and brown ink over graphite on ivory laid papper, tipped onto card


title: Coach Changing Horses

creator: Thomas Rowlandson

medium: Pen and brown ink with brush and watercolor, over traces of graphite, on ivory wove paper, laid down on board

subjects: Watercolor England

credit_line: Gift of Mrs. Charles Netcher to The Charles Netcher II Memorial Collection


title: Concerto Spirituale

medium: Pen and brush with brown wash, over traces of graphite, on ivory wove paper

credit_line: Olivia Shaler Swan Memorial Collection


title: At an Old English Eating House

medium: Pen and red ink with brush and watercolor over graphite, on cream wove paper

credit_line: Gift of Mrs. Charles Netcher to the Charles Netcher II Memorial Collection


title: Newport

medium: Watercolor, over graphite, on ivory wove paper


title: Interior of an Inn

medium: Pen and brown ink with brush and watercolor, over traces of graphite, on cream wove paper

credit_line: Gift of Mrs. Charles Netcher to the Charles Netcher Memorial Collection


title: Cavalry on the March (recto); Fragment of Sketch of Horse (verso)

date: 1794 (recto); n.d. (verso)

medium: Pen and brown ink, with brush and watercolor, on ivory wove paper, laid down on card (recto), and black chalk on ivory wove card (verso)

credit_line: Clarence Buckingham Collection


title: Coach Changing Horses

medium: Pen and brown ink with brush and watercolor, over graphite, on tan wove paper


title: Ale House

medium: Pen and red and brown ink with brush and watercolor, on ivory wove paper


title: St. Cullum's, Cornwall

medium: Pen and brown ink with brush and watercolor, over graphite, on ivory wove paper, laid down on board


title: Launcetown Cornwall

medium: Pen and brown ink with brush and watercolor, over graphite, on cream wove paper, laid down on card


title: Demolition of Old Houses to the North of Westminster Abbey

medium: Pen and brown ink with brush and watercolor, over traces of graphite, on tan wove paper, laid down on card


title: Stanley St. Leonard Church, Gloucestershire

medium: Pen and brown ink with brush and watercolor, over traces of graphite, on cream wove paper, partially laid down


title: Limehouse Reach


title: Monks Dining Outside (recto); Village Street (verso)

medium: Pen and brown ink, with brush and watercolor, over graphite (recto and verso), on ivory wove paper


title: Alms House of Tottenham

medium: Pen and brown ink with brush and watercolor, over graphite, on cream wove paper


title: Boat Builders


title: Johnny Safe Returned to His Mamma

medium: Watercolor on paper (removed from book)

credit_line: Gift of Mrs. James Ward Thorne


title: A Scene in Cornwall

medium: Pen and brown ink with brush and watercolor, over graphite, on cream wove paper, laid down on board


title: Study for Comforts of Bath

medium: Pen and brown ink with brush and watercolor, on cream wove paper


title: Solitude at Strawberry Hill

medium: Pen and brown ink, with brush and watercolor, on cream wove paper, laid down on board


title: Study for Dr. Syntax at a Book Auction

medium: Pen and brown and gray ink with brush and watercolor, on tan wove paper, laid down on card


title: Study for The Honeymoon

medium: Brush with brown ink and watercolor, over graphite, on cream wove paper


title: The Doctor's Punishment Put in Execution to the Small Entertainment of the Whole Village

medium: Pen and brown and gray ink with brush, and watercolor with graphite, on tan wove paper, laid down on card


title: Village on the River

medium: Pen and brown and gray ink with brush and  watercolor, over graphite, on ivory wove paper, laid down on tan wove paper


title: Captain Squander Bang Up to the Mark

medium: Pen and brown ink with brush and watercolor, over graphite, on cream wove paper, tipped onto cream wove paper


title: Lay Figure at Somerset House

medium: Pen and brown ink with brush and watercolor over graphite, on ivory wove paper


title: Rider Thrown at a Hunt

medium: Pen and brown ink with brush and watercolor over traces of graphite, on cream wove paper, laid down on card


title: London Scene: Malefactors on Their Way to Tyburn

medium: Pen and brown ink with brush and watercolor, on ivory wove paper


title: The Extravagant Woman Does Not Perceive Her Circumstances Decaying

medium: Pen and brown ink with brush and watercolor, over graphite, on ivory wove paper, tipped onto ivory wove paper


title: Woman Caught Stealing a Drink

medium: Pen and brown ink with brush and watercolor, over graphite, on ivory wove paper, tipped onto brown wove paper


title: The Basket Seller


title: Study for Royal Chapel, Whitehall, in Micocosm of London

creator: Augustus Charles Pugin (English, born France, 1762-1832)

medium: Pen and ink and watercolor on paper


title: Vicar of Wakefield

medium: Brush and brown ink and watercolor, over graphite, on ivory laid paper


title: Study for Dr. Syntax and Rural Sports


title: Study for Royal Chapel, Whitehall, from Microcosm of London


title: Study for Dr. Syntax made Free of the Cellar

medium: Pen and brown ink with brush and watercolor, over graphite, on ivory wove paper


title: Study for Dr. Syntax Entertained at College

medium: Pen and brown ink with brush and watercolor on ivory laid paper


title: Study for Drawing from Life at the Royal Academy, Somerset House, from Microcosm of London (recto); Study for Drawing from Life at the Royal Academy, Somerset House, from Microcosm of London

medium: Graphite (recto and verso) on cream wove paper

credit_line: The Charles Deering Collection


title: Quakers' Meeting

medium: Pen and brown ink and watercolor on paper


title: Study for Board Room of the Admiralty, from Microcosm of London

medium: Graphite on cream wove paper


title: Study for Dining Hall, Asylum

medium: Graphite on ivory laid paper


title: Study for Astley's Theatre (recto); Study for Crystal Chadeliers in Astley's Amphiteatre (verso)

medium: Graphite with pen and brown ink (recto), and graphite (verso), on cream wove paper

subjects:
Graphite
England
Minerals & gems


title: Round Room Bank

creator: Augustus Charles Pugin

medium: Pen and brown ink and graphite, on cream wove paper


title: Study for Christie's Auction Room, from the series Microcosm of London

medium: Graphite on ivory wove paper


title: Study for the Great Hall, Bank of England


title: Study for Billingsgate Market, from Microcosm of London


title: Study for Bow Street Office, from Microcosm of London


title: Study for The Hall, Blue Coat School, from Microcosm of London


title: Study for British Institution, Pall Mall, from Microcosm of London

medium: Graphite on tan wove paper


title: Study for Bridewell Prison, Women's Side, from Microcosm of London


title: Study for The Hall, Carlton House, from Microcosm of London


title: Study for The Hall and Staircase, British Museum, from Microcosm of London


title: Study for The Coal Exchange, from Microcosm of London


title: Study for The Roman Catholic Chapel, Lincoln's Inn Fields, from Microcosm of London


title: Study for Water Engine, Cold-Bath, Field's Prison, from Microcosm of London


title: Study for Royal Cock Pit, from Microcosm of London


title: Study for The College of Physicians, from Microcosm of London


title: Study for House of Commons, from Microcosm of London


title: Study for Court of Common Pleas, Westminster Hall, from Microcosm of London

medium: Pen and brown ink with brush and brown wash and watercolor, over graphite, on ivory wove paper


title: Study for Court Chancery, Lincoln's Inn Hall, from Microcosm of London


title: Study for Court of King's Bench, Westminster Hall, from Microcosm of London

medium: Pen and brown ink over graphite, on tan wove paper


title: Court of Chancery, Westminster Hall

medium: Pen and brown ink over graphite on tan wove paper


title: Study for Court of Exchequer, from Microcosm of London


title: Study for Covent Garden Theatre, from Microcosm of London

medium: Brush and brown wash with pen and brown ink over graphite, on ivory laid paper


title: Study for Covent Garden Market, Westminster Election, from Microcosm of London


title: Study for Custom House, from the River Thames, from Microcosm of London


title: Study for An Oratorio-Covent Garden Theater, from Microcosm of London


title: Study for Debating Society in Piccadilly, from Microcosm of London


title: Study for The Long Room, Custom House, from Microcosm of London


title: Study for Drurylane Theater, from Microcosm of London

medium: Graphite with pen and brown ink on cream wove paper


title: Study for Doctor's Commons, from Microcosm of London


title: Study for Exhibition of Water Colored Drawings, Old Bond Steet, from Microcosm of London


title: Study for Corn Exchange, Mark Lane, from Microcosm of London


title: Study for Fleet Prison, from Microcosm of London


title: Study for Fire in London, from Microcosm of London


title: Study for Freemason's Hall, Great Queen Street, from Microcosm of London


title: Study for Foundling Hospital, the Chapel, from Microcosm of London


title: Study for Common Council Chamber, Guild Hall, from Microcosm of London


title: Study for Guild Hall, from Microcosm of London


title: Study for Herald's College, The Hall, from Microcosm of London

medium: Pen and brown ink with brush and watercolor with graphite, on ivory wove paper, laid down on board


title: Study for Guild Hall, Examination of a Bankrupt Before His Creditors, from Microcosm of London


title: Study for India House, the Sale Room, from Microcosm of London


title: Study for Hospital, Middlesex, from Microcosm of London


title: Study for King's Bench Prison, from Microcosm of London


title: Study for Lambeth Palace, from Microcosm of London


title: Study for King's Mews, Charing Cross, from Microcosm of London

medium: Graphite on gray laid paper


title: Study for Lloyd's Subscription Room, from Microcosm of London


title: Study for Egyptian Hall Mansion House, from Microcosm of London

medium: Pen and brown ink over graphite, on cream laid paper


title: Study for Leaden Hall Market, from Microcosm of London


title: Study for House of Lords, from Microcosm of London


title: Study for The Mint, from Microcosm of London (recto); Sketch of Courtyard (verso)

medium: Graphite (recto and verso) on ivory wove paper


title: Study for The Magdalen Chapel, from Microcosm of London


title: Study for Chapel of Newgate, from Microcosm of London


title: Study for Mounting Guard, St James Park, from Microcosm of London


title: Study for Opera House, from Microcosm of London


title: Study for Old Bailey, from Microcosm of London


title: Study for Chapel of the Philanthropic Society, from Microcosm of London


title: Study for Pantheon Masquerade, from Microcosm of London


title: Study for Quaker's Meeting, from Microcosm of London


title: Study for The Post Office, from Microcosm of London


title: Study for Royal Circus, from Microcosm of London


title: Study for Queen's Palace, St. James Park


title: Study for The Royal Exchange, from Microcosm of London


title: Study for Royal Institution, Albemarle Street, from Microcosm of London


title: Study for Sadlers Wells Theater

medium: Brush and watercolor over graphite, on ivory laid paper


title: Study for Session House, Clerkenwell, from Microcosm of London


title: Study for Sadlers Wells Theater


title: Study for Somerset House, Strand, from Microcosm of London

medium: Graphite with pen and brown ink, on ivory wove paper


title: Study for Society for the Encouragement of Agriculture, from Microcosm of London

medium: Graphite on cream wove paper


title: Study for Stock Exchange, from Microcosm of London


title: Study for Stamp Office, from Microcosm of London


title: Study for Drawing Room, St. James, from Microcosm of London

medium: Brush and watercolor over traces of graphite, on ivory wove paper


title: St. James's with the Village of Charing as It Appeared in ye Reign of Henry VIII

creator: Attributed to Augustus Charles Pugin

medium: Brush and watercolor, on tan laid paper


title: Study for St. Luke's Hospital, from Microcosm of London

medium: Pen and brown ink with brush and brown wash and watercolor, on ivory wove paper, pieced and laid down on cream wove paper


medium: Graphite on ivory wove paper


title: Study for St. Martin's in the Fields, from Microcosm of London


title: Study for St. Margaret's Church, from Microcosm of London


title: Study for Surrey Institution, from Microcosm of London


title: Study for St. Paul's Cathedral, from Microcosm of London


title: Study for Temple Church, from Microcosm of London

subjects: Architecture Graphite England


title: Study for Tattersall's Repository, from Microcosm of London


title: Chancel to the Temple Church

medium: Pen and brown ink with brush and gray and brown wash, on ivory wove paper

subjects:
Architecture
Pen and ink drawing
England


title: Study for Horse Armory Tower, from Microcosm of London


title: Study for The Tower Taken from the New Mint, from Microcosm of London


title: Study for Trinity House, from Microcosm of London (recto); Architectural Sketch of Row House Facades (verso)


title: Study for Board of Trade, from Microcosm of London


title: Study for St. Stephen's Walbrook, from Microcosm of London


title: Study for Vauxhall Garden

medium: Pen and brown ink and graphite, on ivory wove paper

subjects:
Pen and ink drawing
England


title: Study for West India Docks, from Microcosm of London


title: Study for Watch House, St. Mary Le Bone, from Microcosm of London

subjects:
Graphite
England
Skeletons & bones


title: Study for Westminster Abbey, from Microcosm of London

medium: Pen and brown ink with brush and gray and brown wash, over graphite, on cream wove paper


title: Study for Westminster Hall, from Microcosm of London


title: North Aisle, Westminster Abbey


title: Study for Whitehall Chapel, from Microcosm of London


medium: Pen and brown ink over graphite on ivory laid paper


title: Study for Workhouse, St. James' Parish, from Microcosm of London


title: Study for Greenwich Hospital: The Painted Hall, from Microcosm of London


title: Study for Chelsea Hospital, from Microcosm of London


title: Study for South Sea House, Dividend Hall, from Microcosm of London


title: Study for New Covent Garden Theater, from Microcosm of London


title: Study for View of Westminster Hall and Bridge, from Microcosm of London

medium: Graphite on buff wove paper


title: Study for Excise Office, Broad Street, from Microcosm of London


title: Study for Wedgwood and Byerly, York Street, St James' Square from London in Miniature (recto); Sketches of Women, Cabinet (verso)

medium: Graphite with touches of brush and watercolor (recto), and graphite (verso), on cream wove paper


title: Study for View of London from the Thames


title: Rejected Study, possibly for an illustration of the Custom House, from Microcosm of London (recto); Sketches of Workers with Barrels (verso)

medium: Pen and brown ink with graphite (recto), and graphite (verso), on cream wove paper


title: Right Profile of Seated Woman Reading

creator: possibly William Hoare (English, c. 1707-1792)

medium: Red and black chalk on ivory laid paper

subjects: Chalk Switzerland

credit_line: Gift of A. James Speyer


title: Study of Ignudo in Sistine Chapel, Rome (recto); Paraphrase of the Ignudo Seated to Upper Right of Prophet Jeremiah in Chapel, Rome (verso)

creator: Henry Fuseli (Swiss, active in England, 1741-1825)

medium: Pen and brown ink (recto and verso) on ivory laid paper

credit_line: Gift of Mr. and Mrs. James W. Alsdorf


title: Preparation for the Academy—Old Joseph Nollekens and his Venus

medium: Pen and brown ink with brush and watercolor, over graphite, on ivory wove paper, laid down on board


title: Figure Studies (recto and verso)

creator: Henry Fuseli

medium: Pen and brown ink (recto and verso) on cream laid paper


title: Caricature of Self (recto); Cab Thrown by a Horse, with Other Sketches (verso)

creator: George Cruikshank

medium: Graphite (recto), and graphite and brush and brown wash (verso), on cream wove paper


title: Self-Portrait with Three Sketches

medium: Graphite, on ivory wove paper, tipped on cream wove paper

subjects: Graphite England Portraits


title: Sheet of Sketches with Self-Portrait

medium: Graphite with brush and watercolor wash, on cream wove paper


title: George Cruikshank Making an Etching

creator: Isaac Robert Cruikshank (English, 1789-1856)

medium: Graphite, on cream wove paper, tipped on gray wove paper


title: Self-Portrait in Profile

medium: Graphite and watercolor, on cream wove paper

subjects: Watercolor England Portraits


title: Two Self-Portraits in Profile

medium: Graphite, on ivory wove paper, tipped on cream wove card


title: Self-Portrait

medium: Pen and brown ink, on dark ivory laid paper

subjects:
Pen and ink drawing
England
Portraits


title: People Fleeing a Burning Building

medium: Watercolor with touches of pen and black ink, over graphite, on ivory wove paper


title: Letter to Kate Greenaway

creator: Randolph Caldecott

medium: Pen and ink letter, archive material


title: Self-Portrait

medium: Pen and brown ink and brush and gray wash, and watercolor wash, on cream laid paper


title: A Check

medium: Pen and brown ink, on tan wove paper, laid down on wood pulp board


title: It's Papa Can't Bear it Out of His Sight

medium: Gouache and watercolor with graphite, on cream wove paper (discolored to tan), laid down on tan wood-pulp board

subjects: Gouache England


title: Each Moment Has Its Sickle

creator: Charles Reuben Ryley

medium: Watercolor on tan wove paper

credit_line: The Leonora Hall Gurley Memorial Collection


title: Portrait of Isaac Richardson

creator: Jonathan Richardson

medium: Graphite on vellum

subjects:
Graphite
United kingdom
Portraits

credit_line: Mary S. Adams and Sara R. Shorey Endowments


title: Holy Island Castle, Durham

creator: Thomas Girtin

medium: Graphite on paper

credit_line: Gift of Marjorie Kreilick McNab


title: View from the Hotel Swanaze, India

creator: Sir Charles D'Oyly

medium: Watercolor over traces of graphite on paper

credit_line: Gift of Ann and C. Frederick Kittle, M.D.


title: The Spirit of Knowledge

medium: Black chalk and brush and gray wash on ivory laid paper

subjects:
Chalk and wash
England

credit_line: Given in honor of Dorothy Braude Edinburg by Lowell Libson and the Directors of Spink-Leger


title: The Slaying of Red Comyn by Robert the Bruce

medium: Pen and brown iron gall ink, with brush and brown and gray wash, over chalk (recto), and black chalk (verso), on tan laid paper

subjects:
Pen and iron gall ink
England

credit_line: Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection


title: Two Studies of a Right Hand

creator: Thomas Lawrence

medium: Red and black chalk on gray wove paper

subjects:
England
Drawing (visual works)

credit_line: Regenstein Endowment Fund


title: Conway Castle

creator: Cornelius Varley

medium: Watercolor over traces of graphite on ivory wove paper

subjects: Paper England

credit_line: Gift of Celia and David Hilliard


title: An Erotic Fantasy

medium: Pen and brown ink (recto and verso) on cream laid paper

subjects:
Print and drawing
Switzerland

credit_line: Margaret Day Blake Endowment, Print and Drawing, and Mary S. Adams Endowment funds


title: Chicago Stock Exchange Building, Facade Panel

creator: Adler & Sullivan

medium: Terra-cotta

country: Chicago

subjects:
Architecture
Architectural sculpture
Chicago

credit_line: Gift of Midwest Stock Exchange


title: Facade Panel from the Chicago Stock Exchange


title: Victor Falkenau House, Chicago, Illinois, Stringcourse Element

subjects:
Architecture
Architectural fragment
United state

credit_line: Gift of John Vinci in honor of Howard Dearstyne and Carlos Hudson


title: Couch-Bed

creator: China

date: late Ming/early Qing dynasty, 17th century

medium: Huanghuali wood with woven-mat seat

country: China

subjects:
Couch (reclining furniture)
China

credit_line: G. Ronald and Evelyn Nish Fund—in memory of Ruth S. Demme, Simeon B. Williams Fund, Bertha Evans Brown Fund, Estate of Alice Feffer, Ada Turnbull Hertle Fund, Alyce and Edwin DeCosta and the Walter E. Heller Foundation Fund, Estate of Laura T. Magnuson, Major Acquisitions Centennial Fund


title: Portrait of a Young Lady

creator: Andrew Plimer (English, 1763–1837)

medium: Watercolor on ivory, plaited hair on reverse

subjects:
Miniature painting
England
Portraits

credit_line: Colonel Alexander F. and Jeannie C. Stevenson Memorial Collection


title: Portrait of a Nobleman

creator: William Gibson (English, 1644–1703)

medium: Watercolor heightened with gum arabic on paper


title: Horseman (recto); Horse and Rider (verso)

creator: Auguste Rodin

medium: Gouache, with pen and brown and black ink and traces of magenta ink (faded), over graphite (recto), and graphite (verso) on cream wove paper, tipped onto cream wove paper

subjects: Gouache France

credit_line: Alfred Stieglitz Collection


title: In Wales between Bangor and Capel Curig

creator: Peter De Wint

medium: Watercolor, over traces of graphite on ivory wove paper

country: London

subjects: Paper London

credit_line: Suzanne Searle Dixon and Margaret Day Blake Endowments


title: Mother and Child No. 1

creator: James McNeill Whistler

medium: Lithograph on cream laid paper

credit_line: Purchased with funds provided by the Crown Family and Meg and Mark Hausberg


title: Stéphane Mallarmé


title: La Belle Jardinière


title: La Belle Dame Paresseuse

subjects:
Lithograph
United state


title: La Robe Rouge

medium: Lithograph on beige laid paper


title: The Forge, Passage du Dragon


title: The Forge, Passage du Dragon

medium: Lithograph on beige Japanese vellum


title: Study


title: Figure Study

medium: Lithograph on beige Japanese paper


title: The Little Doorway, Lyme Regis


title: Back of the Gaiety Theatre

medium: Lithograph on white wove paper, laid down on white wove paper (chine collé)


title: Portrait of Girolamo Ruscelli

creator: Niccolò Nelli

medium: Engraving in black on cream laid paper

subjects: Engraving Italy Portraits

credit_line: Stanley Field Endowment


title: The Strong Arm

medium: Lithograph on beige wove paper


title: The Sunny Smithy

medium: Lithograph on cream wove paper


title: The Entrance of Warwick Castel from the Lower Court, plate 2

creator: Paul Sandby

date: January 1776

medium: Etching and aquatint, printed in bistre ink on heavy cream laid paper

subjects: Etching England

credit_line: Mary S. Adams and Sara R. Shorey endowments


title: Warwick Castle from the Lodge Hill, plate 1


title: Part of Warwick Castel from the Southeast, plate 4


title: Caesar’s Tower and Part of Warwick Castle from the Island, plate three from Views of Warwick Castle

medium: Etching and aquatint in bistre on heavy cream laid paper


title: Self-Portrait Preparing an Etching

creator: Henri Charles Guérard

medium: Line etching with roulette and mezzotint on cream laid paper

subjects: Print France Portraits

credit_line: Purchased with funds provided by Harriet Stratis


title: Sketch of a Café-Concert on the Rue Madame

creator: Antoine-Gustave Droz

medium: Lithograph on white wove paper

subjects: Lithograph France

credit_line: Everett D. Graff Endowment and Prints and Drawings Purchase Fund


title: The Arrival of the Muses of Art at Architecture

creator: Jan Toorop

medium: Pen and brown ink and colored crayons on cream wove paper (discolored to buff), pieced

subjects:
Architecture
Print and drawing
Netherland


title: Mary Cassatt at the Louvre: The Paintings Gallery

creator: Edgar Degas

medium: Pastel, over etching, aquatint, drypoint, and crayon électrique on tan wove paper

subjects: Etching France

credit_line: Bequest of Kate L. Brewster


title: The Fashionable Mamma, or, The Convenience of Modern Dress

creator: James Gillray (English, 1756-1815)

date: published February 15, 1796

medium: Hand-colored etching on ivory wove paper

subjects:
Costume & fashion
Etching
England

credit_line: Gift of Thomas F. Furness in memory of William McCallin McKee


title: French Barracks

creator: Thomas Rowlandson

date: published August 12, 1791


title: A Dandy

creator: Charles Williams (English, 1797-1830)

date: published 1818

medium: Handcolored etching on ivory laid paper

subjects:
Etching
United state


title: A Phantasmagoria - Scene - Conjuring up an Armed Skeleton

date: published January 5, 1803

medium: Hand-colored etching and aquatint on paper

subjects:
Etching
England
Skeletons & bones


title: Parliamentary Reform

date: published May 28, 1797

medium: Hand-colored etching on paper


title: The Circle of the Lustful: Paolo and Francesca. Inferno, canto V

creator: William Blake

medium: Hand-colored engraving on India paper, laid down on wove paper (chine collé)

subjects: Engraving England

credit_line: Gift of Mrs. Elizabeth D. McCormick


title: Panel

creator: Produced by F. Schumacher & Co. (American, founded 1889)

medium: Silk and gilt metal wrapped silk, satin weave with supplementary brocading wefts bound in twill interlacing and self-patterned by reversing of faces

country: New York City

subjects:
Costume & fashion
Textile
New york city

credit_line: Elizabeth M. Schultz Endowment


title: Fragment (Dress Fabric)

creator: China

date: Tang dynasty (CE 618–906), late 8th/early 9th century

medium: Silk, weft-float faced 1:2 'S' twill weave of complementary wefts and inner warps (samite)

subjects:
Costume & fashion
Weaving
China

credit_line: Robert Allerton Endowment


title: Othus and Ephialtes Holding Ares Captive

creator: John Flaxman, II

medium: Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper

subjects:
Pen and ink drawing
England

credit_line: Sidney A. Kent Fund


title: Vulcan and Thetis

medium: Pen and ink on paper


title: Juno Comanding the Sun to Set

medium: Pen and black and brown ink on tan wove paper, laid down on cream wove paper


title: Athena and the Winds


title: Mercury and Calypso

medium: Pen and black ink, over graphite, on ivory wove paper, laid down on tan wove paper


title: Polyphemus Begging Ulysses for More Wine

medium: Pen and black ink, over graphite, on cream wove paper, laid down on ivory wove paper


title: The Song of Demodocus

medium: Pen and black ink on tan wove paper, laid down on buff wove paper


title: The Harpies and the Daughters of Pandarus

medium: Pen and black ink, over graphite, on tan wove paper, laid down on tan wove paper


title: Apollo and Diana

medium: Pen and black ink, over traces of graphite, on ivory wove paper, laid down on tan wove paper


title: Ulysses, Penelope and Euryclea


title: Sleep Escaping from the Wrath of Zeus

medium: Pen and black ink, over graphite, on tan wove paper


title: Portrait of John Flaxman, R.A.

creator: probably George Henry Harlow (English, 1787-1819)

medium: Graphite, with red pencil, on cream wove paper

subjects: Graphite England Portraits

credit_line: Gift of Robert Allerton


title: Portrait of Ann Denman Flaxman

medium: Graphite, with red pencil, on cream laid paper, laid down on board


title: Woman's Head in Profile to Left

creator: Sir Edward Burne-Jones

medium: Graphite on ivory wove paper

subjects: Graphite England

credit_line: Ida E. S. Noyes fund


title: Head of a Woman with Face Upturned


title: Draped Standing Male Figure


title: Seated Female Nude


title: Study for Cupid


title: Back View of Standing Male Nude

credit_line: Gift of Ida E. S. Noyes fund


title: Study of Pilgrim for Romaunt of the Rose

subjects: Graphite England Roses

credit_line: Ida E. S. Noyes Fund


title: Study for Figure of 'Idleness - The Romaunt of the Rose


title: Figure of Pilgrim in Romaunt of the Rose


title: Study for Pilgrim in Romaunt of the Rose


title: Draped Male Figure (sketchbook #2614)


title: Standing Male with Tablet; separate sketch of right arm


title: Semi-Nude Female Figure with Mirror in Right Hand


title: Nude Female Figure with Mirror in Right Hand


title: Reflection of Kneeling Female Figure, study for The Mirror of Venus


title: Study for 'The Mirror of Venus': Kneeling Female Figure


title: Study for Rondanini Medusa


title: Head of Medusa, two studies for Rondanini Medusa


title: Bending Female Figure, study for Mirror of Venus


title: Drapery, two studies for The Mirror of Venus


title: Draped Figure and Reflection, study for Mirror of Venus


title: Seated Male Nude


title: Draped Figure of Woman Playing on a Harp


title: Standing Male Nude with Hands Clasped in Prayer


title: Standing Female Nude and Sketches of Arms


title: Reflection of Head, study for Mirror of Venus


title: Head, Study for Mirror of Venus


title: Arm and Feet, study for Mirror of Venus


title: Study for Mirror of Venus: Head


title: Study for Mirror of Venus: Arms and Feet of Venus


title: Draped Head, Eyes Looking Toward Right


title: Standing Nude Male with Face in Profile

subjects: Chalk England


title: Paris with Golden Apple in Left Hand, for the Troy Triptych (sketchbook #2638)


title: Head of Girl Facing Left


title: Backview of Standing Nude Woman and Sketch of a Foot


title: Head of Woman with Eyes Closed


title: Child with Musical Instrument

creator: Attributed to Thomas Barker (English, 1769-1847)

medium: Brown-black crayon on cream wove paper

credit_line: The Leonora Hall Gurley Memorial Collection


title: Self-Portrait

creator: After Sir William Beechey

medium: Pen and black ink, with brush and gray wash, on ivory wove paper

subjects:
Pen and ink drawing
England
Portraits


title: Sir William Beechey, R.A.

creator: R. Cooper (British, 19th century)

medium: Stipple engraving on paper


title: Descent to Hell

creator: Possibly Henry Fuseli (Swiss, active in England, 1741-1825)

medium: Pen and brown ink, with brush and brown wash, heightened with white gouache, on ivory wove paper, laid down on card

subjects:
Pen and ink drawing
Switzerland


title: Vignette with Bridge Trees

creator: Attributed to Thomas Bewick

medium: Pen and black ink on ivory laid paper

subjects:
Pen and ink drawing
England
Trees


title: Bridge St. Chester

creator: Alexander Stuart Boyd

medium: Graphite on tan wove paper

country: Scotland

subjects: Graphite Scotland


title: Rocky Scene

creator: Henry Bright

medium: Black chalk, heightened with white gouache, on gray tinted wove paper


title: Cottage on Edge of Canal

medium: Black chalk heightened with white chalk, on brown wove paper


title: Serpent Women Around Globe

medium: Brown crayon on buff wove paper

subjects: Crayon England


title: Untitled

creator: William Burges

medium: Lithograph on paper


title: City Street

medium: Black crayon and graphite on tan wove paper


title: Hampstead

creator: Possibly Margaret Sarah Carpenter

medium: Black and white chalk on blue wove paper


title: Sketches of Woman's Profile

creator: Frederick William Burton

medium: Black crayon on buff wove paper

country: Ireland

subjects: Crayon Ireland


title: Resting Travelers

creator: Augustus Wall Callcott

medium: Graphite on ivory laid paper, laid down on board


title: Landscape with Stile

medium: Black pastel with brush and gray wash, heightened with white gouache, on tan wove paper, laid down on card

subjects: Pastel England Landscapes


title: Four Peasants

medium: Pen and brown ink with brush and brown wash, over graphite, on ivory wove paper, laid down on card


title: Woman with Baby Fleeing Across Moors

creator: Possibly John Constable

medium: Brush and brown wash over graphite, on ivory laid paper

subjects:
Ink or chalk wash
England


title: The Catch Coming In

creator: Edward William Cooke

medium: Graphite on ivory wove paper


title: Moonlight over Landscape

creator: John Sell Cotman

subjects: Graphite England Landscapes


title: Sailboat

medium: Graphite on cream wove paper


title: Actors


title: Sketch of Mont Saint Michel (recto); Buildings Beside Water (verso)

medium: Graphite (recto and verso) on ivory wove paper


title: Portrait of a Man


title: Sketch of Landscape with Cathedral

medium: Graphite on ivory wove card, tipped onto ivory wove card


title: Illegible Sketch

medium: Graphite on buff wove paper, tipped onto card


title: Langham, South Wales

creator: David Cox, the elder

medium: Graphite on cream wove paper, laid down on board


title: Dutch Coast Scene

creator: William Anderson (Scottish, 1757-1837)

medium: Graphite with brush and gray wash on ivory wove paper


title: Pont Pwl Gwyn, River Usk

medium: Graphite on buff wove paper, laid down on buff wove paper


title: River Scene

creator: Probably David Cox, the elder


title: Early Sketches for Falstaff, Midsummer Night's Dream

creator: George Cruikshank

medium: Graphite on buff wove paper, laid down on buff wove card


title: Ches[t]nut in Greenwich Park

creator: Thomas Creswick

medium: Graphite on cream wove card


title: Comic Scene II

medium: Pen and ink on paper


title: Comic Scene I


title: Comic Scene

medium: Graphite drawing on paper mounted with 3 other drawings


title: Comic Scene III


title: Sketches of Reclining Female Nude and Amorous Couple

creator: William Etty

medium: Pen and brown ink on ivory wove paper

subjects:
Pen and ink drawing
United kingdom


title: Five Sketches of Heads

creator: Samuel Drummond

medium: Pen and brown ink on cream wove paper


title: Cupid and Three Women

creator: John Flaxman, II

medium: Pen and brown ink on ochre laid paper, laid down on ivory wove paper


title: Hector Chiding Paris

medium: Pen and black ink, over traces of graphite, on ivory laid paper


title: Copy of Calvary from the Parthenon Frieze

creator: Possibly John Flaxman, II

medium: Pen and black ink, over traces of graphite, on ivory wove paper


title: Caricature of Man, Woman and Dog

creator: Alfred Henry Forrester

medium: Pen and brown ink on gray wove paper


title: Scottish Landscape

creator: William Sawrey Gilpin

medium: Brush and gray wash with touches of brown ink, over graphite, on cream wove card

subjects:
Ink or chalk wash
England
Landscapes


title: Study

creator: Possibly John Hayter

medium: Black chalk, with stumping, on cream wove paper


title: Clump of Trees

creator: Attributed to James Duffield Harding

medium: Graphite on buff wove paper

subjects: Graphite England Trees


title: Christening of Edward VII

creator: John Hayter

medium: Lithograph on paper

subjects: Lithograph England


title: Fox Stealing a Cock

creator: Samuel Howett

medium: Graphite on ivory wove paper


title: Seated Woman

creator: John Hoppner

medium: Black chalk and black crayon, on ivory laid paper


title: Wolf Hunt in Russia

creator: Attributed to Samuel Howett

medium: Pen and black ink, with brush and gray wash, over graphite, on cream wove paper


title: Fox Hunt


title: Tartars Hunting Deer (recto); Shell (verso)

creator: Recto attributed to Samuel Howett (English, c. 1765-1822)

medium: Pen and brown ink, with brush and gray and brown wash, over graphite (recto), and print (verso), on ivory wove paper

subjects:
Ink or chalk wash
England
Shells & molluscs


title: Siberian Exiles Shooting Wild Reindeer (recto); Shell (verso)

medium: Pen and black ink, with brush and gray and brown wash, over graphite (recto), and print (verso), on ivory wove paper


title: Killing Seals in a Cavern by Torchlight (recto); Sketch of Hunters and Board (verso)

medium: Pen and brown ink, with brush and brown wash, over graphite (recto), and graphite (verso), on ivory wove paper


title: Dr. Sparman's Story of the Hottentot and the Lion

medium: Pen and black ink, with brush and gray wash, over graphite, on ivory wove paper


title: North American Bear Hunting (recto); Shell (verso)


title: Tartars or Russians Hunting an Elk

medium: Pen and brown ink, with brush and brown wash, over graphite, on cream wove paper


title: Seamen on the Whale Fishery Killing a Polar Bear (recto); Shell (verso)


title: Hounds with Fox

creator: Guillaume Coustou, I

medium: Pen and brown ink with brush and gray and brown wash, over graphite, on ivory wove paper

subjects:
Ink or chalk wash
France


title: Water Lane, Watford

creator: Attributed to William Henry Hunt

medium: Black crayon, heightened with white crayon, on gray wove paper, pieced to gray laid paper, tipped onto board


title: On the Mole

medium: Black crayon on gray wove paper


title: Deer (recto); Skull of Giraffe (verso)

creator: Attributed to Edwin Henry Landseer (English, 1802-1873)

medium: Black chalk (recto), and graphite (verso), on ivory wove paper

subjects:
Chalk
England
Skeletons & bones


title: Sketches of Mountain Sheep

creator: Possibly Charles Landseer (English, 1799-1879)

medium: Black chalk on gray laid paper

subjects: Chalk England


title: Chinese Shoemaker

creator: John Leech or after

medium: Pen and brown ink on ivory laid paper

subjects:
Pen and ink drawing
England


title: Portrait Sketches of Edwin Henry Landseer and Frederick Leighton, with Horsemen

medium: Graphite, black, and white chalk on brown wove paper

subjects: Chalk England Portraits


title: Episodes from White Chapel Life

creator: Attributed to John Leech

medium: Graphite on blue wove paper

subjects: Graphite England

credit_line: The Art Institute of Chicago


title: Episodes from White Chapel Life


title: Grouse

creator: Henry LeJeune

medium: Brush and brown wash over graphite, on buff wove card, with embossed border


title: Lady with Vase

creator: Baron Frederic Leighton

medium: Black and white chalk on blue wove paper

subjects: Pastel England


title: Three Card Trick, Epsom

creator: Philipp William May

medium: Black crayon and graphite on gray wove paper

subjects: Crayon England


title: Portraits

creator: Attributed to Daniel Maclise

medium: Pen and brown ink with brush and gray wash and touches of graphite, on tracing paper, laid down on card

subjects:
Pen and ink drawing
Ireland
Portraits


title: The Man in the Street


title: The Modern Troubadour


title: Drunken Man


title: London Female Character

medium: Pen and black ink over traces of graphite on ivory wove paper


title: Shawled London Character


title: British Seaman on Shoreleave


title: Fantastic Oriental Landscape

creator: John Martin (English, 1789-1854)

medium: Brush and brown wash, over graphite on buff wove card


title: Caricatures of Gentlemen

medium: Graphite on tan wove board