title: Vase

credit_line: Vase, 1662–1722. China, Jiangxi province, Jingdezhen kilns, Qing dynasty (1644–1911), Kangxi reign (1662–1722). Porcelain with underglaze blue decoration; diameter of mouth: 53 x 23.9 cm (20 7/8 x 9 7/16 in.). The Cleveland Museum of Art, Gift of Mrs. E. S. Burke Jr., 1954.577


title: Vase

medium: porcelain with underglaze blue decoration

source: The Cleveland Museum of Art

source_id: cleveland

rights: Public Domain / CC0

rights_statement: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

credit_line: Vase, 1662–1722. China, Jiangxi province, Jingdezhen kilns, Qing dynasty (1644–1911), Kangxi reign (1662–1722). Porcelain with underglaze blue decoration; diameter of mouth: 53.3 x 23.5 cm (21 x 9 1/4 in.). The Cleveland Museum of Art, Gift of Mrs. E. S. Burke Jr., 1954.578


title: Nose Ornament

medium: hammered gold

country: Colombia, Sinú style, 5th-11th century

subjects:
Ornament & design
Jewelry
Colombia, sinú style, 5th-11th century

credit_line: Nose Ornament, c. 400–1000. Colombia, Sinú style, 5th-11th century. Hammered gold; overall: 2.1 x 4.3 x 1.9 cm (13/16 x 1 11/16 x 3/4 in.). The Cleveland Museum of Art, Gift of Mrs. Hoffman Philip in memory of her late husband, the honorable Hoffman Philip, 1954.589


title: Frieze with Foliage and Grapes

medium: limestone

country: Egypt, Coptic period

subjects:
Sculpture
Egypt, coptic period

credit_line: Frieze with Foliage and Grapes, 300s–400s CE. Egypt, Coptic period. Limestone; overall: 35.3 x 111.2 cm (13 7/8 x 43 3/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1955.60


title: Pediment with an Eagle

credit_line: Pediment with an Eagle, 400s. Egypt, Coptic period. Limestone; overall: 30.2 x 71.9 x 29.4 cm (11 7/8 x 28 5/16 x 11 9/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1955.62


medium: white glass with silver stain, sanguine, and pot metal

subjects: Switzerland, germany, or austria, 16th century

credit_line: Heraldic Panel Depicting a Knight and a Lady with the Arms of the Archduchy of Austria, c. 1515. Switzerland, Germany, or Austria, 16th century. White glass with silver stain, sanguine, and pot metal; overall: 39.1 x 28.9 cm (15 3/8 x 11 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.72


title: Two-Eared Jar

credit_line: Two-Eared Jar, 1200s-1300s. China, Henan province, Yuxian, Jin dynasty (1115-1234) - Yuan dynasty (1271-1368). Porcelaneous stoneware with blue glaze and splashes of purple, Jun ware; diameter: 12.1 cm (4 3/4 in.); overall: 16.4 cm (6 7/16 in.). The Cleveland Museum of Art, The Fanny Tewksbury King Collection, 1956.706


title: Jar

medium: glazed stoneware with roulette decoration, Cizhou ware

credit_line: Jar, 1100s-1200s. Northern China, Northern Song (960-1127) or Jin dynasty (1115-1234). Glazed stoneware with roulette decoration, Cizhou ware; diameter of mouth: 6.7 cm (2 5/8 in.); overall: 8.9 cm (3 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1957.58


title: Bookcase

creator: Charles Cressent (French, 1685–1768)

medium: kingwood and rosewood veneers, gilt metal mounts

country: France

subjects:
Furniture and woodwork
France

credit_line: Bookcase , c. 1720. Attributed to Charles Cressent (French, 1685–1768). Kingwood and rosewood veneers, gilt metal mounts; overall: 247.6 x 132.1 x 57.2 cm (97 1/2 x 52 x 22 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1958.129.1


title: Bookcase

credit_line: Bookcase, c. 1720. Attributed to Charles Cressent (French, 1685–1768). Kingwood and rosewood veneers, gilt metal mounts; overall: 247.6 x 132.1 x 57.2 cm (97 1/2 x 52 x 22 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1958.129.2


medium: ink, tempera, and gold on vellum

country: Flanders, Ghent and Bruges, late 15th century

subjects: Flanders, ghent and bruges, late 15th century

credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 108r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.108.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 109v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.109.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 110v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.110.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 111r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.111.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 120v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.120.b


country: France, Paris

credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 256r, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.256.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 3v, March, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.3.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 31r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.31.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425), fol. 313v, Virgin and Child, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.313.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425), fol. 314r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.314.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425), fol. 314v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.314.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 33v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.33.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 42r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.42.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 44r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.44.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 48v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.48.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 49v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.49.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 51r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.51.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 54r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.54.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 58r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.58.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 60r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.60.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 60v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.60.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 61r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.61.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 8v, August, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.8.b


medium: silver

credit_line: Drachm: Fire altar with bust of Hormizd II, Zoroastrian priest holding sword left, King as priest holding sword right (reverse), 303–9 CE. Iran, Sasanian Empire (224–651 CE), reign of Hormizd II (303–309). Silver; diameter: 2.6 x 0.1 cm (1 x 1/16 in.). The Cleveland Museum of Art, Gift of Robert Goebl, 1966.738.b


title: Service Aïda:  Bowl

creator: Jean Pouyat Factory (French)

medium: porcelain

country: France, Limoges

subjects:
Ceramic
France, limoge

credit_line: Service Aïda:  Bowl, c. 1880. Jean Pouyat Factory (French). Porcelain; overall: 4.8 x 9.6 cm (1 7/8 x 3 3/4 in.). The Cleveland Museum of Art, Gift of Barry Bradley, 1969.74.1


title: Buckle

medium: brass

subjects: Frankish , migration period, 6th century

credit_line: Buckle, 500s. Frankish(?), Migration period, 6th century. Brass; overall: 11.8 cm (4 5/8 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1975.106


title: Vase

medium: glass with enamel and gilt decoration

country: Bohemia (?), 19th century

subjects:
Glass
Bohemia , 19th century

credit_line: Vase, 1840–1860. Bohemia (?), 19th century. Glass with enamel and gilt decoration; diameter: 31.5 x 9 cm (12 3/8 x 3 9/16 in.). The Cleveland Museum of Art, Anonymous Gift, 1975.205.1


title: Cover for a Vase

medium: porcelain with pâte-sur-pâte decoration

country: Germany, 19th century

subjects:
Ceramic
Germany, 19th century

credit_line: Cover for a Vase, 1881. Meissen Porcelain Factory (German, est. c. 1710). Porcelain with pâte-sur-pâte decoration; overall: 27.7 x 14.5 cm (10 7/8 x 5 11/16 in.). The Cleveland Museum of Art, In memory of Hattie M. Horvitz from her sons Harry, Leonard, and Bill, 1984.189.b


title: Saki Bottle

country: Germany, Meissen, 18th century

subjects:
Ceramic
Germany, meissen, 18th century

credit_line: Saki Bottle, c. 1730. Meissen Porcelain Factory (German, est. c. 1710), probably by Johann Gregor Herold (German, 1696–1775). Porcelain; overall: 21.3 x 9.7 cm (8 3/8 x 3 13/16 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.173.1


title: Tea Caddy

credit_line: Tea Caddy, c. 1735. Meissen Porcelain Factory (German, est. c. 1710). Porcelain; overall: 10.7 x 7.5 x 5.1 cm (4 3/16 x 2 15/16 x 2 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.177.a


title: Tea Caddy (lid)

credit_line: Tea Caddy (lid), c. 1735. Meissen Porcelain Factory (German, est. c. 1710). Porcelain; overall: 10.7 x 7.5 x 5.1 cm (4 3/16 x 2 15/16 x 2 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.177.b


country: Germany, Nymphenburg, 18th century

subjects:
Ceramic
Germany, nymphenburg, 18th century

credit_line: Food Warmer (Veilleuse) [Food Container], c. 1758– 1760. Meissen Porcelain Factory (German, est. c. 1710), probably by Georg Christoph Lindemann (German). Porcelain; overall: 23 x 18.2 x 19.6 cm (9 1/16 x 7 3/16 x 7 11/16 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.184.b


title: Cover for a Tureen

creator: Hukin & Heath (British)

medium: silver plated metal, ebony handles and knop

country: England, 19th century

subjects:
Metalwork
England, 19th century

credit_line: Cover for a Tureen, c. 1880. Hukin & Heath (British), Christopher Dresser (British, 1834–1904). Silver plated metal, ebony handles and knop; diameter: 23.5 cm (9 1/4 in.); overall: 21.2 x 30.8 cm (8 3/8 x 12 1/8 in.). The Cleveland Museum of Art, Seventy-fifth anniversary gift of Henry Hawley in memory of Philip Livingston Hawley, 1991.81.b


title: Cauldron Ornament

medium: bronze with iron rivets

country: Central Europe, Bronze Age

subjects:
Ornament & design
Metalwork
Central europe, bronze age

credit_line: Cauldron Ornament, c. 1200 BCE. Central Europe, Bronze Age. Bronze with iron rivets; overall: 23.2 cm (9 1/8 in.). The Cleveland Museum of Art, Gift of Stark and Michael Ward in honor of Arielle P. Kozloff, 1996.312


title: Tureen

creator: Félix Bracquemond (French, 1833–1914)

country: France, Creil

subjects:
Ceramic
France, creil

credit_line: Tureen, 1866–75. Félix Bracquemond (French, 1833–1914), Creil Factory (French). Porcelain; overall: 21.6 cm (8 1/2 in.). The Cleveland Museum of Art, Gift in memory of Eleanor Goldstein Brody, 1997.159.a


title: Plaque

creator: Veuve Ferdinand Duvinage (French)

medium: metal gilded in several colors of gold, silver-colored metal, ivory, wood

country: France, 19th century

subjects:
Metalwork
France, 19th century

credit_line: Plaque, c. 1880. Veuve Ferdinand Duvinage (French), Alphonse Giroux (French). Metal gilded in several colors of gold, silver-colored metal, ivory, wood; diameter: 26.9 cm (10 9/16 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1997.275


title: Spoon Warmer

medium: stoneware

country: England, London and Southall, 19th century

subjects: England, london and southall, 19th century

credit_line: Spoon Warmer, c. 1880. Robert Wallace Martin (British, 1843–1923), Martin Brothers (British). Stoneware; overall: 15.2 x 17 x 10.5 cm (6 x 6 11/16 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1997.282


title: Ice Cream Pail

medium: gilt porcelain

subjects:
Ceramic
France, pari

credit_line: Ice Cream Pail, c. 1840. Factory of Jacob-Petit (French, 1830–1865). Gilt porcelain; overall: 42.5 x 27.3 x 27 cm (16 3/4 x 10 3/4 x 10 5/8 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.250.1.a


title: Lid for an Ice Cream Pail

credit_line: Lid for an Ice Cream Pail, c. 1840. Factory of Jacob-Petit (French, 1830–1865). Gilt porcelain; overall: 42.5 x 27.3 x 27 cm (16 3/4 x 10 3/4 x 10 5/8 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.250.1.b


creator: Georges Jacob (French, 1739–1814)

medium: gilt wood, upholstery

subjects:
Costume & fashion
Furniture and woodwork
France, pari

credit_line: Fire Screen (Écran de Cheminée) and Textile Panels, c. 1780. Georges Jacob (French, 1739–1814). Gilt wood, upholstery. The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.253


title: Bow Fibula

medium: silver gilt and niello

country: Alemannic, 6th century

subjects:
Jewelry
Alemannic, 6th century

credit_line: Bow Fibula, 500–550. Alemannic, 6th century. Silver gilt and niello; overall: 7.7 x 4.9 x 1.3 cm (3 1/16 x 1 15/16 x 1/2 in.). The Cleveland Museum of Art, Gift of Joe Hatzenbuehler, 2007.221.2


title: Martelé Coffee Service

medium: silver, ivory

country: America

subjects: Silver America

credit_line: Martelé Coffee Service, c.1900–1910. Gorham Manufacturing Company (America, est. 1831). Silver, ivory; overall: 30.5 cm (12 in.). The Cleveland Museum of Art, Gift of Henry Hawley in memory of Sherman Lee, 2008.164


title: Martelé Sugar Bowl

credit_line: Martelé Sugar Bowl, c. 1900–1910. Gorham Manufacturing Company (America, est. 1831). Silver, ivory; overall: 30.5 cm (12 in.). The Cleveland Museum of Art, Gift of Henry Hawley in memory of Sherman Lee, 2008.164.3


creator: Liberty and Company (British)

medium: Silver, turquoise, wooden box

country: England, London

subjects:
Silver
England, london

credit_line: Set of six Coffee Spoons in Original Wooden Case, 1905. Liberty and Company (British), attributed to Oliver Baker (British, 1856–1939). Silver, turquoise, wooden box. The Cleveland Museum of Art, Gift of Henry H. Hawley, 2008.167


medium: 112 Printed folios on parchment, bound

credit_line: Printed Book of Hours (Use of Rome): fol. 1r, Printers Mark, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.1.a


credit_line: Printed Book of Hours (Use of Rome):  fol. 101v, St. Christopher, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.101.b


credit_line: Printed Book of Hours (Use of Rome):  fol. 102v, St. Sebastian, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.102.b


credit_line: Printed Book of Hours (Use of Rome):  fol. 103v, St. George Slaying the Dragon, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.103.b


credit_line: Printed Book of Hours (Use of Rome):  fol. 105r, St. Nicholas, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.105.a


credit_line: Printed Book of Hours (Use of Rome):  fol. 106v, St. Francis of Assisi, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.106.b


credit_line: Printed Book of Hours (Use of Rome):  fol. 107v, St. Jerome and the Lion, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.107.b


credit_line: Printed Book of Hours (Use of Rome):  fol. 108r, St. Bernard of Clairvaulx, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.108.a


credit_line: Printed Book of Hours (Use of Rome):  fol. 110r, St. Margaret, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.110.a


credit_line: Printed Book of Hours (Use of Rome):  fol. 110v, St. Barbara, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.110.b


credit_line: Printed Book of Hours (Use of Rome): fol.18r, St. Luke, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.18.a


credit_line: Printed Book of Hours (Use of Rome): fol.29v, The Visitation, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.29.b


credit_line: Printed Book of Hours (Use of Rome): fol. 3v, February calendar illustration, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.3.b


credit_line: Printed Book of Hours (Use of Rome): fol. 36r, Annunciation to the Shepherds, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.36.a


subjects:
Architecture
France, pari

credit_line: Printed Book of Hours (Use of Rome):  fol. 40r, Presentation in the Temple, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.40.a


credit_line: Printed Book of Hours (Use of Rome): fol. 45r, Coronation of the Virgin, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.45.a


credit_line: Printed Book of Hours (Use of Rome): fol. 53r, Pieta, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.53.a


credit_line: Printed Book of Hours (Use of Rome):  fol. 58r, Pentecost, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.58.a


credit_line: Printed Book of Hours (Use of Rome):  fol, 78r, Job, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.78.a


credit_line: Printed Book of Hours (Use of Rome): fol. 9v, August calendar illustration, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.9.b


credit_line: Printed Book of Hours (Use of Rome):  fol. 96v, Mass of St. Gregory, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.96.b


credit_line: Printed Book of Hours (Use of Rome):  fol. 99v, St. Paul, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.99.b


creator: René Lalique (French, 1860–1945)

medium: glass

country: France, 20th century

subjects:
Glass
France, 20th century

credit_line: Hunting Dogs Footed Red Wine Glass (Verre à pied, chasse chiens), c. 1913–21. René Lalique (French, 1860–1945). Glass; overall: 13 x 7.9 cm (5 1/8 x 3 1/8 in.). The Cleveland Museum of Art, Museum purchase from various donors by exchange, 2011.121.2


title: Pair of Compotes and Stands

creator: House of Fabergé (Russian, 1842–1918)

medium: silver, glass

country: Russian

subjects: Silver Russian

credit_line: Pair of Compotes and Stands, c. 1890–99. House of Fabergé (Russian, 1842–1918). Silver, glass; overall: 15.2 cm (6 in.). The Cleveland Museum of Art, Gift of the Hiller-Borneman Collection, 2022.106


title: Compote

credit_line: Compote, c. 1890–99. House of Fabergé (Russian, 1842–1918). Glass; overall: 15.2 cm (6 in.). The Cleveland Museum of Art, Gift of the Hiller-Borneman Collection, 2022.106.1.a


title: Stand

medium: silver

credit_line: Stand, c. 1890–99. House of Fabergé (Russian, 1842–1918). Silver; overall: 15.2 cm (6 in.). The Cleveland Museum of Art, Gift of the Hiller-Borneman Collection, 2022.106.1.b


title: Compote and Stand

credit_line: Compote and Stand, c. 1890–99. House of Fabergé (Russian, 1842–1918). Silver, glass; overall: 15.2 cm (6 in.). The Cleveland Museum of Art, Gift of the Hiller-Borneman Collection, 2022.106.2


title: Stand

credit_line: Stand, c. 1890–99. House of Fabergé (Russian, 1842–1918). Silver; overall: 15.2 cm (6 in.). The Cleveland Museum of Art, Gift of the Hiller-Borneman Collection, 2022.106.2.b


title: Cigarette Case

medium: gold, sapphire

country: Russia

subjects: Silver Russia

credit_line: Cigarette Case, c. 1908–17. House of Fabergé (Russian, 1842–1918). Gold, sapphire; overall: 15.2 cm (6 in.). The Cleveland Museum of Art, Gift of the Hiller-Borneman Collection, 2022.113


title: Four-Armed Seated God Ganesha

creator: Pakistan or Afghanistan

date: Shahi period, 7th/8th century

medium: Marble with traces of pigment

country: Afghanistan

subjects:
Sculpture
Afghanistan
Ganesha
Gods (deities)
Religion
South asian

source: Art Institute of Chicago

source_id: aic

rights_statement: Public Domain — CC0 via the Art Institute of Chicago Open Access programme.

credit_line: Gift of Marilynn B. Alsdorf


title: Boar Incarnation of God Vishnu (Varaha)

creator: India

date: c. 10th century

medium: Phyllite

country: Madhya Pradesh

subjects:
Stone
Madhya pradesh
Phyllite
South asian
Sculpture
Asian art
Arts of asia 100

credit_line: James W. and Marilynn Alsdorf Collection. Gift of Marilynn Alsdorf


title: Head of Goddess

creator: Cambodia or Thailand

date: Angkor period, late 12th–early 13th century

medium: Sandstone

country: Southeast Asia

subjects:
Stone (unidentified)
Southeast asia
Southeast asian
Stone
Sculpture
Asian art


title: Standing Buddha

creator: Central Thailand

date: Mon period, 8th‒9th century or later

medium: Limestone

country: Thailand

subjects:
Sandstone
Thailand
Buddha
Southeast asian
Stone
Sculpture
Asian art


title: Two-Armed God Ganesha Holding a Bowl of Sweets

date: c. 3rd/4th century

country: Mathura

subjects:
Sandstone
Mathura
South asian
Stone
Sculpture
Asian art


title: Cow Suckling a Calf

date: About 9th century

country: India

subjects:
Sandstone
India
Cows
Animal
Calf
Mother
Nurturing
Feeding
Nursing (breast feeding)
Relief
South asian
Stone
Sculpture
Asian art
Indian (south asian)
Essential
Arts of asia 100


title: A Goddess

creator: Vietnam

date: Champa period,  9th–10th century

medium: Bronze

country: Vietnam

subjects:
Bronze
Vietnam
Goddesse
Southeast asian
Cham (vietnamese)
Vietnamese
Asian
Metal
Sculpture
Asian art
Arts of asia 100

credit_line: Kate S. Buckingham Fund


title: God Ganesha

creator: Cambodia, Thailand or Vietnam

date: Pre–Angkor period, 7th–8th century or later

subjects:
Sandstone
Southeast asia
Ganesha
Gods (deities)
Religion
Southeast asian
Stone
Sculpture
Asian art


title: Male Deity

creator: Thailand or Cambodia

date: Angkor period, 11th century

subjects:
Sandstone
Southeast asia
Southeast asian
Stone
Sculpture
Asian art


title: A Goddess

date: Angkor period, 12th century


title: Crowned and Bejewelled Buddha

creator: Burma (Myanmar)

date: Pagan period, late 12th/early 13th century

medium: Wood

country: Myanmar

subjects:
Wood
Myanmar
Sculpture
Asian art


title: Bodhisattva Avalokiteshvara

subjects:
Sandstone
Southeast asia
Religion
Bodhisattva
Buddhism
Southeast asian
Baphuon
Angkor thom
Angkorean
Cambodian
Asian
Stone
Sculpture
Asian art


title: Standing Buddha with Hand in Gesture of Teaching (Vitarkamudra)

creator: Thailand

date: Mon period, 8th century

subjects:
Bronze
Thailand
Buddha
Southeast asian
Metal
Sculpture
Asian art


title: God Shiva

creator: Mekong Delta, Vietnam

date: Angkor period, 13th century

subjects:
Bronze
Vietnam
Southeast asian
Metal
Sculpture
Asian art
Arts of asia 100


title: Guardian Lion

date: Angkor period, 10th‒12th century

subjects:
Sandstone
Southeast asia
Angkorean
Cambodian
Southeast asian
Asian
Stone
Sculpture
Asian art


title: Emblem of God Shiva with Four Faces (Chaturmukhalinga)

date: 7th/8th century

country: Rajasthan

subjects:
Sandstone
Rajasthan
South asian
Stone
Sculpture
Asian art


title: Twenty-Armed Dancing God Ganesha, Remover of Obstacles

date: 10th century

subjects:
Sandstone
Madhya pradesh
South asian
Stone
Sculpture
Asian art
Arts of asia 100


title: God Vishnu with Goddess Lakshmi and His Mount, Garuda, in Attendance

creator: Nepal

date: 11th century

medium: Schist

country: Kathmandu Valley

subjects:
Sculpture
Kathmandu valley
Schist
Himalayan
Stone
Asian art


title: Ten-Armed Goddess Durga, Seated on a Double Lion Throne


title: Four-Armed Sarasvati, Goddess of Learning, Seated in Lotus Position (Padmasana)

date: Hoysala period, 12th century

medium: Chlorite phyllite

country: Karnataka

subjects:
Schist
Karnataka
South asian
Stone
Sculpture
Asian art


title: Four-Armed God Vishnu

date: c. 5th century

country: Uttar Pradesh

subjects:
Sandstone
Uttar pradesh
South asian
Stone
Sculpture
Asian art


title: Goddess Durga Slaying the Buffalo Demon (Mahishasuramardini)

date: 6th century

subjects:
Sandstone
Madhya pradesh
Hindu
Durga
Gods (deities)
Goddesse
South asian
Stone
Sculpture
Asian art


title: God Ganesha, Remover of Obstacles

creator: Indonesia

date: 9th/10th century

medium: Andesite

country: Central Java

subjects:
Stone (unidentified)
Central java
Ganesha
Gods (deities)
Religion
Southeast asian
Stone
Sculpture
Asian art
Arts of asia 100

credit_line: Gift of Mrs. Christian H. Aall in honor of her mother and father, Helen and Glen Sample


title: Dragon-Shaped Architectural Ornament

date: 13th/14th century

medium: Terracotta

country: Eastern Java

subjects:
Ornament & design
Architecture
Sculpture
Eastern java
Southeast asian
Asian art

credit_line: Gift of Paul f. Walter


title: Four-Armed Dancing God Ganesha with His Rat Mount

date: 16th/17th century

medium: Gilt bronze repoussé

country: Nepal

subjects:
Bronze
Nepal
Ganesha
Hindu
Religion
Dancing ganesha
Gods (deities)
Repoussé
Himalayan
Metal
Sculpture
Asian art


title: God Harihara (Half-Vishnu, Half-Shiva)

date: 9th century

subjects:
Stone (unidentified)
Madhya pradesh
South asian
Stone
Sculpture
Asian art

credit_line: Pritzker Collection


title: Crowned and Bejewelled Buddha Seated on an Elephant Throne

date: Late 19th century

medium: Gilded and lacquered wood with paint and colored glass

subjects:
Wood
Myanmar
Buddha
Wood (plant material)
Southeast asian
Sculpture
Asian art

credit_line: James W. and Marilynn Alsdorf Collection


title: God Vishnu Riding His Mount, Garuda

date: 17th century

subjects:
Sculpture
Nepal
Schist
Himalayan
Stone (unidentified)
Stone
Asian art

credit_line: Bertha Evans Brown Fund


title: Shiva as Lord of the Dance (Nataraja)

date: Chola period, about 10th/11th century

country: Tamil Nadu

subjects:
Bronze
Tamil nadu
Dancing
Gods (deities)
Hindu
Religion
Shiva nataraja
Casting (process)
South asian
Metal
Sculpture
Asian art
Chola
Essential


title: Karttikeya, Commander of the Divine Army, Seated on a Peacock

date: Ganga Period, about 12th century

medium: Basalt

country: Andhra Pradesh

subjects:
Stone
Andhra pradesh
Gods (deities)
Hindu
Religion
Skanda karttikeya
Sculpting
Granite (rock)
South asian
Stone (unidentified)
Sculpture
Asian art
Basalt (basic igneous rock)
Ganga
Essential
Arts of asia 100

credit_line: Purchased with funds provided by Mr. and Mrs. Sylvain S. Wyler


title: Bust of a Female Deity (Devi)

creator: Cambodia

date: Angkor period, 11th century

country: Cambodia

subjects:
Stone (unidentified)
Cambodia
Sandstone
Southeast asian
Stone
Sculpture
Asian art

credit_line: Samuel M. Nickerson Fund


title: Part of a Ten-Piece Set of Printed Ritual Stakes (Khram Shing)

creator: Mongolia

date: 19th–20th century

medium: Opaque watercolor, watercolor, ink, and graphite on machine-made wove paper

country: Mongolia

subjects:
Pen and ink drawing
Mongolia
Paper (fiber product)
Himalayan
Ink
Watercolor
Manuscript
Asian art

credit_line: Margaret Dornbusch, Louise Lutz and Samuel M. Nickerson endowments; Margaret Gentles Fund


title: Vairochana Buddha Seated Giving the First Sermon (Dharmachakramudra)

date: late 17th/early 18th century

medium: Gilt bronze

subjects:
Bronze
Mongolia
Himalayan
Asian art
Sculpture

credit_line: Russell Tyson Fund


title: Buddha Amitayus Holding a Vase of Longevity (Kalasa)

date: 18th century

medium: Gilt bronze inlaid with stones

subjects:
Sculpture
Mongolia
Bronze
Gilding
Himalayan
Asian art

credit_line: Avery Brundage Fund


title: Standing Buddha

date: Pagan period, about 12th century

medium: Bronze inlaid with silver

subjects:
Bronze
Myanmar
Buddha
Southeast asian
Metal
Sculpture
Asian art
Arts of asia 100


title: Standing Buddha with Left Hand in Gift Giving Gesture (varadamudra)

date: Chola period (c. 855-1279), about 11th century

country: Nagapattinam

subjects:
Bronze
Nagapattinam
Buddha
South asian
Metal
Sculpture
Asian art
Chola
Arts of asia 100


title: Buddha Shakyamuni Seated in Meditation (Dhyanamudra)

date: Chola period, about 12th century

medium: Granite

subjects:
Stone (unidentified)
Nagapattinam
Buddha
Granite (rock)
Sculpting
South asian
Stone
Sculpture
Asian art
Chola
Essential
Arts of asia 100

credit_line: Purchased with funds provided by Mr. and Mrs. Robert Andrew Brown


title: Lydia Reading

creator: Mary Cassatt

medium: Aquatint, with soft ground etching and drypoint, on cream wove paper

country: United States

subjects:
Print and drawing
United state
Paper
Aquatint
Print

credit_line: William McCallin McKee Memorial Endowment Fund


title: On the Balcony

medium: Soft ground etching in gray-brown ink on cream laid paper

subjects:
Etching
United state
Paper (fiber product)
Paper
Print
Print and drawing
Women artist

credit_line: Gift of Henri M. Petiet


title: On the Balcony

medium: Soft ground etching in black-brown ink on blued white laid paper


title: The Mandolin Player

medium: Drypoint in brown ink on ivory laid paper

subjects:
Etching
United state
Paper (fiber product)
Print
Print and drawing
Women artist

credit_line: Gift of Charles L. Hutchinson


title: Reflection


title: In the Opera Box, No. 3

medium: Soft ground etching and aquatint on cream laid paper

subjects:
Aquatint
United state
Paper (fiber product)
Ground (material)
Print
Print and drawing
Women artist

credit_line: Purchased with funds provided by Gaylord Donnelley and the  Print and Drawing Club Fund


title: Mother's Goodnight Kiss

medium: Pastel on blue-gray wove paper (faded to tan), mounted on canvas, on a strainer

subjects:
Pastel
United state
Mother
Parent
Children
Century of progress
World' fair
Chicago world' fair
Paper (fiber product)
Pastel (crayons)
Crayon
Drawing (visual works)
Print and drawing
Women artist

credit_line: Gift of Honoré and Potter Palmer


title: Tea


title: The Fitting

medium: Color aquatint and drypoint on buff laid paper

subjects:
Aquatint
United state
Paper (fiber product)
Print
Print and drawing
Women artist

credit_line: John H. Wrenn Memorial Collection


title: The Fitting

medium: Color aquatint and drypoint on off-white wove paper


title: Peasant Mother and Child

medium: Color drypoint and aquatint, with additions in yellow, on white laid paper

subjects:
Etching
United state
Mother
Parent
Children
Paper (fiber product)
Print
Print and drawing
Women artist

credit_line: Gift of Alfred E. Hamill


title: After the Bullfight

creator: Mary Cassatt (American, 1844–1926)

medium: Oil on canvas

country: Seville

subjects:
Painting
Seville
Fashion
Men
Portrait
People
Oil paint (paint)
Impressionism
Organic material
American arts
Realism
Modernism
Women artist

credit_line: Bequest of Mrs. Sterling Morton


title: Sleepy Nicolle

medium: Pastel on blue-gray wove paper (faded to tan), mounted on board

subjects:
Pastel
United state
Mother
Babie
Parent
Children
Paper (fiber product)
Pastel (crayons)
Crayon
Drawing (visual works)
Print and drawing
Women artist

credit_line: Bequest of Dr. John J. Ireland


title: Lady in Black, in a Loge, Facing Right

medium: Soft ground etching in brown ink on cream laid paper

subjects:
Etching
United state
Paper (fiber product)
Ground (material)
Print
Print and drawing
Women artist

credit_line: Mrs. Cyrus Adams Memorial Fund and Mary S. Adams Fund


title: Under the Lamp

medium: Soft ground etching and aquatint with scraping in black on cream laid paper

subjects:
Aquatint
United state
Leisure
Domestic scene
Familie
Night scene
Everyday life (genre)
Women
Impressionism
Paper (fiber product)
Etching ground
Print
Print and drawing
Women artist

credit_line: Albert H. Wolf Memorial Collection


title: At the Dressing Table

medium: Soft ground and aquatint in black on cream laid paper

credit_line: Clarence Buckingham Collection


title: Woman Holding a Tortoise-shell Hair-comb

creator: Kitagawa Utamaro 喜多川 歌麿

medium: Color woodblock print; oban

country: Japan

subjects:
Woodblock print
Japan
Shells & molluscs
Japanese (culture or style)
Print
Asian art
Arts of asia 100


title: Beauty Wearing a Summer Kimono, from the series “New Patterns of Brocade Woven in Utamaro Style" ("Nishiki-ori Utamaro-gata-shinmoyo")

subjects:
Ornament & design
Woodblock print
Japan
Japanese (culture or style)
Print
Asian art


title: A Young Girl Offering Tea to Another Woman

subjects:
Woodblock print
Japan
Japanese (culture or style)
Print
Asian art


title: Takashima Ohisa


title: Repose

medium: Drypoint in black on ivory laid paper

subjects:
Drypoint
United state
Paper (fiber product)
Print
Print and drawing
Women artist

credit_line: Hannan Fund


title: The Map

subjects:
Maps & charts
Drypoint
United state
Paper (fiber product)
Print
Print and drawing
Women artist

credit_line: The Joseph Brooks Fair Collection


title: The Lamp

creator: Mary Cassatt (American, 1844-1926)

medium: Color aquatint and drypoint, with softground, on ivory laid paper

credit_line: Mr. and Mrs. Martin A. Ryerson Collection


title: In the Omnibus

medium: Color aquatint and drypoint on ivory laid paper

subjects:
Drypoint
United state
Children
Transportation
Women
Impressionism
Paper (fiber product)
Print
Print and drawing
Women artist


title: Maternal Caress

subjects:
Drypoint
United state
Mother
Children
Paper (fiber product)
Print
Print and drawing
Women artist


title: The Bath

medium: Color aquatint with burnishing, drypoint, and softground, on ivory laid paper


title: After the Bath

subjects:
Aquatint
United state
Mother
Babie
Parent
Children
Paper (fiber product)
Print
Print and drawing
Women artist


title: Afternoon Tea Party

medium: Color aquatint and drypoint, with additions in brush and gold, on ivory laid paper


title: The Coiffure


title: The Fitting


title: The Letter

medium: Color aquatint and drypoint on off-white laid paper

subjects:
Drypoint
United state
Interior
Paper (fiber product)
Print
Print and drawing
Women artist


title: Woman Bathing

subjects:
Drypoint
United state
Women
Interior
Domestic scene
Water
Everyday life (genre)
Impressionism
Paper (fiber product)
Print
Print and drawing
Art institute icon
Women artist


title: Lozenge Composition with Yellow, Black, Blue, Red, and Gray

creator: Piet Mondrian

country: Netherlands

subjects:
Oil on canva
Netherland
Geometric
Yellow (color)
Black (color)
Blue (color)
Grid
White (color)
Red (color)
Square
Oil painting
Oil paint (paint)
Modernism
Painting (image making)
Canva
Painting
Modern art highlight
Essential

credit_line: Gift of Edgar Kaufmann, Jr.


title: Composition (No. 1) Gray-Red

subjects:
Painting
Netherland
Geometric
Red (color)
White (color)
Black (color)
Grid
Line
Modern and contemporary art

credit_line: Gift of Mrs. Gilbert W. Chapman


title: Movement

creator: Marsden Hartley (American, 1877–1943)

subjects:
Oil on canva
United state
Triangle
Pink (color)
Green (color)
Black (color)
Orange (color)
Yellow (color)
Blue (color)
Red (color)
Geometric
Oil paint (paint)
Modernism
Painting (image making)
Canva
Painting
Modern and contemporary art
Cubism
Oil painting
Essential

credit_line: Alfred Stieglitz Collection


title: Improvisation No. 30 (Cannons)

creator: Vasily Kandinsky

country: Germany

subjects:
Oil on canva
Germany
Century of progress
World' fair
Chicago world' fair
Blue (color)
Purple (color)
Yellow (color)
Red (color)
Weapon
Cannon
Oil painting
Oil paint (paint)
Modernism
Painting (image making)
Canva
Modern art highlight
Painting
Essential
Save ferri

credit_line: Arthur Jerome Eddy Memorial Collection


title: Painting with Green Center

subjects:
Painting
Germany
Century of progress
World' fair
Chicago world' fair
Green (color)
Blue (color)
Orange (color)
Yellow (color)
Red (color)
Movement
Modern and contemporary art
Save ferri


title: Painting with Troika

date: January 18, 1911

medium: Oil on cardboard; in artist's painted frame

subjects:
Oil on cardboard
Germany
Troika
People
Landscape
Animal
Oxen
Cart
Painting
Modern and contemporary art


title: Pyxis (lid)

medium: marble

country: Greece, Attic

subjects:
Stone
Greece, attic

credit_line: Pyxis (lid), 400–300 BCE. Greece, Attic. Marble; diameter: 7.7 cm (3 1/16 in.); overall: 4.6 cm (1 13/16 in.); diameter of lid: 12.2 cm (4 13/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.759.b


title: Cover for a Broth Bowl

medium: gilt porcelain

country: Germany, Meissen, 18th century

subjects:
Ceramic
Germany, meissen, 18th century

credit_line: Cover for a Broth Bowl, 1730–40. Meissen Porcelain Factory (German, est. c. 1710). Gilt porcelain; overall: 10.5 x 14.6 cm (4 1/8 x 5 3/4 in.). The Cleveland Museum of Art, Gift of Rev. Alfred Duane Pell, 1919.193.b


credit_line: Relief Panel from the End of a Sarcophagus:  A Cross Within an Arch, 700s-800s. Lombardic, Italy, Rome, Migration period, 8th-9th Century. Marble; overall: 51.8 x 57.8 cm (20 3/8 x 22 3/4 in.). The Cleveland Museum of Art, General Income Fund, 1920.756


title: Louis XVI Style Candle Bracket

medium: gilded bronze

subjects:
Furniture and woodwork
France, style of loui xvi, 18th century

credit_line: Louis XVI Style Candle Bracket, c. 1775–1790. France, style of Louis XVI, 18th Century. Gilded bronze; overall: 40.7 x 28 x 14 cm (16 x 11 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Grace Rainey Rogers in memory of her father, William J. Rainey, 1942.68.2


title: Ruby Vase

medium: glass

country: Bohemia

subjects: Glass Bohemia

credit_line: Ruby Vase, 1800s. Bohemia. Glass; diameter: 27.2 cm (10 11/16 in.); overall: 40 x 17.5 cm (15 3/4 x 6 7/8 in.). The Cleveland Museum of Art, Bequest of Mrs. S. Prentiss Baldwin, 1949.168


title: Pair of Corner Cabinets

creator: René Dubois (French, 1737–1798)

medium: ebony veneer, Japanese lacquer, gilt bronze mounts

country: France, Paris

subjects:
Furniture and woodwork
France, pari

credit_line: Pair of Corner Cabinets, c. 1765– 1770. René Dubois (French, 1737–1798). Ebony veneer, Japanese lacquer, gilt bronze mounts. The Cleveland Museum of Art, John L. Severance Fund, 1951.115


medium: ink, tempera, and gold on vellum

credit_line: Book of Hours (Use of Paris): Fol. 106r, Multiple Initials with Decorated Border, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.106.a


credit_line: Book of Hours (Use of Paris): Fol. 108r, The Pentecost, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.108.a


credit_line: Book of Hours (Use of Paris): Fol. 204v, Last Judgment, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.204.b


credit_line: Book of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a


title: Vase with Cover (lid)

medium: porcelain with underglaze blue decoration

credit_line: Vase with Cover (lid), 1662–1722. China, Jiangxi province, Jingdezhen kilns, Qing dynasty (1644–1911), Kangxi reign (1662–1722). Porcelain with underglaze blue decoration; lid: 15.1 cm (5 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. E. S. Burke Jr., 1954.575.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 42v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.42.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 43v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.43.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 45r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.45.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 52v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.52.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 53v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.53.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 55v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.55.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 56r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.56.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 58v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.58.b


title: Gold Piece in Shape of Triratna

medium: gold

country: India, Shunga period (185–78 BCE)

subjects:
Jewelry
India, shunga period (185–78 bce)

credit_line: Gold Piece in Shape of Triratna, 185–72 BCE. India, Shunga period (185–78 BCE). Gold. The Cleveland Museum of Art, John L. Severance Fund, 1973.61.2


title: Earring (one of a pair)

date: 100 BCE–100 CE

medium: gold and garnet

country: Syria, Roman

subjects:
Jewelry
Syria, roman

credit_line: Earring (one of a pair), 100 BCE–100 CE. Syria, Roman. Gold and garnet; diameter: 2.4 cm (15/16 in.); overall: 0.5 cm (3/16 in.). The Cleveland Museum of Art, Gift of Dr. and Mrs. Jerald S. Brodkey in memory of Frederick D. Brodkey, 1985.174.a


title: Vase

medium: porcelain

country: Germany, Meissen

subjects:
Ceramic
Germany, meissen

credit_line: Vase, c. 1728–30. Meissen Porcelain Factory (German, est. c. 1710). Porcelain; overall: 37.5 x 23.8 cm (14 3/4 x 9 3/8 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1986.10.a


title: Food Warmer (Veilleuse)

country: Germany, Nymphenburg, 18th century

subjects:
Ceramic
Germany, nymphenburg, 18th century

credit_line: Food Warmer (Veilleuse), c. 1758–1760. Nymphenburg Porcelain Factory (German, founded 1747), probably by Georg Christoph Lindemann (German). Porcelain; overall: 23 x 18.2 x 19.6 cm (9 1/16 x 7 3/16 x 7 11/16 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.184.a


title: Tureen

creator: Hukin & Heath (British)

medium: silver plated metal, ebony handles and knop

country: England, 19th century

subjects:
Metalwork
England, 19th century

credit_line: Tureen, c. 1880. Hukin & Heath (British), Christopher Dresser (British, 1834–1904). Silver plated metal, ebony handles and knop; diameter: 23.5 cm (9 1/4 in.); overall: 21.2 x 30.8 cm (8 3/8 x 12 1/8 in.). The Cleveland Museum of Art, Seventy-fifth anniversary gift of Henry Hawley in memory of Philip Livingston Hawley, 1991.81.a


title: Tripod Vessel with Lid

medium: earthenware with pigment

country: Mexico or Central America, Maya

subjects:
Ceramic
Mexico or central america, maya
Ships & the sea

credit_line: Tripod Vessel with Lid, 250–600 CE. Mexico or Central America, Maya. Earthenware with pigment; overall: 10 x 11.1 cm (3 15/16 x 4 3/8 in.). The Cleveland Museum of Art, Gift of Brian and Florence Mahony, 1996.400


title: Cover for a Tureen

creator: Creil Factory (French)

country: France, Creil

subjects:
Ceramic
France, creil

credit_line: Cover for a Tureen, 1866–75. Creil Factory (French), Félix Bracquemond (French, 1833–1914). Porcelain; overall: 21.6 cm (8 1/2 in.). The Cleveland Museum of Art, Gift in memory of Eleanor Goldstein Brody, 1997.159.b


date: 200 BCE–300 CE

medium: earthenware with colored slip, black burial deposits

country: West Mexico, Colima, Comala style

subjects:
Ceramic
West mexico, colima, comala style
Ships & the sea

credit_line: Vessel with Crested Atlantean (Supporting) FIgures, 200 BCE–300 CE. West Mexico, Colima, Comala style. Earthenware with colored slip, black burial deposits; diameter: 24.5 x 33.5 cm (9 5/8 x 13 3/16 in.); overall: 22.9 cm (9 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.28


title: Liner for an Ice Cream Pail

subjects:
Ceramic
France, pari

credit_line: Liner for an Ice Cream Pail, c. 1840. Factory of Jacob-Petit (French, 1830–1865). Gilt porcelain; overall: 42.5 x 27.3 x 27 cm (16 3/4 x 10 3/4 x 10 5/8 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.250.1.c


title: Inkwell

creator: Pallme-König & Habel (Czech)

medium: glass with bronze mount

country: Czechoslovakia, late 19th century

subjects:
Glass
Czechoslovakia, late 19th century

credit_line: Inkwell, c. 1899. Pallme-König & Habel (Czech). Glass with bronze mount; overall: 6.1 x 9.9 cm (2 3/8 x 3 7/8 in.). The Cleveland Museum of Art, In loving memory of Donald M. Robiner, 2008.67


medium: 112 Printed folios on parchment, bound

credit_line: Printed Book of Hours (Use of Rome):  fol. 101r, St. Lawrence, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.101.a


credit_line: Printed Book of Hours (Use of Rome):  fol. 109v, St. Catherine, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.109.b


credit_line: Printed Book of Hours (Use of Rome): fol. 11v, October calendar page, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.11.b


credit_line: Printed Book of Hours (Use of Rome):  fol. 111v, St. Apollonia, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.111.b


credit_line: Printed Book of Hours (Use of Rome): fol. 12v, November calendar page, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.12.b


credit_line: Printed Book of Hours (Use of Rome): fol. 17r, St. John on Patmos, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.17.a


credit_line: Printed Book of Hours (Use of Rome):  fol. 19r, St. Matthew, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.19.a


credit_line: Printed Book of Hours (Use of Rome): fol. 2v, January calendar illustration, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.2.b


credit_line: Printed Book of Hours (Use of Rome): fol. 34r, The Nativity, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.34.a


credit_line: Printed Book of Hours (Use of Rome): fol. 55r, The Crucifixion, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.55.a


credit_line: Printed Book of Hours (Use of Rome):  fol. 84v, Dominican Nun in Prayer, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.84.b


credit_line: Printed Book of Hours (Use of Rome):  fol. 94v, The Trinity, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.94.b


credit_line: Printed Book of Hours (Use of Rome): fol. 97v, St. Michael the Archangel, 1510. Guillaume Le Rouge (French, Paris, active 1493–1517). 112 Printed folios on parchment, bound. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276.97.b


title: Compote

creator: House of Fabergé (Russian, 1842–1918)

country: Russian

subjects: Silver Russian

credit_line: Compote, c. 1890–99. House of Fabergé (Russian, 1842–1918). Glass; overall: 15.2 cm (6 in.). The Cleveland Museum of Art, Gift of the Hiller-Borneman Collection, 2022.106.2.a


title: Pendant

medium: amethyst, guilloché enamel, diamonds

credit_line: Pendant, c. 1910. House of Fabergé (Russian, 1842–1918), Albert Holmström (Finnish, 1876–1925). Amethyst, guilloché enamel, diamonds; overall: 2.5 cm (1 in.). The Cleveland Museum of Art, Gift of the Hiller-Borneman Collection, 2022.114


title: Carthage

creator: William Linton (British, 1791–1876)

medium: oil on fabric

subjects:
Painting
England, 19th century

credit_line: Carthage, c. 1830. Attributed to William Linton (British, 1791–1876). Oil on fabric; unframed: 113.3 x 143.5 cm (44 5/8 x 56 1/2 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1040


creator: Beauvais (French)

medium: tapestry weave: silk and wool

country: France

subjects: Tapestry France

credit_line: The Flute Player from Set Les Beaux Pastorales, 1775. Beauvais (French), François Boucher (French, 1703–1770). Tapestry weave: silk and wool; overall: 363.1 x 375.7 cm (142 15/16 x 147 15/16 in.). The Cleveland Museum of Art, Bequest of John L. Severance, 1942.822


creator: Gao Tao (Chinese, 1100s)

medium: hanging scroll; ink and slight color on silk

country: China, Jin dynasty (1115-1234)

subjects:
Painting
China, jin dynasty (1115-1234)
Birds
Landscapes

credit_line: Birds in a Grove in a Mountainous Winter Landscape (寒林聚禽圖), 1100s. Possibly by Gao Tao (Chinese, 1100s). Hanging scroll; ink and slight color on silk; overall: 174.9 x 90.2 cm (68 7/8 x 35 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.115


title: The Bathers

date: after 1847

medium: oil on wood

country: France, 19th century

subjects:
Painting
France, 19th century

credit_line: The Bathers, after 1847. Imitator of Narcisse Diaz de la Peña (French, 1807–1876). Oil on wood; unframed: 21.8 x 32.6 cm (8 9/16 x 12 13/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1051


title: Napoleon on St. Helena

medium: bronze

subjects:
Sculpture
France, 19th century

credit_line: Napoleon on St. Helena, c. 1860–1870. Jean-Baptiste Carpeaux (French, 1827–1875). Bronze; overall: 21.6 x 18.6 x 12.2 cm (8 1/2 x 7 5/16 x 4 13/16 in.). The Cleveland Museum of Art, Gift of Loïe Fuller, 1917.371


title: The Large Shepherdess

medium: etching

subjects:
Print
France, 19th century

credit_line: The Large Shepherdess, 1862. Jean-François Millet (French, 1814–1875). Etching. The Cleveland Museum of Art, Gift of Frederick Keppel and Co., Inc., The Frederick Keppel Memorial, 1918.120


title: Hebe

medium: oil on canvas

country: America

subjects: Painting America

credit_line: Hebe, c. 1890. Abbott Handerson Thayer (American, 1849–1921). Oil on canvas; unframed: 117 x 75 cm (46 1/16 x 29 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. Ralph King Collection, in memory of William Macbeth, 1918.172


title: Chidori and Waves (ramma)

medium: wood

country: Japan, Edo period (1615–1868)

subjects:
Wood
Japan, edo period (1615–1868)

credit_line: Chidori and Waves (ramma), c. 1700. Japan, Edo period (1615–1868). Wood; overall: 148.6 x 28 cm (58 1/2 x 11 in.). The Cleveland Museum of Art, Gift of J. Templeman Coolidge Jr., 1923.707


title: The Jockey

medium: color lithograph

credit_line: The Jockey, 1899. Henri de Toulouse-Lautrec (French, 1864–1901). Color lithograph. The Cleveland Museum of Art, Gift of Ralph King, 1925.2


title: Corfe, Dorset

creator: Jean Ulen (American, 1900–1988)

medium: etching and aquatint

country: America, Ohio, Cleveland

subjects:
Print
America, ohio, cleveland

credit_line: 2944: Corfe, Dorset. Jean Ulen (American, 1900–1988). Etching and aquatint. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1930.156


title: Jar with Chrysanthemum Decoration

medium: porcelain, Fahua ware

country: China, Ming dynasty (1368–1644)

subjects:
Ceramic
China, ming dynasty (1368–1644)

credit_line: Jar with Chrysanthemum Decoration, 1368–1644. China, Ming dynasty (1368–1644). Porcelain, Fahua ware; overall: 33.4 cm (13 1/8 in.). The Cleveland Museum of Art, Bequest of John L. Severance, 1942.717


title: Jade Scepter with Interlocking Pattern

medium: nephrite

subjects: China, eastern zhou dynasty (770–256 bce)

credit_line: Jade Scepter with Interlocking Pattern, c. 600–400 BCE. China, Eastern Zhou dynasty (770–256 BCE). Nephrite; overall: 14.6 x 3.2 cm (5 3/4 x 1 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1953.359


title: Yacht Receiving Salute

medium: pen and brown ink over graphite

country: Netherland, early 18th Century

subjects:
Drawing
Netherland, early 18th century

credit_line: Yacht Receiving Salute, c. 1700. Willem van de Velde (Dutch, c. 1611–1693). Pen and brown ink over graphite; sheet: 16.9 x 29 cm (6 5/8 x 11 7/16 in.). The Cleveland Museum of Art, Delia E. Holden Fund, 1961.36


title: Half-Length Skeleton in Profile

creator: Battista Franco (Italian, 1498?–1561)

date: early 1540s

medium: pen and brown ink; incised

country: Italy

subjects:
Drawing
Italy
Skeletons & bones

credit_line: Half-Length Skeleton in Profile, early 1540s. Battista Franco (Italian, 1498?–1561). Pen and brown ink; incised; sheet: 23.5 x 16.1 cm (9 1/4 x 6 5/16 in.); secondary support: 23.5 x 16.1 cm (9 1/4 x 6 5/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Claude Cassirer, 1964.380.1


title: Rock, Bamboo, and Orchids

date: late 1300s–early 1400s

medium: hanging scroll; ink on paper

country: Japan, Muromachi period (1392–1573)

subjects:
Painting
Japan, muromachi period (1392–1573)
Orchids

credit_line: Rock, Bamboo, and Orchids (蘭蕙同芳図), late 1300s–early 1400s. Gyokuen Bonpō (Japanese, 1348–after 1420). Hanging scroll; ink on paper; painting: 79.2 x 32.7 cm (31 3/16 x 12 7/8 in.); mounted with knobs: 163.9 x 52 cm (64 1/2 x 20 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1972.15


title: Head of a Philosopher

creator: Vincenzo Gemito (Italian, 1852–1929)

country: Italy, 19th century

subjects:
Sculpture
Italy, 19th century

credit_line: Head of a Philosopher, 1883. Vincenzo Gemito (Italian, 1852–1929). Bronze; overall: 50.2 cm (19 3/4 in.). The Cleveland Museum of Art, The Thomas L. Fawick Memorial Collection, 1979.42


title: A Rocky Cove with Fishing Boats

date: late 1650s

medium: pen and brown and black ink and brush and gray and black wash; framing lines in brown ink

country: Netherlands

subjects: Drawing Netherland

credit_line: A Rocky Cove with Fishing Boats, late 1650s. Allart van Everdingen (Dutch, 1621–1675). Pen and brown and black ink and brush and gray and black wash; framing lines in brown ink; sheet: 13.4 x 17.2 cm (5 1/4 x 6 3/4 in.); image: 11.2 x 15.4 cm (4 7/16 x 6 1/16 in.). The Cleveland Museum of Art, Delia E. Holden Fund, 1980.70


creator: Joseph Anton Koch (Austrian, 1768–1839)

medium: pen and gray ink over graphite, squared in graphite

country: Austria

subjects: Drawing Austria

credit_line: The Grindelwald Glacier with Hunter and Peasant Girl in Foreground, c. 1823. Joseph Anton Koch (Austrian, 1768–1839). Pen and gray ink over graphite, squared in graphite; sheet: 41.2 x 57 cm (16 1/4 x 22 7/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1981.26


title: A Scene in York

medium: salted paper print from calotype negative

country: England, 19th century

subjects:
Photograph
England, 19th century

credit_line: A Scene in York, 1845. William Henry Fox Talbot (British, 1800–1877). Salted paper print from calotype negative; image: 16.1 x 20.3 cm (6 5/16 x 8 in.); paper: 18.5 x 22.5 cm (7 5/16 x 8 7/8 in.); matted: 35.6 x 45.7 cm (14 x 18 in.). The Cleveland Museum of Art, John L. Severance Fund, 1984.163


title: Hariti Statuette

medium: ivory

country: China, Tang dynasty (618–907)

subjects:
Sculpture
China, tang dynasty (618–907)

credit_line: Hariti Statuette, 618–907. China, Tang dynasty (618–907). Ivory; overall: 8.7 cm (3 7/16 in.). The Cleveland Museum of Art, Gift of A. W. Bahr, 1915.333


country: Italy, 18th century

subjects:
Print
Italy, 18th century

credit_line: Scherzi di Fantasia: The Happy Satyr and his Family, 1750–60. Giovanni Battista Tiepolo (Italian, 1696–1770). Etching. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1924.530


title: The Assumption of the Virgin

medium: engraving printed on two sheets from two plates

country: Italy, Florence

subjects:
Print
Italy, florence

credit_line: The Assumption of the Virgin, c. 1495. Francesco Rosselli (Italian, 1448-about 1513). Engraving printed on two sheets from two plates. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1949.32.a


title: Decorated ends of a shawl

subjects: Egypt, fayyum, tulunid or ikshīdid period

credit_line: Decorated ends of a shawl, 770–887 (radiocarbon date, 95.4% probability). Egypt, Fayyum, Tulunid or Ikshīdid period. Wool, linen, and silk: plain weave with inwoven tapestry weave; overall: 41.9 x 68.6 cm (16 1/2 x 27 in.). The Cleveland Museum of Art, Gift of The Textile Arts Club, 1956.330


medium: porcelain with underglaze blue decoration

credit_line: Bowl with "Land of Daoist Immortals" Scene, 1426–35. China, Ming dynasty (1368-1644), Xuande mark and reign (1426-35). Porcelain with underglaze blue decoration; diameter: 19.8 cm (7 13/16 in.); overall: 6.9 cm (2 11/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1962.260


title: Daoist Figure

medium: wood and ivory

subjects: China, southern song dynasty (1127-1279)

credit_line: Daoist Figure, 1200s-1300s. China, Southern Song dynasty (1127-1279). Wood and ivory; overall: 14 cm (5 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1964.368


title: Narcissus and Rocks

medium: hanging scroll, ink on silk

subjects:
Painting
China, ming dynasty (1368–1644)

credit_line: Narcissus and Rocks (蘭石圖), 1368–1644. Lu Tianru (Chinese, first half of 1400s). Hanging scroll, ink on silk; overall: 66.8 x 42.8 cm (26 5/16 x 16 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1974.28


title: Album of Landscapes: Leaf 2

creator: Wang Gai (Chinese, active c. 1677–1705)

medium: album leaf, ink and light color on paper

country: China, Qing dynasty (1644-1911)

subjects:
Painting
China, qing dynasty (1644-1911)
Landscapes

credit_line: Album of Landscapes: Leaf 2, 1677. Wang Gai (Chinese, active c. 1677–1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1975.64.2


title: Album of Landscapes: Leaf 3

credit_line: Album of Landscapes: Leaf 3, 1677. Wang Gai (Chinese, active c. 1677–1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1975.64.3


title: Album of Landscapes: Leaf 5

credit_line: Album of Landscapes: Leaf 5, 1677. Wang Gai (Chinese, active c. 1677–1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1975.64.5


title: Album of Landscapes: Leaf 6

credit_line: Album of Landscapes: Leaf 6, 1677. Wang Gai (Chinese, active c. 1677–1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1975.64.6


title: Album of Landscapes: Leaf 7

credit_line: Album of Landscapes: Leaf 7, 1677. Wang Gai (Chinese, active c. 1677–1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1975.64.7


title: Album of Landscapes: Leaf 8

credit_line: Album of Landscapes: Leaf 8, 1677. Wang Gai (Chinese, active c. 1677–1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1975.64.8


title: The Readers

creator: Clarence H. White (American, 1871–1925)

medium: platinum print with graphite

subjects: Photograph America

credit_line: The Readers, 1897. Clarence H. White (American, 1871–1925). Platinum print with graphite; image: 18.6 x 10.7 cm (7 5/16 x 4 3/16 in.); matted: 35.6 x 30.5 cm (14 x 12 in.). The Cleveland Museum of Art, Gift of John Flory, Elizabeth Flory Kelly, and Phoebe Flory, 1980.134


medium: platinum print with glycerine development, graphite, crayon, and gouache

credit_line: Unpublished illustration [Julia Hall McCune] for Clara Morris, "Beneath the Wrinkle", 1903. Clarence H. White (American, 1871–1925). Platinum print with glycerine development, graphite, crayon, and gouache; image: 20.7 x 18.8 cm (8 1/8 x 7 3/8 in.); matted: 45.7 x 35.6 cm (18 x 14 in.). The Cleveland Museum of Art, Gift of John Flory, Elizabeth Flory Kelly, and Phoebe Flory, 1980.152


title: Festival Scenes

medium: one of a pair of six-panel folding screens; ink, color, gold, and gold leaf on paper

subjects:
Painting
Japan, edo period (1615–1868)

credit_line: Festival Scenes, 1600s. Japan, Edo period (1615–1868). One of a pair of six-panel folding screens; ink, color, gold, and gold leaf on paper; image: 51.1 x 208.9 cm (20 1/8 x 82 1/4 in.). The Cleveland Museum of Art, The Kelvin Smith Collection, given by Mrs. Kelvin Smith, 1985.279.1


title: Festival Scenes

credit_line: Festival Scenes, 1600s. Japan, Edo period (1615–1868). One of a pair of six-panel folding screens; ink, color, gold, and gold leaf on paper; overall: 51.1 x 208.9 cm (20 1/8 x 82 1/4 in.). The Cleveland Museum of Art, The Kelvin Smith Collection, given by Mrs. Kelvin Smith, 1985.279.2


title: Woman with a Dog

creator: Rosalba Carriera (Italian, 1675–1757)

medium: watercolor on ivory in a gilt metal mount with a saw-tooth enclosure at the back

subjects:
Portrait miniature
Italy, 18th century
Portraits

credit_line: Woman with a Dog, 1710–1720. Rosalba Carriera (Italian, 1675–1757). Watercolor on ivory in a gilt metal mount with a saw-tooth enclosure at the back; framed: 7.5 x 5.5 cm (2 15/16 x 2 3/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2008.291


title: Mortuary Horse

medium: dark buff earthenware with polychrome

credit_line: Mortuary Horse, c. 525. China, Six Dynasties period (317-581), Northern Wei dynasty (386-534). Dark buff earthenware with polychrome; overall: 22.3 x 22.3 cm (8 3/4 x 8 3/4 in.). The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1929.985


title: Plate

medium: soft-paste porcelain (called Medici porcelain)

subjects: Ceramic Italy

credit_line: Plate, 1575–87. Italy. Soft-paste porcelain (called Medici porcelain); diameter: 28 cm (11 in.). The Cleveland Museum of Art, John L. Severance Fund, 1949.489


title: Pole Top as a Wild Ass

date: 206 BCE–220 CE

medium: bronze

credit_line: Pole Top as a Wild Ass, 206 BCE–220 CE. China, Ordos Region, Han dynasty (202 BCE–220 CE). Bronze; overall: 17.8 x 12.4 cm (7 x 4 7/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1962.46


title: The Falconer

creator: Eugène Fromentin (French, 1820–1876)

medium: watercolor with pen and brown ink

subjects:
Drawing
France, 19th century

credit_line: The Falconer, c. 1864. Eugène Fromentin (French, 1820–1876). Watercolor with pen and brown ink; sheet: 31.4 x 22.9 cm (12 3/8 x 9 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 1973.7


title: Ewer

medium: painted enamel on copper

country: Italy, Venice

subjects:
Enamel
Italy, venice

credit_line: Ewer, c. 1500. Italy, Venice. Painted enamel on copper; overall: 18.8 x 26.7 cm (7 3/8 x 10 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1923.720


title: Spoon

creator: John Hull (American, 1624–1683)

medium: silver

country: America, Massachusetts, Boston, 17th century

subjects: America, massachusetts, boston, 17th century

credit_line: Spoon, 1661. John Hull (American, 1624–1683), Robert Sanderson (American, 1609–1693). Silver; overall: 15.9 x 4.9 cm (6 1/4 x 1 15/16 in.). The Cleveland Museum of Art, Gift of Hollis French, 1940.214


title: Pillow

country: China, Northern Song dynasty (960-1127)

subjects:
Ceramic
China, northern song dynasty (960-1127)

credit_line: Pillow, 1000s–1100s. China, Northern Song dynasty (960-1127). Buff stoneware with carved underglaze slip decoration, Cizhou ware; overall: 11.8 x 19.8 cm (4 5/8 x 7 13/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1940.50


title: Candelabrum

medium: gilt bronze

country: France

subjects:
Furniture and woodwork
France

credit_line: Candelabrum, c. 1750. Probably by Jean Joseph de Saint-Germain (French, 1720–1791). Gilt bronze; overall: 72.4 x 49.3 x 39.7 cm (28 1/2 x 19 7/16 x 15 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1946.81


title: Ganesha

country: China, Tang dynasty (618-907)

subjects:
Sculpture
China, tang dynasty (618-907)

credit_line: Ganesha, 618–907. China, Tang dynasty (618-907). Gilt bronze; overall: 9.7 x 7.6 x 6.4 cm (3 13/16 x 3 x 2 1/2 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Leroy B. Davenport, 1959.253


title: Shiva and Parvati

subjects: East india, bengal, pala period, 9th century

credit_line: Shiva and Parvati, 800s. East India, Bengal, Pala period, 9th Century. Bronze; overall: 17.8 cm (7 in.). The Cleveland Museum of Art, John L. Severance Fund, 1964.50


title: Sleeping Shepherds

creator: Adriaen van de Velde (Dutch, 1636–1672)

medium: oil on wood

subjects: Painting Netherland

credit_line: Sleeping Shepherds, 1663. Adriaen van de Velde (Dutch, 1636–1672). Oil on wood; framed: 38.5 x 43.5 x 5 cm (15 3/16 x 17 1/8 x 1 15/16 in.); unframed: 22.7 x 27.5 cm (8 15/16 x 10 13/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1966.12


medium: wood

country: Japan, Kamakura period (1185–1333)

subjects:
Sculpture
Japan, kamakura period (1185–1333)

credit_line: Head of Ni-o with Closed Mouth and Head of Ni-o with Open Mouth (pair), 1200s. Japan, Kamakura period (1185–1333). Wood; overall: 76.8 x 37.8 cm (30 1/4 x 14 7/8 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1970.4


title: The Football Players

creator: Ma Yuan (Chinese, c. 1150–after 1255)

date: c. late 1100s–1st quarter 1200s

country: China, Southern Song dynasty (1127-1279)

credit_line: The Football Players (蹴鞠圖), c. late 1100s–1st quarter 1200s. Attributed to Ma Yuan (Chinese, c. 1150–after 1255). Hanging scroll; ink and light color on silk; image: 115.6 x 55.3 cm (45 1/2 x 21 3/4 in.); overall: 214.8 x 78 cm (84 9/16 x 30 11/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Wilbur Cowett, 1971.26


title: Pigs in Orchard

medium: etching

country: America, Ohio, Cleveland

subjects:
Print
America, ohio, cleveland

credit_line: Pigs in Orchard, c. 1916. Henry Keller (American, born Germany, 1869–1949). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1919.243


title: Length of Taffeta

country: France, Louis XVI (1774-1793) period

subjects:
Costume & fashion
Textile
France, loui xvi (1774-1793) period

credit_line: Length of Taffeta, 1774–93. France, Louis XVI (1774-1793) period. Silk: taffeta, warp-patterned and brocaded; overall: 58 x 56.5 cm (22 13/16 x 22 1/4 in.); mounted: 63.7 x 62.9 cm (25 1/16 x 24 3/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1940.474


medium: ink, tempera, and gold on vellum

country: France, Paris

subjects:
Manuscript
France, pari

credit_line: Bifolio from a Book of Hours: Coronation of the Virgin (recto); Text (verso), c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 17 x 12.5 cm (6 11/16 x 4 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79.2


title: Flowers and Birds in a Spring Landscape

creator: Kano Motonobu (Japanese, c. 1476–1559)

country: Japan, Muromachi period (1392–1573)

subjects:
Painting
Japan, muromachi period (1392–1573)
Birds
Flowers
Landscapes

credit_line: Flowers and Birds in a Spring Landscape (春花鳥図), 1500s. Attributed to Kano Motonobu (Japanese, c. 1476–1559). One of a set of sliding door panels mounted as hanging scrolls; ink and color on paper; painting only: 177.1 x 137.1 cm (69 3/4 x 54 in.); including mounting: 259.1 x 151.1 cm (102 x 59 1/2 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1970.6.4


title: Plum Blossoms

medium: hanging scroll; ink on paper

country: Japan, Nanbokuchō period (1336–92)

subjects:
Painting
Japan, nanbokuchō period (1336–92)
Flowers

credit_line: Plum Blossoms, 1336–92. Japan, Nanbokuchō period (1336–92). Hanging scroll; ink on paper; painting only: 103.5 x 37.5 cm (40 3/4 x 14 3/4 in.); including mounting: 182.9 x 47.6 cm (72 x 18 3/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1970.75


title: Ring: Gazelle Eating Thicket

medium: polychrome faience (yellow and purple)

credit_line: Ring: Gazelle Eating Thicket, 1391–1353 BCE. Egypt, New Kingdom (1540–1069 BCE), Dynasty 18, reign of Amenhotep III (1390–1352 BCE)–reign of Akhenaten (1351–1334 BCE). Polychrome faience (yellow and purple); diameter: 2.5 cm (1 in.). The Cleveland Museum of Art, John L. Severance Fund, 1992.51


title: Landscape with Two Poplars

creator: Vasily Kandinsky

medium: Oil on canvas

country: Germany

subjects:
Painting
Germany
Landscapes
Century of progress
House
World' fair
Chicago world' fair
Mountain
Plant
Poplar tree
Tree
Modern and contemporary art

credit_line: Arthur Jerome Eddy Memorial Collection


title: Plan of the Center of the City, the 1909 Plan of Chicago

creator: Daniel Hudson Burnham, American, 1846-1912

medium: Ink and watercolor on paper

country: Chicago

subjects:
Ink
Chicago
Architecture
Paper (fiber product)
Architectural drawing

credit_line: On permanent loan to The Art Institute of Chicago from the City of Chicago


title: At the River's Bend (On the River II)

creator: Lilla Cabot Perry (American, 1848–1933)

country: Giverny

subjects:
Painting
Giverny
Oil paint (paint)
Impressionism
Portrait
Paint
Women artist

credit_line: Partial gift of Abbot W. and Marcia L. Vose; through prior bequest of Arthur Rubloff; through prior gift of James D. Thornton, Mrs. Abram Poole, and Elizabeth Sprague Coolidge; through prior bequest of Celia Schmidt; Mr. and Mrs. Frank G. Logan Purchase Prize Fund; Mr. and Mrs. Frederick G. Wacker Jr. Endowment Fund


title: Table

creator: Attributed to A. & H. Lejambre (American, active 1865–1907)

medium: Rosewood, rosewood veneer, and walnut paint-grained rosewood (secondary woods: ash, bird's eye maple, and walnut), with brass, copper, shell, ebony, and mother-of-pearl inlay, and gilt-brass feet

country: Philadelphia

subjects:
Furniture
Philadelphia
Birds
Shells & molluscs
Aesthetic movement
Woodworking
Rosewood
Veneering
Inlay (process)
Gilding
Wood (plant material)
Shell (animal material)
Ebony
Copper
Brass (alloy)

credit_line: Purchased with funds provided by the Antiquarian Society


title: Gasolier

creator: Attributed to Thackara, Buck & Co. (American, c. 1871–1881)

medium: Brass and glass

subjects:
Furniture
Philadelphia
Aesthetic movement
American decorative arts
Decorative arts

credit_line: Roger and J. Peter McCormick and Jane and Morris Weeden endowment funds


title: Saracenic Coffee Pot and Sugar Bowl

creator: Design attributed to Edward C. Moore (American, 1827–1891)

medium: Silver and silver gilt

country: New York City

subjects:
Ornament & design
Decorative arts
New york city

credit_line: Mary Swissler Oldberg Fund


title: Tureen

creator: Gorham Manufacturing Company (American, founded 1831)

medium: Silver

country: Providence

subjects:
Vessel for serving food
Providence
Ships & the sea
Dining
Drinking
Silver
Decorative arts
Drinking and dining


title: Madame Paul Escudier (Louise Lefevre)

creator: John Singer Sargent (American, 1856–1925)

country: United States

subjects:
Oil on canva
United state
Portrait
Chicago
Fashion
People
Oil paint (paint)
Impressionism
Canva
Realism
Modernism
Painting

credit_line: Bequest of Brooks McCormick


title: Side Chair

creator: Attributed to R. J. Horner and Company (American, active 1886–c. 1915)

medium: Maple and birds-eye maple

country: New York

subjects:
Furniture
New york
Birds
Maple

credit_line: Purchased with funds provided by Marilyn H. Karsten


title: Desk

medium: Maple and bird's-eye maple

credit_line: Quinn E. Delaney fund


title: Plaque

creator: John Bennett (American, born England, 1840–1907)

medium: Earthenware, glaze, slip, and enamel

subjects:
Plaque (flat object)
New york city
Floral
Chrysanthemum
Flower
Vase
Earthenware
Molding
Studio pottery
Pottery
Enamel
Glaze
Enameling
Glazing
Slip decorated
British arts and craft movement
Ceramic
American decorative arts
American arts
Decorative arts
American arts and craft movement

credit_line: Through prior acquisitions of the George F. Harding Collection, an anonymous donor, Bessie Bennett, Mrs. William Blood, Emily Crane Chadbourne, Milton Straus, Elizabeth R. Vaughan, Behrend/Sanford Auction and Thorne Rooms Exhibition funds


title: Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver

country: Paris

subjects:
Painting
Pari
Chicago
Oil paint (paint)
Impressionism
Organic material
American arts

credit_line: Anonymous loan


title: Venetian Glass Workers

country: Venice

subjects:
Painting
Venice
Chicago
Everyday life (genre)
Women
Century of progress
World' fair
Chicago world' fair
People
Portrait
Oil paint (paint)
Impressionism
Organic material
American arts
Realism
Modernism

credit_line: Mr. and Mrs. Martin A. Ryerson Collection


title: Cabinet

creator: Herter Brothers (American, 1864–1906)

medium: Rosewood with ebonized cherry, maple, walnut, satinwood, marquetry of various woods, brass, gilding, and paint

subjects:
Case furniture
New york city
Furniture
Flower
Floral motif
Butterflie
Rosewood
Carving
Cherry
Walnut
Maple
American decorative arts
American arts
Furniture making
Essential

credit_line: Purchased with funds provided by the Antiquarian Society through the Capital Campaign


title: Compote

creator: Design attributed to Charles Osborne (American, 1847–1920)

subjects:
Compote
New york city
Silver
American decorative arts
American arts
Decorative arts

credit_line: Purchased with funds provided by Mr. and Mrs. William B. McIlvaine Jr.


title: The Two Disciples at the Tomb

creator: Henry Ossawa Tanner (American, 1859–1937)

subjects:
Oil on canva
Pari
Century of progress
Emotion
Religious scene
Men
World' fair
Chicago world' fair
People
Portrait
Post-impressionism
Oil painting
Oil paint (paint)
Painting (image making)
Painting
Modern and contemporary art
African american artist
African diaspora

credit_line: Robert A. Waller Fund


title: Violet and Silver—The Deep Sea

creator: James McNeill Whistler (American, 1834–1903)

country: Brittany

subjects:
Painting
Brittany
Landscape
Oil paint (paint)
Impressionism
Organic material
American arts
Modernism

credit_line: Gift of Clara Margaret Lynch in memory of John A. Lynch


title: Dorothea and Francesca

creator: Cecilia Beaux (American, 1855–1942)

country: Massachusetts

subjects:
Painting
Massachusett
Fashion
Dancer
Familie
Portrait
Children
People
Oil paint (paint)
Impressionism
Organic material
American arts
Women artist

credit_line: A. A. Munger Collection


title: The Fountain, Villa Torlonia, Frascati, Italy

country: Frascati

subjects:
Oil on canva
Frascati
People
Men
Women
Water
Leisure
Century of progress
World' fair
Chicago world' fair
Chicago
Fashion
Portrait
Oil paint (paint)
Impressionism
Painting (image making)
Painting
Modern and contemporary art
Modernism
Oil painting
Art institute icon
Essential

credit_line: Friends of American Art Collection


title: In the Café

creator: Fernand Lungren (American, 1857–1932)

subjects:
Painting
Pari
Drinking
Dining
Fashion
People
Portrait
Oil paint (paint)
Impressionism
Organic material
American arts
Drinking and dining

credit_line: Charles H. and Mary F. S. Worcester Collection


title: Teapot

creator: Whiting Manufacturing Co.

medium: Silver and ivory

subjects:
Teapot
New york city
Dining
Drinking
Silver
American decorative arts
American arts
Decorative arts
Drinking and dining

credit_line: Elizabeth R. Vaughan Fund


title: Coffee Pot

medium: Silver, pearls, chalcedony, and ivory

subjects:
Coffeepot
New york city
Dining
Drinking
Silver
American decorative arts
American arts
Decorative arts
Drinking and dining

credit_line: Purchased with funds provided by Mr. and Mrs. James W. Alsdorf, Mrs. Lester Armour, Mrs. George B. Young, and an anonymous donor


title: Side Chair

medium: Ebonized cherry, various inlaid woods, and upholstery

subjects:
Seating
New york city
Furniture
Cherry
American decorative arts
American arts

credit_line: Mrs. Alfred S. Burdick Fund


title: Croquet Scene

creator: Winslow Homer (American, 1836–1910)

subjects:
Painting
United state
Fashion
Women
Weather/season
Leisure
Men
Oil paint (paint)
Impressionism
Oil painting
Realism
Organic material
American arts
Painting (image making)
Modernism
Essential

credit_line: Friends of American Art Collection; Goodman Fund


title: The Valley of Arconville

creator: Theodore Robinson (American, 1852–1896)

subjects:
Painting
United state
Landscape
Leisure
Weather/season
Women
Oil paint (paint)
Impressionism
Organic material
American arts


title: Mrs. George Swinton (Elizabeth Ebsworth)

country: London

subjects:
Painting
London
Fashion
Women
Portrait
Chicago
People
Oil paint (paint)
Impressionism
Organic material
American arts
Realism
Modernism

credit_line: Wirt D. Walker Collection


title: Woven Textile Fragment

creator: Probably Varanasi (Benares), India

date: Probably 1870s

medium: textile

country: India

subjects:
Costume & fashion
Textile
India
Weaving

credit_line: Art Institute of Chicago Purchase Fund


title: Fragment of Embroidery

creator: China

date: Yüan dynasty (1279–1368), 14th century

medium: Silk, satin damask weave; embroidered with silk in knot and open chain stitches over gold-leaf-over-lacquered-paper strips

country: China

subjects:
Costume & fashion
Textile
China
Yüan
Paper (fiber product)
Weaving
Needlework (visual works)
Chinese (culture or style)
East asian
Asian
Silk (fiber)

credit_line: Grace R. Smith Textile Endowment


title: Fragment of a Kimono

creator: Japan

medium: Silk, twill damask weave; embroidered with silk and gilded-lacquered-paper-strip-wrapped cotton in satin stitches and laid work and couching; stenciled; mounted on paper, inscribed in ink

country: Japan

subjects:
Costume & fashion
Textile
Japan
Flower
Bamboo
Leave
Paper (fiber product)
Needlework (visual works)
Weaving
Silk (fiber)

credit_line: Gift of Martin A. Ryerson


title: Talisman

creator: Republic of Türkiye

date: Ottoman dynasty (1299–1923), 1822

medium:
Silk, plain weave; edged with plain weave; embroidered with silk and gilt-metal-strip-wrapped silk in chain and lattice filled with twisted picot stitches; edged with plain weave

Lining: silk, 4/1 satin weave

country: Turkey

subjects:
Costume & fashion
Textile
Turkey
Adornment
Turkish
Needlework (visual works)
Silk (fiber)
Embellished
Ottoman

credit_line: Gift of Burton Y. Berry


title: Woven Textile Fragment

medium: Brocaded silk

subjects:
Costume & fashion
Textile
India
Weaving
Silk (fiber)


title: Lace Border Fragement

creator: Bohemia (now Czech Republic)

medium: Linen, silk, and gilt-strip-wrapped and silver-strip-wrapped silk; bobbin part-lace

country: Bohemia

subjects:
Costume & fashion
Textile
Bohemia
Lace - bobbin
Lace
Silk (fiber)

credit_line: Gift of the Antiquarian Society


title: Lace Border Fragment

creator: Belgium or France

medium: Silk, bobbin straight lace

country: Western Europe

subjects:
Costume & fashion
Textile
Western europe
Lace - bobbin
Silk (fiber)

credit_line: Gift of Yvonne L. D. Pryor in memory of her mother, Alma Peniston Le Duc


title: Necklace with a Compartment for Magical Texts

creator: Turkey or Egypt

date: Ottoman dynasty (1299–1923), 18th/19th century

country: Nestórion

subjects:
Jewelry
Nestórion
Silver
European decorative arts
Costume

credit_line: Gift of Mrs. C. L. Hutchinson


title: Suzani (large hanging or cover)

creator: Uzbekistan, probably Tashkent

medium: Cotton, plain weave; embroidered with silk; pieced

country: Uzbekistan

subjects:
Embroidery
Uzbekistan
Flower
Adornment
Silk (textile)
Textile
Cotton (textile)
Needlework (visual works)
Embellished

credit_line: Gift of Susan R. Lewis


title: Robe

creator: Possibly Syria

date: Ottoman period, 19th century

medium: Cotton, plain weave; quilted with areas of raised padding; pieced

country: Syria

subjects:
Costume & fashion
Textile
Syria
Adornment
Cotton (textile)
Quilting
Plain weaving
Needlework (visual works)
Embellished

credit_line: Purchased with funds from the James D. Tigerman Estate


title: Akhnif (Man's Cape)

creator: Ait Ouaouzguite Confederation

date: Mid–19th century

medium: Wool and cotton: wedge and slit tapestry weave; embroidered with wool and cotton in heavy chain, herring bone, interlacing, and stem stitches; twined and wrapped main warp cut fringe; added wrapped cut fringe and leather binding stitched with hemp

country: Morocco

subjects:
Costume & fashion
African textile
Morocco
Skeletons & bones
Eyes
Adornment
Wool (textile)
Slit tapestry weaving
Cotton (textile)
Embroidering
Arts of africa
Textile
Needlework (visual works)
Costume
Embellished

credit_line: Pauline S. Armstrong Endowment


title: Chicago Stock Exchange Trading Room: Reconstruction at the Art Institute of Chicago

creator: Adler & Sullivan, original architects; American, 1883-1896

date:
1893/94 (original built)
1972 (original demolished)
1976/77 (reconstructed)

medium: Mixed media recreation of room

country: Art Institute of Chicago

subjects:
Architecture
Architectural fragment
Art institute of chicago
Chicago
Chair
Clock
Architectural detail
Column
Detail
Pattern
Reproduction
Room
Wood (plant material)
Construction
Plant material
Plaster
Coating (material)
Paint
Installation
Chicago artist
Essential

credit_line: Gift of Three Oaks Wrecking Company


title: Fragment (Border from Wide Towel)

medium: Linen, plain weave; embroidered with silk and metallic strip wrapped thread and metal paillettes

subjects:
Costume & fashion
Textile
Turkey
Garden
Adornment
Pond
Tree
Structure
Turkish
Needlework (visual works)
Weaving
Embellished
Ottoman


title: Fragment (Towel End)

date: 19th century

medium: Linen, plain weave; embroidered with silk and metallic strip

subjects:
Costume & fashion
Textile
Turkey
Tree
Adornment
Garden
Structure
Tent
Turkish
Weaving
Needlework (visual works)
Embellished
Ottoman


title: Towel or Napkin

medium: Linen, plain weave; embroidered with silk; extended plied warp fringe

subjects:
Costume & fashion
Textile
Turkey
Scent
Adornment
Bath
Turkish
Needlework (visual works)
Weaving
Embellished
Ottoman


title: Towel

subjects:
Costume & fashion
Textile
Turkey
Dagger
Adornment
Turkish
Needlework (visual works)
Weaving
Embellished
Ottoman


title: Fragment of Towel End

medium: Linen, plain weave; embroidered with silk and metallic thread; edged in metallic needle lace

subjects:
Costume & fashion
Textile
Turkey
Garden
Building
Flower
Tent
Tree
Adornment
Silk (fiber)
Embroidering
Turkish
Needlework (visual works)
Linen
Embellished
Ottoman


title: Cover

medium: Cotton, plain weave; embroidered with silk and metallic thread; edged in silk needle lace

subjects:
Costume & fashion
Textile
Turkey
Ship
Adornment
Turkish
Needlework (visual works)
Weaving
Silk (fiber)
Embellished
Ottoman


title: Fragment (From a Cover)

date: 18th century

medium: Linen, plain weave; embroidered with silk; edged with silk needle lace

subjects:
Costume & fashion
Textile
Turkey
Village
Adornment
Structure
Tree
Turkish
Needlework (visual works)
Weaving
Embellished
Ottoman


title: Fragment (Towel or Napkin)

medium: Linen, plain weave; embroidered with silk and metallic strip wrapped thread; edged with metal needle lace

subjects:
Costume & fashion
Textile
Turkey
Floral
Adornment
Flower
Turkish
Needlework (visual works)
Weaving
Embellished
Ottoman


title: Curtain or Wall Hanging

creator: Chefchaouen, Morocco

medium: Linen; embroidered with silk

subjects:
Costume & fashion
Textile
Morocco
Geometric
Adornment
Silk (fiber)
Weaving
Needlework (visual works)
Needlework - book
African textile
Linen
Embroidery
Embroidering
Hanging
Embellished

credit_line: Gift of Emily Crane Chadbourne


title: Qabqabs (Bath Clogs)

creator: Algeria

medium: Wood inlaid with mother of pearl

country: Algeria

subjects:
Costume & fashion
Textile
Algeria
Flower
Geometric motif
Adornment
Inlay (process)
Wood (plant material)
Costume accessory - shoe
Carving
Mother of pearl
Costume
Dress (garment)
Clothing
African textile
Shoe
Embellished

credit_line: Gift of Mrs. J. Ogden Armour through the Antiquarian Society


title: Mihrab or Jai-namaz Suzani

creator: Bukhara Khanate (in present-day Uzbekistan)

medium: Linen, plain weave; pieced; embroidered with silk

subjects:
Costume & fashion
Textile
Uzbekistan
Flower
Floral motif
Adornment
Bukhara
Linen
Embroidering
Needlework (visual works)
Central asian
Asian
Silk (fiber)
Embellished

credit_line: Gift of Robert Allerton


title: Qabqabs (Bath Clogs)

date: Late 19th century or early 20th century

medium: Wood inlaid with pearl; leather; wrapped metal-strip thread wrapped around a paper card form, purl, metal-wrapped thread embroidery on a cotton twill weave ground

subjects:
Costume & fashion
Costume accessory - shoe
Turkey
Geometric motif
Triangle
Adornment
Wood (plant material)
Twill weaving
Shoe - misc
Costume accessory
Textile
Costume
Cotton (textile)
Leather
Metal-strip-wrapped silk
Embroidering
Embellished

credit_line: Purchased with funds provided by Mrs. Potter Palmer II


title: Youths Standing among Cypress Trees, Ponds, and Flowers

creator: Persia (present-day Iran)

date: Safavid dynasty (1501-1722), Shah 'Abbas (Abbas I, Shah Abbas the Great, r. 1588-1629); early 17th century

medium: Silk, velvet weave

country: Persia

subjects:
Costume & fashion
Textile
Persia
Flowers
Trees
Weaving - velvet
Silk (fiber)

credit_line: Gift of an Anonymous Donor


title: Courtship in High and Low Life

creator: Samuel Alken (British, 1750-1815)

medium: Etching in black-brown ink with aquatint on cream laid paper

country: England

subjects:
Aquatint
England
Paper (fiber product)
Print
Print and drawing

credit_line: Gift of Thomas F. Furness in memory of William McCallin McKee


title: The Persian Ambassador

creator: Richard Dighton

medium: Hand-colored etching on cream wove paper

subjects:
Etching
England
Paper (fiber product)
Print
Print and drawing


title: John Bellingham

creator: Denis Dighton

credit_line: Gift of Mrs. A. W. Wickett


title: Morning in New England

medium: oil on canvas

country: America

subjects: Painting America

credit_line: Morning in New England, 1873. James McDougal Hart (American, born Scotland, 1828–1901). Oil on canvas; unframed: 51.5 x 86.6 cm (20 1/4 x 34 1/8 in.). The Cleveland Museum of Art, Hinman B. Hurlbut Collection, 1915.694


title: Gift Bowl

medium: coiled, beads, shells

country: California, Wintu, late 19th century

subjects:
Basketry
California, wintu, late 19th century
Shells & molluscs

credit_line: Gift Bowl, c 1890s. California, Wintu, late 19th century. Coiled, beads, shells; overall: 9 x 22.3 cm (3 9/16 x 8 3/4 in.). The Cleveland Museum of Art, Presented by William Albert Price in memory of Mrs. William Albert Price, 1917.464


title: A Stag at Sharkey's

creator: George Bellows (American, 1882–1925)

medium: lithograph

subjects: Print America

credit_line: A Stag at Sharkey's, 1916. George Bellows (American, 1882–1925). Lithograph; image: 26.7 x 20 cm (10 1/2 x 7 7/8 in.). The Cleveland Museum of Art, Gift of Charles T. Brooks, 1921.909


title: Madonna and Child

creator: R. Guy Cowan (American, 1884–1957)

medium: pottery

country: America, Ohio, Cleveland

subjects:
Ceramic
America, ohio, cleveland

credit_line: Madonna and Child, c. 1928. R. Guy Cowan (American, 1884–1957), Cowan Pottery Studio (America, Ohio, Lakewood, 1913–1919). Pottery; overall: 47.4 x 34.3 x 14 cm (18 11/16 x 13 1/2 x 5 1/2 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1928.218


title: The Eve of Victory

medium: charcoal and graphite

subjects: Drawing America

credit_line: The Eve of Victory, 1918. George Bellows (American, 1882–1925). Charcoal and graphite; image: 58.4 x 48.7 cm (23 x 19 3/16 in.); sheet: 60.7 x 49.5 cm (23 7/8 x 19 1/2 in.). The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1937.513


medium: opaque watercolor and ink on paper

subjects: Iran, qazvin, safavid period (1501-1722)

credit_line: Garden Scene with a Master Instructing a Student in a Pavilion, c. 1570–1590s. Iran, Qazvin, Safavid period (1501-1722). Opaque watercolor and ink on paper; image: 19.8 x 13.3 cm (7 13/16 x 5 1/4 in.); overall: 21.2 x 13.3 cm (8 3/8 x 5 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1939.508


title: Armchair

medium: walnut

country: Italy

subjects:
Furniture and woodwork
Italy

credit_line: Armchair, 1600s. Italy. Walnut; overall: 121.9 x 65.7 x 59.7 cm (48 x 25 7/8 x 23 1/2 in.). The Cleveland Museum of Art, Bequest of John L. Severance, 1942.614


title: Silk Fragment

medium: tabby weave with supplementary weft; silk

subjects: Iran or iraq, mid or 2nd half of 14th century

credit_line: Silk Fragment, 1350–1399. Iran or Iraq, mid or 2nd half of 14th century. Tabby weave with supplementary weft; silk; overall: 11.5 x 16 cm (4 1/2 x 6 5/16 in.). The Cleveland Museum of Art, Gift of The Textile Arts Club, 1943.51


title: La Passagère du 54

medium: color lithograph

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: La Passagère du 54, 1896. Henri de Toulouse-Lautrec (French, 1864–1901). Color lithograph. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1948.149


title: Horticulture

creator: Nicolas Lancret (French, 1690–1743)

country: France

subjects: Painting France

credit_line: Horticulture, c. 1723–1727. Nicolas Lancret (French, 1690–1743). Oil on canvas; framed: 157 x 43 x 5.5 cm (61 13/16 x 16 15/16 x 2 3/16 in.); unframed: 151 x 36.5 cm (59 7/16 x 14 3/8 in.). The Cleveland Museum of Art, Gift of the Louis Dudley Beaumont Foundation, 1948.176.2


title: Bowl

medium: stoneware, Cizhou ware

country: China, Ming dynasty (1368–1644)

subjects:
Ceramic
China, ming dynasty (1368–1644)

credit_line: Bowl, 1368–1644. China, Ming dynasty (1368–1644). Stoneware, Cizhou ware; diameter: 27.4 cm (10 13/16 in.); overall: 16.4 cm (6 7/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1948.207