date: second half 16th Century

medium: pen and brown ink

country: Italy

subjects: Drawing Italy

credit_line: Laocoön (recto); Battle of the Milvian Bridge (fragment) (verso), second half 16th Century. Italy. Pen and brown ink; sheet: 27.4 x 24.4 cm (10 13/16 x 9 5/8 in.). The Cleveland Museum of Art, Gift of Robert Hays Gries, 1939.654


title: Fragment of a Bed Curtain

medium: embroidery: silk on linen tabby ground

country: Greece, Crete, 18th century

subjects:
Embroidery
Greece, crete, 18th century

source: The Cleveland Museum of Art

source_id: cleveland

rights: Public Domain / CC0

rights_statement: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

credit_line: Fragment of a Bed Curtain, 1700s. Greece, Crete, 18th century. Embroidery: silk on linen tabby ground; overall: 49.2 x 51.5 cm (19 3/8 x 20 1/4 in.). The Cleveland Museum of Art, Gift of Mrs. Chester C. Bolton, 1940.355


title: Welsh Landscape with Cattle

creator: Peter De Wint (British, 1784–1849)

medium: watercolor

country: England, 19th century

subjects:
Drawing
England, 19th century
Landscapes

credit_line: Welsh Landscape with Cattle, c. 1807–49. Peter De Wint (British, 1784–1849). Watercolor; sheet: 32.7 x 28.6 cm (12 7/8 x 11 1/4 in.). The Cleveland Museum of Art, Bequest of James Parmelee, 1940.554


creator: Eugène Delacroix (French, 1798–1863)

medium: lithograph

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Hamlet:  Hamlet Commands the Actors to do a Scene from the Poisoning of his Father, 1834. Eugène Delacroix (French, 1798–1863). Lithograph. The Cleveland Museum of Art, Twenty-fifth anniversary gift,  Mr. and Mrs. Lewis B. Williams Collection, 1941.215.7


medium: etching

country: Italy, 18th century

subjects:
Print
Italy, 18th century

credit_line: The Prisons:  Colonnaded Interior with a Broad Stair, 1745–1750. Giovanni Battista Piranesi (Italian, 1720–1778). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1941.26.11


title: A Snow Slide in the City

creator: Winslow Homer (American, 1836–1910)

medium: wood engraving

country: America

subjects: Print America

credit_line: A Snow Slide in the City, 1860. Winslow Homer (American, 1836–1910). Wood engraving. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1231


credit_line: The Wreck of the "Atlantic" - Cast Up by the Sea, 1873. Winslow Homer (American, 1836–1910). Wood engraving. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1304


title: "Dad's Coming!"

credit_line: "Dad's Coming!", 1873. Winslow Homer (American, 1836–1910). Wood engraving. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1313


title: White and Purple Irises

date: early 1800s

medium: color woodblock print

country: Japan, Edo period (1615–1868)

subjects:
Print
Japan, edo period (1615–1868)

credit_line: White and Purple Irises, early 1800s. Katsushika Hokusai (Japanese, 1760–1849). Color woodblock print; sheet: 70.5 x 19.8 cm (27 3/4 x 7 13/16 in.). The Cleveland Museum of Art, Gift of Mrs. Ralph King, 1943.6


title: Seated Figurine

medium: stone

country: Peru, Inca, 15th-16th century

subjects:
Sculpture
Peru, inca, 15th-16th century

credit_line: Seated Figurine, c. 1400–1540. Peru, Inca, 15th-16th century. Stone; overall: 3.5 x 1.8 x 1.8 cm (1 3/8 x 11/16 x 11/16 in.). The Cleveland Museum of Art, In memory of Mr. and Mrs. Henry Humphreys, gift of their daughter Helen, 1945.122


title: The Morning of Life

creator: Samuel Palmer (British, 1805–1881)

subjects:
Print
England, 19th century

credit_line: The Morning of Life, 1860–1861. Samuel Palmer (British, 1805–1881). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1945.332


medium: chiaroscuro woodcut

country: France, early 20th Century

subjects:
Print
France, early 20th century

credit_line: The Poacher, Dunes of Saint Jean de Mont, 1901. Auguste Louis Lepère (French, 1849–1918). Chiaroscuro woodcut. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1949.524


medium: woodcut

country: Germany

subjects: Print Germany

credit_line: The Fall and Redemption of Man:  The Raising of the Cross, c. 1515. Albrecht Altdorfer (German, c. 1480–1538). Woodcut. The Cleveland Museum of Art, John L. Severance Fund, 1952.47.c


credit_line: Yvette Guilbert-English Series:  Saluant le public, 1898. Henri de Toulouse-Lautrec (French, 1864–1901). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1953.615.j


title: Beach

creator: Max Beckmann (German, 1884–1950)

medium: drypoint

country: Germany, 20th century

subjects:
Print
Germany, 20th century

credit_line: Beach, 1922. Max Beckmann (German, 1884–1950). Drypoint; sheet: 29.4 x 44 cm (11 9/16 x 17 5/16 in.); image: 21.2 x 32.5 cm (8 3/8 x 12 13/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1954.346


title: The Stigmatization of Saint Francis

creator: François Lemoyne (French, 1688–1737)

date: first third 1700s

medium: red chalk and brush and red wash over traces of black chalk

country: France

subjects: Drawing France

credit_line: The Stigmatization of Saint Francis, first third 1700s. François Lemoyne (French, 1688–1737). Red chalk and brush and red wash over traces of black chalk; sheet: 20 x 14.5 cm (7 7/8 x 5 11/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1954.676


creator: Bernardo Castello (Italian, 1557–1629)

medium: pen and brown ink and brush and brown wash with traces of graphite; framing lines in brown ink

credit_line: Illustration from Torquato Tasso's Gerusalemme Liberata, 1586–90. Bernardo Castello (Italian, 1557–1629). Pen and brown ink and brush and brown wash with traces of graphite; framing lines in brown ink; sheet: 21.3 x 20.5 cm (8 3/8 x 8 1/16 in.); secondary support: 21.3 x 20.5 cm (8 3/8 x 8 1/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1954.692


creator: Pietro da Cortona (Italian, 1596–1669)

medium: pen and brown ink over black chalk(?), heightened with traces of white gouache

credit_line: Lot and His Daughters (recto); Sketch for Lot and His Daughters (verso), 1600s. Circle of Pietro da Cortona (Italian, 1596–1669). Pen and brown ink over black chalk(?), heightened with traces of white gouache; sheet: 21.8 x 19.6 cm (8 9/16 x 7 11/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1954.696


title: Vase with Loop Handles

medium: glazed stoneware

country: China, Sui dynasty (581-618)

subjects:
Ceramic
China, sui dynasty (581-618)

credit_line: Vase with Loop Handles, 581–618. China, Sui dynasty (581-618). Glazed stoneware; overall: 21.9 cm (8 5/8 in.). The Cleveland Museum of Art, Gift of Dr. and Mrs. Sherman E. Lee, 1954.784


title: The Promenade

creator: Walter Ruttmann (German, 1887–1941)

credit_line: The Promenade, 1919. Walter Ruttmann (German, 1887–1941). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1955.156


title: Les Liliacées:  Cypripedium calceolus

medium: stipple and line engraving, with hand coloring

credit_line: Les Liliacées:  Cypripedium calceolus, 1802–1816. Henri Joseph Redouté (French, 1766–1853). Stipple and line engraving, with hand coloring. The Cleveland Museum of Art, Gift of The Print Club of Cleveland in honor of Arnold M. Davis, 1955.324


title: Wooden Bridge

credit_line: Wooden Bridge, 1922. Max Beckmann (German, 1884–1950). Drypoint; sheet: 46.8 x 33 cm (18 7/16 x 13 in.); plate: 28.9 x 23.1 cm (11 3/8 x 9 1/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1955.498


title: Linked Shells Pendant

medium: cast gold

country: Colombia, Muisca style

subjects:
Metalwork
Colombia, muisca style
Shells & molluscs

credit_line: Linked Shells Pendant, c. 900–1550. Colombia, Muisca style. Cast gold; overall: 2.4 x 7.2 x 0.6 cm (15/16 x 2 13/16 x 1/4 in.). The Cleveland Museum of Art, Gift of Mrs. A. S. Ingalls, 1955.55


title: Self-Portrait

medium: color drypoint

subjects:
Print
France, 19th century
Portraits

credit_line: Self-Portrait, 1893. Jean-François Raffaëlli (French, 1850–1924). Color drypoint; sheet: 59.5 x 42.2 cm (23 7/16 x 16 5/8 in.); platemark: 18.8 x 15.7 cm (7 3/8 x 6 3/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1958.467


title: Women of Algiers

medium: lithograph printed in brown on a beige tint stone

credit_line: Printed in the Gazette des Beaux-Arts: Women of Algiers, 1833. Eugène Delacroix (French, 1798–1863), Bertauts. Lithograph printed in brown on a beige tint stone; sheet: 19.8 x 27.8 cm (7 13/16 x 10 15/16 in.); image: 16 x 22.1 cm (6 5/16 x 8 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1961.143


title: Cheval de charrette sorti des limons

creator: Théodore Géricault (French, 1791–1824)

credit_line: Lithographic Studies of Horses: Cheval de charrette sorti des limons, 1822. Théodore Géricault (French, 1791–1824). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1961.147


title: Bowl

date: 100 BCE–700 CE

medium: earthenware

country: Peru, South Coast, Nasca, Florescent

subjects:
Ceramic
Peru, south coast, nasca, florescent

credit_line: Bowl, 100 BCE–700 CE. Peru, South Coast, Nasca, Florescent. Earthenware; overall: 8.7 x 13.3 cm (3 7/16 x 5 1/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. Byers Hays, 1961.196


title: Plate with Vase of Peonies: Imari Ware

medium: porcelain with decoration in underglaze blue overglaze, and gold

subjects:
Ceramic
Japan, edo period (1615–1868)

credit_line: Plate with Vase of Peonies: Imari Ware, c. 1700. Japan, Edo period (1615–1868). Porcelain with decoration in underglaze blue overglaze, and gold; diameter: 24.8 cm (9 3/4 in.); overall: 4.2 cm (1 5/8 in.). The Cleveland Museum of Art, Gift of Dr. and Mrs. Sherman E. Lee, 1962.38


title: Design for Dagger Sheath

creator: Wenceslaus Hollar (Bohemian, 1607–1677)

medium: etching

country: Bohemia

subjects: Print Bohemia

credit_line: Design for Dagger Sheath, mid-1600s. Wenceslaus Hollar (Bohemian, 1607–1677). Etching. The Cleveland Museum of Art, Gift of William Ellery Greene for the Lucy S. Greene Collection, 1963.571


title: Kneeling Woman

date: 100 BCE–100 CE

medium: painted earthenware

credit_line: Kneeling Woman, 100 BCE–100 CE. China, Western Han dynasty (206 BCE–8 CE) to Eastern Han dynasty (25–220 CE). Painted earthenware; overall: 33.7 x 25 cm (13 1/4 x 9 13/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.162


title: Brush Pot with Peonies:  Dehua Ware

medium: glazed porcelain with pierced and incised decoration

credit_line: Brush Pot with Peonies:  Dehua Ware, 1644–1911. China, Fujian province, Qing dynasty (1644-1911). Glazed porcelain with pierced and incised decoration; diameter: 9.5 cm (3 3/4 in.); overall: 14.9 cm (5 7/8 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.180


title: Cup Stand with Dragons in Waves

medium: porcelain with molded decoration and yellow glaze

credit_line: Cup Stand with Dragons in Waves, 1662–1722. China, Jiangxi province, Jingdezhen kilns, Qing dynasty (1644-1911), Kangxi reign (1662-1722). Porcelain with molded decoration and yellow glaze; overall: 1.6 x 10.1 cm (5/8 x 4 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.196


title: St. Tropez (The Port of St. Tropez)

creator: L'Estampe Originale

medium: color lithograph

country: France, late 19th-early 20th century

subjects:
Print
France, late 19th-early 20th century

credit_line: St. Tropez (The Port of St. Tropez), 1894. L'Estampe Originale, Paul Signac (French, 1863–1935). Color lithograph. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1965.463


medium: faience

country: France, mid 18th century

subjects:
Ceramic
France, mid 18th century

credit_line: Cover for a Tureen in the Form of a Turtle, c. 1745–65. France, mid 18th century. Faience; overall: 17.8 x 29.2 x 22.3 cm (7 x 11 1/2 x 8 3/4 in.). The Cleveland Museum of Art, The Norweb Collection, 1966.228.b


creator: Jakob Alt (Austrian, 1789–1872)

medium: lithograph

country: Austria

subjects: Print Austria

credit_line: Nieder-oesterreich, Das Lusthaus im Prater. Jakob Alt (Austrian, 1789–1872). Lithograph. The Cleveland Museum of Art, Gift of William H. Schab, 1968.292


title: The Action

creator: Max Klinger (German, 1857–1920)

country: Germany, 19th century

subjects:
Print
Germany, 19th century

credit_line: A Glove: The Action, 1880. Max Klinger (German, 1857–1920). Etching. The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard H. Zinser for the fiftieth anniversary of The Print Club of Cleveland, 1971.50.2


title: Cover for L'Estampe Originale

creator: Camille Martin (French, 1861–1898)

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Cover for L'Estampe Originale, 1894. Camille Martin (French, 1861–1898). Lithograph. The Cleveland Museum of Art, Gift of Moselle Taylor Meals, 1975.141


medium: bronze

country: probably Italy, Style of Padua, 16th Century, 19th century

credit_line: Doorknocker with Two Satyrs Riding an Ox, 1800s. Probably Italy, Style of Padua, 16th Century, 19th century. Bronze; overall: 16.7 x 33 x 10.4 cm (6 9/16 x 13 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Severance A. Millikin, 1975.58


medium: engraving

country: Italy

subjects: Print Italy

credit_line: Base and Capital with Figure of Fame and Winged Horses, c. 1525–1550. Master G. A. with the man-trap (Italian, active 1525–50). Engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1978.82


title: Standing Figure of Léon Bonnat

creator: Denys Pierre Puech (French, 1854–1942)

country: France, 20th century

subjects:
Sculpture
France, 20th century

credit_line: Standing Figure of Léon Bonnat, 1903. Denys Pierre Puech (French, 1854–1942). Bronze; overall: 54.3 x 27.3 x 20 cm (21 3/8 x 10 3/4 x 7 7/8 in.). The Cleveland Museum of Art, Bequest of Noah L. Butkin, 1980.278


title: Fragment of a Segmentum: Achilles

medium: tapestry; linen and wool

country: Egypt, Umayyad period (661–750)?

subjects:
Costume & fashion
Textile
Egypt, umayyad period (661–750)

credit_line: Fragment of a Segmentum: Achilles, 650 – 750. Egypt, Umayyad period (661–750)?. Tapestry; linen and wool; overall: 12 x 9.6 cm (4 3/4 x 3 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.135


title: The New Moon

creator: Frank Short (British, 1857–1945)

medium: aquatint

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: The New Moon, 1918. Frank Short (British, 1857–1945). Aquatint. The Cleveland Museum of Art, Gift of Mr. and Mrs. Robert Shearer, 1983.161


title: Covered Tureen

country: France, Marseilles

subjects:
Ceramic
France, marseille

credit_line: Covered Tureen, c. 1760–70. France, Marseilles. Faience; overall: 29.7 x 41.1 x 29.9 cm (11 11/16 x 16 3/16 x 11 3/4 in.). The Cleveland Museum of Art, The Norweb Collection, 1983.39


title: Meiping (Plum Blossom) Vase

subjects: Ceramic Flowers

credit_line: Meiping (Plum Blossom) Vase, 1100s–1200s. China, Northern Song dynasty (960-1127) - Jin dynasty (1115-1234). Buff stoneware, slip coated with painted underglaze decoration, Cizhou ware; overall: 35.9 cm (14 1/8 in.). The Cleveland Museum of Art, Given in memory of James Campbell Weir, 1986.245


title: Marie Louise in Profile

creator: Jules de Goncourt (French, 1830–1870)

medium: etching with stipple and roulette

credit_line: Marie Louise in Profile, 1860. Jules de Goncourt (French, 1830–1870). Etching with stipple and roulette. The Cleveland Museum of Art, Gift of Drs. Betty and Osman Mawardi, 1988.242


title: The Fancy Goods Store

creator: Alexandre Lunois (French, 1863–1916)

country: France, early 20th Century

subjects:
Print
France, early 20th century

credit_line: The Fancy Goods Store, 1902. Alexandre Lunois (French, 1863–1916). Color lithograph. The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in memory of Robert Lundie Shearer and in honor of the seventy-fifth anniversary of The Print Club of Cleveland, 1994.207


title: Road to Sèvres

creator: Félix Bracquemond (French, 1833–1914)

medium: etching and aquatint

credit_line: Road to Sèvres, c. 1872. Félix Bracquemond (French, 1833–1914). Etching and aquatint; sheet: 29.9 x 40.8 cm (11 3/4 x 16 1/16 in.); platemark: 21.5 x 23.1 cm (8 7/16 x 9 1/8 in.). The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in memory of Margaret M. Carroll, 1997.224


creator: Adolphe Braun (French, 1812–1877)

medium: carbon print

subjects:
Photograph
France, 19th century

credit_line: Valley of Lauterbrunnen, Switzerland (from the album Charbons de Braun- vues prises avec l'objectif panoramique mobile, 1868), c. 1868. Adolphe Braun (French, 1812–1877). Carbon print; image: 22.8 x 47.7 cm (9 x 18 3/4 in.); mounted: 37 x 58.8 cm (14 9/16 x 23 1/8 in.); matted: 45.7 x 76.2 cm (18 x 30 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.163


title: View of a Village

creator: Domini (French, 1829–1895)

date: late 1850s

medium: albumen print from wax paper negative

credit_line: View of a Village, late 1850s. Domini (French, 1829–1895). Albumen print from wax paper negative; image: 25.3 x 19.6 cm (9 15/16 x 7 11/16 in.); mounted: 36.7 x 31 cm (14 7/16 x 12 3/16 in.); matted: 50.8 x 40.6 cm (20 x 16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2000.86


creator: Émile Bernard (French, 1868–1941)

date: 1889, printed in 1896

medium: zincograph

credit_line: Les Bretonneries: The Return from the Pilgrimage (Le Retour du Pardon), 1889, printed in 1896. Émile Bernard (French, 1868–1941). Zincograph; sheet: 41.1 x 57.7 cm (16 3/16 x 22 11/16 in.); image: 31.7 x 24.8 cm (12 1/2 x 9 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2005.180.1.b


title: Seated Man Holding a Snuff Box

creator: Louis Aubert (French)

medium: black and red chalk, heightened with white

country: France, Paris

subjects:
Drawing
France, pari

credit_line: Seated Man Holding a Snuff Box, c. 1750–1760. Attributed to Louis Aubert (French). Black and red chalk, heightened with white; sheet: 37.5 x 31.4 cm (14 3/4 x 12 3/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2008.402


title: Soldier with Upraised Arm

creator: Ernest Meissonier (French, 1815–1891)

medium: graphite

subjects:
Drawing
France, 19th century

credit_line: Soldier with Upraised Arm, c. 1870. Ernest Meissonier (French, 1815–1891). Graphite; sheet: 29.3 x 19.1 cm (11 9/16 x 7 1/2 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.130


title: Scène de Carnaval

medium: pen and black ink and watercolor

credit_line: Scène de Carnaval. Philibert Louis Debucourt (French, 1755–1832). Pen and black ink and watercolor; sheet: 30.6 x 44.5 cm (12 1/16 x 17 1/2 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.299


title: View of Versailles

creator: Antoine Vollon (French, 1833–1900)

medium: black and white chalk

credit_line: View of Versailles, 1800s. Antoine Vollon (French, 1833–1900). Black and white chalk; sheet: 31.5 x 48.9 cm (12 3/8 x 19 1/4 in.); secondary support: 42.5 x 59.7 cm (16 3/4 x 23 1/2 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.287


title: The Dream of Zuleykha

medium: Gum tempera and gold on paper

country: India, Lucknow, Mughal, 18th century

subjects:
Painting
India, lucknow, mughal, 18th century

credit_line: The Dream of Zuleykha, c. 1770. India, Lucknow, Mughal, 18th century. Gum tempera and gold on paper; page: 32.9 x 22.1 cm (12 15/16 x 8 11/16 in.). The Cleveland Museum of Art, Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection, 2013.353


title: Lady Filmer in her Drawing Room

creator: Mary Georgiana Caroline, Lady Filmer

medium: Albumen prints, collage and watercolor

country: England

subjects:
Albumen print from collodion negative
England
Portrait
Albumen process
Mixed media

source: Art Institute of Chicago

source_id: aic

rights_statement: Public Domain — CC0 via the Art Institute of Chicago Open Access programme.

credit_line: Through prior gifts of Mrs. Jack Diamond and Michael Glicker


title: Jizo Bosatsu

creator: Japanese

date: 13th century

medium: Wood painted with colors and gold

country: Japan

subjects:
Wood
Japan
Wood (plant material)
Japanese (culture or style)
Sculpture
Asian art

credit_line: Gift of the Joseph and Helen Regenstein Foundation


title: Reliquary Monstrance

creator: French; Limoges

medium: Gilt copper alloy, champlevé enamel, rock crystal

country: Limoges

subjects:
Metalwork
Limoge
Minerals & gems
European decorative arts
Decorative arts
Reliquary
Religious

credit_line: Kate S. Buckingham Endowment


title: Gendarme

creator: James McNeill Whistler

medium: Pen and black ink over graphite on cream wove paper

country: United States

subjects:
Pen and ink drawing
United state
Paper (fiber product)
Ink
Graphite
Drawing (visual works)
Print and drawing
Paper
Wove paper

credit_line: The Charles Deering Collection


title: Policeman and Citizen


title: Soldier with Lance

medium: Graphite on cream wove paper

subjects:
Graphite
United state
Paper (fiber product)
Wove paper
Drawing (visual works)
Print and drawing
Paper


title: The Past, the Present, the Future, plate 349

creator: Honoré Victorin Daumier

medium: Lithograph in black on off-white wove paper

country: France

subjects:
Lithograph
France
Paper (fiber product)
Print
Print and drawing

credit_line: Albert H. Wolf Memorial Collection


title: Hussar (recto) Man with a Top Hat and Bandaged Head (verso)

medium: Pen and black ink over graphite (recto), and graphite (verso), on cream wove paper

credit_line: Bryan Lathrop Collection


title: Lancer

subjects:
Pen and ink drawing
United state
Paper (fiber product)
Ink
Drawing (visual works)
Print and drawing
Paper
Wove paper


title: Trouville (Grey and Green, the Silver Sea)

creator: James McNeill Whistler (American, 1834–1903)

medium: Oil on canvas

country: Trouville

subjects:
Painting
Trouville
Landscape
Transportation
Leisure
Weather/season
Water
Oil paint (paint)
Impressionism
Organic material
American arts
Modernism

credit_line: Gift of Honoré and Potter Palmer


title: Draped Model

medium: Black chalk with touches of white chalk, on brown wove paper laid down on ivory board

subjects:
Chalk
United state
Century of progress
World' fair
Chicago world' fair
Paper (fiber product)
Charcoal
Black chalk
Wove paper
White chalk
Drawing (visual works)
Print and drawing
Paper


title: Figures by a Railing

medium: Pen and brown ink on blue laid paper (discolored)

subjects:
Pen and ink drawing
United state
Paper (fiber product)
Ink
Drawing (visual works)
Print and drawing
Paper
Laid paper

credit_line: Gift of Walter S. Brewster


title: Two Sketches

medium: Lithographic crayon and brush and tusche on coarse-grained transfer paper

subjects:
Lithograph
United state
Paper (fiber product)
Print
Print and drawing
Paper
Ink

credit_line: Gift of the Crown Family in honor of James N. Wood


title: Self-Portrait

medium: Black chalk with stumping, with touches of white chalk, on brown wove paper laid down on tan board

subjects:
Chalk
United state
Portraits
Stumping
Paper (fiber product)
Black chalk
White chalk
Wove paper
Drawing technique
Drawing (visual works)
Print and drawing
Paper

credit_line: The Art Institute of Chicago


title: At the Piano

medium: Charcoal on cream laid paper

subjects:
Charcoal
United state
Paper (fiber product)
Laid paper
Drawing (visual works)
Print and drawing
Paper


title: Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle"

subjects:
Painting
United state
Portraits
Oil paint (paint)
Modernism
Organic material
American arts

credit_line: Gift of Emily Crane Chadbourne


title: Corte del Paradiso

medium: Pastel and black chalk on brown wove paper with fibrous inclusions

subjects:
Pastel
United state
Paper (fiber product)
Drawing (visual works)
Print and drawing
Paper
Wove paper
Black chalk

credit_line: Walter Aitken, Margaret Day Blake, Harold Joachim Memorial, Celia and David Hilliard, Julius Lewis, and Sara R. Shorey endowments; Sandra L. Grung Fund; purchased with funds provided by William Vance and Pamela Kelley Armour; through prior acquisitions of Katherine Kuh


title: The Little Blue Cap

medium: Watercolor and opaque watercolor over charcoal on brown wove paper

subjects:
Watercolor
United state
Paper (fiber product)
Charcoal
Drawing (visual works)
Print and drawing
Paper
Wove paper
Gouache

credit_line: Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection


title: Study for Portrait of Thomas Way

medium: Graphite on ivory wove paper

subjects:
Graphite
United state
Portraits
Paper (fiber product)
Wove paper
Drawing (visual works)
Print and drawing
Paper


title: Portrait of Miss Maud Franklin

medium: Pen and brown ink on cream laid paper

subjects:
Pen and ink drawing
United state
Portraits
Paper (fiber product)
Ink
Drawing (visual works)
Print and drawing
Paper
Laid paper


title: H.C. Pollitt

medium: Lithographic crayon on thin, transparent transfer paper, tipped onto card (modern mount)

subjects:
Lithographic crayon
United state
Paper (fiber product)
Transfer paper
Crayon
Drawing (visual works)
Print and drawing
Paper

credit_line: Bequest of Bryan Lathrop


title: Reclining Draped Figure

medium: Lithographic crayon, with traces of scraping and stumping, on fine-grained transfer paper laid down on cream wove paper

subjects:
United state
Drawing (visual works)
Paper (fiber product)
Wove paper
Crayon
Print and drawing
Paper
Transfer paper
Lithographic crayon


title: Study of a Girl's Head and Shoulders

medium: Oil on panel

subjects:
Painting
United state
Oil paint (paint)
Modernism
Organic material
American arts

credit_line: Walter S. Brewster Collection


title: Coast Scene, Bathers

subjects:
Painting
United state
Landscape
Oil paint (paint)
Impressionism
Organic material
American arts
Modernism


title: Chelsea Shop

medium: Watercolor with touches of opaque watercolor on cream wove paper

subjects:
Watercolor
United state
Paper (fiber product)
Water-base paint
Paint
Gouache
Drawing (visual works)
Print and drawing
Paper
Wove paper

credit_line: Gift of Kate L. Brewster


title: Butterfly "Encountered" (recto); Sketch for Tailpiece (verso)

medium: Pen and black ink over graphite (recto), and graphite (verso), on cream wove card

subjects:
Pen and ink drawing
United state
Butterflies & moths
Paper (fiber product)
Drawing (visual works)
Ink
Graphite
Print and drawing
Paper
Cardboard


title: Sketch of the Peacock Room

medium: Graphite (recto) on cream wove paper with printed text in black ink (verso)

subjects:
Graphite
United state
Paper (fiber product)
Ink
Wove paper
Drawing (visual works)
Print and drawing
Paper


title: Butterfly

medium: Pen and black ink on cream wove card

subjects:
Pen and ink drawing
United state
Butterflies & moths
Paper (fiber product)
Ink
Drawing (visual works)
Print and drawing
Paper
Cardboard


title: Butterfly with Checkered Wings

subjects:
Pen and ink drawing
United state
Butterflies & moths
Paper (fiber product)
Drawing (visual works)
Print and drawing
Paper
Cardboard
Ink


title: A Club on a Cushion

medium: Pen and black ink over graphite, with corrections by the artist in white opaque paint, on cream wove card

subjects:
Pen and ink drawing
United state
Paper (fiber product)
Ink
Graphite
Opaque white pigment
White pigment
Pigment
Drawing (visual works)
Print and drawing
Paper
Cardboard


title: Butterfly (recto); Study of Butterfly (verso)

medium: Pen and black ink over graphite (recto), and pen and black ink, with corrections by the artist in white opaque paint (verso), on cream wove card

subjects:
Pen and ink drawing
United state
Butterflies & moths
Ink
Drawing (visual works)
Graphite
Print and drawing
Paper
Cardboard
Paper (fiber product)


title: Butterfly (recto); Fragment of Butterfly (verso)

medium: Pen and black ink over graphite (recto), and brush and black ink over graphite (verso), on cream wove card


medium: Pen and black ink over graphite (recto), and pen and black ink over graphite, with corrections by the artist in white opaque paint (verso), on cream wove card

subjects:
Pen and ink drawing
United state
Butterflies & moths
Paper (fiber product)
Drawing (visual works)
Ink
Graphite
Print and drawing
Paper
White gouache
Cardboard


title: Study for "Arrangement in Black, No. 2: Portrait of Mrs. Louis Huth" (recto); Study for "Symphony in Flesh Color and Pink: Portrait of Mrs. Frances Leyland" (verso)

medium: Pastel (recto), and black chalk with touches of pink and white pastel (verso), on brown wove paper

subjects:
Pastel
United state
Portraits
Paper (fiber product)
Pastel (crayons)
Crayon
Wove paper
Drawing (visual works)
Print and drawing
Paper
Black chalk


title: A Nude Figure

medium: Charcoal with white and orange chalks on brown wove paper

subjects:
Charcoal
United state
Century of progress
World' fair
Chicago world' fair
Paper (fiber product)
White chalk
Orange chalk
Wove paper
Drawing (visual works)
Print and drawing
Paper


title: Sketch after "Arrangement in Brown and Black: Portrait of Miss Rosa Corder"

medium: Brush and brown wash, with pen and brown ink, on off-white laid paper

subjects:
Wash
United state
Portraits
Roses
Paper (fiber product)
Ink
Laid paper
Drawing (visual works)
Print and drawing
Paper


title: Three Butterflies

medium: Graphite on cream wove card

subjects:
Graphite
United state
Butterflies & moths
Paper (fiber product)
Cardboard
Drawing (visual works)
Print and drawing
Paper


title: Study for "The Blue Girl: Portrait of Miss Elinor Leyland"

medium: Pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper

subjects:
Pen and ink drawing
United state
Portraits
Paper (fiber product)
Ink
Drawing (visual works)
Print and drawing
Paper
Laid paper


title: Girl Reading in Bed

medium: Pen and brown ink with traces of graphite on pink wove paper

subjects:
Pen and ink drawing
United state
Paper (fiber product)
Ink
Drawing (visual works)
Print and drawing
Paper
Graphite
Wove paper


title: Head of a Girl

medium: Pen and brown ink with scraping on cream laid paper laid down on ivory board

subjects:
Pen and ink drawing
United state
Paper (fiber product)
Ink
Drawing (visual works)
Print and drawing
Paper
Laid paper


title: Sketch after "Arrangement in Black: Lady Meux"

medium: Pen and brown ink on cream wove paper laid down on ivory board

subjects:
Pen and ink drawing
United state
Paper (fiber product)
Ink
Drawing (visual works)
Print and drawing
Paper
Wove paper


title: Butterfly

medium: Graphite on cream board


title: Butterfly

medium: Graphite on ivory wove paper

subjects:
Graphite
United state
Butterflies & moths
Paper (fiber product)
Wove paper
Drawing (visual works)
Print and drawing
Paper


title: Green and Blue: The Dancer

medium: Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card

subjects:
Watercolor
United state
Women
Dancer
Watercolor painting (technique)
Paper (fiber product)
Water-base paint
Paint
Gouache
Drawing (visual works)
Print and drawing
Paper
Black chalk
Wove paper
Essential

credit_line: Purchased with funds provided by Dr. William D. Shorey; through prior acquisitions of the Charles Deering Collection and through prior bequest of Mrs. Gordon Palmer


title: Carved Vessel Depicting a Lord Wearing a Water-Lily Headdress

creator: Late Classic Maya, Chocholá

medium: Ceramic and pigment

country: Mexico

subjects:
Vessel for serving drink
Mexico
Lilies
Ships & the sea
Mythological figure
Waterlilly
Water
Ancestor
Mythology
Vessel
Ceramic
Maya
Modeling (forming)
Blackware (black basaltes)
Inorganic material
Late classic
Classic
Mesoamerican
Pre-columbian
America
Mayan
Earthenware
Art of the america
Painting (image making)
Arts of the america
Latin american

credit_line: Bertha Evans Brown Fund


title: Capitano Esgangarato - Capitano Cocodrillo, plate 14 from Balli di Sfessania

creator: Jacques Callot

medium: Etching and engraving on paper

subjects:
Etching
France
Paper (fiber product)
Print
Print and drawing


title: Water-Lily Vessel

creator: Aj Maxam (Maya)

medium: Earthenware and pigment

country: Petén

subjects:
Ceramic
Petén
Lilies
Ships & the sea
Waterlilly
Artist
Flower
Geneology
Parent
Underworld
Underwater
Maya
Modeling (forming)
Earthenware
Inorganic material
Classic
Mesoamerican
Pre-columbian
America
Mayan
Vessel
Art of the america
Late classic
Vessel for serving drink
Inscription
Painting (image making)
Arts of the america
Latin american

credit_line: Ethel T. Scarborough Fund


title: Vessel Depicting a Sacrificial Ceremony for a Royal Accession

creator: Late Classic Maya

subjects:
Vessel for serving drink
Mexico
Ships & the sea
People
King
Royalty
Sacrifice
Ritual sacrifice
Ritual
Portrait
Music
Accession
Vessel
Ceramic
Maya
Modeling (forming)
Earthenware
Late classic
Classic
Mesoamerican
Pre-columbian
America
Mayan
Paint
Pigment
Art of the america
Painting (image making)
Mask
Arts of the america
Latin american

credit_line: Ada Turnbull Hertle Fund


title: Untitled (Portrait of a Standing Man with a Steer)

creator: Montgomery Simons

medium: Daguerreotype

subjects:
Portrait
United state
Lundberg collection
African american
Portraits: african american subject
Male
Men
Cattle
Portraits: male subject
Photography
Daguerreotype
Daguerreotype (process)
Photograph
Photographic image
Photographic material
Photographic plate
Photographic processe
Photographic technique

credit_line: The W. Bruce and Delaney H. Lundberg Collection, purchased with funds provided by The Leonian Charitable Trust


title: Stater (Coin) Depicting a Crouching Dog

creator: Greek; Kyzikos, Mysia (now Turkey)

date: 5th century BCE

medium: Electrum

country: Mysia

subjects:
Coin
Mysia
Dog
Animal
Electrum
Striking (metalworking)
Greek
Gold alloy
Silver alloy
Metal
Ancient art
Ancient

credit_line: Gift of Martin A. Ryerson


title: Young Woman at an Open Half-Door

creator: Rembrandt van Rijn (Dutch, 1606–1669)

medium: Oil on canvas

country: Holland

subjects:
Oil on canva
Holland
Woman
Portraits: female subject
Door
Century of progress
World' fair
Chicago world' fair
Oil paint (paint)
Oil painting
Paint
Portrait
Canva
Painting
Painting (image making)
Painting technique
European painting

credit_line: Mr. and Mrs. Martin A. Ryerson Collection


title: Woman riding an ox

creator: Katsushika Hokusai 葛飾 北斎

medium: Color woodblock print; shikishiban, surimono

subjects:
Woodblock print
Japan
Japanese (culture or style)
Print
Asian art

credit_line: Gift of Helen C. Gunsaulus


title: Foliate Bowl with Stylized Peony Spray

creator: China

date: Northern Song dynasty (960–1127), 12th century

medium: Qingbai ware; porcelain with underglaze carved decoration

country: China

subjects:
Bowl
China
Porcelain
Chinese (culture or style)
Dish (vessel)
Asian art
Ceramic
Vessel

credit_line: Bequest of Russell Tyson


title: Study for Paris Street; Rainy Day

creator: Gustave Caillebotte

medium: Graphite, with touches of erasing and touches of charcoal, on tan, moderately thick, moderately textured handmade laid paper

subjects:
Graphite
France
Study
Cityscape
Paper (fiber product)
Print and drawing
Paper

credit_line: Purchased with funds provided by the Jentes Family Foundation


title: Sketchbook

date: June 1883–September 1887

medium: Sketchbook containing 40 drawings: 30 in graphite, 7 in watercolor over graphite, and 3 in graphite and brush and gray wash, on 40 sheets of cream wove paper bound in brown cloth

subjects:
Sketchbook
France
Paper (fiber product)
Watercolor
Print and drawing
Paper

credit_line: Margaret Day Blake Fund


title: Self-Portrait with a Hat

medium: Graphite on off-white, medium-weight, moderately textured laid paper

subjects:
Graphite
France
Portraits
Paper (fiber product)
Drawing (visual works)
Print and drawing

credit_line: Purchased with funds provided by Janet and William Jentes


title: Study

medium: Lithotint in blue, with scraping, on brown wove paper

subjects:
Lithotint
United state
Paper (fiber product)
Lithograph
Print
Print and drawing
Paper
Ink
Wove paper

credit_line: Bryan Lathrop Collection


title: A Poem from the Shin Kokinshu with Design of Shinobugusa (Moss Fern)

creator: Hon'ami Kōetsu

medium: Fragment of a handscroll mounted as a hanging scroll; ink, gold, silver-colored pigment, and mica on paper

subjects:
Painting
Japan
Ferns
Mosses & lichens
Paper (fiber product)
Japanese (culture or style)

credit_line: Louise Lutz Estate; through prior gift of the Estate of Clara Douglas; purchased with funds provided bys of Frances and Edward Blair,  Heather B. and Richard Black, George and Roberta Mann, Mr. and Mrs. James E. Breece III


title: Caricature of Mario Uchard

creator: Claude Monet (French, 1840–1926)

medium: Graphite on tan wove paper

subjects:
Graphite
France
Paper (fiber product)
Drawing (visual works)
Print and drawing

credit_line: Mr. and Mrs. Carter H. Harrison Collection


title: Caricature of a Man with a Big Cigar

creator: Claude Monet

medium: Black, white, and colored chalks on blue wove paper

subjects:
Charcoal
France
Paper (fiber product)
Pastel (crayons)
Crayon
Conté crayon (tm)
Fabricated chalk
Drawing (visual works)
Print and drawing


title: Caricature of Jules Didier (“Butterfly Man”)

medium: Black and white chalks on blue laid paper

subjects:
Charcoal
France
Butterflies & moths
Paper (fiber product)
Plant material
White chalk
Chalk stick
Drawing (visual works)
Print and drawing


title: Caricature of Léon Manchon

subjects:
Charcoal
France
Stumping
Paper (fiber product)
Plant material
White chalk
Chalk stick
Drawing technique
Drawing (visual works)
Print and drawing


title: Caricature of Eugène Marcel

medium: Graphite with white chalk on gray wove paper

subjects:
Graphite
France
Paper (fiber product)
White chalk
Chalk stick
Drawing (visual works)
Print and drawing


title: Caricature of a Man with a Large Nose


title: Caricature of a Man Standing by Desk (recto); Sketch of Male Head in Profile (verso)

medium: Graphite on cream wove paper

subjects:
Graphite
France
Drawing (visual works)
Print and drawing


title: Caricature of Henri Cassinelli (“Rufus Croutinelli”)

subjects:
Graphite
France
Preparing
Drawing (visual works)
Print and drawing


title: Caricature of a Man in the Small Hat


title: Cliffs and Sea, Sainte-Adresse

medium: Black chalk on ivory laid paper

subjects:
Chalk
France
Landscape
Paper (fiber product)
Black chalk
Drawing (visual works)
Print and drawing
Laid paper

credit_line: Clarence Buckingham Collection


title: Caricature of Auguste Vacquerie

subjects:
Graphite
France
Preparing
Paper (fiber product)
Drawing (visual works)
Print and drawing


title: Two Figures (related to the painting Tahitian Landscape)

creator: Paul Gauguin

medium: Black chalk, with touches of watercolor and watercolor offset on cream wove paper

subjects:
Print and drawing
France
Landscapes
Paper (fiber product)
Drawing (visual works)
Chalk

credit_line: Gift of Emily Crane Chadbourne


title: Stacks of Wheat

medium: Black chalk on cream laid paper

subjects:
Print and drawing
France
Season
Landscape
Paper (fiber product)
Chalk
Drawing (visual works)

credit_line: Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection


title: Boy in the Country

medium: Graphite on ivory wove paper

subjects:
Print and drawing
France
Paper (fiber product)
Graphite
Drawing (visual works)


title: Ia orana Maria (Hail Mary)

medium: Transfer zincograph on coarse-grained transfer paper, in dark-blue ink on cream wove paper (an imitation Japanese vellum)

subjects:
Zincograph
France
Paper (fiber product)
Print
Print and drawing

credit_line: Albert Roullier Memorial Collection


title: Nativity (Mother and Child Surrounded by Five Figures)

medium: Transfer drawing in brown and black ink (recto) and graphite and red chalk (verso) on cream wove paper trimmed and perimeter mounted on cream laid paper

subjects:
Monotype
France
Century of progress
World' fair
Chicago world' fair
Paper (fiber product)
Print
Print and drawing

credit_line: Gift of Robert Allerton


title: Seated Tahitian Youth

medium: Watercolor and graphite on irregularly shaped cream wove Japanese paper, laid down on ivory laid paper with brown and blue fibers, laid down on cream wove paper

subjects:
Watercolor
France
Century of progress
World' fair
Chicago world' fair
Paper (fiber product)
Ink
Water-base paint
Paint
Graphite
Drawing (visual works)
Print and drawing


title: Two Tahitian Women in a Landscape

medium: Monotype matrix in watercolor and gouache, with brush and green ink, over traces of graphite, on cream Japanese paper, laid down on tan wove paper (partially removed)

subjects:
Watercolor
France
Landscapes
Century of progress
World' fair
Chicago world' fair
Paper (fiber product)
Ink
Water-base paint
Paint
Gouache
Graphite
Drawing (visual works)
Print and drawing


title: Head of a Tahitian with Profile of Second Head to His Right

medium: Black and red chalk, selectively stumped, on cream wove paper

subjects:
Chalk
France
Century of progress
World' fair
Chicago world' fair
Paper (fiber product)
Charcoal
Plant material
Drawing (visual works)
Print and drawing


title: Cover to Paul Gauguin: 10 Traesnit (Pola Gauguin Portfolio)

creator: Pola Gauguin (Danish, born France, 1883-1961)

medium: Gauguin monogram and artist's name in latin letters on heavy blue-green wove card

country: Denmark

subjects:
Photogravure
Denmark
Print
Print and drawing

credit_line: The Joseph Brooks Fair Collection


title: Title Page to Paul Gauguin: 10 Traesnit (Pola Gauguin Portfolio)

medium: Letterpress in black on heavy blue-green wove paper

subjects:
Letterpress
Denmark
Paper (fiber product)
Print
Print and drawing


title: Pape moe

medium: Watercolor, with black fabricated chalk, pen and brown ink (originally purple) and touches of brush and black ink on heavily textured ivory wove paper

subjects:
Pen and ink drawing
France
Century of progress
World' fair
Chicago world' fair
Paper (fiber product)
Watercolor
Water-base paint
Paint
Coating (material)
Drawing (visual works)
Print and drawing


title: Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite

creator: Paul Gauguin (French, 1848-1903)

date: 1893/94, printed and published in 1921

medium: Wood-block print in black ink on grayish-ivory China paper

subjects:
Woodcut
France
Paper (fiber product)
Print
Print and drawing


title: Statuette of Osiris

medium: black copper (?), hollow cast

credit_line: Statuette of Osiris, 664–525 BCE. Egypt, Late period (715–332 BCE), Dynasty 26 or later. Black copper (?), hollow cast; overall: 6.8 x 4.7 cm (2 11/16 x 1 7/8 in.); with tang: 30.6 cm (12 1/16 in.); without tang: 28 cm (11 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1914.571.a


title: A Philosopher

creator: Walter Gay (American, 1856–1937)

medium: oil on panel

country: America

subjects: Painting America

credit_line: A Philosopher, 1882. Walter Gay (American, 1856–1937). Oil on panel; unframed: 38 x 27.2 cm (14 15/16 x 10 11/16 in.). The Cleveland Museum of Art, Hinman B. Hurlbut Collection, 1915.686


title: Veduta dell'Arco di Gallieno

medium: etching and engraving

country: Italy, 18th century

subjects:
Print
Italy, 18th century
Landscapes

credit_line: Veduta dell'Arco di Gallieno, c. 1756–57. Giovanni Battista Piranesi (Italian, 1720–1778). Etching and engraving. The Cleveland Museum of Art, Gift of Willard M. Clapp, 1921.1152


credit_line: Veduta degli Avanzi, o sia del termine degli Archi che conducevano l'Acqua Giulia, 1756. Giovanni Battista Piranesi (Italian, 1720–1778). Etching and engraving. The Cleveland Museum of Art, Gift of Willard M. Clapp, 1921.1160


title: Rainy Night, Venice

creator: Otto H. Bacher (American, 1856–1909)

medium: etching

subjects: Print America

credit_line: Rainy Night, Venice, 1880. Otto H. Bacher (American, 1856–1909). Etching. The Cleveland Museum of Art, Gift of Mrs. Arthur F. Weaver in memory of Charles H. Weaver, 1921.231


creator: Utagawa Hiroshige (Japanese, 1797–1858)

date: published in 1919

medium: color woodblock print

country: Japan, Taishō period (1912–26)

subjects:
Print
Japan, taishō period (1912–26)
Trees

credit_line: Scattered Pine Trees by the Tone River, from the series The Road to Narita in Shimosa Province, published in 1919. Utagawa Hiroshige (Japanese, 1797–1858). Color woodblock print; overall: 26.4 x 38.8 cm (10 3/8 x 15 1/4 in.). The Cleveland Museum of Art, Gift from J. H. Wade, 1921.338


title: Portrait of John Clark

medium: watercolor on ivory

subjects:
Portrait miniature
America
Portraits

credit_line: Portrait of John Clark, 1814. William Doyle (American, born The Thirteen Colonies, 1769–1828), and Henry Williams (American, 1787–1830). Watercolor on ivory; framed: 6.8 x 5.6 cm (2 11/16 x 2 3/16 in.); unframed: 6.3 x 5 cm (2 1/2 x 1 15/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1921.86


title: Triumph of the Women

creator: Hans Sebald Beham (German, 1500–1550)

medium: engraving

country: Germany

subjects: Print Germany

credit_line: Triumph of the Women, 1549. Hans Sebald Beham (German, 1500–1550). Engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1922.113


title: Two Genii

credit_line: Two Genii, 1544. Hans Sebald Beham (German, 1500–1550). Engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1922.123


title: Self-Portrait

country: Italy

subjects: Print Italy Portraits

credit_line: Self-Portrait, 1625. Ottavio Mario Leoni (Italian, 1578–1630). Engraving. The Cleveland Museum of Art, Gift of E. L. Whittemore, 1922.230


title: Parisian Service (Haviland service)

creator: Félix Bracquemond (French, 1833–1914)

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Parisian Service (Haviland service), 1875. Félix Bracquemond (French, 1833–1914). Etching; sheet: 31.1 x 46 cm (12 1/4 x 18 1/8 in.); platemark: 24.8 x 24.8 cm (9 3/4 x 9 3/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.412


title: The Music Room

credit_line: The Music Room, 1859. James McNeill Whistler (American, 1834–1903). Etching. The Cleveland Museum of Art, Gift of Mr. and Mrs. Ralph King, 1922.431


title: "Adam and Eve" Tavern, Old Chelsea

credit_line: "Adam and Eve" Tavern, Old Chelsea, 1878. James McNeill Whistler (American, 1834–1903). Etching. The Cleveland Museum of Art, Gift of Mr. and Mrs. Ralph King, 1922.432


title: The Two Ships

subjects:
Print
America
Ships & the sea

credit_line: The Two Ships, 1875. James McNeill Whistler (American, 1834–1903). Etching. The Cleveland Museum of Art, Gift of Mr. and Mrs. Ralph King, 1922.442


creator: Jacques Callot (French, 1592–1635)

subjects: Print France

credit_line: The Large Miseries of War:  Burning at the Stake, 1633. Jacques Callot (French, 1592–1635). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.277.12


country: Netherlands, 16th century

subjects:
Print
Netherlands, 16th century

credit_line: The Round Passion: Christ Carrying the Cross, 1509. Lucas van Leyden (Netherlandish, 1494–about 1533). Engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1923.746.3


title: The Priest's House, Rouen

medium: lithograph

credit_line: The Priest's House, Rouen, 1894. James McNeill Whistler (American, 1834–1903). Lithograph. The Cleveland Museum of Art, Gift of Mr. and Mrs. Ralph King, 1924.31


creator: Emil Orlik (Czech, 1870–1932)

medium: black crayon and watercolor, with gouache (main figure); black crayon (partially erased, left head); black crayon (right head)

country: Germany, 20th century

subjects:
Drawing
Germany, 20th century

credit_line: Chinese Actor and Two Sketches of a Woman's Head, 1912. Emil Orlik (Czech, 1870–1932). Black crayon and watercolor, with gouache (main figure); black crayon (partially erased, left head); black crayon (right head); sheet: 26.7 x 18.7 cm (10 1/2 x 7 3/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.550


title: Dancing Cripples

country: Flanders

subjects: Print Flander

credit_line: Dancing Cripples, 1538. Cornelis Massys (Flemish, 1510/11–1556/57). Engraving. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1924.640


title: Dancing Cripples

credit_line: Dancing Cripples, 1538. Cornelis Massys (Flemish, 1510/11–1556/57). Engraving. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1924.641


title: Dancing Cripples

credit_line: Dancing Cripples, 1538. Cornelis Massys (Flemish, 1510/11–1556/57). Engraving. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1924.645


subjects:
Print
Italy, 18th century

credit_line: Flight into Egypt:  The Holy Family Arriving at the Bank of the River, 1750–53. Giovanni Domenico Tiepolo (Italian, 1727–1804). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.863


title: Frans van Mieris I

creator: Abraham Blooteling (Dutch, 1640–1690)

medium: mezzotint

country: Netherlands

subjects: Print Netherland

credit_line: Frans van Mieris I, 1655–90. Abraham Blooteling (Dutch, 1640–1690), Abraham Blooteling (Dutch, 1640–1690), Frans I van Mieris (Dutch, 1635–1681). Mezzotint; sheet: 22.7 x 16.7 cm (8 15/16 x 6 9/16 in.); platemark: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1223


title: Views:  The Equestrian Monument

creator: Antonio Canaletto (Italian, 1697–1768)

country: Italy, Venice

subjects:
Print
Italy, venice

credit_line: Views:  The Equestrian Monument, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.20


title: The Reservoir

creator: Randall Davey (American, 1887–1964)

medium: watercolor

subjects: Drawing America

credit_line: The Reservoir, c. 1907–26. Randall Davey (American, 1887–1964). Watercolor; sheet: 24.8 x 33 cm (9 3/4 x 13 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1926.16


title: Young Man Standing with a Cane

creator: Hendrick Goltzius (Dutch, 1558–1617)

medium: woodcut on blue paper

credit_line: Young Man Standing with a Cane, c. 1598. Hendrick Goltzius (Dutch, 1558–1617). Woodcut on blue paper. The Cleveland Museum of Art, Dudley P. Allen Fund, 1926.459


title: The Second of the Foolish Virgins

credit_line: The Second of the Foolish Virgins, ca. 1490. Martin Schongauer (German, c. 1450–1491). Engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1926.464


medium: copperplate printed cotton

country: France

subjects:
Costume & fashion
Textile
France

credit_line: Strip of Copperplate Printed Cotton with "Les plaisirs de la ferme" Design, 1785–1790. Firm of Christophe Philippe Oberkampf (French, 1738–1815), Jean-Baptiste Marie Hüet (French, 1745–1811). Copperplate printed cotton; overall: 196.9 x 139.7 cm (77 1/2 x 55 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1928.5


title: Sketch of a Child's Head (verso)

creator: Carletto Caliari (Italian, 1570–1596)

medium: black chalk with pen and brown ink (unrelated to child's head)

subjects: Drawing Italy

credit_line: Sketch of a Child's Head (verso), c. 1586. Carletto Caliari (Italian, 1570–1596). Black chalk with pen and brown ink (unrelated to child's head); sheet: 27.5 x 17.8 cm (10 13/16 x 7 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1929.549.b


title: Dyke by the Road

creator: Paul Nash (British, 1889–1946)

medium: wood engraving

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: Dyke by the Road, 1922. Paul Nash (British, 1889–1946). Wood engraving. The Cleveland Museum of Art, Gift of Mrs. Henry A. Everett for the Dorothy Burnham Everett Memorial Collection, 1932.176


medium: woodcut

credit_line: The Fall and Redemption of Man:  Joachim's Offering Rejected by the High Priest, c. 1515. Albrecht Altdorfer (German, c. 1480–1538). Woodcut. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1932.330.3


title: Leaf from a Qur'an (recto)

medium: ink, gold, and colors on paper

country: Egypt ?

subjects: Drawing Egypt

credit_line: Leaf from a Qur'an (recto), 1000s-1100s. Egypt ?. Ink, gold, and colors on paper; sheet: 41.2 x 29.7 cm (16 1/4 x 11 11/16 in.); text area: 28 x 19 cm (11 x 7 1/2 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1933.481.a


title: Mrs. Herb Roth

creator: George Bellows (American, 1882–1925)

subjects: Print America

credit_line: Mrs. Herb Roth, 1924. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1936.618


title: Anne in a Spotted Dress

subjects:
Costume & fashion
Print
America

credit_line: Anne in a Spotted Dress, 1921. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1937.503


title: Length of Chinoiserie Chintz

medium: roller printed cotton

country: England, 19th century

subjects:
Costume & fashion
Textile
England, 19th century

credit_line: Length of Chinoiserie Chintz, c. 1825. England, 19th century. Roller printed cotton; overall: 66.4 x 65.2 cm (26 1/8 x 25 11/16 in.). The Cleveland Museum of Art, Gift of George W. Bierce, 1938.260


title: Portrait of a Man

creator: Andrew Morton (British, 1802–1845)

medium: graphite

subjects:
Drawing
England, 19th century
Portraits

credit_line: Portrait of a Man, 1828. Andrew Morton (British, 1802–1845). Graphite; sheet: 36 x 29.2 cm (14 3/16 x 11 1/2 in.); image: 28.3 x 26.4 cm (11 1/8 x 10 3/8 in.). The Cleveland Museum of Art, Bequest of Mrs. Henry A. Everett for the Dorothy Burnham Everett Memorial Collection, 1938.63


title: Jaguar

creator: Antoine-Louis Barye (French, 1796–1875)

medium: bronze

subjects:
Sculpture
France, 19th century

credit_line: Jaguar, c. 1850. Antoine-Louis Barye (French, 1796–1875). Bronze; overall: 9.4 x 24.1 x 9.4 cm (3 11/16 x 9 1/2 x 3 11/16 in.). The Cleveland Museum of Art, Gift of Emma G. Brassington, 1939.261


title: The Last Judgment

creator: Jean Cousin (French, c. 1490–c. 1560)

medium: pen and brown ink; framing lines in black ink

subjects: Drawing France

credit_line: The Last Judgment, 1500s. After Jean Cousin (French, c. 1490–c. 1560). Pen and brown ink; framing lines in black ink; sheet: 10.8 x 16.4 cm (4 1/4 x 6 7/16 in.). The Cleveland Museum of Art, Gift of Robert Hays Gries, 1939.649


title: Woodblock Printed Textile Fragments

medium: woodblock print on cotton and linen mixed

country: France, late 18th century

subjects:
Costume & fashion
Textile
France, late 18th century

credit_line: Woodblock Printed Textile Fragments, c. 1785. France, late 18th century. Woodblock print on cotton and linen mixed; overall: 98.7 x 125.1 cm (38 7/8 x 49 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1940.38


title: The Village Dance

creator: Thomas Rowlandson (British, 1756–1827)

country: England, 18th-19th century

subjects:
Drawing
England, 18th-19th century

credit_line: The Village Dance, c. 1815–25. Thomas Rowlandson (British, 1756–1827). Watercolor; sheet: 35.5 x 48.1 cm (14 x 18 15/16 in.). The Cleveland Museum of Art, Bequest of James Parmelee, 1940.733


title: Dal Lake, Kashmir

medium: color woodcut

credit_line: Dal Lake, Kashmir, 1916. Charles William Bartlett (British, 1860–1940). Color woodcut. The Cleveland Museum of Art, Bequest of James Parmelee, 1940.832


title: Vase

medium: porcelain

credit_line: Vase, 1662–1722. China, Qing dynasty (1644-1911), Kangxi reign (1661-1722). Porcelain; overall: 26.4 cm (10 3/8 in.). The Cleveland Museum of Art, Bequest of James Parmelee, 1940.960


creator: Rembrandt van Rijn (Dutch, 1606–1669)

medium: etching

subjects: Architecture Print Netherland

credit_line: Christ Driving the Money Changers from the Temple, 1635. Rembrandt van Rijn (Dutch, 1606–1669). Etching; sheet: 13.9 x 17.2 cm (5 1/2 x 6 3/4 in.). The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1941.655


title: Fleecy Clouds

creator: George Inness (American, 1825–1894)

medium: oil on canvas

country: America

subjects: Painting America

credit_line: Fleecy Clouds, 1881. Imitator of George Inness (American, 1825–1894). Oil on canvas; unframed: 25.5 x 51 cm (10 1/16 x 20 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. S. Prentiss Baldwin, 1942.889


creator: Lievin Cruyl (Flemish, c. 1640-c. 1720)

medium: pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown ink

subjects: Drawing Flander

credit_line: Eighteen Views of Rome: The Piazza del Popolo (recto); Sketch for San Giovanni in Laterano (verso), 1664. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown ink; sheet: 38.9 x 49.6 cm (15 5/16 x 19 1/2 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.261


title: Chalice Vine

medium: etching and aquatint

country: Germany, worked in London, 18th century

subjects:
Print
Germany, worked in london, 18th century

credit_line: Chalice Vine, 1790. Maria Catharina Prestel (German, 1747–1794). Etching and aquatint. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, for the Donald Gray Memorial Collection, 1945.244


title: The Anarchist

country: France, late 19th-early 20th century

subjects:
Print
France, late 19th-early 20th century

credit_line: The Anarchist, 1892. Félix Vallotton (Swiss French, 1865–1925). Woodcut. The Cleveland Museum of Art, Gift of Mr. and Mrs. Edward P. Robinson in memory of Rose and Charles Knieling, 1946.185


medium: lithograph

subjects:
Architecture
Portfolio
England, 19th century

credit_line: Picturesque Architecture in Paris, Ghent, Antwerp, Rouen:  St. Etienne du Mont and the Pantheon, Paris, 1839. Thomas Shotter Boys (British, 1803–1874). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Ralph Perkins in memory of Coburn Haskell, 1946.36.22


title: La Tour St. Jacques

creator: Victor Coindre (French)

subjects:
Print
France, 19th century

credit_line: La Tour St. Jacques, c. 1838–82. Victor Coindre (French). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Malcolm L. McBride, 1947.144


title: Fragment

medium: stamped resist, applied mordant, dyed; cotton

country: India

subjects:
Costume & fashion
Textile
India

credit_line: Fragment, 1400s (?). India. Stamped resist, applied mordant, dyed; cotton; overall: 17.8 x 11.5 cm (7 x 4 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1951.518


country: Germany

subjects: Print Germany

credit_line: The Fall and Redemption of Man: Ecco Homo, c. 1515. Albrecht Altdorfer (German, c. 1480–1538). Woodcut. The Cleveland Museum of Art, John L. Severance Fund, 1952.47.a


medium: tempera and gold on parchment

country: Italy

subjects: Manuscript Italy

credit_line: Historiated Initial (U) Excised from a Bible, 1200s. Italy. Tempera and gold on parchment; sheet: 4.5 x 4.5 cm (1 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Vittorio Forti, 1954.131.5


medium: pen and brown ink with brush and blue wash (discolored to green in places) (trace of red chalk unrelated to composition)

subjects: Drawing Italy

credit_line: View of Lake Nemi (recto) Small Group of Roman Ruins (verso), c. 1650. Italy. Pen and brown ink with brush and blue wash (discolored to green in places) (trace of red chalk unrelated to composition); sheet: 16.7 x 26 cm (6 9/16 x 10 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1955.159


creator: Mary Lawrance (British, 1781–1845)

medium: etching, hand colored

country: England, late 18th Century

subjects:
Print
England, late 18th century
Roses

credit_line: A Collection of Roses from Nature:  Dark China Rose, 1799. Mary Lawrance (British, 1781–1845). Etching, hand colored. The Cleveland Museum of Art, Gift of The Print Club of Cleveland in honor of Mrs. William G. Mather, 1955.464


creator: F. Müller (German)

medium: brush and gray wash, with brush and red wash; framing lines in black ink

country: Germany, 18th century

subjects:
Mythology
Drawing
Germany, 18th century

credit_line: Allegorical Scene: Couple before a Statue, 1700s. F. Müller (German). Brush and gray wash, with brush and red wash; framing lines in black ink; sheet: 17.2 x 10.5 cm (6 3/4 x 4 1/8 in.); image: 16.3 x 9.8 cm (6 7/16 x 3 7/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1956.302


creator: Jean Louis Forain (French, 1852–1931)

medium: black crayon and brush and brown, gray and red wash, heightened with white gouache

country: France, late 19th-early 20th Century

subjects:
Drawing
France, late 19th-early 20th century

credit_line: "The German troups received the formal order to spare private property", fourth quarter 1800s or first third 1900s. Jean Louis Forain (French, 1852–1931). Black crayon and brush and brown, gray and red wash, heightened with white gouache; sheet: 31.9 x 47.8 cm (12 9/16 x 18 13/16 in.). The Cleveland Museum of Art, The Fanny Tewksbury King Collection, 1956.729


title: Doctor

date: late 1800s or early 1900s

medium: pen and brown ink with watercolor wash

country: England, late 19th or early 20th century

credit_line: Doctor, late 1800s or early 1900s. Imitator of Thomas Rowlandson (British, 1756–1827). Pen and brown ink with watercolor wash; sheet: 19.7 x 15.5 cm (7 3/4 x 6 1/8 in.). The Cleveland Museum of Art, Bequest of Leonard C. Hanna Jr., 1958.5


title: The Power of Women: Samson and Delilah

medium: woodcut

country: Netherlands, 16th century

subjects:
Print
Netherlands, 16th century

credit_line: The Power of Women: Samson and Delilah, 1516–1519. Lucas van Leyden (Netherlandish, 1494–about 1533). Woodcut. The Cleveland Museum of Art, Delia E. Holden Fund, 1960.159


title: Battersea:  Dawn

medium: drypoint

subjects: Print America

credit_line: Battersea:  Dawn, 1877. James McNeill Whistler (American, 1834–1903). Drypoint. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1960.22


creator: Albrecht Dürer (German, 1471–1528)

country: Germany, late 15th-early 16th century

subjects:
Print
Germany, late 15th-early 16th century

credit_line: The Small Passion:  Christ Washing St. Peter's Feet, c. 1509–10. Albrecht Dürer (German, 1471–1528). Woodcut. The Cleveland Museum of Art, Gift of Mr. and Mrs. Paul Ehrenfest in memory of William J. Collins, 1960.229


title: Plate

creator: Joesph- Gaspard Robert Factory (French)

medium: faience

country: France, Marseilles

subjects:
Ceramic
France, marseille

credit_line: Plate, 1750–75. Joesph- Gaspard Robert Factory (French). Faience; diameter: 23.1 cm (9 1/8 in.). The Cleveland Museum of Art, The Norweb Collection, 1961.5


title: Le Printemps

creator: Auguste Rodin (French, 1840–1917)

country: France, 19th century

credit_line: Le Printemps, 1883. Auguste Rodin (French, 1840–1917). Drypoint; platemark: 14.7 x 10 cm (5 13/16 x 3 15/16 in.); sheet: 27.2 x 18.3 cm (10 11/16 x 7 3/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1962.106


title: Yvette Guilbert:  Dans la glu

credit_line: Yvette Guilbert:  Dans la glu, 1898. Henri de Toulouse-Lautrec (French, 1864–1901). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1962.193


title: Lochkillin

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: Lochkillin, 1826. Richard Parkes Bonington (British, 1802–1828). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1962.92


title: Crucifixion

medium: chiaroscuro woodcut

country: England, 18th century

subjects:
Print
England, 18th century

credit_line: Crucifixion, 1741. John Baptist Jackson (British, 1701-c. 1780). Chiaroscuro woodcut. The Cleveland Museum of Art, Gift of William Ellery Greene for the Lucy S. Greene Collection, 1963.567


title: The Flight into Egypt: Crossing a Brook

medium: etching and drypoint

country: Netherlands

subjects: Print Netherland

credit_line: The Flight into Egypt: Crossing a Brook, 1654. Rembrandt van Rijn (Dutch, 1606–1669). Etching and drypoint; sheet: 10.3 x 15.4 cm (4 1/16 x 6 1/16 in.); platemark: 9.5 x 14.6 cm (3 3/4 x 5 3/4 in.). The Cleveland Museum of Art, Gift of Mrs. Malcolm L. McBride, 1963.605


title: Bowl with Orchids

medium: porcelain with famille rose overglaze enamel decoration

subjects: Ceramic Orchids Roses

credit_line: Bowl with Orchids, 1736–1795. China, Jiangxi province, Jingdezhen kilns, Qing dynasty (1644-1911), Qianlong mark and reign (1736-95). Porcelain with famille rose overglaze enamel decoration; diameter: 11.6 cm (4 9/16 in.); overall: 5.4 cm (2 1/8 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.208


title: Jardiniere with Dragon in Waves

medium: porcelain with molded and incised decoration and light celadon glaze

credit_line: Jardiniere with Dragon in Waves, 1662–1722. China, Jiangxi province, Jingdezhen kilns, Qing dynasty (1644-1911), Kangxi reign (1662-1722). Porcelain with molded and incised decoration and light celadon glaze; diameter: 41.7 cm (16 7/16 in.); overall: 28.2 cm (11 1/8 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.224


title: Artemisia

creator: Georg Pencz (German, c. 1500–1550)

medium: engraving

credit_line: Artemisia, c. 1539. Georg Pencz (German, c. 1500–1550). Engraving. The Cleveland Museum of Art, Gift of Mr. and Mrs. H. Austin Hauxhurst, 1964.468


title: The Morning of Life

creator: Samuel Palmer (British, 1805–1881)

medium: etching

credit_line: The Morning of Life, 1860–1861. Samuel Palmer (British, 1805–1881). Etching. The Cleveland Museum of Art, Gift of Mr. and Mrs. Lewis B. Williams, presented in honor of Henry Sayles Francis, Curator of Prints, 1966.194


title: The Cypress Grove

credit_line: The Cypress Grove, 1883. Samuel Palmer (British, 1805–1881). Etching. The Cleveland Museum of Art, Gift of Mr. and Mrs. Lewis B. Williams, presented in honor of Henry Sayles Francis, Curator of Prints, 1966.204


creator: William Blake (British, 1757–1827)

credit_line: The Book of Job:  Pl. 16, Thou hast fulfilled the judgment of the wicked, 1825. William Blake (British, 1757–1827). Engraving. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1966.398


title: Desk Album: Flower and Bird Paintings

creator: Zhang Ruoai (Chinese, 1713–1746)

country: China, Qing dynasty (1644-1911)

subjects:
Painting
China, qing dynasty (1644-1911)
Birds
Flowers

credit_line: Desk Album: Flower and Bird Paintings, 1700s. Zhang Ruoai (Chinese, 1713–1746). Album of ten leaves, ink and color on paper; overall: 14.4 x 20.3 cm (5 11/16 x 8 in.). The Cleveland Museum of Art, Anonymous Gift, 1967.193


creator: Jakob Alt (Austrian, 1789–1872)

medium: lithograph

country: Austria

subjects: Print Austria

credit_line: Nieder-oesterreich, Die Ferdinand Brucke in Wien. Jakob Alt (Austrian, 1789–1872). Lithograph. The Cleveland Museum of Art, Gift of William H. Schab, 1968.291


credit_line: Baiern, Stadt Kellheim und Colonie Neu-Kellheim. Jakob Alt (Austrian, 1789–1872). Lithograph. The Cleveland Museum of Art, Gift of William H. Schab, 1968.333


title: Jan Lievens

medium: etching and engraving

country: Flanders

subjects: Print Flander

credit_line: Jan Lievens, 1636–41. Lucas Emil Vorsterman (Flemish, 1595–1675). Etching and engraving. The Cleveland Museum of Art, Gift of Mr. and Mrs. Wilbur D. Prescott, 1968.359


country: Germany, early 16th Century

subjects:
Print
Germany, early 16th century

credit_line: Saint Anne, the Virgin, and Christ Child, c. 1505. Hans Wechtlin (German, 1480/85–after 1526). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1971.10


title: Viviane

creator: Jules Chéret (French, 1836–1932)

medium: color lithograph

country: France, Paris

subjects:
Print
France, pari

credit_line: Viviane, 1886. Jules Chéret (French, 1836–1932). Color lithograph; sheet: 78.2 x 55.9 cm (30 13/16 x 22 in.); image: 66.5 x 48.8 cm (26 3/16 x 19 3/16 in.). The Cleveland Museum of Art, The Harold T. Clark Educational Extension Fund, 1972.1126


title: Lorenzaccio

creator: Alphonse Mucha (Czech, 1860–1939)

country: Czechoslovakia, late 19th-early 20th century

credit_line: Lorenzaccio, 1896–1900. Alphonse Mucha (Czech, 1860–1939). Color lithograph; sheet: 39.9 x 29 cm (15 11/16 x 11 7/16 in.); image: 32.6 x 11.2 cm (12 13/16 x 4 7/16 in.). The Cleveland Museum of Art, The Harold T. Clark Educational Extension Fund, 1973.1018


title: Vase

medium: glazed white porcelain

credit_line: Vase, 1662–1722. China, Jiangxi province, Jingdezhen kilns, Qing dynasty (1644-1911), Kangxi reign (1662-1722). Glazed white porcelain; overall: 25.4 cm (10 in.). The Cleveland Museum of Art, Gift of Dr. Richard G. Paley, 1975.184


title: Medal

creator: Pierre Roche (French, 1855–1922)

medium: bronze

country: France, 20th century

subjects:
Metalwork
France, 20th century

credit_line: Medal, 1900. Pierre Roche (French, 1855–1922). Bronze; diameter: 18.1 cm (7 1/8 in.). The Cleveland Museum of Art, Anonymous Gift, 1978.121


title: Rajput Box with Various Scenes

medium: painted wood

country: India, Rajasthan, early 19th Century

subjects:
Painting
India, rajasthan, early 19th century

credit_line: Rajput Box with Various Scenes, c. 1800. India, Rajasthan, early 19th Century. Painted wood; overall: 7.9 x 6.5 cm (3 1/8 x 2 9/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1979.56


title: Boat on a Beach, Le Tréport

creator: François Bonvin (French, 1817–1887)

medium: watercolor and gouache over traces of graphite

subjects:
Drawing
France, 19th century

credit_line: Boat on a Beach, Le Tréport, 1854. François Bonvin (French, 1817–1887). Watercolor and gouache over traces of graphite; sheet: 21.8 x 31.9 cm (8 9/16 x 12 9/16 in.). The Cleveland Museum of Art, Bequest of Noah L. Butkin, 1980.234


title: Tartars on Horseback

creator: Aleksandr Orlowski (Russian, 1777–1832)

country: Russia

subjects: Print Russia

credit_line: Tartars on Horseback, 1820. Aleksandr Orlowski (Russian, 1777–1832). Lithograph. The Cleveland Museum of Art, James Parmelee Fund, 1980.56


date: early 1820s

medium: color woodblock print

country: Japan, Edo period (1615–1868)

subjects:
Print
Japan, edo period (1615–1868)

credit_line: The Geisha Motozuru (?) of Kaideya as a Dancer in Court Robes (from the series The Parade in the Shimmachi District of Osaka), early 1820s. Yanagawa Shigenobu (Japanese, 1787–1832). Color woodblock print; sheet: 38.2 x 25.8 cm (15 1/16 x 10 3/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1980.87


medium: tapestry weave: wool

country: Egypt ?, 8th century

subjects:
Costume & fashion
Textile
Egypt , 8th century
Birds

credit_line: Roundel Fragment: Speckled-Breasted Bird, c. 740 – 760. Egypt ?, 8th century. Tapestry weave: wool; overall: 14.5 x 15.7 cm (5 11/16 x 6 3/16 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1982.108


title: Beach Scene, St. Malo

medium: watercolor

country: America

subjects: Drawing America

credit_line: Beach Scene, St. Malo, c. 1909. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Watercolor; sheet: 34.9 x 50.6 cm (13 3/4 x 19 15/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1982.163


title: Reynard the Fox

credit_line: Reynard the Fox, 1650–75. Allart van Everdingen (Dutch, 1621–1675). Etching. The Cleveland Museum of Art, Gift of Ellen V. Kloppman in memory of her parents, Mr. and Mrs. Bernard Vixseboxse, 1982.179


creator: Paul Sandby (British, 1731–1809)

medium: etching, roulette, soft-ground etching, and aquatint

credit_line: Twelve Views in South Wales:  St. Quintin's Castle near Cowbridge in Glamorganshire, 1775. Paul Sandby (British, 1731–1809). Etching, roulette, soft-ground etching, and aquatint. The Cleveland Museum of Art, Delia E. Holden Fund, 1983.83


title: Anekawa Daisuke as Ayame-no-mae

creator: Torii Kiyomitsu (Japanese, 1735–1785)

credit_line: Anekawa Daisuke as Ayame-no-mae, 1760. Torii Kiyomitsu (Japanese, 1735–1785). Color woodblock print; sheet: 31.2 x 14.2 cm (12 5/16 x 5 9/16 in.). The Cleveland Museum of Art, The Kelvin Smith Collection, given by Mrs. Kelvin Smith, 1985.328


title: Hymn of Man

creator: Charles Marie Dulac (French, 1865–1898)

medium: lithograph printed in color on chine collé

subjects:
Print
France, 19th century

credit_line: Hymn of Man, c. 1894. Charles Marie Dulac (French, 1865–1898). Lithograph printed in color on chine collé. The Cleveland Museum of Art, Gift of Henry H. Hawley, 1986.217


subjects:
Print
England, 18th century
Landscapes

credit_line: Wooded Landscape with Herdsmen Driving Cattle, 1779–1780. Thomas Gainsborough (British, 1727–1788). Etching; sheet: 32.2 x 41.2 cm (12 11/16 x 16 1/4 in.); image: 29.9 x 38.9 cm (11 3/4 x 15 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1986.27


title: Storage Jar: Bizen Ware

date: late 1400s-early 1500s

medium: stoneware with natural ash glaze, incised comb pattern, and incised potter's mark

country: Japan, Muromachi period (1392–1573)

subjects:
Ornament & design
Ceramic
Japan, muromachi period (1392–1573)

credit_line: Storage Jar: Bizen Ware, late 1400s-early 1500s. Japan, Muromachi period (1392–1573). Stoneware with natural ash glaze, incised comb pattern, and incised potter's mark; diameter: 18.8 cm (7 3/8 in.); overall: 25.5 cm (10 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1988.149


title: Small Dish with Flowers

date: late 1600s

medium: porcelain with overglaze color enamel and molding (Hizen ware, Kakiemon type)

subjects:
Ceramic
Japan, edo period (1615–1868)
Flowers

credit_line: Small Dish with Flowers, late 1600s. Japan, Edo period (1615–1868). Porcelain with overglaze color enamel and molding (Hizen ware, Kakiemon type); diameter: 14.4 cm (5 11/16 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.259


medium: color on paper

credit_line: Kanhara Ragini: Song of Inspiration to Krishna for Killing the Elephant Demon, from the Ragamala Series, c. 1760. India, Rajasthan, Bundi-Kota school, 18th century. Color on paper; overall: 26.1 x 18.7 cm (10 1/4 x 7 3/8 in.); with borders: 33.7 x 25.1 cm (13 1/4 x 9 7/8 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.342


creator: Shibata Zeshin (Japanese, 1807–1891)

medium: leaf in accordion-style album; ink, color, and gold on silk

subjects:
Japan, edo period (1615–1868)
Butterflies & moths

credit_line: Moths from Album of Paintings by the Venerable Zeshin, 1847. Shibata Zeshin (Japanese, 1807–1891). Leaf in accordion-style album; ink, color, and gold on silk; each leaf: 19.7 x 18.4 cm (7 3/4 x 7 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1990.130.c


subjects: Eastern india, bengal, kolkata, kalighat

credit_line: Parvati Placing a Wedding Garland on Shiva (recto), from a Kalighat album, c. 1890. Eastern India, Bengal, Kolkata, Kalighat. Gum tempera, graphite, ink, and tin on paper; secondary support: 48.2 x 29.6 cm (19 x 11 5/8 in.); painting only: 45.5 x 27.5 cm (17 15/16 x 10 13/16 in.). The Cleveland Museum of Art, Gift of William E. Ward in memory of his wife, Evelyn Svec Ward, 2003.108.a


creator: Émile Bernard (French, 1868–1941)

medium: zincograph

country: France, 19th century

credit_line: Les Bretonneries: The Harvesters (Les Moissonneurs), 1889, printed 1896. Émile Bernard (French, 1868–1941). Zincograph; sheet: 41.2 x 57.8 cm (16 1/4 x 22 3/4 in.); image: 24.3 x 29.9 cm (9 9/16 x 11 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2005.180.2.b


credit_line: Les Bretonneries: Wedding in Brittany (La Noce en Bretange), 1889, printed 1896. Émile Bernard (French, 1868–1941). Zincograph; sheet: 41.2 x 57.7 cm (16 1/4 x 22 11/16 in.); image: 24.2 x 29.9 cm (9 1/2 x 11 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2005.180.3.b


medium: Gum tempera and gold on paper

country: Mughal India

subjects:
Painting
Mughal india

credit_line: A Man Dips His Hand into a Cauldron as Ladies of the Harem Stand in Amazement: A Page from a Manuscript of Religious History, c. 1600. Mughal India. Gum tempera and gold on paper; page: 31.6 x 20.4 cm (12 7/16 x 8 1/16 in.). The Cleveland Museum of Art, Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection, 2013.307


title: Three People, a Mask, a Fox and a Bird, headpiece forLe sourire

creator: Paul Gauguin (French, 1848-1903)

date: 1899, printed and published 1921

medium: Wood-block print in black ink on ivory China paper

country: France

subjects:
Woodcut
France
Birds
Paper (fiber product)
Print
Print and drawing

credit_line: The Joseph Brooks Fair Collection


title: Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite

date: 1893/94, printed and published 1921

medium: Wood-block print in black ink on grayish-ivory China paper

subjects:
Woodcut
France
Paper (fiber product)
Print
Print and drawing


title: Noa Noa (Fragrant), from the Noa Noa Suite

date: 1893–94, printed and published 1921


title: Mahana atua (Day of the God)

date: 1894/95, printed and published 1921


title: Maruru (Offerings of Gratitude), from the Noa Noa Suite


title: Te po (The Night), from the Noa Noa Suite


title: Projet d’assiette (Leda) (Design for a Plate [Leda]), frontispiece from the Volpini Suite

date: 1889, printed after 1911

medium: Zincograph in black on ivory wove paper (imitation Japanese vellum)

subjects:
Zincograph
France
Paper (fiber product)
Lithograph
Print
Print and drawing

credit_line: Albert Roullier Memorial Collection


title: Auti te pape (Women at the River), from the Noa Noa Suite

medium: Wood-block print in black ink, over stenciled dark-red ink and a yellow-ink tone block, on cream wove paper (an imitation Japanese vellum)


title: Auti te pape (Women at the River) from the Noa Noa Suite


title: L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite


title: Nave nave fenua (Delightful Land), from the Noa Noa Suite


title: Change of Residence, from the Suite of Late Wood-Block Prints

creator: Paul Gauguin

medium:
Second-state impression laid down on first-state impression
Wood-block print of second state in black ink on thin ivory Japanese paper, laid down on wood-block print of first state in ocher ink on grayish-ivory wove paper (recto); wood-block print in black ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso)

credit_line: Albert H. Wolf Memorial Collection


title: Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints

medium: Wood-block print in black ink on thin ivory Japanese paper, tipped on thin white Japanese paper

credit_line: Gift of the Print and Drawing Club


title: Portrait of Stéphane Mallarmé

medium: Etching, drypoint and engraving in brown-black on cream Japanese laid paper

subjects:
Etching
France
Portraits
Paper (fiber product)
Printing
Drypoint (printing process)
Engraving (printing process)
Print
Print and drawing


title: Old Women of Arles, from the Volpini Suite

medium: Zincograph in black on ivory wove paper (an imitation Japanese vellum)

credit_line: William McCallin McKee Memorial Endowment


title: Seated Breton Woman

medium: Black fabricated chalk with pastel on ivory laid paper

subjects:
Charcoal
France
Paper (fiber product)
Plant material
Pastel (crayons)
Crayon
Drawing (visual works)
Print and drawing

credit_line: Mr. and Mrs. Carter H. Harrison Collection


title: Te faruru (Here We Make Love), from the Noa Noa Suite

medium: Wood-block print, printed twice in brown and black inks, with selective wiping, and a transferred twill impression, on cream wove Japanese paper, laid down on cream laid Japanese paper (a laminate made by the artist)


medium: End-grain boxwood block, with a commercially prepared gray ground, selectively inked in black printing ink

subjects:
Woodblock
France
Matrix
Print and drawing
Print


medium: Wood-block print in black, with a transferred twill impression, on tan wove paper

subjects:
Woodcut
France
Woodcut (process)
Paper (fiber product)
Printing
Print
Print and drawing


title: Seated Tahitian Woman (recto), Sketches of Roosters and Chickens (verso)

medium: Black fabricated chalk, selectively blended, with touches of brush and gray gouache, over traces of black fabricated chalk offset (recto); graphite (verso); on ivory wove paper (removed from a sketchbook)

subjects:
Crayon
France
Paper (fiber product)
Wash
Coating (material)
Drawing (visual works)
Print and drawing

credit_line: Samuel P. Avery Fund


medium: Zincograph in black on chrome yellow wove paper


title: Te atua (The God), from the Noa Noa Suite

medium: Wood-block print in black ink, over a stenciled dark-red-ink tone block, on cream wove paper (an imitation Japanese vellum)

subjects:
Woodcut
France
Religious scene
Post-impressionism
Paper (fiber product)
Print
Print and drawing

credit_line: Print Sales Miscellaneous Fund


medium: Wood-block print, printed in black ink on cream wove paper


medium: Wood-block print in black ink on tan wove paper


title: Te atua (The God), from the Suite of Late Wood-Block Prints

medium:
Second-state impression laid down on first-state impression
Wood-block print of second state in black ink on lunette-shaped, thin ivory Japanese paper, laid down on wood-block print of first state in brownish-black ink on lunette-shaped ivory wove paper


medium: Wood-block print in residual brown and black inks on ivory wove paper

subjects:
Woodcut
France
Paper (fiber product)
Ink
Coating (material)
Print
Print and drawing


title: Human Miseries, from the Volpini Suite

medium: Zincograph in reddish-brown on chrome yellow wove paper


title: Joies de Bretagne (Joys of Brittany), from the Volpini Suite


title: Les drames de la mer: Bretagne (Dramas of the Sea: Brittany), from the Volpini Suite

subjects:
Zincograph
France
Water
Mysteries/fantasie
Circle
Women
Post-impressionism
Paper (fiber product)
Lithograph
Print
Print and drawing


title: Pastorales Martinique (Martinique Pastorals), from the Volpini Suite


title: Les drames de la mer (Dramas of the Sea), from the Volpini Suite


title: The Laundresses, from the Volpini Suite


title: Les cigales et les fourmis (The Grasshoppers and the Ants), from the Volpini Suite


title: Projet d’assiette (Leda) (Design for a Plate [Leda]), frontispiece from the Volpini Suite

medium: Zincograph in black, with pale orange, red and green watercolor and white crayon, on chrome yellow wove paper


title: Breton Bathers, from the Volpini Suite


title: Breton Women by a Gate, from the Volpini Suite


title: Seated Tahitian Woman (related to the painting Te faaturuma [Reverie])

medium: Charcoal on cream wove paper (discolored to tan)

subjects:
France
Drawing (visual works)
Paper (fiber product)
Charcoal
Print and drawing

credit_line: Margaret Day Blake Collection


title: A Horse and Birds, headpiece for Le sourire

medium: Wood-block print in black ink on thin ivory laid Japanese paper

credit_line: Gift of Frank B. Hubachek


title: Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints

medium: Wood-block print, printed twice in black over pale yellow ocher ink, on thin ivory Japanese paper, partially laid down on white two-ply mat board


title: Woman Picking Fruit and Oviri

medium: Wood-block print in black ink on thin ivory Japanese paper, tipped on ivory wove paper, laid down on off-white wove plate paper with decorative plate marks

subjects:
Ornament & design
Woodcut
France
Fruits
Paper (fiber product)
Print
Print and drawing


medium: Wood-block print in black ink, with yellow ocher ink offset, on thin ivory Japanese paper, laid face down on ivory wove paper (recto); wood-block print in brownish-black ink on ivory wove paper (verso)


title: Nave nave fenua (Delightful Land), from the Noa Noa Suite

medium: Wood-block print in residual brown and black inks, with selective wiping, a transferred twill impression, and touches of hand-applied dark brown ink, on thin, pale-pink wove paper (faded to tan)


title: Crouching Tahitian Woman (related to the painting Nafea faa ipoipo [When Will You Marry?])

medium: Pastel over charcoal, selectively stumped, on cream wove paper (discolored to tan), squared in black chalk on cream wove paper (discolored to tan)

subjects:
Chalk
France
Paper (fiber product)
Drawing (visual works)
Print and drawing


title: Breton Bather

medium: Charcoal and pastel, with touches of brush and brown ink, on ivory laid paper (discolored to tan), partially outlined in graphite and squared in black fabricated chalk, with yellow paint residue on verso

subjects:
Pastel
France
Paper (fiber product)
Chalk stick
Black chalk
Chalk
Inorganic material
Pastel (crayons)
Crayon
Drawing (visual works)
Print and drawing

credit_line: Gift of Mrs. Charles B. Goodspeed


medium: Wood-block print in black ink, over a stenciled orange-ink tone block, on cream wove paper (an imitation Japanese vellum)


title: Three People, a Mask, a Fox, and a Bird, headpiece for Le sourire


title: Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her)

medium: Wood-block print, printed twice in black ink, on cream Japanese paper


title: Bust of a Nude Woman and Three-Quarter Figure of a Man with a White Cap in Profile, Third Small Figure at Far Right, headpiece for Le sourire

medium: Wood-block print in black ink on cream wove paper

credit_line: Gift of Cornelius Crane


medium: Wood-block print in black ink with brush and stencil-applied red, orange, yellow, green, blue, violet, and brown watercolors on ivory Japanese paper, laid down on cream Japanese paper

credit_line: John H. Wrenn Fund


title: Tahitian Idol—the Goddess Hina

medium: Wood-block print in black ink, over brush and solvent thinned and selectively applied ocher, reddish-orange and touches of green wax-and-resin-based media, on cream wove paper


title: Human Miseries, from the Suite of Late Wood-Block Prints

medium: Wood-block print in black ink on thin ivory Japanese paper, laid down on white Japanese paper


title: Wayside Shrine in Brittany, from the Suite of Late Wood-Block Prints

medium: Wood-block print in black ink on thin ivory Japanese paper, tipped on thin white Japanese paper


title: Buddha, from the Suite of Late Wood-Block Prints

medium: Wood-block print in black ink on thin ivory Japanese paper perimeter mounted on white Japanese paper


title: Oviri

medium: Wood-block print, printed twice in deep-yellow ocher and brown ink, with touches of black watercolor, on cream wove paper (an imitation Japanese vellum), mounted on mottled blue wove laminate card (recto); wood-block print in black ink over red ink tone block, and brush and solvent-thinned orange wash, on cream wove paper (an imitation Japanese vellum) mounted on mottled blue wove laminate card (verso)


title: Oviri

medium: Wood-block print, printed twice in deep-yellow ocher and black ink, on cream wove paper (an imitation Japanese vellum), mounted on mottled blue wove laminate card (recto); wood-block print in black ink over red ink tone block, and brush and solvent-thinned orange wash, on cream wove paper (an imitation Japanese vellum) mounted on mottled blue wove laminate card (verso)


title: Le sourire: Journal méchant, Mar. 1900

medium: Mimeograph in brownish-black ink, with wood-block print in black ink on cream wove paper


title: Noa Noa (Fragrant), from the Noa Noa Suite

medium: Wood-block print in black ink, over traces of brown ink, with hand-applied blue, light blue, several greens, pink, orange, pale-orange, yellow, pale-red, and dark-gray watercolor, on ivory Japanese paper

credit_line: Clarence Buckingham Collection


title: Te po (The Night) from the Noa Noa Suite

medium: Wood-block print, printed twice in brown and black inks, with selective wiping, and hand-applied red, two tones of orange, yellow, two tones of blue, silver-gray, and black watercolor, on cream laid Japanese paper laid down on cream wove Japanese paper (a laminate made by the artist)


title: Fox, Busts of Two Women, and a Rabbit, headpiece for Le sourire

medium: Wood-block print in black on thin, ivory Japanese paper

credit_line: Frank B. Hubachek Collection


title: A Fisherman Drinking Beside His Canoe

medium: Wood-block print, printed twice in brown and black ink, on cream wove Japanese paper laid down on cream wove Japanese paper


title: L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite

medium: Wood-block print, printed twice in black and brown inks, with selective wiping, and hand-applied orange, yellow, red, two tones of green, two tones of blue, silver-gray and black watercolor, on cream wove Japanese paper laid down on cream laid Japanese paper (a laminate made by the artist)

subjects:
Woodcut
France
Mythology
Paper (fiber product)
Print
Print and drawing


medium: Wood-block print, printed in black ink with traces of residual brown ink, with selective wiping, over solvent-thinned and transferred and stenciled yellow, orange, red, blue, and green oil-based media, some containing beeswax and conifer resin (probably pine resin), with touches of brush and black ink, on medium-weight, smooth, pink wove paper (faded to tan)


title: Maruru (Offerings of Gratitude), from the Noa Noa Suite

medium: Wood-block print, printed twice in brown and black inks, with selective wiping of the brown, and hand-applied green, blue, two yellows, and pink watercolor on ivory wove Japanese paper laid down on cream laid Japanese paper (a laminate made by the artist)


title: Te faruru (Here We Make Love), from the Noa Noa Suite

medium: Wood-block print, printed twice in brown and black inks, with selective wiping, and a transferred twill impression, touches of brush and red and green watercolors, and traces of brush and black ink, on pale-pink wove paper (faded to tan)


title: Manau tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite

medium: Wood-block print, printed twice in brown and black inks, with selective wiping, and a transferred twill impression, on pale-pink wove paper (faded to tan)


medium: Wood-block print in black ink, with touches of reddish-brown watercolor and black ink, over yellow ink tone block and transferred golden-yellow, orange, and green oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream Japanese paper, laid down on heavy cream wove card


title: A Fisherman Drinking Beside His Canoe

medium: Wood-block print in black ink on tan wove paper (recto); wood-block print in black ink, over stencil-applied red and yellow ink, on cream wove paper (verso)


title: Tahitian Idol—the Goddess Hina

medium: Wood-block print in reddish-brown ink with blue-gray watercolor on ivory wove paper, laid down on ivory wove paper


title: Mahana atua (Day of the God)

medium: Wood-block print in black ink with touches of solvent-thinned blue, red, and orange watercolors (recto); wood-block print, printed twice in brown and brown-black ink (a maculature impression) (verso), on cream Japanese paper

subjects:
Woodcut
France
Woodcut (process)
Paper (fiber product)
Watercolor
Water-base paint
Paint
Coating (material)
Mixed media
Media
Artists' material
Printing
Print
Print and drawing


title: Maori Woman in the Forest

medium: Wood-block print in black ink manipulated with brush and solvent, on ivory Japanese paper, laid down on cream Japanese paper


medium: Wood-block print, printed twice in black ink, with brush and stencil-applied red, orange, yellow, green, blue, violet, and brown watercolors on ivory Japanese paper, laid down on cream Japanese paper


title: Auti te pape (Women at the River), from the Noa Noa Suite

medium: Wood-block print, printed twice in pale orange and black ink, over transferred yellow, pink, orange, blue and green oil-based media, with traces of conifer resin (probably pine resin), on cream wove Japanese paper, laid down on cream wove Japanese paper


title: Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite

medium: Wood-block print, printed twice in brown and black inks, over a yellow, silver-gray and brownish-orange ink tone block, and transferred yellow, green, red, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), on ivory Japanese paper, laid down on cream wove card

subjects:
Woodcut
France
Woodcut (process)
Paper (fiber product)
Mixed media
Media
Artists' material
Printing
Print
Print and drawing


title: Te atua (The God) from the Noa Noa Suite

medium: Wood-block print, printed twice in yellow ocher and black inks, over yellow ink tone block, and transferred golden-yellow, green, red-orange, and red oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream Japanese paper

subjects:
Woodcut
France
Paper (fiber product)
Print
Print and drawing


title: Nave nave fenua (Delightful Land), from the Noa Noa Suite

medium: Wood-block print in black ink, with hand-applied red, blue, green, yellow, red-orange, and silver-gray watercolor on tan wove paper


title: Noa noa (Fragrant)

medium: Wood-block print in black ink, with red, orange, blue, mauve, light green, and green watercolor on parchment

subjects:
Woodcut
France
Post-impressionism
Print
Print and drawing


title: Reclining Tahitian (fragment)

medium: Pastel monotype, with touches of pastel, on cream wove Japanese paper, laid down on cream wove Japanese paper

subjects:
Monotype
France
Paper (fiber product)
Print and drawing
Paper
Drawing (visual works)


title: Le sourire: Journal méchant, Feb. 1900

medium: Mimeograph in brownish-black ink, with wood-block print in black ink, on cream wove paper


medium: Wood-block print in black ink on cream Japanese paper

credit_line: Gift of Carl O. Schniewind


title: Oviri

medium: Wood-block print in black ink on cream wove Japanese paper, laid down on cream wove Japanese paper


title: Oviri

medium: Wood-block print, printed twice in deep yellow ocher and black ink (recto); wood-block print in black ink over stenciled yellow ink and a red ink tone block (verso); on cream wove paper (an imitation Japanese vellum)


title: Noa noa (Fragrant)

medium: Wood-block print in black ink, over solvent thinned and selectively applied yellow ocher ink, on cream wove paper


title: Le sourire: Journal sérieux, Nov. 1899

medium: Mimeograph in brownish-black ink, with wood-block prints in black ink on cream wove paper


title: Le sourire: Journal sérieux, Aug. 21, 1899

medium: Mimeograph in brownish-black ink with touches of pink watercolor, and wood-block print in ocher ink, on cream wove paper


title: Le sourire: Journal sérieux, Sept. 19, 1899


title: Tahitian Girl in Pink Pareu

medium: Watercolor monotype from a paper matrix on cream laid paper

subjects:
Monotype
France
Paper (fiber product)
Print
Print and drawing

credit_line: Gift of Walter S. Brewster


title: Caricatures of Gauguin and Governor Gallet, with headpiece from Le sourire

medium: Watercolor, with black colored pencil, and touches of pen and black ink, over a transfer drawing in black, and wood-block print in black ink with blue watercolor on cream wove paper

subjects:
Woodcut
France
Paper (fiber product)
Ink
Coating (material)
Watercolor
Water-base paint
Paint
Crayon
Print
Print and drawing


title: Le sourire: Journal sérieux, Oct. 13, 1899


title: Fragment of Long Inscription

medium: Graphite on cream wove paper, discolored to tan

subjects:
France
Drawing (visual works)
Paper (fiber product)
Graphite
Print and drawing

credit_line: Gift of Mrs. Potter Palmer


title: Tahitian Eve (related to the painting Parau ne te varua ino) (recto); Fragment of Inscription (related to Cahier pour Aline) (verso)

medium: Pen and brownish-black ink (originally dark purple), over pen and brown ink (originally purple) (recto) and graphite (verso) on cream wove paper (discolored to tan) (removed from a sketchbook)

subjects:
France
Drawing (visual works)
Paper (fiber product)
Ink
Coating (material)
Print and drawing


title: Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her)

medium: Wood-block print in black ink manipulated with brush and solvent, on ivory Japanese paper, laid down on cream Japanese paper

subjects:
Woodcut
France
Paper (fiber product)
Print
Print and drawing
Halloween


title: The Ox Cart, from the Suite of Late Wood-Block Prints

medium: Wood-block print in black ink on thin ivory Japanese paper, laid down on medium-weight, fibrous, off-white Japanese paper

credit_line: Prints and Drawings Purchase Fund


title: The Rape of Europa, from the Suite of Late Wood-Block Prints

medium: Wood-block print in black ink on thin, ivory Japanese paper, laid face down on ivory wove paper (recto); wood-block print in yellow ocher ink on ivory wove paper (verso)


title: Women, Animals, and Foliage, from the Suite of Late Wood-Block Prints

medium: Wood-block print in black ink on thin ivory Japanese paper, partially laid down on thin white Japanese paper


title: Soyez amoureuses, vous serez heureuses (Love, and You Will be Happy), from the Suite of Late Wood-Block Prints

medium:
Second-state impression laid down on first-state impression
Wood-block print of second state in black ink on thin ivory Japanese paper, laid down on wood-block print of first state in yellow ocher ink on grayish-ivory wove paper (recto); wood-block print in black and yellow ocher ink on grayish-ivory wove paper (partial offset impression of the second state) (verso)

credit_line: The Joseph Brooks Fair Collection


title: Tahitians, Flowers, and Leaves, headpiece for Le sourire

medium: Wood-block print in black ink on thin ivory laid Japanese paper

subjects:
Woodcut
France
Flowers
Paper (fiber product)
Print
Print and drawing


title: Fox, Busts of Two Women, and a Rabbit, headpiece for Le sourire

medium: Wood-block print in black ink on cream Japanese paper (recto); wood-block print in black ink over blue and green pencil on cream Japanese paper (verso)ck on cream wove paper


title: At the Black Rocks, from the Suite of Late Wood-Block Prints

medium: Wood-block print in black ink on moderately thick cream wove paper


medium: Wood-block print in black ink on cream wove paper


title: Eve, from the Suite of Late Wood-Block Prints

medium: Wood-block print in black ink on thin ivory Japanese paper, laid down on ivory wove paper (discolored to cream)


title: Interior of a Tahitian Hut, from the Suite of Late Wood-Block Prints

medium: Wood-block print in black ink on thin ivory Japanese paper, laid down on cream wove paper

credit_line: Gift of the Print and Drawing Club