credit_line: Sketchbook, page 17: Bust of a Man in Top Hat, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.q


title: Sketchbook, page 48: Study of A Horse

creator: Ernest Meissonier (French, 1815–1891)

medium: graphite

country: France

source: The Cleveland Museum of Art

source_id: cleveland

rights: Public Domain / CC0

rights_statement: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

credit_line: Sketchbook, page 48: Study of A Horse, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.vv


creator: Sasaki Takayasu (Japanese, 1845–1929)

date: late 1800s-early 1900s

country: Japan, Meiji period (1868–1912)

subjects:
Lacquer
Japan, meiji period (1868–1912)

credit_line: Document Box (Ryōshibako) with Chrysanthemum and Plum, late 1800s-early 1900s. Sasaki Takayasu (Japanese, 1845–1929). Lacquer over wood with gold and silver sprinkled powder (maki-e). The Cleveland Museum of Art, Bequest of Maud Eells Corning, 1992.390


title: Camera Work: Villa Falconieri

creator: Hugo Henneberg (Austrian, 1863–1918)

medium: photogravure

country: Austria

credit_line: Camera Work: Villa Falconieri, 1906. Hugo Henneberg (Austrian, 1863–1918). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.13.a


title: Camera Work: Toucques Valley

creator: Robert Demachy (French, 1859–1936)

country: France, 20th century

credit_line: Camera Work: Toucques Valley, 1906. Robert Demachy (French, 1859–1936). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.16.a


title: Camera Work: Behind the Scenes

credit_line: Camera Work: Behind the Scenes, 1906. Robert Demachy (French, 1859–1936). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.16.c


title: Camera Work: The Onion Field - 1890

creator: George Davison (British, 1856–1930)

country: England, 19th century

credit_line: Camera Work: The Onion Field - 1890, 1890. George Davison (British, 1856–1930). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.18.a


title: Camera Work: Nude

creator: Clarence H. White (American, 1871–1925)

country: America

credit_line: Camera Work: Nude, 1908. Clarence H. White (American, 1871–1925). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.23.j


title: Camera Work: A Flemish Interior

creator: Guido Rey (Italian, 1860–1935)

country: Italy, 20th century

credit_line: Camera Work: A Flemish Interior, 1908. Guido Rey (Italian, 1860–1935). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.24.j


title: Camera Work: Harlech Castle

country: England, 20th century

credit_line: Camera Work: Harlech Castle, 1909. George Davison (British, 1856–1930). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.26.h


title: Camera Work: Frau Mathasius

creator: J. Craig Annan (British, 1864–1946)

credit_line: Camera Work: Frau Mathasius, 1904. J. Craig Annan (British, 1864–1946). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.8.c


creator: Edward S. Curtis (American, 1868–1952)

subjects: Portfolio America

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio II, Plate 71: Captain Charley - Maricopa, 1903. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.22.32


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio VIII, Plate 267: Piópio-Maksmaks - Wallawalla, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.28.12


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio VIII, Plate 271: A War Chief - Nez Percé, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.28.16


title: Portfolio IX, Plate 320: Lummi Type

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio IX, Plate 320: Lummi Type, 1899. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.29.28


title: Portfolio IX, Plate 321: Lummi Woman

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio IX, Plate 321: Lummi Woman, 1899. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.29.29


date: early 600s-early 900s

medium: bronze

country: China, Tang dynasty (618-907)

subjects:
Metalwork
China, tang dynasty (618-907)
Flowers

credit_line: Hexafoil Mirror with Floral Interlaces, a Phoenix, and Running Animals, early 600s-early 900s. China, Tang dynasty (618-907). Bronze; diameter: 20 cm (7 7/8 in.); overall: 1 cm (3/8 in.); rim: 0.8 cm (5/16 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.347


date: early 900s-early 1100s

subjects: Metalwork Flowers

credit_line: Square Mirror with Floral and Coin Motifs, early 900s-early 1100s. China, Liao dynasty (916-1125) - Song dynasty (960-1279). Bronze; overall: 0.5 x 10.5 cm (3/16 x 4 1/8 in.); rim: 0.3 cm (1/8 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.371


title: Frog Pendant

date: 100 BCE–300 CE

medium: rock crystal

country: Mesoamerica, Mexico, Guerrero, Mezcala

subjects:
Sculpture
Mesoamerica, mexico, guerrero, mezcala
Minerals & gems
Reptiles & amphibians

credit_line: Frog Pendant, 100 BCE–300 CE. Mesoamerica, Mexico, Guerrero, Mezcala. Rock crystal; overall: 1.7 x 2.6 cm (11/16 x 1 in.). The Cleveland Museum of Art, Gift of Semi J. and Ruth W. Begun, 1995.98


title: Sake Flask

date: mid- to late 1600s

medium: porcelain with underglaze blue and overglaze celadon decoration (Hizen ware, Arita type, Imari style)

country: Japan, Edo period (1615–1868)

subjects:
Ceramic
Japan, edo period (1615–1868)

credit_line: Sake Flask, mid- to late 1600s. Japan, Edo period (1615–1868). Porcelain with underglaze blue and overglaze celadon decoration (Hizen ware, Arita type, Imari style); overall: 22.6 x 12.1 cm (8 7/8 x 4 3/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1990.132


title: Cavalry Battle

creator: Anonymous

medium: lithograph

country: England, 18th century

subjects:
Print
England, 18th century

credit_line: Cavalry Battle, c. 1803. Anonymous. Lithograph. The Cleveland Museum of Art, John L. Severance Fund, 1990.75


title: Sketchbook, page 28: Landscape Study

subjects: France Landscapes

credit_line: Sketchbook, page 28: Landscape Study, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.bb


title: Sketchbook, page 54: Architecture Study

subjects: Architecture France

credit_line: Sketchbook, page 54: Architecture Study, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.bbb


credit_line: Sketchbook, page 30: Seated Male Figure and Figure in Profile, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.dd


credit_line: Sketchbook, page 61: Face, 3/4 view profile, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.hhh


credit_line: Sketchbook, page 90: Study of Horses, Profiles, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.iiii


title: Sketchbook, page 93: Study of a Saddle

credit_line: Sketchbook, page 93: Study of a Saddle, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.llll


title: Camera Work: Untitled

creator: E.M. Bane (American)

credit_line: Camera Work: Untitled, 1905. E.M. Bane (American). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.10.g


title: Camera Work: Number 11, July 1905

creator: A. Horsley Hinton (British, 1863–1908)

credit_line: Camera Work: Number 11, July 1905, 1905. A. Horsley Hinton (British, 1863–1908), David Octavius Hill (British, 1802–1870), and Robert Adamson (British, 1821–1848). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.11


title: Camera Work: Newhaven Fisheries

credit_line: Camera Work: Newhaven Fisheries, 1909. David Octavius Hill (British, 1802–1870), and Robert Adamson (British, 1821–1848). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.28.f


title: Camera Work: Telegraph Poles

credit_line: Camera Work: Telegraph Poles, 1903. Clarence H. White (American, 1871–1925). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.3.b


title: Camera Work: The Marquis of Northampton

credit_line: Camera Work: The Marquis of Northampton, 1912. David Octavius Hill (British, 1802–1870), and Robert Adamson (British, 1821–1848). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.37.b


creator: Frederick H. Evans (British, 1853–1943)

credit_line: Camera Work: York Minister: "In Sure and Certain Hope", 1903. Frederick H. Evans (British, 1853–1943). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.4.d


credit_line: Camera Work: A Carpenter's Shop - Toledo, 1914. J. Craig Annan (British, 1864–1946). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.45.c


title: Camera Work: On a Dutch Shore

credit_line: Camera Work: On a Dutch Shore, 1904. J. Craig Annan (British, 1864–1946). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.8.b


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio III, Plate 103: Red Cloud-Ogalala, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.23.28


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio III, Plate 110: The Mountain-Sheep Hunter, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.23.35


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio VI, Plate 201: Crow Eagle--Piegan, 1900. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.26.18


title: Portfolio XII, Plate 406: A Hopi Girl

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XII, Plate 406: A Hopi Girl, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.32.7


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XVII, Plate 608: A Load of Fuel - Zuñi, 1903. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.37.29


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XVII, Plate 609: The Terraced Houses of Zuñi, 1903. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.37.30


creator: Pier Leone Ghezzi (Italian, 1674–1755)

medium: pen and brown ink over graphite; framing lines in brown ink

country: Italy, 18th century

subjects:
Drawing
Italy, 18th century

credit_line: Monsieur Ition Chirurgo del sre. Duca di Nivers, 1749. Pier Leone Ghezzi (Italian, 1674–1755). Pen and brown ink over graphite; framing lines in brown ink; sheet: 26.7 x 20.2 cm (10 1/2 x 7 15/16 in.); secondary support: 47.9 x 37.9 cm (18 7/8 x 14 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1995.52


creator: Paul Gavarni (French, 1804–1866)

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Old and Modern Artists: Thomas Vireloque, c. 1854–60. Paul Gavarni (French, 1804–1866). Lithograph; overall: 27.3 x 20.3 cm (10 3/4 x 8 in.). The Cleveland Museum of Art, Anonymous gift in honor of Robert Getscher, 1996.317


title: Seated Two-armed Ganesa

date: late 1100s-early 1200s

country: Cambodia, Angkor Wat Period

subjects:
Sculpture
Cambodia, angkor wat period

credit_line: Seated Two-armed Ganesa, late 1100s-early 1200s. Cambodia, Angkor Wat Period. Bronze; overall: 17.2 x 12.1 cm (6 3/4 x 4 3/4 in.). The Cleveland Museum of Art, Gift of Natasha Eilenberg in memory of her parents, Drs. Joseph and Sarah Shterenzon, 1997.17


title: Guitar Player

creator: François Bonvin (French, 1817–1887)

medium: etching

credit_line: Première suite de dix eaux-fortes par François Bonvin, peintre: Guitar Player, 1861. François Bonvin (French, 1817–1887). Etching; sheet: 44.5 x 30.6 cm (17 1/2 x 12 1/16 in.); platemark: 28.1 x 21.5 cm (11 1/16 x 8 7/16 in.). The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in memory of Robert Lundie Shearer, 1997.223


title: Bowl

creator: Albert Louis Dammouse (French)

medium: stoneware

subjects:
Ceramic
France, 19th century

credit_line: Bowl, c. 1900. Albert Louis Dammouse (French). Stoneware. The Cleveland Museum of Art, Gift of Henry H. Hawley, 1997.261


title: Miniature Vase

creator: Zsolnay Factory (Hungarian)

medium: pottery

country: Hungary

subjects: Ceramic Hungary

credit_line: Miniature Vase, c. 1900. Zsolnay Factory (Hungarian). Pottery; diameter: 5.8 cm (2 5/16 in.); overall: 7.2 cm (2 13/16 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1997.272


title: Perfume Bottle

medium: stoneware with silver mounts

subjects:
Ceramic
England, 19th century

credit_line: Perfume Bottle, c. 1888. England, 19th century. Stoneware with silver mounts; diameter: 7.2 cm (2 13/16 in.); overall: 14 cm (5 1/2 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1997.273


title: Lady Caroline Wrottesley

creator: John Downman (British, 1750–1824)

medium: brush and black chalk wash and watercolor with blue pastel

subjects:
Drawing
England, 18th century

credit_line: Lady Caroline Wrottesley, 1792. John Downman (British, 1750–1824). Brush and black chalk wash and watercolor with blue pastel; sheet: 21.9 x 18.3 cm (8 5/8 x 7 3/16 in.); secondary support: 24.6 x 20.6 cm (9 11/16 x 8 1/8 in.); tertiary support: 24.9 x 21.1 cm (9 13/16 x 8 5/16 in.). The Cleveland Museum of Art, Bequest of Mrs. A. Dean Perry, 1997.73


title: Don Quixote (vol I)

creator: Héliodore Pisan (French, 1822–1890)

medium: wood engraving

credit_line: Don Quixote (vol I), 1863. Héliodore Pisan (French, 1822–1890), Hachette, after Gustave Doré (French, 1832–1883). Wood engraving; overall: 43.7 x 33 x 5.7 cm (17 3/16 x 13 x 2 1/4 in.). The Cleveland Museum of Art, Gift of Brenda and Evan H. Turner, 1998.197.1


title: Side-Dish with Dandelion in Rocks

credit_line: Side-Dish with Dandelion in Rocks, 1700s. Japan, Edo period (1615–1868). One of a set of five dishes; porcelain with underglaze blue and overglaze iron oxide (Arita ware, Kutani style); diameter: 11.8 cm (4 5/8 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.287.5


title: Horse

creator: Franz Marc (German, 1880–1916)

medium: woodcut

country: Germany, 20th century

subjects:
Print
Germany, 20th century

credit_line: Horse. Franz Marc (German, 1880–1916). Woodcut; sheet: 15 x 16.3 cm (5 7/8 x 6 7/16 in.); image: 6 x 8 cm (2 3/8 x 3 1/8 in.). The Cleveland Museum of Art, Gift of Mrs. John B. Dempsey, 1998.89


title: Disasters of War: That's Tough

creator: Francisco de Goya (Spanish, 1746–1828)

medium: etching, aquatint, and drypoint

country: Spain

subjects: Print Spain

credit_line: Disasters of War: That's Tough, 1810–1820. Francisco de Goya (Spanish, 1746–1828). Etching, aquatint, and drypoint; sheet: 24 x 33.5 cm (9 7/16 x 13 3/16 in.); image: 13.8 x 19 cm (5 7/16 x 7 1/2 in.); platemark: 15.3 x 20.5 cm (6 x 8 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.99


medium: albumen print from wet collodion negative

subjects:
Photograph
America
Shells & molluscs

credit_line: Effects of a Shell Explosion, Fredericksburg, VA., 1863. Andrew Joseph Russell (American, 1830–1902). Albumen print from wet collodion negative; image: 24.3 x 32.4 cm (9 9/16 x 12 3/4 in.); mounted: 35.5 x 43.7 cm (14 x 17 3/16 in.); matted: 50.8 x 61 cm (20 x 24 in.). The Cleveland Museum of Art, John L. Severance Fund, 1999.180


title: Dwarf in Narrow Street

creator: Auguste Brouet (French, 1872–1941)

subjects:
Print
France, 20th century

credit_line: Dwarf in Narrow Street, c. 1902–41. Auguste Brouet (French, 1872–1941). Etching; sheet: 32.2 x 25.1 cm (12 11/16 x 9 7/8 in.); platemark: 18.7 x 11.7 cm (7 3/8 x 4 5/8 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.294


title: Gothic Doorway

medium: etching and drypoint

credit_line: Gothic Doorway, c. 1902–41. Auguste Brouet (French, 1872–1941). Etching and drypoint; sheet: 28.3 x 22.6 cm (11 1/8 x 8 7/8 in.); platemark: 13.1 x 7.5 cm (5 3/16 x 2 15/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.297


medium: etchings

subjects:
Portfolio
France, 20th century
Landscapes

credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: tower in landscape/ man and dead game (insert after p. 200), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.42


title: Cologne

creator: Axel Herman Haig (Swedish, 1835–1921)

medium: etching and aquatint

country: Sweden, 19th century

subjects:
Print
Sweden, 19th century

credit_line: Cologne, 1886. Axel Herman Haig (Swedish, 1835–1921). Etching and aquatint; sheet: 25.7 x 32.4 cm (10 1/8 x 12 3/4 in.); platemark: 15.5 x 20.2 cm (6 1/8 x 7 15/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2001.211


medium: gold

country: Byzantium

subjects: Coin Byzantium

credit_line: Scyphate Histamenon of Constantine X (reverse), 1059–1067. Byzantium. Gold; diameter: 2.5 cm (1 in.). The Cleveland Museum of Art, Gift of Trudie Osarczuk and Michalene in honor of Michael Osarczuk, 2001.25.b


title: Six Etchings

creator: Paul Gachet (French, 1828–1909)

credit_line: Six Etchings, 1895. Paul Gachet (French, 1828–1909). Etching; sheet: 32.5 x 25 cm (12 13/16 x 9 13/16 in.); platemark: 21 x 17.1 cm (8 1/4 x 6 3/4 in.). The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in memory of Robert Lundie Shearer, 2002.142


credit_line: Six Etchings: Vesnots, Auvers on the Oise, 1895. Paul Gachet (French, 1828–1909). Etching; sheet: 25 x 32.4 cm (9 13/16 x 12 3/4 in.); platemark: 12 x 17 cm (4 3/4 x 6 11/16 in.). The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in memory of Robert Lundie Shearer, 2002.142.5


title: Pravira Kneeling at the Feet of Jana

subjects: Eastern india, bengal, kolkata, kalighat

credit_line: Pravira Kneeling at the Feet of Jana, c. 1890. Eastern India, Bengal, Kolkata, Kalighat. Gum tempera, graphite, ink, and tin on paper; painting only: 15 x 10.3 cm (5 7/8 x 4 1/16 in.). The Cleveland Museum of Art, Gift of William E. Ward in memory of his wife, Evelyn Svec Ward, 2003.142


title: Yasoda and Krishna

credit_line: Yasoda and Krishna, c. 1890. Eastern India, Bengal, Kolkata, Kalighat. Gum tempera, graphite, ink, and tin on paper; secondary support: 48.9 x 33.8 cm (19 1/4 x 13 5/16 in.); painting only: 42 x 26 cm (16 9/16 x 10 1/4 in.). The Cleveland Museum of Art, Gift of William E. Ward in memory of his wife, Evelyn Svec Ward, 2003.159


title: Kali

medium: Gum tempera, graphite, and ink on paper

credit_line: Kali, c. 1890. Eastern India, Bengal, Kolkata, Kalighat. Gum tempera, graphite, and ink on paper; painting only: 45.4 x 28 cm (17 7/8 x 11 in.). The Cleveland Museum of Art, Gift of William E. Ward in memory of his wife, Evelyn Svec Ward, 2003.163


title: Sally: The Small Plate

creator: Walter Sickert (British, 1860–1942)

medium: etching printed in brown ink

subjects:
Print
England, 20th century

credit_line: Sally: The Small Plate, c. 1911. Walter Sickert (British, 1860–1942). Etching printed in brown ink; sheet: 26.5 x 22 cm (10 7/16 x 8 11/16 in.); image: 13.5 x 8.6 cm (5 5/16 x 3 3/8 in.); platemark: 17.4 x 16.8 cm (6 7/8 x 6 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2003.22


title: Place Setting

medium: glass

country: probably America, late 19th-early 20th century

subjects: Probably america, late 19th-early 20th century

credit_line: Place Setting, c. 1890–1920. Probably America, late 19th-early 20th century. Glass; overall: 20.3 x 9.6 cm (8 x 3 3/4 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.252


title: Bowl with Yellow Glaze

medium: glazed porcelain

credit_line: Bowl with Yellow Glaze, 1723–35. China, Qing dynasty (1644-1911), Yongzheng mark and reign (1723-35). Glazed porcelain; diameter: 14.8 cm (5 13/16 in.); overall: 6.7 cm (2 5/8 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.259.1


title: Seated Female Nude from the Rear

date: first half 1900s

medium: red chalk

country: England(?), 20th century

subjects:
Drawing
England , 20th century

credit_line: Seated Female Nude from the Rear, first half 1900s. England(?), 20th century. Red chalk; sheet: 39.4 x 29.1 cm (15 1/2 x 11 7/16 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.270


title: Aspects of Nature: The Bay

creator: Henri Rivière (French, 1864–1951)

medium: color lithograph

subjects:
Print
France, 19th century

credit_line: Aspects of Nature: The Bay, 1897. Henri Rivière (French, 1864–1951), Printed by Verneau. Color lithograph; sheet: 60.8 x 88 cm (23 15/16 x 34 5/8 in.); image: 54.9 x 83 cm (21 5/8 x 32 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.378


subjects:
Print
France, 19th century
Landscapes

credit_line: Parisian Landscapes: The Borough of Perros-Guirec, 1896. Henri Rivière (French, 1864–1951), Verneau. Color lithograph; sheet: 19.7 x 29 cm (7 3/4 x 11 7/16 in.); image: 14.9 x 23 cm (5 7/8 x 9 1/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.388


title: The Progress of the Stars: Les Femmes

credit_line: Bound Volume illustrating the poetry and music of Georges Fragerolle: The Progress of the Stars: Les Femmes, 1890. Henri Rivière (French, 1864–1951), C. Marpon & Flammarion. 18 color lithographs in a Bound Volume illustrating the poetry and music of Georges Fragerolle; book: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.395.l


title: The Prodigal Son: page 23

credit_line: Bound Volume illustrating the poetry and music of Georges Fragerolle: The Prodigal Son: page 23, 1895. Henri Rivière (French, 1864–1951), E. Flammarion. 15 color lithographs in a bound volume illustrating the poetry and music of Georges Fragerolle: color lithograph; book: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.396.j


title: The Wandering Jew: Cover

subjects:
Portfolio
France, 19th century

credit_line: The Wandering Jew: Cover, 1896. Henri Rivière (French, 1864–1951), Verneau. Color lithograph; sheet: 34.3 x 72 cm (13 1/2 x 28 3/8 in.); image: 23 x 60.6 cm (9 1/16 x 23 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.397.1


title: The Wandering Jew: The Plain

credit_line: The Wandering Jew: The Plain, 1896. Henri Rivière (French, 1864–1951), Verneau. Color lithograph; sheet: 34.3 x 72 cm (13 1/2 x 28 3/8 in.); image: 23 x 60.6 cm (9 1/16 x 23 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.397.5


title: A Genoise

creator: Jules Jacquemart (French, 1837–1880)

medium: etching

credit_line: A Genoise, 1877. Jules Jacquemart (French, 1837–1880). Etching; sheet: 42.7 x 31.5 cm (16 13/16 x 12 3/8 in.); platemark: 27 x 19.7 cm (10 5/8 x 7 3/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.408


title: Swing Boats

creator: Claude Flight (British, 1881–1955)

medium: color linocut

credit_line: Swing Boats, 1919–1921. Claude Flight (British, 1881–1955). Color linocut; sheet: 25.5 x 33.5 cm (10 1/16 x 13 3/16 in.); image: 22.2 x 29 cm (8 3/4 x 11 7/16 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2004.104


title: The Olive Trees of the Riviera

creator: Samuel Colman (American, 1832–1920)

country: America

subjects: Print America Trees

credit_line: The Olive Trees of the Riviera, 1884. Samuel Colman (American, 1832–1920). Etching; sheet: 35.7 x 48.7 cm (14 1/16 x 19 3/16 in.); image: 28 x 37.7 cm (11 x 14 13/16 in.). The Cleveland Museum of Art, Gift of Mitzie Verne in memory of Dr. Daniel Verne, 2004.207


title: The Calm

credit_line: The Calm, 1925. Arthur John Trevor Briscoe (British, 1873–1943). Etching; sheet: 15.2 x 24.5 cm (6 x 9 5/8 in.); image: 8 x 18.1 cm (3 1/8 x 7 1/8 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2004.210


title: Bending the Foresail

credit_line: Bending the Foresail, 1928. Arthur John Trevor Briscoe (British, 1873–1943). Etching; sheet: 24.9 x 31.5 cm (9 13/16 x 12 3/8 in.); platemark: 17.7 x 29 cm (6 15/16 x 11 7/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2004.215


title: Bacchanal with Children and Donkey

credit_line: Bacchanal with Children and Donkey, c. 1860–70. Jean-Baptiste Carpeaux (French, 1827–1875). Etching; sheet: 16.7 x 23.4 cm (6 9/16 x 9 3/16 in.); platemark: 11.3 x 14.4 cm (4 7/16 x 5 11/16 in.). The Cleveland Museum of Art, Alma and Robert D. Milne Fund, 2004.38.1


credit_line: Book by Albert Jacquemart: History of the Ceramic Art: A Descriptive and Philosophical Study of the Pottery of All Ages and All Nations: Persia: Soft Porcelain- Gargoulette, Decorated with the Simorg (Plate VI), 1877. Jules Jacquemart (French, 1837–1880). Etching; sheet: 25.5 x 18 cm (10 1/16 x 7 1/16 in.); platemark: 19 x 13 cm (7 1/2 x 5 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2004.73.f


creator: Émile Bernard (French, 1868–1941)

medium: lithograph

credit_line: Singer at the Café-Concert and The Harvesters (Les Moissonneurs), 1888, printed 1896. Émile Bernard (French, 1868–1941). Lithograph; sheet: 41.2 x 57.8 cm (16 1/4 x 22 3/4 in.); image: 28.8 x 23.1 cm (11 5/16 x 9 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2005.180.2


title: Various Lions

creator: Abraham Blooteling (Dutch, 1640–1690)

country: Netherlands

subjects: Print Netherland

credit_line: Various Lions, 1655–90. Abraham Blooteling (Dutch, 1640–1690), after Peter Paul Rubens (Flemish, 1577–1640). Etching; sheet: 14.6 x 19.6 cm (5 3/4 x 7 11/16 in.); platemark: 14 x 18 cm (5 1/2 x 7 1/16 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.266.1


title: The Little Prisoner

credit_line: The Little Prisoner, c. 1810–15. Francisco de Goya (Spanish, 1746–1828). Etching; sheet: 26.2 x 17.7 cm (10 5/16 x 6 15/16 in.); platemark: 10.6 x 8.4 cm (4 3/16 x 3 5/16 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.280


title: The House in Moonlight

creator: Henri Le Sidaner (French, 1862–1939)

medium: lithograph printed in green

country: France, 20th century

credit_line: The House in Moonlight, 1909. Henri Le Sidaner (French, 1862–1939). Lithograph printed in green; sheet: 26.7 x 17.3 cm (10 1/2 x 6 13/16 in.); image: 22.9 x 15.8 cm (9 x 6 1/4 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.293


title: Landscape with Satyrs

subjects: Print Netherland Landscapes

credit_line: Landscape with Satyrs, 1623–55. Herman van Swanevelt (Dutch, c. 1600–1655). Etching; sheet: 12.1 x 17.2 cm (4 3/4 x 6 3/4 in.); platemark: 11.4 x 16.5 cm (4 1/2 x 6 1/2 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.306


creator: Francis Sansom (British, 1815)

medium: engraving with hand coloring

country: England, 19th century

subjects:
Botany
Print
England, 19th century
Flowers

credit_line: The Botanical Magazine or Flower Garden Displayed: Plate 944, Dillwynia Glaberrima. Smooth-Leaved Dillwynnia. [Dillwynia ericifolia gaberrima] , 1806. Printed by Francis Sansom (British, 1815), after Sydenham Edwards (British, 1768–1819), published by Thomas Curtis (British, 1846–1920). Engraving with hand coloring ; sheet: 22.5 x 14.1 cm (8 7/8 x 5 9/16 in.); platemark: 20.2 x 11.7 cm (7 15/16 x 4 5/8 in.). The Cleveland Museum of Art, Gift of The Cleveland Museum of Art Library, 2005.337


creator: Kano Naonobu (Japanese, 1607–1650)

date: early 1600s

medium: pair of six-fold screens, mineral pigments and gold leaf on paper

subjects:
Painting
Japan, edo period (1615–1868)
Birds
Minerals & gems
Trees

credit_line: Winter Scene with Plum Trees and Pheasants (Birds Left), early 1600s. Kano Naonobu (Japanese, 1607–1650). Pair of six-fold screens, mineral pigments and gold leaf on paper; overall: 170.2 x 369.4 cm (67 x 145 7/16 in.); painting only: 155 x 353 cm (61 x 139 in.). The Cleveland Museum of Art, Gift of William Kelly Simpson in memory of his wife Marilyn M. Simpson and her grandparents Mr. and Mrs. John D. Rockefeller Jr., 2006.142.1


medium: ink

country: Italy, Perugia

credit_line: Missale: Fol. 129: contains music for "Hely Hely Lama etc." within St. Mattion Passion, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.129.a


credit_line: Missale: Fol. 171: Music for "Alleluia" etc. at beginning of Easter, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.171.a


credit_line: Missale: Fol. 182: Music for various ordinary prayers, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.182.a


credit_line: Missale: Fol. 190: Music for various prayers, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.190.a


title: Missale: Fol. 22v: Foliage with Fish

medium: ink, tempera and burnished gold on vellum

subjects:
Fish
Italy, perugia

credit_line: Missale: Fol. 22v: Foliage with Fish, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.22.b


title: Parthenon

creator: Eugène Piot (French, 1812–1891)

medium: salted paper print from waxed paper negative

subjects:
Photograph
France, 19th century

credit_line: Parthenon, 1852. Eugène Piot (French, 1812–1891). Salted paper print from waxed paper negative; image: 22.8 x 32.9 cm (9 x 12 15/16 in.); paper: 26.1 x 32.7 cm (10 1/4 x 12 7/8 in.); matted: 45.7 x 55.9 cm (18 x 22 in.). The Cleveland Museum of Art, Alma Kroeger Fund, 2006.158


creator: Alois Senefelder (German, 1771–1834)

country: Germany, 19th century

subjects:
Portfolio
Germany, 19th century

credit_line: Art of the Lithograph: Printing Letters, Plate XV , 1819. Alois Senefelder (German, 1771–1834). Lithograph; sheet: 30 x 23.3 cm (11 13/16 x 9 3/16 in.); image: 30 x 23.3 cm (11 13/16 x 9 3/16 in.). The Cleveland Museum of Art, Gift of Susan Schulman Printseller and Carolyn Bullard Fine Prints in honor of Jane Glaubinger, 2006.194.11


subjects:
Portfolio
Germany, 19th century
Landscapes

credit_line: Art of the Lithograph: River Landscape, Plate XIII , 1819. Alois Senefelder (German, 1771–1834). Lithograph; sheet: 23 x 29.8 cm (9 1/16 x 11 3/4 in.); image: 10.9 x 16.3 cm (4 5/16 x 6 7/16 in.). The Cleveland Museum of Art, Gift of Susan Schulman Printseller and Carolyn Bullard Fine Prints in honor of Jane Glaubinger, 2006.194.9


creator: Thomas Girtin (British, 1775–1802)

medium: softground etching and aquatint printed in brown

subjects:
Print
England, 19th century

credit_line: Selection of Twenty of the Most Picturesque Views in Paris:View of Pont au Change, 1802. Thomas Girtin (British, 1775–1802), Frederick Christian Lewis (British, 1779–1856). Softground etching and aquatint printed in brown ; sheet: 25.6 x 50.1 cm (10 1/16 x 19 3/4 in.); image: 22.9 x 49.1 cm (9 x 19 5/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.228


title: Conflagration in the Port of Bordeaux

creator: Maxime Lalanne (French, 1827–1886)

credit_line: Conflagration in the Port of Bordeaux, 1869. Maxime Lalanne (French, 1827–1886), Cadart & Luce, rue Nve des Mathurins, 58, Paris. Etching; sheet: 30 x 47.9 cm (11 13/16 x 18 7/8 in.); platemark: 15.8 x 23.8 cm (6 1/4 x 9 3/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.251


title: Paris in 1867, View from the Trocadero

credit_line: Paris in 1867, View from the Trocadero, 1867. Maxime Lalanne (French, 1827–1886). Etching; sheet: 53.4 x 74.7 cm (21 x 29 7/16 in.); platemark: 43.7 x 66.8 cm (17 3/16 x 26 5/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.254


title: Traveler on a Road in a Forest

medium: etching and drypoint

credit_line: Plate 7, Traité de la Gravure à l'Eau-Forte: Traveler on a Road in a Forest, 1866. Maxime Lalanne (French, 1827–1886). Etching and drypoint; sheet: 24.9 x 17.5 cm (9 13/16 x 6 7/8 in.); platemark: 18.3 x 11.6 cm (7 3/16 x 4 9/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.257


date: early 1900s

medium: lacquer

country: Japan, Meiji period (1868–1912)

subjects:
Lacquer
Japan, meiji period (1868–1912)

credit_line: Nested Boxes with Chrysanthemums (inner box lid), early 1900s. Japan, Meiji period (1868–1912). Lacquer; overall: 0.7 x 5.8 x 4.2 cm (1/4 x 2 5/16 x 1 5/8 in.). The Cleveland Museum of Art, Bequest of Lillian M. Kern, 2007.1009.3.a


credit_line: Nested Boxes with Chrysanthemums (inner box), early 1900s. Japan, Meiji period (1868–1912). Lacquer; overall: 1.4 x 5.8 x 4.2 cm (9/16 x 2 5/16 x 1 5/8 in.). The Cleveland Museum of Art, Bequest of Lillian M. Kern, 2007.1009.5.b


title: A Lord in the Time of Francis I

creator: Eugène Delacroix (French, 1798–1863)

credit_line: A Lord in the Time of Francis I , 1833. Eugène Delacroix (French, 1798–1863). Etching and drypoint; sheet: 45.5 x 27.7 cm (17 15/16 x 10 7/8 in.); platemark: 18 x 13.3 cm (7 1/16 x 5 1/4 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 2007.214


credit_line: Traité de La Gravure a l’eau forte: Plate 2, 1866. Maxime Lalanne (French, 1827–1886), Cadar and Luquet. Etching; platemark: 18.2 x 11.7 cm (7 3/16 x 4 5/8 in.); book page: 23 x 15 cm (9 1/16 x 5 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.237.b


title: Six Marines: Return to Port

creator: Eugène Isabey (French, 1803–1886)

medium: lithograph on chine collé

credit_line: Six Marines: Return to Port, 1833. Eugène Isabey (French, 1803–1886), Morlot, Paris and McLean. Lithograph on chine collé; sheet: 36.1 x 56 cm (14 3/16 x 22 1/16 in.); platemark: 21.4 x 28.5 cm (8 7/16 x 11 1/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.238.2


date: late 1700s

subjects: Print Spain

credit_line: Madonna and Child (after Francisco Bayeu y Subias), late 1700s. Ramón Bayeu y Subias (Spanish, 1746–1793), after Francisco Bayeu Y Subias (Spanish, 1734–1795). Etching; sheet: 32.1 x 22.6 cm (12 5/8 x 8 7/8 in.); platemark: 20.9 x 16.5 cm (8 1/4 x 6 1/2 in.). The Cleveland Museum of Art, Bequest of Lillian M. Kern, by exchange, 2008.16


title: La rue des Quatre Vents

creator: Raymond Ray Jones (British, 1886–1942)

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: La rue des Quatre Vents, 1900s. Raymond Ray Jones (British, 1886–1942). Etching; sheet: 31.5 x 20 cm (12 3/8 x 7 7/8 in.); platemark: 27.5 x 16.5 cm (10 13/16 x 6 1/2 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.185


creator: Baptiste Bigant (French)

country: France, 19th century

credit_line: Description of Egypt: Memphis and Environs, Alexandria, Vol. V, Pl. 40, c. 1822. Baptiste Bigant (French), after Edmé-François Jomard (French, 1777–1862/63). Etching; platemark: 65.4 x 96.2 cm (25 3/4 x 37 7/8 in.); sheet: 69.8 x 108.9 cm (27 1/2 x 42 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.208


title: The Bridge of Sighs (second plate)

creator: Frank Duveneck (American, 1848–1919)

subjects: Print America

credit_line: The Bridge of Sighs (second plate), 1885. Frank Duveneck (American, 1848–1919), Robert Dunthorne. Etching. The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2008.322


title: Herodias

creator: William Walcot (British, 1874–1943)

credit_line: Herodias, 1928. William Walcot (British, 1874–1943). Etching; sheet: 30.4 x 23.7 cm (11 15/16 x 9 5/16 in.); platemark: 20.8 x 17.2 cm (8 3/16 x 6 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2008.330


credit_line: Herodias: Page 53, The head entered and mannaeus held it by the hair, at arm's length, proud from the applause, 1928. William Walcot (British, 1874–1943). Etching; sheet: 30.8 x 24.5 cm (12 1/8 x 9 5/8 in.); platemark: 20.6 x 17 cm (8 1/8 x 6 11/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2008.330.j


title: Teapot

medium: porcelain

country: Germany, Meissen

subjects:
Ceramic
Germany, meissen

credit_line: Teapot , c. 1750–70. Meissen Porcelain Factory (German, est. c. 1710). Porcelain; overall: 12.9 x 39.2 x 18.3 cm (5 1/16 x 15 7/16 x 7 3/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.106.a


title: Teapot

country: England, Worcester

subjects:
Ceramic
England, worcester

credit_line: Teapot, c. 1755–75. Worcester Porcelain Factory (British, established 1751). Porcelain; overall: 16 x 45.6 x 19 cm (6 5/16 x 17 15/16 x 7 1/2 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.108.a


title: Entrance to Torumal Paiks Palace

creator: A. W. A. Plâté Studio (Ceylonese)

medium: platinum print

country: Ceylon, now Sri Lanka, 19th century

subjects:
Photograph
Ceylon, now sri lanka, 19th century

credit_line: Entrance to Torumal Paiks Palace, c. 1890s. A. W. A. Plâté Studio (Ceylonese). Platinum print; image: 23.2 x 29.1 cm (9 1/8 x 11 7/16 in.); paper: 23.2 x 29.1 cm (9 1/8 x 11 7/16 in.); matted: 40.6 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, Jo Hershey Selden Fund, 2009.12


title: Tree Study

creator: Rosa Bonheur (French, 1822–1899)

medium: watercolor

subjects:
Drawing
France, 19th century
Trees

credit_line: Tree Study, c. 1842–99. Rosa Bonheur (French, 1822–1899). Watercolor; sheet: 23.6 x 18.1 cm (9 5/16 x 7 1/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.124


title: Marie à Bellevue

medium: watercolor and graphite

country: Belgium, 19th century

subjects:
Drawing
Belgium, 19th century

credit_line: Marie à Bellevue, 1858. Louis-Joseph Gallait (Belgian, 1810–1887). Watercolor and graphite; sheet: 35.4 x 25.3 cm (13 15/16 x 9 15/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.125


date: July 1856

medium: salted paper print from wet collodion negative

subjects:
Photograph
Belgium, 19th century

credit_line: Untitled (Construction of Commemorative Fountain), July 1856. Louis Pierre Théophile Dubois de Nehaut (Belgian, 1799–1872). Salted paper print from wet collodion negative; image: 26.3 x 28.2 cm (10 3/8 x 11 1/8 in.); mounted: 50 x 65.4 cm (19 11/16 x 25 3/4 in.); paper: 26.3 x 28.2 cm (10 3/8 x 11 1/8 in.); matted: 55.9 x 66 cm (22 x 26 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.348


title: Evening Purse

medium: gold mesh bag, 14k gold frame, amethyst, diamonds, tsavorites

country: America, New York

subjects:
Metalwork
America, new york

credit_line: Evening Purse, c. 1900. Marcus & Co. (American, New York, 1892–1962). Gold mesh bag, 14k gold frame, amethyst, diamonds, tsavorites; overall: 13.4 x 11.5 cm (5 1/4 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Andi and Larry Carlini in memory of Lois F. Cohen, 2009.458


title: At Valromay (Ain)

creator: Adolphe Appian (French, 1818–1898)

medium: etching

subjects:
Print
France, 19th century

credit_line: At Valromay (Ain) , 1868. Adolphe Appian (French, 1818–1898), Cadart et Luce, Editeurs, rue Nve. des Mathurins, 58. Etching; sheet: 31.3 x 49 cm (12 5/16 x 19 5/16 in.); platemark: 13.7 x 23.8 cm (5 3/8 x 9 3/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.501


title: Winter Scene

medium: album leaf, ink on silk

country: China, Song dynasty (960-1279)

subjects:
Painting
China, song dynasty (960-1279)

credit_line: Winter Scene, 960–1279. China, Song dynasty (960-1279). Album leaf, ink on silk; diameter: 24 cm (9 7/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.699


title: Stopper for a Scent Bottle

medium: blue-gray opaline glass mounted in gold

country: Germany (?)

credit_line: Stopper for a Scent Bottle, 1800s. Germany (?). Blue-gray opaline glass mounted in gold. The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.318.b


title: Thimble and Container (Thimble)

date: mid-18th century

medium: enamel on metal

country: England, mid-18th century

subjects:
Enamel
England, mid-18th century

credit_line: Thimble and Container (Thimble), mid-18th century. England, mid-18th century. Enamel on metal; overall: 3 x 2.3 cm (1 3/16 x 7/8 in.); thimble: 1.8 x 1.6 cm (11/16 x 5/8 in.). The Cleveland Museum of Art, Gift of Robert A. Weaver, 1940.134.c


medium: jade

country: China, Qing dynasty (1644-1911)

subjects:
Jade
China, qing dynasty (1644-1911)

credit_line: Three-Sectional Altar Group: Cylindrical Carving with Phoenix (lid), 1644–1911. China, Qing dynasty (1644-1911). Jade. The Cleveland Museum of Art, Bequest of Cornelia Blakemore Warner, 1947.683.3


title: Gaming Piece (obverse)

creator: Martin Brunner (German, 1659–1725)

medium: wood

country: Germany, late 17th-early 18th Century

subjects:
Furniture and woodwork
Germany, late 17th-early 18th century

credit_line: Gaming Piece (obverse), c.1700. Martin Brunner (German, 1659–1725). Wood; diameter: 6.1 cm (2 3/8 in.); overall: 1.3 cm (1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1953.691.2.a


title: L'Incendie de Louvain

medium: pen and brush and black ink with white highlights

country: France, 20th century

subjects:
Drawing
France, 20th century

credit_line: L'Incendie de Louvain, 1914. Auguste Louis Lepère (French, 1849–1918). Pen and brush and black ink with white highlights. The Cleveland Museum of Art, Delia E. Holden Fund, 1974.147.d


medium: black crayon

credit_line: La Mort et les Passions fondant sur la terre, 1914. Auguste Louis Lepère (French, 1849–1918). Black crayon. The Cleveland Museum of Art, Delia E. Holden Fund, 1974.149.b


medium: Ink and gold on paper

credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.129.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.132.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.20.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.37.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.41.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.44.b


credit_line: Text, Folio 5 (verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.5.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.68.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.80.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.89.a


title: Missale: Fol. 3r: January Calendar Page

medium: ink, tempera and burnished gold on vellum

credit_line: Missale: Fol. 3r: January Calendar Page, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.3.a


title: Missale: Fol. 7v: October Calendar Page

credit_line: Missale: Fol. 7v: October Calendar Page, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.7.b


title: Puvis de Chavannes

creator: Eugène Carrière (French, 1849–1906)

medium: lithograph on chine collé

credit_line: Puvis de Chavannes, 1897. Eugène Carrière (French, 1849–1906). Lithograph on chine collé. The Cleveland Museum of Art, Gift of John Bonebrake, 2009.492


title: Moulin de la Galette

creator: Eugène Delâtre (French, 1864–1938)

credit_line: Moulin de la Galette, c. 1910–20. Eugène Delâtre (French, 1864–1938). Etching; sheet: 16.7 x 22 cm (6 9/16 x 8 11/16 in.); platemark: 8.2 x 11.6 cm (3 1/4 x 4 9/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.511


title: Street Sweeper

creator: Paul Gavarni (French, 1804–1866)

medium: lithograph

credit_line: Parisian Physiognomy: Street Sweeper, c. 1857. Paul Gavarni (French, 1804–1866). Lithograph; sheet: 45 x 62.9 cm (17 11/16 x 24 3/4 in.); image: 29.1 x 19.1 cm (11 7/16 x 7 1/2 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.534


title: The Folies-Bergère

creator: Jean Louis Forain (French, 1852–1931)

credit_line: The Folies-Bergère, c. 1880–86. Jean Louis Forain (French, 1852–1931). Etching; sheet: 18.3 x 25.2 cm (7 3/16 x 9 15/16 in.); platemark: 9.8 x 15 cm (3 7/8 x 5 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.546


title: Snuff Box

creator: Jean-Louis Richter (Swiss, 1766–1841)

medium: gold, champlevé enamel, bloodstone

country: Switzerland, Geneva, early 19th century

credit_line: Snuff Box, c. 1820–40. Attributed to Jean-Louis Richter (Swiss, 1766–1841). Gold, champlevé enamel, bloodstone. The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.55


title: Landscape with Bridge and Child

creator: Auguste Brouet (French, 1872–1941)

subjects:
Print
France, 20th century
Landscapes

credit_line: Landscape with Bridge and Child, c. 1902–41. Auguste Brouet (French, 1872–1941). Etching; sheet: 27.5 x 22.6 cm (10 13/16 x 8 7/8 in.); platemark: 21.3 x 15.7 cm (8 3/8 x 6 3/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.550


title: Figure

medium: hardstone ewer agate with diamonds

country: Germany

credit_line: Figure, c. 1740–60. Germany. Hardstone ewer agate with diamonds. The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.71


title: Double Snuff Box

medium: gold-mounted agate, enamel rose camaïeu

subjects:
England, mid-18th century
Roses

credit_line: Double Snuff Box, c. 1775–80. England, mid-18th century. Gold-mounted agate, enamel rose camaïeu. The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.73


title: Rangoon. View Near the Lake

medium: albumenized salt print from a paper negative

country: England, 19th century

subjects:
Photograph
England, 19th century

credit_line: Rangoon. View Near the Lake, 1855. Captain Linnaeus Tripe (British, 1822–1902). Albumenized salt print from a paper negative; image: 25.1 x 34.3 cm (9 7/8 x 13 1/2 in.); paper: 25.1 x 34.3 cm (9 7/8 x 13 1/2 in.); matted: 45.7 x 55.9 cm (18 x 22 in.). The Cleveland Museum of Art, John L. Severance Fund, 2009.86


title: Tureen

country: England, Sheffield

subjects:
Silver
England, sheffield

credit_line: Tureen, c. 1830–50. England, Sheffield. Silver plated on copper (Old Sheffield Plate); overall: 25.9 x 107 x 40.5 cm (10 3/16 x 42 1/8 x 15 15/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.96.a


title: Water Pitcher

creator: Georg Jensen (Danish, 1866–1935)

medium: silver

country: Denmark

subjects: Silver Denmark

credit_line: Water Pitcher, c. 1950. Georg Jensen (Danish, 1866–1935). Silver; overall: 23 x 40.4 x 13 cm (9 1/16 x 15 7/8 x 5 1/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.97


medium: 3/1 twill weave; wool

subjects:
Costume & fashion
Textile
Corals & anemones

credit_line: Long Shawl in a Vegetal Style with Coral Center, 1848–52. Austria, England, France, or Scotland, 19th century. 3/1 twill weave; wool; overall: 342.3 x 165.1 cm (134 3/4 x 65 in.). The Cleveland Museum of Art, Gift of Arlene C. Cooper, 2010.140


creator: Jean-Léon Gérôme (French, 1824–1904)

medium: black chalk

country: France, 19th century

subjects:
Drawing
France, 19th century

credit_line: Study for "The Reception of the Siamese Ambassadors at Fontainebleau", 1861–1864. Jean-Léon Gérôme (French, 1824–1904). Black chalk  ; sheet: 25.5 x 19.4 cm (10 1/16 x 7 5/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.165


medium: black chalk stumped with heightening of white chalk on brown paper

subjects:
Mythology
Drawing
France, 19th century
Landscapes

credit_line: Study of a Female Nude (possibly for an unrealized allegorical painting) (recto); Studies of Drapery and Study of a Landscape (verso), 1800s. Pierre Puvis de Chavannes (French, 1824–1898). Black chalk stumped with heightening of white chalk on brown paper; overall: 23.5 x 30.8 cm (9 1/4 x 12 1/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.249


creator: Ernst Fries (German, 1801–1833)

medium: lithograph printed in black and two tint stones: pale ochre overall and dark ochre/warm grey selectively

country: Germany, 19th century

subjects:
Print
Germany, 19th century

credit_line: Six Views of Heidelberg Castle: Yard, at the Entrance , 1820. Ernst Fries (German, 1801–1833), Mohr & Winter, Heidelberg. Lithograph printed in black and two tint stones: pale ochre overall and dark ochre/warm grey selectively; sheet: 38.5 x 50 cm (15 3/16 x 19 11/16 in.). The Cleveland Museum of Art, Prints & Drawings Sundry Art Purchase and Dudley P. Allen Fund, 2010.280.6


title: Nude Study

creator: Aristide Maillol (French, 1861–1944)

medium: red brown crayon or colored pencil and graphite

credit_line: Nude Study , 1881–1944. Aristide Maillol (French, 1861–1944). Red brown crayon or colored pencil and graphite; sheet: 22.3 x 25.9 cm (8 3/4 x 10 3/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.293


title: Liber Studorium: Ben Arthur, Scotland

creator: Thomas Guff Lupton (British, 1791–1873)

medium: etching and mezzotint in brown

subjects:
Print
England, 19th century

credit_line: Liber Studorium: Ben Arthur, Scotland, c. 1818. Thomas Guff Lupton (British, 1791–1873), Drawn, etched, and published by Joseph Mallord William Turner, after Joseph Mallord William Turner (British, 1775–1851). Etching and mezzotint in brown; sheet: 27.9 x 43.2 cm (11 x 17 in.); platemark: 20.9 x 29.2 cm (8 1/4 x 11 1/2 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.584


date: 1824, published 1840

medium: lithograph with green tint stone

credit_line: Picturesque and Romantic Journeys in Old France, Picardie (Vol. 2):  Roye (Voyages pittoresques et romantiques dans l'ancienne France par Charles Nodier, J. Taylor, et Alphonse de Cailleux:  Roye), 1824, published 1840. Thomas Shotter Boys (British, 1803–1874), C. Hullmandel. Lithograph with green tint stone; sheet: 46.6 x 36.2 cm (18 3/8 x 14 1/4 in.); image: 34.3 x 26.8 cm (13 1/2 x 10 9/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.603


title: Characters of Romance: Rochester

creator: William Nicholson (British, 1872–1949)

medium: color lithograph with hand coloring

country: England, early 20th century

subjects:
Print
England, early 20th century

credit_line: a portfolio of 16 lithographs: Characters of Romance: Rochester, 1900. William Nicholson (British, 1872–1949). Color lithograph with hand coloring; sheet: 50.7 x 40.3 cm (19 15/16 x 15 7/8 in.); image: 34.5 x 27.3 cm (13 9/16 x 10 3/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.612


creator: Richard Earlom (British, 1743–1822)

medium: etching and mezzotint printed in brown

country: England, 18th century

subjects:
Print
England, 18th century

credit_line: Liber Veritatis:  No. 200, A View on the Sea Shore, with the Story of Jesus, 1777. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682), John Boydell (British, 1720–1804). Etching and mezzotint printed in brown; sheet: 27.2 x 40.7 cm (10 11/16 x 16 in.); platemark: 21.1 x 25.9 cm (8 5/16 x 10 3/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.646


title: Vessel in Distress of Yarmouth

creator: Frank Short (British, 1857–1945)

medium: mezzotint

country: England, 19th-20th century

subjects:
Print
England, 19th-20th century
Ships & the sea

credit_line: Vessel in Distress of Yarmouth, c. 1908. Frank Short (British, 1857–1945). Mezzotint; sheet: 46 x 60.8 cm (18 1/8 x 23 15/16 in.); image: 43 x 58.6 cm (16 15/16 x 23 1/16 in.); secondary support: 54 x 67.8 cm (21 1/4 x 26 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.650


title: Blast Furnace

creator: Frank Brangwyn (British, 1867–1956)

medium: lithograph printed in brown

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: Blast Furnace, 1905. Frank Brangwyn (British, 1867–1956), Die Graphischen Kunst ?. Lithograph printed in brown; sheet: 38.5 x 29.5 cm (15 3/16 x 11 5/8 in.); image: 24.9 x 21.5 cm (9 13/16 x 8 7/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.660


title: Sir Thomas Wyatt

medium: color stipple engraving

country: England, 18th Century

credit_line: Sir Thomas Wyatt, 1793. Francesco Bartolozzi (British, 1727–1815), John Chamberlaine, after Hans Holbein (German, c. 1465–1524). Color stipple engraving; sheet: 50.1 x 37.7 cm (19 3/4 x 14 13/16 in.); platemark: 42.7 x 32.8 cm (16 13/16 x 12 15/16 in.); secondary support: 54.3 x 42.1 cm (21 3/8 x 16 9/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.665


title: Portrait of a Woman

creator: George Richmond (British, 1809–1896)

medium: watercolor with graphite heightened with white paint

subjects:
Drawing
England, 19th century
Portraits

credit_line: Portrait of a Woman, c. 1830–1835. George Richmond (British, 1809–1896). Watercolor with graphite heightened with white paint ; sheet: 27.8 x 21.6 cm (10 15/16 x 8 1/2 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2011.132


creator: Louis Haghe (British, 1806–1885)

medium: letterpress

credit_line: Egypt and Nubia, Volume I: Dedication Page, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Letterpress; sheet: 57 x 41.1 cm (22 7/16 x 16 3/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.144


title: Egypt and Nubia, Volume II: Karnac

medium: color lithograph

credit_line: Egypt and Nubia, Volume II: Karnac, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 60.3 x 43.6 cm (23 3/4 x 17 3/16 in.); image: 48.7 x 32.7 cm (19 3/16 x 12 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.188


subjects:
Architecture
Print
England, 19th century

credit_line: Egypt and Nubia, Volume I: Temple of Wady Kardassy in Nubia, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 36.1 x 42.8 cm (14 3/16 x 16 7/8 in.); image: 25.1 x 34.9 cm (9 7/8 x 13 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.206


credit_line: Egypt and Nubia, Volume II: Wady Dabod, Nubia, 1848. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 36.3 x 43.1 cm (14 5/16 x 16 15/16 in.); image: 25.1 x 35.2 cm (9 7/8 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.210


credit_line: Egypt and Nubia, Volume III: The Coffee Shop, 1849. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 34.7 x 43.8 cm (13 11/16 x 17 1/4 in.); image: 25.3 x 35.2 cm (9 15/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.218


credit_line: Egypt and Nubia, Volume III: Tombs of the Memlooks, Cairo, 1849. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 45 x 43.8 cm (17 11/16 x 17 1/4 in.); image: 24.5 x 34.4 cm (9 5/8 x 13 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.249


credit_line: Sketches in Belgium and Germany, Volume I: Pulpit in the Cathedral of Treves, 1840. Louis Haghe (British, 1806–1885), Hodgson & Graves, 6 Pall Mall, London. Color lithograph; sheet: 54.2 x 37.3 cm (21 5/16 x 14 11/16 in.); image: 38.4 x 27 cm (15 1/8 x 10 5/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.269


title: Coverlet

creator: J.M. Davidson (American)

medium: double weave; blue wool and white cotton

country: America

subjects:
Costume & fashion
Textile
America

credit_line: Coverlet, 1837. J.M. Davidson (American). Double weave; blue wool and white cotton; overall: 235 x 207 cm (92 1/2 x 81 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. William J. Robertson, 2012.48


creator: Pietro Fancelli (Italian, 1764–1850)

medium: pen and brown ink and watercolor with graphite underdrawing

country: Italy, 19th century

subjects:
Drawing
Italy, 19th century

credit_line: Design for a Fresco of the Tomb of Vincenzo Martinelli (1737-1807) in the Certosa of Bologna, c. 1810–1820. Pietro Fancelli (Italian, 1764–1850). Pen and brown ink and watercolor with graphite underdrawing; sheet: 47.2 x 29.8 cm (18 9/16 x 11 3/4 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2013.10


medium: pen and brown ink with touches of graphite on wove paper

subjects:
Drawing
England, 19th century

credit_line: "Nincompoopiana," Illustration for Punch, c. 1879. George Louis Palmella Busson Du Maurier (British, 1834–1896). Pen and brown ink with touches of graphite on wove paper; sheet: 25.2 x 35.5 cm (9 15/16 x 14 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.254


title: Portrait of Count Robert de Montesquiou

medium: lithograph

subjects: Print America Portraits

credit_line: Portrait of Count Robert de Montesquiou, 1894. James McNeill Whistler (American, 1834–1903). Lithograph; sheet: 35.3 x 19.4 cm (13 7/8 x 7 5/8 in.); image: 22.6 x 9.1 cm (8 7/8 x 3 9/16 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.280


title: Gentle Night

creator: Henri-Jules Guinier (French, 1867–1927)

medium: lithograph on blue paper

subjects:
Print
France, 19th century

credit_line: Gentle Night, 1899. Henri-Jules Guinier (French, 1867–1927). Lithograph on blue paper; sheet: 31.4 x 26.5 cm (12 3/8 x 10 7/16 in.); secondary support: 44.4 x 30.7 cm (17 1/2 x 12 1/16 in.); overall: 38.8 x 30.1 cm (15 1/4 x 11 7/8 in.); border: 29.5 x 24.8 cm (11 5/8 x 9 3/4 in.). The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in memory of Louise S. Richards, 2013.473


title: Seymour Haden Jr., Seated

medium: etching

subjects: Print America

credit_line: Seymour Haden Jr., Seated, 1857–58. James McNeill Whistler (American, 1834–1903). Etching; sheet: 20.2 x 18.3 cm (7 15/16 x 7 3/16 in.); platemark: 13.6 x 9.7 cm (5 3/8 x 3 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.172


creator: Anonymous

credit_line: published: Vanity Fair. (Boston: Frame Central, 1992.) p. 1, 27 Nov. 27, 1869, M. No. 2: Vanity Fair: Men of the Day, No. 2 "He suppressed an isthmus", 1869. Anonymous. Color lithograph; sheet: 35.5 x 23.2 cm (14 x 9 1/8 in.); image: 30.6 x 19 cm (12 1/16 x 7 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.181


credit_line: published in Vanity Fair Oct. 5, 1872: Vanity Fair: Statesman, No. 126 "An Arbitrator", 1872. Anonymous, Vincent Brooks Day & Son. Color lithograph; sheet: 35.6 x 23.1 cm (14 x 9 1/8 in.); image: 31 x 18.4 cm (12 3/16 x 7 1/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.182


title: Waramus Arch Bishop of Canterbury

medium: Color stipple engraving

credit_line: Waramus Arch Bishop of Canterbury, 1795. Francesco Bartolozzi (British, 1727–1815), after Hans Holbein (German, c. 1465–1524). Color stipple engraving; sheet: 55.1 x 42.3 cm (21 11/16 x 16 5/8 in.); platemark: 48.2 x 32.9 cm (19 x 12 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.185


title: Kensington Gardens, No. 2 (Large Plate)

medium: etching and drypoint

credit_line: Kensington Gardens, No. 2 (Large Plate), 1860. Francis Seymour Haden (British, 1818–1910). Etching and drypoint; sheet: 26.1 x 17.7 cm (10 1/4 x 6 15/16 in.); platemark: 20 x 12.6 cm (7 7/8 x 4 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.213


title: Twelve Portraits: James McNeil Whistler

subjects:
Print
Italy, 19th century
Portraits

credit_line: Twelve Portraits: James McNeil Whistler, 1899. William Nicholson (British, 1872–1949). Color lithograph; sheet: 26.7 x 25 cm (10 1/2 x 9 13/16 in.); image: 25 x 22.4 cm (9 13/16 x 8 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.230


title: Ebb Tide, Putney Bridge

credit_line: Ebb Tide, Putney Bridge, 1885. Frank Short (British, 1857–1945). Mezzotint; sheet: 16.7 x 23.8 cm (6 9/16 x 9 3/8 in.); platemark: 13.4 x 18.9 cm (5 1/4 x 7 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.246


creator: James Tissot (French, 1836–1902)

credit_line: published in Vanity Fair Sept 4, 1869: Vanity Fair: Sovereigns, No. 1 "Le regime parlementaire", 1869. James Tissot (French, 1836–1902). Color lithograph; sheet: 35.5 x 23.2 cm (14 x 9 1/8 in.); image: 30.3 x 18.9 cm (11 15/16 x 7 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.254


title: Peterboro

credit_line: Peterboro, c. 1930. Herbert Gordon Warlow (British, 1885–1942). Etching; sheet: 30.7 x 23.3 cm (12 1/16 x 9 3/16 in.); platemark: 20.7 x 13.9 cm (8 1/8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.265


medium: etching, roulette, drypoint and aquatint

credit_line: Fishing Boats, Normandy (Environ de Caen), c. 1862–1864. Louis Adolphe Hervier (French, 1818–1879). Etching, roulette, drypoint and aquatint; sheet: 47 x 31 cm (18 1/2 x 12 3/16 in.); platemark: 32.3 x 24.5 cm (12 11/16 x 9 5/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.295


credit_line: La Biévre, Les Gobelins, Saint-Séverin: Le Quartier Saint-Séverin: La Rue des Prêtres Saint-Séverin, 1901. Auguste Louis Lepère (French, 1849–1918). Etching; sheet: 29.4 x 21.5 cm (11 9/16 x 8 7/16 in.); platemark: 17.9 x 11.2 cm (7 1/16 x 4 7/16 in.). The Cleveland Museum of Art, Gift of Dr. Irving and Enid Kushner, 2014.657


creator: John Sell Cotman (British, 1782–1842)

medium: softground etching, from a bound volume containing 48 plates

credit_line: Liber Studiorum: Plate 10, The Devil's Bridge, Cardinganshire, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 18.6 x 12.7 cm (7 5/16 x 5 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.k


credit_line: Liber Studiorum: Plate 12, Dolbadern Castle, Llanberris Lake, North Wales, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 17.5 x 12.7 cm (6 7/8 x 5 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.m


credit_line: Liber Studiorum: Plate 39, View at Ashdted, Surrey, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.nn


credit_line: Liber Studiorum: Plate 44, Sketch after Rembrandt, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 12.5 x 9.9 cm (4 15/16 x 3 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.ss


title: Au Pays Noir

creator: Jules Gustave Besson (French, b. 1868)

medium: Color lithograph

country: France, Paris

credit_line: L'Estampe Moderne: Au Pays Noir, 1899. Jules Gustave Besson (French, b. 1868). Color lithograph; sheet: 40.1 x 30.4 cm (15 13/16 x 11 15/16 in.); image: 31.9 x 24.3 cm (12 9/16 x 9 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.g


title: Cité Lacustre

creator: Fernand Cormon (French, 1845–1924)

credit_line: L'Estampe Moderne: Cité Lacustre, 1897. Fernand Cormon (French, 1845–1924). Color lithograph; sheet: 31.7 x 24.8 cm (12 1/2 x 9 3/4 in.); image: 31.7 x 24.8 cm (12 1/2 x 9 3/4 in.); secondary support: 40.1 x 30.4 cm (15 13/16 x 11 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.gg


title: Nuit Douce

credit_line: L'Estampe Moderne: Nuit Douce, 1899. Henri-Jules Guinier (French, 1867–1927). Color lithograph; sheet: 31.3 x 26.4 cm (12 5/16 x 10 3/8 in.); image: 29.4 x 24.3 cm (11 9/16 x 9 9/16 in.); secondary support: 40.1 x 30.3 cm (15 13/16 x 11 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.hh


title: Sirène

credit_line: L'Estampe Moderne: Sirène, 1896. Charles-François-Prosper Guérin (French, 1875–1939). Color lithograph; sheet: 40.1 x 30.5 cm (15 13/16 x 12 in.); image: 28.1 x 23.8 cm (11 1/16 x 9 3/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.ii


title: Readers

country: France

credit_line: L'Estampe Moderne: Readers, 1898. Louis Welden Hawkins (French, 1849–1910). Color lithograph; sheet: 40 x 30.4 cm (15 3/4 x 11 15/16 in.); image: 30.6 x 25.5 cm (12 1/16 x 10 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.nn


title: L'Aïeule

creator: Jeanne Granès (French, 1887–1917)

credit_line: L'Estampe Moderne: L'Aïeule, 1899. Jeanne Granès (French, 1887–1917), Imprimerie Champenois. Color lithograph from bound volume containing 50 lithographs, each with a tissue paper guard; sheet: 40.2 x 30.5 cm (15 13/16 x 12 in.); image: 33.9 x 25.1 cm (13 3/8 x 9 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.rr


title: Pêcheurs à la Ligne

creator: Charles Huard (French, 1874–1965)

credit_line: L'Estampe Moderne: Pêcheurs à la Ligne, 1899. Charles Huard (French, 1874–1965). Color lithograph; sheet: 40.1 x 30.5 cm (15 13/16 x 12 in.); image: 21.6 x 31.6 cm (8 1/2 x 12 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.t


creator: Victor Petit (French, 1817–1874)

date: published 1860

medium: lithograph with tint stone, from portfolio of 100 lithographs with tint stone

subjects:
Architecture
Print
France, 19th century

credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 20, Chateau De Thorigny (Manche), published 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 38.6 x 27.3 cm (15 3/16 x 10 3/4 in.); image: 22.8 x 13.8 cm (9 x 5 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.20


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 21, Vielles Maisons A Rouen (Seine-Inferieure), published 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36 x 27.5 cm (14 3/16 x 10 13/16 in.); image: 23 x 14 cm (9 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.21


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 1, Ancien Chateau de Villiers (Somme), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.5 x 27.5 cm (14 x 10 13/16 in.); image: 23 x 14 cm (9 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.4


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 43, Maison Ancienne À Toulouse (Haute-Garonne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36 x 27.6 cm (14 3/16 x 10 7/8 in.); image: 22.9 x 14 cm (9 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.42


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 52, Château De Fay (Maine), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.8 x 27.4 cm (14 1/8 x 10 13/16 in.); image: 22.8 x 14 cm (9 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.51


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 54, Fenêtre D'un Ancien Couvent (à Barcelone), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.9 x 27.3 cm (14 1/8 x 10 3/4 in.); image: 22.8 x 14 cm (9 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.52


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 72, Fief De La Motte (Saône et Loire), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.9 x 27.5 cm (14 1/8 x 10 13/16 in.); image: 23.8 x 14 cm (9 3/8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.70


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 96, Porte du Prieuré de Torteval (Calvados), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36.1 x 27.3 cm (14 3/16 x 10 3/4 in.); image: 23 x 14.1 cm (9 1/16 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.94


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 97, Château de Baumais (Calvados), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.9 x 27.4 cm (14 1/8 x 10 13/16 in.); image: 23.3 x 14 cm (9 3/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.95


title: Suite de Paysages: Cover

creator: Charles Marie Dulac (French, 1865–1898)

credit_line: Suite de Paysages: Cover, 1892–93. Charles Marie Dulac (French, 1865–1898), Eugène Martial Simas (French, 1862–1926), Monrocq. Color lithograph, half-bound with green cloth and illustrated with a lithograph by Eugène Martial Simas (French, 1862–1926), printed in three colors; interior with marbled endpapers.; overall: 65.7 x 65.7 cm (25 7/8 x 25 7/8 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.7.1


medium: wood engraving from bound volume of 34

credit_line: Fontainebleau Forest: The Raging One (La Forêt de Fontainebleau: Le rageur), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; sheet: 17.6 x 12.5 cm (6 15/16 x 4 15/16 in.); image: 8.2 x 5.9 cm (3 1/4 x 2 5/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.m


credit_line: Fontainebleau Forest: Quarryman's Lodge (La Forêt de Fontainebleau: Une loge de carrier), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 5.6 x 8.2 cm (2 3/16 x 3 1/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.t


country: France, 20th century

subjects:
France, 20th century
Ships & the sea

credit_line: Auguste Lepère: Clisson (Loire-Maritime), 1931. Auguste Louis Lepère (French, 1849–1918). Etching, from bound volume with seven etchings; sheet: 22.7 x 30.4 cm (8 15/16 x 11 15/16 in.); platemark: 14.6 x 20.3 cm (5 3/4 x 8 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.710.a


credit_line: Auguste Lepère: La mare de la prairie à Crèvecoeur (Picardie), 1931. Auguste Louis Lepère (French, 1849–1918). Etching, from bound volume with seven etchings; sheet: 22.6 x 31 cm (8 7/8 x 12 3/16 in.); platemark: 14.7 x 20.5 cm (5 13/16 x 8 1/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.710.e


title: Amida

medium: patinated bronze

credit_line: Amida, 1300s. Japan, Kamakura period (1185–1333) to Nanbokuchō period (1336–92). Patinated bronze; overall: 56 cm (22 1/16 in.). The Cleveland Museum of Art, Gift from the Collection of George Gund III, 2015.500.a


creator: Félix Bonfils (French, 1831–1885)

date: between 1867 and 1899

medium: albumen print

subjects:
Photograph
France, 19th century

credit_line: Damas. Intérieur de Maison. Consul Anglais (Syrie), between 1867 and 1899. Félix Bonfils (French, 1831–1885). Albumen print; image: 28 x 21.8 cm (11 x 8 9/16 in.); paper: 28 x 21.8 cm (11 x 8 9/16 in.). The Cleveland Museum of Art, Gift of Eric Zafran, 2016.322


title: Twelve Portraits: H. M. the Queen

creator: William Nicholson (British, 1872–1949)

medium: color lithograph on wove paper mounted on thick cardboard

country: Britain

subjects: Print Britain Portraits

credit_line: Twelve Portraits: H. M. the Queen, 1897. William Nicholson (British, 1872–1949). Color lithograph on wove paper mounted on thick cardboard; image and sheet: 23.7 x 22.3 cm (9 5/16 x 8 3/4 in.); matted: 40.6 x 35.6 cm (16 x 14 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard Davis in memory of Harvey Buchanan and Penelope Draper Buchanan, 2016.592


creator: Tsuchiya Kōitsu (Japanese, 1870–1949)

medium: color woodcut

country: Japan

subjects: Architecture Print Japan

credit_line: Sketches of Famous Places in Japan: Asakusa Kinryūzan Temple, 1938. Tsuchiya Kōitsu (Japanese, 1870–1949). Color woodcut. The Cleveland Museum of Art, Gift of the Norman W. Zaworski Trust, 2016.76


country: Germany

subjects: Print Germany

credit_line: James the Greater from Christ, the Apostles, and Saint Paul, 1563/64. Lucas Cranach the Elder, After (German, 1472–1553). Woodcut with letterpress text, hand colored; image and sheet: 22.2 x 11.4 cm (8 3/4 x 4 1/2 in.). The Cleveland Museum of Art, Anonymous Gift in honor of Jane Glaubinger, 2017.277.5


credit_line: John from Christ, the Apostles, and Saint Paul, 1563/64. Lucas Cranach the Elder, After (German, 1472–1553). Woodcut with letterpress text, hand colored; image and sheet: 21.6 x 11.5 cm (8 1/2 x 4 1/2 in.). The Cleveland Museum of Art, Anonymous Gift in honor of Jane Glaubinger, 2017.277.6


title: Shimla

creator: Samuel Bourne (British, 1834–1912)

subjects: Photograph Britain

credit_line: Shimla, c. 1860s. Samuel Bourne (British, 1834–1912). Albumen print; image: 23.3 x 28.5 cm (9 3/16 x 11 1/4 in.). The Cleveland Museum of Art, Purchase from the Karl B. Goldfield Trust, 2018.225.a


creator: John Edward Saché (German, 1824–1900)

medium: albumen print from collodion negative

subjects:
Photograph
Germany, 19th century
Landscapes
Trees

credit_line: Landscape with Tree and Three Men, India, 1869. John Edward Saché (German, 1824–1900). Albumen print from collodion negative; image: 23.1 x 28 cm (9 1/8 x 11 in.); paper: 23.1 x 28 cm (9 1/8 x 11 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos, 2018.495


title: Clamart (Vielle Rue)

creator: Eugène Atget (French, 1857–1927)

date: before 1914

medium: albumen print from glass negative

subjects:
Photograph
France, 20th century

credit_line: Clamart (Vielle Rue), before 1914. Eugène Atget (French, 1857–1927). Albumen print from glass negative; image: 22 x 18.1 cm (8 11/16 x 7 1/8 in.); paper: 22 x 18.1 cm (8 11/16 x 7 1/8 in.). The Cleveland Museum of Art, Gift of Arielle Kozloff Brodkey in memory of Dr. Jerald S. Brodkey, 2019.83


medium: tapestry weave; wool and linen

country: Egypt, Abbasid period

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, abbasid period

credit_line: Fragment, Part of an Ornament from a Garment, 800–850. Egypt, Abbasid period. Tapestry weave; wool and linen; overall: 10.5 x 10.7 cm (4 1/8 x 4 3/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1914.548


title: Sickle Blade

medium: flint

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.1


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.24


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.5


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.53


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.55


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.67


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.71


title: Lace Border

medium: Linen: bobbin lace (bride ground)

country: Italy, Milan

subjects:
Lace
Italy, milan

credit_line: Lace Border, 1600s. Italy, Milan. Linen: bobbin lace (bride ground); overall: 10.3 x 44.8 cm (4 1/16 x 17 5/8 in.). The Cleveland Museum of Art, Hinman B. Hurlbut Collection, 1915.504.c


title: Gold Embroidered Pistol Cover

medium: embroidery; gold metallic thread

country: Spain

subjects: Embroidery Spain

credit_line: Gold Embroidered Pistol Cover, 1700s. Spain. Embroidery; gold metallic thread; overall: 53.3 x 55.9 cm (21 x 22 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1370.3


title: Gambling Dice

date: before 1917

medium: hollow shell, resin, glass beads, mica/seashell fragment

country: California, Tulare, Unassigned

subjects:
Tool and equipment
California, tulare, unassigned
Shells & molluscs

credit_line: Gambling Dice, before 1917. California, Tulare, Unassigned. Hollow shell, resin, glass beads, mica/seashell fragment; overall: 1.5 x 2 cm (9/16 x 13/16 in.). The Cleveland Museum of Art, Presented by William Albert Price in memory of Mrs. William Albert Price, 1917.413.2.c


title: Runner

country: Russia(?)

subjects: Lace Russia

credit_line: Runner, 1800s. Russia(?). Linen: cutwork and drawnwork, straight (continuous) bobbin lace, (tape lace) edging; overall: 187.3 x 48.3 cm (73 3/4 x 19 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1918.48


title: Lace Insertion

country: Italy, Genoa

subjects:
Lace
Italy, genoa

credit_line: Lace Insertion, 1550–99. Italy, Genoa. Bobbin lace (needle lace, reticella design); average: 4.5 x 19.7 cm (1 3/4 x 7 3/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1006


title: Lace Insertion

credit_line: Lace Insertion, 1550–99. Italy, Genoa. Bobbin lace (needle lace, reticella design); average: 4.2 x 43.2 cm (1 5/8 x 17 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1182


title: Lace Flounce

country: Belgium, Brussels

subjects:
Lace
Belgium, brussel

credit_line: Lace Flounce, 1800s. Belgium, Brussels. Bobbin lace (point plat appliqué) applied to machine-made net; average: 16.2 x 53.4 cm (6 3/8 x 21 in.). The Cleveland Museum of Art, Gift of Richard Greenleaf, 1920.1290.c


title: Lace Insertion

medium: Bobbin lace

country: Italy, Venice

subjects:
Lace
Italy, venice

credit_line: Lace Insertion, 1540–60. Italy, Venice. Bobbin lace; average: 2.9 x 20.4 cm (1 1/8 x 8 1/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.863


title: Lace Edging of Bell Points

medium: Bobbin lace (rose lace)

subjects:
Lace
Italy, genoa
Roses

credit_line: Lace Edging of Bell Points, 1600s–1700s. Italy, Genoa. Bobbin lace (rose lace); average: 4.5 x 16.6 cm (1 3/4 x 6 9/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.945


title: Lace Insertion

credit_line: Lace Insertion, 1550–99. Italy, Genoa. Bobbin lace (needle lace, reticella design); average: 8.3 x 19.4 cm (3 1/4 x 7 5/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.974


title: Lace Edging of Round Points

credit_line: Lace Edging of Round Points, 1500s–1600s. Italy, Genoa. Bobbin lace (needle lace, punto in aria design); average: 12.1 x 22.6 cm (4 3/4 x 8 7/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.975


title: Towel with Lace Ends

country: Russia

subjects: Botany Lace Russia

credit_line: Towel with Lace Ends, 1700s–1800s. Russia. Straight (continuous) bobbin lace (Vologda Tape lace); figures and plant motifs formed with tape, outlined with gimp; plaited ground with picots links the tape; overall: 41.4 x 235.5 cm (16 5/16 x 92 11/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1921.1137


title: Le Marché aux Pommes, No. 1

medium: wood engraving

country: France, 19th-20th century

subjects:
Print
France, 19th-20th century

credit_line: Le Marché aux Pommes, No. 1, 1890. Auguste Louis Lepère (French, 1849–1918). Wood engraving. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1921.1322


title: Rug (banded pound blanket style)

medium: tapestry weave: wool

subjects:
Costume & fashion
Textile

credit_line: Rug (banded pound blanket style), c. 1895–1910. America, Native North American, Southwest, Navajo, post- Contact, Early Period. Tapestry weave: wool; overall: 220 x 138.8 cm (86 5/8 x 54 5/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1921.561


title: Towel End

medium: cotton or linen (est.); straight (continuous) bobbin lace (Vologda tape lace); the tape forms figural or plant motifs outlined with gimp (heavy cord); polychrome plaited ground links the tape; applied silk (est.) ribbon

credit_line: Towel End, 1780–99. Russia. Cotton or linen (est.); straight (continuous) bobbin lace (Vologda tape lace); the tape forms figural or plant motifs outlined with gimp (heavy cord); polychrome plaited ground links the tape; applied silk (est.) ribbon; overall: 25.8 x 84.5 cm (10 3/16 x 33 1/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1921.597


medium: painting on pith paper

country: China, Qing dynasty (1644–1911)

subjects:
Painting
China, qing dynasty (1644–1911)
Butterflies & moths
Flowers

credit_line: Painting Three from Illustrated Book of Flowers and Butterflies, 1800s. China, Qing dynasty (1644–1911). Painting on pith paper; each page: 25.2 x 36.4 cm (9 15/16 x 14 5/16 in.); each painting: 20.1 x 32 cm (7 15/16 x 12 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Henry F. Lyman, 1921.915.c


title: Shin Guard (Sune-ate)

medium: Arms and Armor

country: Japan, Edo period (1615–1868)

subjects:
Arms and armor
Japan, edo period (1615–1868)

credit_line: Shin Guard (Sune-ate), 1615–1868. Japan, Edo period (1615–1868). The Cleveland Museum of Art, Gift of J. H. Donahey, 1922.31.g


title: Infant's Cap

country: United States

subjects:
Embroidery
United state

credit_line: Infant's Cap, 1800–1850. United States. Plain weave linen: needle lace (cutwork and drawn work) and embroidery; average: 62.2 x 21.6 cm (24 1/2 x 8 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. C. H. Koch, 1922.46


title: Lace Edging

medium: Silk: bobbin lace (Mechelen lace)

country: Belgium, Mechelen

subjects:
Lace
Belgium, mechelen

credit_line: Lace Edging, 1700s. Belgium, Mechelen. Silk: bobbin lace (Mechelen lace); average: 5.7 x 62.3 cm (2 1/4 x 24 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Justin G. Sholes, 1924.486


creator: Wenceslaus Hollar (Bohemian, 1607–1677)

medium: etching

country: Bohemia

subjects: Print Bohemia

credit_line: Westminster Hall, Interior, with The Trial of the Earl of Strafford, 1641. Wenceslaus Hollar (Bohemian, 1607–1677). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.870


title: Lace and Embroidery Collar

country: Madeira(?)

subjects: Embroidery Madeira

credit_line: Lace and Embroidery Collar, 1800s. Madeira(?). Plain weave linen or cotton(?): needle lace (cutwork) and embroidery; overall: 30 x 49.5 cm (11 13/16 x 19 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charlotte C. Clark, 1928.223


medium: Gum tempera, ink, and gold on paper

credit_line: Text, Folio 21 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.21.b


credit_line: Text, Folio 34 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.34.b


credit_line: Mahavira's Omniscience and First Teaching (Samavasarana), Folio 39 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.39.b


credit_line: Text, Folio 44 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.44.b


credit_line: Birth of Nemi, Folio 48 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.48.b


credit_line: Text, Folio 76 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.76.b


title: Lace Edging

medium: Linen: bobbin lace

credit_line: Lace Edging, 1740–60. Belgium, Mechelen. Linen: bobbin lace; average: 4.8 x 41.6 cm (1 7/8 x 16 3/8 in.). The Cleveland Museum of Art, The Frances McIntosh Sherwin Collection, 1936.304


title: Lace Handkerchief

country: Flanders

subjects: Embroidery Flander

credit_line: Lace Handkerchief, 1800s. Flanders. Plain weave linen center; machine-made lace edging with needle lace (drawnwork) and embroidery; overall: 61 x 61 cm (24 x 24 in.). The Cleveland Museum of Art, Gift of Elisabeth Ireland in memory of her mother, Mrs. P. W. Harvey, 1936.694


title: Lace Handkerchief

medium: Plain weave piña, silk embroidery

country: Cuba

subjects: Embroidery Cuba

credit_line: Lace Handkerchief, 1889. Cuba. Plain weave piña, silk embroidery; overall: 33.7 x 33.7 cm (13 1/4 x 13 1/4 in.). The Cleveland Museum of Art, Gift of Elisabeth Ireland in memory of her mother, Mrs. P. W. Harvey, 1936.718


medium: gum tempera and ink on palm leaves

subjects: Painting Palms

credit_line: Text, Folio 146 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.146.a


credit_line: Text, folio 159 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.159.b


credit_line: Text, folio 168 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.168.b


credit_line: Text, folio 180 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.180.b


credit_line: Text, folio 183 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.183.b


credit_line: Text, folio 49 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.49.a


credit_line: Text, folio 52 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.52.b


credit_line: Text, Folio 74 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.74.b


credit_line: Text, Folio 76 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.76.b


credit_line: Text, Folio 78 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.78.b


credit_line: Text, Folio 83 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.83.a