title: Captain Harris and Ruston, Jhansi

credit_line: Captain Harris and Ruston, Jhansi, c. 1882–87. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 19 x 26.5 cm (7 1/2 x 10 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.14


creator: Raja Deen Dayal (Indian, 1844–1905)

medium: albumen print

country: India

subjects: Photograph India

source: The Cleveland Museum of Art

source_id: cleveland

rights: Public Domain / CC0

rights_statement: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

credit_line: B. c/o Devonshire Regiment, Jhansi (recto); Staff of Messrs. Glover & Co., Sindh Bridge (verso), c. 1882–87. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 18.3 x 27.3 cm (7 3/16 x 10 3/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.15


credit_line: Managing staff of Meprs. Glover & Co. at Sindh Bridge (recto, top); Untitled: Woman on horse (verso, right), c. 1882–87. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 13.2 x 21.2 cm (5 3/16 x 8 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.16


title: Col. F. G. Oldham (recto, top)

credit_line: Col. F. G. Oldham (recto, top), c. 1882–87. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 13.2 x 20 cm (5 3/16 x 7 7/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.19.1


credit_line: Mowhri Rahman Alli Khan family, Rewa (recto, bottom), c. 1882–87. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 13.4 x 20.5 cm (5 1/4 x 8 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.2.2


credit_line: Captain H.S. Rawhinson (recto); Mr. Robert Holtz and Family (verso), c. 1882–87. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 18 x 27.2 cm (7 1/16 x 10 11/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.20


title: Lord William Beresford's horses

credit_line: Lord William Beresford's horses, c. 1882–87. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 19.3 x 27 cm (7 5/8 x 10 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.22


title: Viceregal Party Shimla (verso)

credit_line: Viceregal Party Shimla (verso), 1887. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 19.5 x 27 cm (7 11/16 x 10 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.26.2


credit_line: Col. Carpendale and family, Neemuch (recto, bottom), c. 1882–87. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 12.8 x 19.5 cm (5 1/16 x 7 11/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.3.2


credit_line: Interior of Church, Neemuch (recto, right); Grave of Dr. Falwasser, Neemuch (recto, left); Indian Lady 250 BC (verso, right), c. 1882–87. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 19.7 x 12.8 cm (7 3/4 x 5 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.4


title: Indian Lady 250 BC (verso, right)

credit_line: Indian Lady 250 BC (verso, right), c. 1882–87. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 19.7 x 12.8 cm (7 3/4 x 5 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.4.3


credit_line: Officers of Elephant Battery, Jhansi (recto), c. 1882–87. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 19.3 x 27 cm (7 5/8 x 10 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.8.2


title: Hardwar, India

creator: Edward Lear (British, 1812–1888)

country: England

subjects: Drawing England

credit_line: Hardwar, India, 1875. Edward Lear (British, 1812–1888). Watecolor over pencil, heightened with white; matted: 40.6 x 54.1 cm (16 x 21 5/16 in.); sheet: 25.4 x 39.7 cm (10 x 15 5/8 in.). The Cleveland Museum of Art, Delia E. Holden Fund, 2023.127


title: Les cariatides du Ramesseum 134

creator: Abdullah Frères (Turkish, 1858–1899)

country: Turkey

subjects: Photograph Turkey

credit_line: Les cariatides du Ramesseum 134, 1860–80s. Abdullah Frères (Turkish, 1858–1899). Albumen print. The Cleveland Museum of Art, Gift of Leslie and Donald O’Bell, 2023.131


title: Frontispiece

medium: etching

country: France

subjects: Print France

credit_line: Improvisations sur cuivre: Frontispiece, 1865. Nicolas-François Chifflart (French, 1825–1901), printed by Auguste Delâtre, published by CADART & LUQUET. Etching; image: 31 x 23.8 cm (12 3/16 x 9 3/8 in.); plate: 31.5 x 24 cm (12 3/8 x 9 7/16 in.); sheet: 56.1 x 36.4 cm (22 1/16 x 14 5/16 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2023.18.1


title: Sheet of Sketches

credit_line: Improvisations sur cuivre: Sheet of Sketches, 1865. Nicolas-François Chifflart (French, 1825–1901), printed by Auguste Delâtre, published by CADART & LUQUET. Etching; image: 22.2 x 30.3 cm (8 3/4 x 11 15/16 in.); plate: 24.4 x 32.1 cm (9 5/8 x 12 5/8 in.); sheet: 37.4 x 57.4 cm (14 3/4 x 22 5/8 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2023.18.13


title: The Harvests

credit_line: Improvisations sur cuivre: The Harvests, 1865. Nicolas-François Chifflart (French, 1825–1901), printed by Auguste Delâtre, published by CADART & LUQUET. Etching; image: 31.3 x 23.1 cm (12 5/16 x 9 1/8 in.); plate: 31.5 x 23.5 cm (12 3/8 x 9 1/4 in.); sheet: 56 x 36.4 cm (22 1/16 x 14 5/16 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2023.18.3


title: Genius of the Arts

credit_line: Improvisations sur cuivre: Genius of the Arts, 1865. Nicolas-François Chifflart (French, 1825–1901), printed by Auguste Delâtre, published by CADART & LUQUET. Etching; image: 31 x 23.3 cm (12 3/16 x 9 3/16 in.); plate: 31.7 x 23.8 cm (12 1/2 x 9 3/8 in.); sheet: 56 x 37.5 cm (22 1/16 x 14 3/4 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2023.18.5


title: Phänomen Vase

medium: glass

country: Austria

subjects: Sculpture Austria

credit_line: Phänomen Vase, c. 1898–1903. Johann Lötz Witwe, Klostermühle (German). Glass; height: 25.4 cm (10 in.). The Cleveland Museum of Art, Gift of the family of Harold S. Meyer, 2024.102


title: The Twelve Sons of Jacob

medium: Set of 10 engravings

country: Netherlands

subjects: Print Netherland

credit_line: The Twelve Sons of Jacob, c. 1589. Jacob de Gheyn II (Netherlandish, 1565–1629), after Karel I van Mander (Netherlandish, 1548–1606), published by Jan Pitten (Dutch, active Amsterdam, 1588–1592). Set of 10 engravings. The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2024.145


title: Young Woman in a Patterned Dress

medium: daguerreotype with hand-applied color

country: America

subjects:
Costume & fashion
Photograph
America

credit_line: Young Woman in a Patterned Dress, 1860s. America. Daguerreotype with hand-applied color; image: 6.8 x 5.7 cm (2 11/16 x 2 1/4 in.); case: 9.4 x 8.2 cm (3 11/16 x 3 1/4 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2024.16


title: Scenes from the Tale of Genji

country: Japan, Edo period (1615–1868)

subjects:
Painting
Japan, edo period (1615–1868)

credit_line: Scenes from the Tale of Genji, 1700s. Japan, Edo period (1615–1868). Six-panel folding screen; ink, color, gold and gilding on paper; 123.8 x 289.6 cm (48 3/4 x 114 in.). The Cleveland Museum of Art, Gift of Ross W. Comer, 2024.160


creator: Samuel Bourne (British, 1834–1912)

subjects: Photograph England Trees

credit_line: Photographs of Northern India: Shimla. The Church Through the Trees, from Jakko, 1863–70. Samuel Bourne (British, 1834–1912). Albumen print. The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2024.5.11


subjects: Photograph England

credit_line: Photographs of Northern India: Delhi. The Kashmire Gate. The Scene of Some Very Hard Fighting in 1857, 1863–70. Samuel Bourne (British, 1834–1912). Albumen print. The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2024.5.30


title: Futheypoor Sikre Guard Gate of the Fort

credit_line: Photographs of Northern India: Futheypoor Sikre Guard Gate of the Fort, 1863–70. Samuel Bourne (British, 1834–1912). Albumen print. The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2024.5.44


title: Afghanistan, February 1880

creator: John Burke (Irish, 1845–1915)

medium: album of 55 albumen prints

country: Ireland

credit_line: Afghanistan, February 1880, 1878–80. John Burke (Irish, 1845–1915). Album of 55 albumen prints. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6


title: The Khan of Lalpura and Officers

subjects: Photograph Ireland

credit_line: Afghanistan, February 1880: The Khan of Lalpura and Officers, 1878–80. John Burke (Irish, 1845–1915). Albumen print. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.dd


title: Kadm Villages and Pass, Left of Jumrood

credit_line: Afghanistan, February 1880: Kadm Villages and Pass, Left of Jumrood, 1870. John Burke (Irish, 1845–1915). Albumen print. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.g


title: Khyber Chiefs with Captain Tucker

credit_line: Afghanistan, February 1880: Khyber Chiefs with Captain Tucker, 1878–80. John Burke (Irish, 1845–1915). Albumen print. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.j


credit_line: Afghanistan, February 1880: Shergai Heights, Looking Towards Ali Musjid, 1878–80. John Burke (Irish, 1845–1915). Albumen print. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.l


title: Fort Battye and Plains of Futtiabad

credit_line: Afghanistan, February 1880: Fort Battye and Plains of Futtiabad, 1878–80. John Burke (Irish, 1845–1915). Albumen print. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.oo


title: Pass Near Ali Musjid, Showing Tortang

credit_line: Afghanistan, February 1880: Pass Near Ali Musjid, Showing Tortang, 1878–80. John Burke (Irish, 1845–1915). Albumen print. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.r


title: Entrance to Jugdalluck

credit_line: Afghanistan, February 1880: Entrance to Jugdalluck, 1878–80. John Burke (Irish, 1845–1915). Albumen print. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.ss


title: Cabulese

credit_line: Afghanistan, February 1880: Cabulese, 1878–80. John Burke (Irish, 1845–1915). Albumen print. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.vv


title: Group of Natives from Near Khyber Pass

credit_line: Afghanistan, February 1880: Group of Natives from Near Khyber Pass, 1878–80. John Burke (Irish, 1845–1915). Albumen print. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.y


title: Ali Keyl, Pewar Kotal

credit_line: Afghanistan, February 1880: Ali Keyl, Pewar Kotal, 1878–80. John Burke (Irish, 1845–1915). Albumen print. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.zz


title: The Holy Family in an Interior

creator: Ferdinand Bol (Dutch, 1616–1680)

medium: etching, drypoint and engraving

credit_line: The Holy Family in an Interior, 1643. Ferdinand Bol (Dutch, 1616–1680). Etching, drypoint and engraving; sheet: 18.2 x 21.6 cm (7 3/16 x 8 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2024.85


title: Waxbills

country: China, Suzhou, Qing dynasty (1644–1911)

subjects:
Print
China, suzhou, qing dynasty (1644–1911)

credit_line: Waxbills (臘轉春回 - 蠟嘴鳥), 1700–1750. China, Suzhou, Qing dynasty (1644–1911). Polychrome woodblock print; ink and color on paper; 38.3 x 30 cm (15 1/16 x 11 13/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2025.109


title: Praying Mantis on a Lychee

credit_line: Praying Mantis on a Lychee (荔枝上的螳螂), 1700–1750. Southeast China, Suzhou, Qing dynasty (1644–1911). Multicolor woodblock print; ink and color on paper; 28.3 x 38.4 cm (11 1/8 x 15 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2025.117


title: Three Friends of Winter

credit_line: Three Friends of Winter (歲寒三友圖), 1700s. Southeast China, Suzhou, Qing dynasty (1644–1911). Multicolor woodblock print; ink and color on paper; 30.1 x 37.4 cm (11 7/8 x 14 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2025.119


title: Tabouret

creator: Carlo Bugatti (Italian, 1856–1940)

country: France, Paris

subjects:
Furniture and woodwork
France, pari

credit_line: Tabouret, c. 1907. Carlo Bugatti (Italian, 1856–1940). Mahogany, parchment, gilt bronze, mother-of-pearl; overall: 69.8 x 61 x 44 cm (27 1/2 x 24 x 17 5/16 in.). The Cleveland Museum of Art, Gift of Greg Manocherian, 2025.193


credit_line: Gusu Beauty–Mother and Son in a Summer Pavilion (姑蘇美人 – 夏日亭畔母子圖), 1736–95. Southeast China, Suzhou Qing dynasty (1644–1911), Qianlong period (1736–95). Polychrome woodblock print; ink and color on paper; print only: 104.2 x 54.5 cm (41 x 21 7/16 in.); overall: 112.9 x 62.9 cm (44 7/16 x 24 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2025.47


subjects: Architecture Print

credit_line: Scenic Spots of Jiangtian Temple on Jinshan, Built by Imperial Command (勅建金山江天寺勝境), 1662–1722. China, Qing dynasty (1644–1911), Kangxi reign (1622–1722). Polychrome woodblock print; ink and color on paper; 60.6 x 37.5 cm (23 7/8 x 14 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2025.61


title: Print of Xu Gate and the City Moat

credit_line: Print of Xu Gate and the City Moat (胥門護城河畔圖), 1736–95. Southeast China, Suzhou, Qing dynasty (1644–1911), Qianlong reign (1736–95). Multicolor woodblock print; ink and color on paper; diameter: 24 cm (9 7/16 in.); sheet: 27.8 x 30.3 cm (10 15/16 x 11 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2025.85


title: Wife, Wealth, Sons, and a Salary

credit_line: Wife, Wealth, Sons, and a Salary (妻財子禄), 1662–1722. China, Qing dynasty (1644–1911), Kangxi reign (1622–1722). Polychrome woodblock print; ink and color on paper; 39 x 55.7 cm (15 3/8 x 21 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2025.94


title: Jug

medium: earthenware

country: Iran

subjects: Ceramic Iran

credit_line: Jug, 900s–1100s. Iran. Earthenware; overall: 13.2 x 12 cm (5 3/16 x 4 3/4 in.). The Cleveland Museum of Art, The Worcester R. Warner Collection, 1915.306


title: Wall Tile with Lotus Blossom

medium: fritware with molded and underglaze-painted design

subjects: Ceramic Flowers

credit_line: Wall Tile with Lotus Blossom, c. 1300–50. Iran, probably Sultanabad, Ilkhanid period (1256–1353). Fritware with molded and underglaze-painted design; overall: 20 x 20 cm (7 7/8 x 7 7/8 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.645


creator: Moritz Fürst (Hungarian, 1782–1882)

medium: bronze

subjects: Metalwork America

credit_line: Medal Commemorating Commodore Oliver Hazard Perry (1785-1819) and the Battle of Lake Erie (obverse), 1813. Moritz Fürst (Hungarian, 1782–1882). Bronze; diameter: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1868.a


title: Sword (Barong)

date: before 1916

country: Philippines, Mindanao, Sulu Archipelago

subjects:
Arms and armor
Philippines, mindanao, sulu archipelago

credit_line: Sword (Barong), before 1916. Philippines, Mindanao, Sulu Archipelago. Blade: metal; handle: metal with silver foil and repoussé work; pommel: ivory and carabao horn; overall: 65.5 cm (25 13/16 in.); blade: 42.2 cm (16 5/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.729


medium: silver

country: Greek, minted at Chalkis (Euboia)

subjects:
Coin
Greek, minted at chalki (euboia)

credit_line: Drachm: Female Head (obverse); Eagle (reverse), 337–308 BCE. Greek, minted at Chalkis (Euboia). Silver; diameter: 1.7 cm (11/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.972


credit_line: Tetradrachm: Head of Antiochos VIII (obverse); Zeus Ouranios (reverse), 112–110 BCE. Greek, Seleukid, minted at Antioch (Syria), reign of Antiochos VIII. Silver; diameter: 2.9 cm (1 1/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.974


country: Greek, minted at Terina (South Italy)

subjects:
Coin
Greek, minted at terina (south italy)

credit_line: Stater: Head of Nymph (Obverse); Nike (Reverse), c. 420–400 BCE. Greek, minted at Terina (South Italy). Silver; diameter: 2 cm (13/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.982


subjects: Greek, probably minted at phokikon (phokis)

credit_line: Hemidrachm: Bull's Head (obverse); Head of Artemis (reverse), c. 485–480 BCE. Greek, probably minted at Phokikon (Phokis). Silver; diameter: 1.4 cm (9/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.983


title: Headcloth (Yakan seputangan)

date: c. early 1900s

medium: plain weave with paired weft: cotton; supplementary weft: silk

country: Philippines

subjects: Garment Philippine

credit_line: Headcloth (Yakan seputangan), c. early 1900s. Philippines. Plain weave with paired weft: cotton; supplementary weft: silk; overall: 97.5 x 95 cm (38 3/8 x 37 3/8 in.). The Cleveland Museum of Art, Gift of Mrs. G. Field Adams, 1917.746


title: Shoulder basket (Bagobo people)

medium: natural fibers, cloth, glass beads, metal

country: Philippines, Davao

subjects:
Costume & fashion
Textile
Philippines, davao

credit_line: Shoulder basket (Bagobo people), c. 1875–1917. Philippines, Davao. Natural fibers, cloth, glass beads, metal; overall: 11.8 x 7.9 cm (4 5/8 x 3 1/8 in.). The Cleveland Museum of Art, Gift of Mrs. G. Field Adams, 1917.771


title: Sword (Kalis or Sundang)

date: before 1918

country: Philippines, Mindanao

subjects:
Arms and armor
Philippines, mindanao

credit_line: Sword (Kalis or Sundang), before 1918. Philippines, Mindanao. Blade: metal; handle: metal with silver and braided twine; pommel: ivory; overall: 61 cm (24 in.); blade: 49 cm (19 5/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1918.649


country: Italy

subjects: Lace Italy

credit_line: Fragment of a Band with Vines Surrounding a Monkey, Lion, and an Unidentified Four-Legged Animal, 1500s. Italy. Bleached linen (est.): needle lace, filet/lacis (knotted ground and darned in two directions); overall: 20.1 x 80.5 cm (7 15/16 x 31 11/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1159


title: Border with Renaissance Motif

credit_line: Border with Renaissance Motif, 1800–1840. Italy. Bleached linen (est.): needle lace, machine-made burato (twined ground and darned in one direction); overall: 31.1 x 297.4 cm (12 1/4 x 117 1/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.526


title: Box

medium: pottery

country: Korea, Goryeo dynasty (918–1392)

subjects:
Ceramic
Korea, goryeo dynasty (918–1392)

credit_line: Box (청자 상감 국화·당초무늬 합 [靑磁象嵌菊花唐草文母子盒]), 918–1392. Korea, Goryeo dynasty (918–1392). Pottery; overall: 2.9 x 9.9 cm (1 1/8 x 3 7/8 in.). The Cleveland Museum of Art, Gift of John L. Severance, 1921.635.a


title: Arrow

date: before 1922

medium: bamboo shaft, wood tip

subjects:
Arms and armor
Philippine

credit_line: Arrow, before 1922. Philippines. Bamboo shaft, wood tip; average: 104.1 cm (41 in.). The Cleveland Museum of Art, Gift of J. H. Donahey, 1922.21


title: Arrow

credit_line: Arrow, before 1922. Philippines. Bamboo shaft, wood tip; average: 104.1 cm (41 in.). The Cleveland Museum of Art, Gift of J. H. Donahey, 1922.25


title: Lace Scarf

medium: abacá fiber(?); knitted

subjects: Knitting Philippine

credit_line: Lace Scarf, c. 1910–23. Philippines. Abacá fiber(?); knitted; overall: 121.9 x 14 cm (48 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Miss Myrta Jones, 1923.864


title: Border with Geometric Patterns

subjects:
Ornament & design
Lace
Spain, c. 1850-70

credit_line: Border with Geometric Patterns, c. 1850–70. Spain, c. 1850-70. Bleached linen (est.) and cotton (est.): needle lace, filet/lacis (knotted ground and darned in one direction); overall: 18.4 x 108 cm (7 1/4 x 42 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1923.877


title: Pigment Box (lid)

medium: inlaid celadon ware

credit_line: Pigment Box (lid) (청자 상감 국화·곤충무늬 합 [靑磁象嵌菊蟲文母子盒]), 918–1392. Korea, Goryeo dynasty (918–1392). Inlaid celadon ware; diameter: 9 cm (3 9/16 in.); overall: 3.9 cm (1 9/16 in.). The Cleveland Museum of Art, Gift of John L. Severance, 1928.165.b


title: Stool

date: before 1929

medium: wood

credit_line: Stool, before 1929. Central Africa, Democratic Republic of the Congo, Nyanga, early 20th Century. Wood; diameter: 26.8 cm (10 9/16 in.); overall: 27 cm (10 5/8 in.). The Cleveland Museum of Art, Gift of the African Art Sponsors of Karamu House, 1929.345


title: Cuff with Floral Vines

country: Unassigned, 1800s

subjects:
Lace
Unassigned, 1800
Flowers

credit_line: Cuff with Floral Vines, 1800s. Unassigned, 1800s. Bleached linen (est.): needle lace, filet/lacis (knotted ground and darned in one direction); overall: 17.9 x 21.8 cm (7 1/16 x 8 9/16 in.). The Cleveland Museum of Art, The Frances McIntosh Sherwin Collection, 1936.226


title: Piña cloth

medium: piña fiber, silk

subjects:
Costume & fashion
Textile
Philippine

credit_line: Piña cloth, mid-1800s. Philippines. Piña fiber, silk; overall: 27.5 x 51 cm (10 13/16 x 20 1/16 in.). The Cleveland Museum of Art, Gift of Dr. Phyllis Ackerman, 1944.280


medium: Leaf: lacquer and gilding on cloth

country: Myanmar (Burma)

subjects:
Manuscript
Myanmar (burma)

credit_line: Illumination, folio 1 (recto) from a Kammavacha: Buddhist ordination text, 1800s. Myanmar (Burma). Leaf: lacquer and gilding on cloth; leaf: 12.8 x 56.1 cm (5 1/16 x 22 1/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1945.172.1.a


credit_line: Text, folio 11 (recto) from a Kammavacha: Buddhist ordination text, 1800s. Myanmar (Burma). Leaf: lacquer and gilding on cloth; leaf: 12.8 x 56.1 cm (5 1/16 x 22 1/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1945.172.11.a


credit_line: Text, folio 13 (recto) from a Kammavacha: Buddhist ordination text, 1800s. Myanmar (Burma). Leaf: lacquer and gilding on cloth; leaf: 12.8 x 56.1 cm (5 1/16 x 22 1/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1945.172.13.a


credit_line: Text, folio 14 (verso) from a Kammavacha: Buddhist ordination text, 1800s. Myanmar (Burma). Leaf: lacquer and gilding on cloth; leaf: 12.8 x 56.1 cm (5 1/16 x 22 1/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1945.172.14.b


credit_line: Text, folio 2 (verso) from a Kammavacha: Buddhist ordination text, 1800s. Myanmar (Burma). Leaf: lacquer and gilding on cloth; leaf: 12.8 x 56.1 cm (5 1/16 x 22 1/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1945.172.2.b


credit_line: Bottom cover from a Kammavacha: Buddhist Ordination Text, 1800s. Myanmar (Burma). Cover: lacquer, gilding, and glass appliqué on wood; cover: 13 x 57.2 x 0.9 cm (5 1/8 x 22 1/2 x 3/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1945.172.b


title: Figurine Head Fragment

medium: molded earthenware with pigment

credit_line: Figurine Head Fragment, 1–550 CE. Central Mexico, Teotihuacán style, Classic period. Molded earthenware with pigment; overall: 6.2 x 6.7 x 2.2 cm (2 7/16 x 2 5/8 x 7/8 in.). The Cleveland Museum of Art, The Norweb Collection, 1951.162


title: Vase

medium: jasper ware with relief decoration

country: England, Staffordshire

subjects:
Ceramic
England, staffordshire

credit_line: Vase, c. 1850. Josiah Wedgwood and Sons (British, Staffordshire, est. 1759). Jasper ware with relief decoration; overall: 29.9 cm (11 3/4 in.). The Cleveland Museum of Art, Gift of Mrs. John Sherwin, 1951.300.a


title: Fragment

medium: cotton: plain cloth, resist dyed

country: India

subjects:
Costume & fashion
Textile
India

credit_line: Fragment, 1100s–1300s. India. Cotton: plain cloth, resist dyed; overall: 28 x 15.6 cm (11 x 6 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1951.510


medium: painting in an accordion-style album; ink, light color, and gold on paper

country: Japan, Edo period (1615–1868)

credit_line: Evening Mist from Album of Illustrations for the Tale of Genji (源氏絵画帖 夕霧), 1600s. Japan, Edo period (1615–1868). Painting in an accordion-style album; ink, light color, and gold on paper; each leaf: 26.3 x 22 cm (10 3/8 x 8 11/16 in.); painting only: 17 x 20.6 cm (6 11/16 x 8 1/8 in.). The Cleveland Museum of Art, Gift of Vera Sterne in memory of her husband, Maurice Sterne, 1961.202.o


medium: gum tempera, ink, and gold on paper

credit_line: The king’s emissary being provided with gifts for his mission to Rum in order to seek the hand of the emperor’s daughter in marriage, from a Tuti-nama (Tales of a Parrot): Fiftieth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.3 x 10.5 cm (4 1/16 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.317.a


credit_line: The son of the pious man slays the dragon, from a Tuti-nama (Tales of a Parrot): Fifty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9 x 10.5 cm (3 9/16 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.337.b


title:
Vajrapani
Embroidered Mount with Garuda

date: painting 1600s, embroidery c. 1300

country: China and Tibet, Embroidery: China, Yuan dynasty (1279-1368); painting: Tibet, 17th century

credit_line:
Vajrapani
Embroidered Mount with Garuda, painting 1600s, embroidery c. 1300. Choying Dorje, the Tenth Black Hat Karmapa (Tibetan, 1604–1674). Opaque watercolor, gold, and silver on silk; overall: 40.6 x 6.7 cm (16 x 2 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1989.11.c


creator: Kamisaka Sekka (Japanese, 1866–1942)

medium: ink and color on paper

country: Japan, Meiji period (1868–1912)

subjects:
Drawing
Japan, meiji period (1868–1912)
Flowers

credit_line: Flowers of a Hundred Worlds (Momoyogusa): Flower-draped Carts, 1909. Kamisaka Sekka (Japanese, 1866–1942). Ink and color on paper. The Cleveland Museum of Art, John L. Severance Fund, 1989.85.2


title: Scabbard

medium: metal and tortoiseshell

country: Korea, Joseon dynasty (1392–1910)

subjects:
Arms and armor
Korea, joseon dynasty (1392–1910)

credit_line: Scabbard (대모장식검 (玳瑁裝飾劍)), 1800s. Korea, Joseon dynasty (1392–1910). Metal and tortoiseshell; overall: 42.5 cm (16 3/4 in.). The Cleveland Museum of Art, Gift of The Honorable Joseph P. Carroll and Roberta Carroll, M.D., 1995.246.b


title: Vase

medium: favrile glass

country: America

subjects: Glass America

credit_line: Vase, c. 1902–15. Tiffany Studios (United States, New York, 1902–32). Favrile glass; diameter: 10.3 cm (4 1/16 in.); overall: 14.2 cm (5 9/16 in.). The Cleveland Museum of Art, Bequest of Virginia Hubbell, 1997.301


title: Coronet (oríkògbófo)

medium: Cloth, glass beads, and thread

credit_line: Coronet (oríkògbófo), 1900s. Africa, West Africa, Nigeria, Yorùbá-style maker. Cloth, glass beads, and thread; overall: 19 x 19 x 18 cm (7 1/2 x 7 1/2 x 7 1/16 in.). The Cleveland Museum of Art, Gift of Drs. James, Gladys, Jay, Jeffrey, and Jamie Strain, 1998.278


title: Headdress Ornament

country: China, Qing dynasty (1644-1911)

subjects:
Ornament & design
Jewelry
China, qing dynasty (1644-1911)

credit_line: Headdress Ornament, 1800s–1900s. China, Qing dynasty (1644-1911). Copper-silver alloy, gilding, kingfisher feathers, glass beads; overall: 10.3 x 5.4 cm (4 1/16 x 2 1/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Howard L. Ginaven, 2001.179.9


medium: needlework, tent and cross stitch embroidery on canvas; silk, wool

country: France

subjects: Embroidery France

credit_line: Needlework Bed Hanging in the Bizarre style (right half), 1710–20. France. Needlework, tent and cross stitch embroidery on canvas; silk, wool; overall: 182.6 x 83.2 cm (71 7/8 x 32 3/4 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 2006.2.2


title: Spanner for a Wheel Lock Gun

medium: steel

country: Germany

subjects:
Arms and armor
Germany

credit_line: Spanner for a Wheel Lock Gun, 1600s. Germany. Steel; overall: 16.5 x 2.5 cm (6 1/2 x 1 in.). The Cleveland Museum of Art, Gift of Dr. Marvin Shie, 2008.171


title: Monkey Figure

medium: porcelain, silver-gilt

country: Denmark

subjects: Sculpture Denmark

credit_line: Monkey Figure, c. 1900–1925. Ingeborg Plockross-Iminger (Danish, 1872–1962), Bing & Grøndahl (Danish, est. 1853). Porcelain, silver-gilt; overall: 20 x 46.6 x 21 cm (7 7/8 x 18 3/8 x 8 1/4 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.109


title: Destitute Mother and Child in Winter

creator: Octave Tassaert (French, 1800–1874)

medium: oil on canvas

country: France, 19th century

subjects:
Painting
France, 19th century

credit_line: Destitute Mother and Child in Winter, c. 1850. Octave Tassaert (French, 1800–1874). Oil on canvas; framed: 33 x 25 cm (13 x 9 13/16 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.257


title: Paper Knife

creator: George W. Shiebler & Co. (American)

medium: silver

country: America, late 19th-early 20th century

subjects:
Metalwork
America, late 19th-early 20th century

credit_line: Paper Knife, c. 1900. George W. Shiebler & Co. (American), Cowell and Hubbard Co. (American, Cleveland, 1879–1981). Silver; overall: 32.5 x 10.5 x 0.5 cm (12 13/16 x 4 1/8 x 3/16 in.). The Cleveland Museum of Art, Gift of Janet Zapata, 2013.99


title: Agra. The Fort

medium: Photochrom

country: India, 19th century

subjects:
Photograph
India, 19th century

credit_line: Agra. The Fort, 1890. Photoglob Co. (Zurich, active c. 1890–1910). Photochrom; image: 20.4 x 26.5 cm (8 1/16 x 10 7/16 in.); paper: 20.4 x 26.5 cm (8 1/16 x 10 7/16 in.). The Cleveland Museum of Art, Purchase from the Karl B. Goldfield Trust, 2018.215


title: Dead Leopard

medium: albumen print

credit_line: Dead Leopard, c. 1880s–90s. India, 19th century. Albumen print; image: 13.1 x 18.4 cm (5 3/16 x 7 1/4 in.); paper: 15.1 x 20.2 cm (5 15/16 x 7 15/16 in.); mounted: 16.1 x 21.3 cm (6 5/16 x 8 3/8 in.). The Cleveland Museum of Art, Purchase from the Karl B. Goldfield Trust, 2018.224


title: Ginger Jar

medium: glazed white clay

country: America, New York

subjects:
Ceramic
America, new york

credit_line: Ginger Jar, c. 1904–14. Tiffany Studios (United States, New York, 1902–32). Glazed white clay; overall: 23.5 x 13 cm (9 1/4 x 5 1/8 in.). The Cleveland Museum of Art, Bequest of Charles Maurer, 2018.280.a


title: Hymn to Venus

subjects: Drawing France

credit_line: Hymn to Venus, c. 1760–65. Louis Felix de la Rue (French, 1731–1765). Pen and  brown ink over red chalk (?) on antique laid paper; sheet: 38.8 x 44.2 cm (15 1/4 x 17 3/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2019.253


title: Pair of Guardian Figures (Zuishin)

subjects:
Sculpture
Minerals & gems

credit_line: Pair of Guardian Figures (Zuishin) (随神像), c. 1560–1625. Japan, Muromachi period (1392–1573) to Edo period (1615–1858). Japanese cypress (hinoki) with traces of color; crystal; 68.5 x 71.4 cm (26 15/16 x 28 1/8 in.); 70.2 x 70.5 cm (27 5/8 x 27 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2020.215


title: A Canal, Venice

creator: James Holland (British, 1800–1870)

medium: graphite and watercolor, heightened with white on buff paper

country: England

subjects: Drawing England

credit_line: A Canal, Venice, 1800–1870. James Holland (British, 1800–1870). Graphite and watercolor, heightened with white on buff paper; image: 43.1 x 29.7 cm (16 15/16 x 11 11/16 in.); sheet: 43.1 x 29.7 cm (16 15/16 x 11 11/16 in.); primary mount: 47.2 x 33.8 cm (18 9/16 x 13 5/16 in.); secondary mount: 49.7 x 36.4 cm (19 9/16 x 14 5/16 in.). The Cleveland Museum of Art, Gift of Lowell Libson & Jonny Yarker Ltd in honor of the Swetland family, 2021.109


title: Coffee Urn

creator: Samuel Kirk (American, 1793–1872)

medium: Silver, ivory

subjects: Silver America

credit_line: Coffee Urn, c. 1843. Samuel Kirk (American, 1793–1872). Silver, ivory; overall: 45.5 x 26.5 x 22 cm (17 15/16 x 10 7/16 x 8 11/16 in.). The Cleveland Museum of Art, Gift of Victoire Rankin in honor of Stephen Harrison's great service, 2021.121


creator: Félix Bonfils (French, 1831–1885)

medium: Double sided Photochrom

subjects:
Costume & fashion
Photograph
France

credit_line: Femmes musulmanes Syriennes à Beyrouth, Costume de Ville, c. 1880s. Félix Bonfils (French, 1831–1885). Double sided Photochrom; overall: 26.6 x 18.1 cm (10 1/2 x 7 1/8 in.). The Cleveland Museum of Art, Gift of William and Margaret Lipscomb, 2021.208


title: Saucer

creator: Seifū Yohei III (Japanese, 1851–1914)

subjects:
Ceramic
Japan, meiji period (1868–1912)

credit_line: Saucer, 1893–1914. Seifū Yohei III (Japanese, 1851–1914). One from a set of ten dishes; porcelain with green glaze; overall: 2.5 x 8 cm (1 x 3 1/8 in.). The Cleveland Museum of Art, Gift of James and Christine Heusinger, 2022.187.1


title: Teapot with Cherry Blossoms

creator: Seifū Yohei IV (Japanese, 1872–1951)

medium: Porcelain with underglaze blue

country: Japan, Taishō period (1912–26) or Shōwa period (1926–89)

subjects: Ceramic Flowers

credit_line: Teapot with Cherry Blossoms, 1914–46. Seifū Yohei IV (Japanese, 1872–1951). Porcelain with underglaze blue. The Cleveland Museum of Art, Gift of James and Christine Heusinger, 2022.201.a


title: Women Meeting in the Shade

creator: Ker Xavier Roussel (French, 1867–1944)

credit_line: Women Meeting in the Shade, c. 1890. Ker Xavier Roussel (French, 1867–1944). Oil on canvas; unframed: 31.1 x 39.2 cm (12 1/4 x 15 7/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2022.434


title: Oil Lamp

date: c. 50 BCE–50 CE

medium: Bronze, cast

credit_line: Oil Lamp, c. 50 BCE–50 CE. Roman, late Republican-early Imperial (c. 50 BCE – 50 CE). Bronze, cast; overall: 28.7 x 17.8 cm (11 5/16 x 7 in.). The Cleveland Museum of Art, Gift of Barbara S. Robinson and Family, 2023.104


title: Dr. Morris and party, Jhansi (recto)

creator: Raja Deen Dayal (Indian, 1844–1905)

subjects: Photograph India

credit_line: Dr. Morris and party, Jhansi (recto), c. 1882–87. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 18.4 x 27.2 cm (7 1/4 x 10 11/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.12.1


credit_line: Captain Bailward's horses (recto, bottom), c. 1882–87. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 18 x 27.2 cm (7 1/16 x 10 11/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.13.4


credit_line: Principal and Teachers of Bishop Cotton School, Shimla (recto); Middle Class Students and Staff, Bishop Cotton School, Shimla (verso), c. 1882–87. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 19.4 x 27 cm (7 5/8 x 10 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.23


credit_line: Shimla 17th May 1887: Viceregal party. Lord William Beresford, Military Secretary, Captain Leonard Gordon A.D.C., Mademoiselle Clerc, The Honorable Basit Blackwood, Major F.R. Hamilton A.D.C., Mr. Oglivie Grant, Sir Donald Mackenzie Wallace K.C.E., Private Secretary, Dr. J. Findlay, Mrs. F.R. Hamilton, Master G. Hamilton, Lady Victoria Blackwood, H.E. The Countess of Dufferin, H.E. The Earl of Dufferin, Lady Hermione Blackwood, Lord Herbrand Russell, A.D.C. (recto); Viceregal Party Shimla (verso), 1887. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 19.5 x 27 cm (7 11/16 x 10 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.26


title: The Seed finding Good Earth

creator: Philip Galle (Flemish, 1537–1612)

medium: engraving

country: Netherlands

subjects: Print Netherland

credit_line: Parable of the Sower: The Seed finding Good Earth, 1574. Philip Galle (Flemish, 1537–1612), after Gerard van Groeningen (Flemish). Engraving. The Cleveland Museum of Art, L. E. Holden Fund, 2023.128.4


title: Right Scroll from Calligraphy Couplet

creator: Liang Qichao (Chinese, 1873–1929)

date: after 1911

country: China, Republican period (1912-49)

subjects:
Calligraphy
China, republican period (1912-49)

credit_line: Right Scroll from Calligraphy Couplet (對聯書法), after 1911. Liang Qichao (Chinese, 1873–1929). One of a pair of hanging scrolls; ink on paper; overall: 128 x 30 cm (50 3/8 x 11 13/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2023.162.2


title: Great Dismal Swamp, Virginia

subjects: Photograph America

credit_line: Great Dismal Swamp, Virginia, c. 1872–90. Israel Cook Russell (American, 1852–1906). Albumen print; sheet: 15.1 x 19.8 cm (5 15/16 x 7 13/16 in.). The Cleveland Museum of Art, Gift of Judith K. McMillan, 2024.132


title: Great Dismal Swamp, Virginia

credit_line: Great Dismal Swamp, Virginia, c. 1872–90. Israel Cook Russell (American, 1852–1906). Albumen print; sheet: 14.9 x 19.1 cm (5 7/8 x 7 1/2 in.). The Cleveland Museum of Art, Gift of Judith K. McMillan, 2024.133


title: Plate 2: Levi

credit_line: The Twelve Sons of Jacob: Plate 2: Levi, c. 1589. Jacob de Gheyn II (Netherlandish, 1565–1629), after Karel I van Mander (Netherlandish, 1548–1606). Engraving; platemark: 16 x 11 cm (6 5/16 x 4 5/16 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2024.145.1


title: Plate 8: Gad

credit_line: The Twelve Sons of Jacob: Plate 8: Gad, c. 1589. Jacob de Gheyn II (Netherlandish, 1565–1629), after Karel I van Mander (Netherlandish, 1548–1606). Engraving; platemark: 16 x 11 cm (6 5/16 x 4 5/16 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2024.145.6


title: Seashore with a High Sea

credit_line: Seashore with a High Sea, 1620. Magdalena van de Passe (Dutch, 1595–1638), after Adam Willaerts (Dutch, 1577–1664), published by Crispijn de Passe the Elder (Dutch, 1564–1637). Engraving; platemark: 20.5 x 26.5 cm (8 1/16 x 10 7/16 in.). The Cleveland Museum of Art, Prints & Drawings Sundry Art Purchase, 2024.151


title: The Good Samaritan

creator: Gustave Moreau (French, 1826–1898)

medium: watercolor, gouache, and graphite on paper

credit_line: The Good Samaritan, c. 1865–70. Gustave Moreau (French, 1826–1898). Watercolor, gouache, and graphite on paper; sheet: 21 x 29.4 cm (8 1/4 x 11 9/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 2024.32


creator: Samuel Bourne (British, 1834–1912)

subjects: Photograph England

credit_line: Photographs of Northern India: Shimla. View of the Church from Mount Jakko Looking West with Part of the Mall in Winter, 1863–70. Samuel Bourne (British, 1834–1912). Albumen print. The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2024.5.10


title: Shimla. View North of Mount Jakko

credit_line: Photographs of Northern India: Shimla. View North of Mount Jakko, 1863–70. Samuel Bourne (British, 1834–1912). Albumen print. The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2024.5.12


credit_line: Photographs of Northern India: The Upper Himmalayahs. View on the New Road between India and China. Mt. Pangi with the Snowy Peaks of China in the Distance, 1863 or 1866. Samuel Bourne (British, 1834–1912). Albumen print. The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2024.5.19


credit_line: Photographs of Northern India: The Upper Himmalayahs. View on the New Road Near Rogi, 1863–70. Samuel Bourne (British, 1834–1912). Albumen print. The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2024.5.20


credit_line: Photographs of Northern India: The Upper Himmalayahs. View Near China Mountains. Deoders in the Foreground, 1863–70. Samuel Bourne (British, 1834–1912). Albumen print. The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2024.5.21


credit_line: Photographs of Northern India: Calcutta. The Custom House Landing Place. Shipping in the River Hoogly, 1863–70. Samuel Bourne (British, 1834–1912). Albumen print. The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2024.5.49


title: Shimla. The Mall or Principal

credit_line: Photographs of Northern India: Shimla. The Mall or Principal, 1863–70. Samuel Bourne (British, 1834–1912). Albumen print. The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2024.5.5


creator: John Burke (Irish, 1845–1915)

country: Ireland

subjects: Photograph Ireland

credit_line: Afghanistan, February 1880: The Amir Yakub Khan, General Daod Shah, Habeebula Moustafi, Major Cavagnari, Mr. Jenkyns, 1878–80. John Burke (Irish, 1845–1915). Albumen print. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.b


title: Shadi Bagiar, Entrance to Khyber Pass

credit_line: Afghanistan, February 1880: Shadi Bagiar, Entrance to Khyber Pass, 1878–80. John Burke (Irish, 1845–1915). Albumen print. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.h


credit_line: Afghanistan, February 1880: End of the Defile, Looking Back at Ali Musjid, 1878–80. John Burke (Irish, 1845–1915). Albumen print. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.q


title: Untitled (Landscape Scene)

subjects: Photograph Ireland Landscapes

credit_line: Afghanistan, February 1880: Untitled (Landscape Scene), 1878–80. John Burke (Irish, 1845–1915). Albumen print. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.yy


title: The Manor House, Cresswells

creator: Hendrick Danckerts (Dutch, 1625–1680)

subjects: Drawing Netherland

credit_line: The Manor House, Cresswells, c. 1665. Hendrick Danckerts (Dutch, 1625–1680). Pen, ink, wash with watercolor on two conjoined pieces of paper; sheet: 27.9 x 88.9 cm (11 x 35 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust, 2024.60


medium: black and red chalk, graphite, watercolor, pen and black ink, black and red chalk, graphite, watercolor (verso) on blue paper

credit_line: A Woman Doing Laundry in an Ice Hole (recto); Two Gentlemen (verso), c. 1618. Hendrick Avercamp (Netherlandish, 1585–1634). Black and red chalk, graphite, watercolor, pen and black ink, black and red chalk, graphite, watercolor (verso) on blue paper. The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2024.74


title: Apples and Pomegranates

date: first half of the 1700s

country: China, Suzhou, Qing dynasty (1644–1911)

subjects:
Print
China, suzhou, qing dynasty (1644–1911)

credit_line: Apples and Pomegranates, first half of the 1700s. China, Suzhou, Qing dynasty (1644–1911). Polychrome woodblock print; ink and color on paper; 30.3 x 37.7 cm (11 15/16 x 14 13/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2025.114


title: Praying Mantis on a Lychee

credit_line: Praying Mantis on a Lychee (荔枝上的螳螂), 1700–1750. China, Suzhou, Qing dynasty (1644–1911). Polychrome woodblock print; ink and color on paper; 24.9 x 35.8 cm (9 13/16 x 14 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2025.125


creator: Massimo Stanzione (Italian, 1585–1656)

medium: pen and brown ink (verso),

country: Italy

subjects: Drawing Italy

credit_line: Studies of an Archangel and a Wind God (verso), c. 1620s. Massimo Stanzione (Italian, 1585–1656). Pen and brown ink (verso),; sheet: 9.5 x 35.8 cm (3 3/4 x 14 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2025.132.b


title: Pastries, Talmouses, All Hot

creator: François Boucher (French, 1703–1770)

medium: black and red chalks on paper

subjects: Drawing France

credit_line: The Cries of Paris (Cries de Paris): Pastries, Talmouses, All Hot, c. 1737. François Boucher (French, 1703–1770). Black and red chalks on paper; sheet: 25.1 x 16.8 cm (9 7/8 x 6 5/8 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2025.140


title: Wrapper (Lamba Akotifahana)

medium: Silk

country: Madagascar, Merina Kingdom

subjects:
Costume & fashion
Textile
Madagascar, merina kingdom

credit_line: Wrapper (Lamba Akotifahana), 1800s. Madagascar, Merina Kingdom. Silk; overall: 175 x 226 cm (68 7/8 x 89 in.). The Cleveland Museum of Art, Sundry Art - African Art Fund and Textile Fund, 2025.272


title: Pair of shawls (Lamba Landy Fotsy)

country: unknown weaver (French Madagascar or Malagasy Republic), Merina style

subjects:
Costume & fashion
Textile

credit_line: Pair of shawls (Lamba Landy Fotsy), 1900s. Unknown weaver (French Madagascar or Malagasy Republic), Merina style. Silk; part 1: 74 x 211 cm (29 1/8 x 83 1/16 in.); part 2: 61 x 213 cm (24 x 83 7/8 in.). The Cleveland Museum of Art, Sundry Art - African Art Fund and Textile Fund, 2025.273


credit_line: One of a pair of shawls (Lamba Landy Fotsy), 1900s. Unknown weaver (French Madagascar or Malagasy Republic), Merina style. Silk; part 1: 74 x 211 cm (29 1/8 x 83 1/16 in.). The Cleveland Museum of Art, Sundry Art - African Art Fund and Textile Fund, 2025.273.1


title: Lady watching a swallow

credit_line: Lady watching a swallow, 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Hanging scroll; multicolor woodblock print on paper; print only: 68.5 x 44.6 cm (26 15/16 x 17 9/16 in.); mounted: 219 x 64 cm (86 1/4 x 25 3/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2025.42


credit_line: Two Prints: Mu Yuying Smashes the Gate of Heaven Formation; Happy Fisherfolk (穆御英大破天門陣; 漁家歡樂), 1662–1722. China, Qing dynasty (1644–1911), Kangxi reign (1622–1722). Two polychrome woodblock prints bound along middle; ink and color on paper. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2025.91


title: Virgin and Child with St. John

medium: chiaroscuro woodcut

subjects: Print Italy

credit_line: Virgin and Child with St. John, 1500s. Antonio da Trento (Italian, c. 1508–c. 1550), after Parmigianino (Italian, 1503–1540). Chiaroscuro woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1923.73


title: Arm Ring

medium: glass

country: Cyprus

subjects: Jewelry Cyprus

credit_line: Arm Ring, c. 230–110 BCE. Cyprus. Glass; diameter: 7.6 cm (3 in.). The Cleveland Museum of Art, Gift of Mrs. Malcolm L. McBride, 1930.700


medium: Leaf: lacquer and gilding on cloth

country: Myanmar (Burma)

subjects:
Manuscript
Myanmar (burma)

credit_line: Text, folio 13 (verso) from a Kammavacha: Buddhist ordination text, 1800s. Myanmar (Burma). Leaf: lacquer and gilding on cloth; leaf: 12.8 x 56.1 cm (5 1/16 x 22 1/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1945.172.13.b


credit_line: Text and illumination, folio 16 (verso) from a Kammavacha: Buddhist ordination text, 1800s. Myanmar (Burma). Leaf: lacquer and gilding on cloth; leaf: 12.8 x 56.1 cm (5 1/16 x 22 1/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1945.172.16.b


credit_line: Text, folio 9 (verso) from a Kammavacha: Buddhist ordination text, 1800s. Myanmar (Burma). Leaf: lacquer and gilding on cloth; leaf: 12.8 x 56.1 cm (5 1/16 x 22 1/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1945.172.9.b


title: Sleeve

country: Philippines

subjects: Embroidery Philippine

credit_line: Sleeve, c. 1875–1900. Philippines. Plain weave piña: needle lace (drawnwork) and embroidery; overall: 48.3 x 102.9 cm (19 x 40 1/2 in.). The Cleveland Museum of Art, Gift of Marian A. Parsons, 1955.418


medium: painting in an accordion-style album; ink, light color, and gold on paper

country: Japan, Edo period (1615–1868)

credit_line: First Warbler from Album of Illustrations for the Tale of Genji (源氏絵画帖 初音), 1600s. Japan, Edo period (1615–1868). Painting in an accordion-style album; ink, light color, and gold on paper; each leaf: 26.3 x 22 cm (10 3/8 x 8 11/16 in.); painting only: 17 x 20.6 cm (6 11/16 x 8 1/8 in.). The Cleveland Museum of Art, Gift of Vera Sterne in memory of her husband, Maurice Sterne, 1961.202.j


credit_line: Fireflies from Album of Illustrations for the Tale of Genji (源氏絵画帖 螢), 1600s. Japan, Edo period (1615–1868). Painting in an accordion-style album; ink, light color, and gold on paper; each leaf: 26.3 x 22 cm (10 3/8 x 8 11/16 in.); painting only: 17 x 20.6 cm (6 11/16 x 8 1/8 in.). The Cleveland Museum of Art, Gift of Vera Sterne in memory of her husband, Maurice Sterne, 1961.202.l


title: Farm with Trees in a Hilly Landscape

creator: Gherardo Cibo (Italian, 1512–1600)

medium: pen and brown ink (iron gall)

subjects: Drawing Italy Landscapes Trees

credit_line: Farm with Trees in a Hilly Landscape, 1567. Gherardo Cibo (Italian, 1512–1600). Pen and brown ink (iron gall); sheet: 14.4 x 21.2 cm (5 11/16 x 8 3/8 in.); secondary support: 22.4 x 28.7 cm (8 13/16 x 11 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1997.37


medium: Gum tempera and gold on paper

subjects: Painting Portraits

credit_line: Equestrian Portrait of Maharana Raj Singh II of Mewar (r. 1755–62), c. 1760. Northwestern India, Rajasthan, Rajput Kingdom of Mewar. Gum tempera and gold on paper; 40 x 28 cm (15 3/4 x 11 in.). The Cleveland Museum of Art, Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund, 2018.148


medium: gum tempera and gold on paper

credit_line: Woman Feeding Deer: Todi Ragini, from a Ragamala, c. 1610. Northwestern India, Rajasthan, Rajput Kingdom of Amber. Gum tempera and gold on paper; miniature: 21.6 x 19.4 cm (8 1/2 x 7 5/8 in.). The Cleveland Museum of Art, Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund, 2018.167


subjects:
Sculpture
Minerals & gems

credit_line: One of a Pair of Guardian Figures (Zuishin) (随神像), c. 1560–1625. Japan, Muromachi period (1392–1573) to Edo period (1615–1858). Japanese cypress (hinoki) with traces of color; crystal; 68.5 x 71.4 cm (26 15/16 x 28 1/8 in.); 70.2 x 70.5 cm (27 5/8 x 27 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2020.215.2


country: Northern India, Pahari kingdoms

subjects:
Painting
Northern india, pahari kingdom

credit_line: Tantric Devi on Shiva, from a Mandi Devi Series, c. 1810. Northern India, Pahari kingdoms. Gum tempera and gold on paper; sheet: 20.6 x 26.2 cm (8 1/8 x 10 5/16 in.). The Cleveland Museum of Art, Gift of Nancy and Wayne Hunnicutt, 2020.431


creator: William H. Bell (American, 1830–1910)

medium: Albumen print from glass plate negative

country: America

subjects: Photograph America

credit_line: Canon of Kanab Wash, Looking South, Colorado River, 1872. William H. Bell (American, 1830–1910). Albumen print from glass plate negative; image: 35.5 x 27.8 cm (14 x 10 15/16 in.); paper: 50.5 x 40.6 cm (19 7/8 x 16 in.). The Cleveland Museum of Art, Gift of William and Margaret Lipscomb, 2021.204


title: Husband

medium: ambrotype, hand-tinted

credit_line: Husband, c. 1860–65. America. Ambrotype, hand-tinted. The Cleveland Museum of Art, Hershey Family Art Purchase Fund, 2022.11.b


title: Portrait of a Young Woman

medium: Tintype

subjects: Photograph America Portraits

credit_line: Portrait of a Young Woman, c. 1855–60. America. Tintype; overall: 4.5 cm (1 3/4 in.). The Cleveland Museum of Art, Hershey Family Art Purchase Fund, 2022.12


creator: Seifū Yohei I (Japanese, 1801–1861)

medium: pair of sake pourers; stoneware with white slip, underglaze blue and gold repair (kintsugi) (Kyoto ware)

subjects:
Ceramic
Japan, edo period (1615–1868)

credit_line: Sake Pourers with Bamboo and Bellflowers (徳利), c. 1844–57. Attributed to Seifū Yohei I (Japanese, 1801–1861). Pair of sake pourers; stoneware with white slip, underglaze blue and gold repair (kintsugi) (Kyoto ware); height (each): 13 cm (5 1/8 in.); diameter (each): 5.5 cm (2 3/16 in.). The Cleveland Museum of Art, Gift of James and Christine Heusinger, 2022.143


title: Sake Pourer with Bellflowers

medium: one of a pair of sake flasks; stoneware with white slip, underglaze blue and gold repair (kintsugi) (Kyoto ware)

credit_line: Sake Pourer with Bellflowers (徳利), c. 1844–57. Attributed to Seifū Yohei I (Japanese, 1801–1861). One of a pair of sake flasks; stoneware with white slip, underglaze blue and gold repair (kintsugi) (Kyoto ware). The Cleveland Museum of Art, Gift of James and Christine Heusinger, 2022.143.2


medium: gelatin silver print

country: Costa Rica

subjects:
Photograph
Costa rica

credit_line: Untitled (Semi-Circle of Children, Central Girl Dressed as an Angel Holding the Baby Jesus), c. 1910s. Andrés and Francisco Hernández (Costa Rican, active c. 1910s–30s). Gelatin silver print; image: 15 x 23.9 cm (5 7/8 x 9 7/16 in.). The Cleveland Museum of Art, Gift of Michael F. Resch, 2022.342


title: Mr. MacNull, Jhansi (verso)

medium: albumen print

country: India

subjects: Photograph India

credit_line: Mr. MacNull, Jhansi (verso), c. 1882–87. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 21.3 x 27.2 cm (8 3/8 x 10 11/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.12.2


credit_line: Managing staff of Meprs. Glover & Co. at Sindh Bridge (recto, top), c. 1882–87. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 13.2 x 21.2 cm (5 3/16 x 8 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.16.1


title: Council of Regency, Gwalior

credit_line: Council of Regency, Gwalior, c. 1882–87. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 25.5 x 17.5 cm (10 1/16 x 6 7/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.17


title: Captain H.S. Rawhinson (recto)

credit_line: Captain H.S. Rawhinson (recto), c. 1882–87. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 18 x 27.2 cm (7 1/16 x 10 11/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.20.1


credit_line: Civil officers at Jhansi (recto); Mr. William's House, Jhansi (verso), c. 1882–87. Raja Deen Dayal (Indian, 1844–1905). Albumen print; image: 20 x 26.2 cm (7 7/8 x 10 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2023.121.9


title: A Young Black Woman Fetching Water

creator: Eugène Delacroix (French, 1798–1863)

country: France

credit_line: A Young Black Woman Fetching Water, 1832. Eugène Delacroix (French, 1798–1863). Watercolor and graphite, heightened with gouache on paper; support: 32.4 x 25.9 cm (12 3/4 x 10 3/16 in.); matted: 34.9 x 27.9 cm (13 3/4 x 11 in.); sheet: 23.5 x 16.4 cm (9 1/4 x 6 7/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2023.123


title: Plate 10: Naphtali

medium: engraving

subjects: Print Netherland

credit_line: The Twelve Sons of Jacob: Plate 10: Naphtali, c. 1589. Jacob de Gheyn II (Netherlandish, 1565–1629), after Karel I van Mander (Netherlandish, 1548–1606). Engraving; platemark: 16 x 11 cm (6 5/16 x 4 5/16 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2024.145.8


medium: daguerreotype with hand-applied color

credit_line: Workman in Red Flannel Shirt and Suspenders, c. 1855–60. America. Daguerreotype with hand-applied color; image: 7 x 5.7 cm (2 3/4 x 2 1/4 in.); case: 9.2 x 8.1 cm (3 5/8 x 3 3/16 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2024.15


title: Chloe

medium: etching on chine appliqué

country: Germany

subjects: Print Germany

credit_line: Chloe, 1805. Carl Wilhelm I Kolbe (German, 1757–1835). Etching on chine appliqué; image: 24.8 x 32.6 cm (9 3/4 x 12 13/16 in.); platemark: 32.4 x 39.5 cm (12 3/4 x 15 9/16 in.); sheet: 43.4 x 55.6 cm (17 1/16 x 21 7/8 in.). The Cleveland Museum of Art, Gift of Pete and Margaret Dobbins, 2024.49


country: England

subjects: Photograph England

credit_line: Photographs of Northern India: Secundra Near Agra. The Mausoleum of the Emperor Akbar, 1863–70. Samuel Bourne (British, 1834–1912). Albumen print. The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2024.5.45


title: Calcutta. Old Court House Street

credit_line: Photographs of Northern India: Calcutta. Old Court House Street, 1863–70. Samuel Bourne (British, 1834–1912). Albumen print. The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2024.5.48


title: Shimla. The Mall near Rabq Lodge

credit_line: Photographs of Northern India: Shimla. The Mall near Rabq Lodge, 1863–70. Samuel Bourne (British, 1834–1912). Albumen print. The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2024.5.6


title: Shimla. View from Oakover House

credit_line: Photographs of Northern India: Shimla. View from Oakover House, 1863–70. Samuel Bourne (British, 1834–1912). Albumen print. The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2024.5.7


subjects: Photograph England Roses

credit_line: Photographs of Northern India: Shimla. Sir Hugh Rose's Bungalow at Mahasso, 1863–70. Samuel Bourne (British, 1834–1912). Albumen print. The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2024.5.8


title: Lalpura from the Ferry

subjects: Photograph Ireland

credit_line: Afghanistan, February 1880: Lalpura from the Ferry, 1878–80. John Burke (Irish, 1845–1915). Albumen print. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.bb


credit_line: Afghanistan, February 1880: The Bridge of Boats and Fort from Khairabad, 1878–80. John Burke (Irish, 1845–1915). Albumen print. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.e


title: Khyber Side of Sarkai Hill

credit_line: Afghanistan, February 1880: Khyber Side of Sarkai Hill, 1878–80. John Burke (Irish, 1845–1915). Albumen print. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.i


subjects: Photograph Ireland Birds

credit_line: Afghanistan, February 1880: Birds Eye View of Jellalabad, from the Springs, 1878–80. John Burke (Irish, 1845–1915). Albumen print. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.jj


title: Ali Musjid and Camp from Sultan Tarra

credit_line: Afghanistan, February 1880: Ali Musjid and Camp from Sultan Tarra, 1870. John Burke (Irish, 1845–1915). Albumen print. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.n


title: Bala Hissar

medium: albumen print, panorama

credit_line: Afghanistan, February 1880: Bala Hissar, 1878–80. John Burke (Irish, 1845–1915). Albumen print, panorama. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2024.6.uu


title: Mahmud Gawan Madrasa, Bidar

credit_line: Mahmud Gawan Madrasa, Bidar, c. 1890. Raja Deen Dayal (Indian, 1844–1905). Albumen print; paper: 26 x 19.7 cm (10 1/4 x 7 3/4 in.); mounted: 32.7 x 25.5 cm (12 7/8 x 10 1/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2024.81


credit_line: Two-Part Panorama with View of the Narmada River at Omkareshwar, 1882. Raja Deen Dayal (Indian, 1844–1905). Albumen print; mounted: 19 x 50.5 cm (7 1/2 x 19 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2024.82


credit_line: First Part of Story of The Western Chamber (全本西廂記), 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Polychrome woodblock print; ink and color on paper; print only: 99.3 x 43.5 cm (39 1/8 x 17 1/8 in.); overall: 122.1 x 57.5 cm (48 1/16 x 22 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2025.88


title: The Fierce Battle at the Red Cliff

credit_line: The Fierce Battle at the Red Cliff (赤壁鏖兵圖), 1736–95. China, Qing dynasty (1644–1911), Qianlong period (1736–95). Hanging scroll; multicolor woodblock print on paper; print only: 106.3 x 55 cm (41 7/8 x 21 5/8 in.); overall: 175.4 x 70 cm (69 1/16 x 27 9/16 in.); with knobs: 75.5 cm (29 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2025.97


title: Portrait of a Man

medium: oil on canvas

country: England (Anglo-Dutch), 17th century

subjects:
Painting
England (anglo-dutch), 17th century
Portraits

credit_line: Portrait of a Man, c. 1610. England (Anglo-Dutch), 17th century. Oil on canvas; framed: 142.5 x 120.5 x 6.5 cm (56 1/8 x 47 7/16 x 2 9/16 in.); unframed: 123.2 x 99.8 cm (48 1/2 x 39 5/16 in.). The Cleveland Museum of Art, Gift of Samuel D. Wise, 1946.161


title: Head of a Yaksha

date: c. 125 BCE

medium: mottled red sandstone

credit_line: Head of a Yaksha, c. 125 BCE. Northern India, Uttar Pradesh, Mathura, Shunga period (185–78 BCE). Mottled red sandstone; overall: 48.2 x 40 x 35.6 cm (19 x 15 3/4 x 14 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 1962.45


title: The Great Miracle at Shravasti

medium: schist with traces of gold

credit_line: The Great Miracle at Shravasti, c. 100 CE. Pakistan, Gandhara, Peshawar Valley, early Kushan period. Schist with traces of gold; overall: 23.8 x 29.2 cm (9 3/8 x 11 1/2 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1975.102


title: Head of Caracalla

medium: Red chalk on cream laid paper

subjects: Drawing France

credit_line: Head of Caracalla, c. 1768. Jean-Baptiste Greuze (French, 1725–1805). Red chalk on cream laid paper; sheet: 38.8 x 30.3 cm (15 1/4 x 11 15/16 in.); secondary support: 45.6 x 37.1 cm (17 15/16 x 14 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1999.48


title: Jean d'Aire

creator: Auguste Rodin (French, 1840–1917)

medium: bronze

country: France, 19th century

subjects:
Sculpture
France, 19th century

credit_line: Jean d'Aire, 1884. Auguste Rodin (French, 1840–1917). Bronze; overall: 47 x 16.5 x 12.1 cm (18 1/2 x 6 1/2 x 4 3/4 in.). The Cleveland Museum of Art, Gift of Loïe Fuller, 1917.723


title: Guardian Animal: Komainu

medium: Wood with traces of color

country: Japan, Kamakura period (1185–1333)

subjects:
Sculpture
Japan, kamakura period (1185–1333)

credit_line: Guardian Animal: Komainu (狛犬像), 1300s. Japan, Kamakura period (1185–1333). Wood with traces of color; overall: 49.6 cm (19 1/2 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.351.1


title: Adam and Eve

medium: glazed ceramic

country: America, Ohio, Cleveland

subjects:
Ceramic
America, ohio, cleveland

credit_line: Adam and Eve, 1928. Cowan Pottery Studio (America, Rocky River, Ohio, 1920–1931), R. Guy Cowan (American, 1884–1957). Glazed ceramic; each: 35 x 26.7 x 8.2 cm (13 3/4 x 10 1/2 x 3 1/4 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1928.235


title: Venus

creator: Danese Cattaneo (Italian, 1509–1573)

country: Italy

subjects: Sculpture Italy

credit_line: Venus, c. 1560. Danese Cattaneo (Italian, 1509–1573). Bronze; overall: 52.9 x 20 x 12 cm (20 13/16 x 7 7/8 x 4 3/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1950.578


title: Bodhidharma on a Reed

creator: Shingo (Japanese)

medium: hanging scroll; ink and light color on paper

country: Japan, Muromachi period (1392–1573)

subjects:
Painting
Japan, muromachi period (1392–1573)

credit_line: Bodhidharma on a Reed (蘆葉達磨図), 1500s. Shingo (Japanese). Hanging scroll; ink and light color on paper; painting: 88.8 x 33.7 cm (34 15/16 x 13 1/4 in.); mounted with knobs: 172.4 x 50.7 cm (67 7/8 x 19 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.21


title: Textile with Phoenixes and Dragons

medium: Silk and gold thread; lampas

country: China, Yuan dynasty (1260-1368)

subjects:
Costume & fashion
Textile
China, yuan dynasty (1260-1368)

credit_line: Textile with Phoenixes and Dragons, 1279–1368. China, Yuan dynasty (1260-1368). Silk and gold thread; lampas; overall: 20.3 x 20 cm (8 x 7 7/8 in.); mounted: 31.4 x 31.1 cm (12 3/8 x 12 1/4 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1995.73


title: Punchinello Arrested

medium: pen and brown ink and brush and brown wash, with black chalk; framing lines in brown ink over graphite

country: Italy, 18th century

subjects:
Drawing
Italy, 18th century

credit_line: Punchinello Arrested, 1790s. Giovanni Domenico Tiepolo (Italian, 1727–1804). Pen and brown ink and brush and brown wash, with black chalk; framing lines in brown ink over graphite; sheet: 35.1 x 46.7 cm (13 13/16 x 18 3/8 in.); image: 29.3 x 41.3 cm (11 9/16 x 16 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1937.570


title: Design for a Chalice (recto)

creator: Luzio Romano (Italian, active 1528–75)

subjects: Drawing Italy

credit_line: Design for a Chalice (recto), mid-1500s. Luzio Romano (Italian, active 1528–75). Black chalk, pen and brown ink, and brown wash, over black chalk, on laid paper; sheet: 32.1 x 20 cm (12 5/8 x 7 7/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.587.a


title: Woman Standing

medium: etching

subjects: Print France

credit_line: Woman Standing, 1726–35. François Boucher (French, 1703–1770), after Jean-Antoine Watteau (French, 1684–1721). Etching; platemark: 32.3 x 21.6 cm (12 11/16 x 8 1/2 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1927.314


creator: William Blake (British, 1757–1827)

medium: graphite on paper

country: England, 18th century

subjects:
Drawing
England, 18th century

credit_line: Sketch for "The Thought of Death alone, the Fear Destroys", c. 1795. William Blake (British, 1757–1827). Graphite on paper; sheet: 17 x 30.8 cm (6 11/16 x 12 1/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1932.318


title: The Lone Sentinel

creator: Henry Ward Ranger (American, 1858–1916)

subjects: Painting America

credit_line: The Lone Sentinel, 1895. Henry Ward Ranger (American, 1858–1916). Oil on canvas; unframed: 71.5 x 92.5 cm (28 1/8 x 36 7/16 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.121


title: Angelica and Medoro

creator: Giorgio Ghisi (Italian, 1520–1582)

subjects: Print Italy

credit_line: Angelica and Medoro, c. 1570. Giorgio Ghisi (Italian, 1520–1582), after Teodoro Ghisi (Italian, 1536–1601). Engraving; sheet: 29.6 x 20.9 cm (11 5/8 x 8 1/4 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1944.20


medium: ink, tempera, and gold on vellum

country: France, Paris

subjects:
Manuscript
France, pari

credit_line: Single Leaf from a Bible: Initial E[t factum est] with Jonah Swallowed by the Whale, c. 1290. France, Paris. Ink, tempera, and gold on vellum; sheet: 26.7 x 40.3 cm (10 1/2 x 15 7/8 in.). The Cleveland Museum of Art, The Harold T. Clark Educational Extension Fund, 1959.271


title: The Fall of Phaeton

medium: engraving

credit_line: The Fall of Phaeton, c. 1545. Nicolas Beatrizet (French, active Italy, 1507 or 1515-about 1565), after Michelangelo Buonarroti (Italian, 1475–1564). Engraving; sheet: 41.9 x 29 cm (16 1/2 x 11 7/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard H. Zinser, 1965.458


title: The Ravisher

creator: Albrecht Dürer (German, 1471–1528)

country: Germany, late 15th Century

subjects:
Print
Germany, late 15th century

credit_line: The Ravisher, c. 1495. Albrecht Dürer (German, 1471–1528). Engraving; sheet: 11.5 x 10.3 cm (4 1/2 x 4 1/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1968.36


title: Tree

medium: graphite and brown wash

country: Germany, 19th century

subjects:
Drawing
Germany, 19th century
Trees

credit_line: Tree, c. 1835–45. Ludwig Ferdinand Schnorr von Carolsfeld (German, 1788–1853). Graphite and brown wash; sheet: 30.5 x 19.7 cm (12 x 7 3/4 in.). The Cleveland Museum of Art, The A. W. Ellenberger, Sr., Endowment Fund, 1970.334


title: Figure from a Crèche: Negro Magus

medium: painted wood and terracotta with various textiles

subjects: Italy, naples, late 18th-early 19th century

credit_line: Figure from a Crèche: Negro Magus, 1780–1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 28.7 cm (11 5/16 in.). The Cleveland Museum of Art, Gift of the Womens Council of the Cleveland Museum of Art, 1972.368.10


title: Figure from a Crèche: Magus

credit_line: Figure from a Crèche: Magus, 1780–1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 28.7 cm (11 5/16 in.). The Cleveland Museum of Art, Gift of the Womens Council of the Cleveland Museum of Art, 1972.368.11


medium: painted terracotta

credit_line: Figure from a Crèche: Infant Christ with Crib and Straw, 1780–1830. Italy, Naples, late 18th-early 19th century. Painted terracotta; overall: 36.1 cm (14 3/16 in.). The Cleveland Museum of Art, Gift of the Womens Council of the Cleveland Museum of Art, 1972.368.15


credit_line: Figure from a Crèche: Group of Four Sheep, 1780–1830. Italy, Naples, late 18th-early 19th century. Painted terracotta; overall: 12.4 cm (4 7/8 in.). The Cleveland Museum of Art, Gift of the Womens Council of the Cleveland Museum of Art, 1972.368.20


title: Figure from a Crèche: Sitting Ram

credit_line: Figure from a Crèche: Sitting Ram, 1780–1830. Italy, Naples, late 18th-early 19th century. Painted terracotta; overall: 12.3 x 17 cm (4 13/16 x 6 11/16 in.). The Cleveland Museum of Art, Gift of the Womens Council of the Cleveland Museum of Art, 1972.368.21


credit_line: Figure from a Crèche: Standing Mountain Goat, 1780–1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 17 x 19.2 cm (6 11/16 x 7 9/16 in.). The Cleveland Museum of Art, Gift of the Womens Council of the Cleveland Museum of Art, 1972.368.22


credit_line: Figure from a Crèche: Attendant of the Magi, 1780–1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 36.1 cm (14 3/16 in.). The Cleveland Museum of Art, Gift of the Womens Council of the Cleveland Museum of Art, 1972.368.8


title: The Game of Blind Man's Bluff

credit_line: The Game of Blind Man's Bluff, 1739. Charles-Nicolas Cochin (French, 1715–1790), after Nicolas Lancret (French, 1690–1743). Etching. The Cleveland Museum of Art, L. E. Holden Fund, 1974.94


title: In Austrian Tyrol

medium: watercolor with traces of graphite

country: America

subjects: Drawing America

credit_line: In Austrian Tyrol, 1911. John Singer Sargent (American, born Italy, 1856–1925). Watercolor with traces of graphite; sheet: 29.9 x 45.2 cm (11 3/4 x 17 13/16 in.). The Cleveland Museum of Art, Hinman B. Hurlbut Collection, 1921.1734


medium: pen and brown ink (two different colors) with graphite; framing lines in pen and brown ink

credit_line: Copy of a Roman Statue of a Seated Woman, c. 1450–94. Circle of Domenico Ghirlandaio (Italian, 1449–1494). Pen and brown ink (two different colors) with graphite; framing lines in pen and brown ink; sheet: 23 x 12.8 cm (9 1/16 x 5 1/16 in.); secondary support: 23 x 12.8 cm (9 1/16 x 5 1/16 in.). The Cleveland Museum of Art, Gift of Robert Hays Gries, 1939.653


medium: silk, gold thread; velvet: cut pile in two heights, uncut pile loops, gold-thread loops

country: Italy, possibly Florence, 15th century

subjects:
Ornament & design
Velvet
Italy, possibly florence, 15th century

credit_line: Silk Velvet with Gold in Pomegranate Pattern, 1450–1500. Italy, possibly Florence, 15th century. Silk, gold thread; velvet: cut pile in two heights, uncut pile loops, gold-thread loops; overall: 118.7 x 60.6 cm (46 3/4 x 23 7/8 in.); mounted: 130.8 x 71.1 cm (51 1/2 x 28 in.). The Cleveland Museum of Art, Bequest of James Parmelee, 1940.596


medium: woodcut

subjects: Print Germany

credit_line: The Great Triumphal Car of Emperor Maximilian, 1523. Albrecht Dürer (German, 1471–1528). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1945.26


title: The Temptation of St. Anthony

creator: Lucas Cranach (German, 1472–1553)

credit_line: The Temptation of St. Anthony, 1506. Lucas Cranach (German, 1472–1553). Woodcut. The Cleveland Museum of Art, Dudley P. Allen Fund, 1945.340


medium: ink, tempera and gold on vellum

country: Italy, Ferrara, 15th century

subjects:
Manuscript
Italy, ferrara, 15th century

credit_line: Initial D[omine] from a Choral Book: King Solomon, c. 1470–1480. Attributed to Guglielmo Giraldi del Magri [or del Magro] (Italian). Ink, tempera and gold on vellum; sheet: 17 x 14 cm (6 11/16 x 5 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1951.548


title: The Races

creator: Édouard Manet (French, 1832–1883)

medium: lithograph

subjects:
Print
France, 19th century

credit_line: The Races, 1865. Édouard Manet (French, 1832–1883). Lithograph; sheet: 52.2 x 66.5 cm (20 9/16 x 26 3/16 in.); image: 40.3 x 51.7 cm (15 7/8 x 20 3/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1951.64


medium: tempera and gold on vellum

country: Flanders, Liège(?), 13th century

subjects:
Manuscript
Flanders, liège , 13th century

credit_line: Leaf Excised from a Psalter: Initial B with King David, c. 1260. Flanders, Liège(?), 13th century. Tempera and gold on vellum; sheet: 13 x 8.9 cm (5 1/8 x 3 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.145.1


title: The Virgin of the Annunciation

country: Germany

credit_line: The Virgin of the Annunciation, 1470–80. Martin Schongauer (German, c. 1450–1491). Engraving. The Cleveland Museum of Art, John L. Severance Fund, 1953.264


country: Italy, Venice

subjects:
Manuscript
Italy, venice

credit_line: Initial C Excised from a Choral Book: St. Anthony with Antonite Friars, c. 1360–70. Giustino di Gherardino da Forlì (Italian, 1325–1425). Ink, tempera, and gold on vellum; sheet: 18.5 x 17.5 cm (7 5/16 x 6 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.796


title: The Vine

creator: Samuel Palmer (British, 1805–1881)

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: The Vine, 1852. Samuel Palmer (British, 1805–1881). Etching; sheet: 30 x 22 cm (11 13/16 x 8 11/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Lewis B. Williams, presented in honor of Henry Sayles Francis, Curator of Prints, 1966.185


title: The Emblem

creator: Michael Wolgemut (German, 1434–1519)

credit_line: Nuremberg Chronicle: The Emblem, 1493. Michael Wolgemut (German, 1434–1519). Woodcut; platemark: 37.6 x 23.9 cm (14 13/16 x 9 7/16 in.); sheet: 45.8 x 32.2 cm (18 1/16 x 12 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1966.410


title: Landscape at Loosduinen

creator: Piet Mondrian (Dutch, 1872–1944)

medium: black chalk (extended with water in places), watercolor, and gouache; framing line in graphite (bottom edge)

country: Netherlands, early 20th Century

subjects:
Drawing
Landscapes
Netherlands, early 20th century

credit_line: Landscape at Loosduinen, 1905. Piet Mondrian (Dutch, 1872–1944). Black chalk (extended with water in places), watercolor, and gouache; framing line in graphite (bottom edge); sheet: 25.8 x 35.9 cm (10 3/16 x 14 1/8 in.). The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1972.213


title: Ritual Mace

date: early 1400s

medium: iron alloy with gold inlay

credit_line: Ritual Mace, early 1400s. Sino-Tibetan, Derge School, Yongle period (1403-1427). Iron alloy with gold inlay; overall: 38.5 cm (15 3/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1978.9.2


title: Rowing Home the Schoof-Stuff

medium: platinum print

country: England

subjects: Photograph England

credit_line: Life and Landscape on the Norfolk Broads, pl. XXI: Rowing Home the Schoof-Stuff, 1886. Peter Henry Emerson (British, 1856–1936), Sampson Low, Marston, Seale and Riverton (with T.F. Goodall). Platinum print; image: 13.6 x 27.6 cm (5 3/8 x 10 7/8 in.); matted: 35.6 x 45.7 cm (14 x 18 in.). The Cleveland Museum of Art, Bequest of Edgar A. Hahn by exchange and Director's Contingent Fund, 1983.206


creator: Frank Chauvassaignes (French)

medium: salted paper print from waxed paper negative

country: France, 19th century

subjects:
Photograph
France, 19th century
Landscapes

credit_line: Landscape with Seated Figure on Stream Bank, c. 1856. Frank Chauvassaignes (French). Salted paper print from waxed paper negative; image: 16.5 x 21.5 cm (6 1/2 x 8 7/16 in.); mounted: 25.1 x 32.5 cm (9 7/8 x 12 13/16 in.); matted: 40.6 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, John L. Severance Fund, 1999.51


title: Transenna Post

medium: marble

credit_line: Transenna Post, 700s-800s. Lombardic, Italy, Rome, Migration period, 8th-9th Century. Marble; overall: 109.3 x 24.8 cm (43 1/16 x 9 3/4 in.). The Cleveland Museum of Art, General Income Fund, 1920.285


title: Transenna Panel

credit_line: Transenna Panel, 700s–800s. Lombardic, Italy, Rome, Migration period, 8th-9th Century. Marble; overall: 83.9 x 110.2 cm (33 1/16 x 43 3/8 in.). The Cleveland Museum of Art, General Income Fund, 1921.423


medium: ink, tempera, and gold on vellum

country: France, Metz

credit_line: Book of Hours (Use of Metz): Fol. 26v, Virgin and Child, c. 1440. France, Metz. Ink, tempera, and gold on vellum; sheet: 14.2 x 9.4 cm (5 9/16 x 3 11/16 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.1514.26.b


country: Flanders, Ghent and Bruges, late 15th century

subjects: Flanders, ghent and bruges, late 15th century

credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 126v, Nativity, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.126.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 102r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.102.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 119r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.119.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 12v, November, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.12.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 122r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.122.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 124r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.124.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 130r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.130.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 136v, Adoration of the Magi, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.136.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 148r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.148.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 150v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.150.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 151r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.151.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 151v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.151.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 154r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.154.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 156r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.156.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 159r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.159.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 16r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.16.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 168r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.168.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 18r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.18.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 188r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.188.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 201v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.201.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 213v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.213.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 218r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.218.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 221r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.221.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 221v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.221.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 222v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.222.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 229v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.229.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 239r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.239.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 244v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.244.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 260v, Lamentation, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.261.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 263v, Mass of St. Gregory, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.263.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 27r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.27.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 279v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.279.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 28r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.28.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 29r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.29.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 37v, Court of Heaven, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.37.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 38r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.38.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 49v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.49.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 53r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.53.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 70r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.70.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 74v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.74.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 78v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.78.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 85v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.85.b


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 90r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.90.a


credit_line: Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 99v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.99.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 101r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.101.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 104v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.104.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 108v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.108.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 122r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.122.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 135r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.135.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 138r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.138.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 158r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.158.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 17v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.17.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 170r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.170.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 173v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.173.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 174v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.174.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 176r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.176.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 177v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.177.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 184r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.184.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 19r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.19.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 2v, February, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.2.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 223v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.223.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 226r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.226.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 234r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.234.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 234v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.234.b


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 240r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.240.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 243r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.243.a


credit_line: Hours of Charles the Noble, King of Navarre (1361-1425): fol. 248r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.248.a