title: Missale: Fol. 259: Saint Andrew

medium: ink, tempera and burnished gold on vellum

credit_line: Missale: Fol. 259: Saint Andrew, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.259.a


creator: Thomas Girtin (British, 1775–1802)

medium: softground etching and aquatint, printed in brown

country: England, 19th century

subjects:
Print
England, 19th century

source: The Cleveland Museum of Art

source_id: cleveland

rights: Public Domain / CC0

rights_statement: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

credit_line: A Selection of Twenty of the Most Picturesque Views in Paris: View of St. Cloud and Mount Calvary taken from Pont de Sêve, 1802. Thomas Girtin (British, 1775–1802), Frederick Christian Lewis (British, 1779–1856). Softground etching and aquatint, printed in brown; sheet: 16.9 x 49.4 cm (6 5/8 x 19 7/16 in.); image: 12.7 x 48 cm (5 x 18 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.241


title: Richmond

creator: Maxime Lalanne (French, 1827–1886)

medium: etching

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Richmond, 1871. Maxime Lalanne (French, 1827–1886), Françoise Lienard, Paris. Etching; sheet: 26.4 x 37.9 cm (10 3/8 x 14 15/16 in.); platemark: 18.2 x 26.7 cm (7 3/16 x 10 1/2 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.247


country: Germany, 19th century

subjects:
Print
Germany, 19th century
Landscapes

credit_line: Heroic Landscape: The Shepherd's Dance on the Bridge, 1792. Johann Christian Reinhart (German, 1761–1847). Etching; sheet: 42.3 x 53.1 cm (16 5/8 x 20 7/8 in.); platemark: 28 x 35.8 cm (11 x 14 1/8 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2006.72.2


title: Surround for Turkish Silk Cushion Cover

date: early 1600s

country: Iran, Safavid period (1501–1722)

subjects:
Costume & fashion
Textile
Iran, safavid period (1501–1722)

credit_line: Surround for Turkish Silk Cushion Cover, early 1600s. Iran, Safavid period (1501–1722). Silk, silver-metal thread: plain weave with inner warps and with continuous and discontinuous supplementary wefts bound in plain and 1/3 Z twill order; overall: 139.7 x 22.9 cm (55 x 9 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 2007.13.2


title: Tray

creator: Ott & Brewer Company (American)

medium: porcelain with gilt decoration

country: America,  New Jersey, Trenton, late 19th century

credit_line: Tray, 1882–1890. Ott & Brewer Company (American). Porcelain with gilt decoration; overall: 7 x 38 x 40 cm (2 3/4 x 14 15/16 x 15 3/4 in.). The Cleveland Museum of Art, Gift of the Foster Family Foundation, 2007.161


title: Notre Dame Pumphouse, Paris

creator: Charles Meryon (French, 1821–1868)

medium: etching on chine collé

credit_line: Notre Dame Pumphouse, Paris  , 1852. Charles Meryon (French, 1821–1868). Etching on chine collé; sheet: 21 x 28.2 cm (8 1/4 x 11 1/8 in.); platemark: 17.2 x 25.2 cm (6 3/4 x 9 15/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.243


credit_line: House with a Turret, rue de la Tixéranderie, Paris, 1852. Charles Meryon (French, 1821–1868). Etching; sheet: 49 x 32 cm (19 5/16 x 12 5/8 in.); platemark: 25 x 13.3 cm (9 13/16 x 5 1/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.247


title: Casimir le Conte, after Boulanger

medium: etching in brown ink on chine collé

credit_line: Casimir le Conte, after Boulanger, 1856. Charles Meryon (French, 1821–1868), after Gustave Rodolphe Boulanger (French, 1824–1888). Etching in brown ink on chine collé; sheet: 43.9 x 34.1 cm (17 5/16 x 13 7/16 in.); platemark: 34.2 x 26.4 cm (13 7/16 x 10 3/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.248


title: [Peasants by a Dock, Paris]

medium: color lithograph

credit_line: [Peasants by a Dock, Paris], c. 1870–1918. Auguste Louis Lepère (French, 1849–1918). Color lithograph; sheet: 29.2 x 20.5 cm (11 1/2 x 8 1/16 in.); platemark: 23.4 x 16.3 cm (9 3/16 x 6 7/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.249


title: The Lock of the St. Martin Canal

medium: wood engraving

credit_line: The Lock of the St. Martin Canal, 1890. Auguste Louis Lepère (French, 1849–1918). Wood engraving; sheet: 23.9 x 20.1 cm (9 7/16 x 7 15/16 in.); platemark: 8.8 x 10.3 cm (3 7/16 x 4 1/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.268


creator: Louis-Rémy Robert (French, 1811–1882)

medium: waxed paper negative

subjects:
Photograph
France, 19th century

credit_line: Fountain of Notre Dame at Saint-Brieuc, Brittany, c. 1853. Louis-Rémy Robert (French, 1811–1882). Waxed paper negative; overall: 34.3 x 27.3 cm (13 1/2 x 10 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2008.114


title: Vine Pattern Salad Spoon

medium: silver

country: America, New York

subjects:
Ornament & design
Silver
America, new york

credit_line: Vine Pattern Salad Spoon, c. 1872–80. Tiffany & Co. (America, New York, est. 1837). Silver; overall: 26.1 cm (10 1/4 in.). The Cleveland Museum of Art, Gift in memory of Mr. and Mrs. Orrel A. Parker, 2008.163.1


title: Sauce Boat and Tray

creator: Barbour Silver Company (American)

country: America, Rhode Island, 19th century

subjects:
Silver
America, rhode island, 19th century

credit_line: Sauce Boat and Tray, c. 1890. Barbour Silver Company (American), attributed to William Christmas Codman (British, 1839–1921). Silver; overall: 11.4 x 19.7 x 9.8 cm (4 1/2 x 7 3/4 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 2008.165.1


title: The Cottage

medium: drypoint

credit_line: The Cottage, 1844. Charles-Émile Jacque (French, 1813–1894). Drypoint; sheet: 10.9 x 21.3 cm (4 5/16 x 8 3/8 in.); image: 10.5 x 21.3 cm (4 1/8 x 8 3/8 in.); platemark: 10.9 x 21.3 cm (4 5/16 x 8 3/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.180


creator: Aristide Maillol (French, 1861–1944)

medium: woodcut

country: France, 20th century

subjects:
Print
France, 20th century

credit_line: similiar to Daphnis and Chloe, Pantheon Books Inc., 1949  p. 145: Daphnis and Chloe: Daphnis Puts the Apple into Chloe's Bosom, 1937. Aristide Maillol (French, 1861–1944). Woodcut; sheet: 19.8 x 13.1 cm (7 13/16 x 5 3/16 in.); image: 9.1 x 7.8 cm (3 9/16 x 3 1/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.196


creator: Godefroy Engelmann (French, 1788–1839)

medium: lithograph tipped in to mount

credit_line: Voyages Pittoresques et Romantique dans l'Ancienne France, Normandie: Tour du Gros-Horlage, Évreux, 1824. Godefroy Engelmann (French, 1788–1839), after Richard Parkes Bonington (British, 1802–1828). Lithograph tipped in to mount; sheet: 50.8 x 34.5 cm (20 x 13 9/16 in.); image: 33.6 x 21 cm (13 1/4 x 8 1/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.205


creator: William Walcot (British, 1874–1943)

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: Herodias: Page 45, But now beginning at the farthest end of the banquet hall a murmur of surprise and admiration. A young girl began to enter, 1928. William Walcot (British, 1874–1943). Etching; sheet: 30.7 x 23.9 cm (12 1/16 x 9 7/16 in.); platemark: 19 x 17.3 cm (7 1/2 x 6 13/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2008.330.h


title: Scent Bottle

country: America

subjects: Silver America

credit_line: Scent Bottle, c. 1860–70. Tiffany & Co. (America, New York, est. 1837). Silver; overall: 8 x 7.9 x 2.5 cm (3 1/8 x 3 1/8 x 1 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.101


title: Lid for a Teapot

medium: porcelain

country: Germany, Meissen

subjects:
Ceramic
Germany, meissen

credit_line: Lid for a Teapot, c. 1750–70. Meissen Porcelain Factory (German, est. c. 1710). Porcelain; overall: 14.8 x 46.8 x 20.1 cm (5 13/16 x 18 7/16 x 7 15/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.105.b


title: Sugar Bowl

credit_line: Sugar Bowl, c. 1750–70. Meissen Porcelain Factory (German, est. c. 1710). Porcelain; overall: 14 x 38 x 14 cm (5 1/2 x 14 15/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.107


title: Lid for a Teapot

country: England, Worcester

subjects:
Ceramic
England, worcester

credit_line: Lid for a Teapot, c. 1755–75. Worcester Porcelain Factory (British, established 1751). Porcelain; overall: 16 x 45.6 x 19 cm (6 5/16 x 17 15/16 x 7 1/2 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.108.b


title: Untitled (Ceremony of Thanksgiving)

date: July 1856

medium: salted paper print from wet collodion negative

country: Belgium, 19th century

subjects:
Photograph
Belgium, 19th century

credit_line: Untitled (Ceremony of Thanksgiving), July 1856. Louis Pierre Théophile Dubois de Nehaut (Belgian, 1799–1872). Salted paper print from wet collodion negative; image: 22.7 x 31.8 cm (8 15/16 x 12 1/2 in.); mounted: 50 x 65.4 cm (19 11/16 x 25 3/4 in.); paper: 22.7 x 31.8 cm (8 15/16 x 12 1/2 in.); matted: 55.9 x 66 cm (22 x 26 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.347


title: Writing Set

medium: hardstones including lapis lazuli, malachite, carnelian, agate, gold; original fitted velvet-lined case

country: England, mid-19th century

credit_line: Writing Set, c. 1830. John Hamilton Mortimer (British, 1740–1779), and Paul Storr (British, 1771–1844). Hardstones including lapis lazuli, malachite, carnelian, agate, gold; original fitted velvet-lined case; overall: 6.4 x 1.3 x 2 cm (2 1/2 x 1/2 x 13/16 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.39


title: Vanity Case (Etui)

medium: gold mounted agate, diamonds, rubies, interior fitted with implements

country: England, mid 18th century

credit_line: Vanity Case (Etui), c. 1745–60. England, mid 18th century. Gold mounted agate, diamonds, rubies, interior fitted with implements; overall: 9.5 cm (3 3/4 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.41


title: Snuff Box

medium: gold, agate, set with mosaic panels, lapis ground

country: France, early 19th century

credit_line: Snuff Box, c. 1840. France, early 19th century. Gold, agate, set with mosaic panels, lapis ground; overall: 7.6 x 2.9 x 1.6 cm (3 x 1 1/8 x 5/8 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.48


medium: lithograph

credit_line: Lithographic Sketches by Charlet: Form before Color , 1823. Nicolas Toussaint Charlet (French, 1792–1845), Villain. Lithograph; sheet: 23 x 33.2 cm (9 1/16 x 13 1/16 in.); image: 16.7 x 18.7 cm (6 9/16 x 7 3/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.573


creator: Alphonse Legros (French, 1837–1911)

medium: graphite on laid paper

subjects:
Drawing
France, 19th century
Portraits

credit_line: Portrait of Sir Frederick W. Burton, Director of the National Gallery, London, 1881. Alphonse Legros (French, 1837–1911). Graphite on laid paper; sheet: 28.8 x 19.3 cm (11 5/16 x 7 5/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.161


title: Mounted Dragoon Officer

creator: Édouard Detaille (French, 1848–1912)

medium: oil on canvas

subjects:
Painting
France, 19th century

credit_line: Mounted Dragoon Officer, 1876. Édouard Detaille (French, 1848–1912). Oil on canvas; unframed: 23.5 x 13.2 cm (9 1/4 x 5 3/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.24


medium: lithograph with tint stone

subjects:
Print
Germany, 19th century

credit_line: Interior View of the Roman Baths at Trier , 1826. Johann Anton Ramboux (German, 1790–1866). Lithograph with tint stone; sheet: 56.1 x 75.2 cm (22 1/16 x 29 5/8 in.); image: 38 x 49.4 cm (14 15/16 x 19 7/16 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2010.279


title: Six Views of Heidelberg Castle

creator: Ernst Fries (German, 1801–1833)

medium: grey paper wrapper for bound group of 6 lithographs with etched and engraved cover

credit_line: Six Views of Heidelberg Castle, 1820. Ernst Fries (German, 1801–1833). Grey paper wrapper for bound group of 6 lithographs with etched and engraved cover; folio: 53.6 x 38.2 cm (21 1/8 x 15 1/16 in.). The Cleveland Museum of Art, Prints & Drawings Sundry Art Purchase and Dudley P. Allen Fund, 2010.280


title: St. Louis pendant la Justice

creator: Alexandre Cabanel (French, 1823–1889)

medium: black chalk with stump work

subjects:
Drawing
France, 19th century

credit_line: St. Louis pendant la Justice, c. 1875. Alexandre Cabanel (French, 1823–1889). Black chalk with stump work; sheet: 48.7 x 32.1 cm (19 3/16 x 12 5/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.286


title: Kenilworth

creator: George II Cuitt (British, 1779–1854)

date: 1827, published 1848

medium: etching

subjects:
Print
England, 19th century

credit_line: Kenilworth, 1827, published 1848. George II Cuitt (British, 1779–1854), M. A. Nattali. Etching; sheet: 20.7 x 31 cm (8 1/8 x 12 3/16 in.); platemark: 13.7 x 20.2 cm (5 3/8 x 7 15/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.602


title: Strand with Sky

creator: Francis Dodd (British, 1874–1949)

medium: etching with drypoint

credit_line: Strand with Sky, 1916. Francis Dodd (British, 1874–1949). Etching with drypoint; sheet: 46.1 x 29 cm (18 1/8 x 11 7/16 in.); platemark: 35 x 25.9 cm (13 3/4 x 10 3/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.608


creator: William Nicholson (British, 1872–1949)

medium: color lithograph

credit_line: The Square Book of Animals: The Simple Sheep, 1899. William Nicholson (British, 1872–1949). Color lithograph; sheet: 26.2 x 26.1 cm (10 5/16 x 10 1/4 in.); image: 12.8 x 12.8 cm (5 1/16 x 5 1/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.640


medium: lithograph in black and beige

credit_line: Monuments of Ninevah: Plate 3, Human-headed Bull and Winged Figure from a Gateway in the Wall Surrounding Kouyunjik (Quyunjik), 1853. Austen Henry Layard (British, 1817–1894). Lithograph in black and beige; sheet: 37.7 x 56.7 cm (14 13/16 x 22 5/16 in.); image: 34.3 x 52.5 cm (13 1/2 x 20 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.669


title: The Louvre near the New Bridge

country: Switzerland

subjects: Print Switzerland

credit_line: The Louvre near the New Bridge, 1838. Julien Louis Jacottet (Swiss, 1806–1880), Adolphe Jean Baptiste Bayot (French, 1810–1866), published by Gihaut. Color lithograph; image: 24.5 x 34.5 cm (9 5/8 x 13 9/16 in.); sheet: 39.6 x 53.8 cm (15 9/16 x 21 3/16 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2011.190


title: Pipe in the Form of a Twisted Man

medium: lead-glazed earthenware

credit_line: Pipe in the Form of a Twisted Man, 1780–1820. England, Staffordshire, late 18th-early 19th Century. Lead-glazed earthenware; diameter: 23 x 12.5 x 5.8 cm (9 1/16 x 4 15/16 x 2 5/16 in.); overall: 23 x 5.8 cm (9 1/16 x 2 5/16 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.124


title: Cann

country: England, 18th century

subjects:
Ceramic
England, 18th century

credit_line: Cann, c. 1800. Chelsea Porcelain Factory (Britain, London, 1745–84). Porcelain; overall: 13 x 9.6 x 12.5 cm (5 1/8 x 3 3/4 x 4 15/16 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.130


title: Egypt and Nubia, Volume I: Title Page

creator: Louis Haghe (British, 1806–1885)

country: England, 19th century

credit_line: Egypt and Nubia, Volume I: Title Page, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 60.4 x 43.2 cm (23 3/4 x 17 in.); image: 46.9 x 31.7 cm (18 7/16 x 12 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.140


credit_line: Egypt and Nubia, Volume I: The Great Sphinx, Pyramids of Gezeeh, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 39.5 x 42.9 cm (15 9/16 x 16 7/8 in.); image: 26 x 36.1 cm (10 1/4 x 14 3/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.233


subjects:
Architecture
Print
England, 19th century

credit_line: Egypt and Nubia, Volume I: Temple at Tafa in Nubia, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 35.2 x 43.7 cm (13 7/8 x 17 3/16 in.); image: 25.3 x 35.1 cm (9 15/16 x 13 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.236


credit_line: Egypt and Nubia, Volume III: Tomb of the Memlooks, Cairo, 1849. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 38.4 x 43.5 cm (15 1/8 x 17 1/8 in.); image: 24.7 x 34.8 cm (9 3/4 x 13 11/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.246


credit_line: Egypt and Nubia, Volume I: Temple at Edfou, Ancient Apollinopolis, Upper Egypt, 1847. Louis Haghe (British, 1806–1885), F. G. Moon (British, 1797–1871), after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 43 x 60.3 cm (16 15/16 x 23 3/4 in.); image: 33.6 x 50.1 cm (13 1/4 x 19 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.253


credit_line: Sketches in Belgium and Germany, Volume I: Screen in the Cathedral of St. Peter, Louvain, 1840. Louis Haghe (British, 1806–1885), Thomas McLean, Haymarket, London. Color lithograph; sheet: 37.2 x 54.1 cm (14 5/8 x 21 5/16 in.); image: 28.5 x 38.3 cm (11 1/4 x 15 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.270


subjects:
Portfolio
England, 19th century

credit_line: Sketches in Belgium and Germany, Volume I: Nönnberg Convent, Salzburg, 1840. Louis Haghe (British, 1806–1885), Hodgson & Graves, 6 Pall Mall, London. Color lithograph; sheet: 37.1 x 54.1 cm (14 5/8 x 21 5/16 in.); image: 27.4 x 38.1 cm (10 13/16 x 15 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.279


title: Teapot

creator: New Hall Porcelain Factory (British)

country: Staffordshire, England, late 18th century

subjects: Staffordshire, england, late 18th century

credit_line: Teapot, c. 1782–1790. New Hall Porcelain Factory (British). Porcelain; overall: 15 x 20.1 x 12.4 cm (5 7/8 x 7 15/16 x 4 7/8 in.). The Cleveland Museum of Art, Gift of Betsy Briggs Nogueira and Ann Briggs Mason in memory of June Glendinning Merkel and Adelaide Glendinning Briggs, 2012.291


title: Vatican: Galerie Nuovo Braccio

creator: Charles Soulier (French, 1840–1875)

medium: albumen print from a collodion negative

country: France, 19th century

subjects:
Photograph
France, 19th century

credit_line: Vatican: Galerie Nuovo Braccio, c. 1860. Charles Soulier (French, 1840–1875). Albumen print from a collodion negative; image: 25 x 19.2 cm (9 13/16 x 7 9/16 in.); paper: 25 x 19.2 cm (9 13/16 x 7 9/16 in.); matted: 61 x 50.8 cm (24 x 20 in.); mounted, primary: 33.4 x 24.5 cm (13 1/8 x 9 5/8 in.); mounted, secondary: 56.1 x 40 cm (22 1/16 x 15 3/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2012.442


title: Flirt

credit_line: Flirt, 1907. Albert de Belleroche (British, 1864–1944). Lithograph; sheet: 63.5 x 50.2 cm (25 x 19 3/4 in.); image: 58 x 46 cm (22 13/16 x 18 1/8 in.). The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in memory of Robert Lundie Shearer, 2012.475


title: The Agony of Flowers

creator: Theodore Roussel (French, 1847–1926)

medium: softground etching and aquatint

subjects:
Print
France, 19th century
Flowers

credit_line: The Agony of Flowers, 1890–1895. Theodore Roussel (French, 1847–1926). Softground etching and aquatint; sheet: 44.7 x 35 cm (17 5/8 x 13 3/4 in.). The Cleveland Museum of Art, James Parmelee Fund, 2013.12


title: Portrait of a Woman

creator: George Richmond (British, 1809–1896)

medium: watercolor with gouache and graphite

subjects:
Drawing
England, 19th century
Portraits

credit_line: Portrait of a Woman, 1851. George Richmond (British, 1809–1896). Watercolor with gouache and graphite; sheet: 43.1 x 34.7 cm (16 15/16 x 13 11/16 in.); secondary support: 51 x 43 cm (20 1/16 x 16 15/16 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.255


title: The Laughing Audience

creator: William Hogarth (British, 1697–1764)

subjects:
Print
England, 18th century

credit_line: The Laughing Audience, 1733. William Hogarth (British, 1697–1764). Etching; sheet: 24.4 x 19.9 cm (9 5/8 x 7 13/16 in.); platemark: 18.6 x 17 cm (7 5/16 x 6 11/16 in.); border: 17.7 x 15.7 cm (6 15/16 x 6 3/16 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.278


title: Sleeping Woman with a Cupid

creator: Henry Fuseli (Swiss, 1741–1825)

credit_line: Sleeping Woman with a Cupid, 1780–1790. Henry Fuseli (Swiss, 1741–1825). Etching; sheet: 22.5 x 34 cm (8 7/8 x 13 3/8 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust, 2013.35


title: Rape of the Sabines

creator: Vincenzo Camuccini (Italian, 1771–1844)

medium: black chalk with white heightening

country: Italy, 19th century

subjects:
Drawing
Italy, 19th century

credit_line: Rape of the Sabines, c. 1820. Vincenzo Camuccini (Italian, 1771–1844). Black chalk with white heightening; sheet: 24.2 x 39.3 cm (9 1/2 x 15 1/2 in.); mounted: 33.2 x 46.8 cm (13 1/16 x 18 7/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust, 2013.54


title: Embers Glow

medium: color etching and aquatint

subjects:
Print
France, 19th century

credit_line: Embers Glow, 1890–1897. Theodore Roussel (French, 1847–1926). Color etching and aquatint; sheet: 24.4 x 20.5 cm (9 5/8 x 8 1/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.86.8


title: London Types: Bus Driver

medium: woodcut hand-colored with watercolor

credit_line: London Types: Bus Driver, 1898. William Nicholson (British, 1872–1949). Woodcut hand-colored with watercolor; sheet: 50.7 x 49.6 cm (19 15/16 x 19 1/2 in.); border: 25.5 x 23 cm (10 1/16 x 9 1/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.87.1


medium: porcelain, sepia enamel, gold leaf

credit_line: Cup from Oliver Wolcott, Jr. Tea Service (4 of 6), 1785–1805. Chinese Export porcelain, late 18th-early 19th century. Porcelain, sepia enamel, gold leaf; overall: 7 x 9 x 6 cm (2 3/4 x 3 9/16 x 2 3/8 in.). The Cleveland Museum of Art, Gift of Harvey Buchanan in memory of Penelope Draper Buchanan and Dorothy Tuckerman Draper, 2013.98.4.a


title: Cottage and Two Figures in a Boat

medium: etching and drypoint

subjects: Print America

credit_line: Cottage and Two Figures in a Boat, 1878. Charles Henry Miller (American, 1842–1922). Etching and drypoint; sheet: 19.1 x 27.3 cm (7 1/2 x 10 3/4 in.); platemark: 12.7 x 18.5 cm (5 x 7 5/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.112


title: Kensington Gardens, No. 1 (Small Plate)

credit_line: Kensington Gardens, No. 1 (Small Plate), 1859. Francis Seymour Haden (British, 1818–1910). Etching; sheet: 22 x 16.8 cm (8 11/16 x 6 5/8 in.); platemark: 15.8 x 11.3 cm (6 1/4 x 4 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.212


credit_line: Sketches at Home and Abroad: General View of Trento, 1834. James Duffield Harding (British, 1798–1863). Lithograph with tint stone; sheet: 36 x 52.3 cm (14 3/16 x 20 9/16 in.); image: 26.3 x 39.4 cm (10 3/8 x 15 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.216


title: Vanity Fair: "Hard Hitter"

credit_line: published in Vanity Fair July 9, 1896;Vanity Fair. (Boston: Frame Central, 1992.)  p. 26, 9 July, 1896, M. No. 652: Vanity Fair: "Hard Hitter", 1896. Leslie Matthew (Spy) Ward (British, 1851–1922), Vincent Brooks Day & Son. Color lithograph; sheet: 32.9 x 26.4 cm (12 15/16 x 10 3/8 in.); image: 33 x 21.8 cm (13 x 8 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.264


subjects:
Print
Italy, 19th century

credit_line: published in Vanity Fair July 31, 1869: Vanity Fair: Statesman No. 26 "When Birth cannot lead, Brains must.", 1869. Carlo (Ape) Pellegrini (Italian, 1839–1889), Vanity Fair. (Boston: Frame Central, 1992.) p. 1, 31 July, 1869, S. No. 26. Color lithograph; sheet: 37.6 x 24.9 cm (14 13/16 x 9 13/16 in.); image: 31.6 x 19.5 cm (12 7/16 x 7 11/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.274


credit_line: published in Vanity Fair July 10, 1869: Vanity Fair: Statesman, No. 23 "He is too honest a Tory for his party and time", 1869. Carlo (Ape) Pellegrini (Italian, 1839–1889), Vanity Fair. (Boston: Frame Central, 1992.) p. 1, 10 July, 1869, S. No. 23. Color lithograph; sheet: 35.7 x 22.8 cm (14 1/16 x 9 in.); image: 30.5 x 18.6 cm (12 x 7 5/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.276


subjects:
Costume & fashion
Print
Italy, 19th century

credit_line: published in Vanity Fair July 30, 1870: Vanity Fair: Statesman, No. 57 "A man of Fashion and Politics", 1870. Carlo (Ape) Pellegrini (Italian, 1839–1889). Color lithograph; sheet: 35 x 23.4 cm (13 3/4 x 9 3/16 in.); image: 30.9 x 18.2 cm (12 3/16 x 7 3/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.280


title: Vanity Fair: "Italian Music"

creator: Théobald Chartran (French, 1849–1907)

credit_line: published in Vanity Fair Feb. 15, 1879: Vanity Fair: "Italian Music", 1879. Théobald Chartran (French, 1849–1907), Vincent Brooks Day & Son. Color lithograph; sheet: 38.2 x 26.1 cm (15 1/16 x 10 1/4 in.); image: 31 x 18.4 cm (12 3/16 x 7 1/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.289


title: Vanity Fair: "Emotional Music"

credit_line: published in Vanity Fair Feb. 1, 1879: Vanity Fair: "Emotional Music", 1879. Théobald Chartran (French, 1849–1907), Vincent Brooks Day & Son. Color lithograph; sheet: 38.2 x 26.1 cm (15 1/16 x 10 1/4 in.); image: 30.9 x 18.4 cm (12 3/16 x 7 1/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.290


creator: Alfred Taiée (French, 1820–1881)

credit_line: Tuileries, Conseil d'Etat, Legion d'honeur, 1871. Alfred Taiée (French, 1820–1881). Etching; image: 25.8 x 33 cm (10 3/16 x 13 in.); secondary support: 25.8 x 36.3 cm (10 3/16 x 14 5/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.310


title: Three Horsemen Hunting Wild Geese

medium: Album leaf, ink and color on silk

country: China, Song dynasty (960-1279)

subjects:
Painting
China, song dynasty (960-1279)

credit_line: Three Horsemen Hunting Wild Geese, 960–1279. China, Song dynasty (960-1279). Album leaf, ink and color on silk; overall: 21 x 23.4 cm (8 1/4 x 9 3/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.703


title: Lake Scene

country: China, Ming dynasty (1368-1644) ?

subjects:
Painting
China, ming dynasty (1368-1644)

credit_line: Lake Scene, 1368–1644(?). China, Ming dynasty (1368-1644) ?. Album leaf, ink and color on silk. The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.708


title: Scent Bottle

medium: ivory with gold and silver mounts set with jewels

country: Continental, mid-19th century

credit_line: Scent Bottle, mid-1800s. Continental, mid-19th century. Ivory with gold and silver mounts set with jewels; overall: 7.7 x 2.6 cm (3 1/16 x 1 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.339.a


title: Box

date: late 1700s

medium: lacquered wood

country: Germany, late 18th Century

credit_line: Box, late 1700s. Possibly studio or workshop of Johann Heinrich Stobwasser (German, 1740–1829). Lacquered wood; overall: 2.6 x 10.5 cm (1 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.615.a


title: Cover for a Box

credit_line: Cover for a Box, late 1700s. Possibly studio or workshop of Johann Heinrich Stobwasser (German, 1740–1829). Lacquered wood. The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.615.b


title: Stopper for a Scent Bottle

medium: porcelain with gilt metal mounts

country: Germany, Berlin, 18th century

credit_line: Stopper for a Scent Bottle, 1780. Germany, Berlin, 18th century. Porcelain with gilt metal mounts. The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.648.b


title: Scabbard Needle

medium: metal

subjects: Africa, east africa, sudan, unknown maker

credit_line: Scabbard Needle, 1880–1910. Africa, East Africa, Sudan, unknown maker. Metal; overall: 31.2 cm (12 5/16 in.); blade: 19.9 cm (7 13/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.724.e


title: Chest Front

medium: wood

country: India

subjects: Wood India

credit_line: Chest Front, 1700s. India. Wood; overall: 43.9 x 128 cm (17 5/16 x 50 3/8 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1917.1083


title: Sword (Kris)

medium: iron with carved wooden handle

country: Java

subjects:
Arms and armor
Java

credit_line: Sword (Kris), 1800s. Java. Iron with carved wooden handle; overall: 46.1 cm (18 1/8 in.); blade: 36.5 cm (14 3/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1918.651.a


title: Gradual

creator: Girolamo dai Libri (Italian, 1474–1555)

country: Italy, Verona

subjects:
Manuscript
Italy, verona

credit_line: Gradual, c. 1520. Circle of Girolamo dai Libri (Italian, 1474–1555). Ink, tempera, and gold on vellum; wood binding; codex: 51.1 x 35.6 x 8.9 cm (20 1/8 x 14 x 3 1/2 in.). The Cleveland Museum of Art, General Income Fund, 1921.140.29.a


medium: painting on pith paper

country: China, Qing dynasty (1644–1911)

subjects:
Painting
China, qing dynasty (1644–1911)
Butterflies & moths
Flowers

credit_line: Painting Nine from Illustrated Book of Flowers and Butterflies, 1800s. China, Qing dynasty (1644–1911). Painting on pith paper; each page: 25.2 x 36.4 cm (9 15/16 x 14 5/16 in.); each painting: 20.1 x 32 cm (7 15/16 x 12 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Henry F. Lyman, 1921.915.i


medium: Gum tempera, ink, and gold on paper

credit_line: Text, Folio 6 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.6.b


credit_line: Text, Folio 7 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.7.b


medium: gum tempera and ink on palm leaves

subjects: Painting Palms

credit_line: Text, Folio 104 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.104.a


credit_line: Text, Folio 110 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.110.a


credit_line: Text, Folio 15 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.15.b


credit_line: Text, Folio 21 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.21.a


credit_line: Text, Folio 26 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.26.b


credit_line: Text, Folio 35 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.35.b


credit_line: Text, Folio 37 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.37.b


credit_line: Text, Folio 39 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.39.a


credit_line: Text, folio 43 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.43.b


credit_line: Text, folio 47 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.47.b


credit_line: Text, folio 53 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.53.a


credit_line: Text, folio 54 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.54.a


credit_line: Text, Folio 59 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.59.b


credit_line: Text, Folio 80 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.80.b


credit_line: Text, Folio 87 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.87.b


credit_line: Text, Folio 91 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.91.a


credit_line: Text, Folio 91 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.91.b


credit_line: Text, Folio 94 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.94.b


medium: jade

country: China, Qing dynasty (1644-1911)

subjects:
Jade
China, qing dynasty (1644-1911)

credit_line: Three-Sectional Altar Group: Koro with Lid and Base, 1644–1911. China, Qing dynasty (1644-1911). Jade. The Cleveland Museum of Art, Bequest of Cornelia Blakemore Warner, 1947.683.1


title: Dans les Vosges

medium: brush and black ink over pencil with white highlights

country: France, 20th century

subjects:
Drawing
France, 20th century

credit_line: Dans les Vosges, 1914. Auguste Louis Lepère (French, 1849–1918). Brush and black ink over pencil with white highlights. The Cleveland Museum of Art, Delia E. Holden Fund, 1974.146.a


title: La Retraite après Charleroi...

medium: pencil

credit_line: La Retraite après Charleroi..., 1914. Auguste Louis Lepère (French, 1849–1918). Pencil. The Cleveland Museum of Art, Delia E. Holden Fund, 1974.148.a


title: Fragment from a Tunic

medium: tabby weave with inwoven tapestry ornament, linen and wool

country: Egypt, 6th - 16th century

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, 6th - 16th century

credit_line: Fragment from a Tunic, 500s - 1500s. Egypt, 6th - 16th century. Tabby weave with inwoven tapestry ornament, linen and wool. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.283.b


title: Fragment from a Tunic

credit_line: Fragment from a Tunic, 500s - 1500s. Egypt, 6th - 16th century. Tabby weave with inwoven tapestry ornament, linen and wool. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.283.c


medium: Ink and gold on paper

credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.103.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.124.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.124.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.133.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.147.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.147.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.156.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.168.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.168.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.18.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.23.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.34.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.69.b


medium: ink, tempera and gold on vellum

subjects:
Manuscript
Austria or bohemia , 15th century

credit_line: Bifolio from a Book of Hours: Text (verso), c. 1460–1500. Austria (? ) or Bohemia (?), 15th century. Ink, tempera and gold on vellum. The Cleveland Museum of Art, The Jeanne Miles Blackburn Collection, 2006.12.b


medium: ink, tempera and burnished gold on vellum

country: Italy, Perugia

credit_line: Missale: Fol. 3v: February Calendar Page, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.3.b


title: Missale: Fol. 4v: April Calendar Page

credit_line: Missale: Fol. 4v: April Calendar Page, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.4.b


title: Missale: Fol. 5v: June Calendar Page

credit_line: Missale: Fol. 5v: June Calendar Page, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.5.b


title: Missale: Fol. 6r: July Calendar Page

credit_line: Missale: Fol. 6r: July Calendar Page, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.6.a


credit_line: Missale: Fol. 7r: September Calendar Page, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.7.a


credit_line: Missale: Fol. 8v: December Calendar Page, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.8.b


title: Container for Smelling Salts

medium: silver

country: America

subjects: Silver America

credit_line: Container for Smelling Salts, c. 1860–70. Tiffany & Co. (America, New York, est. 1837). Silver; overall: 8 x 7.9 x 2.5 cm (3 1/8 x 3 1/8 x 1 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.101.c


title: Sellenger

medium: etching

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: Sellenger, 1917. Frederick Landseer Maur Griggs (British, 1876–1938). Etching; sheet: 18.7 x 23.4 cm (7 3/8 x 9 3/16 in.); platemark: 13.3 x 16.7 cm (5 1/4 x 6 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.211


creator: Samuel Prout (British, 1783–1852)

medium: lithograph

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: Facisimilies of Sketches made in Flanders and Germany: Thein Church, Prague, 1833. Samuel Prout (British, 1783–1852). Lithograph; sheet: 54.2 x 36.9 cm (21 5/16 x 14 1/2 in.); image: 41.5 x 27.4 cm (16 5/16 x 10 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.236


title: Trafalgar Square

creator: William Walcot (British, 1874–1943)

medium: etching, drypoint, and aquatint

credit_line: Trafalgar Square, 1924. William Walcot (British, 1874–1943). Etching, drypoint, and aquatint; sheet: 23.2 x 32.6 cm (9 1/8 x 12 13/16 in.); platemark: 9.2 x 18.3 cm (3 5/8 x 7 3/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.259


title: Picadilly Circus

medium: etching and aquatint

credit_line: Picadilly Circus, 1913. William Walcot (British, 1874–1943). Etching and aquatint; sheet: 19.5 x 27.1 cm (7 11/16 x 10 11/16 in.); platemark: 11.7 x 20.3 cm (4 5/8 x 8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.260


medium: color lithograph

credit_line: published April 5, 1873: Vanity Fair: Men of the Day, No. 60, "A Novelist", 1873. Leslie Matthew (Spy) Ward (British, 1851–1922). Color lithograph; sheet: 35.6 x 23.2 cm (14 x 9 1/8 in.); image: 30.8 x 19.5 cm (12 1/8 x 7 11/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.261


country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Paris en Train. Démolition du théâtre du Vaudeville: rue du Dix-Decembre, 1869. Alfred Taiée (French, 1820–1881). Etching; sheet: 29.9 x 44.7 cm (11 3/4 x 17 5/8 in.); image: 21.6 x 24.5 cm (8 1/2 x 9 5/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.312


title: The Convicts

creator: Horace Vernet (French, 1789–1863)

credit_line: The Convicts, 1826. Horace Vernet (French, 1789–1863), Delpech. Lithograph; sheet: 31.2 x 42.8 cm (12 5/16 x 16 7/8 in.); image: 23.1 x 30.4 cm (9 1/8 x 11 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.320


creator: Félicien Rops (Belgian, 1833–1898)

medium: etching and aquatint on chine collé

country: Belgium, 19th century

subjects:
Print
Belgium, 19th century

credit_line: illustration for: La Legend d' Ulenspiegel by de Coster: The Legend and Adventures of Ulenspiefel and Lamme Goedzak: The Hanged Man (La legende et les aventures d'Ulenspiegel et Lamme Goedzak: Le pendu), 1867. Félicien Rops (Belgian, 1833–1898). Etching and aquatint on chine collé; sheet: 29.5 x 21.2 cm (11 5/8 x 8 3/8 in.); platemark: 15.5 x 24 cm (6 1/8 x 9 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.327


title: Landslide (Opus IV, 6)

creator: Max Klinger (German, 1857–1920)

medium: etching, aquatint and roulette

country: Germany, 20th century

subjects:
Print
Germany, 20th century

credit_line: Landslide (Opus IV, 6), 1881. Max Klinger (German, 1857–1920). Etching, aquatint and roulette; sheet: 63 x 44.7 cm (24 13/16 x 17 5/8 in.); platemark: 43 x 29.5 cm (16 15/16 x 11 5/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.345


medium: lithograph on chine collé

country: Switzerland

subjects: Print Switzerland

credit_line: Ruines du Chateau d'Artns pres le huelgoet, Bretagne, 1845–1846. Julien Louis Jacottet (Swiss, 1806–1880). Lithograph on chine collé; sheet: 34.5 x 53.5 cm (13 9/16 x 21 1/16 in.); image: 20 x 35.5 cm (7 7/8 x 14 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.368


title: La Seine au Pont d'Austerlitz

medium: wood engraving

credit_line: La Seine au Pont d'Austerlitz, 1866. Auguste Louis Lepère (French, 1849–1918), published in L'Estampe Originale. Wood engraving; sheet: 26.6 x 35 cm (10 1/2 x 13 3/4 in.); image: 16.8 x 26.5 cm (6 5/8 x 10 7/16 in.). The Cleveland Museum of Art, Gift of Dr. Irving and Enid Kushner, 2014.658


title: Liber Studiorum: Plate 16, A Study

creator: John Sell Cotman (British, 1782–1842)

medium: softground etching, from a bound volume containing 48 plates

credit_line: Liber Studiorum: Plate 16, A Study, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 40.7 x 32 cm (16 x 12 5/8 in.); platemark: 10.4 x 8.2 cm (4 1/8 x 3 1/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.q


title: Liber Studiorum: Plate 47, A Study

credit_line: Liber Studiorum: Plate 47, A Study, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 17 x 10.9 cm (6 11/16 x 4 5/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.vv


title: Liber Studiorum: Plate 48, A Study

medium: etching, from a bound volume containing 48 plates

credit_line: Liber Studiorum: Plate 48, A Study, 1838. John Sell Cotman (British, 1782–1842). Etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 11 x 8 cm (4 5/16 x 3 1/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.ww


title: La Chevelure

creator: Jules Léon Flandrin (French, 1871–1947)

medium: Color lithograph

country: France, Paris

credit_line: L'Estampe Moderne: La Chevelure, 1899. Jules Léon Flandrin (French, 1871–1947). Color lithograph; sheet: 24.6 x 34.6 cm (9 11/16 x 13 5/8 in.); image: 23.9 x 33.9 cm (9 7/16 x 13 3/8 in.); secondary support: 40 x 30.5 cm (15 3/4 x 12 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.aa


title: Dante Rencontre Béatrix

credit_line: L'Estampe Moderne: Dante Rencontre Béatrix, 1899. Henri Jean Guillaume Martin (French, 1860–1943). Color lithograph; sheet: 25 x 30.8 cm (9 13/16 x 12 1/8 in.); image: 25 x 30.8 cm (9 13/16 x 12 1/8 in.); secondary support: 40 x 30.4 cm (15 3/4 x 11 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.j


title: Un Marché en Zélande

creator: Fernand Piet (French, 1869–1942)

credit_line: L'Estampe Moderne: Un Marché en Zélande, 1898. Fernand Piet (French, 1869–1942). Color lithograph; sheet: 40.2 x 30.4 cm (15 13/16 x 11 15/16 in.); image: 33 x 25.2 cm (13 x 9 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.k


title: L'Énigme

credit_line: L'Estampe Moderne: L'Énigme, 1898. Henri Bellery-Desfontaines (French, 1867–1910). Color lithograph; sheet: 40 x 30.6 cm (15 3/4 x 12 1/16 in.); image: 25.5 x 38 cm (10 1/16 x 14 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.u


creator: Victor Petit (French, 1817–1874)

date: published 1860

medium: portfolio of 100 lithographs with tint stone

subjects:
Architecture
Portfolio
France, 19th century

credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux De France des XV et XVI Siecles, published 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Portfolio of 100 lithographs with tint stone; cover: 37.5 x 29 cm (14 3/4 x 11 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696


medium: lithograph with tint stone, from portfolio of 100 lithographs with tint stone

subjects:
Architecture
Print
France, 19th century

credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 10, Vielles Maisons A Tulle (Correze), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36 x 27.2 cm (14 3/16 x 10 11/16 in.); image: 23 x 14 cm (9 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.11


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 35, Château De Mello (Oise), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.6 x 27 cm (14 x 10 5/8 in.); image: 22.9 x 14 cm (9 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.34


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 39, Château De La Motte (Mayenne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.8 x 27.4 cm (14 1/8 x 10 13/16 in.); image: 23 x 14.1 cm (9 1/16 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.38


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 89, Château du Vaumissel (Calvados), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.6 x 27.3 cm (14 x 10 3/4 in.); image: 22.9 x 13.9 cm (9 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.87


medium: wood engraving from bound volume of 34

credit_line: Fontainebleau Forest: Franchard Valley (La Forêt de Fontainebleau: La Vallée de Franchard), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 19.5 x 15.8 cm (7 11/16 x 6 1/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.bb


credit_line: Fontainebleau Forest: Cutting of Pines (La Forêt de Fontainebleau: Abatage des pins), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; sheet: 31.8 x 19.5 cm (12 1/2 x 7 11/16 in.); image: 20.7 x 7.2 cm (8 1/8 x 2 13/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.g


credit_line: Catalogue de L'Exposition de August Lepère: Frontispiece, 1908. Auguste Louis Lepère (French, 1849–1918). Etching, from leather-bound volume containing two etchings and one lithograph ; sheet: 26.3 x 17.5 cm (10 3/8 x 6 7/8 in.); platemark: 19.5 x 11.5 cm (7 11/16 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.709.a


title: Ajinta Cave No. 19

creator: Francis Frith & Co. (British)

subjects:
Photograph
England, 19th century

credit_line: Ajinta Cave No. 19, 1850s-1870s. Francis Frith & Co. (British). Albumen print from wet collodion negative; image: 20.6 x 16 cm (8 1/8 x 6 5/16 in.); mounted: 35.5 x 26.5 cm (14 x 10 7/16 in.). The Cleveland Museum of Art, Purchased with funds donated by Catherine Glynn Benkaim and Barbara Timmer, 2015.36


title: Trichinopoly Horse Court

credit_line: Trichinopoly Horse Court, 1850s-1870s. Francis Frith & Co. (British). Albumen print from wet collodion negative; image: 20.2 x 15.2 cm (7 15/16 x 6 in.); mounted: 35.7 x 26.6 cm (14 1/16 x 10 1/2 in.). The Cleveland Museum of Art, Purchased with funds donated by Catherine Glynn Benkaim and Barbara Timmer, 2015.37


title: Cathédrale Sainte-André de Bordeaux

creator: Adrien Dauzats (French, 1804–1868)

medium: watercolor with gum arabic and touches of gouache

subjects:
Drawing
France, 19th century

credit_line: Cathédrale Sainte-André de Bordeaux, 1832. Adrien Dauzats (French, 1804–1868). Watercolor with gum arabic and touches of gouache; sheet: 43.6 x 30.8 cm (17 3/16 x 12 1/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2015.45


title: Le Sommeil du Grand Condé

medium: ink and watercolor

credit_line: Le Sommeil du Grand Condé, c. 1817. Jacque-Noël-Marie Frémy (French, 1782–1867). Ink and watercolor; sheet: 13.6 x 10 cm (5 3/8 x 3 15/16 in.); secondary support: 15.9 x 12.5 cm (6 1/4 x 4 15/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2015.46


title: A Soldier in Armor in Front of a Tavern

medium: Gray wash

country: Germany, 18th century

subjects:
Drawing
Germany, 18th century

credit_line: A Soldier in Armor in Front of a Tavern, 1724. Johann Elias Ridinger (German, 1698–1767). Gray wash ; sheet: 26 x 18.5 cm (10 1/4 x 7 5/16 in.). The Cleveland Museum of Art, Gift of Thomas le Claire, 2015.70


title: Les Salles d'Estampes en Province

creator: Félix Hilaire Buhot (French, 1847–1898)

medium: etching on wove paper

country: France

subjects: Print France

credit_line: Les Salles d'Estampes en Province, 1877. Félix Hilaire Buhot (French, 1847–1898). Etching on wove paper; image: 22.2 x 15.2 cm (8 3/4 x 6 in.); plate: 22.5 x 15.1 cm (8 7/8 x 5 15/16 in.); sheet: 34.4 x 25.8 cm (13 9/16 x 10 3/16 in.); matted: 40.5 x 30.3 cm (15 15/16 x 11 15/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard Davis in memory of Harvey Buchanan and Penelope Draper Buchanan, 2016.588


title: Twelve Portraits: Sarah Bernhardt

creator: William Nicholson (British, 1872–1949)

medium: lithograph on wove paper

country: Britain

subjects: Print Britain Portraits

credit_line: Twelve Portraits: Sarah Bernhardt, 1899. William Nicholson (British, 1872–1949). Lithograph on wove paper; image: 23.7 x 22.7 cm (9 5/16 x 8 15/16 in.); sheet: 26 x 25.1 cm (10 1/4 x 9 7/8 in.); matted: 40.5 x 35.4 cm (15 15/16 x 13 15/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard Davis in memory of Harvey Buchanan and Penelope Draper Buchanan, 2016.604


subjects: Print Britain

credit_line: London Set: Bank (with the Royal Exchange), 1924. William Walcot (British, 1874–1943). Etching on wove paper; plate: 10.8 x 14.5 cm (4 1/4 x 5 11/16 in.); sheet: 24.3 x 32.1 cm (9 9/16 x 12 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard Davis in memory of Harvey Buchanan and Penelope Draper Buchanan, 2016.610


medium: gelatin silver print, hand-colored

country: India, 20th century

subjects:
Photograph
India, 20th century
Portraits

credit_line: Untitled (Portrait of a Woman in Blue Sari and Veil), 1900–2000. India, 20th century. Gelatin silver print, hand-colored; image: 10.7 x 8.3 cm (4 3/16 x 3 1/4 in.); paper: 10.7 x 8.3 cm (4 3/16 x 3 1/4 in.). The Cleveland Museum of Art, John Cook Memorial Fund, 2017.10


country: Germany

subjects: Print Germany

credit_line: Christ from Christ, the Apostles, and Saint Paul, 1563/64. Lucas Cranach the Elder, After (German, 1472–1553). Woodcut with letterpress text, hand colored; image and sheet: 24.3 x 10.3 cm (9 9/16 x 4 1/16 in.). The Cleveland Museum of Art, Anonymous Gift in honor of Jane Glaubinger, 2017.277.1


credit_line: Simon from Christ, the Apostles, and Saint Paul, 1563/64. Lucas Cranach the Elder, After (German, 1472–1553). Woodcut with letterpress text, hand colored; image and sheet: 20.3 x 11.4 cm (8 x 4 1/2 in.). The Cleveland Museum of Art, Anonymous Gift in honor of Jane Glaubinger, 2017.277.12


credit_line: Paul from Christ, the Apostles, and Saint Paul, 1563/64. Lucas Cranach the Elder, After (German, 1472–1553). Woodcut with letterpress text, hand colored; image and sheet: 21.1 x 11.6 cm (8 5/16 x 4 9/16 in.). The Cleveland Museum of Art, Anonymous Gift in honor of Jane Glaubinger, 2017.277.2


credit_line: Thomas from Christ, the Apostles, and Saint Paul, 1563/64. Lucas Cranach the Elder, After (German, 1472–1553). Woodcut with letterpress text, hand colored; image and sheet: 21.6 x 11.6 cm (8 1/2 x 4 9/16 in.). The Cleveland Museum of Art, Anonymous Gift in honor of Jane Glaubinger, 2017.277.9


title: The Village of Horning

medium: platinum print

country: England , 19th century

subjects:
Photograph
England , 19th century

credit_line: Life and Landscape on the Norfolk Broads: The Village of Horning, 1886. Peter Henry Emerson (British, 1856–1936). Platinum print; image and paper: 22.3 x 16.7 cm (8 3/4 x 6 9/16 in.); mounted: 41 x 28.6 cm (16 1/8 x 11 1/4 in.). The Cleveland Museum of Art, Gift of Arielle Kozloff Brodkey in memory of Dr. Jerald S. Brodkey, 2019.99


title: Château de Chillon

creator: Adolphe Braun (French, 1812–1877)

medium: carbon print

subjects:
Photograph
France, 19th century

credit_line: Château de Chillon, c. 1870, printed c. 1900. Adolphe Braun (French, 1812–1877). Carbon print; image: 76.2 x 101.6 cm (30 x 40 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.353


credit_line: Left: [Ashoka Pillar moved to its present position by Feroz Shah]. Right: Memorial Monument of the British Soldiers in 1859, 1870s-1880s (?). England, 19th century. 2 albumen prints mounted on an album page; mounted: 35.6 x 45.7 cm (14 x 18 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.370


medium: gelatin silver print

credit_line: Untitled (man being carried in sedan chair, verso), c. 1880s. England, 19th century. Gelatin silver print; image: 21 x 26.7 cm (8 1/4 x 10 1/2 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.425.b


medium: tapestry weave: wool

country: Egypt, Byzantine period

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, byzantine period

credit_line: Fragment, Probably Part of an Ornament of a Tunic, 400s - 600s. Egypt, Byzantine period. Tapestry weave: wool; overall: 5.6 x 13.1 cm (2 3/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1914.552


title: Sickle Blade

medium: flint

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.34


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.38


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.52


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.66


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.7


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.73


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.77


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.78


title: Ceremonial Hoe

date: early 1900s

medium: Wood and copper alloy

credit_line: Ceremonial Hoe, early 1900s. Africa, Southern Africa, South Africa, possibly Zulu-style maker. Wood and copper alloy; overall: 14 cm (5 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1915.496


title: Cover (or Hanging)

medium: embroidery, silk

country: India, late 19th century

subjects:
Embroidery
India, late 19th century

credit_line: Cover (or Hanging), c. 1899. India, late 19th century. Embroidery, silk; overall: 223.5 x 165.1 cm (88 x 65 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1362


title: Two Pieces from a Scarf

medium: brocade

country: Iran, 18th century

subjects:
Costume & fashion
Textile
Iran, 18th century

credit_line: Two Pieces from a Scarf, 1700s. Iran, 18th century. Brocade; overall: 38.5 x 50.5 cm (15 3/16 x 19 7/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1429


title: Embroidered Fragments

medium: appliqué embroidery, couched gold on velvet

country: Spain

subjects: Velvet Spain

credit_line: Embroidered Fragments, 1500s. Spain. Appliqué embroidery, couched gold on velvet; overall: 111.8 x 82.6 cm (44 x 32 1/2 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1455


title: Bible Mark (Two of Four)

medium: knitted silk

subjects: Knitting Spain

credit_line: Bible Mark (Two of Four), 1700s–1800s. Spain. Knitted silk; overall: 54.5 x 73.5 x 2.5 cm (21 7/16 x 28 15/16 x 1 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1464


title: Bed Cover (?)

medium: embroidery; silk and gold filé on linen

country: India, Delhi ?, 19th century

subjects:
Embroidery
India, delhi , 19th century

credit_line: Bed Cover (?), 1800s. India, Delhi ?, 19th century. Embroidery; silk and gold filé on linen; overall: 306.7 x 245.8 cm (120 3/4 x 96 3/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1475


title: Three Strips Pieced Together

medium: compound tabby weave, brocaded; silk and gold filé

country: Iran, 18th-19th century

subjects:
Costume & fashion
Textile
Iran, 18th-19th century

credit_line: Three Strips Pieced Together, 1700s - 1800s. Iran, 18th-19th century. Compound tabby weave, brocaded; silk and gold filé; overall: 27.3 x 17.8 cm (10 3/4 x 7 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1976


title: Fragment of Gothic Velvet

medium: velvet; silk and metallic thread

credit_line: Fragment of Gothic Velvet, 1400s. Spain. Velvet; silk and metallic thread; average: 14.6 x 15 cm (5 3/4 x 5 7/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.244


title: Baby's Robe

medium: plain weave silk with silver metal thread weft; embroidered with gold and silver metal thread, spangles, and colored glass stones

subjects: Garment Spain

credit_line: Baby's Robe, 1600s. Spain. Plain weave silk with silver metal thread weft; embroidered with gold and silver metal thread, spangles, and colored glass stones; overall: 35.6 x 33.7 cm (14 x 13 1/4 in.). The Cleveland Museum of Art, Gift of Salmon P. Halle, 1919.542


title: Lace Insertion

medium: Bobbin lace

country: Italy, Venice

subjects:
Lace
Italy, venice

credit_line: Lace Insertion, 1540–60. Italy, Venice. Bobbin lace; average: 3.2 x 25.4 cm (1 1/4 x 10 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1030


title: Lace Insertion

country: Italy

subjects: Lace Italy

credit_line: Lace Insertion, 1600s–1700s. Italy. Bobbin lace; average: 9 x 21 cm (3 9/16 x 8 1/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1056


title: Lace Edging

country: Belgium, Binche

subjects:
Lace
Belgium, binche

credit_line: Lace Edging, 1840–60. Belgium, Binche. Bobbin lace; average: 5.5 x 55 cm (2 3/16 x 21 5/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1222


title: Rue des Marmousets (Old Paris)

creator: Maxime Lalanne (French, 1827–1886)

medium: etching

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Rue des Marmousets (Old Paris), 1862. Maxime Lalanne (French, 1827–1886). Etching; plate: 24.1 x 16.5 cm (9 1/2 x 6 1/2 in.). The Cleveland Museum of Art, Gift of Charles T. Brooks, 1920.141


title: Embroidered Robe

date: 19th century

medium: embroidery; silk on wool

country: Turkey, 19th century

subjects:
Garment
Turkey, 19th century

credit_line: Embroidered Robe, 19th century. Turkey, 19th century. Embroidery; silk on wool; overall: 142.3 x 236.3 cm (56 x 93 1/16 in.). The Cleveland Museum of Art, Gift of Dr. Guthrie McConnell and Christie McConnell in memory of their mother, 1920.742


title: Lace Edging with Points

medium: Bobbin lace (needle lace design)

country: Italy, Venice or Genoa

subjects:
Lace
Italy, venice or genoa

credit_line: Lace Edging with Points, 1600–1620. Italy, Venice or Genoa. Bobbin lace (needle lace design); average: 3.9 x 18.1 cm (1 9/16 x 7 1/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.926


title: Lace Edging of Bell Points

medium: Bobbin lace (rose lace)

country: Italy, Genoa

subjects:
Lace
Italy, genoa
Roses

credit_line: Lace Edging of Bell Points, 1600s–1700s. Italy, Genoa. Bobbin lace (rose lace); average: 4.2 x 19.1 cm (1 5/8 x 7 1/2 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.944


title: Lace Edging of Points

medium: Bobbin lace (Plaited Lace)

subjects:
Lace
Italy, genoa

credit_line: Lace Edging of Points, 1550s-1590s. Italy, Genoa. Bobbin lace (Plaited Lace); average: 3.2 x 15.9 cm (1 1/4 x 6 1/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.963


title: Lace Insertion

credit_line: Lace Insertion, 1600s. Italy, Genoa. Bobbin lace (needle lace, drawnwork design); average: 9.6 x 21 cm (3 3/4 x 8 1/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.964


title: Cloth with Lace End

medium: cotton or linen (est.); straight (continuous) bobbin lace (Vologda tape lace); the tape forms figural or plant motifs outlined with gimp (heavy cord); plaited ground links the tape

country: Russia

subjects: Botany Lace Russia

credit_line: Cloth with Lace End, 1800s. Russia. Cotton or linen (est.); straight (continuous) bobbin lace (Vologda tape lace); the tape forms figural or plant motifs outlined with gimp (heavy cord); plaited ground links the tape; overall: 91.5 x 215.9 cm (36 x 85 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1921.1132


title: Blanket/ Sarape

medium: tapestry weave: cotton and wool

subjects:
Costume & fashion
Textile

credit_line: Blanket/ Sarape, c. 1890–1900. America, Native North American, Southwest, Rio Grande Hispanic, Post-Contact, Transitional Period. Tapestry weave: cotton and wool; overall: 198 x 114.5 cm (77 15/16 x 45 1/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1921.562


title: Isabey

creator: Paul Gavarni (French, 1804–1866)

medium: lithograph

credit_line: Isabey, 1854–1856. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.376


title: Panel

date: late 1400s

medium: walnut

country: France

subjects:
Furniture and woodwork
France

credit_line: Panel, late 1400s. France. Walnut; overall: 6.8 x 16.9 cm (2 11/16 x 6 5/8 in.). The Cleveland Museum of Art, Gift of M. & R. Stora, 1924.1038


title: How I Lost My Whiskers

creator: Horace Harral (British, 1817–1905)

medium: wood engraving

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: How I Lost My Whiskers, 1866. Horace Harral (British, 1817–1905), after Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.407


title: Sleeve Band from a Tunic

date: late 700s - early 800s

medium: tapestry; wool and linen

country: Egypt, Abbasid period

subjects:
Costume & fashion
Textile
Egypt, abbasid period

credit_line: Sleeve Band from a Tunic, late 700s - early 800s. Egypt, Abbasid period. Tapestry; wool and linen; overall: 12.1 x 34 cm (4 3/4 x 13 3/8 in.). The Cleveland Museum of Art, Gift of George D. Pratt, 1926.161


title: Fragment, with Part of a Clavus

date: early 800s

medium: tabby weave, inwoven tapestry ornament; wool and linen

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, abbasid period

credit_line: Fragment, with Part of a Clavus, early 800s. Egypt, Abbasid period. Tabby weave, inwoven tapestry ornament; wool and linen; overall: 7.7 x 12.1 cm (3 1/16 x 4 3/4 in.). The Cleveland Museum of Art, Gift of George D. Pratt, 1929.103


creator: Abraham Bosse (French, 1602–1676)

subjects: Print France

credit_line: The Prodigal Son:  The Prodigal Tending the Pigs, 1635. Abraham Bosse (French, 1602–1676). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1929.560.3


title: Lace Edging

medium: Bobbin lace; gold metal thread

subjects: Lace Russia

credit_line: Lace Edging, 1800s. Russia. Bobbin lace; gold metal thread; average: 5.1 x 86.4 cm (2 x 34 in.). The Cleveland Museum of Art, Gift of Mrs. Rollin J. Stickle, 1934.195


title: Jacket

medium: velvet; metallic embroidery

country: Macedonia or Albania, 19th century

subjects:
Garment
Macedonia or albania, 19th century

credit_line: Jacket, c. 1800s. Macedonia or Albania, 19th century. Velvet; metallic embroidery; overall: 30.5 x 154.3 cm (12 x 60 3/4 in.). The Cleveland Museum of Art, Gift of the Estate of Samuel E. Dettelbach, 1934.275


title: Handkerchief

country: France(?)

subjects: Embroidery France

credit_line: Handkerchief, 1800s. France(?). Plain weave linen with needle lace (drawnwork) and embroidery; overall: 45.7 x 45.7 cm (18 x 18 in.). The Cleveland Museum of Art, Gift of Elisabeth Ireland in memory of her mother, Mrs. P. W. Harvey, 1936.699


title: Lace Handkerchief

country: Belgium, Brussels

subjects:
Lace
Belgium, brussel

credit_line: Lace Handkerchief, 1900–1935. Belgium, Brussels. Crêpe de chine center with border of bobbin lace (Duchesse lace) and needle lace (point de gaze); average: 30.5 x 30.5 cm (12 x 12 in.). The Cleveland Museum of Art, Gift of Elisabeth Ireland in memory of her mother, Mrs. P. W. Harvey, 1936.715


title: Lace Handkerchief

country: France or Flanders

subjects:
Embroidery
France or flander

credit_line: Lace Handkerchief, 1800s. France or Flanders. Plain weave linen ground; needle lace (drawnwork) and bobbin lace (Valenciennes lace) edging and embroidery; overall: 58.4 x 59.7 cm (23 x 23 1/2 in.). The Cleveland Museum of Art, Gift of Elisabeth Ireland in memory of her mother, Mrs. P. W. Harvey, 1936.725


title: Lace Handkerchief

country: France, Valenciennes

subjects:
Lace
France, valencienne

credit_line: Lace Handkerchief, 1880–99. France, Valenciennes. Plain weave linen center: bobbin lace (Valenciennes) insertion and edging, and embroidery; average: 33 x 31.8 cm (13 x 12 1/2 in.). The Cleveland Museum of Art, Gift of Robert Livingston Ireland Jr. in memory of his mother, Mrs. P. W. Harvey, 1936.744


medium: gum tempera and ink on palm leaves

subjects: Painting Palms

credit_line: Text, Folio 116 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.116.a


credit_line: Text, Folio 126 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.126.b


credit_line: Text, Folio 130 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.130.a


credit_line: Text, Folio 131 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.131.a


credit_line: Text, Folio 134 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.134.a


credit_line: Text, Folio 144 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.144.a


credit_line: Text, folio 157 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.157.b


credit_line: Text, folio 172 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.172.b


credit_line: Text, Folio 6 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.6.b


medium: emamel, wood, walrus ivory or bone, metal

subjects:
Tool and equipment
Skeletons & bones

credit_line: Chopstick for Chopstick and Knife Kit -Souvenir Trade, early 1900s. Japan, Meiji period (1868–1912) to Taishō period (1912–26). Emamel, wood, walrus ivory or bone, metal; overall: 24.6 cm (9 11/16 in.). The Cleveland Museum of Art, Gift of Laurence H. Norton, Robert C. Norton, and Miriam Norton White in memory of Mr. and Mrs. D. Z. Norton, 1939.383.d


title: Pottery Fragment

medium: stoneware

subjects: Siam, sawankhalok ware, late 13th-14th century

credit_line: Pottery Fragment, late 1200s-1300s. Siam, Sawankhalok ware, late 13th-14th Century. Stoneware; overall: 5.2 x 5.2 x 0.7 cm (2 1/16 x 2 1/16 x 1/4 in.). The Cleveland Museum of Art, Gift of Edwin Lowe Neville, 1939.539


title: Lace Handkerchief

medium: plain weave center; bobbin lace border and embroidery

credit_line: Lace Handkerchief, 1700s. France. Plain weave center; bobbin lace border and embroidery; overall: 42.6 x 42.6 cm (16 3/4 x 16 3/4 in.). The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1940.352


title: The Enchanted House

creator: Rodolphe Bresdin (French, 1822–1885)

subjects:
Print
France, 19th century

credit_line: The Enchanted House, 1871. Rodolphe Bresdin (French, 1822–1885). Lithograph; sheet: 32.7 x 48.8 cm (12 7/8 x 19 3/16 in.); image: 17.5 x 24.8 cm (6 7/8 x 9 3/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1945.350


title: Pair of Sleeves

country: United States

subjects:
Embroidery
United state

credit_line: Pair of Sleeves, 1800s. United States. Plain weave cotton with appliqué and embroidery; average: 42.7 x 39.1 cm (16 13/16 x 15 3/8 in.). The Cleveland Museum of Art, Gift of Mrs. Gertrude Ely Rossiter, 1946.442


title: Charles Maurice le Tellier

creator: Robert Nanteuil (French, 1623–1678)

medium: engraving

credit_line: Charles Maurice le Tellier, 1663. Robert Nanteuil (French, 1623–1678). Engraving. The Cleveland Museum of Art, Bequest of Mrs. Madeleine Hamill in memory of Lawrence Hamill, 1949.112


title: Déclaration

credit_line: Déclaration, 1900. Henri de Toulouse-Lautrec (French, 1864–1901). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.340


title: François Servien, Bishop of Bayeux

credit_line: François Servien, Bishop of Bayeux, 1656. Robert Nanteuil (French, 1623–1678). Engraving. The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard H. Zinser, 1950.448


medium: tabby weave with inwoven tapestry ornament, linen and wool

subjects:
Ornament & design
Costume & fashion
Textile

credit_line: Fragmentary Roundel, Ornament from a Large Cloth, 800s - 900s. Egypt, Al-Bahnasá, Late Tulunid or Second Abbasid period, 9th - 10th century. Tabby weave with inwoven tapestry ornament, linen and wool; overall: 21.6 x 17.8 cm (8 1/2 x 7 in.). The Cleveland Museum of Art, John L. Severance Fund, 1950.517


title: Silk Fragment

medium: fancy satin weave: silk

country: Spain

subjects:
Costume & fashion
Textile
Spain

credit_line: Silk Fragment, 1500s. Spain. Fancy satin weave: silk; average: 99.1 x 26.7 cm (39 x 10 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.482


title: Paris Almanac, 1897:  Spring

country: France, late 19th Century

subjects:
Print
France, late 19th century

credit_line: Paris Almanac, 1897:  Spring, 1897. Auguste Louis Lepère (French, 1849–1918). Wood engraving. The Cleveland Museum of Art, Gift of M. Knoedler and Company, 1953.542


title: The Two Horses

creator: Karel Dujardin (Dutch, c. 1622–1678)

medium: etching

credit_line: The Two Horses, 1652–60. Karel Dujardin (Dutch, c. 1622–1678). Etching. The Cleveland Museum of Art, The Milton Curtiss Rose Collection in memory of Evelyn Curtiss Rose, 1954.950


title: Skewer

creator: Charles Wright (British)

medium: silver

country: England, London

subjects:
Silver
England, london

credit_line: Skewer, 1762–63. Firm of Charles Wright (British), firm of Thomas Whipham (British). Silver; overall: 32.9 cm (12 15/16 in.). The Cleveland Museum of Art, The Daniel Sherby Memorial Collection, Gift of Clementine F. Sherby and Robert Hayes Gries, 1955.196


title: Pair of Segmenta

medium: tapestry; linen and wool

subjects: Egypt, abbasid period , 8th - 9th century

credit_line: Pair of Segmenta, 700s - 800s. Egypt, Abbasid period (?), 8th - 9th century. Tapestry; linen and wool; average: 23.1 x 23.5 cm (9 1/8 x 9 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.278


title: Segmenta (1 of 2)

medium: Linen and wool; tapestry

credit_line: Segmenta (1 of 2), 700s–800s. Egypt, Abbasid period (?), 8th - 9th century. Linen and wool; tapestry; overall: 23.1 x 23.5 cm (9 1/8 x 9 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.278.a


title: Five Round Segmenta

medium: tapestry weave: wool

country: Egypt, Umayyad period (661–750)

subjects:
Costume & fashion
Textile
Egypt, umayyad period (661–750)

credit_line: Five Round Segmenta, 650 – 750. Egypt, Umayyad period (661–750). Tapestry weave: wool; average: 12.5 x 9.4 cm (4 15/16 x 3 11/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.298


title: Segmentum

medium: Wool and linen: tapestry weave

subjects:
Costume & fashion
Textile

credit_line: Segmentum, 700s–900s. Egypt, Umayyad period (661–750) or Abbasid period (750–1258). Wool and linen: tapestry weave; overall: 12.4 x 11.3 cm (4 7/8 x 4 7/16 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1982.75.b


title: Fragment from a Tunic: Clavi

country: Egypt, Umayyad period (661–750)?

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, umayyad period (661–750)

credit_line: Fragment from a Tunic: Clavi, 600s. Egypt, Umayyad period (661–750)?. Tabby weave, inwoven tapestry ornament; wool and linen; overall: 19.8 x 3.4 cm (7 13/16 x 1 5/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.143.c


title: Pendant of a Clavus (?)

country: Egypt, Byzantine period

subjects:
Costume & fashion
Textile
Egypt, byzantine period

credit_line: Pendant of a Clavus (?), 300s–500s CE. Egypt, Byzantine period. Tapestry weave: wool; overall: 5.5 x 3.3 cm (2 3/16 x 1 5/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.258


title: Fragment with Two Animals (?)

credit_line: Fragment with Two Animals (?), 580 – 599 (?). Egypt, Byzantine period. Tapestry weave: wool; overall: 7.8 x 7 cm (3 1/16 x 2 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.260


title: Paten

medium: engraved silver

subjects: Silver Russia

credit_line: Paten, 1800s. Russia. Engraved silver; diameter: 17.8 cm (7 in.). The Cleveland Museum of Art, Bequest of Dorothea Wright Hamilton, 1988.1012


title: Baton

medium: wood, ivory

country: Africa, unknown maker

subjects:
Tool and equipment
Africa, unknown maker

credit_line: Baton, c. 1875–1925. Africa, unknown maker. Wood, ivory; overall: 94.8 x 5.1 cm (37 5/16 x 2 in.). The Cleveland Museum of Art, Bequest of Russell and Rowena Jelliffe, 1992.1046


creator: Yoshitsugu Haizan (Japanese, 1846–1915)

date: late 1800s–early 1900s

medium: page spread from double-sided accordion album; ink and color on paper

country: Japan, Meiji period (1868–1912) or Taishō period (1912–26)

credit_line: Painting Six from Album of Paintings by Haizan, late 1800s–early 1900s. Yoshitsugu Haizan (Japanese, 1846–1915). Page spread from double-sided accordion album; ink and color on paper. The Cleveland Museum of Art, Gift of Irene D. Goldhamer, 1997.247.g


medium: etching with chine collé

country: France, 19th century

subjects:
Portfolio
France, 19th century

credit_line: The Boat Trip: Heritage of the Cart (The Children with the Cart), 1861. Charles François Daubigny (French, 1817–1878). Etching with chine collé; sheet: 31.7 x 44.7 cm (12 1/2 x 17 5/8 in.); platemark: 12.8 x 18.3 cm (5 1/16 x 7 3/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2004.95.4


credit_line: The Boat Trip:  Interior of an Inn (The Corridor of an Inn), 1861. Charles François Daubigny (French, 1817–1878). Etching with chine collé; sheet: 31.7 x 44.6 cm (12 1/2 x 17 9/16 in.); platemark: 11.7 x 15.1 cm (4 5/8 x 5 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2004.95.9


medium: Ink and gold on paper

credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.174.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.177.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.181.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.186.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.51.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.71.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.73.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.75.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.85.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.86.a


title: Set of Six Spoons in Original Box

creator: Liberty and Company (British)

credit_line: Set of Six Spoons in Original Box, c. 1895–1910. Liberty and Company (British), attributed to Archibald Knox (British, 1864–1933). Silver, enamel decoration and leather box. The Cleveland Museum of Art, Gift of Henry H. Hawley, 2008.166.3


creator: Gerard van Groeningen (Flemish)

country: Netherlands, 16th century

subjects:
Print
Netherlands, 16th century

credit_line: The Parable of the Sower and the Seed: The Seed Falling by the Way Side (after Gerard Van Groeningen, active Antwerp 1563-1573), 1574. After Gerard van Groeningen (Flemish), Philip Galle (Flemish, 1537–1612). Engraving; sheet: 21.3 x 25.6 cm (8 3/8 x 10 1/16 in.); matted: 37.9 x 50.6 cm (14 15/16 x 19 15/16 in.). The Cleveland Museum of Art, Gift of Christopher Bishop, 2012.80


title: Demolition

medium: lithograph

subjects: Print Spain

credit_line: Demolition, 1869. Daniel Urrabieta Vierge (Spanish, 1851–1904). Lithograph; sheet: 45.1 x 30.1 cm (17 3/4 x 11 7/8 in.); image: 30.6 x 20.9 cm (12 1/16 x 8 1/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.363


creator: Felice A. Beato (British, 1832–1909)

medium: albumen print

country: England, 19th century

subjects:
Fish
Photograph
England, 19th century

credit_line: Lucknow After the Siege: Chutter Manzil Palace, with the King's Boat in the Shape of a Fish, 1858. Felice A. Beato (British, 1832–1909). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2019.170.2


title: The Martinière School

subjects:
Photograph
England, 19th century

credit_line: Lucknow After the Siege: The Martinière School, 1858. Felice A. Beato (British, 1832–1909). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2019.170.20


credit_line: Lucknow After the Siege: The Mucha Bawn, or the Old Citadel of Lucknow, 1858. Felice A. Beato (British, 1832–1909). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2019.170.24


title: The Martinière College

credit_line: Lucknow After the Siege: The Martinière College, 1858. Felice A. Beato (British, 1832–1909). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2019.170.28


credit_line: Lucknow After the Siege: The Clock Tower in Front of the Bailee Guard Gate, 1858. Felice A. Beato (British, 1832–1909). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2019.170.7


credit_line: Lucknow After the Siege: The Residency From the Front, Showing the Room in Which Sir Henry Lawrence was Killed, 1858. Felice A. Beato (British, 1832–1909). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2019.170.8


title: St. Matthias

creator: Hendrick Goltzius (Dutch, 1558–1617)

country: Netherlands

subjects: Print Netherland

credit_line: Christ, St. Paul, and the Twelve Apostles: St. Matthias, c. 1578. Hendrick Goltzius (Dutch, 1558–1617), after Maarten de Vos (Flemish, 1532–1603). Engraving; plate: 20.3 x 27.8 cm (8 x 10 15/16 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2019.180.13


title: Buggy

medium: daguerreotype, half-plate

country: America

subjects: Photograph America

credit_line: Buggy, c. 1853. America. Daguerreotype, half-plate; overall: 11.4 x 14 cm (4 1/2 x 5 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2021.54


title: Algae

medium: Salted paper photographic drawing

country: England

subjects:
Seaweed & algae
Photograph
England

credit_line: Algae, c. 1840. Circle of William Henry Fox Talbot (British, 1800–1877), Calvert Richard Jones (British, 1804–1877). Salted paper photographic drawing; image: 17.1 x 20.3 cm (6 3/4 x 8 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.69


title: Parents of five children doing homework

medium: daguerreotype, quarter plate

credit_line: Parents of five children doing homework, c. 1858–60. America. Daguerreotype, quarter plate; overall: 8.3 x 10.8 cm (3 1/4 x 4 1/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.84.b


title: Magician

medium: daguerreotype, sixth plate

credit_line: Magician, c. 1850–55. America. Daguerreotype, sixth plate; overall: 8.3 x 7 cm (3 1/4 x 2 3/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.85


title: Untitled (procession or crowd) (verso)

medium: albumen print mounted on an album page

credit_line: Untitled (procession or crowd) (verso), 1870s-1880s. England, 19th century. Albumen print mounted on an album page; mounted: 27.9 x 35.6 cm (11 x 14 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.422.b


title: Fragment

medium: tapestry weave

credit_line: Fragment, 500s - 600s. Egypt, Byzantine period. Tapestry weave; overall: 21 x 82 cm (8 1/4 x 32 5/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1914.565


title: Earring

medium: travertine

subjects: Egypt, new kingdom (1540–1069 bce), dynasty 18

credit_line: Earring, 1540–1296 BCE. Egypt, New Kingdom (1540–1069 BCE), Dynasty 18. Travertine. The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1914.765.a


title: Child's Stool

medium: wood

subjects: Egypt, new kingdom (1540–1069 bce), dynasty 19

credit_line: Child's Stool, 1295–1188 BCE. Egypt, New Kingdom (1540–1069 BCE), Dynasty 19. Wood; overall: 20.3 x 20.2 x 23 cm (8 x 7 15/16 x 9 1/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1914.805


title: Wooden Arrow

credit_line: Wooden Arrow, 2123–1814 BCE. Egypt, First Intermediate period (2123–2040 BCE)–Middle Kingdom (2040–1648 BCE). Wood; overall: 64.2 cm (25 1/4 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1914.870