title: The Mare and Her Foal

creator: Théodore Géricault (French, 1791–1824)

credit_line: Lithographic Studies of Horses: The Mare and Her Foal, 1822. Théodore Géricault (French, 1791–1824), Godefroy Engelmann (French, 1788–1839). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1961.145


medium: gum tempera, ink, and gold on paper

source: The Cleveland Museum of Art

source_id: cleveland

rights: Public Domain / CC0

rights_statement: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.103.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.104.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20 x 14.3 cm (7 7/8 x 5 5/8 in.); text field: 16.4 x 10.4 cm (6 7/16 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.11.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.117.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.123.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.124.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.129.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20 x 14.2 cm (7 7/8 x 5 9/16 in.); text field: 16.5 x 10.7 cm (6 1/2 x 4 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.13.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.142.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.145.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.150.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.153.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.155.b


credit_line: Text page from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.174.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.184.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.211.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.249.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.253.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.256.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.261.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.270.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.285.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.287.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.289.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.294.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.296.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.306.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.324.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.329.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20 x 14.4 cm (7 7/8 x 5 11/16 in.); text field: 16.3 x 10.5 cm (6 7/16 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.4.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20 x 14.5 cm (7 7/8 x 5 11/16 in.); text field: 16.4 x 10.6 cm (6 7/16 x 4 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.5.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.50.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20 x 14.4 cm (7 7/8 x 5 11/16 in.); text field: 16.6 x 10 cm (6 9/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.66.b


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20 x 13.2 cm (7 7/8 x 5 3/16 in.); text field: 16.4 x 10.2 cm (6 7/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.83.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20 x 14.4 cm (7 7/8 x 5 11/16 in.); text field: 16.2 x 10.1 cm (6 3/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.86.a


credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.88.b


creator: George Morland (British, 1763–1804)

medium: Chalk manner etching and engraving

country: England, Late 18th century

subjects:
Print
England, late 18th century

credit_line: Studies of Children (Two Little Girls); Two Dogs; A Man, 1793. After George Morland (British, 1763–1804), J. Harris, Gerrard Street, Soho, London. Chalk manner etching and engraving; paper: 31.8 x 44.5 cm (12 1/2 x 17 1/2 in.). The Cleveland Museum of Art, The Harold T. Clark Educational Extension Fund, 1963.493


creator: Thomas Rowlandson (British, 1756–1827)

medium: etching, hand colored

country: England, late 18th-early 19th century

subjects:
Print
England, late 18th-early 19th century

credit_line: The Rev. Dr. Syntax Loses his Money on the Raceground at York. Thomas Rowlandson (British, 1756–1827). Etching, hand colored. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1964.13


title: Chrysanthemums

date: mid 1600s

medium: hanging scroll; ink and color on paper

country: Japan, Edo period (1615–1868)

subjects:
Painting
Japan, edo period (1615–1868)

credit_line: Chrysanthemums, mid 1600s. Kitagawa Sōsetsu (Japanese, active 1639–50). Hanging scroll; ink and color on paper; image: 127 x 57.2 cm (50 x 22 1/2 in.); overall: 190 x 65 cm (74 13/16 x 25 9/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1964.159


title: Cylinder

medium: jade

credit_line: Cylinder, 1800–1940. China, Qing dynasty (1644-1911) or Republican period (1912-49). Jade; with base: 25.6 x 10.5 cm (10 1/16 x 4 1/8 in.); cylinder: 21.1 x 5.7 cm (8 5/16 x 2 1/4 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.234.2.a


title: World of Space

creator: Morton-Sundour & Co

date: 20th century

medium: plain weave linen?, printed

country: England, 20th century

subjects:
Costume & fashion
Textile
England, 20th century

credit_line: World of Space, 20th century. Morton-Sundour & Co. Plain weave linen?, printed; overall: 83.8 x 125.1 cm (33 x 49 1/4 in.). The Cleveland Museum of Art, Gift of Jane L. Hanson, Inc., 1965.604


title: Meyer-Heine

creator: Félix Bracquemond (French, 1833–1914)

medium: etching

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Meyer-Heine, c. 1872. Félix Bracquemond (French, 1833–1914), Alfred Cadart (French, 1825–1875). Etching; sheet: 25 x 36.5 cm (9 13/16 x 14 3/8 in.); plate: 21.8 x 24.5 cm (8 9/16 x 9 5/8 in.). The Cleveland Museum of Art, Gift of Dr. David James, 1966.163


title: The Morning of Life

creator: Samuel Palmer (British, 1805–1881)

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: The Morning of Life, 1860–1861. Samuel Palmer (British, 1805–1881). Etching. The Cleveland Museum of Art, Gift of Mr. and Mrs. Lewis B. Williams, presented in honor of Henry Sayles Francis, Curator of Prints, 1966.196


title: Voyage en Italie en 1822

medium: lithograph

credit_line: Voyage en Italie en 1822, 1833. Jean-Baptiste Isabey (French, 1767–1855). Lithograph. The Cleveland Museum of Art, Gift of Harold T. Clark in memory of Mrs. William B. Sanders, 1966.218.e


title: Young Woman Standing

creator: Horace Vernet (French, 1789–1863)

date: c. early 1800s

credit_line: Young Woman Standing, c. early 1800s. Horace Vernet (French, 1789–1863). Lithograph. The Cleveland Museum of Art, L. E. Holden Fund, 1966.359


title: Bobbin from a Sewing Box (Nécessaire)

medium: gold and mother-of-pearl

country: Austria, possibly Vienna

credit_line: Bobbin from a Sewing Box (Nécessaire), c. 1765. Austria, possibly Vienna. Gold and mother-of-pearl. The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1967.157.d


title: Lucet from a Sewing Box (Nécessaire)

credit_line: Lucet from a Sewing Box (Nécessaire), c. 1765. Austria, possibly Vienna. Gold and mother-of-pearl. The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1967.157.e


credit_line: Paper Knife from a Sewing Box (Nécessaire), c. 1765. Austria, possibly Vienna. Gold and mother-of-pearl. The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1967.157.h


creator: Darmet (French)

credit_line: Receuil d'essais lithographiques:  Essai topographique, 1816. Darmet (French). Lithograph; overall: 31 x 24.2 cm (12 3/16 x 9 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1968.253.d


creator: William Blake (British, 1757–1827)

medium: engraving

credit_line: The Book of Job:  Pl. 9, Then a Spirit passed before my face / the hair of my flesh stood up, 1825. William Blake (British, 1757–1827). Engraving. The Cleveland Museum of Art, Gift of Edgar A. Hahn, 1968.260.j


medium: gold

subjects:
Coin
Ships & the sea

credit_line: Angel: Ship with Shield of Arms and Cross (reverse), 1470–1471. England, Henry VI 1422-1461 (restored 1470-1471). Gold; diameter: 2.9 cm (1 1/8 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.167.b


country: England, Henry VIII, 1509-1547

subjects:
Coin
England, henry viii, 1509-1547

credit_line: Sovereign: Henry VIII Enthroned (obverse), 1526–1544. England, Henry VIII, 1509-1547. Gold; diameter: 4.2 cm (1 5/8 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.170.a


credit_line: Half Sovereign: Henry VIII (obverse);Crowned Arms (reverse), 1544–1547. England, Henry VIII, 1509-1547. Gold; diameter: 3.4 cm (1 5/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.174.b


title: Half Sovereign: Edward VI (obverse)

country: England, Edward VI, 1547-1553

subjects:
Coin
England, edward vi, 1547-1553

credit_line: Half Sovereign: Edward VI (obverse), 1549–1550. England, Edward VI, 1547-1553. Gold; diameter: 2.9 cm (1 1/8 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.175.a


country: England, James I, 1603-1625

subjects:
Coin
England, jame i, 1603-1625

credit_line: Laurel: Crowned Shield of Arms (reverse), 1619–1620. England, James I, 1603-1625. Gold; diameter: 3.7 cm (1 7/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.191.b


country: England, Charles I, 1625-1649

subjects:
Coin
England, charle i, 1625-1649

credit_line: Triple Unite or Three Pound Piece: Declaration on Scroll with Three Plumes (reverse), 1643. England, Charles I, 1625-1649. Gold; diameter: 4.6 cm (1 13/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.195.b


credit_line: Triple Unite or Three Pound Piece: Declaration on Scroll (reverse), 1644. England, Charles I, 1625-1649. Gold; diameter: 3.9 cm (1 9/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.196.b


title: Broad: Charles II (obverse)

creator: Thomas Simon (British, c. 1623–1665)

country: England, Charles II, 1660-1685

subjects:
Coin
England, charle ii, 1660-1685

credit_line: Broad: Charles II (obverse), 1660. Thomas Simon (British, c. 1623–1665). Gold; diameter: 3.4 cm (1 5/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.198.a


title: Five Guineas: George II (obverse)

country: England, George II, 1727-1760

subjects:
Coin
England, george ii, 1727-1760

credit_line: Five Guineas: George II (obverse), 1731. England, George II, 1727-1760. Gold; diameter: 3.7 cm (1 7/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.207.a


country: England, George III, 1760-1820

subjects:
Coin
England, george iii, 1760-1820

credit_line: Two Guinea Piece: Ornate Crowned Shield of Arms (reverse), 1773. Design by John Sigismund Tanner (British, 1705–1775). Gold; diameter: 3.2 cm (1 1/4 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.210.b


country: England, William IV, 1830-1837

subjects:
Coin
England, william iv, 1830-1837

credit_line: Two Pound Piece: Crowned and Heavily Mantled Shield of Arms (reverse), 1831. England, William IV, 1830-1837. Gold; diameter: 3.8 cm (1 1/2 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.216.b


country: England, George V, 1910-1936

subjects:
Coin
England, george v, 1910-1936
Portraits

credit_line: Two Pound Piece: Portrait of King George V (obverse), 1911. Design by Bertram Mackennal (Australian, 1863–1931). Gold; diameter: 2.8 cm (1 1/8 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.222.a


title: Napkin

medium: Linen: damask

country: Flanders

subjects:
Costume & fashion
Textile
Flander

credit_line: Napkin, c. 1675. Flanders. Linen: damask; overall: 96 x 70.8 cm (37 13/16 x 27 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. Edgar J. Stone, 1969.292


medium: porcelain with molded decoration and white glaze

credit_line: Stem Cup with Buddhist Emblems: Shufu Ware, 1300s. China, Jiangxi Province, Yuan dynasty (1271–1368). Porcelain with molded decoration and white glaze; case: 16.6 x 17.8 cm (6 9/16 x 7 in.); overall: 10.2 x 15.3 cm (4 x 6 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. John J. Klejman, 1969.303


title: Wine Glass

medium: crystal

country: Germany, 20th century

subjects:
Glass
Germany, 20th century
Minerals & gems

credit_line: Wine Glass, 20th century. Germany, 20th century. Crystal. The Cleveland Museum of Art, Gift of Barry Bradley, 1971.1024


title: Paper Knife

date: early 1900s

medium: Carved ivory

country: Japan, Meiji period (1868–1912)

subjects:
Ivory
Japan, meiji period (1868–1912)

credit_line: Paper Knife, early 1900s. Japan, Meiji period (1868–1912). Carved ivory; overall: 24.1 cm (9 1/2 in.). The Cleveland Museum of Art, Gift of David Sanders Clark, Mrs. Harry T. Schultz, John Terry Clark, William Sanders Clark, Mrs. David N. Reece and Mrs. Joseph T. Lester Jr., 1971.1260


title: Bedspread

creator: Belinda Ellen Orr

medium: embroidered linen

country: Canada, Mid 19th century

subjects:
Costume & fashion
Textile
Canada, mid 19th century

credit_line: Bedspread, c. 1840. Belinda Ellen Orr. Embroidered linen; overall: 254 x 243.8 cm (100 x 96 in.). The Cleveland Museum of Art, Gift of Irene Foster Kapp, 1974.1048


title: Stopper for Ten Nesting Wedding Baskets

medium: Plant fiber and leather

subjects: Botany Vessel

credit_line: Stopper for Ten Nesting Wedding Baskets, c 1900s ?. Africa, Western Sudan, Burkina Faso, Lobi, 20th century (?). Plant fiber and leather; diameter of base: 6.4 x 3.2 cm (2 1/2 x 1 1/4 in.). The Cleveland Museum of Art, The Harold T. Clark Educational Extension Fund, 1975.1011.11


title: One of Ten Nesting Wedding Baskets

credit_line: One of Ten Nesting Wedding Baskets, c. 1900s?. Africa, Western Africa, Burkina Faso, Lobi–style maker. Plant fiber and leather; diameter of mouth with rim: 12.1 x 10.5 cm (4 3/4 x 4 1/8 in.). The Cleveland Museum of Art, The Harold T. Clark Educational Extension Fund, 1975.1011.5


title: Candlestick

medium: glass and detachable pewter bobeche

credit_line: Candlestick, mid-1800s. America, Pennsylvania, Pittsburgh ?, mid-19th century. Glass and detachable pewter bobeche; overall: 23.1 x 10.2 cm (9 1/8 x 4 in.). The Cleveland Museum of Art, Bequest of Robert W. Mettner, 1976.159.a


title: Apparel from a Dalmatic

date: early 1500s

medium: embroidery; silk and metallic threads

country: Italy, early 16th century

subjects:
Embroidery
Italy, early 16th century

credit_line: Apparel from a Dalmatic, early 1500s. Italy, early 16th century. Embroidery; silk and metallic threads; overall: 5 x 48.7 cm (1 15/16 x 19 3/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. William J. Robertson, 1977.169.j


title: Stele with Durga Figure

medium: black chlorite

country: India, Sena dynasty

subjects:
Sculpture
India, sena dynasty

credit_line: Stele with Durga Figure, 1100s-1200s. India, Sena dynasty. Black chlorite; overall: 7 x 4.2 cm (2 3/4 x 1 5/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1977.177


title: Fragment of a Shirt Front

date: 19th century

medium: metal thread embroidery on cotton(?)

country: Turkey, 19th century

subjects:
Embroidery
Turkey, 19th century

credit_line: Fragment of a Shirt Front, 19th century. Turkey, 19th century. Metal thread embroidery on cotton(?); overall: 54 x 38.5 cm (21 1/4 x 15 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. Henry S. Robinson, 1977.189


title: Male Haniwa Head

medium: earthenware with ochre wash

country: Japan, Kofun period (300–710 CE)

subjects:
Sculpture
Japan, kofun period (300–710 ce)

credit_line: Male Haniwa Head, c. 500–600. Japan, Kofun period (300–710 CE). Earthenware with ochre wash; overall: 28 cm (11 in.). The Cleveland Museum of Art, Gift of Herbert F. Leisy in memory of his wife, Helen Stamp Leisy, 1977.206


title: Views of Venice:  Piazzetta S. Basso

creator: Michele Marieschi (Italian, 1710–1743)

country: Italy, 18th century

subjects:
Print
Italy, 18th century

credit_line: Views of Venice:  Piazzetta S. Basso, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.14


title: Three Fragments of Italian Gothic Silk

medium: lampas weave, brocaded; silk and gold thread

country: Italy, second half of 14th century

subjects:
Costume & fashion
Textile
Italy, second half of 14th century

credit_line: Three Fragments of Italian Gothic Silk, 1350–1399. Italy, second half of 14th century. Lampas weave, brocaded; silk and gold thread; overall: 26.5 x 8.5 cm (10 7/16 x 3 3/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. William J. Robertson, 1978.91.a


title: Fragment of a Band with Horse

medium: tapestry (originally inwoven in tabby ground); wool and linen

subjects:
Costume & fashion
Textile

credit_line: Fragment of a Band with Horse, 700s - 900s. Egypt, Umayyad period (661–750) or Abbasid period (750–1258)?. Tapestry (originally inwoven in tabby ground); wool and linen; overall: 6.5 x 15.3 cm (2 9/16 x 6 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.300


title: Man and Serpent

medium: ivory

credit_line: Man and Serpent, early 1900s. Japan, Meiji period (1868–1912). Ivory; overall: 10.8 cm (4 1/4 in.). The Cleveland Museum of Art, Gift of Mrs. David R. Weir, 1984.1123


title: Ivory Tusk Vases

date: late 1800s

medium: carved ivory, pigment

credit_line: Ivory Tusk Vases, late 1800s. Japan, Meiji period (1868–1912). Carved ivory, pigment; overall: 27 cm (10 5/8 in.); base: 20 cm (7 7/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard L. Lurie, 1986.1150


date: 300s BCE

medium: ceramic

country: South Italian (Campanian?)

subjects:
Ceramic
South italian (campanian )

credit_line: Foot of a Red-Figure Oinochoe (Wine Jug), 300s BCE. South Italian (Campanian?). Ceramic; diameter: 6.4 cm (2 1/2 in.); overall: 2.5 cm (1 in.). The Cleveland Museum of Art, Gift of Jonathan P. Rosen, 1986.236


title: Lid for a Jar

medium: earthenware

country: Netherlands

subjects: Ceramic Netherland

credit_line: Lid for a Jar, 1885. Theodorus A. C. Colenbrander (Dutch, 1841–1930), Rozenburg Factory (Netherlandish). Earthenware. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1986.60.b


title: Pastilles Poncelet

creator: Jules Chéret (French, 1836–1932)

medium: color lithograph

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Pastilles Poncelet, 1896. Jules Chéret (French, 1836–1932). Color lithograph; framed: 127.3 x 92.4 cm (50 1/8 x 36 3/8 in.). The Cleveland Museum of Art, Gift of Mrs. Henry Trenkamp Jr., 1987.1064


medium: graphite

country: Germany

subjects: Germany Landscapes

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 04a: "Cervera", c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.f


medium: graphite with brown wash

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 28a: "Ostia" , c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite with brown wash. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.hh


medium: graphite on brown paper

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 29b: Landscape Study, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite on brown paper. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.jj


medium: graphite on blue paper

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 52a: Roman Landscape, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite on blue paper. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.lll


medium: graphite with white heightening on blue paper

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 36b: Cloud Study, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite with white heightening on blue paper. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.rr


credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 37a: Oxen and Wagon, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.ss


credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 37b: Roman Landscape, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.tt


credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 39a: Figure in a Landscape, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite with brown wash. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.ww


subjects: Germany Landscapes Trees

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 20a: Trees, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.y


creator: Andrea Locatelli (Italian, 1695–1741)

date: first half 1700s

medium: black chalk

subjects:
Drawing
Italy, 18th century

credit_line: Fragment of an Arch (tracing from recto) (verso), first half 1700s. Andrea Locatelli (Italian, 1695–1741). Black chalk; sheet: 32.1 x 16.9 cm (12 5/8 x 6 5/8 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.235.b


title: Bead

date: after 1519

medium: gold

credit_line: Bead, after 1519. Gold; overall: 1.6 cm (5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. James C. Gruener, 1990.234.b


title: Dish

date: late 1800s-early 1900s

medium: overglaze enameled porcelain

subjects:
Ceramic
Japan, meiji period (1868–1912)

credit_line: Dish, late 1800s-early 1900s. Japan, Meiji period (1868–1912). Overglaze enameled porcelain; diameter: 48.3 cm (19 in.); overall: 5.7 cm (2 1/4 in.). The Cleveland Museum of Art, Gift of David E. and Sadie H. Rose, 1991.1050


title: Snuff Bottle with Floral Scrolls

medium: cloisonné enamel

subjects: Enamel Flowers

credit_line: Snuff Bottle with Floral Scrolls (鼻煙壺), 1736–95. China, Qing dynasty (1644-1911), Qianlong mark and reign (1736-95). Cloisonné enamel; overall: 7 cm (2 3/4 in.). The Cleveland Museum of Art, Seventy-fifth anniversary gift of Mrs. Noah L. Butkin, 1991.128.2.a


creator: Lievin Cruyl (Flemish, c. 1640-c. 1720)

medium: etching

subjects: Print Flander

credit_line: Frontispiece from "Prospectus Locurum Urbis Romae Insign[ium]", 1666. Lievin Cruyl (Flemish, c. 1640-c. 1720). Etching. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1991.64.1


credit_line: Piazza Navona from "Prospectus Locurum Urbis Romae Insign[ium], 1666. Lievin Cruyl (Flemish, c. 1640-c. 1720). Etching; sheet: 41.8 x 55.3 cm (16 7/16 x 21 3/4 in.); platemark: 38.8 x 52.9 cm (15 1/4 x 20 13/16 in.); secondary support: 44.7 x 68.7 cm (17 5/8 x 27 1/16 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1991.64.6


title: Sketchbook, page 12: Multiple Figures

creator: Ernest Meissonier (French, 1815–1891)

country: France

credit_line: Sketchbook, page 12: Multiple Figures, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.l


title: Sketchbook, page 68: Study of a Hand

credit_line: Sketchbook, page 68: Study of a Hand, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.ooo


credit_line: Sketchbook, page 97: Study of Figures, Buildings, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.pppp


credit_line: Sketchbook, page 43: Studies: Horse's leg, Figure in a Boat, and Profile, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.qq


subjects: France Landscapes

credit_line: Sketchbook, page 18: Study of a Horse and Landscape Study, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.r


credit_line: Sketchbook, page 99: Study of Figure, Building, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.rrrr


credit_line: Sketchbook, page 19: Study of a Figure on Horseback seen from behind, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.s


credit_line: Sketchbook, page 49: Architechural Study, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.ww


title: Blade with Handle (Kozuka)

medium: metal

country: Japan, Edo period (1615–1868)

subjects:
Metalwork
Japan, edo period (1615–1868)

credit_line: Blade with Handle (Kozuka), 1615–1868. Japan, Edo period (1615–1868). Metal. The Cleveland Museum of Art, Bequest of Maud Eells Corning, 1992.375


title: Kenshu, Monk with Shrimp

medium: hanging scroll; ink on paper

subjects:
Painting
Japan, edo period (1615–1868)
Crustaceans

credit_line: Kenshu, Monk with Shrimp, c. 1600–1640. Studio of Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Hanging scroll; ink on paper; overall: 170.5 x 43.2 cm (67 1/8 x 17 in.); painting only: 93 x 36.4 cm (36 5/8 x 14 5/16 in.). The Cleveland Museum of Art, Bequest of Maud Eells Corning, 1992.388


title: Small Sword

medium: metal blade, ivory handle

country: China, Qing dynasty (1644-1911)

subjects:
Arms and armor
China, qing dynasty (1644-1911)

credit_line: Small Sword, 1800–1911. China, Qing dynasty (1644-1911). Metal blade, ivory handle. The Cleveland Museum of Art, Bequest of Maud Eells Corning, 1992.393


title: Centerpiece (glass bowl)

creator: William Pitts (British)

medium: silver and glass

country: England, 18th century

subjects:
Silver
England, 18th century

credit_line: Centerpiece (glass bowl), 1792. William Pitts (British), Joseph Preedy (British). Silver and glass. The Cleveland Museum of Art, Bequest of Maud Eells Corning, 1993.174.b


creator: Abraham Munting (Dutch, 1626–1683)

medium: etching, hand colored with watercolor

subjects: Print Netherland

credit_line: Phytographia Curiosa:  Lapathum Sativum Antiquorum, 1651–83. Abraham Munting (Dutch, 1626–1683). Etching, hand colored with watercolor; overall: 31.9 cm (12 9/16 in.). The Cleveland Museum of Art, Gift of John C. Bonebrake in honor of Louise S. Richards, 1994.147


title: Camera Work: The Last Hour

creator: Joseph T. Keiley (American, 1969–1914)

medium: photogravure

country: America

credit_line: Camera Work: The Last Hour, 1907. Joseph T. Keiley (American, 1969–1914). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.17.b


title: Camera Work: The Arbor

creator: Clarence H. White (American, 1871–1925)

credit_line: Camera Work: The Arbor, 1908. Clarence H. White (American, 1871–1925). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.23.c


title: Camera Work: The Pipes of Pan

credit_line: Camera Work: The Pipes of Pan, 1908. Clarence H. White (American, 1871–1925). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.23.i


credit_line: Camera Work: Illustration to "Eben Holden", 1903. Clarence H. White (American, 1871–1925). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.3.c


title: Camera Work: Mrs. Anna Brownell Jameson

country: England, 20th century

credit_line: Camera Work: Mrs. Anna Brownell Jameson, 1912. David Octavius Hill (British, 1802–1870), and Robert Adamson (British, 1821–1848). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.37.e


creator: Frederick H. Evans (British, 1853–1943)

credit_line: Camera Work: Ely Cathedral: A Memory of the Normans, 1903. Frederick H. Evans (British, 1853–1943). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.4.a


creator: Edward S. Curtis (American, 1868–1952)

subjects: Portfolio America

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio I, Plate 35: Hastobíga-Navaho Medicine-Man, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.21.35


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio I, Plate 36: A Point of Interest-Navaho, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.21.36


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio I, Plate 37: Out of the Darkness-Navaho, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.21.37


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio I, Plate 39: Alhkidókihi-Navaho, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.21.39


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio IV, Plate 137: The Chief and His Staff--Apsaroke, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.24.26


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio VI, Plate 202: Middle Calf - Piegan, 1900. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.26.19


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio VI, Plate 205: Bringing the Sweat-Lodge Willows - Piegan, 1900. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.26.22


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio VIII, Plate 256: Chief Joseph - Nez Percé, 1903. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.28.1


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio IX, Plate 312: Evening on Puget Sound, 1899. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.29.20


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio IX, Plate 317: The Clam Digger, 1900. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.29.25


title: Portfolio IX, Plate 319: Snoqualmu Type

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio IX, Plate 319: Snoqualmu Type, 1901. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.29.27


subjects:
Costume & fashion
Portfolio
America
Reptiles & amphibians

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XII, Plate 430: Snake Dancer in Costume, 1900. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.32.31


title: Mirror with Four Dragons Pattern

medium: bronze

subjects:
Ornament & design
Metalwork

credit_line: Mirror with Four Dragons Pattern, 500–200 BCE. China, Eastern Zhou dynasty (770–256 BCE), Warring States period (475–221 BCE). Bronze; diameter: 8.5 cm (3 3/8 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.274


date: late 300s BCE–50 CE

subjects: China, western han dynasty (206 bce–8 ce)

credit_line: Mirror with Concentric Circles and Linked Arcs, late 300s BCE–50 CE. China, Western Han dynasty (206 BCE–8 CE). Bronze; diameter: 6.2 cm (2 7/16 in.); overall: 0.7 cm (1/4 in.); rim: 0.3 cm (1/8 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.309


title: Square Mirror with Felicitous Message

date: early 900s–late 1200s

country: China, Song dynasty (960-1279)

subjects:
Metalwork
China, song dynasty (960-1279)

credit_line: Square Mirror with Felicitous Message, early 900s–late 1200s. China, Song dynasty (960-1279). Bronze; overall: 0.7 x 16 cm (1/4 x 6 5/16 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.372


title: Small Erotic Mirror

date: late 1200s–mid-1300s

country: China, Yuan dynasty (1271-1368)

subjects:
Metalwork
China, yuan dynasty (1271-1368)

credit_line: Small Erotic Mirror (春宮鏡), late 1200s–mid-1300s. China, Yuan dynasty (1271-1368). Bronze; diameter: 7.2 cm (2 13/16 in.); overall: 1 cm (3/8 in.); rim: 1 cm (3/8 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.391


title: Syros, Center of the Levant Trade

creator: Dimitrios Constantin (Greek, 1820–1900)

date: about 1865

medium: albumen print from wet collodion negative

country: Greece

subjects: Photograph Greece

credit_line: Syros, Center of the Levant Trade, about 1865. Dimitrios Constantin (Greek, 1820–1900). Albumen print from wet collodion negative; image: 28.2 x 37.9 cm (11 1/8 x 14 15/16 in.); matted: 50.8 x 61 cm (20 x 24 in.). The Cleveland Museum of Art, Gift of Charles Isaacs, 1996.339


title: Autun, Tower of Ursulines

creator: Charles Lenormand (French, 1835–1904)

subjects:
Photograph
France, 19th century

credit_line: Autun, Tower of Ursulines, c. 1860s. Charles Lenormand (French, 1835–1904). Albumen print from wet collodion negative; image: 30.4 x 23.7 cm (11 15/16 x 9 5/16 in.); matted: 61 x 50.8 cm (24 x 20 in.). The Cleveland Museum of Art, John L. Severance Fund, 1997.128


title: Album of Paintings by Haizan

creator: Yoshitsugu Haizan (Japanese, 1846–1915)

medium: double-sided accordion album; ink and color on paper

credit_line: Album of Paintings by Haizan (拝山画帖), late 1800s-early 1900s. Yoshitsugu Haizan (Japanese, 1846–1915). Double-sided accordion album; ink and color on paper; 32 x 48.2 cm (12 5/8 x 19 in.). The Cleveland Museum of Art, Gift of Irene D. Goldhamer, 1997.247


title: Hair Ornament

creator: Jeannine Chenneviere (French)

medium: horn with silver mounts

country: France, early 20th Century

subjects:
Ornament & design
Jewelry
France, early 20th century

credit_line: Hair Ornament, c. 1903. Jeannine Chenneviere (French), possibly by Lucien Gaillard (French, 1861–1942). Horn with silver mounts; overall: 14.4 x 5.5 cm (5 11/16 x 2 3/16 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1997.270


title: Vase

creator: Henri-Louis-Laurent Ulrich (French)

medium: porcelain

country: France, Sèvres

subjects:
Ceramic
France, sèvre

credit_line: Vase, 1897. Henri-Louis-Laurent Ulrich (French), Sèvres Porcelain Factory (French, est. 1756). Porcelain; diameter: 10 cm (3 15/16 in.); overall: 12 cm (4 3/4 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1997.290


title: Still Life with Porcelain

creator: Louis-Rémy Robert (French, 1811–1882)

credit_line: Still Life with Porcelain, c. 1855. Louis-Rémy Robert (French, 1811–1882). Albumen print from wet collodion negative; image: 30.3 x 25.4 cm (11 15/16 x 10 in.); paper: 30.3 x 25.4 cm (11 15/16 x 10 in.); matted: 50.8 x 40.6 cm (20 x 16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.160


title: Baveno, Lake Maggiore, Italy

country: Italy, 19th century

subjects:
Photograph
Italy, 19th century

credit_line: Baveno, Lake Maggiore, Italy, c. 1870–80s. Italy, 19th century. Albumen print from wet collodion negative; paper: 9.3 x 15.3 cm (3 11/16 x 6 in.); matted: 30.6 x 35.6 cm (12 1/16 x 14 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1998.190


title: Cowherd

country: France, 20th century

subjects:
Print
France, 20th century

credit_line: Cowherd, c. 1850–60. Charles-Émile Jacque (French, 1813–1894). Etching ; sheet: 13.7 x 18.4 cm (5 3/8 x 7 1/4 in.); platemark: 7 x 9.5 cm (2 3/4 x 3 3/4 in.). The Cleveland Museum of Art, Gift of Brenda and Evan H. Turner, 1998.212


title: The Menpes Children

subjects: Print America

credit_line: The Menpes Children, 1887. James McNeill Whistler (American, 1834–1903). Etching; sheet: 16.7 x 19.2 cm (6 9/16 x 7 9/16 in.); platemark: 6.7 x 10.1 cm (2 5/8 x 4 in.). The Cleveland Museum of Art, Bequest of Robert deSteacy Paxton, 1998.242


title: Old Emplacement, West Point

creator: George K. Warren (American, 1834–1884)

date: late 1860s

subjects: Photograph America

credit_line: Old Emplacement, West Point, late 1860s. George K. Warren (American, 1834–1884). Albumen print from wet collodion negative; image: 14.5 x 19.9 cm (5 11/16 x 7 13/16 in.); mounted: 25.2 x 33.5 cm (9 15/16 x 13 3/16 in.); matted: 35.6 x 45.7 cm (14 x 18 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.275


title: Pill Box (lid)

medium: porcelain with blue and white decoration

subjects:
Ceramic
China, qing dynasty (1644-1911)

credit_line: Pill Box (lid), c. 1752. China, Qing dynasty (1644-1911). Porcelain with blue and white decoration; diameter: 3.6 cm (1 7/16 in.); overall: 3 cm (1 3/16 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.281.b


title: Perth Bridge

country: England, late 19th Century

subjects:
Print
England, late 19th century

credit_line: Perth Bridge, 1889. David Young Cameron (British, 1865–1945), Messrs. Seeley & Co. in "The Portfolio," vol. XX, July 1889. Etching; sheet: 25.9 x 36.1 cm (10 3/16 x 14 3/16 in.); platemark: 17.5 x 26.3 cm (6 7/8 x 10 3/8 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.333


title: Bastion 66

creator: Maxime Lalanne (French, 1827–1886)

subjects:
Print
France, 19th century

credit_line: Bastion 66, 1870–71. Maxime Lalanne (French, 1827–1886). Etching; sheet: 28.6 x 43.6 cm (11 1/4 x 17 3/16 in.); platemark: 15.8 x 23.6 cm (6 1/4 x 9 5/16 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.358


title: Henry Austin Dobson, No. 2

creator: William Strang (British, 1859–1921)

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: Henry Austin Dobson, No. 2, 1894. William Strang (British, 1859–1921). Etching. The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.393


title: Nuremberg Chronicle

creator: Michael Wolgemut (German, 1434–1519)

medium: woodcut

subjects: Print Germany

credit_line: Nuremberg Chronicle, 1493. Michael Wolgemut (German, 1434–1519). Woodcut. The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.397


title: The Asylum at Vincennes

creator: Charles Nègre (French, 1820–1880)

country: France, 19th century

credit_line: The Asylum at Vincennes, c. 1859. Charles Nègre (French, 1820–1880). Albumen print from wet collodion negative; diameter: 16.5 cm (6 1/2 in.); second mount: 41.3 x 30.9 cm (16 1/4 x 12 3/16 in.); first mount: 24 x 19.8 cm (9 7/16 x 7 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1999.112


title: The Pinder Circus

creator: Auguste Brouet (French, 1872–1941)

credit_line: The Pinder Circus, c. 1902–41. Auguste Brouet (French, 1872–1941). Etching; sheet: 31.5 x 44.1 cm (12 3/8 x 17 3/8 in.); platemark: 18.6 x 34.8 cm (7 5/16 x 13 11/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.291


medium: etchings

subjects:
Portfolio
France, 20th century

credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: bust of a woman (page 41), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.12


credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: woman and man on horse (page 65), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.18


credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: city street scene/ fountain (insert after p. 120), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.27


credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: vagabond (page 223), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.45


title: Chess Piece: King

medium: ivory

country: Japan, Meiji period (1868–1912)

subjects:
Ivory
Japan, meiji period (1868–1912)

credit_line: Chess Piece: King, early 1900s. Japan, Meiji period (1868–1912). Ivory; overall: 10.5 x 3.9 cm (4 1/8 x 1 9/16 in.). The Cleveland Museum of Art, Gift of Henry B. Andrews, 2000.1007.1


title: Bird on a Lotus Bud

creator: Kano Tan’yū (Japanese, 1602–1674)

medium: hanging scroll, ink on paper

subjects:
Painting
Japan, edo period (1615–1868)
Birds

credit_line: Bird on a Lotus Bud, 1600s. Kano Tan’yū (Japanese, 1602–1674). Hanging scroll, ink on paper; painting only: 89 x 21.5 cm (35 1/16 x 8 7/16 in.); including mounting: 154.5 x 27.5 cm (60 13/16 x 10 13/16 in.). The Cleveland Museum of Art, Gift of Alan L. and Paul L. Hyde in memory of their mother, Katharine Litchfield Hyde, 2001.165


medium: gold

country: Byzantium

subjects: Coin Byzantium

credit_line: Scyphate Histamenon of Constantine X (obverse), 1059–1067. Byzantium. Gold; diameter: 2.5 cm (1 in.). The Cleveland Museum of Art, Gift of Trudie Osarczuk and Michalene in honor of Michael Osarczuk, 2001.25.a


title: Matsya, Fish Avatara of Vishnu

subjects: Eastern india, bengal, kolkata, kalighat

credit_line: Matsya, Fish Avatara of Vishnu, c. 1890. Eastern India, Bengal, Kolkata, Kalighat. Gum tempera, graphite, ink, and tin on paper; secondary support: 47.5 x 29.2 cm (18 11/16 x 11 1/2 in.); painting only: 44.9 x 27.2 cm (17 11/16 x 10 11/16 in.). The Cleveland Museum of Art, Gift of William E. Ward in memory of his wife, Evelyn Svec Ward, 2003.102


title: Neo-Rococo Coffee Pot

creator: Elkington & Co. (British)

medium: silver and ivory

subjects:
Silver
England, 19th century

credit_line: Neo-Rococo Coffee Pot, c. 1850. Elkington & Co. (British). Silver and ivory; overall: 32 x 23.8 x 15.4 cm (12 5/8 x 9 3/8 x 6 1/16 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.243


title: Neo-Rococo Coffee Pot

creator: Samuel Kirk (American, 1793–1872)

country: America, Baltimore, 19th century

subjects:
Silver
America, baltimore, 19th century

credit_line: Neo-Rococo Coffee Pot, c. 1840. Samuel Kirk (American, 1793–1872). Silver and ivory; overall: 30.4 x 23.5 x 12 cm (11 15/16 x 9 1/4 x 4 3/4 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.246


title: Small Dish with Yellow Enamel

medium: enameled porcelain

credit_line: Small Dish with Yellow Enamel, 1736–95. China, Qing dynasty (1644-1911), Qianlong mark and reign (1735-1795). Enameled porcelain; diameter: 8.8 cm (3 7/16 in.); overall: 3 cm (1 3/16 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.261


title: Rearing Horse and Rider

creator: Antonio Tempesta (Italian, 1555–1630)

medium: red chalk

country: Italy, late 16th-early 17th century

subjects:
Drawing
Italy, late 16th-early 17th century

credit_line: Rearing Horse and Rider, c. 1600?. Attributed to Antonio Tempesta (Italian, 1555–1630). Red chalk; sheet: 20.6 x 17.1 cm (8 1/8 x 6 3/4 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.273


title: Rearing Horse and Rider

medium: red chalk counterproof

credit_line: Rearing Horse and Rider, c. 1600. Attributed to Antonio Tempesta (Italian, 1555–1630). Red chalk counterproof; sheet: 19.5 x 16.7 cm (7 11/16 x 6 9/16 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.274


title: The Young Beggars

medium: aquatint

country: Germany, late 18th-early 19th century

subjects:
Print
Germany, late 18th-early 19th century

credit_line: The Young Beggars, c. 1800 . Karl Ludwig Bernhard Buchhorn (German, 1770–1856). Aquatint; sheet: 30.9 x 23.3 cm (12 3/16 x 9 3/16 in.); platemark: 25.1 x 19.4 cm (9 7/8 x 7 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2003.29


title: Virgin and Child with Saints

creator: Robert van Audenaerd (Dutch, 1663–1743)

medium: engraving

country: Netherlands

subjects: Print Netherland

credit_line: Virgin and Child with Saints, c. 1720–30. Robert van Audenaerd (Dutch, 1663–1743), after Carlo Maratti (Italian, 1625–1713). Engraving; platemark: 66.2 x 39.7 cm (26 1/16 x 15 5/8 in.); sheet: 77.3 x 48 cm (30 7/16 x 18 7/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Theodore Alfred in memory of Carey Croneis, 2003.290.a


title: The Progress of the Stars: Les Bergers

creator: Henri Rivière (French, 1864–1951)

credit_line: Bound Volume illustrating the poetry and music of Georges Fragerolle: The Progress of the Stars: Les Bergers, 1890. Henri Rivière (French, 1864–1951), C. Marpon & Flammarion. 18 color lithographs in a Bound Volume illustrating the poetry and music of Georges Fragerolle; book: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.395.g


title: The Wandering Jew: The Modern City

medium: color lithograph

subjects:
Portfolio
France, 19th century

credit_line: The Wandering Jew: The Modern City, 1896. Henri Rivière (French, 1864–1951), Verneau. Color lithograph; sheet: 34.3 x 72 cm (13 1/2 x 28 3/8 in.); image: 23 x 60.6 cm (9 1/16 x 23 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.397.8


title: The Vintages!: Title Page

creator: Henri de Groux (Belgian, 1867–1930)

medium: lithograph

country: Belgium

subjects: Print Belgium

credit_line: The Vintages!: Title Page, 1894. Henri de Groux (Belgian, 1867–1930), Proof from an unpublished suite of lithographs intended to be published by L'Estampe Originale, 17, rue de Rome.. Lithograph; sheet: 59.6 x 43.4 cm (23 7/16 x 17 1/16 in.); image: 20.2 x 20.7 cm (7 15/16 x 8 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.401


credit_line: Bound Volume illustrating the poetry and music of Georges Fragerolle: The Progress of the Stars: Les Pêcheurs (Suite), 1890. Henri Rivière (French, 1864–1951), C. Marpon & Flammarion. 18 color lithographs in a Bound Volume illustrating the poetry and music of Georges Fragerolle; book: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.395.o


title: The Prodigal Son: Premier Tableau

credit_line: Bound Volume illustrating the poetry and music of Georges Fragerolle: The Prodigal Son: Premier Tableau, 1895. Henri Rivière (French, 1864–1951), E. Flammarion. 15 color lithographs in a bound volume illustrating the poetry and music of Georges Fragerolle: color lithograph; book: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.396.c


title: The Prodigal Son: Cinquième Tableau

credit_line: Bound Volume illustrating the poetry and music of Georges Fragerolle: The Prodigal Son: Cinquième Tableau, 1895. Henri Rivière (French, 1864–1951), E. Flammarion. 15 color lithographs in a bound volume illustrating the poetry and music of Georges Fragerolle: color lithograph; book: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.396.m


creator: Jules Jacquemart (French, 1837–1880)

medium: etching

credit_line: History of the Ceramic Art: Saucer with Rich Enameled Ground and Medallion Representing the Goddess Kounin , c. 1877. Jules Jacquemart (French, 1837–1880), Ampson Low, Marston, Searle & Rivington. Etching; sheet: 28.6 x 20.6 cm (11 1/4 x 8 1/8 in.); platemark: 18.9 x 12.8 cm (7 7/16 x 5 1/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.407


title: The Bowsprit

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: The Bowsprit, 1928. Arthur John Trevor Briscoe (British, 1873–1943). Etching; sheet: 26.5 x 42.4 cm (10 7/16 x 16 11/16 in.); platemark: 22.3 x 35.2 cm (8 3/4 x 13 7/8 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2004.214


credit_line: Book by Albert Jacquemart: History of the Ceramic Art: A Descriptive and Philosophical Study of the Pottery of All Ages and All Nations: Japan: Chrysanthemo-Paeonian Family. -Jar, "Potiche," with the Dog of Fo, and a Carp Leaping Out of the Water (Plate III), 1877. Jules Jacquemart (French, 1837–1880). Etching; sheet: 25.5 x 18 cm (10 1/16 x 7 1/16 in.); platemark: 19.3 x 13 cm (7 5/8 x 5 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2004.73.c


title: Storm Ending, Norwegian Fijord

creator: Muirhead Bone (British, 1876–1953)

medium: watercolor and graphite

subjects:
Drawing
England, 20th century

credit_line: Storm Ending, Norwegian Fijord , c. 1896–1953. Muirhead Bone (British, 1876–1953). Watercolor and graphite; sheet: 25.2 x 35.2 cm (9 15/16 x 13 7/8 in.). The Cleveland Museum of Art, Gift of Dr. and Mrs. William L. Huffman, 2005.150


creator: Émile Bernard (French, 1868–1941)

medium: zincograph

subjects:
Print
France, 19th century

credit_line: Les Bretonneries: Title Page (Page de Titre) and The Return from the Pilgrimage (Le Retour du Pardon), 1889, printed 1896. Émile Bernard (French, 1868–1941). Zincograph; sheet: 41.1 x 57.7 cm (16 3/16 x 22 11/16 in.); image: 31.5 x 24.8 cm (12 3/8 x 9 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2005.180.1


title: Otilia Bavara (Saint Otilia of Bavaria)

creator: Adriaen Collaert (Flemish, 1560–1618)

country: Flanders

subjects: Print Flander

credit_line: Otilia Bavara (Saint Otilia of Bavaria), c. 1580. Adriaen Collaert (Flemish, 1560–1618), after Maarten de Vos (Flemish, 1532–1603). Engraving; sheet: 22.6 x 27.9 cm (8 7/8 x 11 in.); platemark: 17.7 x 21.9 cm (6 15/16 x 8 5/8 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.268


title: Saint Jerome

creator: Hans Collaert (Flemish, 1566–1628)

credit_line: Saint Jerome, 1580–1600. Hans Collaert (Flemish, 1566–1628), after Maarten de Vos (Flemish, 1532–1603). Engraving; sheet: 22.2 x 27.2 cm (8 3/4 x 10 11/16 in.); platemark: 17.7 x 22.5 cm (6 15/16 x 8 7/8 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.269


title: Sorrente, Bains de la Reine Jeanne

medium: black and white chalk

subjects:
Drawing
France, 19th century

credit_line: Sorrente, Bains de la Reine Jeanne, 1848–1865?. Henri Joseph Harpignies (French, 1819–1916). Black and white chalk; sheet: 21.7 x 28.5 cm (8 9/16 x 11 1/4 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.284


title: Illustration to the Mahabharata

medium: ink and gum tempera on paper

subjects: India, maharashtra, paithan school, c. 1800

credit_line: Illustration to the Mahabharata, c. 1800. India, Maharashtra, Paithan school, c. 1800. Ink and gum tempera on paper; overall: 28.2 x 41.5 cm (11 1/8 x 16 5/16 in.). The Cleveland Museum of Art, Gift of Professor Walter and Nesta Spink in honor of Stanislaw Czuma, 2005.68


title: Shiva and Nandi

medium: ink and color on paper

credit_line: Shiva and Nandi, 1900s. Eastern India, Bihar State, Mithila or Madhubani School, 20th century. Ink and color on paper; overall: 55.5 x 37.6 cm (21 7/8 x 14 13/16 in.); painting only: 51.8 x 34.3 cm (20 3/8 x 13 1/2 in.). The Cleveland Museum of Art, Gift of Pamela Elizabeth Ward in loving memory of her parents, William E. and Evelyn Svec Ward, 2005.87


medium: ink, tempera and burnished gold on vellum

country: Italy, Perugia

credit_line: Missale: Fol. 124v: Christ holding the Cross, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.124.b


title: Missale: Fol. 155: Music for "Exultet"

medium: ink

credit_line: Missale: Fol. 155: Music for "Exultet", 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.155.a


title: Missale: Fol. 156: Music for "Exultet"

credit_line: Missale: Fol. 156: Music for "Exultet", 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.156.a


title: Missale: Fol. 327: Saint Bartholomew

credit_line: Missale: Fol. 327: Saint Bartholomew, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.327.a


credit_line: Missale: Fol. 9: Ordo Missalis (full borders), 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.9.a


medium: albumen print from wet collodion negative

country: America

subjects: Photograph America

credit_line: Incline on the Morris and Essex Canal, Newark, New Jersey, c. 1870. America. Albumen print from wet collodion negative; image: 24.6 x 19.2 cm (9 11/16 x 7 9/16 in.); mounted: 35.5 x 27.8 cm (14 x 10 15/16 in.); matted: 50.8 x 40.6 cm (20 x 16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 2006.163


medium: color etching, aquatint and roulette

credit_line: Punchinello, Three-quarters to the Right, c. 1887. Henri Charles Guérard (French, 1846–1897). Color etching, aquatint and roulette; sheet: 20.5 x 11.1 cm (8 1/16 x 4 3/8 in.); platemark: 16 x 8 cm (6 5/16 x 3 1/8 in.). The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in honor of Heather Lemonedes, 2006.191


country: Germany, 19th century

subjects:
Print
Germany, 19th century
Landscapes

credit_line: Heroic Landscape: Cattle Crossing the River, 1795. Johann Christian Reinhart (German, 1761–1847). Etching; sheet: 42.9 x 53.8 cm (16 7/8 x 21 3/16 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2006.72.1


medium: lacquer

subjects:
Lacquer
Japan, meiji period (1868–1912)

credit_line: Nested Boxes with Chrysanthemums (outer box base), early 1900s. Japan, Meiji period (1868–1912). Lacquer; overall: 1.1 x 12.1 x 9.2 cm (7/16 x 4 3/4 x 3 5/8 in.). The Cleveland Museum of Art, Bequest of Lillian M. Kern, 2007.1009.1.a


title: Mosque, Madras

creator: Frederick Fiebig (German)

medium: salted paper print from wet collodion negative

subjects:
Photograph
Germany, 19th century

credit_line: Mosque, Madras, 1851–1852. Frederick Fiebig (German). Salted paper print from wet collodion negative; image: 19.1 x 23.2 cm (7 1/2 x 9 1/8 in.); across from edge of sleeves: 50.8 x 61 cm (20 x 24 in.); paper: 34.9 x 46 cm (13 3/4 x 18 1/8 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2007.200


title: Six Marines

creator: Eugène Isabey (French, 1803–1886)

medium: lithograph on chine collé

credit_line: Six Marines, 1833. Eugène Isabey (French, 1803–1886). Lithograph on chine collé; sheet: 36.7 x 55.6 cm (14 7/16 x 21 7/8 in.); platemark: 21.4 x 28.8 cm (8 7/16 x 11 5/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.238


credit_line: Plate 79 from Voyages Pittoresques...Auvergne vol. 1: Picturesque and Romantic Journeys in Old France: Auvergne (vol. II), Gorge of Royat, Plate 79 , 1830. Eugène Isabey (French, 1803–1886). Lithograph on chine collé; sheet: 35 x 53.8 cm (13 3/4 x 21 3/16 in.); platemark: 21 x 31 cm (8 1/4 x 12 3/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.239


title: The Watering Place at Marie Bridge

credit_line: Published in Studio: The Watering Place at Marie Bridge , 1902. Auguste Louis Lepère (French, 1849–1918). Etching; sheet: 23 x 29.9 cm (9 1/16 x 11 3/4 in.); platemark: 20.1 x 27 cm (7 15/16 x 10 5/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.255


title: The Bride's Maid

creator: Anders Zorn (Swedish, 1860–1920)

country: Sweden, 20th century

subjects:
Print
Sweden, 20th century

credit_line: The Bride's Maid, 1905. Anders Zorn (Swedish, 1860–1920). Etching; sheet: 25.5 x 32 cm (10 1/16 x 12 5/8 in.); platemark: 15 x 19.8 cm (5 7/8 x 7 13/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2007.295


title: Sauce Boats and Trays

creator: Barbour Silver Company (American)

medium: silver

country: America, Rhode Island, 19th century

subjects:
Silver
America, rhode island, 19th century

credit_line: Sauce Boats and Trays, c. 1890. Barbour Silver Company (American), attributed to William Christmas Codman (British, 1839–1921). Silver; overall: 11.4 x 19.7 x 9.8 cm (4 1/2 x 7 3/4 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 2008.165


creator: Auguste Raffet (French, 1804–1860)

credit_line: Lithographic Album of 1837: Half-Battalion at Left…Aim!...Fire!...Load , 1836. Auguste Raffet (French, 1804–1860). Lithograph; sheet: 28.5 x 38.8 cm (11 1/4 x 15 1/4 in.); image: 13.7 x 21.5 cm (5 3/8 x 8 7/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.182


creator: Louis-Jean Allais (French, 1762–1833)

medium: etching, hand-colored

credit_line: Description of Egypt: Thebes. Memnonium, Vol. II, Pl. 37, 1821. Louis-Jean Allais (French, 1762–1833), after Le Père (French). Etching, hand-colored. The Cleveland Museum of Art, Gift of John Bonebrake, 2008.200


title: Long Shawl

country: India, Kashmir, 19th century

subjects:
Costume & fashion
Textile
India, kashmir, 19th century

credit_line: Long Shawl, c. 1815. India, Kashmir, 19th century. 2/2 twill tapestry weave, double interlocked; embroidery; wool; overall: 312.4 x 131.5 cm (123 x 51 3/4 in.). The Cleveland Museum of Art, Gift of Arlene C. Cooper, 2008.219


title: An Estuary Scene with Fisherman

medium: oil on wood

subjects: Painting Netherland

credit_line: An Estuary Scene with Fisherman, 1625–50. Attributed to Rafel Govertsz. Camphuysen (Dutch, 1597/98–1657). Oil on wood; framed: 24 x 33 x 3 cm (9 7/16 x 13 x 1 3/16 in.); unframed: 14.5 x 24 cm (5 11/16 x 9 7/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2008.288


title: Pierrot en Pied, Portrait of Lady A. C.

creator: Theodore Roussel (French, 1847–1926)

subjects:
Print
France, 19th century
Portraits

credit_line: Pierrot en Pied, Portrait of Lady A. C., 1888. Theodore Roussel (French, 1847–1926). Etching. The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in memory of Robert Lundie Shearer, 2008.308


title: Durham Cathedral

creator: William Walcot (British, 1874–1943)

medium: etching and drypoint

credit_line: Durham Cathedral, 1923. William Walcot (British, 1874–1943). Etching and drypoint. The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2008.324


title: Totems, Old Shipyard, Rye

creator: Paul Nash (British, 1889–1946)

medium: gelatin silver print

subjects:
Photograph
England, 20th century

credit_line: Totems, Old Shipyard, Rye, 1932. Paul Nash (British, 1889–1946). Gelatin silver print; image: 20.5 x 13.6 cm (8 1/16 x 5 3/8 in.); paper: 20.9 x 14.2 cm (8 1/4 x 5 9/16 in.); matted: 45.7 x 35.6 cm (18 x 14 in.). The Cleveland Museum of Art, L. E. Holden Fund, 2008.49


title: Lid for a Teapot

medium: porcelain

country: Germany, Meissen

subjects:
Ceramic
Germany, meissen

credit_line: Lid for a Teapot, c. 1750–70. Meissen Porcelain Factory (German, est. c. 1710). Porcelain; overall: 12 x 43.5 x 19.5 cm (4 3/4 x 17 1/8 x 7 11/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.104.b


title: Plate

medium: faience

country: France

subjects: Ceramic France

credit_line: Plate, c. 1750–70. France. Faience; overall: 3.5 x 115.2 x 36 cm (1 3/8 x 45 3/8 x 14 3/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.112


creator: Théodule Ribot (French, 1823–1891)

medium: black chalk and graphite (recto)

country: France, 19th century

credit_line: Study of Hands (recto); Study of a Woman's Hand (verso), 1800s. Théodule Ribot (French, 1823–1891). Black chalk and graphite (recto); sheet: 23.6 x 30.8 cm (9 5/16 x 12 1/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.120


title: Portrait of the Artist in a Hat, No 2

medium: drypoint

subjects:
Print
England, 20th century
Portraits

credit_line: Portrait of the Artist in a Hat, No 2, 1908. Muirhead Bone (British, 1876–1953). Drypoint; unframed: 46 x 51 cm (18 1/8 x 20 1/16 in.). The Cleveland Museum of Art, Gift of Dr. and Mrs. William L. Huffman, 2009.261


creator: James Cox (British)

medium: carved yellow and light brown agate from a single piece.

country: England, mid 18th century

subjects:
Cosmetic object
England, mid 18th century

credit_line: Scent Bottle and Box in the Form of a Woman, c 1880–1890. Attributed to James Cox (British). Carved yellow and light brown agate from a single piece.; overall: 15.2 x 6.4 cm (6 x 2 1/2 in.); box: 5.7 x 2.9 cm (2 1/4 x 1 1/8 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.27


title: Seal from a Writing Set

medium: hardstones including lapis lazuli, malachite, carnelian, agate, gold; original fitted velvet-lined case

country: England, mid-19th century

credit_line: Seal from a Writing Set, c. 1830. John Hamilton Mortimer (British, 1740–1779), and Paul Storr (British, 1771–1844). Hardstones including lapis lazuli, malachite, carnelian, agate, gold; original fitted velvet-lined case; overall: 6.4 x 1.3 x 2 cm (2 1/2 x 1/2 x 13/16 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.39.a


creator: Eugene Bléry (French, 1805–1886)

medium: lithograph on chine colle

subjects:
Print
France, 19th century

credit_line: Studies Drawn and Engraved after Nature: The Beach, Fontainebleau (Études dessinées et Gravées D'après nature: Le hêtre, Fontainebleau), 1840. Eugene Bléry (French, 1805–1886). Lithograph on chine colle; sheet: 44.7 x 30.7 cm (17 5/8 x 12 1/16 in.); image: 25.9 x 18.9 cm (10 3/16 x 7 7/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.494


title: Hellé

medium: color lithograph

country: Switzerland

subjects: Print Switzerland

credit_line: Hellé, 1896. Théophile Alexandre Steinlen (Swiss, 1859–1923). Color lithograph; sheet: 39.9 x 28.5 cm (15 11/16 x 11 1/4 in.); image: 26.9 x 20.3 cm (10 9/16 x 8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.499


title: Geese

creator: Félix Hilaire Buhot (French, 1847–1898)

medium: etching

credit_line: Geese , 1887. Félix Hilaire Buhot (French, 1847–1898). Etching; sheet: 19.6 x 29 cm (7 11/16 x 11 7/16 in.); platemark: 15.2 x 25.3 cm (6 x 9 15/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.523


title: Chevaux d' Auvergne

creator: Théodore Géricault (French, 1791–1824)

medium: lithograph

credit_line: Chevaux d' Auvergne, 1822. Théodore Géricault (French, 1791–1824), Gihaut. Lithograph; sheet: 27.6 x 35.5 cm (10 7/8 x 14 in.); image: 19 x 23.2 cm (7 1/2 x 9 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.535


title: Types Mauresques

creator: Norbert Goeneutte (French, 1854–1894)

credit_line: Types Mauresques, 1875. Norbert Goeneutte (French, 1854–1894), A. Cadart Rue des Mathurins, 58 Paris. Etching; sheet: 28.2 x 20.2 cm (11 1/8 x 7 15/16 in.); platemark: 15.8 x 11.7 cm (6 1/4 x 4 5/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.549


title: In the Brambles

creator: Henri Detouche (French, 1854–1913)

credit_line: Published in L'Estampe Moderne, no. 12, April 1898: In the Brambles , 1898. Henri Detouche (French, 1854–1913). Color lithograph; sheet: 40.4 x 30.5 cm (15 7/8 x 12 in.); image: 34.9 x 24.5 cm (13 3/4 x 9 5/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.559


title: Lutèce

creator: Adolphe Giraldon (French, 1855–1933)

credit_line: published in L'Estampe Moderne: Lutèce, 1898. Adolphe Giraldon (French, 1855–1933). Color lithograph; sheet: 40.4 x 30.5 cm (15 7/8 x 12 in.); image: 35.8 x 19.2 cm (14 1/8 x 7 9/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.560


title: At the Stock Exchange

creator: Jean Louis Forain (French, 1852–1931)

country: France, late 19th - early 20th century

subjects:
Print
France, late 19th - early 20th century

credit_line: At the Stock Exchange, c. 1900. Jean Louis Forain (French, 1852–1931). Lithograph; sheet: 45 x 62.9 cm (17 11/16 x 24 3/4 in.); image: 30.3 x 43.4 cm (11 15/16 x 17 1/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.568


title: Military Costumes: Infantry Sargent

subjects:
Costume & fashion
Print
France, 19th century

credit_line: Military Costumes: Infantry Sargent , 1817–18. Nicolas Toussaint Charlet (French, 1792–1845). Lithograph; sheet: 40.1 x 28.3 cm (15 13/16 x 11 1/8 in.); image: 30.6 x 21 cm (12 1/16 x 8 1/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.576


creator: Paul Gustav Fischer (Danish, 1860–1934)

credit_line: Masters of the Poster: Poster for Exhibition of Artistic Posters of Wilhelm Söborg , c. 1895. Paul Gustav Fischer (Danish, 1860–1934), Soborg, Copenhagen. Color lithograph; sheet: 39.9 x 28.9 cm (15 11/16 x 11 3/8 in.); image: 27.6 x 20 cm (10 7/8 x 7 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.581


credit_line: Lithographed Studies of Horses: Pl. 7, Horse from the Caen Plain , 1822. Théodore Géricault (French, 1791–1824), Gihaut. Lithograph; sheet: 27.3 x 36 cm (10 3/4 x 14 3/16 in.); image: 19.1 x 22.7 cm (7 1/2 x 8 15/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.585


title: Saucer

country: Germany, 18th century

subjects:
Ceramic
Germany, 18th century

credit_line: Saucer, c. 1750–70. Meissen Porcelain Factory (German, est. c. 1710). Porcelain; overall: 3 x 42.6 x 13.5 cm (1 3/16 x 16 3/4 x 5 5/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.94


title: Wine Ewer

medium: glass with silver gilt mounts

subjects:
Silver
France, 19th century

credit_line: Wine Ewer, c. 1850–70. France, 19th century. Glass with silver gilt mounts; overall: 32 x 51 x 15.5 cm (12 5/8 x 20 1/16 x 6 1/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.95


title: Cover for a Tureen

country: England, Sheffield

subjects:
Silver
England, sheffield

credit_line: Cover for a Tureen, c. 1830–50. England, Sheffield. Silver plated on copper (Old Sheffield Plate); overall: 25.9 x 107 x 40.5 cm (10 3/16 x 42 1/8 x 15 15/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.96.b


title: Fruit Bowl

country: England, Worcester

subjects:
Ceramic
England, worcester
Fruits

credit_line: Fruit Bowl, c. 1750–70. Worcester Porcelain Factory (British, established 1751). Porcelain; overall: 6 x 70.3 x 22.4 cm (2 3/8 x 27 11/16 x 8 13/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.99


title: Self-Portrait

creator: Ferdinand Roybet (French, 1840–1920)

medium: black chalk heightened with white chalk

country: France, 19th or 20th century

subjects:
Drawing
France, 19th or 20th century
Portraits

credit_line: Self-Portrait, 1800s-1900s. Ferdinand Roybet (French, 1840–1920). Black chalk heightened with white chalk ; sheet: 53.4 x 36.7 cm (21 x 14 7/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.247


title: Choir Stalls in a Spanish Cathedral

creator: Henri Regnault (French, 1843–1871)

medium: watercolor and gouache with traces of graphite on cream wove paper

subjects:
Drawing
France, 19th century

credit_line: Choir Stalls in a Spanish Cathedral, c. 1868. Henri Regnault (French, 1843–1871). Watercolor and gouache with traces of graphite on cream wove paper ; sheet: 27.9 x 36.3 cm (11 x 14 5/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.253


creator: Ernst Fries (German, 1801–1833)

medium: lithograph printed in black and a deep ochre tint stone overall

subjects:
Print
Germany, 19th century

credit_line: Six Views of Heidelberg Castle: Western Part , 1820. Ernst Fries (German, 1801–1833), Mohr & Winter, Heidelberg. Lithograph printed in black and a deep ochre tint stone overall; sheet: 38.5 x 50 cm (15 3/16 x 19 11/16 in.). The Cleveland Museum of Art, Prints & Drawings Sundry Art Purchase and Dudley P. Allen Fund, 2010.280.8


creator: Muirhead Bone (British, 1876–1953)

country: England, 20th century

subjects:
Print
England, 20th century
Ships & the sea

credit_line: The Great War:  Britain's Efforts and Ideals; Building Ships:  A Fitting Out Basin, 1917. Muirhead Bone (British, 1876–1953). Lithograph; sheet: 39.5 x 27.6 cm (15 9/16 x 10 7/8 in.); platemark: 30.1 x 19.5 cm (11 7/8 x 7 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.570


title: Bridgenorth

creator: Frank Short (British, 1857–1945)

date: 1885, published 1888

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: The Portfolio, Vol. XIX: Bridgenorth, 1885, published 1888. Frank Short (British, 1857–1945), after Thomas Girtin (British, 1775–1802). Etching; image: 17.4 x 25.2 cm (6 7/8 x 9 15/16 in.); sheet: 22.8 x 30.3 cm (9 x 11 15/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.573


title: Characters of Romance: Baron Muchausen

creator: William Nicholson (British, 1872–1949)

medium: color lithograph with hand coloring

country: England, early 20th century

subjects:
Print
England, early 20th century

credit_line: portfolio of 16 lithographs: Characters of Romance: Baron Muchausen, 1900. William Nicholson (British, 1872–1949). Color lithograph with hand coloring; sheet: 50.5 x 40.6 cm (19 7/8 x 16 in.); image: 34.4 x 27.4 cm (13 9/16 x 10 13/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.613


title: The Shire Horse

medium: woodcut with hand coloring

credit_line: The Shire Horse, 1904. William Nicholson (British, 1872–1949). Woodcut with hand coloring; sheet: 20.2 x 21.5 cm (7 15/16 x 8 7/16 in.); image: 20.2 x 21.5 cm (7 15/16 x 8 7/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.615


credit_line: The Square Book of Animals: The Learned Pig, 1899. William Nicholson (British, 1872–1949). Color lithograph; sheet: 25 x 23.6 cm (9 13/16 x 9 5/16 in.); image: 13 x 12.9 cm (5 1/8 x 5 1/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.639


title: Bathers

medium: lithograph in blue-green and beige

credit_line: Bathers, 1904. Charles Hasslewood Shannon (British, 1863–1937). Lithograph in blue-green and beige; image: 39 x 41.9 cm (15 3/8 x 16 1/2 in.); paper: 43.1 x 46.1 cm (16 15/16 x 18 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.649


title: Sir Henhy Guldeford

medium: color stipple engraving

country: England, 18th century

subjects:
Print
England, 18th century

credit_line: Sir Henhy Guldeford, 1792. Francesco Bartolozzi (British, 1727–1815), John Chamberlaine, after Hans Holbein (German, c. 1465–1524). Color stipple engraving; sheet: 54.6 x 41.4 cm (21 1/2 x 16 5/16 in.); platemark: 45.4 x 35.6 cm (17 7/8 x 14 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.663


title: Theater Scene

creator: Giovanni David (Italian, 1743–1790)

medium: watercolor and extensive point of brush work with graphite and white gouache

country: Italy, 18th century

subjects:
Drawing
Italy, 18th century

credit_line: Theater Scene, c. 1775–76. Giovanni David (Italian, 1743–1790). Watercolor and extensive point of brush work with graphite and white gouache; sheet: 48.2 x 56 cm (19 x 22 1/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2011.114


title: Amerapoora. Gautama's Shrine

medium: albumen print from waxed paper negative

subjects:
Photograph
England, 19th century

credit_line: Amerapoora. Gautama's Shrine, 1855. Captain Linnaeus Tripe (British, 1822–1902). Albumen print from waxed paper negative; image: 34.2 x 25.9 cm (13 7/16 x 10 3/16 in.); mounted: 58.3 x 45.7 cm (22 15/16 x 18 in.); paper: 34.2 x 25.9 cm (13 7/16 x 10 3/16 in.). The Cleveland Museum of Art, Gift of Robert and Paula Hershkowitz in honor of Tom Hinson, 2011.23


title: Goblet

medium: glass

subjects:
Glass
England, 18th century

credit_line: Goblet, c. 1725–1750. England, 18th century. Glass; diameter: 7 cm (2 3/4 in.); overall: 15.3 cm (6 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.129


title: Wine Glass

creator: René Lalique (French, 1860–1945)

country: France, 20th century

subjects:
Glass
France, 20th century

credit_line: Wine Glass, 1925. René Lalique (French, 1860–1945). Glass; diameter: 9.8 cm (3 7/8 in.); overall: 20.5 cm (8 1/16 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.137


creator: Louis Haghe (British, 1806–1885)

subjects:
Architecture
Print
England, 19th century

credit_line: Egypt and Nubia, Volume I: Portico of the Temple of Kalabshe, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 42.9 x 60.3 cm (16 7/8 x 23 3/4 in.); image: 35 x 51.1 cm (13 3/4 x 20 1/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.176


country: England

subjects: Architecture Print England

credit_line: Egypt and Nubia, Volume II: Ruins of the Temple of Madamoud, at Thebes, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 37.8 x 43.6 cm (14 7/8 x 17 3/16 in.); image: 25 x 35 cm (9 13/16 x 13 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.204


credit_line: Egypt and Nubia, Volume I: Dakke, in Nubia, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 35.5 x 42.9 cm (14 x 16 7/8 in.); image: 25.3 x 35 cm (9 15/16 x 13 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.208


credit_line: Egypt and Nubia, Volume II: Ruins - Temple on the Island of Biggeh, Nubia, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 36 x 43.6 cm (14 3/16 x 17 3/16 in.); image: 25.2 x 35.7 cm (9 15/16 x 14 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.219


credit_line: Haghe's Portfolio of Sketches. Belgium. Germany, vol. III: Title Page, on a door, part of a view, Porch of a Private House, Bruges, 1850. Louis Haghe (British, 1806–1885), Thomas McLean, Haymarket, London. Color lithograph; sheet: 53.8 x 41.8 cm (21 3/16 x 16 7/16 in.); image: 40.6 x 27.4 cm (16 x 10 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.268


title: Rome: Groupe de Laocoon (Vatican)

creator: Charles Soulier (French, 1840–1875)

medium: albumen print from a collodion negative

subjects:
Photograph
France, 19th century

credit_line: Rome: Groupe de Laocoon (Vatican), c. 1860. Charles Soulier (French, 1840–1875). Albumen print from a collodion negative; image: 40.2 x 30.4 cm (15 13/16 x 11 15/16 in.); paper: 40.2 x 30.4 cm (15 13/16 x 11 15/16 in.); mounted, primary: 53.4 x 40.4 cm (21 x 15 7/8 in.); mounted, secondary: 75 x 56 cm (29 1/2 x 22 1/16 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2012.439


creator: Carlo Labruzzi (Italian, 1748–1817)

medium: pen and black ink, grey wash and watercolor

credit_line: The So-Called Sepulcher of the Curiatii Brothers at Albano, with the Church of the Madonna della Stella in the distance at left, c 1770. Carlo Labruzzi (Italian, 1748–1817). Pen and black ink, grey wash and watercolor; sheet: 37.8 x 54 cm (14 7/8 x 21 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2012.54


title: Head of Balzac

medium: bronze

subjects:
Sculpture
France, 19th century

credit_line: Head of Balzac, 1844. Pierre-Jean David d'Angers (French, 1788–1856). Bronze; overall: 24.3 x 14.5 x 13.3 cm (9 9/16 x 5 11/16 x 5 1/4 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.265


medium: Gum tempera, ink, and gold on paper

country: India, Mughal, 17th century

subjects:
Calligraphy
India, mughal, 17th century

credit_line: Persian ruba‘i (quatrain) by Maulana Muḥammad Murshidi Zawara’i (Persian, late 1500s–early 1600s) (verso), c. 1610–1620. India, Mughal, 17th century. Gum tempera, ink, and gold on paper; page: 28 x 21 cm (11 x 8 1/4 in.). The Cleveland Museum of Art, Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection, 2013.326.b


title: Calligraphy of a Quatrain (verso)

subjects: India, farrukhabad, mughal, 18th century

credit_line: Calligraphy of a Quatrain (verso), c. 1760. India, Farrukhabad, Mughal, 18th century. Gum tempera, ink, and gold on paper; page: 28.2 x 20.2 cm (11 1/8 x 7 15/16 in.). The Cleveland Museum of Art, Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection, 2013.342.b


title: Embers Glow: Lotus Pattern Frame

creator: Theodore Roussel (French, 1847–1926)

medium: color etching and aquatint

country: France, 19th century

subjects:
Ornament & design
Print
France, 19th century

credit_line: Embers Glow: Lotus Pattern Frame, 1890–1897. Theodore Roussel (French, 1847–1926). Color etching and aquatint; sheet: 21.9 x 55 cm (8 5/8 x 21 5/8 in.); image: 9.7 x 53.7 cm (3 13/16 x 21 1/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.86.2


title: Embers Glow

subjects:
Print
France, 19th century

credit_line: Embers Glow, 1890–1897. Theodore Roussel (French, 1847–1926). Color etching and aquatint; sheet: 25 x 21.2 cm (9 13/16 x 8 3/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.86.6


title: London Types: News-boy

medium: woodcut hand-colored with watercolor

credit_line: London Types: News-boy, 1898. William Nicholson (British, 1872–1949). Woodcut hand-colored with watercolor; sheet: 50.7 x 49.5 cm (19 15/16 x 19 1/2 in.); border: 25.5 x 22.9 cm (10 1/16 x 9 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.87.10


title: Locket Panel (2 of 4)

creator: Alexis Falize (French, 1811–1898)

medium: gold and cloisonné enamel

subjects:
Jewelry
France, 19th century

credit_line: Locket Panel (2 of 4), 1800s. Alexis Falize (French, 1811–1898), Antoine Tard (French, active 1860–1889). Gold and cloisonné enamel; overall: 5.4 x 3.1 cm (2 1/8 x 1 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 2013.9.b


medium: porcelain, sepia enamel, gold leaf

credit_line: Cups and Saucers from Oliver Wolcott, Jr. Tea Service, 1785–1805. Chinese Export porcelain, late 18th-early 19th century. Porcelain, sepia enamel, gold leaf; overall: 7 x 7 x 6 cm (2 3/4 x 2 3/4 x 2 3/8 in.); average: 3 x 13 cm (1 3/16 x 5 1/8 in.). The Cleveland Museum of Art, Gift of Harvey Buchanan in memory of Penelope Draper Buchanan and Dorothy Tuckerman Draper, 2013.98


credit_line: Saucer from Oliver Wolcott, Jr. Tea Service (1 of 6), 1785–1805. Chinese Export porcelain, late 18th-early 19th century. Porcelain, sepia enamel, gold leaf; overall: 3 x 13 cm (1 3/16 x 5 1/8 in.). The Cleveland Museum of Art, Gift of Harvey Buchanan in memory of Penelope Draper Buchanan and Dorothy Tuckerman Draper, 2013.98.1.b


credit_line: Cup and Saucer from Oliver Wolcott, Jr. Tea Service (3 of 6), 1785–1805. Chinese Export porcelain, late 18th-early 19th century. Porcelain, sepia enamel, gold leaf; overall: 7 x 9 x 6 cm (2 3/4 x 3 9/16 x 2 3/8 in.). The Cleveland Museum of Art, Gift of Harvey Buchanan in memory of Penelope Draper Buchanan and Dorothy Tuckerman Draper, 2013.98.3


credit_line: Saucer from Oliver Wolcott, Jr. Tea Service (6 of 6), 1785–1805. Chinese Export porcelain, late 18th-early 19th century. Porcelain, sepia enamel, gold leaf; overall: 3 x 13 cm (1 3/16 x 5 1/8 in.). The Cleveland Museum of Art, Gift of Harvey Buchanan in memory of Penelope Draper Buchanan and Dorothy Tuckerman Draper, 2013.98.6.b


medium: color lithograph

credit_line: published in Vanity Fair March 29, 1873: Vanity Fair: Statesman, No. 141 "A Feminine Philosopher", 1873. Leslie Matthew (Spy) Ward (British, 1851–1922). Color lithograph; sheet: 34.9 x 22.7 cm (13 3/4 x 8 15/16 in.); image: 30.6 x 19.3 cm (12 1/16 x 7 5/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.262


title: Notre Dame de Caudebec

medium: etching

subjects:
Print
England, 20th century

credit_line: Notre Dame de Caudebec, c. 1930. Herbert Gordon Warlow (British, 1885–1942). Etching; sheet: 30.6 x 23.2 cm (12 1/16 x 9 1/8 in.); platemark: 21.3 x 13 cm (8 3/8 x 5 1/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.267


title: Henry VIII Gateway

medium: etching and drypoint

credit_line: Henry VIII Gateway, c. 1930. Herbert Gordon Warlow (British, 1885–1942). Etching and drypoint; sheet: 39.4 x 25.6 cm (15 1/2 x 10 1/16 in.); platemark: 30.1 x 20 cm (11 7/8 x 7 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.270


creator: Max Klinger (German, 1857–1920)

medium: etching and aquatint on chine collé

country: Germany, 20th century

subjects:
Print
Germany, 20th century

credit_line: Intermezzo: Battling Centaurs (Opus IV, 4), 1881. Max Klinger (German, 1857–1920). Etching and aquatint on chine collé; sheet: 61.5 x 45 cm (24 3/16 x 17 11/16 in.); platemark: 41.5 x 26.7 cm (16 5/16 x 10 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.343


title: Canards (Ducks)

creator: Karl Bodmer (Swiss, 1809–1893)

medium: lithograph on chine collé

subjects: Print Switzerland

credit_line: Canards (Ducks) , c. 1860. Karl Bodmer (Swiss, 1809–1893). Lithograph on chine collé; sheet: 31.5 x 45 cm (12 3/8 x 17 11/16 in.); image: 18 x 27.2 cm (7 1/16 x 10 11/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.365


creator: Hans Sebald Beham (German, 1500–1550)

country: Germany

subjects: Print Germany

credit_line: Mucius Scaevola Holding His Hand in the Fire, c. 1520. Hans Sebald Beham (German, 1500–1550). Etching; sheet: 6.7 x 5.2 cm (2 5/8 x 2 1/16 in.); platemark: 6.7 x 5.2 cm (2 5/8 x 2 1/16 in.). The Cleveland Museum of Art, Alma and Robert D. Milne Fund, 2014.4


title: Young Monk in the Greek Style, Plate 9

creator: Benigno Bossi (Italian, 1727–1792)

subjects:
Print
Italy, 18th century

credit_line: Mascarade à la Grecque: Young Monk in the Greek Style, Plate 9, 1771. Benigno Bossi (Italian, 1727–1792), after Ennemond Alexandre Petitot (French, 1727-1801). Etching; sheet: 42 x 27.8 cm (16 9/16 x 10 15/16 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.6.10


title: Buddhist Temple in Kandy, Ceylon

creator: Skeen & Co. (British, active 1860–1920)

medium: albumen print from wet collodion negative, hand colored

subjects:
Architecture
Photograph
England, 19th century

credit_line: Buddhist Temple in Kandy, Ceylon, c. 1880s. Skeen & Co. (British, active 1860–1920). Albumen print from wet collodion negative, hand colored; sheet: 26.7 x 20.4 cm (10 1/2 x 8 1/16 in.). The Cleveland Museum of Art, Gift of Barbara Tannenbaum in honor of Catherine Glynn Benkaim and Barbara Timmer, 2014.649


title: Liber Studiorum: Title Page

creator: John Sell Cotman (British, 1782–1842)

credit_line: Liber Studiorum: Title Page, 1838. John Sell Cotman (British, 1782–1842). Engraved text on wove paper, from a bound volume containing 48 plates; sheet: 48.6 x 31.9 cm (19 1/8 x 12 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.b


medium: softground etching, from a bound volume containing 48 plates

credit_line: Liber Studiorum: Plate 6, The Judgment of Midas, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 32 x 49.6 cm (12 5/8 x 19 1/2 in.); platemark: 19.8 x 25.2 cm (7 13/16 x 9 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.g


title: Liber Studiorum: Plate 9, A Study

credit_line: Liber Studiorum: Plate 9, A Study, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 32 x 49.5 cm (12 5/8 x 19 1/2 in.); platemark: 15.2 x 20.1 cm (6 x 7 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.j


credit_line: Liber Studiorum: Plate 23, Ruins at Beeston, Norfolk: No. 3, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 21.1 x 14.5 cm (8 5/16 x 5 11/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.x


title: Patch Box

medium: enamel on gold

credit_line: Patch Box, c. 1809–1819. France, 19th century. Enamel on gold; overall: 1.6 x 4.8 cm (5/8 x 1 7/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.300.a


title: Stopper for a Scent Bottle

medium: porcelain with gilt metal mounts

country: Germany, Meissen, 19th century

credit_line: Stopper for a Scent Bottle, 1800s. Manner of Meissen Porcelain Factory (German, est. c. 1710). Porcelain with gilt metal mounts. The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.646.b


medium: ink, tempera, and gold on vellum

country: France, Angers, Nantes, or Poitiers

subjects:
Manuscript
France, angers, nantes, or poitier

credit_line: Bifolio from a Book of Hours: The Crucifixion: Hours of the Cross (recto), c. 1435. France, Angers, Nantes, or Poitiers. Ink, tempera, and gold on vellum. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1926.244.a


medium: gum tempera and ink on palm leaves

subjects: Painting Palms

credit_line: Text, Folio 101 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.101.b


credit_line: Text, Folio 104 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.104.b


credit_line: Text, Folio 107 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.107.a


credit_line: Text, Folio 108 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.108.a


credit_line: Text, Folio 127 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.127.a


credit_line: Text, Folio 128 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.128.b