medium: tapestry (originally inwoven in tabby ground); linen and wool

country: Egypt, 7th - 8th century

subjects:
Costume & fashion
Textile
Egypt, 7th - 8th century
Birds

credit_line: Circular Segmentum with Eight-Pointed Star and Bird, 600s - 700s. Egypt, 7th - 8th century. Tapestry (originally inwoven in tabby ground); linen and wool; overall: 11.5 x 10.5 cm (4 1/2 x 4 1/8 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1982.376


title: Sleeve Bands from a Tunic

country: Egypt, Umayyad period (661–750)?

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, umayyad period (661–750)

source: The Cleveland Museum of Art

source_id: cleveland

rights: Public Domain / CC0

rights_statement: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

credit_line: Sleeve Bands from a Tunic, 600s–700s. Egypt, Umayyad period (661–750)?. Wool and linen: tabby weave, inwoven tapestry ornament; overall: 10.2 x 21.2 cm (4 x 8 3/8 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1982.94.a


title: Silk Embroidery

medium: embroidery, silk

country: Austria ?, 19th century

subjects:
Embroidery
Austria , 19th century

credit_line: Silk Embroidery, 1800s. Austria ?, 19th century. Embroidery, silk; overall: 40.7 x 33.8 cm (16 x 13 5/16 in.). The Cleveland Museum of Art, Gift of Ruth Blumka, 1983.245


title: Fragment with Frieze of Birds

medium: tabby ground, inwoven tapestry ornament; wool

country: Egypt, Byzantine period

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, byzantine period
Birds

credit_line: Fragment with Frieze of Birds, 400s - 500s. Egypt, Byzantine period. Tabby ground, inwoven tapestry ornament; wool; overall: 17.5 x 10 cm (6 7/8 x 3 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.259


title: Tunic Ornament with Part of a Saint

medium: tabby weave with inwoven tapestry ornament, linen and wool

country: Egypt, c. 7th - 8th century

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, c. 7th - 8th century

credit_line: Tunic Ornament with Part of a Saint, c. 600s - 700s. Egypt, c. 7th - 8th century. Tabby weave with inwoven tapestry ornament, linen and wool; overall: 13.8 x 25.1 cm (5 7/16 x 9 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.263


title: Band with Flora and Fauna Motifs

medium: tapestry; linen and wool

country: Egypt, 6th - 7th century

subjects:
Botany
Costume & fashion
Textile
Egypt, 6th - 7th century

credit_line: Band with Flora and Fauna Motifs, 500s - 600s. Egypt, 6th - 7th century. Tapestry; linen and wool; overall: 9.5 x 11.7 cm (3 3/4 x 4 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.268


title: The Mask Maker

date: late 1800s to early 1900s

medium: ivory

country: Japan, Meiji period (1868–1912)

subjects:
Ivory
Japan, meiji period (1868–1912)

credit_line: The Mask Maker, late 1800s to early 1900s. Japan, Meiji period (1868–1912). Ivory; overall: 5.1 cm (2 in.). The Cleveland Museum of Art, Gift of Mrs. David R. Weir, 1984.1119


title: Parasol Vendor

date: late 1800s-early 1900s

credit_line: Parasol Vendor, late 1800s-early 1900s. Japan, Meiji period (1868–1912). Ivory; overall: 3.5 cm (1 3/8 in.). The Cleveland Museum of Art, Gift of Mrs. David R. Weir, 1984.1120


title: Landscape with Deer

creator: Karl Bodmer (Swiss, 1809–1893)

medium: lithograph

country: Switzerland

subjects: Print Switzerland Landscapes

credit_line: Landscape with Deer, c. 1840. Karl Bodmer (Swiss, 1809–1893). Lithograph. The Cleveland Museum of Art, Gift of Jane and Robert Lewis in memory of Leona E. Prasse, 1985.151


title: Actor Yamashita Yaozo

creator: Katsukawa Shunshō (Japanese, 1726–1792)

medium: color woodblock print

country: Japan, Edo period (1615–1868)

subjects:
Print
Japan, edo period (1615–1868)

credit_line: Actor Yamashita Yaozo. Katsukawa Shunshō (Japanese, 1726–1792). Color woodblock print; sheet: 30 x 14.9 cm (11 13/16 x 5 7/8 in.). The Cleveland Museum of Art, The Kelvin Smith Collection, given by Mrs. Kelvin Smith, 1985.352


title: Vase (Imari ware)

medium: underglaze blue with overglaze red porcelain

subjects:
Ceramic
Japan, edo period (1615–1868)

credit_line: Vase (Imari ware), c. 1700s–1800s. Japan, Edo period (1615–1868). Underglaze blue with overglaze red porcelain; height: 34.3 cm (13 1/2 in.); diameter: 37 cm (14 9/16 in.). The Cleveland Museum of Art, Gift of Lillian Cahen Zevin, 1986.1119


title: Mola Panel

medium: cotton, reverse appliqué

subjects:
Costume & fashion
Textile

credit_line: Mola Panel, 1900s. Republic of Panamá, Gunayala Comarca, Guna people. Cotton, reverse appliqué; overall: 43.2 x 58.4 cm (17 x 23 in.). The Cleveland Museum of Art, Gift of Mrs. Robert V. Spurney, 1987.1133


creator: Shōrakusai (Japanese)

medium: leaf from accordion-style album; ink on paper

subjects:
Japan, edo period (1615–1868)
Portraits

credit_line: Leaf from Accordion-Style Album of Actor Portraits, c. 1790–1810. Shōrakusai (Japanese). Leaf from accordion-style album; ink on paper; each page: 28.1 x 21 cm (11 1/16 x 8 1/4 in.). The Cleveland Museum of Art, Kelvin Smith Fund, 1988.105.a


medium: graphite

country: Germany

subjects: Germany Landscapes

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 01a: Roman Landscape, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.a


subjects: Architecture Germany Landscapes

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 26a: Roman Architectural View, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.ff


medium: graphite with white heightening on blue paper

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 49a: Study of a Evergreen Branch with Pinecone, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite with white heightening on blue paper. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.hhh


medium: graphite with brown wash

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 30a: Roman Panoramic View, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite with brown wash. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.kk


credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 31a: Roman Archtectural Study, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Graphite. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.ll


medium: brown wash with grahite and white heightening on yellow paper

subjects: Germany Landscapes Trees

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 15a: Trees, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Brown wash with grahite and white heightening on yellow paper. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.q


medium: pen and ink with graphite on white paper laid down on blue paper

credit_line: Album with Views of Rome and Surroundings, Landscape Studies, page 36a: Roman View, c. 1830s-70s. Franz Johann Heinrich Nadorp (German, 1794–1876). Pen and ink with graphite on white paper laid down on blue paper. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1989.13.qq


title: Two-Handled Cup

medium: porcelain

country: Austria, Vienna

subjects:
Ceramic
Austria, vienna

credit_line: Two-Handled Cup, c. 1780. Du Paquier Porcelain Manufactory (Austrian, active 1719–1864). Porcelain; overall: 11 x 13.9 x 9.1 cm (4 5/16 x 5 1/2 x 3 9/16 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.187.1.a


creator: Derby (Crown Derby Period) (British)

country: England, Derby, 18th century

subjects:
Ceramic
England, derby, 18th century

credit_line: Quatrelobed Dish from Dessert Service: Pinks--Maddocks Beauty, c. 1800. Derby (Crown Derby Period) (British). Porcelain; overall: 3.7 x 25.7 x 20.4 cm (1 7/16 x 10 1/8 x 8 1/16 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.189.22


credit_line: Plate from Dessert Service: Double Groundsell or Ragwort, c. 1800. Derby (Crown Derby Period) (British). Porcelain; diameter: 23.5 cm (9 1/4 in.); overall: 3.2 cm (1 1/4 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.189.5


title: Belt Hook

medium: jade

country: China, Qing dynasty (1644-1911)

subjects:
Jade
China, qing dynasty (1644-1911)

credit_line: Belt Hook (玉帶鉤), c. 1700s. China, Qing dynasty (1644-1911). Jade. The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.328


title: The Story of Elisha

creator: Nicolaes Rijckmans (Flemish, 1616-)

medium: engraving

country: Flanders

subjects: Print Flander

credit_line: The Story of Elisha, 1643. Nicolaes Rijckmans (Flemish, 1616-), after Pieter I de Jode (Flemish, 1570–1634). Engraving. The Cleveland Museum of Art, Gift of Louise S. Richards, 1991.258


title: Textile

medium: double cloth

credit_line: Textile, c. 1100–1400. Peru, Central Coast, Chancay, 12th-15th century. Double cloth; overall: 34.5 x 16 cm (13 9/16 x 6 5/16 in.). The Cleveland Museum of Art, The Jane B. Tripp Charitable Lead Annuity Trust, 1992.231.2


creator: Ernest Meissonier (French, 1815–1891)

country: France

credit_line: Sketchbook, page 65: Study of Faces in Profile, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.lll


title: Sketchbook, page 44: Church Spire

credit_line: Sketchbook, page 44: Church Spire, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.rr


credit_line: Sketchbook, page 71: Study of a Figure Reading in Bed, Study of a Hand, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.rrr


title: Sketchbook, page 72: Figure Study

credit_line: Sketchbook, page 72: Figure Study, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.sss


subjects: Architecture France

credit_line: Sketchbook, page 22: Architectural Study, c. 1860s. Ernest Meissonier (French, 1815–1891). Graphite. The Cleveland Museum of Art, John L. Severance Fund, 1992.344.v


title: Puppy with Dandelions

medium: hanging scroll; ink on paper

subjects:
Painting
Japan, edo period (1615–1868)

credit_line: Puppy with Dandelions, 1600–1640. Studio of Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Hanging scroll; ink on paper; overall: 197.2 x 61.5 cm (77 5/8 x 24 3/16 in.); painting only: 105 x 42.6 cm (41 5/16 x 16 3/4 in.). The Cleveland Museum of Art, Bequest of Maud Eells Corning, 1992.382


medium: gold lacquer

subjects:
Lacquer
Japan, meiji period (1868–1912)

credit_line: Document Box (Ryōshibako) with Chrysanthemum and Plum (lid), late 1800s-early 1900s. Japan, Meiji period (1868–1912). Gold lacquer. The Cleveland Museum of Art, Bequest of Maud Eells Corning, 1992.390.b


title: Earring

medium: gold and jewels

country: Germany, possibly, 19th century

subjects:
Jewelry
Germany, possibly, 19th century

credit_line: Earring, c. 1840. Germany, possibly, 19th century. Gold and jewels; average: 3.3 x 2.9 cm (1 5/16 x 1 1/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Bruce Mavec, 1993.170.2.a


title: Mary Ward Betts

creator: Henry Inman (American, 1801–1846)

medium: oil on canvas

country: America

subjects: Painting America

credit_line: Mary Ward Betts, 1830s. Henry Inman (American, 1801–1846). Oil on canvas; unframed: 87.7 x 69 cm (34 1/2 x 27 3/16 in.). The Cleveland Museum of Art, Gift of Dr. William E. S. James, 1994.116.2


creator: Aristide Maillol (French, 1861–1944)

medium: lithograph

country: France, late 19th Century

subjects:
Print
France, late 19th century
Trees

credit_line: Two Bathers under a Tree at the Water's Edge, 1895. Aristide Maillol (French, 1861–1944). Lithograph. The Cleveland Museum of Art, John L. Severance Fund, 1994.297


title: Vase

credit_line: Vase, c. 1900. Czech Republic, Turn-Teplitz, early 20th Century. Porcelain; overall: 25 x 15.2 x 14.9 cm (9 13/16 x 6 x 5 7/8 in.). The Cleveland Museum of Art, Gift of Esther Stern, 1995.102


title: Camera Work: Angela

medium: photogravure

credit_line: Camera Work: Angela, 1905. F. Benedict Herzog (American, c. 1859–1912). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.12.j


title: Camera Work: Number 16, October 1906

creator: René Le Bègue (French, 1857–1914)

country: France, 20th century

credit_line: Camera Work: Number 16, October 1906, 1906. René Le Bègue (French, 1857–1914), Robert Demachy (French, 1859–1936). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.16


title: Camera Work: A Thames Locker

creator: George Davison (British, 1856–1930)

country: England, 20th century

credit_line: Camera Work: A Thames Locker, 1907. George Davison (British, 1856–1930). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.18.c


credit_line: Camera Work: Berkshire Teams and Teamsters, 1907. George Davison (British, 1856–1930). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.18.f


creator: J. Craig Annan (British, 1864–1946)

credit_line: Camera Work: The Etching Printer - William Strang, Esq., A.R.A., 1907. J. Craig Annan (British, 1864–1946). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.19.b


title: Camera Work: Janet Burnet

credit_line: Camera Work: Janet Burnet, 1907. J. Craig Annan (British, 1864–1946). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.19.d


title: Camera Work: The Beatty Children

creator: Clarence H. White (American, 1871–1925)

credit_line: Camera Work: The Beatty Children, 1905. Clarence H. White (American, 1871–1925). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.25.e


title: Camera Work: The Bridge

creator: John Francis Strauss (American)

credit_line: Camera Work: The Bridge, 1903. John Francis Strauss (American). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.3.d


title: Camera Work: Harlech Castle

credit_line: Camera Work: Harlech Castle, 1910. J. Craig Annan (British, 1864–1946). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.32.c


title: Camera Work: Sir Francis Grant, P.R.A.

credit_line: Camera Work: Sir Francis Grant, P.R.A., 1912. David Octavius Hill (British, 1802–1870), and Robert Adamson (British, 1821–1848). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.37.d


title: Camera Work: Lady in Flowered Dress

subjects:
Costume & fashion
England, 20th century

credit_line: Camera Work: Lady in Flowered Dress, 1912. David Octavius Hill (British, 1802–1870), and Robert Adamson (British, 1821–1848). Photogravure. The Cleveland Museum of Art, Museum Appropriation, 1995.199.37.g


creator: Edward S. Curtis (American, 1868–1952)

subjects: Portfolio America

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio I, Plate 20: Vash Gon-Jicarilla, 1903. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.21.20


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio I, Plate 21:  Chief Garfield-Jicarilla, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.21.21


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio I, Plate 24: A Hilltop Camp-Jicarilla, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.21.24


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio I, Plate 26: A Chief of the Desert-Navaho, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.21.26


title: Portfolio II, Plates 40-75

credit_line: The North American Indian: being a series of volumes picturing and describing the Indians of the United States, The Dominion of Canada, and Alaska: Portfolio II, Plates 40-75, 1903–7. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.22


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio II, Plate 60 / Quniáika-Mohave, 1903. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.22.21


title: Portfolio II, Plate 61: Mósa-Mohave

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio II, Plate 61: Mósa-Mohave, 1903. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.22.22


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio III, Plate 86 / A Gray Day in the Bad Lands, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.23.11


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio IV, Plate 139: Upshaw--Apsaroke, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.24.28


title: Portfolio VI, Plate 208: A Piegan Dandy

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio VI, Plate 208: A Piegan Dandy, 1900. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.26.25


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio VI, Plate 186: Painted Lodges--Piegan, 1900. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.26.3


title: Portfolio VIII, Plates 256- 292

credit_line: The North American Indian: being a series of volumes picturing and describing the Indians of the United States, The Dominion of Canada, and Alaska: Portfolio VIII, Plates 256- 292, 1899–1910. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.28


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio IX, Plate 313: The Mussel Gatherer, 1900. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.29.21


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XII, Plate 412: The Hopi Maiden, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.32.13


title: Portfolio XII, Plate 425: Mishongnovi

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XII, Plate 425: Mishongnovi, 1900. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.32.26


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XVI, Plate 569: At the Gateway - Acoma, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.36.26


title: Portfolio XVI, Plate 570: Acoma Roadway

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XVI, Plate 570: Acoma Roadway, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.36.27


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XVII, Plate 590: Girl and Jar - San Ildefonso, 1905. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.37.11


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XVII, Plate 612: Waíhusiwa, A Zuñi Kyáqimâssi, 1903. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.37.33


date: late 300s BCE–50 CE

medium: bronze

subjects: China, western han dynasty (206 bce–8 ce)

credit_line: Mirror with a Square Band, Four Nipples, and Grass Leaf Motifs, late 300s BCE–50 CE. China, Western Han dynasty (206 BCE–8 CE). Bronze; diameter: 11.4 cm (4 1/2 in.); overall: 0.9 cm (3/8 in.); rim: 0.4 cm (3/16 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.284


credit_line: Mirror with Concentric Circles and Linked Arcs, late 300s BCE–50 CE. China, Western Han dynasty (206 BCE–8 CE). Bronze; diameter: 14.1 cm (5 9/16 in.); overall: 1.3 cm (1/2 in.); rim: 0.6 cm (1/4 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.292


title: TLV Mirror with Eight Nipples

country: Japan, Kofun period (300–710 CE)

subjects:
Metalwork
Japan, kofun period (300–710 ce)

credit_line: TLV Mirror with Eight Nipples, 300s–400s CE. Japan, Kofun period (300–710 CE). Bronze; diameter: 12.3 cm (4 13/16 in.); overall: 0.8 cm (5/16 in.); rim: 0.4 cm (3/16 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.293


credit_line: Mirror with Four Nipples, Quasi-Dragons, and Birds, late 300s BCE–50 CE. China, Western Han dynasty (206 BCE–8 CE). Bronze; diameter: 14.6 cm (5 3/4 in.); overall: 1.4 cm (9/16 in.); rim: 0.6 cm (1/4 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.311


title: Mirror with Four Qilin

date: early 100s–early 200s CE

country: China, Eastern Han dynasty (25–220 CE)

subjects:
Metalwork
China, eastern han dynasty (25–220 ce)

credit_line: Mirror with Four Qilin, early 100s–early 200s CE. China, Eastern Han dynasty (25–220 CE). Bronze; diameter: 10.7 cm (4 3/16 in.); overall: 1.1 cm (7/16 in.); rim: 0.7 cm (1/4 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.321


credit_line: Mirror with Deities and Animals Surrounded by Rings of Squares and Semicircles, early 100s–early 200s CE. China, Eastern Han dynasty (25–220 CE)(?). Bronze; diameter: 10.8 cm (4 1/4 in.); overall: 1.1 cm (7/16 in.); rim: 0.5 cm (3/16 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.325


date: early to mid 10th Century

country: China, Five dynasties (907-960)

subjects:
Metalwork
China, five dynastie (907-960)
Birds
Flowers

credit_line: Octafoil Mirror with Avian and Floral Motifs, early to mid 10th Century. China, Five dynasties (907-960). Bronze; diameter: 13.8 cm (5 7/16 in.); overall: 0.7 cm (1/4 in.); rim: 0.3 cm (1/8 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee, 1995.394


title: Santa Maria Della Salute #2

creator: Mortimer Menpes (British, 1860–1938)

medium: etching

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: Santa Maria Della Salute #2, 1910. Mortimer Menpes (British, 1860–1938). Etching; sheet: 46.1 x 28.8 cm (18 1/8 x 11 5/16 in.); platemark: 30.2 x 28.8 cm (11 7/8 x 11 5/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1996.222


title: Cup

medium: Wood

credit_line: Cup, 1900s. Democratic Republic of the Congo, Kuba, 20th century. Wood; overall: 14.5 x 10.5 x 12.6 cm (5 11/16 x 4 1/8 x 4 15/16 in.). The Cleveland Museum of Art, Gift of Harry W. Langworthy, 1996.265


creator: Jan van de Velde (Dutch, 1620–1662)

country: Netherlands

subjects: Print Netherland Landscapes

credit_line: Landscapes, part III: Roman Ruins in Wooded Surroundings, 1616. Jan van de Velde (Dutch, 1620–1662), Claes Jansz Visscher (Dutch, 1586/87–1652). Etching; sheet: 12.3 x 19 cm (4 13/16 x 7 1/2 in.). The Cleveland Museum of Art, Gift of Lillian M. Kern, 1996.320


title: Untitled (Landscape with Dog)

medium: platinum print

subjects:
Photograph
France, 20th century
Landscapes

credit_line: Untitled (Landscape with Dog), c. 1910. France, 20th century. Platinum print; image: 16.8 x 22.2 cm (6 5/8 x 8 3/4 in.); matted: 35.6 x 45.7 cm (14 x 18 in.). The Cleveland Museum of Art, Gift of Charles Isaacs, 1996.342


creator: David Johnson (American, 1827–1908)

medium: Graphite heightened with white

subjects: Drawing America Landscapes

credit_line: Landscape with Man Fishing, Conway, New Hampshire, 1851. David Johnson (American, 1827–1908). Graphite heightened with white; sheet: 27 x 38.3 cm (10 5/8 x 15 1/16 in.). The Cleveland Museum of Art, Gift of The Honorable Joseph P. Carroll and Roberta Carroll, M.D., 1996.368


title: Saucer

subjects: Ceramic America

credit_line: Saucer, 1890. M. Louise McLaughlin (American, 1847–1939), Haviland & Co. (French). Porcelain; diameter: 11.8 cm (4 5/8 in.); overall: 2 cm (13/16 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 1997.264.b


title: Jungfrau, View from Mürren, Switzerland

creator: Charles Soulier (French, 1840–1875)

medium: albumen print from glass negative

country: France, 19th century

subjects:
Photograph
France, 19th century

credit_line: Jungfrau, View from Mürren, Switzerland, c. 1860s. Charles Soulier (French, 1840–1875). Albumen print from glass negative; image: 24.8 x 19.3 cm (9 3/4 x 7 5/8 in.); matted: 61 x 50.8 cm (24 x 20 in.). The Cleveland Museum of Art, John L. Severance Fund, 1997.46


title: Side-Dish with Dandelion in Rocks

country: Japan, Edo period (1615–1868)

subjects:
Ceramic
Japan, edo period (1615–1868)

credit_line: Side-Dish with Dandelion in Rocks, 1700s. Japan, Edo period (1615–1868). One of a set of five dishes; porcelain with underglaze blue and overglaze iron oxide (Arita ware, Kutani style); diameter: 11.8 cm (4 5/8 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.287.1


title: Side-Dish with Dandelion in Rocks

credit_line: Side-Dish with Dandelion in Rocks, 1700s. Japan, Edo period (1615–1868). One of a set of five dishes; porcelain with underglaze blue and overglaze iron oxide (Arita ware, Kutani style); diameter: 11.8 cm (4 5/8 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.287.4


title: The Donkeys at the Hill of the Cailles

creator: Félix Hilaire Buhot (French, 1847–1898)

subjects:
Print
France, 19th century

credit_line: The Donkeys at the Hill of the Cailles, c. 1875. Félix Hilaire Buhot (French, 1847–1898). Etching; sheet: 17.1 x 26.6 cm (6 3/4 x 10 1/2 in.); platemark: 7.2 x 11.6 cm (2 13/16 x 4 9/16 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.331


title: Dans les Champs de Cénon

creator: Maxime Lalanne (French, 1827–1886)

credit_line: Dans les Champs de Cénon, 1876. Maxime Lalanne (French, 1827–1886). Etching; sheet: 30.9 x 47.2 cm (12 3/16 x 18 9/16 in.); platemark: 19.8 x 28 cm (7 13/16 x 11 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.359


credit_line: Souvenirs artistiques du Siège de Paris: Le Cavalie (Bastion 63), 1870–71. Maxime Lalanne (French, 1827–1886), Cadant. Etching. The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.362


title: Tour de Montelban, Amsterdam

credit_line: Tour de Montelban, Amsterdam, 1884. Maxime Lalanne (French, 1827–1886). Etching. The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.365


title: Dinner Plate

creator: Guérhard et Dihl (French)

country: France, Paris

subjects:
Ceramic
France, pari

credit_line: Dinner Plate, c.1805. Probably by Guérhard et Dihl (French). Porcelain; diameter: 23 cm (9 1/16 in.). The Cleveland Museum of Art, Gift of Ronald S. Kane, 1998.413


title: The Street Pavers

creator: Henri Gabriel Ibels (French, 1867–1936)

credit_line: The Street Pavers, 1894. Henri Gabriel Ibels (French, 1867–1936). Etching. The Cleveland Museum of Art, John L. Severance Fund, 1998.46


title: Landscape

creator: Shao Gao (Chinese, c. 1595-c. 1643)

medium: folding fan, ink and color on gold paper

country: China, Suzhou, Ming dynasty (1368-1644)

subjects:
Painting
China, suzhou, ming dynasty (1368-1644)
Landscapes

credit_line: Landscape (山水圖), 1626. Shao Gao (Chinese, c. 1595-c. 1643). Folding fan, ink and color on gold paper; open and extended: 17.5 x 54 cm (6 7/8 x 21 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.95


title: Tightrope Dancer

creator: Auguste Brouet (French, 1872–1941)

subjects:
Print
France, 20th century

credit_line: Tightrope Dancer, c. 1902–41. Auguste Brouet (French, 1872–1941). Etching; sheet: 24.7 x 17.8 cm (9 3/4 x 7 in.); platemark: 20.3 x 14.3 cm (8 x 5 5/8 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.287


title: Tightrope Dancer

credit_line: Tightrope Dancer, c. 1902–41. Auguste Brouet (French, 1872–1941). Etching; sheet: 24 x 17.8 cm (9 7/16 x 7 in.); platemark: 20.3 x 14.3 cm (8 x 5 5/8 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.289


medium: etchings

subjects:
Portfolio
France, 20th century

credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: bust of old man (page 145), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.31


credit_line: Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: building/ figures on horse (insert after p. 224), 1937. Auguste Brouet (French, 1872–1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 1999.298.46


title: Lamenting Woman (Sarah H. Crone)

creator: Samuel H. Crone (American, 1858–1913)

medium: red chalk

subjects: Drawing America

credit_line: Lamenting Woman (Sarah H. Crone), 1880s or 1890s. Samuel H. Crone (American, 1858–1913). Red chalk; sheet: 25.3 x 31.5 cm (9 15/16 x 12 3/8 in.). The Cleveland Museum of Art, In memory of Sarah H. Crone (nee Voegtly), gift of William S. Huff, 1999.37


title: Man Holding Fruit

date: early 1900s

medium: ivory, pigment

country: Japan, Meiji period (1868–1912)

subjects:
Ivory
Japan, meiji period (1868–1912)
Fruits

credit_line: Man Holding Fruit, early 1900s. Japan, Meiji period (1868–1912). Ivory, pigment; overall: 10.5 x 3.9 cm (4 1/8 x 1 9/16 in.). The Cleveland Museum of Art, Gift of Henry B. Andrews, 2000.1003


title: Dodot Lampong

medium: cotton; plain weave; drawn resist, painted mordants, dyed

country: India, Coromandel Coast, 18th century

subjects:
Costume & fashion
Textile
India, coromandel coast, 18th century

credit_line: Dodot Lampong, c. 1700. India, Coromandel Coast, 18th century. Cotton; plain weave; drawn resist, painted mordants, dyed; overall: 321.5 x 228.7 cm (126 9/16 x 90 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2000.27


title: Hip Wrapper (tapis)

medium: cotton; plain weave; block printed, drawn resist, painted mordants, dyed

subjects: India, coromandel coast, 1st half 19th century

credit_line: Hip Wrapper (tapis), 1800–1850. India, Coromandel Coast, 1st half 19th Century. Cotton; plain weave; block printed, drawn resist, painted mordants, dyed; overall: 259.1 x 108 cm (102 x 42 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 2000.31


title: Ragdale Hall

subjects:
Print
England, 20th century

credit_line: Ragdale Hall, 1937. Frederick Landseer Maur Griggs (British, 1876–1938). Etching; sheet: 22.5 x 30.3 cm (8 7/8 x 11 15/16 in.); platemark: 17.5 x 25.3 cm (6 7/8 x 9 15/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2001.217


title: Sauceboat

medium: porcelain

country: England, Chelsea, 18th century

subjects:
Ceramic
England, chelsea, 18th century

credit_line: Sauceboat, c. 1755–1756. Chelsea Porcelain Factory (Britain, London, 1745–84). Porcelain; overall: 10.2 x 16.2 x 10.8 cm (4 x 6 3/8 x 4 1/4 in.). The Cleveland Museum of Art, Gift of the Foster Family Foundation, 2002.73


medium: woodcut

country: Eastern India, Bengal, Kolkata, Kalighat

subjects: Eastern india, bengal, kolkata, kalighat

credit_line: Anantasayan (Vishnu Reclining on Serpent Ananta), c. 1890. Shri Gobinda Chandra Roy (Indian, active late 1800s). Woodcut; secondary support: 30.8 x 49.9 cm (12 1/8 x 19 5/8 in.); painting only: 26.5 x 40.8 cm (10 7/16 x 16 1/16 in.). The Cleveland Museum of Art, Gift of William E. Ward in memory of his wife, Evelyn Svec Ward, 2003.140


title: The Solferino Bridge: Nocturnal Effect

creator: Eugène Delâtre (French, 1864–1938)

medium: color aquatint and etching

credit_line: The Solferino Bridge: Nocturnal Effect, c.1898. Eugène Delâtre (French, 1864–1938). Color aquatint and etching; sheet: 43.8 x 61.5 cm (17 1/4 x 24 3/16 in.); platemark: 32.6 x 49.8 cm (12 13/16 x 19 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2003.20


title: Dieppe, La Rue Notre Dame

creator: Walter Sickert (British, 1860–1942)

medium: etching and aquatint

credit_line: Dieppe, La Rue Notre Dame, 1909. Walter Sickert (British, 1860–1942). Etching and aquatint; sheet: 44.6 x 31.5 cm (17 9/16 x 12 3/8 in.); platemark: 39 x 27 cm (15 3/8 x 10 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2003.21


creator: Wedgwood Factory (British)

medium: earthenware

country: England, 18th-19th century

subjects:
Ceramic
England, 18th-19th century

credit_line: Wicker-Work Covered Sauce Tureen on Stand, c. 1780–1840. Wedgwood Factory (British). Earthenware; overall: 18 x 19.7 x 19.7 cm (7 1/16 x 7 3/4 x 7 3/4 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.248


title: Small Plate from a Place Setting

medium: glass

country: probably America, late 19th-early 20th century

subjects: Probably america, late 19th-early 20th century

credit_line: Small Plate from a Place Setting, c. 1890–1920. Probably America, late 19th-early 20th century. Glass; overall: 1.7 x 16.6 cm (11/16 x 6 9/16 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.252.7


title: Pair of Bowls with Yellow Glaze

medium: glazed porcelain

credit_line: Pair of Bowls with Yellow Glaze, 1723–35. China, Qing dynasty (1644-1911), Yongzheng mark and reign (1723-35). Glazed porcelain; diameter: 14.8 cm (5 13/16 in.); overall: 6.7 cm (2 5/8 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.259


creator: Horace Vernet (French, 1789–1863)

medium: lithograph in black and grayon blue chine

credit_line: The Man-Servant of Limier Rising from Bed, c. 1818. Horace Vernet (French, 1789–1863). Lithograph in black and grayon blue chine; sheet: 25.4 x 32.4 cm (10 x 12 3/4 in.); image: 15 x 19.4 cm (5 7/8 x 7 5/8 in.); tint: 17.3 x 21.5 cm (6 13/16 x 8 7/16 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.277


title: Two Oxen and Driver

medium: daguerreotype, sixth plate

country: America

subjects: Photograph America

credit_line: Two Oxen and Driver, 1850s. America. Daguerreotype, sixth plate; image: 7 x 8.3 cm (2 3/4 x 3 1/4 in.); case: 8 x 9.3 cm (3 1/8 x 3 11/16 in.); matted: 48.3 x 61 cm (19 x 24 in.). The Cleveland Museum of Art, Gift of Charles Isaacs and Carol Nigro, 2003.295


title: Allegorical Study of a Woman

creator: Harrison(?) (American)

date: late 1850s

medium: salted paper print from a wet collodion negative

subjects: Mythology Photograph America

credit_line: Allegorical Study of a Woman, late 1850s. Harrison(?) (American). Salted paper print from a wet collodion negative; overall: 18.7 x 13.5 cm (7 3/8 x 5 5/16 in.); matted: 50.8 x 40.6 cm (20 x 16 in.). The Cleveland Museum of Art, Gift of Charles Isaacs and Carol Nigro, 2003.305


title: Fancy

creator: Norbert Goeneutte (French, 1854–1894)

medium: etching

credit_line: Fancy, 1877. Norbert Goeneutte (French, 1854–1894). Etching; sheet: 49.1 x 32.7 cm (19 5/16 x 12 7/8 in.); platemark: 29.4 x 20.7 cm (11 9/16 x 8 1/8 in.). The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in honor of Charlotte Trenkamp's 100th birthday, 2003.323


title: The Wandering Jew: Heaven

creator: Henri Rivière (French, 1864–1951)

medium: color lithograph

subjects:
Portfolio
France, 19th century

credit_line: The Wandering Jew: Heaven, 1896. Henri Rivière (French, 1864–1951), Verneau. Color lithograph; sheet: 34.3 x 72 cm (13 1/2 x 28 3/8 in.); image: 23 x 60.6 cm (9 1/16 x 23 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.397.9


title: Solidus of Justin II

medium: gold

country: Byzantine, 6th century

subjects:
Coin
Byzantine, 6th century

credit_line: Solidus of Justin II , 565–578. Byzantine, 6th century. Gold; diameter: 2 cm (13/16 in.). The Cleveland Museum of Art, Gift of Dr. Thomas S. and Marion Korllos, 2004.151.a


creator: Jules Jacquemart (French, 1837–1880)

credit_line: Book by Albert Jacquemart: History of the Ceramic Art: A Descriptive and Philosophical Study of the Pottery of All Ages and All Nations: Japan: Artistic Decoration- Saucer with Rich Enamelled Ground, and Medallion Representing the Goddess Kouanin (Plate IV), 1877. Jules Jacquemart (French, 1837–1880). Etching; sheet: 25.5 x 18 cm (10 1/16 x 7 1/16 in.); platemark: 19.1 x 13 cm (7 1/2 x 5 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2004.73.d


credit_line: Book by Albert Jacquemart: History of the Ceramic Art: A Descriptive and Philosophical Study of the Pottery of All Ages and All Nations: Saxony: Dresden- Hard Porcelain- Ewer in Relief, with Figures in Violet Cámaïeu (Plate XII), 1877. Jules Jacquemart (French, 1837–1880). Etching; sheet: 25.5 x 18 cm (10 1/16 x 7 1/16 in.); platemark: 19 x 13 cm (7 1/2 x 5 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2004.73.l


title: "An Alphabet:" Cover

creator: William Nicholson (British, 1872–1949)

medium: lithograph

subjects:
Print
England, 19th century

credit_line: "An Alphabet:" Cover, published October 1897 (post-dated 1899). William Nicholson (British, 1872–1949), William Heinemann. Lithograph; book: 31.3 x 25.8 cm (12 5/16 x 10 3/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2005.229


creator: Félix Bracquemond (French, 1833–1914)

subjects:
Print
France, 19th century
Portraits

credit_line: Frontispiece for "New Works of Champfleury, The Friends of Nature:" Portrait of Champfleury, after Gustave Courbet, 1859. Félix Bracquemond (French, 1833–1914), Poulet-Malassis et de Broise. Etching; sheet: 20.9 x 13.5 cm (8 1/4 x 5 5/16 in.); image: 15.1 x 9.3 cm (5 15/16 x 3 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2005.247


title: The Hare (after A. de Balleroy)

medium: softground and drypoint

subjects:
Print
France, 19th century

credit_line: The Hare (after A. de Balleroy), 1865. Félix Bracquemond (French, 1833–1914). Softground and drypoint; sheet: 20.6 x 28.3 cm (8 1/8 x 11 1/8 in.); platemark: 18 x 25.5 cm (7 1/16 x 10 1/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2005.249


title: Charles Méryon

medium: heliogravure after etching of 1853

credit_line: Charles Méryon, 1884. Félix Bracquemond (French, 1833–1914), Gazette des Beaux-Arts. Heliogravure after etching of 1853; sheet: 27.5 x 18.9 cm (10 13/16 x 7 7/16 in.); platemark: 20.5 x 14.5 cm (8 1/16 x 5 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2005.256


title: A Man with a Ham, Just Cut

medium: engraving

subjects: Print Netherland

credit_line: A Man with a Ham, Just Cut. Cornelis van Dalen (Dutch, 1638-c. 1664). Engraving; sheet: 14.5 x 11.9 cm (5 11/16 x 4 11/16 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.273


title: The House in Moonlight

creator: Henri Le Sidaner (French, 1862–1939)

medium: lithograph printed in black

country: France, 20th century

subjects:
Print
France, 20th century

credit_line: The House in Moonlight, 1909. Henri Le Sidaner (French, 1862–1939). Lithograph printed in black; sheet: 26.6 x 17.3 cm (10 1/2 x 6 13/16 in.); image: 22.8 x 15.8 cm (9 x 6 1/4 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.292


creator: Kano Naonobu (Japanese, 1607–1650)

date: early 1600s

medium: pair of six-fold screens, mineral pigments and gold leaf on paper

subjects:
Painting
Japan, edo period (1615–1868)
Minerals & gems
Trees

credit_line: Winter Scene with Plum Trees and Pheasants , early 1600s. Kano Naonobu (Japanese, 1607–1650). Pair of six-fold screens, mineral pigments and gold leaf on paper; overall: 170.2 x 369.4 cm (67 x 145 7/16 in.). The Cleveland Museum of Art, Gift of William Kelly Simpson in memory of his wife Marilyn M. Simpson and her grandparents Mr. and Mrs. John D. Rockefeller Jr., 2006.142


medium: opaque watercolor, ink, and gold on paper

subjects: Iran, shiraz, safavid period (1501-1722)

credit_line: Text in Khamsa of Nizami (verso), from a Haft Paykar (Seven Portraits) of Nizami, c. 1560–80. Iran, Shiraz, Safavid period (1501-1722). Opaque watercolor, ink, and gold on paper; overall: 30.7 x 19.7 cm (12 1/16 x 7 3/4 in.); text area: 20.5 x 12.1 cm (8 1/16 x 4 3/4 in.). The Cleveland Museum of Art, Gift of William Kelly Simpson in memory of his wife Marilyn M. Simpson and her grandparents Mr. and Mrs. John D. Rockefeller Jr., 2006.146.b


medium: ink, tempera and burnished gold on vellum

country: Italy, Perugia

credit_line: Missale: Fol. 116: Saint Matthew with Angel, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.116.b


credit_line: Missale: Fol. 141v: Saint John with Eagle, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.141.b


medium: ink

credit_line: Missale: Fol. 146: Music for various prayers "Oremus dilectissimi..." and "Omnipotens sempiterne Deus", 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.146.a


title: Missale: Fol. 153v: Music for "Exultet"

credit_line: Missale: Fol. 153v: Music for "Exultet", 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.153.b


title: Missale: Fol. 154: Music for "Exultet"

credit_line: Missale: Fol. 154: Music for "Exultet", 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.154.a


title: Missale: Fol. 155v: Music for "Exultet"

credit_line: Missale: Fol. 155v: Music for "Exultet", 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.155.b


credit_line: Missale: Fol. 180v: Music for various ordinary prayers, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.180.b


title: Missale: Fol. 214: Pentecost

credit_line: Missale: Fol. 214: Pentecost, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.214.a


title: Missale: Fol. 25: Saint John with Eagle

credit_line: Missale: Fol. 25: Saint John with Eagle, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.25.a


title: Before the Bath

creator: Fabien Vieillard (French, 1877–1904)

medium: woodcut with hand coloring

credit_line: Before the Bath, c. 1895. Fabien Vieillard (French, 1877–1904). Woodcut with hand coloring; image: 23.4 x 30.7 cm (9 3/16 x 12 1/16 in.). The Cleveland Museum of Art, L. E. Holden Fund, 2006.170


title: Art of the Lithograph: Printing Press

creator: Alois Senefelder (German, 1771–1834)

country: Germany, 19th century

subjects:
Portfolio
Germany, 19th century

credit_line: Art of the Lithograph: Printing Press, 1819. Alois Senefelder (German, 1771–1834). Lithograph; sheet: 30.2 x 23.2 cm (11 7/8 x 9 1/8 in.); image: 19.2 x 15.6 cm (7 9/16 x 6 1/8 in.). The Cleveland Museum of Art, Gift of Susan Schulman Printseller and Carolyn Bullard Fine Prints in honor of Jane Glaubinger, 2006.194.16


credit_line: Art of the Lithograph: Transfer of a Wood Engraving, Plate VI , 1819. Alois Senefelder (German, 1771–1834). Lithograph; sheet: 30.2 x 23.3 cm (11 7/8 x 9 3/16 in.); image: 9.5 x 13.3 cm (3 3/4 x 5 1/4 in.). The Cleveland Museum of Art, Gift of Susan Schulman Printseller and Carolyn Bullard Fine Prints in honor of Jane Glaubinger, 2006.194.6


credit_line: Art of the Lithograph: Three Engraving Examples, Plate XI , 1819. Alois Senefelder (German, 1771–1834). Lithograph; sheet: 30 x 23.3 cm (11 13/16 x 9 3/16 in.); image: 16.8 x 7.8 cm (6 5/8 x 3 1/16 in.). The Cleveland Museum of Art, Gift of Susan Schulman Printseller and Carolyn Bullard Fine Prints in honor of Jane Glaubinger, 2006.194.7


creator: Thomas Girtin (British, 1775–1802)

country: England, 19th century

credit_line: A Selection of Twenty of the Most Picturesque Views in Paris: View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c taken from Pont Notre Dame, 1803. Thomas Girtin (British, 1775–1802). Softground etching and aquatint printed in brown, hand-colored with watercolor; sheet: 35.9 x 66.8 cm (14 1/8 x 26 5/16 in.); platemark: 30.2 x 56.2 cm (11 7/8 x 22 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.227


subjects:
Print
Germany, 19th century
Landscapes

credit_line: Heroic Landscape: Landscape with the Temptation of Christ, 1799. Johann Christian Reinhart (German, 1761–1847). Etching; sheet: 42.4 x 53.3 cm (16 11/16 x 21 in.); platemark: 28.1 x 36.1 cm (11 1/16 x 14 3/16 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2006.72.3


title: Untitled (Pennsylvania Railroad Engine)

medium: albumen print from a wet collodion negative

credit_line: Untitled (Pennsylvania Railroad Engine), c. 1868. America. Albumen print from a wet collodion negative; image: 27.3 x 43.3 cm (10 3/4 x 17 1/16 in.); mounted: 31.8 x 47.5 cm (12 1/2 x 18 11/16 in.); paper: 27.3 x 43.3 cm (10 3/4 x 17 1/16 in.); matted: 55.9 x 66 cm (22 x 26 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 2007.205


creator: Maxime Lalanne (French, 1827–1886)

credit_line: Traité de La Gravure a l’eau forte: Plate 4, 1866. Maxime Lalanne (French, 1827–1886), Cadar and Luquet. Etching; platemark: 18.2 x 11.7 cm (7 3/16 x 4 5/8 in.); book page: 23.2 x 15 cm (9 1/8 x 5 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.237.c


title: Boulevard Montmartre, Evening

medium: wood engraving

credit_line: Boulevard Montmartre, Evening, 1890. Auguste Louis Lepère (French, 1849–1918). Wood engraving; sheet: 30.7 x 23.1 cm (12 1/16 x 9 1/8 in.); image: 19 x 12.2 cm (7 1/2 x 4 13/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.253


title: Soldiers Playing Dice

credit_line: Revue des Peintres: Soldiers Playing Dice, 1900s. Célestin François Nanteuil (French, 1813–1873), Aubert & Junca. Lithograph; sheet: 21 x 26.1 cm (8 1/4 x 10 1/4 in.); image: 15.8 x 20 cm (6 1/4 x 7 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.189


title: Watering Can

credit_line: Watering Can, 1902. Jean-Émile Laboureur (French, 1877–1943). Etching; sheet: 24.2 x 33.6 cm (9 1/2 x 13 1/4 in.); platemark: 13.2 x 18 cm (5 3/16 x 7 1/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.193


creator: Aristide Maillol (French, 1861–1944)

medium: woodcut

credit_line: similiar to Daphnis and Chloe, Pantheon Books Inc., 1949  p. 131: Daphnis and Chloe: Daphnis and Chloe at Play, 1937. Aristide Maillol (French, 1861–1944). Woodcut; sheet: 19 x 13.5 cm (7 1/2 x 5 5/16 in.); image: 9.2 x 8.4 cm (3 5/8 x 3 5/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.197


medium: lithograph on chine collé

credit_line: Picturesque and Romantic Trips in Old France, Franche-Compté: Front of the Church at Brou , 1825. Richard Parkes Bonington (British, 1802–1828), after François Alexandre Pernot (French, 1793–1865). Lithograph on chine collé; sheet: 51.7 x 34.2 cm (20 3/8 x 13 7/16 in.); image: 34 x 23.2 cm (13 3/8 x 9 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.203


title: Cigarette Case

medium: enamel, cut steel

country: possibly German

subjects:
Enamel
Possibly german

credit_line: Cigarette Case, c. 1840–50. Possibly German. Enamel, cut steel; overall: 1 x 8 x 5.5 cm (3/8 x 3 1/8 x 2 3/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.100


title: Bowl

medium: porcelain

country: Germany, Meissen

subjects:
Ceramic
Germany, meissen

credit_line: Bowl, c. 1750–70. Meissen Porcelain Factory (German, est. c. 1710). Porcelain; overall: 14 x 38 x 14 cm (5 1/2 x 14 15/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.107.a


title: Snuff Box

medium: striated agate in gold and enamel mounts

country: Switzerland

credit_line: Snuff Box, 1800–1815. Switzerland. Striated agate in gold and enamel mounts; overall: 8.6 cm (3 3/8 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.25


title: Nymphe et Faune

creator: Octave Tassaert (French, 1800–1874)

medium: red chalk heightened with white chalk on off-white wove paper, pasted down.

country: France, 19th century

subjects:
Drawing
France, 19th century

credit_line: Nymphe et Faune, 1800s. Octave Tassaert (French, 1800–1874). Red chalk heightened with white chalk on off-white wove paper, pasted down.; sheet: 33.8 x 25.1 cm (13 5/16 x 9 7/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.302


title: Portrait of a Prince with a Hawk

medium: Gum tempera and gold on paper

country: India, Mughal, 18th century

subjects:
Painting
India, mughal, 18th century
Portraits

credit_line: Portrait of a Prince with a Hawk, 1700s. India, Mughal, 18th century. Gum tempera and gold on paper; sheet: 44 x 28.7 cm (17 5/16 x 11 5/16 in.); image: 17.7 x 11.8 cm (6 15/16 x 4 5/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.316


title: Hunstman with Trophies

creator: Hippolyte Lequeutre (French, 1793–1877)

medium: watercolor and gouache over graphite, partly varnished, on woven paper, pasted down

credit_line: Hunstman with Trophies, 1800s. Hippolyte Lequeutre (French, 1793–1877). Watercolor and gouache over graphite, partly varnished, on woven paper, pasted down; sheet: 28.9 x 21.5 cm (11 3/8 x 8 7/16 in.); secondary support: 30.8 x 23.3 cm (12 1/8 x 9 3/16 in.); tertiary support: 44 x 32.4 cm (17 5/16 x 12 3/4 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.341


title: Wiston River

medium: color woodcut

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: Wiston River, 1911. Frank Morley Fletcher (British, 1866–1949). Color woodcut; image: 21.3 x 36.9 cm (8 3/8 x 14 1/2 in.). The Cleveland Museum of Art, Bequest of Dr. Willard Steck by exchange, 2009.358


title: Snuff Box

medium: agate, gilt-metal mounts

credit_line: Snuff Box, c. 1830. Germany, 19th century. Agate, gilt-metal mounts; overall: 2.5 x 7.3 x 5.4 cm (1 x 2 7/8 x 2 1/8 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.50


title: The Night's Round

creator: Auguste Brouet (French, 1872–1941)

medium: roulette

credit_line: The Night's Round , c. 1902–41. Auguste Brouet (French, 1872–1941). Roulette. The Cleveland Museum of Art, Gift of John Bonebrake, 2009.510


title: Henri Herz, Pianist

creator: Achille Devéria (French, 1800–1857)

credit_line: Henri Herz, Pianist , 1832. Achille Devéria (French, 1800–1857). Lithograph on chine collé; sheet: 40.9 x 31 cm (16 1/8 x 12 3/16 in.); image: 38.3 x 29 cm (15 1/16 x 11 7/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.522


medium: lithograph

credit_line: Charlet's first lithographic album: Recueil de Croquis a L'usage des petits Enfans, Paris: Sketch Book for the Use of  Small Children: The Young Amateurs , 1822. Nicolas Toussaint Charlet (French, 1792–1845), Gihaut. Lithograph. The Cleveland Museum of Art, Gift of John Bonebrake, 2009.532


title: Le Quai Jemmapes à Paris

creator: Lucien Gautier (French, 1850–1925)

medium: etching

credit_line: Le Quai Jemmapes à Paris, 1881. Lucien Gautier (French, 1850–1925). Etching; sheet: 29.7 x 43.1 cm (11 11/16 x 16 15/16 in.); platemark: 24.7 x 39.7 cm (9 3/4 x 15 5/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.541


creator: Jules Chéret (French, 1836–1932)

medium: color lithograph

credit_line: Les Maitres de L'Affiche: Pl. 13, Saxoléine, 1895. Jules Chéret (French, 1836–1932). Color lithograph; sheet: 39.8 x 29 cm (15 11/16 x 11 7/16 in.); image: 28.1 x 20.6 cm (11 1/16 x 8 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.555


title: The Shepherd and Shepherdess

medium: etching on chine collé

credit_line: The Shepherd and Shepherdess , 1874. Charles François Daubigny (French, 1817–1878). Etching on chine collé. The Cleveland Museum of Art, Gift of John Bonebrake, 2009.566


title: The Laundresses

creator: Eugene Bléry (French, 1805–1886)

credit_line: The Laundresses , 1838. Eugene Bléry (French, 1805–1886). Etching on chine collé. The Cleveland Museum of Art, Gift of John Bonebrake, 2009.567


title: On Sentry Duty

creator: Eugène Delâtre (French, 1864–1938)

medium: color aquatint

country: France, late 19th - early 20th century

subjects:
Print
France, late 19th - early 20th century

credit_line: On Sentry Duty , c. 1905. Eugène Delâtre (French, 1864–1938), Zeitschrift für Bildende Kunst. Color aquatint; sheet: 32.8 x 23.3 cm (12 15/16 x 9 3/16 in.); platemark: 25.5 x 7.6 cm (10 1/16 x 3 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.569


title: Snuff Box

medium: gold-mounted bloodstone, diamonds

country: Russia

credit_line: Snuff Box, c. 1750. Russia. Gold-mounted bloodstone, diamonds. The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.65


title: Portrait of a Woman

creator: François Bonvin (French, 1817–1887)

medium: pastel

subjects:
Drawing
France, 19th century
Portraits

credit_line: Portrait of a Woman, c. 1843–81. François Bonvin (French, 1817–1887). Pastel; sheet: 29.2 x 17.4 cm (11 1/2 x 6 7/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.170


creator: Eric Ravilious (British, 1903–1942)

credit_line: Submarine Series: Introductory Lithograph, 1941. Eric Ravilious (British, 1903–1942). Color lithograph; sheet: 31.5 x 37.3 cm (12 3/8 x 14 11/16 in.); image: 28 x 32.1 cm (11 x 12 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2010.224


creator: Jean-Victor Bertin (French, 1767–1842)

medium: watercolor with graphite and heightened with gouache

credit_line: Paysage Italien: L'Abbaye et Les Religieux, late 1800s-1900s. Jean-Victor Bertin (French, 1767–1842). Watercolor with graphite and heightened with gouache; sheet: 35.5 x 46.3 cm (14 x 18 1/4 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.242


title: Six Views of Heidelberg Castle: Tower

creator: Ernst Fries (German, 1801–1833)

medium: lithograph printed in black and a deep ochre tint stone

subjects:
Print
Germany, 19th century

credit_line: Six Views of Heidelberg Castle: Tower , 1820. Ernst Fries (German, 1801–1833), Mohr & Winter, Heidelberg. Lithograph printed in black and a deep ochre tint stone; sheet: 38.5 x 50 cm (15 3/16 x 19 11/16 in.). The Cleveland Museum of Art, Prints & Drawings Sundry Art Purchase and Dudley P. Allen Fund, 2010.280.7


title: Interior View

creator: Anonymous

medium: watercolor and pen and black ink heightened with white, shell gold, and touches of other opaque colors and with traces of graphite

subjects:
Drawing
Russia
Shells & molluscs

credit_line: Interior View, c. 1805–10. Anonymous. Watercolor and pen and black ink heightened with white, shell gold, and touches of other opaque colors and with traces of graphite; sheet: 30.4 x 42.6 cm (11 15/16 x 16 3/4 in.); mounted: 40.4 x 49.9 cm (15 7/8 x 19 5/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.294


title: Windy Night, Stockholm

creator: Muirhead Bone (British, 1876–1953)

date: 1935, published 1936

medium: drypoint

credit_line: Windy Night, Stockholm, 1935, published 1936. Muirhead Bone (British, 1876–1953). Drypoint; sheet: 39.5 x 27.6 cm (15 9/16 x 10 7/8 in.); platemark: 30.1 x 19.5 cm (11 7/8 x 7 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.567


creator: John Sell Cotman (British, 1782–1842)

date: 1821, published 1822

medium: softground etching

subjects:
Architecture
Print
England, 19th century

credit_line: Architectural Antiquities of Normandy (Vol. II), Pl. 64:  House in the Place de la Pucelle, at Rouen, 1821, published 1822. John Sell Cotman (British, 1782–1842), J & A Arch, Cornhill & J.S. Cotman. Softground etching; sheet: 47.2 x 33.5 cm (18 9/16 x 13 3/16 in.); platemark: 36.8 x 25.3 cm (14 1/2 x 9 15/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.592


title: Views in Rome and Its Environs: Roiate

creator: Edward Lear (British, 1812–1888)

medium: lithograph in black and beige

subjects:
Print
England, 19th century

credit_line: Views in Rome and Its Environs: Roiate, 1841. Edward Lear (British, 1812–1888), T. M'Lean,. Lithograph in black and beige; sheet: 36.9 x 53.9 cm (14 1/2 x 21 1/4 in.); image: 24.2 x 36.1 cm (9 1/2 x 14 3/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.593


creator: William Nicholson (British, 1872–1949)

country: England, early 20th century

subjects:
Print
England, early 20th century

credit_line: a portfolio of 16 lithographs: Characters of Romance: Commodore Trunnion, 1900. William Nicholson (British, 1872–1949). Color lithograph; sheet: 50.3 x 41 cm (19 13/16 x 16 1/8 in.); image: 34.4 x 27.4 cm (13 9/16 x 10 13/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.614


title: London Types: Guardsman

credit_line: London Types: Guardsman, 1898. William Nicholson (British, 1872–1949). Color lithograph; sheet: 32.1 x 26.5 cm (12 5/8 x 10 7/16 in.); image: 25.2 x 22.8 cm (9 15/16 x 9 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.621


title: Twelve Portraits: Cecil Rhodes

subjects:
Print
England, 19th century
Portraits

credit_line: Twelve Portraits: Cecil Rhodes, 1899. William Nicholson (British, 1872–1949). Color lithograph; sheet: 26.5 x 25 cm (10 7/16 x 9 13/16 in.); image: 24.3 x 23.2 cm (9 9/16 x 9 1/8 in.); secondary support: 38.4 x 35.2 cm (15 1/8 x 13 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.631


title: Twelve Portraits: Sir Henry Irving

credit_line: Twelve Portraits: Sir Henry Irving, 1898. William Nicholson (British, 1872–1949). Color lithograph; sheet: 27.5 x 25.1 cm (10 13/16 x 9 7/8 in.); image: 25.3 x 23.1 cm (9 15/16 x 9 1/8 in.); secondary support: 41.6 x 38.1 cm (16 3/8 x 15 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.633


creator: Richard Earlom (British, 1743–1822)

medium: etching and mezzotint printed in brown

country: England, 18th century

subjects:
Print
England, 18th century

credit_line: Liber Veritatis:  No. 89, View of a Mountainous Extended Country, 1775. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682), John Boydell (British, 1720–1804). Etching and mezzotint printed in brown; sheet: 26.3 x 40.7 cm (10 3/8 x 16 in.); platemark: 20.6 x 25.8 cm (8 1/8 x 10 3/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.648


subjects:
Print
England, 18th century
Landscapes

credit_line: Liber Veritatis:  No. 145, A Landscape, with Figures, Simon brought before Priam, 1776. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682), John Boydell (British, 1720–1804). Etching and mezzotint printed in brown; sheet: 28.1 x 41 cm (11 1/16 x 16 1/8 in.); platemark: 20.6 x 26 cm (8 1/8 x 10 1/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.653


credit_line: London Types: Policeman (Constitution Hill), 1898. William Nicholson (British, 1872–1949). Color lithograph; sheet: 31.8 x 26.4 cm (12 1/2 x 10 3/8 in.); image: 25.4 x 22.9 cm (10 x 9 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.675


title: Farmhouse behind Trees

creator: Christoph Nathe (German, 1753–1806)

medium: watercolor and graphite on antique laid paper

country: Germany, 18th century

subjects:
Drawing
Germany, 18th century
Trees

credit_line: Farmhouse behind Trees, c. 1790. Christoph Nathe (German, 1753–1806). Watercolor and graphite on antique laid paper; sheet: 24.2 x 32.3 cm (9 1/2 x 12 11/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2011.117


title: Vegetable Bowl

medium: porcelain

country: France, Limoges

subjects:
Ceramic
France, limoge

credit_line: Vegetable Bowl, c. 1890–1910. France, Limoges. Porcelain; overall: 9.6 x 28 x 16.9 cm (3 3/4 x 11 x 6 5/8 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.121.a


title: Pipe in the Form of a Coiled Snake

medium: lead-glazed earthenware

subjects:
Ceramic
Reptiles & amphibians

credit_line: Pipe in the Form of a Coiled Snake, 1780–1820. England, Staffordshire, late 18th-early 19th Century. Lead-glazed earthenware; diameter: 19.5 x 17 x 3.3 cm (7 11/16 x 6 11/16 x 1 5/16 in.); overall: 19.5 x 3.3 cm (7 11/16 x 1 5/16 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.123


title: Egypt and Nubia: Frontispiece Volume V

creator: Louis Haghe (British, 1806–1885)

credit_line: Egypt and Nubia: Frontispiece Volume V, 1849. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 60.2 x 43.7 cm (23 11/16 x 17 3/16 in.); image: 47.5 x 31.6 cm (18 11/16 x 12 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.142


credit_line: Egypt and Nubia, Volume III: The Citadel of Cairo, Residence of Mehemet Ali, 1849. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 43.8 x 60.3 cm (17 1/4 x 23 3/4 in.); image: 32.7 x 49 cm (12 7/8 x 19 5/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.170


credit_line: Egypt and Nubia, Volume II: Medinet Abou, Thebes, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 43.8 x 60.2 cm (17 1/4 x 23 11/16 in.); image: 32.9 x 49.1 cm (12 15/16 x 19 5/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.173


credit_line: Egypt and Nubia, Volume I: Ruins of Luxor from the South-West, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 36.8 x 43.3 cm (14 1/2 x 17 1/16 in.); image: 25.3 x 35 cm (9 15/16 x 13 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.223


credit_line: Egypt and Nubia, Volume I: Wady Maharraka, Nubia, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 37.9 x 42.9 cm (14 15/16 x 16 7/8 in.); image: 25.2 x 34.8 cm (9 15/16 x 13 11/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.225


credit_line: Egypt and Nubia, Volume II: Obelisk of Heliopolis, 1848. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 43 x 43.6 cm (16 15/16 x 17 3/16 in.); image: 40.3 x 26.4 cm (15 7/8 x 10 3/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.228


creator: Thomas Allom (British, 1804–1872)

credit_line: Picturesque Sketches in Spain: Title Page, 1837. Thomas Allom (British, 1804–1872), Hodgson & Graves, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 54.8 x 37.5 cm (21 9/16 x 14 3/4 in.); image: 40.4 x 28.8 cm (15 7/8 x 11 5/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.264


subjects:
Portfolio
England, 19th century

credit_line: Sketches in Belgium and Germany, Volume I: Hall of Justice of the Magistrates du Franc, Bruges, 1840. Louis Haghe (British, 1806–1885), Hodgson & Graves, 6 Pall Mall, London. Color lithograph; sheet: 37.3 x 54.2 cm (14 11/16 x 21 5/16 in.); image: 29 x 40.6 cm (11 7/16 x 16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.278


creator: Pietro Fancelli (Italian, 1764–1850)

medium: pen and brown ink and watercolor with graphite under drawing

country: Italy, 19th century

subjects:
Drawing
Italy, 19th century

credit_line: Design for a Fresco of an Artist's Tomb in the Certosa of Bologna (recto), c. 1810–1820. Pietro Fancelli (Italian, 1764–1850). Pen and brown ink and watercolor with graphite under drawing; sheet: 49.2 x 34.3 cm (19 3/8 x 13 1/2 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2013.11.a


title: Judge in Red Robe

medium: oil on panel

subjects:
Painting
France, 19th century

credit_line: Judge in Red Robe, c. 1890. Adolphe Charles Edouard Steinheil (French, 1850–1908). Oil on panel; framed: 56.5 x 47 x 7.6 cm (22 1/4 x 18 1/2 x 3 in.); unframed: 33.5 x 23 cm (13 3/16 x 9 1/16 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.260


title: Embers Glow

creator: Theodore Roussel (French, 1847–1926)

subjects:
Ornament & design
Print
France, 19th century

credit_line: Embers Glow, 1890–1897. Theodore Roussel (French, 1847–1926). 1 color etching and aquatint mounted on original aquatint mount with etched and aquatinted framing papers surrounding the impression, 7 color etching and aquatint proofs, 2 "Lotus Pattern Frame" proofs; sheet: 24.3 x 20.4 cm (9 9/16 x 8 1/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.86


title: Embers Glow

medium: color etching and aquatint

subjects:
Print
France, 19th century

credit_line: Embers Glow, 1890–1897. Theodore Roussel (French, 1847–1926). Color etching and aquatint; sheet: 24.5 x 20.8 cm (9 5/8 x 8 3/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.86.5


title: Locket Panel (4 of 4)

creator: Alexis Falize (French, 1811–1898)

medium: gold and cloisonné enamel

subjects:
Jewelry
France, 19th century

credit_line: Locket Panel (4 of 4), 1800s. Alexis Falize (French, 1811–1898), Antoine Tard (French, active 1860–1889). Gold and cloisonné enamel; overall: 5.4 x 3.1 cm (2 1/8 x 1 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 2013.9.d


medium: porcelain, sepia enamel, gold leaf

credit_line: Cup and Saucer from Oliver Wolcott, Jr. Tea Service (1 of 6), 1785–1805. Chinese Export porcelain, late 18th-early 19th century. Porcelain, sepia enamel, gold leaf; overall: 7 x 7 x 6 cm (2 3/4 x 2 3/4 x 2 3/8 in.). The Cleveland Museum of Art, Gift of Harvey Buchanan in memory of Penelope Draper Buchanan and Dorothy Tuckerman Draper, 2013.98.1


title: L'Estampe Moderne: Jane

creator: Louis Rhead (American, 1857–1926)

medium: color lithograph

country: America

subjects: Print America

credit_line: published in L'Estampe Moderne: L'Estampe Moderne: Jane, 1898. Louis Rhead (American, 1857–1926), Imprimerie Champenois. Color lithograph; sheet: 40 x 30.5 cm (15 3/4 x 12 in.); image: 35 x 21.5 cm (13 3/4 x 8 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.126


medium: lithograph with tint stone

credit_line: Views of Rome and Its Environs: Ancient Gate of Alatri, 1841. Edward Lear (British, 1812–1888). Lithograph with tint stone; sheet: 36.8 x 44.1 cm (14 1/2 x 17 3/8 in.); image: 23.8 x 35.9 cm (9 3/8 x 14 1/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.225


title: Twelve Portraits: Prince Bismark

medium: color woodcut

credit_line: Twelve Portraits: Prince Bismark, 1899. William Nicholson (British, 1872–1949). Color woodcut; sheet: 27 x 25.4 cm (10 5/8 x 10 in.); image: 24.4 x 23.4 cm (9 5/8 x 9 3/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.231


medium: lithograph

subjects: Print Switzerland

credit_line: Prospectus de Librarie et de Journaux: les soliloques du Pauvre par Jehan Rictus, 1903. Théophile Alexandre Steinlen (Swiss, 1859–1923). Lithograph; sheet: 28.2 x 38 cm (11 1/8 x 14 15/16 in.); image: 20.2 x 32.3 cm (7 15/16 x 12 11/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.282


title: Sir Edward Poynter

creator: Alphonse Legros (French, 1837–1911)

medium: etching

credit_line: Sir Edward Poynter, 1877. Alphonse Legros (French, 1837–1911). Etching; sheet: 34.2 x 23.6 cm (13 7/16 x 9 5/16 in.); platemark: 25.6 x 17.1 cm (10 1/16 x 6 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.297


title: Bois de Pierrefonds

credit_line: Bois de Pierrefonds, 1874. Adolphe Théodore Jules Martial Potémont (French, 1828–1883). Etching; sheet: 42.7 x 31.5 cm (16 13/16 x 12 3/8 in.); platemark: 30 x 25.6 cm (11 13/16 x 10 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.308


creator: Georg Tippel (German, 1875–1915)

country: Germany, 19th-20th century

subjects:
Print
Germany, 19th-20th century

credit_line: Nude Woman on a Broomstick (from Advertisement Series for Coloured Fabric, Beit & Co., Hamburg) . Georg Tippel (German, 1875–1915). Color lithograph; sheet: 40 x 29.5 cm (15 3/4 x 11 5/8 in.); image: 31.5 x 21.5 cm (12 3/8 x 8 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.357


creator: Jacomme & Cie. R. de Lancry, 12, Paris

country: France

subjects: Print France

credit_line: Oeuvres de A. Calame, No. 13: Forêt de Sierre en Valais, 1843 (published 1851). Jacomme & Cie. R. de Lancry, 12, Paris, Alexandre Calame (Swiss, 1810–1864), F. Delarue, r. J.J. Rouseau, 10, Paris. Lithograph; sheet: 36.7 x 54 cm (14 7/16 x 21 1/4 in.); image: 17.5 x 23.8 cm (6 7/8 x 9 3/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.366


title: Mascarade à la Grecque

creator: Benigno Bossi (Italian, 1727–1792)

country: Italy, 18th century

subjects:
Print
Italy, 18th century

credit_line: Mascarade à la Grecque , 1771. After Benigno Bossi (Italian, 1727–1792), Ennemond Alexandre Petitot (French, 1727-1801), Benigno Bossi, Parma, 1771. Set of 10 etchings, including the title page; sheet: 41.9 x 28.1 cm (16 1/2 x 11 1/16 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.6


title: Mascarade à la Grecque: Dedication Page

credit_line: Mascarade à la Grecque: Dedication Page, 1771. Benigno Bossi (Italian, 1727–1792), after Ennemond Alexandre Petitot (French, 1727-1801). Etching; sheet: 41.9 x 28.1 cm (16 1/2 x 11 1/16 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.6.1


title: Shepherd in the Greek Style, Plate 5

credit_line: Mascarade à la Grecque:: Shepherd in the Greek Style, Plate 5, 1771. Benigno Bossi (Italian, 1727–1792), after Ennemond Alexandre Petitot (French, 1727-1801). Etching; sheet: 41.9 x 28.1 cm (16 1/2 x 11 1/16 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.6.6


title: Salomé

creator: Wilhelm Volz (German, 1855–1901)

country: Germany

subjects: Print Germany

credit_line: published in Pan II 3: Salomé , 1896. Wilhelm Volz (German, 1855–1901), Original lithographie Pan II 3. Color lithograph; sheet: 37.6 x 28.6 cm (14 13/16 x 11 1/4 in.); image: 27.2 x 18.7 cm (10 11/16 x 7 3/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.689


title: Le Baiser

creator: Victor Emile Prouvé (French, 1858–1943)

medium: Color lithograph

country: France, Paris

credit_line: L'Estampe Moderne: Le Baiser, 1898. Victor Emile Prouvé (French, 1858–1943). Color lithograph; sheet: 34.5 x 24.2 cm (13 9/16 x 9 1/2 in.); image: 34.5 x 24.2 cm (13 9/16 x 9 1/2 in.); secondary support: 40.1 x 30.3 cm (15 13/16 x 11 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.dd


title: Le Départ

date: published 1899

credit_line: L'Estampe Moderne: Le Départ, published 1899. Louis Joseph Raphaël Collin (French, 1830–1916). Color lithograph; sheet: 34.2 x 23.5 cm (13 7/16 x 9 1/4 in.); image: 34.2 x 23.5 cm (13 7/16 x 9 1/4 in.); secondary support: 40.1 x 30.4 cm (15 13/16 x 11 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.ll


title: Dans les Bois

creator: Eugène Grasset (French, 1841–1917)

credit_line: L'Estampe Moderne: Dans les Bois, 1899. Eugène Grasset (French, 1841–1917), Imprimerie Champenois. Color lithograph from bound volume containing 50 lithographs, each with a tissue paper guard; sheet: 21.5 x 18.4 cm (8 7/16 x 7 1/4 in.); image: 21.5 x 18.4 cm (8 7/16 x 7 1/4 in.); secondary support: 40.1 x 30.5 cm (15 13/16 x 12 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.pp


creator: Victor Petit (French, 1817–1874)

date: published 1860

medium: front and back cover, from portfolio of 100 lithographs with tint stone

subjects:
Architecture
Portfolio
France, 19th century

credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Cover, published 1860. Victor Petit (French, 1817–1874), Charles Boivin, Paris (publisher and editor); Lith de Godard a Paris (printer). Front and back cover, from portfolio of 100 lithographs with tint stone; sheet: 36 x 27.5 cm (14 3/16 x 10 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.1


medium: lithograph with tint stone, from portfolio of 100 lithographs with tint stone

subjects:
Architecture
Print
France, 19th century

credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles:Pl. 23, Commanderie De Launay (Yonne), published 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.7 x 27.4 cm (14 1/16 x 10 13/16 in.); image: 22.8 x 14 cm (9 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.23


medium: lithograph, from portfolio of 100 lithographs with tint stone

credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Frontispiece, Porte du Château de St Manvieux (Calvados), 1860. Victor Petit (French, 1817–1874), Ch. Boivin; Printer: Godard, Paris; Printmaker: Victor Petit. Lithograph, from portfolio of 100 lithographs with tint stone; sheet: 36 x 27.5 cm (14 3/16 x 10 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.3


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 60, Maison Fortifiée À Uzerches (Corrère), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36.1 x 27.3 cm (14 3/16 x 10 3/4 in.); image: 23.9 x 14 cm (9 7/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.58


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 61, Ancien Fief De Fley (Nièvre), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.6 x 27.4 cm (14 x 10 13/16 in.); image: 22.9 x 14 cm (9 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.59


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 63, Ancien Manoir De La Fosse (Saône et Loire), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36.2 x 27.5 cm (14 1/4 x 10 13/16 in.); image: 22.9 x 14 cm (9 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.61


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 91, Château de Tévray (Eure), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36 x 27.2 cm (14 3/16 x 10 11/16 in.); image: 23.5 x 14 cm (9 1/4 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.89


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl.100, Château de Saligny (Alliers), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.8 x 27.6 cm (14 1/8 x 10 7/8 in.); image: 23.5 x 14 cm (9 1/4 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.98


medium: wood engraving from bound volume of 34

credit_line: Fontainebleau Forest: Serpent Merchant (La Forêt de Fontainebleau: Le chasseur de serpents), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 9 x 4.7 cm (3 9/16 x 1 7/8 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.cc


credit_line: Fontainebleau Forest: Serpent Merchant (La Forêt de Fontainebleau: Marchande de Serpents), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 7 x 4.6 cm (2 3/4 x 1 13/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.gg


subjects:
France, 19th century
Mushrooms & fungi

credit_line: Fontainebleau Forest: Mushroom Hunters at the Rocher Bernard (La Forêt de Fontainebleau: Au rocher Bernard, chercheurs de champignons), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 10.1 x 13.3 cm (4 x 5 1/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.ii


credit_line: Fontainebleau Forest: Mother Pichard's Canteen (La Forêt de Fontainebleau: Cantine de la mère Pichard), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 7.8 x 16.2 cm (3 1/16 x 6 3/8 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.x


title: Pendant of a Clavus

date: late 700s

medium: tapestry; linen and wool

country: Egypt, Abbasid period

subjects:
Costume & fashion
Textile
Egypt, abbasid period

credit_line: Pendant of a Clavus, late 700s. Egypt, Abbasid period. Tapestry; linen and wool; overall: 7.7 x 6.1 cm (3 1/16 x 2 3/8 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1914.550


medium: Gum tempera, ink, and gold on paper

credit_line: Text, Folio 10 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.10.b


credit_line: Text, Folio 16 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.16.b


credit_line: Text, Folio 59 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.59.b


credit_line: Text, Folio 66 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.66.b


medium: gum tempera and ink on palm leaves

subjects: Painting Palms

credit_line: Text, Folio 117 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.117.b


credit_line: Text, Folio 118 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.118.b


credit_line: Text, Folio 119 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.119.a


credit_line: Text, Folio 120 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.120.b


credit_line: Text, Folio 125 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.125.b


credit_line: Text, Folio 129 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.129.a


credit_line: Text, Folio 129 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.129.b


credit_line: Text, Folio 13 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.13.b


credit_line: Text, Folio 130 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.130.b


credit_line: Text, Folio 131 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.131.b


credit_line: Text, Folio 132 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.132.a


credit_line: Text, Folio 14 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.14.b


credit_line: Text, Folio 145 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.145.b


credit_line: Text, Folio 148 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.148.a


credit_line: Text, Folio 149 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.149.b


credit_line: Text, folio 160 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.161.a


credit_line: Text, folio 173 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.173.b


credit_line: Text, folio 174 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.174.a


credit_line: Text, folio 182 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.182.b


credit_line: Text, folio 184 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.184.b


credit_line: Text, Folio 22 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.22.b


credit_line: Text, folio 42 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.42.a


credit_line: Text, Folio 47 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.47.a


credit_line: Text, folio 53 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.53.b


credit_line: Text, Folio 60 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.60.b


credit_line: Text, Folio 64 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.64.a


credit_line: Text, Folio 72 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.72.b


credit_line: Text, Folio 74 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.74.a


credit_line: Text, Folio 75 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.75.b


credit_line: Text, Folio 77 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.77.b