title: The Prodigal Son: page 9

creator: Henri Rivière (French, 1864–1951)

credit_line: Bound Volume illustrating the poetry and music of Georges Fragerolle: The Prodigal Son: page 9, 1895. Henri Rivière (French, 1864–1951), E. Flammarion. 15 color lithographs in a bound volume illustrating the poetry and music of Georges Fragerolle: color lithograph; book: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.396.d


title: The Prodigal Son: Deuxième Tableau

country: France, 19th century

source: The Cleveland Museum of Art

source_id: cleveland

rights: Public Domain / CC0

rights_statement: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

credit_line: Bound Volume illustrating the poetry and music of Georges Fragerolle: The Prodigal Son: Deuxième Tableau, 1895. Henri Rivière (French, 1864–1951), E. Flammarion. 15 color lithographs in a bound volume illustrating the poetry and music of Georges Fragerolle: color lithograph; book: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.396.i


title: The Wandering Jew: Back Cover

medium: color lithograph

subjects:
Portfolio
France, 19th century

credit_line: The Wandering Jew: Back Cover, 1896. Henri Rivière (French, 1864–1951), Verneau. Color lithograph; sheet: 34.3 x 72 cm (13 1/2 x 28 3/8 in.); image: 23 x 60.6 cm (9 1/16 x 23 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.397.10


title: The Wandering Jew

subjects:
Print
France, 19th century

credit_line: The Wandering Jew , 1896. Henri Rivière (French, 1864–1951), Verneau. Color lithograph; sheet: 34.3 x 72 cm (13 1/2 x 28 3/8 in.); image: 23 x 60.6 cm (9 1/16 x 23 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2003.430


title: Bacchanal with Children and Donkey

medium: etching

credit_line: Bacchanal with Children and Donkey, c. 1860–70. Jean-Baptiste Carpeaux (French, 1827–1875). Etching; sheet: 16.7 x 23.4 cm (6 9/16 x 9 3/16 in.); platemark: 11.3 x 14.4 cm (4 7/16 x 5 11/16 in.). The Cleveland Museum of Art, Alma and Robert D. Milne Fund, 2004.38


creator: Jules Jacquemart (French, 1837–1880)

credit_line: Book by Albert Jacquemart: History of the Ceramic Art: A Descriptive and Philosophical Study of the Pottery of All Ages and All Nations: France: Sèvres- Soft Porcelain- Vase, Commemorative of the Battle of Fontenoy (Plate XI), 1877. Jules Jacquemart (French, 1837–1880). Etching; sheet: 25.5 x 18 cm (10 1/16 x 7 1/16 in.); platemark: 19 x 13 cm (7 1/2 x 5 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2004.73.k


title: Entering Bergen

creator: Muirhead Bone (British, 1876–1953)

medium: watercolor and graphite

country: England, 20th century

subjects:
Drawing
England, 20th century

credit_line: Entering Bergen, c. 1896–1953. Muirhead Bone (British, 1876–1953). Watercolor and graphite; sheet: 9 x 25.2 cm (3 9/16 x 9 15/16 in.). The Cleveland Museum of Art, Gift of Dr. and Mrs. William L. Huffman, 2005.152


title: Fragment of a Mantle with Oculate Being

date: 200–1 BCE

medium: cotton; double-cloth

country: Peru, South Coast, Paracas, Carhua?

subjects:
Costume & fashion
Textile
Peru, south coast, paracas, carhua

credit_line: Fragment of a Mantle with Oculate Being, 200–1 BCE. Peru, South Coast, Paracas, Carhua?. Cotton; double-cloth; overall: 74.9 x 108 cm (29 1/2 x 42 1/2 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 2005.19


title: Erasmus, after Holbein

creator: Félix Bracquemond (French, 1833–1914)

credit_line: Erasmus, after Holbein, 1863. Félix Bracquemond (French, 1833–1914). Etching; sheet: 35 x 27.6 cm (13 3/4 x 10 7/8 in.); platemark: 31.5 x 25.6 cm (12 3/8 x 10 1/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2005.232


title: Portrait of Meyer Heine

subjects:
Print
France, 19th century
Portraits

credit_line: Portrait of Meyer Heine, 1860s. Félix Bracquemond (French, 1833–1914), A. Cadart & Bard Hausmann, 56, Paris. Etching; sheet: 35.7 x 50.8 cm (14 1/16 x 20 in.); platemark: 22 x 24.5 cm (8 11/16 x 9 5/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2005.239


title: Various Lions

creator: Abraham Blooteling (Dutch, 1640–1690)

country: Netherlands

subjects: Print Netherland

credit_line: Various Lions, 1655–90. Abraham Blooteling (Dutch, 1640–1690), after Peter Paul Rubens (Flemish, 1577–1640). Etching; sheet: 14.6 x 19.6 cm (5 3/4 x 7 11/16 in.); platemark: 14 x 18 cm (5 1/2 x 7 1/16 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.266


title: Various Lions

credit_line: Various Lions, 1655–90. Abraham Blooteling (Dutch, 1640–1690), after Peter Paul Rubens (Flemish, 1577–1640). Etching; sheet: 15 x 19.3 cm (5 7/8 x 7 5/8 in.); platemark: 13.9 x 18.2 cm (5 1/2 x 7 3/16 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.266.2


title: The Winter Garden

credit_line: The Winter Garden, 1842–1843. Charles François Daubigny (French, 1817–1878). Etching; sheet: 19.1 x 27.5 cm (7 1/2 x 10 13/16 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.271


creator: Francis Sansom (British, 1815)

medium: engraving with hand coloring

country: England, 19th century

subjects:
Botany
Print
England, 19th century
Flowers

credit_line: The Botanical Magazine or Flower Garden Displayed: Plate 931, Phytolacca Decandra. Virginian Poke. [Phytolaca Americana] , 1806. Francis Sansom (British, 1815), Thomas Curtis (British, 1846–1920), after Sydenham Edwards (British, 1768–1819). Engraving with hand coloring; sheet: 22.5 x 14.2 cm (8 7/8 x 5 9/16 in.); platemark: 20.1 x 11.7 cm (7 15/16 x 4 5/8 in.). The Cleveland Museum of Art, Gift of The Cleveland Museum of Art Library, 2005.335


medium: ink

country: Italy, Perugia

credit_line: Missale: Fol. 121v: contains music for "Hely Hely Lama etc." within St. Mattion Passion, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.121.b


credit_line: Missale: Fol. 146v: Music for various prayers "Oremus dilectissimi..." and "Omnipotens sempiterne Deus", 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.146.b


title: Missale: Fol. 153: Music for "Exultet"

credit_line: Missale: Fol. 153: Music for "Exultet", 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.153.a


credit_line: Missale: Fol. 173: Music for "Alleluia" etc. at beginning of Easter, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.173.a


credit_line: Missale: Fol. 176v: Music for various ordinary prayers, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.176.b


credit_line: Missale: Fol. 177v: Music for various ordinary prayers, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.177.b


title: Missale: Fol. 22: Nativity

medium: ink, tempera and burnished gold on vellum

credit_line: Missale: Fol. 22: Nativity, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.22.a


subjects:
Italy, perugia
Skeletons & bones

credit_line: Missale: Fol. 387v: Death represented as a Skeleton with a Sickle, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.387.b


credit_line: Headquarters of the Société des Aquafortistes, 1864. Adolphe Théodore Jules Martial Potémont (French, 1828–1883). Etching; sheet: 34.8 x 54.9 cm (13 11/16 x 21 5/8 in.); platemark: 28.5 x 38.9 cm (11 1/4 x 15 5/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2006.183


creator: Alois Senefelder (German, 1771–1834)

medium: lithograph

country: Germany, 19th century

subjects:
Portfolio
Germany, 19th century

credit_line: Art of the Lithograph: Head of an Amazon, Plate XIV , 1819. Alois Senefelder (German, 1771–1834). Lithograph; sheet: 29.7 x 23 cm (11 11/16 x 9 1/16 in.); image: 16.8 x 13.9 cm (6 5/8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Susan Schulman Printseller and Carolyn Bullard Fine Prints in honor of Jane Glaubinger, 2006.194.10


credit_line: Art of the Lithograph: Toning Samples, Plate XVI , 1819. Alois Senefelder (German, 1771–1834). Lithograph; sheet: 30 x 23.2 cm (11 13/16 x 9 1/8 in.); image: 17.2 x 13.4 cm (6 3/4 x 5 1/4 in.). The Cleveland Museum of Art, Gift of Susan Schulman Printseller and Carolyn Bullard Fine Prints in honor of Jane Glaubinger, 2006.194.12


credit_line: Art of the Lithograph: Three Designs from Dürer’s Prayer Book, Plate V , 1819. Alois Senefelder (German, 1771–1834). Lithograph; sheet: 29.9 x 23 cm (11 3/4 x 9 1/16 in.); image: 20.5 x 15.9 cm (8 1/16 x 6 1/4 in.). The Cleveland Museum of Art, Gift of Susan Schulman Printseller and Carolyn Bullard Fine Prints in honor of Jane Glaubinger, 2006.194.5


creator: Thomas Girtin (British, 1775–1802)

date: 1803, printed 1810 or after

medium: softground etching and aquatint printed in brown, hand-colored with watercolor

subjects:
Print
England, 19th century

credit_line: A Selection of Twenty of the Most Picturesque Views in Paris: View from Palace Terrace, at St. Germain en Laye, the Aquaduct of Marli seen in the Distance, 1803, printed 1810 or after. Thomas Girtin (British, 1775–1802), Joseph Constantine Stadler (German, active 1780–1822). Softground etching and aquatint printed in brown, hand-colored with watercolor; sheet: 45.3 x 64.2 cm (17 13/16 x 25 1/4 in.); platemark: 22.6 x 53.7 cm (8 7/8 x 21 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.236


title: A Street in Rouen

creator: Maxime Lalanne (French, 1827–1886)

medium: etching on chine collé

credit_line: A Street in Rouen, 1884. Maxime Lalanne (French, 1827–1886). Etching on chine collé; sheet: 34.3 x 23.9 cm (13 1/2 x 9 7/16 in.); platemark: 28 x 19.7 cm (11 x 7 3/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.250


title: View from St. Michel Bridge

credit_line: View from St. Michel Bridge, 1865. Maxime Lalanne (French, 1827–1886). Etching; sheet: 29.3 x 36.9 cm (11 9/16 x 14 1/2 in.); platemark: 24.8 x 33.4 cm (9 3/4 x 13 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.252


date: early 1900s

medium: lacquer

country: Japan, Meiji period (1868–1912)

subjects:
Lacquer
Japan, meiji period (1868–1912)

credit_line: Nested Boxes with Chrysanthemums (inner box), early 1900s. Japan, Meiji period (1868–1912). Lacquer; overall: 1.4 x 5.8 x 4.2 cm (9/16 x 2 5/16 x 1 5/8 in.). The Cleveland Museum of Art, Bequest of Lillian M. Kern, 2007.1009.3.b


title: Traité de La Gravure a l’eau forte

medium: book containing 4 etchings by Maxime Lalanne

credit_line: Traité de La Gravure a l’eau forte, 1866. Maxime Lalanne (French, 1827–1886), Cadart et Luquet, Paris. Book containing 4 etchings by Maxime Lalanne. The Cleveland Museum of Art, Gift of John Bonebrake, 2007.237


creator: Eugène Isabey (French, 1803–1886)

medium: lithograph on chine collé

credit_line: Six Marines: Souvenir Saint Valéry-sur-Somme, 1833. Eugène Isabey (French, 1803–1886), Morlot, Paris and McLean. Lithograph on chine collé; sheet: 56.5 x 37 cm (22 1/4 x 14 9/16 in.); platemark: 30.3 x 24.3 cm (11 15/16 x 9 9/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.238.3


title: The Admiralty, Paris

creator: Charles Meryon (French, 1821–1868)

credit_line: The Admiralty, Paris, 1865. Charles Meryon (French, 1821–1868), Cadart & Luquet for the Société des Aqua-fortistes, 4e Année, August 1, 1866. Etching; sheet: 34.2 x 28.2 cm (13 7/16 x 11 1/8 in.); platemark: 16.8 x 14.7 cm (6 5/8 x 5 13/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.245


title: The Two Hunchbacks

credit_line: The Two Hunchbacks, 1893. Auguste Louis Lepère (French, 1849–1918), Edward Sagot, Paris. Etching; sheet: 22 x 29.8 cm (8 11/16 x 11 3/4 in.); platemark: 17.6 x 26.3 cm (6 15/16 x 10 3/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.261


title: Landscapes and Street Corners: Moving

medium: color woodcut

subjects:
Print
France, 19th century
Landscapes

credit_line: Landscapes and Street Corners: Moving , 1900. Auguste Louis Lepère (French, 1849–1918). Color woodcut; sheet: 23.8 x 15.2 cm (9 3/8 x 6 in.); image: 6.6 x 8.5 cm (2 5/8 x 3 3/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.269


title: Festival

medium: wood engraving

credit_line: Festival, c. 1870–1918. Auguste Louis Lepère (French, 1849–1918). Wood engraving; sheet: 31 x 46.4 cm (12 3/16 x 18 1/4 in.); platemark: 22 x 10.5 cm (8 11/16 x 4 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.270


title: Goldsmith's Arch, Rome

creator: Frédéric Flachéron (French, 1813–1883)

subjects:
Photograph
France, 19th century

credit_line: Goldsmith's Arch, Rome, 1850. Frédéric Flachéron (French, 1813–1883). Salted paper print from a paper negative; image: 33.6 x 25.5 cm (13 1/4 x 10 1/16 in.); paper: 44.8 x 37.5 cm (17 5/8 x 14 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2008.115


title: A Road in Williamstown

creator: George K. Warren (American, 1834–1884)

medium: albumen print from wet collodion negative

country: America

subjects: Photograph America

credit_line: A Road in Williamstown, c. 1870. George K. Warren (American, 1834–1884). Albumen print from wet collodion negative; image: 14.8 x 20.2 cm (5 13/16 x 7 15/16 in.); mounted: 27.6 x 35.5 cm (10 7/8 x 14 in.); with borders: 19.1 x 24.4 cm (7 1/2 x 9 5/8 in.); matted: 40.6 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, Gift of Charles Isaacs and Carol Nigro, 2008.176


creator: William Walcot (British, 1874–1943)

subjects:
Print
England, 20th century

credit_line: Herodias: Page 13, The tetrarch was awaited by several Galileans, the master of scribes, the chief of the land steward, the manager of the salt mines, and a Jew from Babylon commanding his troops on horse, 1928. William Walcot (British, 1874–1943). Etching; sheet: 30.7 x 24.1 cm (12 1/16 x 9 1/2 in.); platemark: 20.5 x 17.2 cm (8 1/16 x 6 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2008.330.d


credit_line: Herodias: Page 19, The ramparts were thronged with people when Vitellius entered the castle gates, 1928. William Walcot (British, 1874–1943). Etching; sheet: 30.9 x 24.5 cm (12 3/16 x 9 5/8 in.); platemark: 14.2 x 17.7 cm (5 9/16 x 6 15/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2008.330.e


title: Teapot

medium: porcelain

country: Germany, Meissen

subjects:
Ceramic
Germany, meissen

credit_line: Teapot, c. 1750–70. Meissen Porcelain Factory (German, est. c. 1710). Porcelain; overall: 12 x 43.5 x 19.5 cm (4 3/4 x 17 1/8 x 7 11/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.104


title: Teapot

credit_line: Teapot, c. 1750–70. Meissen Porcelain Factory (German, est. c. 1710). Porcelain; overall: 14.8 x 46.8 x 20.1 cm (5 13/16 x 18 7/16 x 7 15/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.105


title: Lid for a Teapot

credit_line: Lid for a Teapot, c. 1750–70. Meissen Porcelain Factory (German, est. c. 1710). Porcelain; overall: 12.9 x 39.2 x 18.3 cm (5 1/16 x 15 7/16 x 7 3/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.106.b


title: Windmills in a Landscape

creator: Eugene Deshayes (French, 1828–1890)

medium: charcoal with white heightening

subjects:
Drawing
France, 19th century
Landscapes

credit_line: Windmills in a Landscape, c. 1850–90. Eugene Deshayes (French, 1828–1890). Charcoal with white heightening; sheet: 37.8 x 62.8 cm (14 7/8 x 24 3/4 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.115


title: Study of a Woman's Hand (verso)

creator: Théodule Ribot (French, 1823–1891)

medium: graphite

subjects:
Drawing
France, 19th century

credit_line: Study of a Woman's Hand (verso), 1800s. Théodule Ribot (French, 1823–1891). Graphite; sheet: 23.6 x 30.8 cm (9 5/16 x 12 1/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.120.b


title: Setting Sun

creator: Camille Pissarro (French, 1830–1903)

medium: drypoint and aquatint

subjects:
Print
France, 19th century

credit_line: Setting Sun, 1879. Camille Pissarro (French, 1830–1903). Drypoint and aquatint; image: 11 x 15.1 cm (4 5/16 x 5 15/16 in.); plate: 11.9 x 16 cm (4 11/16 x 6 5/16 in.); sheet: 22.4 x 28 cm (8 13/16 x 11 in.). The Cleveland Museum of Art, Alma and Robert D. Milne Fund, 2009.20


title: Set of Three Fish in Original Box

creator: House of Fabergé (Russian, 1842–1918)

medium: agate, holly, silk velvet

country: Russia, St. Petersburg

subjects:
Fish
Russia, st. petersburg

credit_line: Set of Three Fish in Original Box, c. 1890. House of Fabergé (Russian, 1842–1918). Agate, holly, silk velvet; overall: 3 cm (1 3/16 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.30


title: Head of a Man

medium: charcoal heightened with sanguine on white cardboard

credit_line: Head of a Man, c. 1824–65. Eugène François Marie Joseph Devéria (French, 1805–1865). Charcoal heightened with sanguine on white cardboard; sheet: 48.3 x 36.8 cm (19 x 14 1/2 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.300


title: Les Glaneuses

creator: Alphonse Legros (French, 1837–1911)

medium: sepia ink and wash on off-white paper, pastel down

credit_line: Les Glaneuses, 1800s. Alphonse Legros (French, 1837–1911). Sepia ink and wash on off-white paper, pastel down; sheet: 19 x 16.8 cm (7 1/2 x 6 5/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.308


title: Writing Case (Nécessaire)

creator: James Cox (British)

medium: agate, gold and diamond.  mounted with 18 KT gold cagework

country: England, mid 18th century

credit_line: Writing Case (Nécessaire), c. 1760. Attributed to James Cox (British). Agate, gold and diamond.  mounted with 18 KT gold cagework; overall: 10.2 x 7.6 cm (4 x 3 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.32


title: Salt Cellar

creator: Marius Hammer (Norwegian, 1847–1927)

medium: gilt silver, enamel

country: Norway, Bergen

subjects:
Enamel
Norway, bergen

credit_line: Salt Cellar, c.1890–1900. Marius Hammer (Norwegian, 1847–1927). Gilt silver, enamel; overall: 6 x 10.3 x 3.5 cm (2 3/8 x 4 1/16 x 1 3/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.367


title: Snuff Box

medium: mocha agate with 18 kt. gold mounts

country: Germany

credit_line: Snuff Box, c. 1840. Germany. Mocha agate with 18 kt. gold mounts; overall: 5.9 x 7.9 x 6 cm (2 5/16 x 3 1/8 x 2 3/8 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.43


title: Snuff Box

medium: agate, gold, silver, diamonds, rubies

credit_line: Snuff Box, c. 1830–50. Germany. Agate, gold, silver, diamonds, rubies. The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.44


title: Reclining Nude with Slave

creator: Marcel Meys (French)

medium: full plate autochrome

country: France, 20th century

subjects:
Photograph
France, 20th century

credit_line: Reclining Nude with Slave, c.1905–1910. Marcel Meys (French). Full plate autochrome; image: 9.9 x 14.6 cm (3 7/8 x 5 3/4 in.); matted: 25.4 x 30.5 cm (10 x 12 in.); plate: 12.9 x 18 cm (5 1/16 x 7 1/16 in.). The Cleveland Museum of Art, Gift of Charles Isaacs and Carol Nigro, 2009.475


medium: color lithograph

country: Switzerland

subjects: Print Switzerland

credit_line: Illustration for the song, "A l'Eau", by George Docquois appearing on the last page of October 23, 1896 publication of "Gil Blas Illustré": Gil Blas Illustré: At the Water's Edge (A l'Eau), 1896. Théophile Alexandre Steinlen (Swiss, 1859–1923). Color lithograph; sheet: 39.2 x 26.3 cm (15 7/16 x 10 3/8 in.); image: 33.3 x 17.4 cm (13 1/8 x 6 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.497


title: Ouvriers Sortant de L'Usine

medium: lithograph

credit_line: published in "L'art d'Ajourd'hui": Ouvriers Sortant de L'Usine, 1903. Théophile Alexandre Steinlen (Swiss, 1859–1923). Lithograph; sheet: 24.7 x 32.2 cm (9 3/4 x 12 11/16 in.); image: 21.4 x 30.1 cm (8 7/16 x 11 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.498


title: Masques et Visages: Par-ci, Par-la

creator: Paul Gavarni (French, 1804–1866)

medium: lithograph on chine collé

credit_line: Masques et Visages: Par-ci, Par-la, 1850s. Paul Gavarni (French, 1804–1866). Lithograph on chine collé; sheet: 39.2 x 28.7 cm (15 7/16 x 11 5/16 in.); image: 19.1 x 16 cm (7 1/2 x 6 5/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.531


credit_line: Moral and Philosophical Alphabet for the Use of Little and Big Children: Miseries of War (1812) , 1812. Nicolas Toussaint Charlet (French, 1792–1845), Bertaut. Lithograph. The Cleveland Museum of Art, Gift of John Bonebrake, 2009.545


medium: etching

subjects:
Print
France, 19th century
Trees

credit_line: Apple Trees at Auvers (Pommiers à Auvers), 1877. Charles François Daubigny (French, 1817–1878). Etching; sheet: 31 x 42.6 cm (12 3/16 x 16 3/4 in.); platemark: 19 x 27.3 cm (7 1/2 x 10 3/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.551


title: Head of an Old Man

medium: etching with drypoint

credit_line: Head of an Old Man, 1872. Henri Charles Guérard (French, 1846–1897). Etching with drypoint; sheet: 18.9 x 19.1 cm (7 7/16 x 7 1/2 in.); platemark: 12.2 x 9.9 cm (4 13/16 x 3 7/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.574


title: Covered Tureen

country: England, Sheffield

subjects:
Silver
England, sheffield

credit_line: Covered Tureen, c. 1830–50. England, Sheffield. Silver plated on copper (Old Sheffield Plate); overall: 25.9 x 107 x 40.5 cm (10 3/16 x 42 1/8 x 15 15/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.96


title: Square Pieced Shawl with Vase Corners

medium: wool; 2/2 twill tapestry (S), double interlocked, pieced

country: India, Kashmir

subjects:
Costume & fashion
Textile
India, kashmir

credit_line: Square Pieced Shawl with Vase Corners, 1867–75. India, Kashmir. Wool; 2/2 twill tapestry (S), double interlocked, pieced; overall: 195.6 x 185.4 cm (77 x 73 in.). The Cleveland Museum of Art, Gift of Arlene C. Cooper, 2010.136


creator: Domenico Beccafumi (Italian, 1486–1551)

medium: woodcut

country: Italy, Siena

subjects:
Print
Italy, siena

credit_line: The Alchemical Properties of Metal: Mercury, Vulcan, and the Alchemist in the Cave, 1530s. Domenico Beccafumi (Italian, 1486–1551). Woodcut. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2010.153


title: Étretat

medium: brown ink, brown wash, graphite, touches of blue, red, and gray watercolor and gouache

country: France, 19th century

credit_line: Étretat, 1854. Charles-Émile Jacque (French, 1813–1894). Brown ink, brown wash, graphite, touches of blue, red, and gray watercolor and gouache; sheet: 16 x 26.5 cm (6 5/16 x 10 7/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.174


medium: black chalk with touches of white chalk

credit_line: Study for the Frieze of Sainte Geneviève, c. 1875. Pierre Puvis de Chavannes (French, 1824–1898). Black chalk with touches of white chalk ; sheet: 30.4 x 31.3 cm (11 15/16 x 12 5/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.245


creator: Ernst Fries (German, 1801–1833)

medium: lithograph printed in black with two tint stones: pale ochre overall and grey selectively

subjects:
Print
Germany, 19th century

credit_line: Six Views of Heidelberg Castle: Eastward , 1820. Ernst Fries (German, 1801–1833), Mohr & Winter, Heidelberg. Lithograph printed in black with two tint stones: pale ochre overall and grey selectively ; sheet: 38.5 x 50 cm (15 3/16 x 19 11/16 in.). The Cleveland Museum of Art, Prints & Drawings Sundry Art Purchase and Dudley P. Allen Fund, 2010.280.3


title: Dans la Fumé

medium: gray wash with extensive point of brush work

credit_line: Dans la Fumé, 1800s. Jehan-Georges Vibert (French, 1840–1902). Gray wash with extensive point of brush work; sheet: 25.9 x 30.9 cm (10 3/16 x 12 3/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.291


title: Ben Arthur, Scotland

creator: Frank Short (British, 1857–1945)

medium: etching printed in brown

subjects:
Print
England, 19th century

credit_line: Ben Arthur, Scotland, 1884. Frank Short (British, 1857–1945), after Joseph Mallord William Turner (British, 1775–1851). Etching printed in brown; sheet: 27.8 x 39.7 cm (10 15/16 x 15 5/8 in.); platemark: 21.6 x 29 cm (8 1/2 x 11 7/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.578


title: Landscape

medium: aquatint with etching and roulette on chine collé

country: England, 19th-20th century

subjects:
Print
England, 19th-20th century
Landscapes

credit_line: Landscape. George Percival Gaskell (British, 1868–1934). Aquatint with etching and roulette on chine collé; sheet: 22.8 x 29 cm (9 x 11 7/16 in.); image: 20.3 x 27.4 cm (8 x 10 13/16 in.); secondary support: 29.9 x 39.5 cm (11 3/4 x 15 9/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.600


title: Autumn

medium: lithograph in green

country: England, 20th century

credit_line: Autumn, 1917. Charles Hasslewood Shannon (British, 1863–1937). Lithograph in green; sheet: 63 x 47.3 cm (24 13/16 x 18 5/8 in.); image: 47.4 x 32.5 cm (18 11/16 x 12 13/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.607


title: London Types: Costermonger

creator: William Nicholson (British, 1872–1949)

country: England, 19th century

credit_line: London Types: Costermonger, 1898. William Nicholson (British, 1872–1949). Color lithograph; sheet: 33.2 x 28.5 cm (13 1/16 x 11 1/4 in.); image: 25.4 x 22.9 cm (10 x 9 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.623


title: The Cabriolet

medium: color woodcut and lithograph

credit_line: The Cabriolet, 1897. William Nicholson (British, 1872–1949). Color woodcut and lithograph; sheet: 28.2 x 19.5 cm (11 1/8 x 7 11/16 in.); image: 15.2 x 15.3 cm (6 x 6 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.637


creator: Richard Earlom (British, 1743–1822)

medium: etching and mezzotint printed in brown

country: England, 18th century

subjects:
Print
England, 18th century
Landscapes

credit_line: Liber Veritatis:  No. 108, Landscape with Satyrs and Nymphs Dancing, 1775. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682), John Boydell (British, 1720–1804). Etching and mezzotint printed in brown; sheet: 27.2 x 40.2 cm (10 11/16 x 15 13/16 in.); platemark: 20.8 x 26.2 cm (8 3/16 x 10 5/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.643


credit_line: Liber Veritatis:  No. 133, A Landscape, with Cattle, and the Angel Comforting Hagar, 1776. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682), John Boydell (British, 1720–1804). Etching and mezzotint printed in brown; sheet: 29 x 43 cm (11 7/16 x 16 15/16 in.); platemark: 21 x 26.2 cm (8 1/4 x 10 5/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.645


creator: René Lalique (French, 1860–1945)

medium: glass

subjects:
Glass
France, 20th century

credit_line: Ring of Dogs Water Gobelet (Gobelet bague chiens), c. 1913–21. René Lalique (French, 1860–1945). Glass; overall: 10.7 x 7 cm (4 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Museum purchase from various donors by exchange, 2011.121.4


title: Ecce Homo

creator: Giuseppe Scolari (Italian)

date: late 1500s-early 1600s

country: Italy, late 16th-early 17th century

subjects:
Print
Italy, late 16th-early 17th century

credit_line: Ecce Homo , late 1500s-early 1600s. Giuseppe Scolari (Italian). Woodcut; sheet: 50.5 x 36.1 cm (19 7/8 x 14 3/16 in.); image: 49.2 x 34.8 cm (19 3/8 x 13 11/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 2011.195


title: Histamenon of Romanus III

medium: gold

country: Byzantium

subjects: Coin Byzantium

credit_line: Histamenon of Romanus III, 1028–1034. Byzantium. Gold; diameter: 2.4 cm (15/16 in.). The Cleveland Museum of Art, Gift of Dr. Norman Zaworski, 2011.213.b


title: Henri Rochefort

creator: Eugène Carrière (French, 1849–1906)

medium: lithograph

credit_line: Henri Rochefort, 1896. Eugène Carrière (French, 1849–1906). Lithograph. The Cleveland Museum of Art, Bequest of John Bonebrake, 2011.490


creator: Martin Drölling (French, 1752–1817)

medium: oil on canvas

subjects:
Painting
France, 19th century

credit_line: Nicolas Louis Faret and Madame Nicolas Louis Faret, 1812. Martin Drölling (French, 1752–1817). Oil on canvas; unframed: 22.4 x 16.5 cm (8 13/16 x 6 1/2 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2011.71


title: Cann

medium: ceramic

subjects:
Ceramic
England, 18th century

credit_line: Cann, c. 1770. England, 18th century. Ceramic; overall: 13.4 x 9.4 x 12.7 cm (5 1/4 x 3 11/16 x 5 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.134


title: Egypt and Nubia, Volume II: Kom-Ombo

creator: Louis Haghe (British, 1806–1885)

medium: color lithograph

credit_line: Egypt and Nubia, Volume II: Kom-Ombo, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 43.7 x 61.2 cm (17 3/16 x 24 1/8 in.); image: 32.9 x 49 cm (12 15/16 x 19 5/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.162


credit_line: Egypt and Nubia, Volume III: Tombs of the Khalifs, Cairo, 1848. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 43 x 60.2 cm (16 15/16 x 23 11/16 in.); image: 33.6 x 51.1 cm (13 1/4 x 20 1/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.169


subjects:
Architecture
Print
England, 19th century

credit_line: Egypt and Nubia, Volume I: View from Under the Portico of the Temple of Edfou, Upper Egypt, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 42.8 x 60.2 cm (16 7/8 x 23 11/16 in.); image: 34.4 x 50.2 cm (13 9/16 x 19 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.175


credit_line: Egypt and Nubia, Volume III: Bazaar of the Coppersmiths, Cairo, 1848. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 60.4 x 43.1 cm (23 3/4 x 16 15/16 in.); image: 48.5 x 32.6 cm (19 1/8 x 12 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.190


credit_line: Egypt and Nubia, Volume II: Ruins of the Temple of Kardeseh, Nubia, 1848. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 39.3 x 43.8 cm (15 1/2 x 17 1/4 in.); image: 25.2 x 35.2 cm (9 15/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.217


credit_line: Egypt and Nubia, Volume I: Approach to the Temple  of Wady Saboua, Nubia, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 35.7 x 43 cm (14 1/16 x 16 15/16 in.); image: 25.2 x 35.2 cm (9 15/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.237


credit_line: Egypt and Nubia, Volume III: Tombs of the Caliph's, Cairo, 1848. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 38.7 x 43 cm (15 1/4 x 16 15/16 in.); image: 24.6 x 34.3 cm (9 11/16 x 13 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.239


credit_line: Egypt and Nubia, Volume III: Ruined Mosques in the Desert, West of the Citadel, 1849. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 43.5 x 43.1 cm (17 1/8 x 16 15/16 in.); image: 31.2 x 24.4 cm (12 5/16 x 9 5/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.240


title: Statue de Tibere, Vatican

creator: Charles Soulier (French, 1840–1875)

medium: albumen print from a collodion negative

subjects:
Photograph
France, 19th century

credit_line: Statue de Tibere, Vatican, c. 1860. Charles Soulier (French, 1840–1875). Albumen print from a collodion negative; image: 40.7 x 30.5 cm (16 x 12 in.); paper: 40.7 x 30.5 cm (16 x 12 in.); mounted, primary: 53.8 x 40.5 cm (21 3/16 x 15 15/16 in.); mounted, secondary: 74.8 x 56 cm (29 7/16 x 22 1/16 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2012.440


title: Side Chair

creator: Charles H. White (American, 1796–1876)

medium: rosewood, red silk damask

country: America

subjects:
Furniture and woodwork
America

credit_line: Side Chair, c. 1855. Charles H. White (American, 1796–1876). Rosewood, red silk damask; overall: 104.1 x 45.7 x 43.8 cm (41 x 18 x 17 1/4 in.). The Cleveland Museum of Art, Transfer from the Brooklyn Museum, 2012.45


creator: Pietro Fancelli (Italian, 1764–1850)

medium: pen and brown ink

country: Italy, 19th century

subjects:
Architecture
Drawing
Italy, 19th century

credit_line: Architectural Drawing of Columns (verso), c. 1810–1820. Pietro Fancelli (Italian, 1764–1850). Pen and brown ink; sheet: 49.2 x 34.3 cm (19 3/8 x 13 1/2 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2013.11.b


creator: Carl Julius Rieden (German, 1802–1858)

medium: lithograph hand-colored with gouache

country: Germany, 19th century

credit_line: View of the K. K. Private Iron Factory in Zöptau, c. 1850. Carl Julius Rieden (German, 1802–1858), C. J. Rieden and E.W. Knippel, after Ernest William Knippel (German, 1811–1900). Lithograph hand-colored with gouache; sheet: 29.5 x 44.2 cm (11 5/8 x 17 3/8 in.); image: 29.5 x 44.2 cm (11 5/8 x 17 3/8 in.); mounted: 41 x 54.3 cm (16 1/8 x 21 3/8 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2013.2


creator: Félix Hilaire Buhot (French, 1847–1898)

medium: etching, aquatint, roulette, drypoint, and burnishing

subjects:
Print
France, 19th century

credit_line: La Place des Martyrs et la Taverne du Bagne, 1885. Félix Hilaire Buhot (French, 1847–1898). Etching, aquatint, roulette, drypoint, and burnishing; sheet: 35.5 x 46.6 cm (14 x 18 3/8 in.); platemark: 33.6 x 44.7 cm (13 1/4 x 17 5/8 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.272


title: La Seine, à Asnières

medium: etching

credit_line: Types de petits Gens: La Seine, à Asnières, 1894. Jean-François Raffaëlli (French, 1850–1924). Etching; sheet: 22 x 25.9 cm (8 11/16 x 10 3/16 in.); platemark: 11.8 x 15.8 cm (4 5/8 x 6 1/4 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.275


title: Le Déménagement

medium: etching and roulette

credit_line: Types de petits Gens: Le Déménagement, 1894. Jean-François Raffaëlli (French, 1850–1924). Etching and roulette; sheet: 26.5 x 20.2 cm (10 7/16 x 7 15/16 in.); platemark: 20.2 x 15.7 cm (7 15/16 x 6 3/16 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.277


creator: Kenneth Macleay (Scottish, 1802–1878)

medium: watercolor on ivory

country: Scotland

subjects:
Portrait miniature
Scotland
Portraits

credit_line: Portrait of John Francis Miller Erskine, Earl of Mar and Earl of Kellie, 1825. Kenneth Macleay (Scottish, 1802–1878). Watercolor on ivory; framed: 14.8 x 12.8 cm (5 13/16 x 5 1/16 in.); overall: 10 x 8 cm (3 15/16 x 3 1/8 in.). The Cleveland Museum of Art, The A. W. Ellenberger, Sr., Endowment Fund, 2013.34


title: Embers Glow: Lotus Pattern Frame

creator: Theodore Roussel (French, 1847–1926)

medium: color etching and aquatint

subjects:
Ornament & design
Print
France, 19th century

credit_line: Embers Glow: Lotus Pattern Frame, 1890–1897. Theodore Roussel (French, 1847–1926). Color etching and aquatint; sheet: 24.9 x 54.9 cm (9 13/16 x 21 5/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.86.1.b


title: Embers Glow

credit_line: Embers Glow, 1890–1897. Theodore Roussel (French, 1847–1926). Color etching and aquatint; sheet: 25 x 20.8 cm (9 13/16 x 8 3/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.86.9


title: London Types: Cover

medium: original cloth portfolio

subjects:
Portfolio
England, 19th century

credit_line: London Types: Cover, 1898. William Nicholson (British, 1872–1949). Original cloth portfolio. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.87.14


title: The Man of War

subjects: Print America

credit_line: The Man of War, 1886. Thomas Waterman Wood (American, 1823–1903). Etching; sheet: 48.8 x 32.3 cm (19 3/16 x 12 11/16 in.); platemark: 31.8 x 19.1 cm (12 1/2 x 7 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.180


medium: lithograph with tint stone

subjects:
Print
England, 19th century

credit_line: Sketches at Home and Abroad: Lyons Church of St. Hezier, October 1832, 1832. James Duffield Harding (British, 1798–1863). Lithograph with tint stone; sheet: 36.5 x 26.3 cm (14 3/8 x 10 3/8 in.); image: 36.5 x 26.3 cm (14 3/8 x 10 3/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.217


credit_line: Gathering the Flock on Maxwellbank, No. 2, 1892. Frank Short (British, 1857–1945). Etching; sheet: 15.8 x 21.6 cm (6 1/4 x 8 1/2 in.); platemark: 10.2 x 15.2 cm (4 x 6 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.245


title: Forty-second Street NY

creator: William Walcot (British, 1874–1943)

medium: etching in brown and aquatint

subjects:
Print
England, 20th century

credit_line: Forty-second Street NY, 1923. William Walcot (British, 1874–1943). Etching in brown and aquatint; sheet: 26.8 x 37 cm (10 9/16 x 14 9/16 in.); platemark: 12.8 x 18.7 cm (5 1/16 x 7 3/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.257


creator: Adriano Cecioni (Italian, 1836–1886)

subjects:
Print
Italy, 19th century

credit_line: published in Vanity Fair March 30, 1872: Vanity Fair: Men of the Day, No. 42 "The Apostle of the Flesh", 1872. Adriano Cecioni (Italian, 1836–1886). Color lithograph; sheet: 35.5 x 22.5 cm (14 x 8 7/8 in.); image: 30.5 x 18.9 cm (12 x 7 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.273


credit_line: Vanity Fair: Men of the Day No. 14 "A Faithful Friend, an eminent Savant, and the best possible of Presidents", 1870. Carlo (Ape) Pellegrini (Italian, 1839–1889), Vanity Fair. (Boston: Frame Central, 1992.) p. 2, 26 Nov., 1870, M. No. 14. Color lithograph; sheet: 35.1 x 23 cm (13 13/16 x 9 1/16 in.); image: 30.6 x 18.6 cm (12 1/16 x 7 5/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.275


credit_line: published in Vanity Fair Jan. 14, 1871: Vanity Fair: Statesman, No. 71 "One of the Lambs of the Political Fold", 1871. Carlo (Ape) Pellegrini (Italian, 1839–1889), Vanity Fair. (Boston: Frame Central, 1992.) p. 2, 14 Jan., 1871, S. No. 71. Color lithograph; sheet: 35.3 x 22.9 cm (13 7/8 x 9 in.); image: 30.3 x 18.6 cm (11 15/16 x 7 5/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.277


title: Men Watching a Fire

medium: wood engraving

country: France

subjects: Print France

credit_line: Men Watching a Fire, c. 1870–1900. Auguste Lepère (French, 1849–1918); printed with the collaboration of B. D. F. Tony Beltrand (French, 1847–1904); Eugène Dété (French, 1848–1922) and Frédéric Rognon called Florian (French, 1858–1926). Wood engraving; sheet: 45.3 x 31.3 cm (17 13/16 x 12 5/16 in.); image: 28.8 x 20 cm (11 5/16 x 7 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.284


title: Scent Bottle

medium: glass with enameled silver mounts, partially gilt

credit_line: Scent Bottle, 1850–1870. France, 19th century. Glass with enameled silver mounts, partially gilt; overall: 11.2 x 4.2 x 3.5 cm (4 7/16 x 1 5/8 x 1 3/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.319.a


title: Stopper for a Scent Bottle

medium: ivory with gold and silver mounts set with jewels

country: Continental, mid-19th century

credit_line: Stopper for a Scent Bottle, mid-1800s. Continental, mid-19th century. Ivory with gold and silver mounts set with jewels. The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.339.b


title: Cover for a Snuff Box

medium: tortoiseshell and ivory

country: Germany, 18th century

credit_line: Cover for a Snuff Box, c. 1770–1775. Germany, 18th century. Tortoiseshell and ivory. The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.345.b


title: Bowl

medium: Cedar bark, deer grass; wrapped twining

subjects: Northwest coast, makah, late 19th century

credit_line: Bowl, c 1900. Northwest Coast, Makah, late 19th century. Cedar bark, deer grass; wrapped twining; overall: 5.8 x 9 cm (2 5/16 x 3 9/16 in.). The Cleveland Museum of Art, Presented by William Albert Price in memory of Mrs. William Albert Price, 1917.448.a


medium: Gum tempera, ink, and gold on paper

credit_line: Text, Folio 17 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.17.b


credit_line: Text, Folio 4 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.4.b


medium: gum tempera and ink on palm leaves

subjects: Painting Palms

credit_line: Text, Folio 110 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.110.b


credit_line: Text, Folio 116 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.116.b


credit_line: Text, Folio 117 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.117.a


credit_line: Text, Folio 124 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.124.a


credit_line: Text, Folio 134 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.134.b


credit_line: Text, Folio 138 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.138.b


credit_line: Text, Folio 139 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.139.b


credit_line: Text, Folio 140 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.140.b


credit_line: Text, Folio 142 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.142.a


credit_line: Text, Folio 151 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.151.a


credit_line: Text, folio 153 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.153.a


credit_line: Text, folio 160 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.160.a


credit_line: Text, folio 160 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.160.b


credit_line: Text, folio 161 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.161.b


credit_line: Text, folio 170 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.170.b


credit_line: Text, folio 173 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.173.a


credit_line: Text, folio 177 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.177.a


credit_line: Text, folio 177 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.177.b


credit_line: Text, folio 178 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.178.b


credit_line: Text, Folio 23 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.23.a


credit_line: Text, Folio 25 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.25.b


credit_line: Text, Folio 26 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.26.a


credit_line: Text, Folio 28 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.28.b


credit_line: Text, Folio 30 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.30.a


credit_line: Text, Folio 41 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.41.b


credit_line: Text, folio 45 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.45.a


credit_line: Text, Folio 67 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.67.b


credit_line: Text, Folio 92 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.92.a


medium: Ink and gold on paper

credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.102.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.109.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.128.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.138.b


credit_line: Text, folio 14 (recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.14.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.144.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.145.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.152.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.153.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.160.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.162.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.163.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.165.a


credit_line: Text, folio 17 (verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.17.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.175.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.175.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.180.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.19.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.196.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.20.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.202.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.22.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.47.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.47.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.49.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.65.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.76.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.93.a


title: Missale: Fol. 5r: May Calendar Page

medium: ink, tempera and burnished gold on vellum

country: Italy, Perugia

credit_line: Missale: Fol. 5r: May Calendar Page, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.5.a


title: Fish

creator: House of Fabergé (Russian, 1842–1918)

medium: agate

country: Russia, St. Petersburg

subjects:
Fish
Russia, st. petersburg

credit_line: Fish, c. 1890. House of Fabergé (Russian, 1842–1918). Agate; overall: 3 cm (1 3/16 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.30.a


title: Headquarters of L'Illustration Nouvelle

creator: Alfred Taiée (French, 1820–1881)

medium: etching

credit_line: Headquarters of L'Illustration Nouvelle, 1869. Alfred Taiée (French, 1820–1881), Cadart & Luce, Paris. Etching; sheet: 49.6 x 31.6 cm (19 1/2 x 12 7/16 in.); image: 23.7 x 15.7 cm (9 5/16 x 6 3/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.311


creator: Carle Vernet (French, 1758–1836)

medium: lithograph gravure en couleurs a l'aquantinte par Debucourt

credit_line: Route de Poissy, Route de St. Cloud, Route de Poste, Route du Marche: Scenes of Daily Life, Roads and Paths: Road to Poissy (Scènes de la vie quotidienne, Routes et Chemins: Route de Poissy), 1816. Carle Vernet (French, 1758–1836), Published by Bance. Lithograph gravure en couleurs a l'aquantinte par Debucourt; sheet: 9.1 x 14 cm (3 9/16 x 5 1/2 in.); image: 8.3 x 11.5 cm (3 1/4 x 4 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.313


creator: Félicien Rops (Belgian, 1833–1898)

medium: softground etching

country: Belgium, 19th century

subjects:
Print
Belgium, 19th century

credit_line: Capital Punishment: The Pain of Death (Todesstrafe: La peine de mort), c. 1880. Félicien Rops (Belgian, 1833–1898). Softground etching; sheet: 47.7 x 32.4 cm (18 3/4 x 12 3/4 in.); platemark: 36.5 x 26.5 cm (14 3/8 x 10 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.328


title: Shepherdess in the Greek Style, Plate 4

creator: Benigno Bossi (Italian, 1727–1792)

country: Italy, 18th century

subjects:
Print
Italy, 18th century

credit_line: Mascarade à la Grecque: Shepherdess in the Greek Style, Plate 4, 1771. Benigno Bossi (Italian, 1727–1792), after Ennemond Alexandre Petitot (French, 1727-1801). Etching; sheet: 41.9 x 28.1 cm (16 1/2 x 11 1/16 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.6.5


creator: Thomas Nast (American, 1840–1902)

medium: color lithograph

credit_line: published in Vanity Fair July 20, 1872; Vanity Fair. (Boston: Frame Central, 1992.) p. 4, 20 July, 1872, S. No. 118: Vanity Fair: Statesman, No. 118 "Anything to Beat Grant", 1872. Thomas Nast (American, 1840–1902), Vincent Brooks Day & Son. Color lithograph; sheet: 35.6 x 22.9 cm (14 x 9 in.); image: 31 x 18.4 cm (12 3/16 x 7 1/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.678


creator: John Sell Cotman (British, 1782–1842)

credit_line: Liber Studiorum; A Series of Sketches and Studies, 1838. John Sell Cotman (British, 1782–1842), Henry G. Bohn. One bound volume containing 48 plates; softground etchings. The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692


medium: softground etching, from a bound volume containing 48 plates

credit_line: Liber Studiorum: Plate 28, Caernarvon Castle, N. Wales, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.7 x 32 cm (19 9/16 x 12 5/8 in.); platemark: 19 x 12.5 cm (7 1/2 x 4 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.cc


credit_line: Liber Studiorum: Plate 33, Conway Castle, N. Wales, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 18.9 x 12.6 cm (7 7/16 x 4 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.hh


credit_line: Liber Studiorum: Plate 40, Lakenham, near Norwich, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 23.7 x 16.1 cm (9 5/16 x 6 5/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.oo


credit_line: Liber Studiorum: Plate 42, Capel Carrig, Caernarvonshire, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 12.8 x 18.7 cm (5 1/16 x 7 3/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.qq


title: La Poupée

creator: Marguerite Delorme (French, 1876–1946)

country: France, 19th century

credit_line: L'Estampe Moderne: La Poupée, 1899. Marguerite Delorme (French, 1876–1946), Imprimerie Champenois. Color lithograph from bound volume containing 50 lithographs, each with a tissue paper guard; sheet: 39.9 x 30.5 cm (15 11/16 x 12 in.); image: 34.6 x 22.5 cm (13 5/8 x 8 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.ww


title: Les Sardinières

medium: Color lithograph

country: France, Paris

credit_line: L'Estampe Moderne: Les Sardinières, 1898. Louis Bourgeois Borgex (French, 1873–1959). Color lithograph; sheet: 39.7 x 30.4 cm (15 5/8 x 11 15/16 in.); image: 32 x 24.7 cm (12 5/8 x 9 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.z


creator: Victor Petit (French, 1817–1874)

medium: lithograph with tint stone, from portfolio of 100 lithographs with tint stone

subjects:
Architecture
Print
France, 19th century

credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 31, Château De Marchais (Aisne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36.1 x 27.2 cm (14 3/16 x 10 11/16 in.); image: 22.8 x 14.1 cm (9 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.30


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 44, Tour Du Prieuré De St. Nicolas-Au-Bois (Aisne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.5 x 27.3 cm (14 x 10 3/4 in.); image: 23 x 14.1 cm (9 1/16 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.43


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 57, Château De La Poissonnière (Sarthe), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.6 x 27.4 cm (14 x 10 13/16 in.); image: 23 x 14.1 cm (9 1/16 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.55


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 70, Manoir De Villechétive (Nièvre), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.8 x 27.4 cm (14 1/8 x 10 13/16 in.); image: 23 x 14 cm (9 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.68


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 77, Le Mesnil (Corrèze), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.8 x 27.4 cm (14 1/8 x 10 13/16 in.); image: 22.9 x 14.1 cm (9 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.75


creator: Charles Marie Dulac (French, 1865–1898)

subjects:
Print
France, 19th century
Landscapes

credit_line: Suite de Paysages: Landscape,  Plate 3, Remarque, Bat, 1892–1893. Charles Marie Dulac (French, 1865–1898), Printed by Monrocq Frères, Paris. Color lithograph; sheet: 65.1 x 50.3 cm (25 5/8 x 19 13/16 in.); image: 41 x 34.2 cm (16 1/8 x 13 7/16 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.7.5


credit_line: Suite de Paysages: Landscape,  Plate 5, Remarque, Three Stalks of Wheat, 1892–1893. Charles Marie Dulac (French, 1865–1898), Printer: Belfond, Imprimeur Belfond (per colophon). Color lithograph; sheet: 45.7 x 50 cm (18 x 19 11/16 in.); image: 31.2 x 47.5 cm (12 5/16 x 18 11/16 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.7.7


medium: pamphlet, color woodcut on cover, related to bound volume with 34 wood engravings

credit_line: Fontainebleau Forest: Ad for "Fontainebleau Forest" (La Forêt de Fontainebleau), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Pamphlet, color woodcut on cover, related to bound volume with 34 wood engravings; sheet: 26.3 x 36 cm (10 3/8 x 14 3/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.1


medium: wood engraving from bound volume of 34

credit_line: Fontainebleau Forest: Moret, the Wood-Mill (La Forêt de Fontainebleau: Moret, la porte de Montereau, le moulin à tan), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 12.3 x 15 cm (4 13/16 x 5 7/8 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.dd


credit_line: Fontainebleau Forest: Le gamin a l'orvet (La Forêt de Fontainebleau: Le gamin à l'orvet), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 5.8 x 5.8 cm (2 5/16 x 2 5/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.ee


subjects:
France, 19th century
Ferns

credit_line: Fontainebleau Forest: Fern Burners (La Forêt de Fontainebleau: Les brûleurs de fougères), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 22.4 x 16.1 cm (8 13/16 x 6 5/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.h


creator: Francisco de Goya (Spanish, 1746–1828)

medium: Etching and aquatint

country: Spain

subjects: Print Spain

credit_line: Disasters of War: Pl. 33, What more can one do?  , 1810–1813. Francisco de Goya (Spanish, 1746–1828), Real Academia. Etching and aquatint; sheet: 24.3 x 33.3 cm (9 9/16 x 13 1/8 in.); platemark: 15.8 x 20.6 cm (6 1/4 x 8 1/8 in.); to borderline: 13.9 x 18.7 cm (5 1/2 x 7 3/8 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust, 2015.23


credit_line: Disasters of War: Pl. 58, It is no use shouting , 1810–1813. Francisco de Goya (Spanish, 1746–1828), Real Academia. Etching and aquatint; sheet: 25.1 x 34.1 cm (9 7/8 x 13 7/16 in.); platemark: 15.2 x 20.5 cm (6 x 8 1/16 in.); to borderline: 12.7 x 18.1 cm (5 x 7 1/8 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust, 2015.25


title: Head of an Old Man

creator: Paul Gavarni (French, 1804–1866)

medium: brown ink

subjects:
Drawing
France, 19th century

credit_line: Head of an Old Man, 1858. Paul Gavarni (French, 1804–1866). Brown ink; sheet: 27 x 20.7 cm (10 5/8 x 8 1/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2015.48


country: Germany

subjects: Print Germany

credit_line: Matthew from Christ, the Apostles, and Saint Paul, 1563/64. Lucas Cranach the Elder, After (German, 1472–1553). Woodcut with letterpress text, hand colored; image and sheet: 21.9 x 11.3 cm (8 5/8 x 4 7/16 in.). The Cleveland Museum of Art, Anonymous Gift in honor of Jane Glaubinger, 2017.277.10


credit_line: Matthias from Christ, the Apostles, and Saint Paul, 1563/64. Lucas Cranach the Elder, After (German, 1472–1553). Woodcut with letterpress text, hand colored; image and sheet: 20.7 x 11.7 cm (8 1/8 x 4 5/8 in.). The Cleveland Museum of Art, Anonymous Gift in honor of Jane Glaubinger, 2017.277.14


credit_line: Philip from Christ, the Apostles, and Saint Paul, 1563/64. Lucas Cranach the Elder, After (German, 1472–1553). Woodcut with letterpress text, hand colored; image and sheet: 20.7 x 11.1 cm (8 1/8 x 4 3/8 in.). The Cleveland Museum of Art, Anonymous Gift in honor of Jane Glaubinger, 2017.277.7


creator: Jean Louis Forain (French, 1852–1931)

date: late 1800s

medium: Charcoal

credit_line: Right Profile of Man Wearing Tall Hat (verso), late 1800s. Attributed to Jean Louis Forain (French, 1852–1931). Charcoal; sheet: 32.4 x 24.9 cm (12 3/4 x 9 13/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2018.45.b


title: Tripoli, Vue Partielle

creator: Louis de Clercq (French, 1836–1901)

medium: albumen panoramic print from two waxed paper negatives

subjects: Photograph France

credit_line: Tripoli, Vue Partielle, 1859–60. Louis de Clercq (French, 1836–1901). Albumen panoramic print from two waxed paper negatives; image: 21.3 x 54 cm (8 3/8 x 21 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2021.43


title: Construction of the John Stewart Store

medium: daguerreotype, sixth plate

subjects: Photograph America

credit_line: Construction of the John Stewart Store, c. 1856. America. Daguerreotype, sixth plate; overall: 8.3 x 7 cm (3 1/4 x 2 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2021.47


medium: ambrotype, sixth plate

credit_line: Crowd with sleigh in front of LL & ER Smith store, c. 1858–65. America. Ambrotype, sixth plate; overall: 8.3 x 7 cm (3 1/4 x 2 3/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.71


title: Untitled (studio portrait of a family)

medium: albumen print, cabinet card

subjects:
Photograph
Germany, 19th century
Portraits

credit_line: Untitled (studio portrait of a family), 1870s. Emil Tiedemann (German, active 1858-c. 1892). Albumen print, cabinet card; image: 16.5 x 10.8 cm (6 1/2 x 4 1/4 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.357


title: Pottergate, Lincoln, England

creator: James Valentine (British, 1815–1880)

medium: albumen print

country: England, 19th century

subjects:
Photograph
England, 19th century

credit_line: Pottergate, Lincoln, England, c. 1870. James Valentine (British, 1815–1880). Albumen print; image: 17.8 x 22.9 cm (7 x 9 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.358


title: Untitled (Jama Masjid, Delhi)

medium: albumen print mounted on an album page

credit_line: Untitled (Jama Masjid, Delhi), 1870s (?). England, 19th century. Albumen print mounted on an album page; mounted: 45.7 x 35.6 cm (18 x 14 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.369.b


title: Court Ladies in the Imperial Palace

medium: hanging scroll; color on silk

country: China, Yuan dynasty (1271–1368)

subjects:
Painting
China, yuan dynasty (1271–1368)

credit_line: Court Ladies in the Imperial Palace, 1271–1368. China, Yuan dynasty (1271–1368). Hanging scroll; color on silk; overall: 211.1 x 101.3 cm (83 1/8 x 39 7/8 in.). The Cleveland Museum of Art, Gift of Charles L. Freer, 1915.106


title: Landscape with Figures

medium: hanging scroll; ink and slight color on paper

country: China, Qing dynasty (1644–1911)

subjects:
Painting
China, qing dynasty (1644–1911)
Landscapes

credit_line: Landscape with Figures, 1644–1911. China, Qing dynasty (1644–1911). Hanging scroll; ink and slight color on paper; overall: 152.4 x 73.3 cm (60 x 28 7/8 in.). The Cleveland Museum of Art, Gift of Charles L. Freer, 1915.108


title: Landscape

credit_line: Landscape (山水圖), 1644–1911. China, Qing dynasty (1644–1911). Hanging scroll; ink and slight color on paper; overall: 138.7 x 56.2 cm (54 5/8 x 22 1/8 in.). The Cleveland Museum of Art, Gift of Charles L. Freer, 1915.114


title: Sickle Blade

medium: flint

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.22


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.29


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.3


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.41


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.6


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.76


title: Water Jug

medium: Terracotta

country: Africa, unknown maker

subjects:
Vessel
Africa, unknown maker

credit_line: Water Jug, early 1900s. Africa, unknown maker. Terracotta; diameter of mouth with rim: 17.8 x 8.9 cm (7 x 3 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1915.460.a


title: Embroidered Bedspread

date: 17th-18th century

medium: embroidery; silk on linen

country: Portugal, 17th-18th century

subjects:
Embroidery
Portugal, 17th-18th century

credit_line: Embroidered Bedspread, 17th-18th century. Portugal, 17th-18th century. Embroidery; silk on linen; overall: 254 x 193.1 cm (100 x 76 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1367


title: Bible Mark (One of Four)

medium: knitted silk

subjects: Knitting Spain

credit_line: Bible Mark (One of Four), 1700s–1800s. Spain. Knitted silk; overall: 64.5 x 78.7 x 2.5 cm (25 3/8 x 31 x 1 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1462


title: Cup

medium: amber decorated with inlaid gold and mother-of-pearl

credit_line: Cup, c. 1730. France. Amber decorated with inlaid gold and mother-of-pearl; overall: 6.7 cm (2 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.307.1.a


title: Cover for a Cup

credit_line: Cover for a Cup, c. 1730. France. Amber decorated with inlaid gold and mother-of-pearl; overall: 6.7 cm (2 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.308.1.b


title: Gambling Dice

date: before 1917

medium: hollow shell, resin, glass beads, mica/seashell fragment

country: California, Tulare, Unassigned

subjects:
Tool and equipment
California, tulare, unassigned
Shells & molluscs

credit_line: Gambling Dice, before 1917. California, Tulare, Unassigned. Hollow shell, resin, glass beads, mica/seashell fragment; overall: 1.5 x 2 cm (9/16 x 13/16 in.). The Cleveland Museum of Art, Presented by William Albert Price in memory of Mrs. William Albert Price, 1917.413.2.a


title: Silk Damask

medium: damask, silk

country: Italy

subjects:
Costume & fashion
Textile
Italy

credit_line: Silk Damask, 1400s. Italy. Damask, silk; overall: 18 x 19 cm (7 1/16 x 7 1/2 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.188


title: Velvet Fragment

medium: velvet (cut and voided)

subjects: Velvet Italy

credit_line: Velvet Fragment, 1400s. Italy. Velvet (cut and voided); overall: 28 x 22.9 cm (11 x 9 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.224


title: Velvet Fragment

medium: velvet

credit_line: Velvet Fragment, 1400s. Italy. Velvet; overall: 43.2 x 43.8 cm (17 x 17 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.274


title: Fragments of Velvet Brocade

medium: brocaded silk velvet

subjects: Velvet Spain

credit_line: Fragments of Velvet Brocade, 1500s. Spain. Brocaded silk velvet; overall: 54.3 x 26.5 cm (21 3/8 x 10 7/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.911


title: Fragment of Silk

date: early 1600s

medium: silk

subjects:
Costume & fashion
Textile
Spain

credit_line: Fragment of Silk, early 1600s. Spain. Silk; average: 42.6 x 20.3 cm (16 3/4 x 8 in.). The Cleveland Museum of Art, Gift of Miss Caroline E. Coit, 1919.546.a


title: Lace Insertion and Edging

medium: Bobbin lace

country: Italy, Abruzzi, Pescocostanzo(?)

subjects:
Lace
Italy, abruzzi, pescocostanzo

credit_line: Lace Insertion and Edging, 1600s–1700s. Italy, Abruzzi, Pescocostanzo(?). Bobbin lace; average: 6.1 x 19.7 cm (2 3/8 x 7 3/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1043


title: Lace Insertion

subjects: Lace Italy

credit_line: Lace Insertion, 1600s–1700s. Italy. Bobbin lace; average: 1 x 19.1 cm (3/8 x 7 1/2 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1055


title: Lace Fragment

medium: Linen: needle lace, reticella insertion

country: Italy, Venice

subjects:
Lace
Italy, venice

credit_line: Lace Fragment, 1500s. Italy, Venice. Linen: needle lace, reticella insertion; average: 3.5 x 10.9 cm (1 3/8 x 4 5/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1070


title: Lace Fragment

medium: Needle and bobbin lace (mezzo punto)

credit_line: Lace Fragment, 1600s. Italy. Needle and bobbin lace (mezzo punto); average: 13.4 x 14.7 cm (5 1/4 x 5 13/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1237


title: Plane

medium: wood

country: Germany or Italy

subjects:
Tool and equipment
Germany or italy

credit_line: Plane, 1600s. Germany or Italy. Wood; overall: 13.1 x 83.5 cm (5 3/16 x 32 7/8 in.). The Cleveland Museum of Art, Anonymous gift in memory of Dr. Dudley P. Allen, 1920.268


title: Brace

country: Europe

subjects:
Tool and equipment
Europe

credit_line: Brace, 1600s. Europe. Wood; overall: 15.3 x 43.2 cm (6 x 17 in.). The Cleveland Museum of Art, Anonymous gift in memory of Dr. Dudley P. Allen, 1920.271


title: Lace Edging of Round Points

country: Italy, Genoa

subjects:
Lace
Italy, genoa

credit_line: Lace Edging of Round Points, 1550–99. Italy, Genoa. Bobbin lace (needle lace, reticella design); average: 2.6 x 15 cm (1 x 5 7/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.951


title: Lace Insertion

credit_line: Lace Insertion, 1600s. Italy, Genoa. Bobbin lace (needle lace, reticella design); average: 4.5 x 11.5 cm (1 3/4 x 4 1/2 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.968


title: Rug (Woman's Wearing Blanket Style)

medium: tapestry weave: wool (handspun)

subjects:
Costume & fashion
Textile

credit_line: Rug (Woman's Wearing Blanket Style), c. 1895–1905. America, Native North American, Southwest, Navajo, Post-Contact, Early Period. Tapestry weave: wool (handspun); overall: 125 x 146.5 cm (49 3/16 x 57 11/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1921.557


title: Sarape

medium: tapestry weave: cotton and wool

credit_line: Sarape, c. 1870–1890. America, Native North American, Southwest, Mexico, Saltillo, Post-Contact, Transitional Period. Tapestry weave: cotton and wool; overall: 207 x 105.4 cm (81 1/2 x 41 1/2 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1921.567


title: Medal

medium: bronze

country: France, 20th century

subjects:
Metalwork
France, 20th century

credit_line: Medal, 1918. Edmond-Eugene-Emile Lindauer (French, 1869–1942). Bronze; diameter: 5.1 cm (2 in.). The Cleveland Museum of Art, Gift of Lawrence Hitchcock, 1922.160


title: Lace Edging

medium: Bobbin lace (appliqué)

country: Belgium; Brussels

subjects:
Lace
Belgium; brussel

credit_line: Lace Edging, 1780–99. Belgium; Brussels. Bobbin lace (appliqué); average: 7.7 x 215.9 cm (3 1/16 x 85 in.). The Cleveland Museum of Art, Gift of Mrs. Edward B. Greene, G. G. Wade and J. H. Wade Jr. for the Ellen Garretson Wade Memorial Collection, 1923.1048


title: Chateau of Bagnolet

creator: Jacques Rigaud (French, 1681–1754)

medium: engraving

country: France

subjects: Print France

credit_line: Chateau of Bagnolet, c. 1720–50. Jacques Rigaud (French, 1681–1754). Engraving. The Cleveland Museum of Art, Gift of Mrs. Andrew Squire, 1924.688


title: The Royal Hospital of Bicestre

credit_line: The Royal Hospital of Bicestre, c. 1720–50. Jacques Rigaud (French, 1681–1754). Engraving. The Cleveland Museum of Art, Gift of Mrs. Andrew Squire, 1924.693


title: Carnaval

medium: lithograph

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Carnaval, c. 1841–47. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1113


title: Catherine of Aragon

creator: Wenceslaus Hollar (Bohemian, 1607–1677)

medium: etching

country: Bohemia

subjects: Print Bohemia

credit_line: Catherine of Aragon, 1647. Wenceslaus Hollar (Bohemian, 1607–1677). Etching. The Cleveland Museum of Art, Gift of Ralph King, 1925.56


title: Velvet Fragment

medium: velvet (cut and uncut)

credit_line: Velvet Fragment, 1500s-1600s. Italy. Velvet (cut and uncut); overall: 44.4 x 23.5 cm (17 1/2 x 9 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1927.367


title: The Romancer

credit_line: The Romancer, 1727. Charles-Nicolas Cochin (French, 1715–1790), after Jean-Antoine Watteau (French, 1684–1721). Engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1929.559


medium: Gum tempera, ink, and gold on paper

credit_line: Text, Folio 23 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.23.b


credit_line: Text, Folio 67 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.67.b


title: Length of Brocaded Satin

creator: Philippe de Lasalle (French, 1723–1805)

medium: satin, brocaded; silk with areas of chenille

subjects:
Costume & fashion
Textile
France

credit_line: Length of Brocaded Satin, c. 1780. Philippe de Lasalle (French, 1723–1805). Satin, brocaded; silk with areas of chenille; overall: 243.8 x 54.6 cm (96 x 21 1/2 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1932.37.b


title: Lace Band

medium: Linen: needle lace (drawnwork)

country: Italy, Sicily

subjects:
Lace
Italy, sicily

credit_line: Lace Band, 1700s–1800s. Italy, Sicily. Linen: needle lace (drawnwork); average: 26.7 x 82.9 cm (10 1/2 x 32 5/8 in.). The Cleveland Museum of Art, The Frances McIntosh Sherwin Collection, 1936.219


title: Embroidered Handkerchief

medium: Plain weave linen: embroidered

country: Switzerland

subjects: Embroidery Switzerland

credit_line: Embroidered Handkerchief, 1880–99. Switzerland. Plain weave linen: embroidered; average: 38.1 x 38.1 cm (15 x 15 in.). The Cleveland Museum of Art, Gift of Robert Livingston Ireland Jr. in memory of his mother, Mrs. P. W. Harvey, 1936.741


title: Length of Brocaded Silk

medium: brocade on tabby; silk

credit_line: Length of Brocaded Silk, 1723–1774. Style of Jean Baptiste Pillement (French, 1728–1808). Brocade on tabby; silk; overall: 49.1 x 53.5 cm (19 5/16 x 21 1/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1937.22


title: Lace Panel

country: Belgium, Brussels ?

subjects:
Lace
Belgium, brussel

credit_line: Lace Panel, 1800s. Belgium, Brussels ?. Linen: bobbin lace (Duchesse lace ?) with plaited ground joining motifs; average: 242.6 x 63.5 cm (95 1/2 x 25 in.). The Cleveland Museum of Art, Bequest of Mrs. Andrew Squire, 1937.580


medium: enamel, wood, walrus ivory or bone, metal

subjects:
Tool and equipment
Skeletons & bones

credit_line: Chopstick for Chopstick and Knife Kit -Souvenir Trade, early 1900s. Japan, Meiji period (1868–1912) to Taishō period (1912–26). Enamel, wood, walrus ivory or bone, metal; overall: 24.5 cm (9 5/8 in.). The Cleveland Museum of Art, Gift of Laurence H. Norton, Robert C. Norton, and Miriam Norton White in memory of Mr. and Mrs. D. Z. Norton, 1939.383.c


title: Jar

medium: stoneware

subjects: Siam, sawankhalok ware, late 13th-14th century

credit_line: Jar, late 1200s-1300s. Siam, Sawankhalok ware, late 13th-14th Century. Stoneware; overall: 10.2 cm (4 in.). The Cleveland Museum of Art, Gift of Edwin Lowe Neville, 1939.534


title: Landscape with Arched Rocks

subjects: Print France Landscapes

credit_line: Landscape with Arched Rocks, 1778. Antoine de Marcenay de Ghuy (French, 1724–1811). Etching. The Cleveland Museum of Art, Gift of Robert Hays Gries, 1939.589.b


title: Landscape with Figures

creator: Gabriel Perelle (French, c. 1603–1677)

credit_line: Landscape with Figures, 1600s. Gabriel Perelle (French, c. 1603–1677). Etching. The Cleveland Museum of Art, Gift of Robert Hays Gries, 1939.593


title: Combats and Triumphs No. 9

credit_line: Combats and Triumphs No. 9, c. 1550–72. Etienne Delaune (French, 1518/19-c. 1583). Engraving. The Cleveland Museum of Art, Gift of Robert Hays Gries, 1939.622


title: Man's Cap

medium: brocade, silk

subjects: Garment France

credit_line: Man's Cap, 1700s. France. Brocade, silk; overall: 24.2 x 35.6 x 58.4 cm (9 1/2 x 14 x 23 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.166


title: The Golden Age

country: Flanders

subjects: Print Flander

credit_line: The Golden Age, 1608. Johann Theodor de Bry (German, 1561–1623), after Abraham Bloemaert (Dutch, 1566–1651). Engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1945.235


creator: Israël Silvestre (French, 1621–1691)

credit_line: Vue du Château de Versailles, vu de l'avant-cour, 1682. Israël Silvestre (French, 1621–1691). Engraving. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1950.179


title: Pieces from Disassembled Cape

medium: velvet (cut and voided); silk

subjects: Velvet Italy

credit_line: Pieces from Disassembled Cape, 1400s. Italy. Velvet (cut and voided); silk; overall: 49.8 x 7.6 cm (19 5/8 x 3 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1951.496.c


title: Silk Fragment

medium: plain compound satin, brocaded: silk

country: Spain

subjects:
Costume & fashion
Textile
Spain

credit_line: Silk Fragment, 1700s. Spain. Plain compound satin, brocaded: silk; average: 109.2 x 57.2 cm (43 x 22 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.492


title: The Four Evangelists:  St. Luke

subjects: Print Italy

credit_line: The Four Evangelists:  St. Luke, c. 1518. Italy. Engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1954.339.1


title: The Martyrdom of the Apostles:  St. Paul

creator: Jacques Callot (French, 1592–1635)

credit_line: The Martyrdom of the Apostles:  St. Paul, c. 1632. Jacques Callot (French, 1592–1635). Etching. The Cleveland Museum of Art, James Parmelee Fund, 1958.433


credit_line: The Martyrdom of the Apostles:  St. James the Less, c. 1632. Jacques Callot (French, 1592–1635). Etching. The Cleveland Museum of Art, James Parmelee Fund, 1958.438


title: A Soldier Standing, Seen from Behind

country: Netherlands

subjects: Print Netherland

credit_line: A Soldier Standing, Seen from Behind. Leendert van der Cooghen (Dutch, 1610–1681). Etching. The Cleveland Museum of Art, Gift of Robert M. Light, 1961.276


title: Amiens, the Banks of the Somme

country: France, 19th-20th Century

subjects:
Print
France, 19th-20th century

credit_line: Amiens, the Banks of the Somme, 1907. Auguste Louis Lepère (French, 1849–1918). Etching. The Cleveland Museum of Art, Gift of Mrs. Malcolm L. McBride, 1965.275


title: Looking through Brooklyn Bridge

medium: drypoint

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: Looking through Brooklyn Bridge, 1921. Christopher Nevinson (British, 1889–1946). Drypoint; sheet: 39.1 x 23.7 cm (15 3/8 x 9 5/16 in.); platemark: 23.5 x 17.5 cm (9 1/4 x 6 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. Malcolm L. McBride, 1966.73


title: Passion Set:  The Crucifixion

creator: Zacharias Dolendo (Dutch, 1561–1604)

country: Netherlands, 16th century

subjects:
Print
Netherlands, 16th century

credit_line: Passion Set:  The Crucifixion, 1596–98. Zacharias Dolendo (Dutch, 1561–1604), after Karel van Mander I (Dutch, 1548–1606), Jacob de Gheyn II (Netherlandish, 1565–1629). Engraving. The Cleveland Museum of Art, Delia E. Holden Fund, 1975.122.11


title: Base and Capital with Putti (capital)

country: Italy

credit_line: Base and Capital with Putti (capital), c.1525–1550. Master G. A. with the man-trap (Italian, active 1525–50). Engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1978.81.a


credit_line: Base and Capital with Figure of Fame and Winged Horses (base), c. 1525–1550. Master G. A. with the man-trap (Italian, active 1525–50). Engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1978.82.b


title: Segmentum from a Tunic

country: Egypt, Umayyad period (661–750)?

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, umayyad period (661–750)

credit_line: Segmentum from a Tunic, 600s–700s. Egypt, Umayyad period (661–750)?. Wool and linen: tabby weave, inwoven tapestry ornament; overall: 10.7 x 11.7 cm (4 3/16 x 4 5/8 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1982.94.b


title: Fragment of a Roundel

date: before 1968

country: Egypt

subjects:
Costume & fashion
Textile
Egypt

credit_line: Fragment of a Roundel, before 1968. Egypt. Linen and wool: tapestry (originally inwoven in tabby ground); overall: 15.5 x 14 cm (6 1/8 x 5 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.250


title: Fragment with Fish and Bird

medium: tabby weave with inwoven tapestry ornament, linen and wool

subjects:
Fish
Ornament & design
Costume & fashion
Textile
Egypt, umayyad period (661–750)
Birds

credit_line: Fragment with Fish and Bird, 600s. Egypt, Umayyad period (661–750)?. Tabby weave with inwoven tapestry ornament, linen and wool; overall: 6 x 12.5 cm (2 3/8 x 4 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.252


title: Study of Hands (verso)

creator: Camillo Procaccini (Italian, 1546–1629)

medium: red chalk

subjects: Drawing Italy

credit_line: Study of Hands (verso), c. 1590. Camillo Procaccini (Italian, 1546–1629). Red chalk; sheet: 16.5 x 19.4 cm (6 1/2 x 7 5/8 in.); secondary support: 26.7 x 30.7 cm (10 1/2 x 12 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1987.45.b