title: Maruru (Offerings of Gratitude), from the Noa Noa Suite

medium: Wood-block print, printed twice in yellow ocher and black inks, with selective wiping of the black ink, over a yellow ink tone block, transferred golden-yellow, green, and red-orange, and stenciled red oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream wove paper


title: Two Tahitian Women and a Marquesan Earplug

creator: Paul Gauguin

medium: Pen and brown ink and graphite on parchment

country: France

subjects:
Pen and ink drawing
France
Ink
Graphite
Drawing (visual works)
Print and drawing

source: Art Institute of Chicago

source_id: aic

rights: Public Domain / CC0

rights_statement: Public Domain — CC0 via the Art Institute of Chicago Open Access programme.

credit_line: David Adler Collection


title: Te faruru (Here We Make Love), from the Noa Noa Suite

medium: Wood-block print, printed twice in golden-brown and black inks, with selective wiping of the black ink, over a selectively inked yellow tone block, and transferred deep-yellow, red, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), with hand-applied dark yellow and brown gouache, on cream Japanese paper (previously mounted on mottled blue wove paper laid down on cream wove card [a presentation mount])

subjects:
Woodcut
France
Paper (fiber product)
Print
Print and drawing

credit_line: Clarence Buckingham Collection


title: Tahitian Woman, headpiece for Le sourire

medium: Wood-block print in black ink on thin ivory laid Japanese paper


title: Memory of Meijer de Haan

medium: Wood-block print printed twice in black and brown ink, with dry brush and gray and ocher watercolor, on cream Japanese paper

credit_line: Gift of the Print and Drawing Club


title: Hina

creator: Paul Gauguin (French, 1848-1903)

medium: Rubbing in brown on ivory tissue taken from a cylindrical wooden carving

subjects:
Woodcut
France
Print
Print and drawing

credit_line: Gift of Dr. Herbert Michel


title: The Woman with Figs

medium: Etching with open bite applied with a reed pen on a zinc plate, in dark green ink with selective wiping, on cream wove Japanese paper (a proofing paper)

subjects:
Etching
France
Paper (fiber product)
Print
Print and drawing


title: Two Women Chattering, headpiece for Le Sourire


title: Auti te pape (Women at the River), from the Noa Noa Suite

medium: Wood-block print, printed in reddish-brown and black ink on ivory wove paper (previously mounted on mottled blue wove paper laid down on cream wove card [a presentation mount])

credit_line: Gift of Frank B. Hubachek


title: Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite

medium: Wood-block print, printed three times in reddish-brown, black, and light black ink, with touches of brush and black gouache and silver-gray watercolor (altered from black), on ivory laid Japanese paper, laid down on ivory wove Japanese paper (a laminate made by the artist)


title: Te atua (The God), from the Noa Noa Suite

medium: Wood-block print, printed twice in orange and brown inks, over residual black ink, with wiping and touches of hand-applied black ink, on thin, pale-pink wove paper (faded to tan)


title: Picking Persimmons

creator: Suzuki Harunobu 鈴木 春信

medium: Color woodblock print; chuban

country: Japan

subjects:
Woodblock print
Japan
Japanese (culture or style)
Print
Asian art


title: Two Maoris

medium: Wood-block print printed twice in ocher and black ink, with red-brown watercolor on brown laid Japanese paper


title: Young Maoris

medium: Wood-block print printed twice in yellow ocher and black ink, on cream wove notebook paper ruled in blue


title: Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints

medium: Wood-block print in black ink on thin ivory Japanese paper

credit_line: William McCallin McKee Memorial Endowment


title: Te arii vahine—opoi (Woman with Mangos—Tired), from the Suite of Late Wood-Block Prints

medium: Wood-block print in black ink on thin ivory Japanese paper, partially laid down on white Japanese paper


title: Portrait of Tehamana

medium: Charcoal and wetted charcoal, with stumping and erasing, on cream wove paper, selectively fixedr

subjects:
Print and drawing
France
Portraits
Paper (fiber product)
Charcoal
Drawing (visual works)

credit_line: Gift of David Adler and his friends


title: Sketches of Figures, Pandanus Leaf, and Vanilla Plant

medium: black fabricated chalk and watercolor on cream wove paper (removed from a sketchbook)

subjects:
Botany
Watercolor
France
Paper (fiber product)
Water-base paint
Paint
Coating (material)
Crayon
Drawing (visual works)
Print and drawing

credit_line: Gift of Mr. and Mrs. Morton G. Neumann


title: Design for a Jardiniere: The Toilette

medium: Graphite on ivory laid paper, squared in graphite for transfer

subjects:
Graphite
France
Squaring (transferring technique)
Paper (fiber product)
Pastel (crayons)
Crayon
Drawing (visual works)
Print and drawing

credit_line: Arthur Heun Fund


title: Bust of a Young Breton Woman (Possibly Marie Lagadu)

medium: Black fabricated chalk on ivory laid paper

subjects:
Charcoal
France
Paper (fiber product)
Plant material
Pastel (crayons)
Crayon
Drawing (visual works)
Print and drawing


title: Soyez amoureuses, vous serez heureuses (Love, and You Will Be Happy), from the Suite of Late Wood-Block Prints

medium: Wood-block print in dark-orange (burnt sienna) ink on cream wove paper

credit_line: Gift of the Print and Drawing Club and Carter H. Harrison


title: Horse, with Other Animals and Ornaments

medium: Wood-block print in black ink on cream wove paper

credit_line: Gift of Mrs. Carl O. Schniewind


title: Heads of Tahitian Women, Frontal and Profile Views

medium: Charcoal and wetted charcoal, with stumping and erasing, on cream wove paper, selectively fixed

subjects:
Charcoal
France
Portrait
Women
Stumping
Post-impressionism
Paper (fiber product)
Plant material
Drawing technique
Fixing
Stabilizing
Drawing (visual works)
Print and drawing


title: Maoris and Animals

medium: Wood-block print in yellow ocher ink with gray-blue watercolor and touches of red watercolor on cream wove notebook paper ruled in blue


title: The Yellow Christ (recto), Female Bather Wading through a Brook

medium: Salted paper print (extremely faded) toned with watercolor, on cream wove silver printing-out paper, laid down on cream card (recto); albumen print laid down on cream card (verso)

subjects:
Watercolor
France
Paper (fiber product)
Water-base paint
Paint
Coating (material)
Drawing (visual works)
Print and drawing

credit_line: Bequest of Elizabeth F. Chapman


title: Sketches of Seated Figures and Chickens (recto), Nude Female Torso (related to the painting Te a no areois [The Seed of the Areoi]) (verso), from the Carnet de Tahiti (Tahitian sketchbook)

medium: Graphite (recto); graphite with traces of green watercolor offset (verso); on cream wove paper (removed from a sketchbook)

subjects:
Graphite
France
Paper (fiber product)
Drawing (visual works)
Print and drawing

credit_line: Carrie Lake Morton Fund


title: Sketches of Tahitian Residence with Color Notations and Dogs

medium: Black fabricated chalk, with black fabricated chalk offset, on cream wove paper (removed from a sketchbook)

subjects:
Crayon
France
Paper (fiber product)
Drawing (visual works)
Print and drawing


title: Still Life with Cat

medium: Watercolor on cream laid paper, laid down on cream Japanese paper

subjects:
Watercolor
France
Paper (fiber product)
Water-base paint
Paint
Coating (material)
Organic material
Drawing (visual works)
Print and drawing

credit_line: Gift of Helen Tieken Geraghty in memory of Dr. and Mrs. Theodore Tieken


title: Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L'estampe originale

medium: Lithograph in black on ivory wove paper

subjects:
Lithograph
France
Paper (fiber product)
Print
Print and drawing

credit_line: Gift of Jeffrey Shedd


title: A Fisherman Drinking Beside His Canoe

medium: Wood-block print in black ink, with red, orange, yellow, green, blue, violet and brown watercolor and touches of red and orange gouache, on ivory Japanese paper, laid down on cream Japanese paper


title: Woman with a Cat

medium: Transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper

subjects:
Monotype
France
Paper (fiber product)
Print
Print and drawing
Paper
Drawing (visual works)

credit_line: Through prior bequest of Mr. and Mrs. Martin A. Ryerson Collection


title: Head of a Tahitian Woman (recto), Sketches of Anatomical Details (verso)

medium: Pen and brown ink (originally purple) (recto); graphite (verso); on cream wove paper, discolored to tan (removed from a sketchbook)

subjects:
Anatomy
Pen and ink drawing
France
Paper (fiber product)
Ink
Coating (material)
Drawing (visual works)
Print and drawing

credit_line: Bequest of Edith Cummings Munson


title: Jean René Gauguin

medium: Black fabricated chalk, red chalk, brush and brown wash, with pen and brown ink, on cream wove paper, with later additions in graphite

subjects:
Wash
France
Children
Paper (fiber product)
Ink
Graphite
Charcoal
Chalk stick
Red chalk
Chalk
Drawing (visual works)
Print and drawing

credit_line: H. Karl and Nancy von Maltitz Endowment


title: Three Breton Women with Infants

creator: Armand Séguin (French, 1869-1904)

medium: Woodcut in brown ink with letterpress above on discolored ivory laid paper hinged to tan laid paper

subjects:
Woodcut
France
Paper (fiber product)
Brown ink
Colored ink
Ink
Coating (material)
Print
Print and drawing

credit_line: Purchased with funds provided by Edward McCormick Blair


title: Sketches of Figures and Foliage (recto); Profile of Charles Laval with Palm Tree and Other Sketches (verso)

medium: Black fabricated chalk with watercolor, on mottled blue wove paper with blue fibers, altered to light gray (recto); black fabricated chalk, with pen and brown ink, on mottled blue wove paper with blue fibers, altered to bluish-gray (verso) (removed from a sketchbook)

subjects:
Crayon
France
Palms
Trees
Paper (fiber product)
Brown ink
Colored ink
Ink
Coating (material)
Black crayon
Drawing (visual works)
Print and drawing

credit_line: Purchased with funds provided by the Joseph and Helen Regenstein Foundation


title: Sketches of Various Animals and Head (recto), Sketches of a Head, Figure in Profile, Anatomical Details, and Animals (verso)

medium: Graphite (recto); graphite, with pen and pale-yellow ink (originally purple) (verso); on cream wove paper, discolored to tan (removed from a sketchbook)

subjects:
Anatomy
Graphite
France
Paper (fiber product)
Drawing (visual works)
Print and drawing

credit_line: Gift of Edward McCormick Blair


title: Sketches of Children, a Woman, and Profiles (recto), Sketches of Horses and Child (verso)

medium: Graphite and blue gouache, with pen and pale yellow ink (originally purple) and watercolor (recto); graphite, over pen and pale yellow ink (originally purple) and watercolor (verso); on cream wove paper, discolored to tan (removed from a sketchbook)

subjects:
Graphite
France
Paper (fiber product)
Watercolor
Drawing (visual works)
Print and drawing


title: Tahitian Hut

medium: Watercolor, with touches of gouache, over graphite, on tan wove paper

subjects:
Watercolor
France
Paper (fiber product)
Drawing (visual works)
Print and drawing


title: Design for a Fan Featuring a Landscape and a Statue of the Goddess Hina

medium: Watercolor and gouache, with touches of pen and black ink, over traces of graphite, on cream Japanese paper (pieced), laid down on cream wove paper

subjects:
Gouache
France
Landscapes
Paper (fiber product)
Watercolor
Drawing (visual works)
Print and drawing


title: Portrait of the Artist’s Mother (Eve)

medium: Gouache, over a white ground, on gray millboard

subjects:
Gouache
France
Portraits
Drawing (visual works)
Print and drawing


title: Te atua (The God), from the Suite of Late Wood-Block Prints

medium: Wood-block print in black and brown ink from two blocks on cream Japanese paper with cream fibrous inclusions throughout

subjects:
Woodcut
France
Paper (fiber product)
Print
Print and drawing

credit_line: Gift of Gilles Artur and Jean-Pierre Zingg


title: Study of Tahitian Heads

medium: Watercolor and pastel monotype from a paper matrix, with pastel, on cream Japanese paper, laid down on cream 4-ply mat board

credit_line: Purchased with funds provided by Mr. and Mrs. Edward McCormick Blair and through prior acquistion of Mr. and Mrs. Martin A. Ryerson Collection


title: Sketch of Man with a Hat and Fragment of Woman’s Shoulder

medium: Graphite on cream wove irregularly shaped paper, discolored to tan (removed from a sketchbook)

subjects:
France
Drawing (visual works)
Paper (fiber product)
Graphite
Print and drawing


title: Seated Tahitian Women (related to the painting Nafea faa ipoipo [When Will You Marry?]) and Other Sketches

medium: Black fabricated chalk and pen and brown ink (originally purple), with traces of graphite on cream wove paper (removed from a sketchbook)


title: Sketches of Standing Figures and Animals

medium: Graphite and watercolor on cream wove paper, discolored to tan (removed from a sketchbook)

subjects:
Graphite
France
Paper (fiber product)
Drawing (visual works)
Watercolor
Print and drawing


title: Sketch of Maori Woman and Child

medium: Pen and brown ink (originally purple), with touches of graphite on cream wove irregularly shaped paper, discolored to tan (removed from a sketchbook)

subjects:
Pen and ink drawing
France
Paper (fiber product)
Drawing (visual works)
Print and drawing


title: Sketches of Figures, Hands, and Feet (related to the painting Aha oe feii? [What! Are You Jealous?])

medium: Black fabricated chalk with pen and brown ink (originally purple) on cream wove paper (removed from a sketchbook)

subjects:
Pen and ink drawing
France
Paper (fiber product)
Graphite
Drawing (visual works)
Print and drawing


title: Seated Tahitian Woman (recto); Standing Tahitian Woman (verso)

medium: Pen and brown ink (originally purple, est.), with graphite, on cream wove paper (recto); pen and brown ink (originally purple, est.), with traces of graphite, on cream wove paper; removed from a sketchbook and trimmed


title: Man with an Ax

medium: Thinned gouache, with pen and black ink, over pen and brown ink, on cream wove paper (discolored to tan), laid down on cream Japanese paper

subjects:
Pen and ink drawing
France
Paper (fiber product)
Gouache
Drawing (visual works)
Print and drawing


title: Ten Studies of Tahitian Figures

medium: Brush and brown inks (originally purple), with watercolor, on parchment

subjects:
Pen and ink drawing
France
Drawing (visual works)
Print and drawing


title: Sketches of Crouching and Standing Figures, a Pig, and a Hut at Water’s Edge


title: Parau Hina Tefatou (Words between Goddess of the Moon and God of the Earth)

medium: Brush and gray wash and pen and brown ink (originally purple, est.), with black fabricated chalk, on heavily textured ivory wove paper


title: Breton Peasants

medium: Brush and black ink on cream wove paper

subjects:
Ink
France
Paper (fiber product)
Drawing (visual works)
Print and drawing


title: Seated Female (related to the painting Sister of Charity)

medium: Transfer drawing in black ink on ivory wove paper

subjects:
France
Drawing (visual works)
Paper (fiber product)
Print and drawing


title: Tahitian Landscape

medium: Watercolor monotype from a glass matrix, with touches of gouache on cream wove paper laid down on ivory Japanese paper

subjects:
Watercolor
France
Landscapes
Paper (fiber product)
Monotype
Drawing (visual works)
Print and drawing


title: Tahitian Girl in a Pink Pareu

medium: Watercolor monotype from a paper matrix on cream laid paper

subjects:
Monotype
France
Paper (fiber product)
Watercolor
Print
Print and drawing
Paper
Drawing (visual works)


title: Aha oe feii? (What! Are You Jealous?)

medium: Watercolor monotype from a glass matrix, with brush and white gouache, reddish-brown and black water color, on cream wove paper (an imitation Japanese vellum)

subjects:
Watercolor
France
Paper (fiber product)
Monotype
Drawing (visual works)
Print and drawing


medium: Wood-block print in black ink on thin ivory laid Japanese paper


title: Three People, a Mask, a Fox and a Bird, headpiece for Le sourire

subjects:
Woodcut
France
Birds
Paper (fiber product)
Print
Print and drawing


title: Change of Residence, from the Suite of Late Wood-Block Prints

medium: Wood-block print in black ink, with touches of red and black watercolor, on cream wove paper


title: Two Standing Tahitian Women

medium: Black ink monotype from a glass matrix, over watercolor monotype from a paper matrix, with touches of metallic oil-based media, on thin cream Japanese paper laid down on cream wove paper (an imitation Japanese vellum)


title: Bust of a Tahitian Woman

medium: Watercolor monotype on ivory Japanese paper, discolored to tan, laid down on tan wove paper


title: Tahitian Idol—the Goddess Hina

medium: Wood-block print in black ink, over brush and solvent thinned and selectively applied yellow ocher, reddish-orange and touches of green and pink wax-and resin-based media, on cream wove paper


title: Woman Picking Fruit and Oviri

medium: Wood-block print in black ink on thin ivory Japanese paper, laid down on thin ivory Japanese paper (a modern mount)

subjects:
Woodcut
France
Fruits
Paper (fiber product)
Print
Print and drawing


title: L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite

medium: Wood-block print in black ink, with selective wiping, on pink wove paper (faded to pinkish tan)


title: Two Women Chattering, headpiece for Le Sourire


title: A Fisherman Drinking Beside His Canoe

medium: Wood-block print in brown ink on cream wove Japanese paper, laid down on cream wove Japanese paper


title: Interior of a Tahitian Hut, from the Suite of Late Wood-Block Prints

medium: Wood-block print in black ink on thin ivory Japanese paper


title: Maruru (Offerings of Gratitude), from the Noa Noa Suite

medium: Wood-block print, printed twice in yellow ocher and black inks, over a yellow ink tone block, and transferred golden-yellow, green, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), with brush and black ink and diluted yellow printing ink, on cream Japanese paper


title: Man Carrying Bananas Followed by Two Horses, headpiece for Le sourire

medium: Wood-block print printed twice in black ink on cream wove paper (an imitation Japanese vellum) (recto); wood-block print in black ink over orange ink tone block, on cream wove paper (an imitation Japanese vellum) (verso)


title: Soyez amoureuses, vous serez heureuses (Love, and You Will Be Happy), from the Suite of Late Wood-Block Prints

medium:
Second-state impression laid down on first-state impression
Wood-block print of second state in black ink on thin ivory Japanese paper, laid down on wood-block print of first state in yellow ocher ink with traces of black ink on grayish-ivory wove paper (recto); wood-block print in black and yellow ocher ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso)


title: Auti te pape (Women at the River), from the Noa Noa Suite

date: spring/summer 1894

medium: Wood-block print in black ink, over stenciled red ink and a yellow ink tone block, on cream wove paper (an imitation Japanese vellum)


title: Noa noa (Fragrant)

medium: Wood-block print in black ink, over solvent thinned and selectively applied yellow ocher ink, on cream wove paper


title: Christ on the Cross

creator: Paul Gauguin, after

date: after 1895

medium: Rubbing in black and red ink, on ivory wove Japanese paper

subjects:
Rubbing
France
Paper (fiber product)
Print and drawing
Paper


title: Women, Animals, and Foliage, from the Suite of Late Wood-Block Prints

medium: Wood-block print in black ink on thin laid ivory Japanese paper, laid down on thin wove white Japanese paper


title: Nave nave fenua (Delightful Land), from the Noa Noa Suite

medium: Wood-block print, printed twice in yellow ocher and black inks, over a yellow ink tone block, and stenciled red oil medium, on cream Japanese paper discolored to a grayish tone


title: Fox, Busts of Two Women, and a Rabbit, headpiece for Le sourire

medium: Wood-block print in black ink on thin ivory Japanese paper, laid down on ivory Japanese paper


title: A Horse and Birds, headpiece for Le sourire

medium: Wood-block print in black ink on mottled gray-blue wove paper, laid down on buff wove paper


title: Two Maori Women Squatting Down

medium: Zincograph in black ink on cream wove paper

subjects:
Zincograph
France
Paper (fiber product)
Print
Print and drawing


title: Ia orana Maria (Hail Mary)

medium: Transfer zincograph on coarse-grained transfer paper, in dark-blue ink on thin ivory wove paper (an imitation Japanese vellum)


title: Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L’estampe originale

medium: Lithograph in black ink on ivory wove paper, discolored to light brown

subjects:
Lithograph
France
Paper (fiber product)
Print
Print and drawing


title: Tahitians, Flowers, and Leaves, headpiece for Le sourire

medium: Wood-block print in black ink on cream wove paper

subjects:
Woodcut
France
Flowers
Paper (fiber product)
Print
Print and drawing


title: Catalogue de l'Exposition de Peintures du Groupe Impressionniste et Synthétiste

medium: Book containing eight zincographs and letterpress text in black ink, with photomechanically printed gray stripes on cover, on tan wove paper

subjects:
Book
France
Paper (fiber product)
Paper
Print and drawing

credit_line: Regenstein Endowment Fund


title: Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite

medium: Wood-block print in black ink, with brush and pale orange wash, over stenciled yellow ink and a red ink tone block, on cream wove paper (an imitation Japanese vellum)

subjects:
Print and drawing
France
Paper (fiber product)
Woodcut
Print

credit_line: Gift of Marjorie Kreilick McNab


title: Noa Noa

medium: Collotype with letterpress, in black on cream wove papers, folded, with collotype in black with red on ivory laid paper and envelope, contained within cream wove paper wrapper with collotype in black

subjects:
Print
France
Paper (fiber product)
Print and drawing


title: Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite

medium: End-grain boxwood block, with a commercially prepared gray ground, sealed with an opaque pink oil medium, and inked in black ink

subjects:
Print
France
Matrix
Print and drawing

credit_line: Mr. and Mrs. David C. Hilliard Fund; Meg and Mark Hausberg Fund; Mr. and Mrs. T. Stanton Amour Fund; Art and Peggy Wood Fund; Marjorie and Frank Brookes Hubachek Memorial Fund; Print and Drawing Fund; Julius Lewis Fund; Mary S. Adams Fund


title: Man with an Ax

medium: Pen and black ink, and brush and black wash, with pen and brown ink (originally purple) and touches of graphite, on heavily textured ivory wove paper

subjects:
Print and drawing
France
Paper (fiber product)
Drawing (visual works)
Brush and ink
Pen and ink drawing

credit_line: Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection


title: Portrait of Stéphane Mallarmé

medium: Etching, with drypoint and engraving, in black, with pen and black and brown ink, and brush and black and gray wash, on cream wove paper

subjects:
Etching
France
Portraits
Paper (fiber product)
Print
Print and drawing

credit_line: Gift of the Gecht Family


title: Chez les Maories: Sauvageries (At Home with the Maori: Savage Things)

medium: Watercolor, with traces of black crayon and graphite, on tapa, partially laid down on cream wove paper

subjects:
Gouache
France
Paper (fiber product)
Watercolor
Water-base paint
Paint
Coating (material)
Drawing (visual works)
Print and drawing

credit_line: Gift of Henri M. Petiet


title: The Descent from the Summit: Jean Martin Steadies Hélène, the Banker’s Daughter (Illustration for Edmond Renoir’s “L’étiquette”) (recto); Half-Length Sketch of a Woman (verso)

creator: Pierre Auguste Renoir

medium: Black chalk (recto and verso) on ivory laid paper (discolored to tan)

subjects:
Conté crayon
France
Paper (fiber product)
Pastel (crayons)
Crayon
Black conté crayon
Conté crayon (tm)
Fabricated chalk
Drawing (visual works)
Print and drawing

credit_line: Gift of Mr. and Mrs. B. E. Bensinger


title: Amélie Laurent Dieterlé

medium: Lithograph in gray on off-white wove paper

credit_line: Berthold Loewenthal Fund


title: Children on the Beach, Berneval

medium: Etching and drypoint in warm black on ivory wove paper

subjects:
Etching
France
Paper (fiber product)
Print
Print and drawing

credit_line: The Charles Deering Collection


title: Bowl

medium: glass

country: China, Song dynasty (960-1279)

subjects:
Glass
China, song dynasty (960-1279)

source: The Cleveland Museum of Art

source_id: cleveland

rights_statement: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

credit_line: Bowl, 960–1279. China, Song dynasty (960-1279). Glass; diameter: 30.6 cm (12 1/16 in.); overall: 13.4 cm (5 1/4 in.). The Cleveland Museum of Art, Director's Contingent Fund, 1915.507


medium: stone

country: China, Tang dynasty (618-907)

subjects:
Sculpture
China, tang dynasty (618-907)

credit_line: Corner Stone with Two Eleven-Headed Guanyin, c. 700. China, Tang dynasty (618-907). Stone; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Ralph King, 1915.75


title: Lumber Yard

medium: color woodblock print

country: Japan, Edo period (1615–1868)

subjects:
Print
Japan, edo period (1615–1868)

credit_line: Lumber Yard, 1760–1849. Katsushika Hokusai (Japanese, 1760–1849). Color woodblock print; sheet: 26.2 x 38.8 cm (10 5/16 x 15 1/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1166


title: Dinner Time, Gatun Lock, Panama

creator: Joseph Pennell (American, 1857–1926)

medium: lithograph

country: America

subjects: Print America

credit_line: Dinner Time, Gatun Lock, Panama, 1912. Joseph Pennell (American, 1857–1926). Lithograph. The Cleveland Museum of Art, Gift of Myron T. Herrick, 1921.448


title: The Lonely Tower

creator: Samuel Palmer (British, 1805–1881)

medium: etching

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: The Lonely Tower, 1879. Samuel Palmer (British, 1805–1881). Etching. The Cleveland Museum of Art, Gift of Ralph King, 1921.966


title: Hannibal Fighting Scipio

medium: engraving

country: Germany

subjects: Print Germany

credit_line: Hannibal Fighting Scipio, 1538. Heinrich Aldegrever (German, 1502–1555/61). Engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1922.124


title: Fete of Pan

country: Italy

subjects: Print Italy

credit_line: Fete of Pan, 1648. Giovanni Benedetto Castiglione (Italian, 1609–1664). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.193


title: The Passion: Christ Carrying the Cross

country: Netherlands, 16th century

subjects:
Print
Netherlands, 16th century

credit_line: The Passion: Christ Carrying the Cross, 1521. Lucas van Leyden (Netherlandish, 1494–about 1533). Engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1923.55.9


credit_line: The Parable of the Good Samaritan: The Good Samaritan Putting the Traveler on His Donkey, 1554. Heinrich Aldegrever (German, 1502–1555/61). Engraving. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1923.758


title: The Long Balcony

credit_line: The Long Balcony, 1894. James McNeill Whistler (American, 1834–1903). Lithograph. The Cleveland Museum of Art, Gift of Mr. and Mrs. Ralph King, 1924.24


title: Churchyard

credit_line: Churchyard, 1887. James McNeill Whistler (American, 1834–1903). Lithograph. The Cleveland Museum of Art, Gift of Mr. and Mrs. Ralph King, 1924.7


title: Reconquered Territory (recto)

creator: Jean Louis Forain (French, 1852–1931)

medium: black wash and watercolor over black crayon

country: France, 20th century

subjects:
Drawing
France, 20th century

credit_line: Reconquered Territory (recto), c. 1919. Jean Louis Forain (French, 1852–1931). Black wash and watercolor over black crayon; sheet: 37 x 53.1 cm (14 9/16 x 20 7/8 in.). The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1925.1187.a


title: Cherry Tree at Blau

creator: Théodore Rousseau (French, 1812–1867)

medium: cliché-verre

country: France, 19th century

subjects:
Print
France, 19th century
Trees

credit_line: Cherry Tree at Blau, 1862. Théodore Rousseau (French, 1812–1867). Cliché-verre. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.581


title: A Princely Idyl, Clara Ward

subjects:
Print
France, 19th century

credit_line: A Princely Idyl, Clara Ward, 1894. Henri de Toulouse-Lautrec (French, 1864–1901). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Ralph King, 1926.293


title: Chinoiserie Design

date: early 1800s

medium: block printed cotton

country: England, early 19th century

subjects:
Costume & fashion
Textile
England, early 19th century

credit_line: Chinoiserie Design, early 1800s. England, early 19th century. Block printed cotton; overall: 23.2 x 64.7 cm (9 1/8 x 25 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1928.208


creator: Wenceslaus Hollar (Bohemian, 1607–1677)

country: Bohemia

subjects: Print Bohemia

credit_line: Views of London:  The Piazza in Covent Garden, 1660s. Wenceslaus Hollar (Bohemian, 1607–1677). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1928.642


title: St. Jerome in the Wilderness

creator: Hans Baldung (German, 1484/85–1545)

medium: woodcut

credit_line: St. Jerome in the Wilderness, c. 1511. Hans Baldung (German, 1484/85–1545). Woodcut. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1928.772


creator: Abraham Bosse (French, 1602–1676)

subjects: Print France

credit_line: The Prodigal Son:  The Return of the Prodigal, 1635. Abraham Bosse (French, 1602–1676). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1929.560.4


credit_line: The Fall and Redemption of Man: Descent from the Cross, c. 1515. Albrecht Altdorfer (German, c. 1480–1538). Woodcut. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1932.330.31


title: New ABC Booklet:  P

creator: Lucas Kilian (German, 1579–1637)

credit_line: New ABC Booklet:  P, 1627. Lucas Kilian (German, 1579–1637). Engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1932.392.16


title: Tie-Dyed Fragment

medium: discontinuous warp and weft, tie-dyed; wool

subjects:
Costume & fashion
Textile

credit_line: Tie-Dyed Fragment, c. 700–1100 A.D.. Peru, South Coast, Wari Culture, Middle Horizon, 8th-12th Century. Discontinuous warp and weft, tie-dyed; wool; average: 21.6 x 52.1 cm (8 1/2 x 20 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1933.393


title: Velvet Cuffs

medium: velvet

subjects:
Velvet
France, 19th century

credit_line: Velvet Cuffs, 1800s. France, 19th century. Velvet; overall: 18.4 x 5.7 cm (7 1/4 x 2 1/4 in.). The Cleveland Museum of Art, Gift of Isabel Jane Crawford, 1934.198.a


creator: Paul Gavarni (French, 1804–1866)

credit_line: Physionomies Parisiennes:  Au Marais.  Ici, Azor! ici!, 1857–58. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1935.13


title: My Family, Second Stone

creator: George Bellows (American, 1882–1925)

credit_line: My Family, Second Stone, 1921. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1935.248


credit_line: War Series:  The Charge, Right Detail, first state, 1918. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1935.252


title: Picadilly Circus

creator: Muirhead Bone (British, 1876–1953)

medium: drypoint

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: Picadilly Circus, 1915. Muirhead Bone (British, 1876–1953). Drypoint. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1935.7


title: Lace Flounce

country: Italy, Venice, 1600s

subjects:
Lace
Italy, venice, 1600

credit_line: Lace Flounce, 1600s. Italy, Venice, 1600s. Linen: needle lace (Venetian Raised Point); average: 114.3 x 19.1 cm (45 x 7 1/2 in.). The Cleveland Museum of Art, The Frances McIntosh Sherwin Collection, 1936.205


title: Four Friends, first state

credit_line: Four Friends, first state, 1921. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1936.559


title: Lady with a Fan

credit_line: Lady with a Fan, 1921. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1936.610


title: Pair of Portrait Miniatures

creator: Anson Dickinson (American, 1779–1852)

medium: watercolor on ivory

subjects:
Portrait miniature
America
Portraits

credit_line: Pair of Portrait Miniatures, c. 1810. Anson Dickinson (American, 1779–1852). Watercolor on ivory; framed: 7.3 x 6.3 cm (2 7/8 x 2 1/2 in.); unframed: 7.3 x 5.7 cm (2 7/8 x 2 1/4 in.); part 2: 7.6 x 6.4 cm (3 x 2 1/2 in.); part 3: 7 x 5.7 cm (2 3/4 x 2 1/4 in.). The Cleveland Museum of Art, The Edward B. Greene Collection, 1940.1213


creator: Rembrandt van Rijn (Dutch, 1606–1669)

medium: etching with drypoint

country: Netherlands

subjects: Print Netherland

credit_line: Christ Disputing with the Doctors: A Sketch, 1652. Rembrandt van Rijn (Dutch, 1606–1669). Etching with drypoint; sheet: 13.4 x 22.1 cm (5 1/4 x 8 11/16 in.); platemark: 12.7 x 21.5 cm (5 x 8 7/16 in.). The Cleveland Museum of Art, Gift of Mrs. Gilbert P. Schafer, 1941.151


title: Hamlet:  The Death of Ophelia

creator: Eugène Delacroix (French, 1798–1863)

credit_line: Hamlet:  The Death of Ophelia, 1843. Eugène Delacroix (French, 1798–1863). Lithograph. The Cleveland Museum of Art, Twenty-fifth anniversary gift,  Mr. and Mrs. Lewis B. Williams Collection, 1941.215.13


title: A Peasant Calling Out: "it's very cold"

credit_line: A Peasant Calling Out: "it's very cold", 1634. Rembrandt van Rijn (Dutch, 1606–1669). Etching; sheet: 11.4 x 4.3 cm (4 1/2 x 1 11/16 in.); platemark: 11.2 x 4.2 cm (4 7/16 x 1 5/8 in.). The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1941.651


creator: Winslow Homer (American, 1836–1910)

medium: wood engraving

subjects: Print America

credit_line: Winter at Sea - Taking in Sail Off the Coast, 1869. Winslow Homer (American, 1836–1910). Wood engraving. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1291


title: Candelabrum

medium: bronze, gilt bronze, gray marble

country: France

subjects: Sculpture France

credit_line: Candelabrum, c. 1780–1785. Attributed to Pierre Philippe Thomire (French, 1751–1843), Clodion (French, 1738–1814). Bronze, gilt bronze, gray marble; overall: 92.8 x 41 x 28 cm (36 9/16 x 16 1/8 x 11 in.); part 1: 45.8 cm (18 1/16 in.). The Cleveland Museum of Art, Gift of Grace Rainey Rogers in memory of her father, William J. Rainey, 1942.58.1


title: Rosa Centifolia Anglica Rubra

medium: stipple and line engraving, with hand coloring

subjects:
Print
France, 19th century
Roses

credit_line: Rosa Centifolia Anglica Rubra, 1817–1824. Henri Joseph Redouté (French, 1766–1853). Stipple and line engraving, with hand coloring. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, for the Donald Gray Memorial Collection, 1943.137


creator: Lievin Cruyl (Flemish, c. 1640-c. 1720)

medium: pen and brown ink and brush and gray wash over graphite; framing lines in brown ink

country: Flanders

subjects: Drawing Flander

credit_line: Eighteen Views of Rome: Santa Maria in Via Lata, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.8 x 49 cm (15 1/4 x 19 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.263


creator: Kikukawa Eizan (Japanese, 1787–1867)

medium: color woodblock print

subjects:
Print
Japan, edo period (1615–1868)

credit_line: A Picture of the Viewing in the Pleasure Quarters, 1810s. Kikukawa Eizan (Japanese, 1787–1867). Color woodblock print; sheet: 37.2 x 26.1 cm (14 5/8 x 10 1/4 in.). The Cleveland Museum of Art, Gift of Mrs. Ralph King, 1943.37.b


title: The Penitents:  St. Jerome in the Desert

credit_line: The Penitents:  St. Jerome in the Desert, 1620–55. Herman van Swanevelt (Dutch, c. 1600–1655). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.630


title: Landscape

creator: John Kavanagh (American, 1857–1898)

medium: pastel

subjects: Drawing America Landscapes

credit_line: Landscape, c. 1877–98. John Kavanagh (American, 1857–1898). Pastel; sheet: 40 x 26.4 cm (15 3/4 x 10 3/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. J. Weatherhead, 1944.55


title: Macaw

medium: gold alloy

credit_line: Macaw, c. 800–1470. Peru, North Coast, Sicán or Chimú, 9th-15th Century. Gold alloy; overall: 3 x 3.1 x 3.1 cm (1 3/16 x 1 1/4 x 1 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1945.32


creator: Hendrick Goltzius (Dutch, 1558–1617)

medium: chiaroscuro woodcut (lineblock and two toneblocks, light and dark green)

subjects:
Print
Landscapes
Netherlands, 16th century

credit_line: Four Small Landscapes: No. 4, Cliff on the Seashore, c. 1600. Hendrick Goltzius (Dutch, 1558–1617). Chiaroscuro woodcut (lineblock and two toneblocks, light and dark green). The Cleveland Museum of Art, Bequest of Henrietta Baldwin Morris, 1946.253


title: Souvenir of Italy

medium: etching

subjects:
Print
France, 19th century

credit_line: Souvenir of Italy, 1866. Jean Baptiste Camille Corot (French, 1796–1875), Cadart and Chevalier. Etching; sheet: 42 x 30.6 cm (16 9/16 x 12 1/16 in.); image: 29.6 x 22.3 cm (11 5/8 x 8 3/4 in.). The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1947.456


country: France, early 20th Century

subjects:
Print
France, early 20th century

credit_line: The Poacher, Dunes of Saint Jean de Mont, 1901. Auguste Louis Lepère (French, 1849–1918). Woodcut. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1949.523


title: Le Café-concert:  Yvette Guilbert

medium: lithograph

credit_line: Le Café-concert:  Yvette Guilbert, 1893. Henri de Toulouse-Lautrec (French, 1864–1901). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.326


title: Bruant au Mirliton

credit_line: Bruant au Mirliton, 1894. Henri de Toulouse-Lautrec (French, 1864–1901). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.342


creator: Hans Sebald Beham (German, 1500–1550)

medium: engraving

subjects: Print Germany

credit_line: The Peasant Wedding or the Twelve Months, 1546. Hans Sebald Beham (German, 1500–1550). Engraving. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1950.479


medium: pen and black ink and brush and gray wash

subjects: Drawing Germany

credit_line: The Peasant Who Blew Hot and Cold (copy after Aegidius Sadeler), c. 1610. After Aegidius Sadeler (Flemish, c. 1570–1629). Pen and black ink and brush and gray wash; sheet: 8.2 x 11.5 cm (3 1/4 x 4 1/2 in.); secondary support: 9.8 x 12.7 cm (3 7/8 x 5 in.). The Cleveland Museum of Art, The Norweb Collection, 1954.682


title: Double Crocodile Vessel

medium: hammered and embossed gold

subjects:
Metalwork
Ships & the sea

credit_line: Double Crocodile Vessel, c. 400–900. Central Panama, (Sitio Conte?), Conte Style, 5th-10th Century. Hammered and embossed gold; overall: 23.1 x 6.8 x 4.6 cm (9 1/8 x 2 11/16 x 1 13/16 in.). The Cleveland Museum of Art, Gift of John Wise, 1954.855


subjects:
Print
France, 19th century
Fruits

credit_line: Choix des plus belles fleurs...plus beaux fruits:  Figue Violette, 1827. Henri Joseph Redouté (French, 1766–1853). Stipple and line engraving, with hand coloring. The Cleveland Museum of Art, Gift of The Print Club of Cleveland in honor of Arnold M. Davis, 1955.330


title: Plantae Selectae:  No. 11 - Lily

date: published 1750–73

medium: engraving, hand-colored

country: Germany, 18th century

subjects:
Print
Germany, 18th century
Lilies

credit_line: Plantae Selectae:  No. 11 - Lily, published 1750–73. Georg Dionysius Ehret (German, 1708–1770), published by Christopher Jacob Trew (German, 1695–1769). Engraving, hand-colored. The Cleveland Museum of Art, Gift of The Print Club of Cleveland in honor of Arnold M. Davis, 1955.332


creator: Jacques I Bailly (French, 1634–1679)

medium: etching and engraving, hand colored

subjects: Print France

credit_line: Divers fleurs mises en boucquets:  No. 1 – Hollyhocks and Narcissus, c. 1670. Jacques I Bailly (French, 1634–1679). Etching and engraving, hand colored. The Cleveland Museum of Art, Gift of The Print Club of Cleveland in honor of Mrs. William G. Mather, 1955.455


creator: Auguste Raffet (French, 1804–1860)

credit_line: Album pour 1833:  Charge de Hussards Républicains, 1832. Auguste Raffet (French, 1804–1860). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1956.659


title: Rectangular Box

creator: Alexandre Leferre (French)

medium: gouache miniatures mounted on gold

credit_line: Rectangular Box, c. 1840–1850. Alexandre Leferre (French). Gouache miniatures mounted on gold; overall: 4.5 x 7.5 x 8.2 cm (1 3/4 x 2 15/16 x 3 1/4 in.). The Cleveland Museum of Art, Gift of Mrs. Edward B. Greene, 1957.407


title: Escape of French Prisoners

creator: Thomas Rowlandson (British, 1756–1827)

medium: pen and Ink and watercolor wash

country: England, 18th century

subjects:
Drawing
England, 18th century

credit_line: Escape of French Prisoners, c. 1776–1827. Thomas Rowlandson (British, 1756–1827). Pen and Ink and watercolor wash; sheet: 24.8 x 17 cm (9 3/4 x 6 11/16 in.). The Cleveland Museum of Art, Bequest of Leonard C. Hanna Jr., 1958.6


title: The Twelve Months: May

creator: Jan van de Velde II (Dutch, 1593–1641)

subjects: Print Netherland

credit_line: The Twelve Months: May, 1608–18. Jan van de Velde II (Dutch, 1593–1641). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1960.143.6


subjects: Print Germany Landscapes

credit_line: The Beautiful Virgin of Ratisbon in a Landscape, 1520. Albrecht Altdorfer (German, c. 1480–1538). Engraving. The Cleveland Museum of Art, Gift of William Ellery Greene for the Lucy S. Greene Collection, 1960.230


title: Horse from Hanover

creator: Théodore Géricault (French, 1791–1824)

credit_line: Lithographic Studies of Horses: Horse from Hanover, 1822. Théodore Géricault (French, 1791–1824). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1961.146


title: The Flemish Blacksmith

credit_line: The Flemish Blacksmith, 1822. Théodore Géricault (French, 1791–1824). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1961.150


title: Plate:  Longquan Ware

medium: glazed porcelain

credit_line: Plate:  Longquan Ware, 1200s-1300s. China, Southern Song Dynasty (1127-1279) - Yuan Dynasty (1271-1368). Glazed porcelain; diameter: 14.6 cm (5 3/4 in.); overall: 4.2 cm (1 5/8 in.). The Cleveland Museum of Art, Gift of Edna H. Bahr, 1961.209


title: Edmée Lescot

credit_line: Edmée Lescot, 1893. Henri de Toulouse-Lautrec (French, 1864–1901). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1962.190


creator: Albrecht Dürer (German, 1471–1528)

medium: woodcut

credit_line: The Small Passion:  Christ on the Mount of Olives, 1509–1511. Albrecht Dürer (German, 1471–1528). Woodcut. The Cleveland Museum of Art, In memory of William J. Collins, 1962.390


creator: Robert Delaunay (French, 1885–1941)

subjects:
Print
France, 20th century

credit_line: Allo Paris:  The Bridges of Paris and Notre-Dame, 1926. Robert Delaunay (French, 1885–1941). Lithograph. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1963.233


title: Pillow with Fan and Floral Decoration

date: late 1600s

medium: porcelain with overglaze color enamel (Hizen ware, Kakiemon type)

country: Japan, Edo period (1615–1868)

subjects:
Ceramic
Japan, edo period (1615–1868)
Flowers

credit_line: Pillow with Fan and Floral Decoration, late 1600s. Japan, Edo period (1615–1868). Porcelain with overglaze color enamel (Hizen ware, Kakiemon type); overall: 7.5 x 10.3 cm (2 15/16 x 4 1/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.275


medium: etching, hand colored

country: England, early 19th Century

subjects:
Print
England, early 19th century

credit_line: Rowlandson's Sketches from Nature:  Fowey, Cornwall, 1809. Thomas Rowlandson (British, 1756–1827). Etching, hand colored. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1964.8


title: Les Roses:  Rosa Longifolia

medium: stipple and line engraving, with hand coloring

subjects:
Print
France, 19th century
Roses

credit_line: Les Roses:  Rosa Longifolia, 1817–1824. Henri Joseph Redouté (French, 1766–1853). Stipple and line engraving, with hand coloring. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1965.294


title: Die Bettlerin

creator: Ernst Barlach (German, 1870–1938)

medium: terracotta

country: Germany, 20th century

subjects:
Sculpture
Germany, 20th century

credit_line: Die Bettlerin, 1906. Ernst Barlach (German, 1870–1938). Terracotta; overall: 29.2 x 32.4 x 21.6 cm (11 1/2 x 12 3/4 x 8 1/2 in.). The Cleveland Museum of Art, Gift of William Mathewson Milliken in memory of Mr. and Mrs. Ralph M. Coe, 1966.142


title: Plate with Crayfish

creator: Strasbourg Factory (France)

medium: faience

country: France, Strasbourg, 18th century

subjects:
Ceramic
France, strasbourg, 18th century

credit_line: Plate with Crayfish, 1750–1775. Possibly by Strasbourg Factory (France). Faience; diameter: 22.3 cm (8 3/4 in.). The Cleveland Museum of Art, The Norweb Collection, 1966.227.a


title: Tureen in the Form of a Turtle

country: France, mid 18th century

subjects:
Ceramic
France, mid 18th century

credit_line: Tureen in the Form of a Turtle, c. 1745–65. France, mid 18th century. Faience; overall: 17.8 x 29.2 x 22.3 cm (7 x 11 1/2 x 8 3/4 in.). The Cleveland Museum of Art, The Norweb Collection, 1966.228.a


creator: Master H. L. (German)

country: Germany

credit_line: Angels Carrying the Emblems of the Passion, 1533. Master H. L. (German). Engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1966.5


medium: opaque ochre and translucent red-orange amber

country: China, Qing dynasty (1644-1911)

subjects:
Sculpture
China, qing dynasty (1644-1911)

credit_line: Bodhisattva Guanyin Seated in a Rock Grove, 1675–1700. China, Qing dynasty (1644-1911). Opaque ochre and translucent red-orange amber; overall: 22.9 cm (9 in.). The Cleveland Museum of Art, Gift of Lois Clarke, 1970.129


title: Letter Box (base)

creator: Ogata Kōrin (Japanese, 1658–1716)

medium: lacquer with pewter and mother-of-pearl inlay

subjects:
Lacquer
Japan, edo period (1615–1868)

credit_line: Letter Box (base), 1700s. Manner of Ogata Kōrin (Japanese, 1658–1716). Lacquer with pewter and mother-of-pearl inlay; overall: 24.2 x 21.6 cm (9 1/2 x 8 1/2 in.). The Cleveland Museum of Art, Gift of Mary B. Lee, C. Bingham Blossom, Dudley S. Blossom III, Laurel B. Kovacik, and Elizabeth B. Blossom, in memory of Elizabeth B. Blossom, 1972.165.a


creator: Shunkōsai Hokushū

medium: color woodblock print

subjects:
Print
Japan, edo period (1615–1868)

credit_line: Actor Ichikawa Ebijūrō I as Tōken (China Dog) Jūbei, in the play Red and Purple, Rich Dyes of Osaka (Benimurasaki ai de someage), 1816. Shunkōsai Hokushū. Color woodblock print; sheet: 38 x 26 cm (14 15/16 x 10 1/4 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1975.66


title: Nakamura Utaemon as Inanoya Hanbei

credit_line: Nakamura Utaemon as Inanoya Hanbei, c. 1822. Shunkōsai Hokushū. Color woodblock print; sheet: 38 x 26 cm (14 15/16 x 10 1/4 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1975.67


title: The Pleasures of Hunting

medium: black chalk and watercolor

country: England, 19th century

subjects:
Drawing
England, 19th century

credit_line: The Pleasures of Hunting, c. 1833–82. Hablot Knight Browne (British, 1815–1882). Black chalk and watercolor. The Cleveland Museum of Art, Gift of Ralph L. Wilson, 1976.124


title: Verses for Winter and Spring

creator: Utagawa Hiroshige (Japanese, 1797–1858)

credit_line: Verses for Winter and Spring (冬春之句書), 1850. Utagawa Hiroshige (Japanese, 1797–1858). Woodblock printed book; ink and color on paper; book: 23.8 x 15.9 cm (9 3/8 x 6 1/4 in.). The Cleveland Museum of Art, Gift of Kelvin Smith, 1976.149


title: Sardinian Officer

creator: Gustave Doré (French, 1832–1883)

medium: lithograph

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Sardinian Officer, late–1800s. Gustave Doré (French, 1832–1883). Lithograph. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1977.104


title: Blade Incised with Animal Masks

medium: jade

country: China, Song dynasty (960-1279)

subjects:
Jade
China, song dynasty (960-1279)

credit_line: Blade Incised with Animal Masks, 960– 1279. China, Song dynasty (960-1279). Jade ; overall: 16 cm (6 5/16 in.). The Cleveland Museum of Art, Cornelia Blakemore Warner Fund, 1979.75


title: Jupiter Suckled by the Goat Amalthea

medium: engraving

country: Italy

subjects: Print Italy

credit_line: Jupiter Suckled by the Goat Amalthea, c. 1530–70. Giulio Bonasone (Italian, c. 1510–after 1576). Engraving. The Cleveland Museum of Art, Delia E. Holden Fund, 1980.97


title: Elijah Ascends to Heaven

medium: etching

subjects: Print Germany

credit_line: Elijah Ascends to Heaven, 1547. Augustin Hirschvogel (German, 1503–1553). Etching. The Cleveland Museum of Art, Gift of Mr. and Mrs. Joseph T. Meals, 1981.221


title: Night Fishing

creator: Pierre Roche (French, 1855–1922)

date: c. early 1900s

medium: gypsograph

country: France, 20th century

credit_line: Night Fishing, c. early 1900s. Pierre Roche (French, 1855–1922). Gypsograph. The Cleveland Museum of Art, Gift of Henry H. Hawley, 1982.364


title: The Coal Wagon

credit_line: The Coal Wagon, 1821. Théodore Géricault (French, 1791–1824). Lithograph. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1983.237


title: Jar: Cizhou ware

medium: stoneware with slip coating, turquoise glaze and painted underglaze decoration

country: China, Yuan dynasty (1271-1368)

subjects:
Ceramic
China, yuan dynasty (1271-1368)

credit_line: Jar: Cizhou ware, 1271–1368. China, Yuan dynasty (1271-1368). Stoneware with slip coating, turquoise glaze and painted underglaze decoration; diameter: 14.4 cm (5 11/16 in.); overall: 12.2 cm (4 13/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.87


title: Female Nude

medium: black chalk

subjects:
Drawing
France, 19th century

credit_line: Female Nude, 1891. Pierre Puvis de Chavannes (French, 1824–1898). Black chalk; sheet: 37.3 x 21.6 cm (14 11/16 x 8 1/2 in.); secondary support: 45.9 x 27.2 cm (18 1/16 x 10 11/16 in.). The Cleveland Museum of Art, Gift of Mrs. E. A. Guerber in memory of Louise G. Burroughs, 1986.130


title: Lohans

medium: color and gold on cotton

country: Sino-Tibetan, Yuan dynasty (1271-1368)

subjects:
Painting
Sino-tibetan, yuan dynasty (1271-1368)

credit_line: Lohans, c. 1300–1350. Sino-Tibetan, Yuan dynasty (1271-1368). Color and gold on cotton; overall: 72.5 x 34.7 cm (28 9/16 x 13 11/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1988.104


title: Pair of Bowls

medium: spinach jade

credit_line: Pair of Bowls, 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Spinach jade; diameter: 19.6 cm (7 11/16 in.); overall: 7.7 cm (3 1/16 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.324


title: Portrait of a Gentleman

creator: Léon Cogniet (French, 1794–1880)

medium: graphite

subjects:
Drawing
France, 19th century
Portraits

credit_line: Portrait of a Gentleman, c. 1835. Léon Cogniet (French, 1794–1880). Graphite; sheet: 23.9 x 18.6 cm (9 7/16 x 7 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1994.303


creator: Edward S. Curtis (American, 1868–1952)

medium: photogravure

country: America

subjects: Portfolio America

credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio I, Plate 34: The Blanket Weaver-Navaho, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.21.34


credit_line: The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio XVI, Plate 572: An Acoma Woman, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.36.29


medium: albumen print from wet collodion negative

subjects: Photograph America

credit_line: Industrial Buildings (Reflected in Erie Canal, Meadville?), 1862. James Fitzallen Ryder (American, 1826–1904). Albumen print from wet collodion negative; image: 18.7 x 23.6 cm (7 3/8 x 9 5/16 in.); mounted: 25.6 x 32.9 cm (10 1/16 x 12 15/16 in.); matted: 40.6 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, John L. Severance Fund, 1999.110


title: Farmyard

creator: Eugène Cuvelier (French, 1837–1900)

subjects:
Photograph
France, 19th century

credit_line: Farmyard, 1862. Eugène Cuvelier (French, 1837–1900). Salted paper print from a paper negative; image: 25.8 x 19.6 cm (10 3/16 x 7 11/16 in.); paper: 51.9 x 42.4 cm (20 7/16 x 16 11/16 in.); matted: 61 x 50.8 cm (24 x 20 in.); image with black margin: 27.8 x 21.6 cm (10 15/16 x 8 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2008.112


title: Joseph Prud'homme Standing

medium: black ink, Chinese white, and watercolors on heavy-weight wove paper

credit_line: Joseph Prud'homme Standing, 1868. Henry Bonaventure Monnier (French, 1805–1877). Black ink, Chinese white, and watercolors on heavy-weight wove paper; overall: 27.9 x 19.7 cm (11 x 7 3/4 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2008.347


title: Cavalry Charge

creator: Auguste Raffet (French, 1804–1860)

medium: black, red, yellow, blue and white chalk

credit_line: Cavalry Charge, c. 1840. Auguste Raffet (French, 1804–1860). Black, red, yellow, blue and white chalk; sheet: 28.2 x 41.7 cm (11 1/8 x 16 7/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.139


title: Dance in the Country

creator: Pierre Auguste Renoir

medium: Soft ground etching in brown-gray on ivory laid paper

country: France

subjects:
Etching
France
Paper (fiber product)
Ground (material)
Print
Print and drawing

credit_line: Albert Roullier Memorial Collection


title: Two Women Bathing

medium: Etching on tan wove paper

subjects:
Etching
France
Paper (fiber product)
Print
Print and drawing

credit_line: Albert H. Wolf Fund


title: Seated Bather

creator: Pierre Auguste Renoir (French, 1841-1919)

medium: Color soft ground etching in blue on ivory wove paper

subjects:
Soft-ground etching
France
Paper (fiber product)
Ground (material)
Etching
Print
Print and drawing


title: Berthe Morisot

medium: Etching on cream wove paper

subjects:
Drypoint
France
Paper (fiber product)
Print
Print and drawing


title: Woman Reclining, to the Left

credit_line: Gift of Carl O. Schniewind


title: Bather

medium: Red chalk, with traces of graphite, on cream laid paper

subjects:
Chalk
France
Paper (fiber product)
Graphite
Chalk stick
Red chalk
Drawing (visual works)
Print and drawing

credit_line: Gift of Robert Allerton


title: Woman Seated in a Chair (recto); Woman in a Chair, Seen from the Back (verso)

medium: Charcoal, with graphite and touches of stumping and erasure (recto), and graphite (verso) on ivory wove paper

subjects:
Charcoal
France
Paper (fiber product)
Graphite
Drawing (visual works)
Print and drawing

credit_line: Samuel P. Avery Fund


title: Studies of Trees and Foliage

medium: Pen and black ink with opaque and transparent watercolor on ivory wove paper

subjects:
Watercolor
France
Trees
Paper (fiber product)
Ink
Coating (material)
Water-base paint
Paint
Drawing (visual works)
Print and drawing

credit_line: Gift of Mrs. Potter Palmer


title: Reclining Nude

medium: Etching in red-brown (sanguine) on cream Japanese paper

credit_line: Given in memory of Charles Barnett Goodspeed by Mrs. Charles B. Goodspeed


title: Study for a Female Bather

date: c. 1906, printed posthumously

medium: Drypoint in dark brown ink on ivory laid paper

credit_line: Albert H. Wolf Endowment


title: Seated Nude Woman

medium: Soft ground etching in dark brown on cream laid paper

credit_line: Gift of Mr. C. Norton Owen


title: Pinning the Hat

medium: Lithograph from five stones in black, orange, salmon, yellow and green on ivory laid paper

subjects:
Lithograph
France
Paper (fiber product)
Print
Print and drawing

credit_line: Anonymous gift


title: Portrait of Ambroise Vollard

medium: Lithograph on ivory wove paper

subjects:
Lithograph
France
Portraits
Paper (fiber product)
Print
Print and drawing

credit_line: Gift of Walter S. Brewster


title: Children on the Beach, Berneval

medium: Etching and drypoint on cream wove paper

credit_line: Gift of Arthur Meeker in memory of Grace Murray Meeker


title: Splashing Figure (Study for "The Large Bathers")

medium: Red, white, and black chalk, with stumping, and black Conté crayon on tan wove (tracing) paper, laid down on canvas

subjects:
Chalk
France
Paper (fiber product)
Black chalk
Inorganic material
Red chalk
White chalk
Chalk stick
Chalk wash
Wash
Coating (material)
Red chalk wash
Black conté crayon
Conté crayon (tm)
Fabricated chalk
Crayon
Drawing (visual works)
Print and drawing

credit_line: Bequest of Kate L. Brewster


title: Standing Female Bather

medium: Lithograph in rose, blue, ochre and dark blue-gray on cream laid paper

subjects:
Lithograph
France
Roses
Paper (fiber product)
Print
Print and drawing

credit_line: Mr. and Mrs. Carter H. Harrison Collection


title: Claude Renoir, Turned to the Left

date: c. 1904, published 1919

medium: Lithograph in black on cream Japanese paper


title: Stone with Three Sketches


title: Claude Renoir, Head Lowered


title: Portrait of Louis Valtat

medium: Lithograph in black on ivory Japanese paper


title: Woman with Grapevine, 2nd variant


title: Woman with Grapevine, 4th variant


title: Woman with Grapevine, 1st variant

date: c. 1904; published 1919


title: Woman with Grapevine


title: Study of Seated Female Nude, Variant


title: Study of Seated Nude Woman

medium: Lithograph on paper


title: The Pinned Hat and the Bather

medium: Lithograph in black on thick grayish-ivory wove paper

credit_line: Gift of the Print and Drawing Club


title: Woman with Grapevine, 3rd variant


title: Seated Nude Woman

medium: Soft ground etching on bright cream laid paper

credit_line: Gift of Joseph R. Shapiro


title: Portrait of Cezanne

medium: Lithograph on grayish ivory wove paper

credit_line: Gift from the estate of Mrs. Elma M. Schniewind


title: Woman Reclining, to the Left

medium: Etching on cream wove paper

credit_line: Bequest of Walter S. Brewster


title: Maternity, large plate

medium: Lithograph from two stones in black and gray on gray chine

subjects:
Lithograph
France
Print
Print and drawing


title: Study of a Seated Nude Woman, variant

medium: Lithograph in black on off-white wove paper


title: The Pinned Hat, second plate

medium: Lithograph from one stone in blue-gray on gray chine tipped at corners and margins to mat


title: Standing Bather

medium: Etching on tan laid paper


title: Portrait of Richard Wagner

medium: Lithograph in black on ivory wove paper

credit_line: John H. Wrenn Memorial Collection


title: Standing Bather

credit_line: The Art Institute of Chicago


title: Child with a Biscuit (Jean Renoir)

medium: Lithograph in black on cream laid paper

credit_line: Gift of Darryl Van Duch


title: Vase of Flowers

medium: Graphite on white wove paper

subjects:
Print and drawing
France
Flowers
Paper (fiber product)
Graphite
Drawing (visual works)

credit_line: Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection


title: Bathers in a Forest

medium: Graphite on tan wove paper, laid down on ivory Japanese paper

subjects:
Print and drawing
France
Paper (fiber product)
Graphite
Drawing (visual works)


title: Workers' Daughters on the Outer Boulevard (Illustration for Émile Zola's "L'Assommoir")

medium: Pen and brown ink, over black chalk, on ivory laid paper

subjects:
Pen and ink drawing
France
Women
Circle
Urban life
Impressionism
Paper (fiber product)
Black chalk
Chalk
Inorganic material
Brown ink
Colored ink
Ink
Coating (material)
Drawing (visual works)
Print and drawing

credit_line: The Regenstein Collection


title: Grove of Trees

medium: Opaque and transparent watercolor on cream wove paper

subjects:
Watercolor
France
Trees
Paper (fiber product)
Water-base paint
Paint
Coating (material)
Gouache
Drawing (visual works)
Print and drawing

credit_line: Bequest of William McCormick Blair


title: Claude Renoir Turned Three-Quarters to the Left

medium: Soft ground etching on blue-green laid paper

credit_line: Carl O. Schniewind bequest


title: On the Terrace of a Hotel in Bordighera: The Painter Jean Martin Reviews His Bill (Illustration for Edmond Renoir’s “L’étiquette”)

medium: Black conté crayon over pen and brush and black ink on ivory laid paper (discolored to cream)

subjects:
Pen and ink drawing
France
Paper (fiber product)
Black ink
Colored ink
Ink
Coating (material)
Black conté crayon
Conté crayon (tm)
Fabricated chalk
Crayon
Drawing (visual works)
Print and drawing

credit_line: Helen Regenstein Collection


title: The Auvers Valley on the Oise River

creator: Attributed to Pierre Auguste Renoir (French, 1841–1919)

date: after 1884

medium: Gouache and watercolor, with touches of scraping, on ivory wove paper

subjects:
Print and drawing
France
Paper (fiber product)
Watercolor
Gouache
Drawing (visual works)


title: Study

creator: James McNeill Whistler

medium: Lithograph in black ink with scraping and roulette work on ivory chine laid down on off-white plate paper

country: United States

subjects:
Lithograph
United state
Paper (fiber product)
Print
Print and drawing
Paper
Ink

credit_line: Bryan Lathrop Collection


title: Study: Maud Seated

medium: Lithotint in black, with scraping and roulette, on ivory wove proofing paper

subjects:
Lithotint
United state
Paper (fiber product)
Lithograph
Print
Print and drawing
Paper
Ink
Wove paper


title: Limehouse

medium: Lithotint in black ink with scraping and incising, on a prepared half-tint ground, on off-white plate paper

subjects:
Lithotint
United state
Paper (fiber product)
Lithograph
Print
Print and drawing
Paper
Ink

credit_line: Bequest of Bryan Lathrop


title: Buddhist Tower in Form of a Pagoda (Hokyointo)

creator: Japan

date: 13th century

medium: Granite

country: Japan

subjects:
Stone (unidentified)
Japan
Buddhism
Religion
Granite (rock)
Japanese (culture or style)
Stone
Sculpture
Asian art

credit_line: Purchased with funds provided by The Rice Foundation


title: Study

medium: Lithograph in black ink with scraping on tan wove paper

subjects:
Lithograph
United state
Paper (fiber product)
Print
Print and drawing
Paper
Ink
Wove paper


title: Early Morning

medium: Lithotint in black ink with scraping, on a prepared half-tint ground, on cream wove paper


title: Nocturne

medium: Lithotint, in black ink, from a prepared half-tint ground, with scraping, on off-white plate paper

credit_line: Clarence Buckingham Collection


title: Early Morning

medium: Lithotint with scraping, on a prepared half-tint ground, in black ink on cream wove paper

credit_line: Gift of Walter S. Brewster


title: Early Morning

medium: Lithotint in black ink, with scraping, on a prepared half-tint ground, on cream wove proofing paper

subjects:
Lithotint
United state
Scraping
Paper (fiber product)
Black ink
Colored ink
Ink
Lithograph
Print
Print and drawing
Paper
Wove paper


title: The Toilet

medium: Lithotint in black, with scraping and incising, on a prepared half-tint ground, on cream wove paper


title: The Broad Bridge

medium: Lithotint in brown ink, with scraping, on ivory plate paper


title: The Tall Bridge

medium: Lithotint in black ink, with scraping, on ivory plate paper


title: The Fan

medium: Transfer lithograph in black ink on ivory plate paper

subjects:
Transfer lithograph
United state
Paper (fiber product)
Lithograph
Print
Print and drawing
Paper
Ink


title: Reading

date: 1879, published 1887

medium: Lithograph, in black ink, with stumping, on ivory wove paper


title: Victoria Club

medium: Transfer lithograph in black ink with scraping, on ivory laid paper

subjects:
Transfer lithograph
United state
Paper (fiber product)
Lithograph
Print
Print and drawing
Paper
Ink
Laid paper


title: Reading

medium: Lithograph, in black ink, with scraping, on ivory Japanese paper

subjects:
Lithograph
United state
Paper (fiber product)
Print
Print and drawing
Paper
Ink
Japanese paper

credit_line: The Charles Deering Collection


title: Gaiety Stage Door


title: Victoria Club

medium: Transfer lithograph in black with scraping, on cream chine laid down on ivory plate paper

credit_line: Gift of Mrs. Morris Woolf


title: Reading

medium: Lithograph, in black ink, with stumping, on cream chine, laid down on ivory plate paper


title: Old Battersea Bridge

medium: Lithograph, in black ink, with scraping, on tan laid paper

subjects:
Lithograph
United state
Paper (fiber product)
Print
Print and drawing
Paper
Ink
Laid paper


title: Study

medium: Lithograph, in black ink, on a prepared half-tint ground, with scraping, on ivory plate paper


title: Little Court, Cloth Fair

medium: Transfer lithograph in black on ivory laid paper


title: Churchyard

medium: Transfer lithograph in black on cream laid paper


title: Entrance Gate

medium: Transfer lithograph in black on ivory wove paper

subjects:
Transfer lithograph
United state
Paper (fiber product)
Lithograph
Print
Print and drawing
Paper
Ink
Wove paper


title: Old Battersea Bridge

medium: Lithograph, in black ink, with scraping, on white plate paper


title: Old Battersea Bridge

medium: Lithograph, in black ink, with scraping, on cream chine, laid down on ivory plate paper


title: Drury Lane Rags


title: Chelsea Shops

medium: Transfer lithograph in black ink on ivory laid paper


title: Lindsey Row, Chelsea


title: The Dancing Girl

medium: Transfer lithograph in black on cream chine, laid down on ivory plate paper


title: The Farriers

medium: Transfer lithograph in black on cream wove proofing paper


title: Courtyard, Chelsea Hospital

medium: Lithograph, in black ink, with stumping, on cream wove paper


title: Chelsea Rags

medium: Transfer lithograph in black on tan laid paper


title: Drury Lane Rags

creator: James McNeill Whistler (American, 1834-1903)

medium: Transfer lithograph in black on grayish ivory wove proofing paper


title: The Horoscope

date: probably 1889

medium: Transfer lithograph in black on cream Japanese paper

subjects:
Transfer lithograph
United state
Paper (fiber product)
Lithograph
Print
Print and drawing
Paper
Ink
Japanese paper


title: The Novel: Girl Reading


title: The Dancing Girl


title: The Little Nude Model, Reading


title: Model Draping


title: The Winged Hat

medium: Transfer lithograph in black with scraping, on ivory wove paper


title: Suede Gloves


title: The Winged Hat


title: Maunder's Fish Shop, Chelsea

subjects:
Fish
Transfer lithograph
United state
Paper (fiber product)
Lithograph
Print
Print and drawing
Paper
Ink
Laid paper


title: The Tyresmith

medium: Transfer lithograph in black on grayish ivory laid paper


title: Figure Study in Colors

medium: Transfer lithograph from four stones on ivory wove proofing paper


title: The Garden


title: Cocks and Hens, Hôtel Colbert


title: Hôtel Colbert, Windows


title: Gatti's


title: Grand Rue, Dieppe

medium: Transfer lithograph in black on ivory Japanese paper


title: Two Trial Sketches: A. Grand Rue, Dieppe; B. An Interior


title: Nude Model, Standing

medium: Transfer lithograph in black on cream Japanese gampi paper


title: Staircase

medium: Transfer lithograph in black on grayish white chine, laid down on ivory plate paper


title: Candlestick

date: late 1400s

medium: carved and gilded wood

subjects: Italy, probably tuscany, late 15th century

credit_line: Candlestick, late 1400s. Italy, probably Tuscany, late 15th century. Carved and gilded wood; overall: 49.6 cm (19 1/2 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.573.1


title: Noh Costume (Chōken)

medium: gauze; silk

country: Japan, Edo period (1615–1868)

subjects:
Costume & fashion
Garment
Japan, edo period (1615–1868)

credit_line: Noh Costume (Chōken), 1800–1850. Japan, Edo period (1615–1868). Gauze; silk; overall: 82.5 x 159.4 cm (32 1/2 x 62 3/4 in.). The Cleveland Museum of Art, Worcester R. Warner Collection, 1916.1


date: early 1500s

medium: lampas weave

country: Italy, Florence

subjects:
Costume & fashion
Textile
Italy, florence

credit_line: Woven Strip for Ecclesiastical Parameters, early 1500s. Italy, Florence. Lampas weave; overall: 31.7 x 44.4 cm (12 1/2 x 17 1/2 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1413


title: Brisé Fan

medium: carved and pierced ivory sticks with three painted medallions in European style, held together by a white silk ribbon and an iron pin at the pivot point

country: China, 19th century

subjects:
Ivory
China, 19th century

credit_line: Brisé Fan, 1800s. China, 19th century. Carved and pierced ivory sticks with three painted medallions in European style, held together by a white silk ribbon and an iron pin at the pivot point; radius: 21 cm (8 1/4 in.); spread: 40.5 cm (15 15/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.366


title: Platter

medium: porcelain with celadon glaze

country: China, Ming dynasty (1368–1644)

subjects:
Ceramic
China, ming dynasty (1368–1644)

credit_line: Platter, 1400s. China, Ming dynasty (1368–1644). Porcelain with celadon glaze; diameter: 58.4 cm (23 in.). The Cleveland Museum of Art, Gift of Ralph King, 1917.885


title: Velvet Fragment

medium: velvet (cut, uncut, voided); silk and metallic threads

country: Italy, Genoa

subjects:
Velvet
Italy, genoa

credit_line: Velvet Fragment, late 1600s. Italy, Genoa. Velvet (cut, uncut, voided); silk and metallic threads; overall: 35.6 x 30.5 cm (14 x 12 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.276


title: Women Making Clothing

creator: Utagawa Toyokuni (Japanese, 1769–1825)

date: early 1790s

medium: color woodblock print

subjects:
Print
Japan, edo period (1615–1868)

credit_line: Women Making Clothing, early 1790s. Utagawa Toyokuni (Japanese, 1769–1825). Color woodblock print; sheet: 38.2 x 76.2 cm (15 1/16 x 30 in.). The Cleveland Museum of Art, Gift from J. H. Wade, 1921.1288.a


title: Cranes at Miraflores Lock, Panama

creator: Joseph Pennell (American, 1857–1926)

medium: lithograph

subjects: Print America

credit_line: Cranes at Miraflores Lock, Panama, 1912. Joseph Pennell (American, 1857–1926). Lithograph. The Cleveland Museum of Art, Gift of Myron T. Herrick, 1921.439


creator: Albrecht Dürer (German, 1471–1528)

medium: woodcut

country: Germany, early 16th Century

subjects:
Print
Germany, early 16th century

credit_line: Life of the Virgin:  Adoration of the Magi, 1504–1505. Albrecht Dürer (German, 1471–1528). Woodcut. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1922.295


title: The Large Miseries of War:  Marauding

creator: Jacques Callot (French, 1592–1635)

medium: etching

subjects: Print France

credit_line: The Large Miseries of War:  Marauding, 1633. Jacques Callot (French, 1592–1635). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.277.4


title: Victoria Club

credit_line: Victoria Club, 1879. James McNeill Whistler (American, 1834–1903). Lithograph. The Cleveland Museum of Art, Gift of Mr. and Mrs. Ralph King, 1923.38


title: Nursemaids

credit_line: Nursemaids, 1894. James McNeill Whistler (American, 1834–1903). Lithograph. The Cleveland Museum of Art, Gift of Mr. and Mrs. Ralph King, 1924.28


title: Walter Sickert

credit_line: Walter Sickert, 1895. James McNeill Whistler (American, 1834–1903). Lithograph. The Cleveland Museum of Art, Gift of Mr. and Mrs. Ralph King, 1924.41


title: The Lime-Burner

credit_line: The Lime-Burner, 1859. James McNeill Whistler (American, 1834–1903). Etching. The Cleveland Museum of Art, Gift of Mr. and Mrs. Ralph King, 1924.49


title: Chelsea Rags

credit_line: Chelsea Rags, 1888. James McNeill Whistler (American, 1834–1903). Lithograph. The Cleveland Museum of Art, Gift of Mr. and Mrs. Ralph King, 1924.6


country: Italy, 18th century

subjects:
Print
Italy, 18th century

credit_line: Flight into Egypt:  The Holy Family Passing near a Pyramid, 1750–53. Giovanni Domenico Tiepolo (Italian, 1727–1804). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.862


title: Nude Man and Woman

creator: Aristide Maillol (French, 1861–1944)

country: France, 19th-20th century

subjects:
Print
France, 19th-20th century

credit_line: Nude Man and Woman, c. 1900–1925. Aristide Maillol (French, 1861–1944). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1034


creator: Antonio Canaletto (Italian, 1697–1768)

country: Italy, Venice

subjects:
Print
Italy, venice
Landscapes

credit_line: Views:  Mountain Landscape with Five Bridges, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.19


title: Views:  A City Beyond a River

subjects:
Print
Italy, venice

credit_line: Views:  A City Beyond a River, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.23


title: Views:  A Wagon Passing over a Bridge

credit_line: Views:  A Wagon Passing over a Bridge, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.31


title: Gathering in the Flock

medium: cliché-verre

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Gathering in the Flock, original impression 1862, printed in 1921. Charles François Daubigny (French, 1817–1878). Cliché-verre; sheet: 36.3 x 29 cm (14 5/16 x 11 7/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.569


title: Maternal Precaution

credit_line: Maternal Precaution, 1860. Jean-François Millet (French, 1814–1875). Cliché-verre. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.579


title: The Burgomaster

creator: Anto Carte (Belgian, 1886–1954)

medium: oil on canvas

country: Belgium, 19th century

subjects:
Painting
Belgium, 19th century

credit_line: The Burgomaster, 1924. Anto Carte (Belgian, 1886–1954). Oil on canvas; unframed: 104 x 80.7 cm (40 15/16 x 31 3/4 in.). The Cleveland Museum of Art, Gift from J. H. Wade, 1925.631


title: Saint Luke

credit_line: Saint Luke, c. 1764. Jean-Honoré Fragonard (French, 1732–1806). Etching. The Cleveland Museum of Art, Gift of Mrs. Ralph King, 1926.282


title: Virgin and Child, Abbot Ludwig Kneeling

country: Germany

subjects: Print Germany

credit_line: Virgin and Child, Abbot Ludwig Kneeling, 1400s. Germany. Woodcut. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1926.443


title: The Standard-Bearer

creator: Master F. G. (German)

medium: engraving

credit_line: The Standard-Bearer, 1537. Master F. G. (German). Engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1926.461


title: Abraham Francen, Apothecary

creator: Rembrandt van Rijn (Dutch, 1606–1669)

medium: etching, drypoint, and engraving

country: Netherlands

subjects: Print Netherland

credit_line: Abraham Francen, Apothecary, c. 1657. Rembrandt van Rijn (Dutch, 1606–1669). Etching, drypoint, and engraving; image: 15.4 x 20.8 cm (6 1/16 x 8 3/16 in.); platemark: 15.9 x 20.4 cm (6 1/4 x 8 1/16 in.); support: 30.5 x 40.8 cm (12 x 16 1/16 in.); matted: 36.4 x 49.1 cm (14 5/16 x 19 5/16 in.). The Cleveland Museum of Art, Bequest of Ralph King, 1926.469


title: Strip of Woodblock Printed Cotton

medium: woodblock print on cotton

subjects:
Costume & fashion
Textile
France

credit_line: Strip of Woodblock Printed Cotton, 1780. Firm of Christophe Philippe Oberkampf (French, 1738–1815). Woodblock print on cotton; overall: 88.9 x 85.7 cm (35 x 33 3/4 in.). The Cleveland Museum of Art, Gift of Frances Morris, 1928.3


title: Study of an Elephant

creator: John Macallan Swan (British, 1847–1910)

medium: charcoal

country: England, 19th century

subjects:
Drawing
England, 19th century

credit_line: Study of an Elephant, c. 1867–1910. John Macallan Swan (British, 1847–1910). Charcoal; sheet: 22.8 x 26.7 cm (9 x 10 1/2 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1929.554


credit_line: The Fall and Redemption of Man:  The Entry into Jerusalem, c. 1515. Albrecht Altdorfer (German, c. 1480–1538). Woodcut. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1932.330.17


title: Length of Brocaded Satin

creator: Philippe de Lasalle (French, 1723–1805)

medium: satin, brocaded; silk with areas of chenille

country: France

credit_line: Length of Brocaded Satin, c. 1780. Philippe de Lasalle (French, 1723–1805). Satin, brocaded; silk with areas of chenille; overall: 182.9 x 54.6 cm (72 x 21 1/2 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1932.37.a


title: Jean 1921, First Stone

creator: George Bellows (American, 1882–1925)

country: America

credit_line: Jean 1921, First Stone, 1921. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1936.620


title: Diamond Network Style Rug

medium: tapestry weave: wool (handspun)

subjects:
Costume & fashion
Textile

credit_line: Diamond Network Style Rug, c. 1890–1900. America, Native North American, Southwest, Navajo, Post-Contact, Transitional Period. Tapestry weave: wool (handspun); overall: 182.8 x 130.8 cm (71 15/16 x 51 1/2 in.). The Cleveland Museum of Art, Gift of Amelia Elizabeth White, 1937.857


title: Printed Cotton Cloth

medium: copperplate printed cotton

country: England, late 18th century

subjects:
Costume & fashion
Textile
England, late 18th century

credit_line: Printed Cotton Cloth, c. 1790. England, late 18th century. Copperplate printed cotton; overall: 104.1 x 55.1 cm (41 x 21 11/16 in.). The Cleveland Museum of Art, Gift of Katherine King, 1939.526


date: early 1830s

country: Japan, Edo period (1615–1868)

credit_line: An Ancient Picture of the Boat Bridge at Sano in Kozuke Province from the series Curious Views of Famous Bridges in the Provinces, early 1830s. Katsushika Hokusai (Japanese, 1760–1849). Color woodblock print; overall: 25.4 x 37.8 cm (10 x 14 7/8 in.). The Cleveland Museum of Art, Bequest of James Parmelee, 1940.1001


title: Lace Shawl

country: France, Chantilly(?)

subjects:
Lace
France, chantilly

credit_line: Lace Shawl, 1840–60. France, Chantilly(?). Silk: bobbin lace, Chantilly (blonde) lace; overall: 141 x 280.7 cm (55 1/2 x 110 1/2 in.). The Cleveland Museum of Art, Gift of Julia S. Parsons, 1940.452


credit_line: The Prisons:  A Vast Interior with Trophies, 1745–1750. Giovanni Battista Piranesi (Italian, 1720–1778). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1941.26.6


title: African Hunter

creator: Horace Vernet (French, 1789–1863)

credit_line: African Hunter, 1818. Horace Vernet (French, 1789–1863). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1941.530


title: All's Well

creator: Winslow Homer (American, 1836–1910)

credit_line: All's Well, c. 1906. Winslow Homer (American, 1836–1910). Etching. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1198


date: soon after 1520

credit_line: The Beautiful Virgin of Ratisbon on an Altar, soon after 1520. Albrecht Altdorfer (German, c. 1480–1538). Engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1945.234


title: Stratford on Avon

credit_line: Stratford on Avon, 1856. And James Merritt Ives (American, 1824–1895), Nathaniel Currier (American, 1813–1888). Lithograph. The Cleveland Museum of Art, Gift of The Western Reserve Chapter of the Daughters of the American Revolution, 1946.188


title: The Midnight Mass

creator: Félix Hilaire Buhot (French, 1847–1898)

medium: etching, drypoint, aquatint, and roulette

credit_line: The Midnight Mass, 1887. Félix Hilaire Buhot (French, 1847–1898). Etching, drypoint, aquatint, and roulette ; sheet: 36 x 54.3 cm (14 3/16 x 21 3/8 in.); platemark: 34 x 44.9 cm (13 3/8 x 17 11/16 in.). The Cleveland Museum of Art, In memory of Ralph King, gift of Mrs. Ralph King; Ralph T. Woods, Charles G. King; and Frances King Schafer, 1946.306


title: The Shepherdess

medium: graphite

country: Switzerland

subjects: Drawing Switzerland

credit_line: The Shepherdess, fourth quarter 19th century or first quarter 20th century. Théophile Alexandre Steinlen (Swiss, 1859–1923). Graphite; sheet: 37.5 x 27.4 cm (14 3/4 x 10 13/16 in.). The Cleveland Museum of Art, Bequest of Mrs. Madeleine Hamill in memory of Lawrence Hamill, 1949.123


title: The Herd Returning in Stormy Weather

creator: Claude Lorrain (French, 1604–1682)

credit_line: The Herd Returning in Stormy Weather, 1651. Claude Lorrain (French, 1604–1682). Etching. The Cleveland Museum of Art, Bequest of Mrs. Madeleine Hamill in memory of Lawrence Hamill, 1949.99


title: La Procession de la Fête-Dieu à Nantes

medium: chiaroscuro woodcut

country: France, 19th-early 20th Century

subjects:
Print
France, 19th-early 20th century

credit_line: La Procession de la Fête-Dieu à Nantes, 1901. Auguste Louis Lepère (French, 1849–1918). Chiaroscuro woodcut. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1951.266


title: Fragment

medium: drawn resist, painted mordant, dyed; cotton

country: India, 15th century

subjects:
Costume & fashion
Textile
India, 15th century

credit_line: Fragment, 1400s. India, 15th century. Drawn resist, painted mordant, dyed; cotton; overall: 31.8 x 20 cm (12 1/2 x 7 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1951.508


title: Malaga Harbor

creator: Lawrence Blazey (American, 1902–1999)

medium: watercolor

country: America, Ohio, Cleveland

subjects:
Drawing
America, ohio, cleveland

credit_line: Malaga Harbor, c. 1926. Lawrence Blazey (American, 1902–1999). Watercolor; image: 21.6 x 27.3 cm (8 1/2 x 10 3/4 in.). The Cleveland Museum of Art, Anonymous Gift, 1953.651


medium: tempera and gold on parchment

country: Italy

subjects: Manuscript Italy

credit_line: Historiated Initial Excised from a Bible, 1200s. Italy. Tempera and gold on parchment; sheet: 4.5 x 4.5 cm (1 3/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Vittorio Forti, 1954.131.2


credit_line: Historiated Initial Excised from a Bible: St. Paul and a Cleric, 1200s. Italy. Tempera and gold on parchment; sheet: 5 x 4.2 cm (1 15/16 x 1 5/8 in.). The Cleveland Museum of Art, Gift of Vittorio Forti, 1954.131.3


title: Theseus and Ariadne

creator: Lovis Corinth (German, 1858–1925)

medium: drypoint

country: Germany, 20th century

subjects:
Print
Germany, 20th century

credit_line: Theseus and Ariadne, 1914. Lovis Corinth (German, 1858–1925). Drypoint. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1954.335


title: Vulcan, Apollo and Cupid

subjects: Print Italy

credit_line: Vulcan, Apollo and Cupid, c. 1515–20. Benedetto Montagna (Italian, c. 1481–1555/58). Engraving. The Cleveland Museum of Art, John L. Severance Fund, 1954.563


title: Ear Ornament

medium: incised bone

country: Peru, Moche

subjects:
Ornament & design
Jewelry
Peru, moche
Skeletons & bones

credit_line: Ear Ornament, 200–550 CE. Peru, Moche. Incised bone; overall: 13 x 2 cm (5 1/8 x 13/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.81.2


title: It is Time, Plate 80

creator: Francisco de Goya (Spanish, 1746–1828)

medium: etching and aquatint

country: Spain

subjects: Print Spain

credit_line: Los Caprichos: It is Time, Plate 80, 1799. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint; platemark: 21.5 x 15 cm (8 7/16 x 5 7/8 in.); sheet: 31.1 x 22.5 cm (12 1/4 x 8 7/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1956.277


title: Covered Container

creator: René Lalique (French, 1860–1945)

medium: glass

country: France, 20th century

subjects:
Glass
France, 20th century

credit_line: Covered Container, c. 1914–1930. Firm of René Lalique (French, 1860–1945). Glass. The Cleveland Museum of Art, Gift of Marguerite Munger, 1956.367


title: Nude

medium: lithograph

subjects:
Print
France, 20th century

credit_line: Nude, c. 1900–1944. Aristide Maillol (French, 1861–1944). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1958.389


title: Bercy

medium: watercolor and gouache over black chalk

subjects: Drawing Netherland

credit_line: Bercy, 1868. Johan Barthold Jongkind (Dutch, 1819–1891). Watercolor and gouache over black chalk; sheet: 13.4 x 21 cm (5 1/4 x 8 1/4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry in memory of Mr. and Mrs. Edward Belden Greene, 1960.134


title: Saucer-shaped Dish

creator: Cornelis Pronck (Dutch, 1691–1759)

medium: porcelain

country: China, Chinese Export -- Dutch Market, 18th century

credit_line: Saucer-shaped Dish, c. 1750. After a design by Cornelis Pronck (Dutch, 1691–1759). Porcelain; diameter: 17.2 cm (6 3/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Robert Hays Gries, 1961.174


title: Small Platter

credit_line: Small Platter, c. 1800. China, Chinese Export -- American Market, early 19th century. Porcelain; overall: 29.2 x 21.1 cm (11 1/2 x 8 5/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Robert Hays Gries, 1961.188


title: Arabes d'Oran

creator: Eugène Delacroix (French, 1798–1863)

medium: etching

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Arabes d'Oran, 1833. Eugène Delacroix (French, 1798–1863). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1961.306


title: Plate

country: France, Vincennes

subjects:
Ceramic
France, vincenne

credit_line: Plate, c. 1748–51. Vincennes Porcelain Factory (France, 1740–56). Porcelain; diameter: 24.5 cm (9 5/8 in.). The Cleveland Museum of Art, The Norweb Collection, 1961.7.1


title: Fragment

medium: brocade, "kimkhwab"; silk with gold and silver

country: India, Benares ?, 19th century

subjects:
Costume & fashion
Textile
India, benare , 19th century

credit_line: Fragment, 1800s. India, Benares ?, 19th century. Brocade, "kimkhwab"; silk with gold and silver; overall: 56.5 x 80 cm (22 1/4 x 31 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Howard C. Hollis, 1962.126


date: 14th Century

medium: glazed porcelain with unglazed molded decoration

credit_line: Dish with Two Dragons in Relief:  Longquan Ware, 14th Century. China, Zhejiang province, Yuan dynasty (1271-1368). Glazed porcelain with unglazed molded decoration; diameter: 16.5 cm (6 1/2 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.183


title: Bodhisattva

medium: gilded wood

country: Japan, Heian period (794–1185)

subjects:
Sculpture
Japan, heian period (794–1185)

credit_line: Bodhisattva, 900s-1100s. Japan, Heian period (794–1185). Gilded wood; overall: 15 x 11.8 cm (5 7/8 x 4 5/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1964.45.2


title: Knife Handle

medium: soft paste porcelain, steel blade

country: France

subjects: Ceramic France

credit_line: Knife Handle, 1725–1750. France. Soft paste porcelain, steel blade; overall: 21.6 cm (8 1/2 in.). The Cleveland Museum of Art, The Norweb Collection, 1964.512


title: Knife Handle

credit_line: Knife Handle, 1725–1750. France. Soft paste porcelain, steel blade; overall: 25.8 cm (10 3/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1964.513


creator: Thomas Rowlandson (British, 1756–1827)

medium: etching, hand colored

country: England, early 19th Century

subjects:
Print
England, early 19th century

credit_line: Rowlandson's Sketches from Nature:  Taunton Vale, Somersetshire, 1809. Thomas Rowlandson (British, 1756–1827). Etching, hand colored. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1964.9


title: Plate with Crayfish (lid)

creator: Strasbourg Factory (France)

medium: faience

country: France, Strasbourg, 18th century

subjects:
Ceramic
France, strasbourg, 18th century

credit_line: Plate with Crayfish (lid), 1750–1775. Possibly by Strasbourg Factory (France). Faience; diameter: 22.3 cm (8 3/4 in.). The Cleveland Museum of Art, The Norweb Collection, 1966.227.c


title: Nieder-oesterreich, Schloss Walseel

creator: Jakob Alt (Austrian, 1789–1872)

country: Austria

subjects: Print Austria

credit_line: Nieder-oesterreich, Schloss Walseel. Jakob Alt (Austrian, 1789–1872). Lithograph. The Cleveland Museum of Art, Gift of William H. Schab, 1968.311


title: Nieder-oesterreich, Stadt Stein

credit_line: Nieder-oesterreich, Stadt Stein, 1819. Jakob Alt (Austrian, 1789–1872). Lithograph. The Cleveland Museum of Art, Gift of William H. Schab, 1968.315


title: Laban Searching for His Household Gods

subjects: Print France

credit_line: Laban Searching for His Household Gods, 1763. Augustin de Saint-Aubin (French, 1736–1807). Etching. The Cleveland Museum of Art, Gift of Jean Ehrmann, 1968.363


title: Allegorical Figure (recto and verso)

creator: Anonymous

medium: black chalk and brush and brown and gray wash heightened with white and gray gouache, with traces of stylus and white chalk

country: Italy, style of 17th century

subjects:
Mythology
Drawing
Italy, style of 17th century

credit_line: Allegorical Figure (recto and verso) , 1800s?. Anonymous. Black chalk and brush and brown and gray wash heightened with white and gray gouache, with traces of stylus and white chalk; sheet: 40 x 25.3 cm (15 3/4 x 9 15/16 in.). The Cleveland Museum of Art, Gift of the John B. Putnam Foundation, 1968.68


title: Der mit seinem Fuhrer rastende Kunstler

country: Germany, 19th century

subjects:
Print
Germany, 19th century

credit_line: Der mit seinem Fuhrer rastende Kunstler. Johann Christoph Erhard (German, 1795–1822). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1969.242


title: The Penitent St. Peter

creator: Jusepe de Ribera (Spanish, 1591–1652)

credit_line: The Penitent St. Peter, c. 1621. Jusepe de Ribera (Spanish, 1591–1652). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1969.244


title: The Prodigal Son

creator: Hans Sebald Beham (German, 1500–1550)

medium: engraving

country: Germany

subjects: Print Germany

credit_line: The Prodigal Son. Hans Sebald Beham (German, 1500–1550). Engraving. The Cleveland Museum of Art, Gift of Richard H. Zinser, 1969.278


title: The Cobbler and His Bird

date: late 1700s

medium: earthenware

subjects: France, bellevue near toul, late 18th century

credit_line: The Cobbler and His Bird, late 1700s. France, Bellevue near Toul, late 18th century. Earthenware; overall: 31.5 x 30.8 x 19.7 cm (12 3/8 x 12 1/8 x 7 3/4 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.73


title: Snuff Bottle with Stopper

medium: jade

credit_line: Snuff Bottle with Stopper (鼻煙壺), 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Jade; overall: 6.9 x 2.5 cm (2 11/16 x 1 in.). The Cleveland Museum of Art, Gift of Mrs. John Lyon Collyer in memory of her mother, Mrs. G. M. G. Forman, 1970.143


title: Table

medium: wood with lacquer

country: Japan, Muromachi period (1392–1573)

subjects:
Lacquer
Japan, muromachi period (1392–1573)

credit_line: Table. Japan, Muromachi period (1392–1573). Wood with lacquer; overall: 30.8 x 36.9 x 57.8 cm (12 1/8 x 14 1/2 x 22 3/4 in.). The Cleveland Museum of Art, Gift of various friends in memory of Henry Chisholm Osborne Jr., 1970.81


medium: black crayon

subjects:
Drawing
France, 20th century

credit_line: La Mort et les Passions fondant sur la terre, 1914. Auguste Louis Lepère (French, 1849–1918). Black crayon. The Cleveland Museum of Art, Delia E. Holden Fund, 1974.149


medium: silvered and gilt copper with repoussé design

country: China, Yuan dynasty (1271-1368)

subjects:
Metalwork
China, yuan dynasty (1271-1368)
Mushrooms & fungi

credit_line: Cup Stand with Dragons amid Fungus Scrolls, 14th Century. China, Yuan dynasty (1271-1368). Silvered and gilt copper with repoussé design; diameter: 17.3 cm (6 13/16 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1975.12


title: Rocky Landscape with a Cave Chapel

date: 19th century

medium: pen and brown ink and brush and brown and purple wash; framing lines in brown ink (left side and top)

country: Flanders, 19th century

subjects:
Drawing
Flanders, 19th century
Landscapes

credit_line: Rocky Landscape with a Cave Chapel, 19th century. Attributed to Johann Martin von Rohoden (Flemish, 1778–1868). Pen and brown ink and brush and brown and purple wash; framing lines in brown ink (left side and top); sheet: 32.5 x 26.3 cm (12 13/16 x 10 3/8 in.); secondary support: 32.8 x 26.3 cm (12 15/16 x 10 3/8 in.). The Cleveland Museum of Art, Gift of Margery Irish and Thomas Irish in memory of V. Browne Irish, 1977.159


title: Landscape (recto)

creator: Georges Michel (French, 1763–1843)

medium: pen and black ink, brush and gray and  yellow wash, yellow gouache, and black chalk

subjects:
Drawing
France, 19th century
Landscapes

credit_line: Landscape (recto), 1800–1843. Georges Michel (French, 1763–1843). Pen and black ink, brush and gray and  yellow wash, yellow gouache, and black chalk; sheet: 18.5 x 30 cm (7 5/16 x 11 13/16 in.); secondary support: 28.7 x 39.6 cm (11 5/16 x 15 9/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1977.184.a


date: 1000 or later

medium: red earthenware decorated with cream-colored slip and brown pigment

country: Peru, North Coast

subjects:
Ceramic
Peru, north coast
Fruits

credit_line: Stirrup Jar with Monkey and Three Fruits, 1000 or later. Peru, North Coast. Red earthenware decorated with cream-colored slip and brown pigment; overall: 20.4 x 19 x 14.6 cm (8 1/16 x 7 1/2 x 5 3/4 in.). The Cleveland Museum of Art, Gift of Rabbi and Mrs. Daniel Jeremy Silver, 1980.304


title: The Brief Joys:  Cover

medium: lithograph

subjects:
Print
France, 19th century

credit_line: The Brief Joys:  Cover, 1897. Henri de Toulouse-Lautrec (French, 1864–1901). Lithograph. The Cleveland Museum of Art, Gift of Mr. and Mrs. Joseph T. Meals, 1981.222


title: Classical Scene

medium: pen and brown and gray ink with gray wash over pencil

country: Portugal, 18th century

subjects:
Drawing
Portugal, 18th century

credit_line: Classical Scene, 1775–1800. Circle of Francisco Vieira (Portuguese, 1765–1805). Pen and brown and gray ink with gray wash over pencil. The Cleveland Museum of Art, Gift of Henry H. Hawley, 1982.372


title: Plate

creator: Niderviller Factory (French)

subjects: Ceramic France

credit_line: Plate, c. 1780. Niderviller Factory (French). Faience; diameter: 23.7 cm (9 5/16 in.); overall: 3.2 cm (1 1/4 in.). The Cleveland Museum of Art, The Norweb Collection, 1983.45


title: Cup and Saucer

creator: Saint Cloud Porcelain Factory (French)

medium: soft-paste porcelain

credit_line: Cup and Saucer, 1775–99. Saint Cloud Porcelain Factory (French). Soft-paste porcelain; diameter: 7.4 cm (2 15/16 in.); overall: 6.6 x 9.4 cm (2 5/8 x 3 11/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1983.62


title: Evening Shower

creator: Kano Tan’yū (Japanese, 1602–1674)

medium: hanging scroll; ink on silk

country: Japan, Edo period (1615–1868)

subjects:
Painting
Japan, edo period (1615–1868)

credit_line: Evening Shower, c. 1625–74. Kano Tan’yū (Japanese, 1602–1674). Hanging scroll; ink on silk; painting only: 144.5 x 79.2 cm (56 7/8 x 31 3/16 in.); including mounting: 247.7 x 101 cm (97 1/2 x 39 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1985.27


creator: Paul Sandby (British, 1731–1809)

medium: etching and aquatint

country: England, 18th century

subjects:
Print
England, 18th century

credit_line: Views of Warwick Castle:  Part of Warwick Castle from the South East, 1776. Paul Sandby (British, 1731–1809). Etching and aquatint. The Cleveland Museum of Art, John L. Severance Fund, 1987.87


title: Seated Avalokitesvara

medium: bronze

country: Central Java, 9th century

subjects:
Sculpture
Central java, 9th century

credit_line: Seated Avalokitesvara, 800s. Central Java, 9th century. Bronze; overall: 13.6 cm (5 3/8 in.). The Cleveland Museum of Art, Bequest of Mrs. Severance A. Millikin, 1989.354


title: Queen Adelaide's Beech

date: before 1864

medium: albumen print from wet collodion negative

country: England, 19th century

subjects:
Photograph
England, 19th century

credit_line: The History of Windsor's Great Park and Windsor Forest by William Menzies: Queen Adelaide's Beech, before 1864. James Sinclair, 14th Earl of Caithness (British, 1821–1881), or William Bambridge (British, 1819–1879). Albumen print from wet collodion negative; image: 29.1 x 23.5 cm (11 7/16 x 9 1/4 in.); matted: 61 x 50.8 cm (24 x 20 in.). The Cleveland Museum of Art, John L. Severance Fund, 1997.129


creator: Émile Bernard (French, 1868–1941)

medium: zincograph

country: France, 19th century

credit_line: Les Bretonneries: Breton Women Making Haystacks (Bretonnes Faisant les Foins), 1889, printed 1896. Émile Bernard (French, 1868–1941). Zincograph; sheet: 41.2 x 57.7 cm (16 1/4 x 22 11/16 in.); image: 25.8 x 33 cm (10 3/16 x 13 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2005.180.3.a