title: Self-Portrait

creator: Arnoud van Halen (Dutch, 1673–1732)

medium: mezzotint

subjects: Print Netherland Portraits

credit_line: Self-Portrait. Arnoud van Halen (Dutch, 1673–1732). Mezzotint; sheet: 26.3 x 18.4 cm (10 3/8 x 7 1/4 in.); platemark: 25.2 x 17.4 cm (9 15/16 x 6 7/8 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.282


title: Studies of Wood and Farm Implements

creator: Eugène Isabey (French, 1803–1886)

medium: graphite

country: France, 19th century

subjects:
Drawing
France, 19th century

source: The Cleveland Museum of Art

source_id: cleveland

rights: Public Domain / CC0

rights_statement: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

credit_line: Studies of Wood and Farm Implements, c. 1824–86. Eugène Isabey (French, 1803–1886). Graphite; sheet: 21.5 x 14 cm (8 7/16 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.287


title: Theodoor Van Loon

creator: Paulus Pontius (Flemish, 1603–1658)

medium: engraving

country: Flanders

subjects: Print Flander

credit_line: Theodoor Van Loon, 1630–33. Paulus Pontius (Flemish, 1603–1658), after Anthony van Dyck (Flemish, 1599–1641). Engraving; sheet: 26.2 x 19.3 cm (10 5/16 x 7 5/8 in.); platemark: 24.8 x 17.6 cm (9 3/4 x 6 15/16 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.302


title: Head of a Young Man

date: early 1800s

medium: drawing

credit_line: Head of a Young Man, early 1800s. India, Company School, Sangram Singh seal on reverse, early 19th century. Drawing ; overall: 7 x 7 cm (2 3/4 x 2 3/4 in.). The Cleveland Museum of Art, Gift of Pamela Elizabeth Ward in loving memory of her parents, William E. and Evelyn Svec Ward, 2005.72


medium: ink and color on paper

credit_line: Rider and four-legged bovine creature with border of colored squares, 1900s. Eastern India, Bihar State, Mithila or Madhubani School, 20th century. Ink and color on paper; overall: 41.5 x 26.5 cm (16 5/16 x 10 7/16 in.). The Cleveland Museum of Art, Gift of Pamela Elizabeth Ward in loving memory of her parents, William E. and Evelyn Svec Ward, 2005.81


subjects: Painting Flowers

credit_line: Rider and four-legged creature with floral motif, 1900s. Eastern India, Bihar State, Mithila or Madhubani School, 20th century. Ink and color on paper; overall: 40.7 x 26 cm (16 x 10 1/4 in.). The Cleveland Museum of Art, Gift of Pamela Elizabeth Ward in loving memory of her parents, William E. and Evelyn Svec Ward, 2005.82


title: Large, multi-armed figure facing out

credit_line: Large, multi-armed figure facing out, 1900s. Eastern India, Bihar State, Mithila or Madhubani School, 20th century. Ink and color on paper; overall: 36.5 x 28 cm (14 3/8 x 11 in.). The Cleveland Museum of Art, Gift of Pamela Elizabeth Ward in loving memory of her parents, William E. and Evelyn Svec Ward, 2005.84


creator: Kano Naonobu (Japanese, 1607–1650)

date: early 1600s

medium: pair of six-fold screens, mineral pigments and gold leaf on paper,

country: Japan, Edo period (1615–1868)

subjects:
Painting
Japan, edo period (1615–1868)
Birds
Minerals & gems
Trees

credit_line: Winter Scene with Plum Trees and Pheasants (Birds Right), early 1600s. Kano Naonobu (Japanese, 1607–1650). Pair of six-fold screens, mineral pigments and gold leaf on paper, ; overall: 170.2 x 369.4 cm (67 x 145 7/16 in.); painting only: 155 x 353 cm (61 x 139 in.). The Cleveland Museum of Art, Gift of William Kelly Simpson in memory of his wife Marilyn M. Simpson and her grandparents Mr. and Mrs. John D. Rockefeller Jr., 2006.142.2


date: late 1200s

medium: opaque watercolor, ink and gold on paper

credit_line: "Benefits of the Parts of Vultures" (From the Manafi' al-Haywan of Abu Sai'd Ubayd-Allay Ibn Bakhtishu) (recto), late 1200s. Iran, Marageh, Mongol Period (Ikhanid), late 13th Century. Opaque watercolor, ink and gold on paper; overall: 25.7 x 18.5 cm (10 1/8 x 7 5/16 in.); text area: 22.7 x 17 cm (8 15/16 x 6 11/16 in.). The Cleveland Museum of Art, Gift of William Kelly Simpson in memory of his wife Marilyn M. Simpson and her grandparents Mr. and Mrs. John D. Rockefeller Jr., 2006.149.a


credit_line: "Benefits of the Parts of Vultures" (From the Manafi' al-Haywan of Abu Sai'd Ubayd-Allay Ibn Bakhtishu) (verso), late 1200s. Iran, Marageh, Mongol Period (Ilkhanid), late 13th Century. Opaque watercolor, ink and gold on paper; image: 10.3 x 16.5 cm (4 1/16 x 6 1/2 in.); overall: 25.7 x 18.5 cm (10 1/8 x 7 5/16 in.); text area: 22.8 x 16.5 cm (9 x 6 1/2 in.). The Cleveland Museum of Art, Gift of William Kelly Simpson in memory of his wife Marilyn M. Simpson and her grandparents Mr. and Mrs. John D. Rockefeller Jr., 2006.149.b


medium: ink

country: Italy, Perugia

credit_line: Missale: Fol. 145v: Music for various prayers "Oremus dilectissimi..." and "Omnipotens sempiterne Deus", 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.145.b


credit_line: Missale: Fol. 171v: Music for "Alleluia" etc. at beginning of Easter, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.171.b


credit_line: Missale: Fol. 172v: Music for "Alleluia" etc. at beginning of Easter, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.172.b


credit_line: Missale: Fol. 173v: Music for "Alleluia" etc. at beginning of Easter, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.173.b


credit_line: Missale: Fol. 178: Music for various ordinary prayers, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.178.a


credit_line: Missale: Fol. 189v: Music for various prayers, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.189.b


medium: ink, tempera and burnished gold on vellum

credit_line: Missale: Fol. 270: Presentation of Christ to Simeon, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.270.a


credit_line: Missale: Fol. 319: St. Francis & Full Mass of St. Francis, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.319.a


medium: ink, tempera and burnished gold on vellum (400 folios; 3 full page illuminations; 31 historiated initials)

credit_line: Missale: Fol. 322v: The Virgin among the Apostles and Saints, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum (400 folios; 3 full page illuminations; 31 historiated initials); overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.322.b


title: Punchinello, after Meissonier

medium: etching

subjects:
Print
France, 19th century

credit_line: Punchinello, after Meissonier, 1876. Henri Charles Guérard (French, 1846–1897). Etching; sheet: 13.3 x 9 cm (5 1/4 x 3 9/16 in.); platemark: 9 x 5.7 cm (3 9/16 x 2 1/4 in.). The Cleveland Museum of Art, Gift of Bernard Derroitte and Sonia Kupfer in honor of Celine Derroitte, 2006.193


creator: Alois Senefelder (German, 1771–1834)

medium: lithograph

country: Germany, 19th century

subjects:
Portfolio
Germany, 19th century

credit_line: Art of the Lithograph: Madonna and Child on the Clouds, Plate II, 1819. Alois Senefelder (German, 1771–1834). Lithograph; sheet: 23.4 x 30.2 cm (9 3/16 x 11 7/8 in.); image: 11.5 x 17 cm (4 1/2 x 6 11/16 in.). The Cleveland Museum of Art, Gift of Susan Schulman Printseller and Carolyn Bullard Fine Prints in honor of Jane Glaubinger, 2006.194.3


creator: Thomas Girtin (British, 1775–1802)

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: A Selection of Twenty of the Most Picturesque Views in Paris: View of Belle Vue & Pont de Sêve taken from the Terrace near Pont de St. Cloud, 1802. Thomas Girtin (British, 1775–1802), Frederick Christian Lewis (British, 1779–1856). Softground etching and aquatint, printed in brown, hand-colored with watercolor; sheet: 43.5 x 63 cm (17 1/8 x 24 13/16 in.); platemark: 22.5 x 54 cm (8 7/8 x 21 1/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.234


date: 1803, printed 1810 or after

medium: softground etching and aquatint printed in brown, hand-colored with watercolor

credit_line: A Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, &c Taken from Pont de la Concorde, 1803, printed 1810 or after. Thomas Girtin (British, 1775–1802), Frederick Christian Lewis (British, 1779–1856). Softground etching and aquatint printed in brown, hand-colored with watercolor; sheet: 45 x 64.3 cm (17 11/16 x 25 5/16 in.); platemark: 20.1 x 55.1 cm (7 15/16 x 21 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.235


medium: softground etching and aquatint printed in brown

credit_line: A Selection of Twenty of the Most Picturesque Views in Paris: View of the Palace & Village of Choisi on the Banks of the Seine, 1802. Thomas Girtin (British, 1775–1802), Frederick Christian Lewis (British, 1779–1856). Softground etching and aquatint printed in brown; sheet: 21.5 x 51.7 cm (8 7/16 x 20 3/8 in.); image: 15 x 46 cm (5 7/8 x 18 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.240


credit_line: A Selection of Twenty of the Most Picturesque Views in Paris: View of Belle Vue & Pont de Sêve, 1802. Thomas Girtin (British, 1775–1802), Frederick Christian Lewis (British, 1779–1856). Softground etching and aquatint printed in brown; sheet: 14.5 x 46.5 cm (5 11/16 x 18 5/16 in.); image: 14.5 x 46.5 cm (5 11/16 x 18 5/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2006.244


subjects:
Print
Germany, 19th century
Landscapes

credit_line: Heroic Landscape: Landscape with Town and River, 1799. Johann Christian Reinhart (German, 1761–1847). Etching; sheet: 42.4 x 53.6 cm (16 11/16 x 21 1/8 in.); platemark: 27.9 x 36 cm (11 x 14 3/16 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2006.72.4


date: early 1900s

medium: lacquer

country: Japan, Meiji period (1868–1912)

subjects:
Lacquer
Japan, meiji period (1868–1912)

credit_line: Nested Boxes with Chrysanthemums (inner box lid), early 1900s. Japan, Meiji period (1868–1912). Lacquer; overall: 0.7 x 5.8 x 4.2 cm (1/4 x 2 5/16 x 1 5/8 in.). The Cleveland Museum of Art, Bequest of Lillian M. Kern, 2007.1009.4.a


title: Surround for Turkish Silk Cushion Cover

medium: silk, silver-metal thread: plain weave with inner warps and with continuous and discontinuous supplementary wefts bound in plain and 1/3 Z twill order

country: Iran, Safavid period (1501–1722)

subjects:
Costume & fashion
Textile
Iran, safavid period (1501–1722)

credit_line: Surround for Turkish Silk Cushion Cover, early 1600s. Iran, Safavid period (1501–1722). Silk, silver-metal thread: plain weave with inner warps and with continuous and discontinuous supplementary wefts bound in plain and 1/3 Z twill order; overall: 140.3 x 21 cm (55 1/4 x 8 1/4 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 2007.13.3


creator: Maxime Lalanne (French, 1827–1886)

credit_line: Traité de La Gravure a l’eau forte: Plate 1, 1866. Maxime Lalanne (French, 1827–1886), Cadar and Luquet. Etching; platemark: 18.2 x 11.5 cm (7 3/16 x 4 1/2 in.); book page: 22.7 x 14.6 cm (8 15/16 x 5 3/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.237.a


medium: lithograph on chine collé

credit_line: Plate 202 from Voyages Pittoresques...Auvergne vol. II: Picturesque and Romantic Journeys in Old France: Auvergne (vol. II): Pesteil Chateau at Polminhac, Plate 202 , 1832. Eugène Isabey (French, 1803–1886). Lithograph on chine collé; sheet: 34.2 x 53.1 cm (13 7/16 x 20 7/8 in.); platemark: 23.2 x 31 cm (9 1/8 x 12 3/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2007.240


creator: Schrag

date: c. late 1850"s

medium: Albumen print from a paper negative

subjects:
Photograph
France, 19th century

credit_line: Entrance, St. Lorenz Cathedral, Nuremberg, c. late 1850"s. Attributed to Schrag. Albumen print from a paper negative; image: 33.4 x 24.8 cm (13 1/8 x 9 3/4 in.); paper: 54 x 41 cm (21 1/4 x 16 1/8 in.); matted: 66 x 55.9 cm (26 x 22 in.). The Cleveland Museum of Art, James Parmelee Fund, 2008.118


title: Vine Pattern Salad Spoon and Fork Set

medium: silver

country: America, New York

subjects:
Ornament & design
Silver
America, new york

credit_line: Vine Pattern Salad Spoon and Fork Set, c. 1872–80. Tiffany & Co. (America, New York, est. 1837). Silver. The Cleveland Museum of Art, Gift in memory of Mr. and Mrs. Orrel A. Parker, 2008.163


title: Table Spoon (Pattern "Broom Corn")

medium: Silver

credit_line: Table Spoon (Pattern "Broom Corn"), c. 1890–1900. Tiffany & Co. (America, New York, est. 1837). Silver; overall: 21.9 x 4.5 cm (8 5/8 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley, 2008.168


title: Album of 1831: Freedom or death!

creator: Auguste Raffet (French, 1804–1860)

credit_line: Album of 1831: Freedom or death! , 1831. Auguste Raffet (French, 1804–1860). Lithograph; sheet: 27.7 x 38.1 cm (10 7/8 x 15 in.); image: 18 x 26 cm (7 1/16 x 10 1/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.184


creator: Baptiste Bigant (French)

country: France

subjects: Print France

credit_line: Description of Egypt: Thebes. Medynet-abou, Vol V, pl. 46, c. 1822. Baptiste Bigant (French). Etching; platemark: 51.2 x 94.5 cm (20 3/16 x 37 3/16 in.); sheet: 70.5 x 108.6 cm (27 3/4 x 42 3/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.209


title: Long Shawl

subjects:
Ornament & design
Costume & fashion
Textile

credit_line: Long Shawl, c. 1815. Europe (England, Scotland or France), 19th century. Twill weave ground with supplementary weft pattern in 2/1 (Z) weave twill; silk, cotton; clipped pattern wefts on back; overall: 289.6 x 138.1 cm (114 x 54 3/8 in.). The Cleveland Museum of Art, Gift of Arlene C. Cooper, 2008.218


title: Long Shawl Fragment

country: India, Kashmir, 19th century

subjects:
Costume & fashion
Textile
India, kashmir, 19th century

credit_line: Long Shawl Fragment, 1820–1825. India, Kashmir, 19th century. 2/2 twill tapestry weave, double interlocked; wool; overall: 33 x 28.5 cm (13 x 11 1/4 in.). The Cleveland Museum of Art, Gift of Arlene C. Cooper, 2008.221


creator: William Walcot (British, 1874–1943)

country: England, 20th century

subjects:
Print
England, 20th century
Roses

credit_line: Herodias: Page 3, The citadel of Machaerus rose from the eastern side of the Dead Sea, on a peak of basalt, having the shape of a cone, 1928. William Walcot (British, 1874–1943). Etching; sheet: 30.7 x 24 cm (12 1/16 x 9 7/16 in.); platemark: 12 x 17.7 cm (4 3/4 x 6 15/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2008.330.b


title: Stopper for Scent Bottle

country: America

subjects: Silver America

credit_line: Stopper for Scent Bottle, c. 1860–70. Tiffany & Co. (America, New York, est. 1837). Silver; overall: 8 x 7.9 x 2.5 cm (3 1/8 x 3 1/8 x 1 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.101.b


title: Plate

medium: porcelain

country: England, Worcester

subjects:
Ceramic
England, worcester

credit_line: Plate, c. 1750–70. Worcester Porcelain Factory (British, established 1751). Porcelain; overall: 3.2 x 66.7 x 21 cm (1 1/4 x 26 1/4 x 8 1/4 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.111


title: Landscape

creator: Théodore Rousseau (French, 1812–1867)

medium: pen and brown ink, ink wash, graphite underdrawing and selective gum glazing

subjects:
Drawing
France, 19th century
Landscapes

credit_line: Landscape, 1836. Théodore Rousseau (French, 1812–1867). Pen and brown ink, ink wash, graphite underdrawing and selective gum glazing; support: 26.5 x 21.6 cm (10 7/16 x 8 1/2 in.); matted: 48.9 x 36.2 cm (19 1/4 x 14 1/4 in.); sheet: 18.8 x 13.5 cm (7 3/8 x 5 5/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.126


title: Couple Courting by a Tree

creator: Léon Bonnat (French, 1833–1922)

medium: pen and brown ink

subjects:
Drawing
France, 19th century
Trees

credit_line: Couple Courting by a Tree, 1871. Léon Bonnat (French, 1833–1922). Pen and brown ink; sheet: 28.5 x 20.4 cm (11 1/4 x 8 1/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.134


medium: Gum tempera and gold on paper

country: Pakistan (?), 20th century

subjects:
Painting
Pakistan , 20th century

credit_line: Victorious Army Entering City After Siege, 1700s-1800s(?). Pakistan (?), 20th century. Gum tempera and gold on paper; sheet: 48.1 x 32.8 cm (18 15/16 x 12 15/16 in.); image: 41.5 x 27.4 cm (16 5/16 x 10 13/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.319


title: Paper Knife from a Writing Set

medium: hardstones including lapis lazuli, malachite, carnelian, agate, gold; original fitted velvet-lined case

country: England, mid-19th century

credit_line: Paper Knife from a Writing Set, c. 1830. John Hamilton Mortimer (British, 1740–1779), and Paul Storr (British, 1771–1844). Hardstones including lapis lazuli, malachite, carnelian, agate, gold; original fitted velvet-lined case; overall: 20.3 x 2.5 x 2.3 cm (8 x 1 x 7/8 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.39.c


title: Vanity Case (Nécessaire)

creator: James Barbot (British)

medium: gold, agate, interior fitted with implements

country: England, mid 18th century

credit_line: Vanity Case (Nécessaire), c. 1760–65. Manner of James Barbot (British). Gold, agate, interior fitted with implements; overall: 7.9 x 6.4 x 5.1 cm (3 1/8 x 2 1/2 x 2 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.40


title: Temple of Jupiter Olympius

medium: albumen print

subjects:
Architecture
Photograph
England, 19th century

credit_line: Temple of Jupiter Olympius, c. 1853. James Robertson (British, 1813 (?)-aft 1865). Albumen print; image: 31.9 x 25 cm (12 9/16 x 9 13/16 in.); mounted: 58.1 x 46.4 cm (22 7/8 x 18 1/4 in.); paper: 31.9 x 25 cm (12 9/16 x 9 13/16 in.); matted: 50.8 x 61 cm (20 x 24 in.). The Cleveland Museum of Art, Gift of Paula and Robert Hershkowitz in honor of Tom Hinson, 2009.421


creator: Adolphe Appian (French, 1818–1898)

medium: etching

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Environs of Carqueronne (Environs de Carqueronne), 1882. Adolphe Appian (French, 1818–1898). Etching; sheet: 26.2 x 39.7 cm (10 5/16 x 15 5/8 in.); platemark: 19.9 x 28.2 cm (7 13/16 x 11 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2009.502


title: Snuff Box

medium: goldmounted agate and mother-of-pearl and shell, original sharkskin case

country: Germany

subjects:
Germany
Shells & molluscs

credit_line: Snuff Box, c. 1730–40. Germany. Goldmounted agate and mother-of-pearl and shell, original sharkskin case; overall: 7 x 4.8 x 3.5 cm (2 3/4 x 1 7/8 x 1 3/8 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.51


title: Small Flowers of Saint Francis

creator: Émile Bernard (French, 1868–1941)

medium: color woodcut

country: France, 20th century

subjects:
Print
France, 20th century
Flowers

credit_line: Small Flowers of Saint Francis , 1928. Émile Bernard (French, 1868–1941), Ambroise Vollard (French, 1867–1939). Color woodcut. The Cleveland Museum of Art, Gift of John Bonebrake, 2009.524


medium: lithograph

subjects:
Costume & fashion
Print
France, 19th century

credit_line: Military Costumes: Carabiners Sargent, General Guide , 1817–1818. Nicolas Toussaint Charlet (French, 1792–1845). Lithograph. The Cleveland Museum of Art, Gift of John Bonebrake, 2009.579


title: Seated Italian Woman

medium: watercolor with gold paint with traces of graphite underdrawing

subjects:
Drawing
France, 19th century

credit_line: Seated Italian Woman, 1800s. Dominque Louis Papety (French, 1815–1849). Watercolor with gold paint with traces of graphite underdrawing ; sheet: 29.7 x 21 cm (11 11/16 x 8 1/4 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.164


creator: Achille Devéria (French, 1800–1857)

medium: black and brown ink, watercolor with graphite

credit_line: Study for Four Stained Glass Windows "Généalogie d'Abraham" , 1844. Achille Devéria (French, 1800–1857). Black and brown ink, watercolor with graphite ; sheet: 32.5 x 23.8 cm (12 13/16 x 9 3/8 in.); image: 26.7 x 17.8 cm (10 1/2 x 7 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.169


title: Door Rug (Ensi)

medium: knotted pile, asymmetrical knot, 117 knots psi; wool

country: Turkmenistan, Yomud, 19th century

subjects:
Carpet
Turkmenistan, yomud, 19th century

credit_line: Door Rug (Ensi), c. 1900. Turkmenistan, Yomud, 19th century. Knotted pile, asymmetrical knot, 117 knots psi; wool; overall: 183 x 142 cm (72 1/16 x 55 7/8 in.). The Cleveland Museum of Art, Gift of E.B. and Joan C. Long, 2010.191


title: View Near Tivoli (Vue prise à Tivoli)

medium: brown wash (with point of brush work) with gray wash and graphite, heightened with white (paint/gouache)

credit_line: View Near Tivoli (Vue prise à Tivoli), 1857. Jean Achille Benouville (French, 1815–1891). Brown wash (with point of brush work) with gray wash and graphite, heightened with white (paint/gouache); sheet: 18.7 x 27.4 cm (7 3/8 x 10 13/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2010.240


creator: Ernst Fries (German, 1801–1833)

medium: etched and engraved grey-blue wove paper cover of bound group of 6 lithographs

country: Germany, 19th century

subjects:
Print
Germany, 19th century

credit_line: Six Views of Heidelberg Castle: Cover, Hunting Scene , 1820. Ernst Fries (German, 1801–1833). Etched and engraved grey-blue wove paper cover of bound group of 6 lithographs; cover: 38.5 x 50.1 x 0.2 cm (15 3/16 x 19 3/4 x 1/16 in.). The Cleveland Museum of Art, Prints & Drawings Sundry Art Purchase and Dudley P. Allen Fund, 2010.280.2


title: The Passer-By (Le Passant)

creator: Robert Engels (British, 1855–1926)

medium: color lithograph

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: published in L'Estampe Moderne: The Passer-By (Le Passant), 1897. Robert Engels (British, 1855–1926). Color lithograph; sheet: 40 x 30.6 cm (15 3/4 x 12 1/16 in.); image: 34.9 x 23.9 cm (13 3/4 x 9 7/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.563


medium: lithograph in black and beige

subjects:
Print
England, 19th century
Birds

credit_line: Monuments of Ninevah: Plate 32, Huntsmen with Gazelle, Hare and Birds (Khorsabad), 1853. Austen Henry Layard (British, 1817–1894). Lithograph in black and beige; sheet: 38.1 x 56.7 cm (15 x 22 5/16 in.); image: 24 x 32.3 cm (9 7/16 x 12 11/16 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.564


medium: etching and drypoint

subjects:
Print
England, 20th century

credit_line: The Days of Ancient Rome: At the House of a Patrician, 1913. William Walcot (British, 1874–1943). Etching and drypoint; sheet: 54.8 x 60.8 cm (21 9/16 x 23 15/16 in.); platemark: 40.7 x 45.1 cm (16 x 17 3/4 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.566


title: The Lost Sailor

creator: Frank Short (British, 1857–1945)

medium: mezzotint

credit_line: The Lost Sailor, 1896. Frank Short (British, 1857–1945), after Joseph Mallord William Turner (British, 1775–1851). Mezzotint; platemark: 20.5 x 28 cm (8 1/16 x 11 in.); sheet: 24.8 x 34 cm (9 3/4 x 13 3/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2010.576


title: Family of Satyrs with Dancing Cherubs

creator: Giovanni David (Italian, 1743–1790)

medium: watercolor and extensive point of brush work with graphite and white gouache on laid paper

country: Italy, 18th century

subjects:
Drawing
Italy, 18th century

credit_line: Family of Satyrs with Dancing Cherubs, c. 1775–1776. Giovanni David (Italian, 1743–1790). Watercolor and extensive point of brush work with graphite and white gouache on laid paper; sheet: 48.3 x 55.8 cm (19 x 21 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2011.115


title: Shrine with a Seated Male Deity

medium: bronze

credit_line: Shrine with a Seated Male Deity, 1300s–1400s. South India, Kerala Style, c. 14th-15th century. Bronze; overall: 53.5 x 23 x 21.5 cm (21 1/16 x 9 1/16 x 8 7/16 in.). The Cleveland Museum of Art, Gift of Dr. Norman Zaworski, 2011.206.b


subjects:
Architecture
Print
England, 19th century

credit_line: Picturesque Architecture in Paris, Ghent, Antwerp, Rouen: St. Etienne du Mont and the Pantheon, Paris, 1839. Thomas Shotter Boys (British, 1803–1874), Charles Joseph Hullmandel. Color lithograph. The Cleveland Museum of Art, Bequest of John Bonebrake, 2011.475


title: Scent Bottle

medium: porcelain with gilt metal mounts

country: Germany, Berlin, 18th century

credit_line: Scent Bottle, 1780. Germany, Berlin, 18th century. Porcelain with gilt metal mounts; overall: 9.6 x 4 x 4.8 cm (3 3/4 x 1 9/16 x 1 7/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.648.a


medium: gum tempera and ink on palm leaves

subjects: Painting Palms

credit_line: Text, Folio 11 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.11.b


credit_line: Text, Folio 19 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.19.b


title: Cruet Stand (Bottle)

medium: silver and glass

credit_line: Cruet Stand (Bottle), 1700s(?). France, bottle and cover old, but probably not original, 18th Century(?). Silver and glass; overall: 17.5 cm (6 7/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1969.27.2


title: La Retraite après Charleroi...

medium: pencil

subjects:
Drawing
France, 20th century

credit_line: La Retraite après Charleroi..., 1914. Auguste Louis Lepère (French, 1849–1918). Pencil. The Cleveland Museum of Art, Delia E. Holden Fund, 1974.148.d


title: Fragment from a Tunic

medium: tabby weave with inwoven tapestry ornament, linen and wool

country: Egypt, 6th - 16th century

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, 6th - 16th century

credit_line: Fragment from a Tunic, 500s - 1500s. Egypt, 6th - 16th century. Tabby weave with inwoven tapestry ornament, linen and wool. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.283.a


title: Fragment from a Tunic

credit_line: Fragment from a Tunic, 500s - 1500s. Egypt, 6th - 16th century. Tabby weave with inwoven tapestry ornament, linen and wool. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.283.d


creator: Yoshitsugu Haizan (Japanese, 1846–1915)

date: late 1800s–early 1900s

medium: page spread from double-sided accordion album; ink and color on paper

country: Japan, Meiji period (1868–1912) or Taishō period (1912–26)

credit_line: Painting Eleven from Album of Paintings by Haizan, late 1800s–early 1900s. Yoshitsugu Haizan (Japanese, 1846–1915). Page spread from double-sided accordion album; ink and color on paper. The Cleveland Museum of Art, Gift of Irene D. Goldhamer, 1997.247.l


credit_line: Painting Twelve from Album of Paintings by Haizan, late 1800s–early 1900s. Yoshitsugu Haizan (Japanese, 1846–1915). Page spread from double-sided accordion album; ink and color on paper. The Cleveland Museum of Art, Gift of Irene D. Goldhamer, 1997.247.m


medium: Ink and gold on paper

credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.106.a


credit_line: Text, Folio 11 (recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.11.a


credit_line: Text, Folio 12 (recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.12.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.123.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.136.a


credit_line: Text, folio 14 (verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.14.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.144.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.145.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.149.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.155.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.157.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.159.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.161.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.172.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.174.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.181.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.182.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.187.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.191.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.192.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.201.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.28.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.39.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.43.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.58.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.59.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.64.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.88.b


title: Covered Vegetable Bowl

medium: porcelain

country: France, Limoges

subjects:
Ceramic
France, limoge

credit_line: Covered Vegetable Bowl, c. 1890–1910. France, Limoges. Porcelain; overall: 9.6 x 28 x 16.9 cm (3 3/4 x 11 x 6 5/8 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.121


title: Bookcase

medium: bamboo with Japanese lacquer panels

subjects:
Wood
France, 19th century

credit_line: Bookcase, c. 1870–80. France, 19th century. Bamboo with Japanese lacquer panels; overall: 101 x 103.5 x 38 cm (39 3/4 x 40 3/4 x 14 15/16 in.). The Cleveland Museum of Art, Bequest of Dr. Paul J. Vignos Jr., 2012.138


creator: Louis Haghe (British, 1806–1885)

credit_line: Egypt and Nubia, Volume II: Medinet abou, Thebes, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 43.5 x 60.3 cm (17 1/8 x 23 3/4 in.); image: 32.8 x 49 cm (12 15/16 x 19 5/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.150


credit_line: Egypt and Nubia, Volume I: Temple of Wady Saboua, Nubia, 1846. Louis Haghe (British, 1806–1885), after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 38 x 43.3 cm (14 15/16 x 17 1/16 in.); image: 25.8 x 35.3 cm (10 3/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.199


credit_line: Egypt and Nubia, Volume III: Gate of the Metwaleys, Cairo, 1848. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 47.1 x 43.1 cm (18 9/16 x 16 15/16 in.); image: 35.4 x 29.9 cm (13 15/16 x 11 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.229


credit_line: Egypt and Nubia, Volume II: Lateral View of the Temple called The Typhonoeum at Dendera, 1848. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 38.2 x 43.8 cm (15 1/16 x 17 1/4 in.); image: 26 x 34.9 cm (10 1/4 x 13 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.234


credit_line: Egypt and Nubia, Volume I: Pompey's Pillar, Alexandria, 1846. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 37 x 43.8 cm (14 9/16 x 17 1/4 in.); image: 26.8 x 21.6 cm (10 9/16 x 8 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.247


credit_line: Egypt and Nubia, Volume II: A Persian Wheel, Used in Raising Water from the Nile, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 40.9 x 40.5 cm (16 1/8 x 15 15/16 in.); image: 35.3 x 25.3 cm (13 7/8 x 9 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.250


title: Female Head

medium: terracotta

credit_line: Female Head, 400s–500s CE. India, Gangetic plain region, Gupta period, 5th-6th centuries. Terracotta; overall: 30 x 18 x 17.2 cm (11 13/16 x 7 1/16 x 6 3/4 in.). The Cleveland Museum of Art, Gift of Dr. Norman Zaworski, 2012.293


creator: Anonymous

medium: brown ink wash, pen and brown ink, with white and blue-gray gouache highlights on medium-weight wove paper

credit_line: Execution of the Duke d'Enghien, 21 March 1804, c. 1870. Anonymous. Brown ink wash, pen and brown ink, with white and blue-gray gouache highlights on medium-weight wove paper; sheet: 26.8 x 36.4 cm (10 9/16 x 14 5/16 in.). The Cleveland Museum of Art, Gift in memory of Helen Borowitz, 2013.242


title: Embers Glow

creator: Theodore Roussel (French, 1847–1926)

medium: color etching and aquatint

subjects:
Print
France, 19th century

credit_line: Embers Glow, 1890–1897. Theodore Roussel (French, 1847–1926). Color etching and aquatint; sheet: 28 x 23 cm (11 x 9 1/16 in.); platemark: 25.1 x 21.2 cm (9 7/8 x 8 3/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.86.3


title: London Types: Bluecoat Boy

creator: William Nicholson (British, 1872–1949)

medium: woodcut hand-colored with watercolor

credit_line: London Types: Bluecoat Boy, 1898. William Nicholson (British, 1872–1949). Woodcut hand-colored with watercolor; sheet: 50.6 x 49.6 cm (19 15/16 x 19 1/2 in.); border: 25.5 x 22.9 cm (10 1/16 x 9 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2013.87.8


title: Locket Panel (1 of 4)

creator: Alexis Falize (French, 1811–1898)

medium: gold and cloisonné enamel

subjects:
Jewelry
France, 19th century

credit_line: Locket Panel (1 of 4), 1800s. Alexis Falize (French, 1811–1898), Antoine Tard (French, active 1860–1889). Gold and cloisonné enamel; overall: 5.4 x 3.1 cm (2 1/8 x 1 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 2013.9.a


medium: porcelain, sepia enamel, gold leaf

credit_line: Saucer from Oliver Wolcott, Jr. Tea Service (3 of 6), 1785–1805. Chinese Export porcelain, late 18th-early 19th century. Porcelain, sepia enamel, gold leaf; overall: 3 x 13 cm (1 3/16 x 5 1/8 in.). The Cleveland Museum of Art, Gift of Harvey Buchanan in memory of Penelope Draper Buchanan and Dorothy Tuckerman Draper, 2013.98.3.b


credit_line: Cup and Saucer from Oliver Wolcott, Jr. Tea Service (4 of 6), 1785–1805. Chinese Export porcelain, late 18th-early 19th century. Porcelain, sepia enamel, gold leaf; overall: 7 x 9 x 6 cm (2 3/4 x 3 9/16 x 2 3/8 in.). The Cleveland Museum of Art, Gift of Harvey Buchanan in memory of Penelope Draper Buchanan and Dorothy Tuckerman Draper, 2013.98.4


creator: Edward Lear (British, 1812–1888)

medium: color lithograph

credit_line: Illustrated Excursion in Italy (vol. II): Ancient Walls, Monte Circello, 1846. Edward Lear (British, 1812–1888). Color lithograph; sheet: 35.6 x 25.5 cm (14 x 10 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.224


title: The Woodman

creator: William Strang (British, 1859–1921)

medium: etching

country: Italy, 19th century

subjects:
Print
Italy, 19th century

credit_line: The Woodman, 1881. William Strang (British, 1859–1921), Published in The Etcher. Etching; sheet: 35 x 28.8 cm (13 3/4 x 11 5/16 in.); platemark: 22.7 x 17.5 cm (8 15/16 x 6 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.249


title: Canterbury Cathedral

country: England, 20th century

credit_line: Canterbury Cathedral, c. 1930. Herbert Gordon Warlow (British, 1885–1942). Etching; sheet: 30.6 x 23.2 cm (12 1/16 x 9 1/8 in.); platemark: 21.3 x 13 cm (8 3/8 x 5 1/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.266


title: Wells Cathedral

medium: etching and aquatint

credit_line: Wells Cathedral , c. 1930. Herbert Gordon Warlow (British, 1885–1942). Etching and aquatint; sheet: 29.4 x 32 cm (11 9/16 x 12 5/8 in.); platemark: 21 x 13.8 cm (8 1/4 x 5 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.268


credit_line: published April 8, 1871: Vanity Fair: Statesman No., 81 "The Last Generation", 1871. Carlo (Ape) Pellegrini (Italian, 1839–1889). Color lithograph. The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.279


title: Vanity Fair: "Modern Poetry"

credit_line: published in Vanity Fair Nov. 20, 1875: Vanity Fair: "Modern Poetry", 1875. Carlo (Ape) Pellegrini (Italian, 1839–1889), Vincent Brooks Day & Son. Color lithograph. The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.281


title: A Street in Genoa (Une rue à Gênes)

creator: Gabrielle Niel (French, 1831–1919)

credit_line: A Street in Genoa (Une rue à Gênes), 1878. Gabrielle Niel (French, 1831–1919), Printed by E. Delarue, published by L'Art. Etching; image: 29.6 x 22 cm (11 5/8 x 8 11/16 in.); sheet: 37.9 x 27.3 cm (14 15/16 x 10 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.306


title: Intermezzo: Moonlit Night (Opus IV, 5)

creator: Max Klinger (German, 1857–1920)

medium: etching and aquatint on chine collé

country: Germany, 20th century

subjects:
Print
Germany, 20th century

credit_line: Intermezzo: Moonlit Night (Opus IV, 5), 1881. Max Klinger (German, 1857–1920). Etching and aquatint on chine collé; platemark: 36.2 x 26 cm (14 1/4 x 10 1/4 in.); secondary support: 43.5 x 35 cm (17 1/8 x 13 3/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.344


creator: Benigno Bossi (Italian, 1727–1792)

subjects:
Print
Italy, 18th century

credit_line: Mascarade à la Grecque: Camp Follower in the Greek Style, Plate 2, 1771. Benigno Bossi (Italian, 1727–1792), after Ennemond-Alexander Petitot (French, 1727–1792). Etching; sheet: 41.9 x 28.1 cm (16 1/2 x 11 1/16 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.6.3


title: Groom in the Greek Style, Plate 7

credit_line: Mascarade à la Grecque:: Groom in the Greek Style, Plate 7, 1771. Benigno Bossi (Italian, 1727–1792), after Ennemond Alexandre Petitot (French, 1727-1801). Etching; sheet: 41.9 x 28.1 cm (16 1/2 x 11 1/16 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.6.8


title: Priestess in the Greek Style, Plate 8

credit_line: Mascarade à la Grecque: Priestess in the Greek Style, Plate 8, 1771. Benigno Bossi (Italian, 1727–1792), after Ennemond Alexandre Petitot (French, 1727-1801). Etching; sheet: 41.9 x 28.1 cm (16 1/2 x 11 1/16 in.). The Cleveland Museum of Art, Gift of the Print Club of Cleveland in memory of Louise S. Richards, 2014.6.9


title: Portrait of Mrs. Israëls

creator: Jozef Israëls (Dutch, 1824–1911)

country: Netherlands

subjects: Print Netherland Portraits

credit_line: Portrait of Mrs. Israëls, 1875. Jozef Israëls (Dutch, 1824–1911). Etching; sheet: 41.7 x 26 cm (16 7/16 x 10 1/4 in.); platemark: 12.1 x 7.8 cm (4 3/4 x 3 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.683


creator: John Sell Cotman (British, 1782–1842)

medium: softground etching, from a bound volume containing 48 plates

credit_line: Liber Studiorum: Plate 2, View of Clifton, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 31.9 cm (19 1/2 x 12 9/16 in.); platemark: 20.2 x 17.5 cm (7 15/16 x 6 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.c


credit_line: Liber Studiorum: Plate 7, Postwick Grove, Norfolk, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 32 x 49.6 cm (12 5/8 x 19 1/2 in.); platemark: 15.1 x 22.6 cm (5 15/16 x 8 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.h


title: Liber Studiorum: Plate 17, A Study

credit_line: Liber Studiorum: Plate 17, A Study, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 7.7 x 11.1 cm (3 1/16 x 4 3/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.r


credit_line: Liber Studiorum: Plate 43, A Norfolk Plough, 1814. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 8.6 x 11 cm (3 3/8 x 4 5/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.rr


credit_line: Liber Studiorum: Plate 24, Ragland Castle, Monmouthshire, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 18.7 x 12.5 cm (7 3/8 x 4 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.y


title: Menuet d'Automne

creator: Manuel Robbe (French, 1872–1936)

medium: Color lithograph

country: France, Paris

credit_line: L'Estampe Moderne: Menuet d'Automne, 1898. Manuel Robbe (French, 1872–1936). Color lithograph; sheet: 32.7 x 23.9 cm (12 7/8 x 9 7/16 in.); image: 32.7 x 23.9 cm (12 7/8 x 9 7/16 in.); secondary support: 40 x 30.8 cm (15 3/4 x 12 1/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.m


title: Portrait

creator: Félix Bracquemond (French, 1833–1914)

medium: lithograph from bound volume containing 50 lithographs, each with a tissue paper guard

subjects:
France, 19th century
Portraits

credit_line: L'Estampe Moderne: Portrait, 1899. Félix Bracquemond (French, 1833–1914), Imprimerie Champenois. Lithograph from bound volume containing 50 lithographs, each with a tissue paper guard; sheet: 29.4 x 21 cm (11 9/16 x 8 1/4 in.); image: 29.4 x 21 cm (11 9/16 x 8 1/4 in.); secondary support: 40.3 x 30.6 cm (15 7/8 x 12 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.qq


title: Fillette à l'Orange

creator: Louise Breslau (Swiss, 1856–1927)

credit_line: L'Estampe Moderne: Fillette à l'Orange, 1899. Louise Breslau (Swiss, 1856–1927). Color lithograph; sheet: 40 x 30.6 cm (15 3/4 x 12 1/16 in.); image: 32.8 x 24.1 cm (12 15/16 x 9 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.v


title: Valmy

credit_line: L'Estampe Moderne: Valmy, 1899?. Adolphe Léon Willette (French, 1857–1926), Imprimerie Champenois. Lithograph from bound volume containing 50 lithographs, each with a tissue paper guard; sheet: 30.2 x 23 cm (11 7/8 x 9 1/16 in.); image: 30.2 x 23 cm (11 7/8 x 9 1/16 in.); secondary support: 40.2 x 30.4 cm (15 13/16 x 11 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.vv


creator: Victor Petit (French, 1817–1874)

date: published 1860

medium: lithograph with tint stone, from portfolio of 100 lithographs with tint stone

subjects:
Architecture
Print
France, 19th century

credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 24, Ruines Du Chateau De Champlost (Yonne), published 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36 x 27.5 cm (14 3/16 x 10 13/16 in.); image: 23 x 14 cm (9 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.24


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 36, Château De Rocher Mezangers (Mayenne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36.1 x 27.4 cm (14 3/16 x 10 13/16 in.); image: 22.8 x 14.1 cm (9 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.35


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 55, Ancien Château D'Érival (Aisne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.9 x 27.5 cm (14 1/8 x 10 13/16 in.); image: 22.8 x 14.1 cm (9 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.53


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 62, Château De Folin (Yonne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.9 x 27.6 cm (14 1/8 x 10 7/8 in.); image: 22.8 x 14.1 cm (9 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.60


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 71, Ruines Du Château De Mont-Saint-Jean (Saône et Loire), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.9 x 27.2 cm (14 1/8 x 10 11/16 in.); image: 23.2 x 13.9 cm (9 1/8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.69


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 75, La Vicomté (Saône et Loire), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.9 x 27.7 cm (14 1/8 x 10 7/8 in.); image: 23 x 14 cm (9 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.73


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 85, Porte du Château d'Outrelaise (Calvados), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.7 x 27.3 cm (14 1/16 x 10 3/4 in.); image: 23.6 x 14 cm (9 5/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.83


medium: wood engraving from bound volume of 34

credit_line: Fontainebleau Forest: Tailpiece, Grapes (La Forêt de Fontainebleau: Cul-de-lampe), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34. The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.jj


credit_line: Fontainebleau Forest: The Painters (La Forêt de Fontainebleau: Les Peintres), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 11 x 15.6 cm (4 5/16 x 6 1/8 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.p


credit_line: Auguste Lepère: Le petit gardeur de vaches, 1931. Auguste Louis Lepère (French, 1849–1918). Etching, from bound volume with seven etchings; sheet: 22.8 x 30.6 cm (9 x 12 1/16 in.); platemark: 10 x 20.8 cm (3 15/16 x 8 3/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.710.c


creator: George Barnard (British, 1807–1890)

medium: lithograph

subjects:
Print
England, 19th century

credit_line: Voyages pittoresques et romantiques dans l'ancienne France (Languedoc II, part I): Castelnaudary, 1835. George Barnard (British, 1807–1890). Lithograph; image: 17.8 x 24.6 cm (7 x 9 11/16 in.); sheet: 27.5 x 29.5 cm (10 13/16 x 11 5/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2015.109


title: Simplicius among the Soldiers

country: Germany, 19th-20th century

subjects:
Print
Germany, 19th-20th century

credit_line: Intermezzos, Opus IV: Simplicius among the Soldiers, 1881. Max Klinger (German, 1857–1920). Etching and aquatint on chine collé; sheet: 44 x 63 cm (17 5/16 x 24 13/16 in.); platemark: 27 x 43 cm (10 5/8 x 16 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2015.117


title: Premier Counsul

creator: Antoine Jean Weber (French, 1797–1875)

country: France, 19th century

credit_line: Premier Counsul, c. 1810–36. Antoine Jean Weber (French, 1797–1875), after Horace Vernet (French, 1789–1863), Charles Motte (French, 1785–1836). Lithograph; sheet: 59.7 x 45 cm (23 1/2 x 17 11/16 in.); image: 42.5 x 35.6 cm (16 3/4 x 14 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2015.133


medium: etching on laid paper

country: France

subjects: Print France

credit_line: Gazette des Beaux-Arts: Le Quartier des Gobelins, 1889. Auguste Louis Lepère (French, 1849–1918). Etching on laid paper; image: 20 x 12.4 cm (7 7/8 x 4 7/8 in.); plate: 23.2 x 15.1 cm (9 1/8 x 5 15/16 in.); sheet: 28 x 17.9 cm (11 x 7 1/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard Davis in memory of Harvey Buchanan and Penelope Draper Buchanan, 2016.589


medium: Pen lithograph

country: Germany

subjects: Print Germany

credit_line: The Abduction of Proserpina by Pluto (2nd version), 1803. Friedrich Wilhelm Reuter (German, 1768–1834). Pen lithograph; image: 28.1 x 18.7 cm (11 1/16 x 7 3/8 in.); sheet: 29.2 x 23.9 cm (11 1/2 x 9 7/16 in.). The Cleveland Museum of Art, Anonymous Gift in honor of Jane Glaubinger, 2017.276


medium: Set of 14 woodcuts colored by hand

credit_line: Christ, the Twelve Apostles, and Saint Paul, 1563/64. Lucas Cranach the Elder, After (German, 1472–1553). Set of 14 woodcuts colored by hand. The Cleveland Museum of Art, Anonymous Gift in honor of Jane Glaubinger, 2017.277


creator: Édouard Baldus (French, 1813–1889)

medium: albumenized salt print from a paper negative

subjects: Photograph France

credit_line: Périgueux. The Tournepiche Bridge, upstream side, 1860. Édouard Baldus (French, 1813–1889). Albumenized salt print from a paper negative; image: 32.4 x 42.5 cm (12 3/4 x 16 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2021.40


medium: albumen print from collodion negative

credit_line: Palace of the Circus at Chicen-Itza (bas relief of tigers), c. 1860. Claude-Joseph-Désiré Charnay (French, 1828–1915). Albumen print from collodion negative; image: 32.8 x 42.4 cm (12 15/16 x 16 11/16 in.); paper: 36.2 x 45 cm (14 1/4 x 17 11/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2021.42


title: The Map Maker

medium: daguerreotype, quarter plate

country: America

subjects:
Maps & charts
Photograph
America

credit_line: The Map Maker, c. 1843–45. America. Daguerreotype, quarter plate; overall: 10.8 x 8.3 cm (4 1/4 x 3 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2021.50


title: Sir Walter Scott's Monument, Edinburgh

medium: salted paper print from calotype negative

country: England

subjects: Photograph England

credit_line: Sir Walter Scott's Monument, Edinburgh, 1844, printed 1845. William Henry Fox Talbot (British, 1800–1877). Salted paper print from calotype negative; image: 19.7 x 15.9 cm (7 3/4 x 6 1/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.70


medium: ambrotype, sixth plate

subjects: Photograph America

credit_line: Civil War soldier with painted bivouac background, c. 1861–65. America. Ambrotype, sixth plate; overall: 8.3 x 7 cm (3 1/4 x 2 3/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.79


title: Urban Worker Smoking Tyrolean Pipe

credit_line: Urban Worker Smoking Tyrolean Pipe, c. 1855. America. Ambrotype, sixth plate; overall: 8.3 x 7 cm (3 1/4 x 2 3/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.87


title: Standing boy with bottle curls

medium: daguerreotype, sixth plate

credit_line: Standing boy with bottle curls, c. 1853–54. America. Daguerreotype, sixth plate; overall: 8.3 x 7 cm (3 1/4 x 2 3/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.92


title: Untitled (marriage portrait)

creator: H.J. Neick (American, active 1883–1904)

date: early 1880s

medium: albumen print, cabinet card

subjects: Photograph America Portraits

credit_line: Untitled (marriage portrait), early 1880s. H.J. Neick (American, active 1883–1904). Albumen print, cabinet card; image: 16.5 x 10.2 cm (6 1/2 x 4 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.355


title: Gérard de Nerval

medium: albumen print

subjects:
Photograph
France, 19th century

credit_line: Gérard de Nerval, 1850s. France, 19th century. Albumen print; image: 14.6 x 11.4 cm (5 3/4 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.361


medium: woodburytype

country: England, 19th century

subjects:
Photograph
England, 19th century
Palms

credit_line: Untitled (theatrical scene with 3 figures: the palm reader), 1880s. England, 19th century. Woodburytype; image: 20.3 x 15.2 cm (8 x 6 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.364


medium: albumen print mounted on an album page

subjects:
Photograph
England, 19th century

credit_line: Untitled (British soldiers, man on palequin, and indgenous workers, recto), 1870s-1880s. England, 19th century. Albumen print mounted on an album page; mounted: 27.9 x 35.6 cm (11 x 14 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.424.a


title: Sickle Blade

medium: flint

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.10


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.11


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.2


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.26


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.27


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.68


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.8


title: Jug

medium: fritware with luster-painted design

credit_line: Jug, 1170–1220. Iran, Kashan, Seljuq period of Iran (1037–1194). Fritware with luster-painted design; overall: 14.7 x 17 cm (5 13/16 x 6 11/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.584


title: Scarf

medium: twill and tabby weaves, brocaded

country: Iran, 19th century

subjects:
Costume & fashion
Textile
Iran, 19th century

credit_line: Scarf, 1800s. Iran, 19th century. Twill and tabby weaves, brocaded; overall: 183.5 x 120.7 cm (72 1/4 x 47 1/2 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1286


title: Pendant

medium: enameled figures surrounded by colored enameled flowers, gems and pearls

country: France, late 19th century

subjects:
Jewelry
France, late 19th century
Flowers
Minerals & gems

credit_line: Pendant, 1870–1890. France, late 19th century. Enameled figures surrounded by colored enameled flowers, gems and pearls; overall: 6.4 x 3.9 cm (2 1/2 x 1 9/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.641


title: Lace Insertion

country: Italy, Genoa

subjects:
Lace
Italy, genoa

credit_line: Lace Insertion, 1550–99. Italy, Genoa. Bobbin lace (needle lace, reticella design); average: 5.5 x 36.5 cm (2 3/16 x 14 3/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1176


title: Lace Insertion and Edging

medium: Bobbin lace

country: Italy, Venice

subjects:
Lace
Italy, venice

credit_line: Lace Insertion and Edging, 1600–1640. Italy, Venice. Bobbin lace; average: 9 x 47.7 cm (3 9/16 x 18 3/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1201


title: Lace Insertion and Points

credit_line: Lace Insertion and Points, 1600–1640. Italy, Venice. Bobbin lace; average: 15 x 39.4 cm (5 7/8 x 15 1/2 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1202


title: Lace Edging with Bell Points

medium: Bobbin lace (rose lace)

subjects:
Lace
Italy, genoa
Roses

credit_line: Lace Edging with Bell Points, 1680–99. Italy, Genoa. Bobbin lace (rose lace); average: 5.8 x 22.9 cm (2 5/16 x 9 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.916


title: Lace Point

credit_line: Lace Point, 1550–99. Italy, Genoa. Bobbin lace (needle lace, punto in aria design); average: 6.7 x 7.3 cm (2 5/8 x 2 7/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.939


title: Lace Insertion

credit_line: Lace Insertion, 1500s–1600s. Italy, Genoa. Bobbin lace (needle lace, reticella design); average: 6.1 x 19.7 cm (2 3/8 x 7 3/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.969


title: Le Louvre, vu du Pont Neuf

medium: wood engraving

subjects:
Print
France, 19th century

credit_line: Le Louvre, vu du Pont Neuf, 1890. Auguste Louis Lepère (French, 1849–1918). Wood engraving. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1921.1362


title: Cuirass (Dō)

medium: Arms and Armor

country: Japan, Edo period (1615–1868)

subjects:
Arms and armor
Japan, edo period (1615–1868)

credit_line: Cuirass (Dō), 1615–1868. Japan, Edo period (1615–1868). The Cleveland Museum of Art, Gift of J. H. Donahey, 1922.31.c


title: Armored Sleeve (Kote)

credit_line: Armored Sleeve (Kote), 1615–1868. Japan, Edo period (1615–1868). The Cleveland Museum of Art, Gift of J. H. Donahey, 1922.31.e


title: Lace Cap

country: Hungary

subjects: Lace Hungary

credit_line: Lace Cap, 1800s(?). Hungary. Cotton: bobbin lace and machine-made lace; average: 71.1 x 25.5 cm (28 x 10 1/16 in.). The Cleveland Museum of Art, Gift from J. H. Wade, 1923.459


title: Wall Tile–Wild Boar

medium: glazed ceramic

country: Spain

subjects: Ceramic Spain

credit_line: Wall Tile–Wild Boar, c. 1600s. Spain. Glazed ceramic; overall: 13.7 x 13.7 cm (5 3/8 x 5 3/8 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1923.648


title: Plane

medium: wood

country: Europe, 18th century

subjects:
Tool and equipment
Europe, 18th century

credit_line: Plane, 1700s. Europe, 18th century. Wood; overall: 5.1 x 7.3 x 2.9 cm (2 x 2 7/8 x 1 1/8 in.). The Cleveland Museum of Art, Anonymous gift in memory of Dr. Dudley P. Allen, 1925.755


title: Fragments of a Tunic

medium: tabby weave, inwoven tapestry ornament; wool and linen

country: Egypt, Byzantine period

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, byzantine period

credit_line: Fragments of a Tunic, 400s - 600s. Egypt, Byzantine period. Tabby weave, inwoven tapestry ornament; wool and linen; overall: 44.2 x 29.1 cm (17 3/8 x 11 7/16 in.). The Cleveland Museum of Art, Gift of George D. Pratt, 1926.152


title: Beaded Necklace

subjects: Botany Jewelry

credit_line: Beaded Necklace, c. 1900. Africa, Southern Africa, South Africa, possibly Zulu-style maker. Glass beads, probably plant fiber, sinew, horn beads, and claw; overall: 138.4 cm (54 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1927.262


title: Lace Flounce

country: Belgium, Brussels

subjects:
Lace
Belgium, brussel

credit_line: Lace Flounce, 1811–99. Belgium, Brussels. Machine-made lace net ground with bobbin lace appliqué; average: 54 x 193.1 cm (21 1/4 x 76 in.). The Cleveland Museum of Art, Gift of Florence Elliot Moliere, 1929.867


title: Fragment of a Tiraz-Style Textile

medium: tapestry (originally inwoven in a tabby ground); linen and silk

subjects:
Costume & fashion
Textile

credit_line: Fragment of a Tiraz-Style Textile, 1130 – 1149. Egypt, Fatimid period, Caliphate of al-Hafiz, AH 524-544, 12th Century. Tapestry (originally inwoven in a tabby ground); linen and silk; overall: 7.4 x 6.4 cm (2 15/16 x 2 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1929.936


medium: Gum tempera, ink, and gold on paper

credit_line: Text, Folio 11 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.11.b


country: Western India, Gujarat

subjects:
Painting
Western india, gujarat

credit_line: Text, Folio 14 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat. Gum tempera, ink, and gold on paper; overall: 11.3 x 26 cm (4 7/16 x 10 1/4 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.14.b


credit_line: Text, Folio 20 (verso), from a Kalpa-sutra, c. 1475–1505. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.20.b


credit_line: Text, Folio 56 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.56.b


credit_line: Text, Folio 63 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.63.b


credit_line: Text, Folio 8 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.8.b


title: Lace Cloth

country: Italy

subjects: Lace Italy

credit_line: Lace Cloth, 1700s. Italy. Linen: needle lace (cutwork and drawnwork) and bobbin lace edging; overall: 205.7 x 243.8 cm (81 x 96 in.). The Cleveland Museum of Art, Bequest of Louise Tifft Brown, 1933.338


title: Handkerchief

subjects: Embroidery Italy

credit_line: Handkerchief, 1800s. Italy. Plain weave linen with needle lace (drawnwork) and embroidery; overall: 47 x 47 cm (18 1/2 x 18 1/2 in.). The Cleveland Museum of Art, Gift of Elisabeth Ireland in memory of her mother, Mrs. P. W. Harvey, 1936.723


title: Handkerchief

medium: Plain weave linen, embroidered

country: England or United States

subjects:
Embroidery
England or united state

credit_line: Handkerchief, 1880–99. England or United States. Plain weave linen, embroidered; overall: 38.1 x 38.1 cm (15 x 15 in.). The Cleveland Museum of Art, Gift of Robert Livingston Ireland Jr. in memory of his mother, Mrs. P. W. Harvey, 1936.728


medium: gum tempera and ink on palm leaves

subjects: Painting Palms

credit_line: Text, Folio 108 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.108.b


credit_line: Text, Folio 115 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.115.b


credit_line: Text, Folio 121 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.121.a


credit_line: Text, Folio 121 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.121.b


credit_line: Text, Folio 122 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.122.b


credit_line: Text, Folio 126 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.126.a


credit_line: Text, Folio 133 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.133.b


credit_line: Text, Folio 145 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.145.a


credit_line: Text, Folio 15 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.15.a


credit_line: Text, folio 157 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.157.a


credit_line: Text, folio 158 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.158.b


credit_line: Text, folio 165 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.165.a


credit_line: Text, folio 166 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.166.b


credit_line: Text, folio 169 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.169.a


credit_line: Text, Folio 176 (recto), Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.176.a


credit_line: Text, folio 180 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.180.a


credit_line: Text, folio 181 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.181.a


credit_line: Text, folio 184 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.184.a


credit_line: Text, folio 185 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.185.b


credit_line: Blank leaf, folio 188 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.188.b


credit_line: Text, Folio 24 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.24.a


credit_line: Text, Folio 33 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.33.a


credit_line: Text, Folio 58 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.58.b


credit_line: Text, Folio 61 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.61.a


credit_line: Text, Folio 67 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.67.a


credit_line: Text, Folio 73 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.73.b


credit_line: Text, Folio 82 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.82.a


credit_line: Text, Folio 9 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery Paintings: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.9.a


credit_line: Text, Folio 96 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.96.a


credit_line: Text, Folio 99 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.99.b


medium: enamel, wood, walrus ivory or bone, metal

subjects:
Tool and equipment
Skeletons & bones

credit_line: Kit with Chopsticks and Knife- Souvenir Trade, early 1900s. Japan, Meiji period (1868–1912) to Taishō period (1912–26). Enamel, wood, walrus ivory or bone, metal; overall: 28 cm (11 in.); blade: 15.9 cm (6 1/4 in.). The Cleveland Museum of Art, Gift of Laurence H. Norton, Robert C. Norton, and Miriam Norton White in memory of Mr. and Mrs. D. Z. Norton, 1939.382


credit_line: Knife for Kit with Chopsticks and Knife- Souvenir Trade, early 1900s. Japan, Meiji period (1868–1912) to Taishō period (1912–26). Enamel, wood, walrus ivory or bone, metal; overall: 28 cm (11 in.); blade: 15.9 cm (6 1/4 in.). The Cleveland Museum of Art, Gift of Laurence H. Norton, Robert C. Norton, and Miriam Norton White in memory of Mr. and Mrs. D. Z. Norton, 1939.382.a


title: Bottle

medium: stoneware

country: Siam, Sawankhalok ware, 15th century

subjects:
Ceramic
Siam, sawankhalok ware, 15th century

credit_line: Bottle, 1400s. Siam, Sawankhalok ware, 15th century. Stoneware; overall: 5.2 cm (2 1/16 in.). The Cleveland Museum of Art, Gift of Edwin Lowe Neville, 1939.527


title: The Refectory

creator: Alphonse Legros (French, 1837–1911)

medium: etching

country: France, 19th century

credit_line:
The Refectory
, c. 1862. Alphonse Legros (French, 1837–1911). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1944.388


title: Sugar Sifter

creator: John Beldon (British)

medium: silver

country: England, London

subjects:
Silver
England, london

credit_line: Sugar Sifter, 1805–6. John Beldon (British). Silver; overall: 16.3 cm (6 7/16 in.). The Cleveland Museum of Art, Gift of Mrs. Fred R. White, 1945.176


medium: lithograph

country: England, 19th century

subjects:
Architecture
Print
England, 19th century

credit_line: Restes et Fragmens d'Architecture du Moyen Age:  Église St. Sauveur, Caën. Richard Parkes Bonington (British, 1802–1828). Lithograph. The Cleveland Museum of Art, Gift of Mrs. Malcolm L. McBride, 1947.143


creator: Israël Silvestre (French, 1621–1691)

medium: engraving

country: France

subjects: Print France

credit_line: Vue et perspective du Château de Versailles, de dedans l'anti-cour, 1664. Israël Silvestre (French, 1621–1691). Engraving. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1950.177


title: Fragmentary Segmentum from a Tunic

medium: Wool and linen: tapestry weave

credit_line: Fragmentary Segmentum from a Tunic, 700s. Egypt, Umayyad period (661–750) or Abbasid period (750–1258). Wool and linen: tapestry weave; overall: 17.8 x 29.9 cm (7 x 11 3/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1950.519


title: Alpha and Omega:  Omega's Flight

creator: Edvard Munch (Norwegian, 1863–1944)

country: Norway

subjects: Print Norway

credit_line: Alpha and Omega:  Omega's Flight, 1908–9. Edvard Munch (Norwegian, 1863–1944). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1952.81


title: Lace Bonnet

medium: Machine-made net lace with embroidery

country: Germany, Frankfurt

subjects:
Garment
Germany, frankfurt

credit_line: Lace Bonnet, 1900–1925. Germany, Frankfurt. Machine-made net lace with embroidery; overall: 29.8 x 15.2 x 22.9 cm (11 3/4 x 6 x 9 in.). The Cleveland Museum of Art, Gift of Walter Littwitz, 1953.706


title: Lace Veil

country: Ireland

subjects: Lace Ireland

credit_line: Lace Veil, 1800s. Ireland. Machine-made lace net (Carrickmacross) with appliqué and tambour work (chain stitch); average: 269.8 x 68.3 cm (106 1/4 x 26 7/8 in.). The Cleveland Museum of Art, Gift of Leila Foote Cady, 1954.779


title: Lace Square

country: India

subjects: Embroidery India

credit_line: Lace Square, 1800s. India. Plain weave Dukka cotton: silk needle lace (drawnwork) and embroidery; overall: 94 x 93 cm (37 x 36 5/8 in.). The Cleveland Museum of Art, Gift of Mrs. Harry F. Stratton, 1955.621


title: In the Old Market

medium: cliché-verre

country: France, 20th century

subjects:
Print
France, 20th century

credit_line: In the Old Market, 1906. Jean-Émile Laboureur (French, 1877–1943). Cliché-verre. The Cleveland Museum of Art, Gift of Edward Duff Balken, 1956.203


title: Sheep

creator: August Gaul (German, 1869–1921)

country: Germany, 20th century

subjects:
Print
Germany, 20th century

credit_line: Sheep, c. 1889–1921. August Gaul (German, 1869–1921). Lithograph. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1956.294


title: Lace Scarf

subjects:
Lace
Belgium, brussel

credit_line: Lace Scarf, 1800s. Belgium, Brussels. Machine-made lace net: linen bobbin lace appliqué; average: 288.3 x 59.1 cm (113 1/2 x 23 1/4 in.). The Cleveland Museum of Art, Gift of Mrs. Harold T. Clark, 1957.133


title: Wedding Apron

country: Germany, Schwerin

subjects:
Embroidery
Germany, schwerin

credit_line: Wedding Apron, c. 1830s. Germany, Schwerin. Plain weave cotton: needle lace (drawnwork) and embroidery; overall: 68.6 x 76 cm (27 x 29 15/16 in.). The Cleveland Museum of Art, Gift of Elsa and Glenn Shaw, 1966.327


title: The Pool

country: America

subjects: Print America

credit_line: The Pool, 1859. James McNeill Whistler (American, 1834–1903). Etching; sheet: 34.3 x 25.6 cm (13 1/2 x 10 1/16 in.); platemark: 21.1 x 13.6 cm (8 5/16 x 5 3/8 in.). The Cleveland Museum of Art, Gift of Mrs. Malcolm L. McBride, 1966.84


title: Five Round Segmenta

medium: tapestry weave: wool

country: Egypt, Umayyad period (661–750)

subjects:
Costume & fashion
Textile
Egypt, umayyad period (661–750)

credit_line: Five Round Segmenta, 650 – 750. Egypt, Umayyad period (661–750). Tapestry weave: wool; overall: 12.5 x 9.4 cm (4 15/16 x 3 11/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.298.a


title: Five Round Segmenta

credit_line: Five Round Segmenta, 650 – 750. Egypt, Umayyad period (661–750). Tapestry weave: wool; overall: 12 x 9.4 cm (4 3/4 x 3 11/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.298.d


title: Five Round Segmenta

credit_line: Five Round Segmenta, 650 – 750. Egypt, Umayyad period (661–750). Tapestry weave: wool; overall: 10.2 x 8.5 cm (4 x 3 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.298.e


title: Fragment

medium: silk: compound twill weave

country: Egypt or Syria

subjects:
Costume & fashion
Textile
Egypt or syria

credit_line: Fragment, 400s–1100s. Egypt or Syria. Silk: compound twill weave; overall: 19 x 11.5 cm (7 1/2 x 4 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.265


title: Fragment of an Oval Segmentum

medium: tapestry (originally inwoven in tabby ground); linen and wool

country: Egypt, 7th - 8th century

subjects:
Costume & fashion
Textile
Egypt, 7th - 8th century

credit_line: Fragment of an Oval Segmentum, 600s - 700s. Egypt, 7th - 8th century. Tapestry (originally inwoven in tabby ground); linen and wool; overall: 9.8 x 8.8 cm (3 7/8 x 3 7/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.269


title: St. George and the Dragon (4)

subjects:
Print
France, 19th century

credit_line: St. George and the Dragon (4), 1885. Claude-Ferdinand Gaillard (French, 1834–1887), after Raphael (Italian, 1483–1520). Engraving; sheet: 65 x 47.4 cm (25 9/16 x 18 11/16 in.); image: 30 x 25.5 cm (11 13/16 x 10 1/16 in.); platemark: 40.7 x 33.9 cm (16 x 13 3/8 in.). The Cleveland Museum of Art, Anonymous gift in honor of Ray H. French, 1997.233


title: The Waterhouse

creator: Wenceslaus Hollar (Bohemian, 1607–1677)

country: Bohemia

subjects: Print Bohemia

credit_line: The Waterhouse, 1665. Wenceslaus Hollar (Bohemian, 1607–1677). Etching; sheet: 10.1 x 14.1 cm (4 x 5 9/16 in.); platemark: 9.1 x 12.7 cm (3 9/16 x 5 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.279


medium: etching with chine collé

subjects:
Portfolio
France, 19th century

credit_line: The Boat Trip: Le Mot de Cambronne (The Slanging Match), 1861. Charles François Daubigny (French, 1817–1878). Etching with chine collé; sheet: 31.7 x 44.6 cm (12 1/2 x 17 9/16 in.); platemark: 14 x 19.1 cm (5 1/2 x 7 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 2004.95.7


title: The Boat Trip:  The Search for an Inn

medium: wove paper with chine

credit_line: The Boat Trip:  The Search for an Inn, 1861. Charles François Daubigny (French, 1817–1878). Wove paper with chine; sheet: 31.5 x 44.2 cm (12 3/8 x 17 3/8 in.); platemark: 12.9 x 18.2 cm (5 1/16 x 7 3/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2004.95.8


title: A Praying Monk

country: Germany, 19th century

subjects:
Print
Germany, 19th century

credit_line: A Praying Monk, 1826. Johann Friedrich Overbeck (German, 1789–1869), Carl Schulze. Etching; sheet: 16.8 x 12.6 cm (6 5/8 x 4 15/16 in.); platemark: 11.4 x 7.6 cm (4 1/2 x 3 in.). The Cleveland Museum of Art, L. E. Holden Fund, 2006.174


medium: Gum tempera and gold on paper

country: Northern India, Pahari kingdoms

subjects:
Painting
Northern india, pahari kingdom

credit_line: King Bali gives a gift of land to Vamana, 1700s. Northern India, Pahari kingdoms. Gum tempera and gold on paper; image: 30.4 x 21.9 cm (11 15/16 x 8 5/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.315


title: Snuff Box and Original Case

medium: gold mounted agate with original leather case

country: 18th century

credit_line: Snuff Box and Original Case, c. 1750. 18th century. Gold mounted agate with original leather case; overall: 3.2 x 5.7 x 4.5 cm (1 1/4 x 2 1/4 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.37


medium: Gum tempera, ink, and gold on paper

country: Mughal India

subjects:
Painting
Mughal india

credit_line: Stenciled Scenes of Lion and Gazelle (verso), c. 1710. Mughal India. Gum tempera, ink, and gold on paper; page: 43 x 28.9 cm (16 15/16 x 11 3/8 in.). The Cleveland Museum of Art, Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection, 2013.337.b


title: King's Palace

creator: Felice A. Beato (British, 1832–1909)

medium: albumen print

country: England, 19th century

subjects:
Photograph
England, 19th century

credit_line: Lucknow After the Siege: King's Palace, 1858. Felice A. Beato (British, 1832–1909). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2019.170.13


credit_line: Lucknow After the Siege: The Tomb of Saadat Ali in the Kaiserbagh Palace, 1858. Felice A. Beato (British, 1832–1909). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2019.170.15


credit_line: Lucknow After the Siege: Exterior of Asaf-ud-Daula's Imambara, or Tomb, 1858. Felice A. Beato (British, 1832–1909). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2019.170.19


credit_line: Lucknow After the Siege: Bailee Guard Gate, Taken from the Inside, Showing the Clock Tower, 1858. Felice A. Beato (British, 1832–1909). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2019.170.29


title: Gateway of the Small Emambara

credit_line: Lucknow After the Siege: Gateway of the Small Emambara, 1858. Felice A. Beato (British, 1832–1909). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2019.170.32


title: Jar

medium: glazed earthenware

credit_line: Jar, 500s. China, Six Dynasties period (265-589) or Sui dynasty (581-618). Glazed earthenware; diameter: 38.2 cm (15 1/16 in.); overall: 50.8 cm (20 in.). The Cleveland Museum of Art, Gift of Ralph King, 1915.388


title: Ring

date: 200 CE or later

medium: agate

subjects: China, han dynasty (202 bce–220 ce) or later

credit_line: Ring, 200 CE or later. China, Han dynasty (202 BCE–220 CE) or later. Agate; diameter: 5.2 cm (2 1/16 in.). The Cleveland Museum of Art, Gift of A. W. Bahr, 1915.398


title: Fishing

medium: etching

credit_line: Fishing, c. 1880s. Sion Longley Wenban (American, 1848–1897). Etching. The Cleveland Museum of Art, Gift of Mrs. Mary H. Bacher, New York, 1915.418


title: Sketch from Nature

creator: Otto H. Bacher (American, 1856–1909)

credit_line: Sketch from Nature, 1879. Otto H. Bacher (American, 1856–1909). Etching. The Cleveland Museum of Art, Gift of Mrs. Mary H. Bacher, New York, 1915.423


title: Sword

medium: iron and silver with bone, turquoise, leather and brass

country: Eastern Tibet

subjects:
Arms and armor
Eastern tibet
Skeletons & bones

credit_line: Sword, 1800s. Eastern Tibet. Iron and silver with bone, turquoise, leather and brass; overall: 79.4 cm (31 1/4 in.); blade: 66.7 cm (26 1/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.1008


title: Knife

medium: Iron, copper alloy, and rawhide

credit_line: Knife, c. 1900. Africa, Central Africa, Democratic Republic of the Congo, Ngbandi-style maker. Iron, copper alloy, and rawhide; overall: 40.2 cm (15 13/16 in.); tang: 11.5 cm (4 1/2 in.); blade: 15.8 cm (6 1/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.1021


title: Embroidered Divan Cover (?)

date: 19th century

medium: embroidery: silk, and metal filé twisted around silk core, couched with silk, on velvet ground; cotton backing

country: Turkey, 19th century

subjects:
Embroidery
Turkey, 19th century

credit_line: Embroidered Divan Cover (?), 19th century. Turkey, 19th century. Embroidery: silk, and metal filé twisted around silk core, couched with silk, on velvet ground; cotton backing; average: 163.8 x 108.6 cm (64 1/2 x 42 3/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1305