credit_line: Text, Folio 133 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.133.a


medium: gum tempera and ink on palm leaves

subjects: Painting Palms

source: The Cleveland Museum of Art

source_id: cleveland

rights: Public Domain / CC0

rights_statement: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

credit_line: Text, Folio 139 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.139.a


credit_line: Text, Folio 150 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.150.b


credit_line: Text, folio 155 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.155.a


credit_line: Text, folio 156 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.156.b


credit_line: Text, Folio 16 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.16.b


credit_line: Text, folio 162 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.162.b


credit_line: Text, folio 168 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.168.a


credit_line: Text, folio 169 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.169.b


credit_line: Text, folio 176 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.176.b


credit_line: Text, Folio 20 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.20.a


credit_line: Text, Folio 21 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.21.b


credit_line: Text, Folio 23 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.23.b


credit_line: Text, Folio 32 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.32.a


credit_line: Text, Folio 32 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.32.b


credit_line: Text, Folio 37 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.37.a


credit_line: Text, folio 52 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.52.a


credit_line: Text, folio 54 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.54.b


credit_line: Text, Folio 57 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.57.a


credit_line: Text, Folio 65 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.65.b


credit_line: Text, Folio 7 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.7.b


credit_line: Text, Folio 77 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.77.a


credit_line: Text, Folio 79 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.79.a


credit_line: Text, Folio 79 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.79.b


title: L'Incendie de Louvain

medium: pen and brush and black ink with white highlights

country: France, 20th century

subjects:
Drawing
France, 20th century

credit_line: L'Incendie de Louvain, 1914. Auguste Louis Lepère (French, 1849–1918). Pen and brush and black ink with white highlights. The Cleveland Museum of Art, Delia E. Holden Fund, 1974.147.a


title: Preface from Flowers and Grasses

creator: Tsubaki Chinzan (Japanese, 1801–1854)

medium: leaf from folding-album; ink on paper

country: Japan, Edo period (1615–1868)

subjects:
Painting
Japan, edo period (1615–1868)
Flowers
Grasses & sedges

credit_line: Preface from Flowers and Grasses, 1841. Tsubaki Chinzan (Japanese, 1801–1854). Leaf from folding-album; ink on paper. The Cleveland Museum of Art, Cornelia Blakemore Warner Fund, 1976.56.a


title: Painting from Flowers and Grasses

medium: album; ink and color on silk

credit_line: Painting from Flowers and Grasses, 1841. Tsubaki Chinzan (Japanese, 1801–1854). Album; ink and color on silk. The Cleveland Museum of Art, Cornelia Blakemore Warner Fund, 1976.56.c


title: Fragment from a Tunic

medium: tabby weave with inwoven tapestry ornament, linen and wool

country: Egypt, 6th - 16th century

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, 6th - 16th century

credit_line: Fragment from a Tunic, 500s - 1500s. Egypt, 6th - 16th century. Tabby weave with inwoven tapestry ornament, linen and wool. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.283.e


title: Fragment from a Tunic

credit_line: Fragment from a Tunic, 500s - 1500s. Egypt, 6th - 16th century. Tabby weave with inwoven tapestry ornament, linen and wool. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1982.283.f


creator: Yoshitsugu Haizan (Japanese, 1846–1915)

date: late 1800s–early 1900s

medium: page spread from double-sided accordion album; ink and color on paper

country: Japan, Meiji period (1868–1912) or Taishō period (1912–26)

credit_line: Painting Thirteen from Album of Paintings by Haizan, late 1800s–early 1900s. Yoshitsugu Haizan (Japanese, 1846–1915). Page spread from double-sided accordion album; ink and color on paper. The Cleveland Museum of Art, Gift of Irene D. Goldhamer, 1997.247.n


medium: Ink and gold on paper

credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.101.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.117.a


credit_line: Text, Folio 12 (verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.12.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.133.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.135.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.139.a


credit_line: Text, folio 15 (verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.15.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.154.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.166.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.172.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.173.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.173.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.196.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper. The Cleveland Museum of Art, John L. Severance Fund, 2005.145.200.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.36.a


credit_line: Text, Folio 4 (recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.4.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.46.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.46.b


credit_line: Text, Folio 5 (recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.5.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.61.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.64.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.71.a


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.74.a


credit_line: Text, Folio 8 (recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.8.a


credit_line: Text, Folio 8 (verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.8.b


credit_line: Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602. Mughal India, Allahabad, made for Prince Salim (1569–1627). Ink and gold on paper; average: 26.1 x 15.6 cm (10 1/4 x 6 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.83.a


title: Missale: Fol. 6v: August Calendar Page

medium: ink, tempera and burnished gold on vellum

country: Italy, Perugia

credit_line: Missale: Fol. 6v: August Calendar Page, 1469. Bartolommeo Caporali (Italian, c. 1420–1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2006.154.6.b


creator: John Sell Cotman (British, 1782–1842)

medium: softground etching, from a bound volume containing 48 plates

country: England, 19th century

credit_line: Liber Studiorum: Plate 13, Duncomb Park, Yorkshire: No. 5, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 20.7 x 14.5 cm (8 1/8 x 5 11/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.n


credit_line: Liber Studiorum: Plate 46, Sketch after Teniers, 1838. John Sell Cotman (British, 1782–1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 27.7 x 18.6 cm (10 7/8 x 7 5/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.692.uu


title: La Voix des Sources

creator: Lucien-Hector Monod (French, 1867–1957)

country: France, 19th century

credit_line: L'Estampe Moderne: La Voix des Sources, 1899. Lucien-Hector Monod (French, 1867–1957), Imprimerie Champenois. Color lithograph from bound volume containing 50 lithographs, each with a tissue paper guard; sheet: 40.1 x 30.6 cm (15 13/16 x 12 1/16 in.); image: 24.7 x 30.7 cm (9 3/4 x 12 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.695.ss


creator: Victor Petit (French, 1817–1874)

medium: lithograph with tint stone, from portfolio of 100 lithographs with tint stone

subjects:
Architecture
Print
France, 19th century

credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl.11, Chateau De Maulny (Haute-Marne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36 x 27.3 cm (14 3/16 x 10 3/4 in.); image: 23 x 14.4 cm (9 1/16 x 5 11/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.12


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl.14, Eglise de St. Maurice (Vienne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.6 x 27.6 cm (14 x 10 7/8 in.); image: 23.7 x 14 cm (9 5/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.15


date: published 1860

subjects:
Architecture
Portfolio
France, 19th century

credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Title Page and Table of Contents, published 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36 x 27.5 cm (14 3/16 x 10 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.2


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 32, Château D'Azay-Le-Rideau (Indre et Loire), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36.1 x 27.4 cm (14 3/16 x 10 13/16 in.); image: 24.5 x 14.1 cm (9 5/8 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.31


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 34, Tour Du Port De Marseille (Bouches Du Rhône), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.9 x 27.3 cm (14 1/8 x 10 3/4 in.); image: 22.7 x 14 cm (8 15/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.33


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 37, Château De La Ranciere (Maine et Loire), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.9 x 27.5 cm (14 1/8 x 10 13/16 in.); image: 23.6 x 14.1 cm (9 5/16 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.36


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 38, Ruines De L'Église De St. Aubert (Haute-Marne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.8 x 27.5 cm (14 1/8 x 10 13/16 in.); image: 23 x 14 cm (9 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.37


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl.2, Portail de L'Eglise de Villiers Sur-Tholon (Yonne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.8 x 27.5 cm (14 1/8 x 10 13/16 in.); image: 23 x 14 cm (9 1/16 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.5


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 66, Château D'Yrouerre (Yonne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36 x 27.5 cm (14 3/16 x 10 13/16 in.); image: 22.9 x 14 cm (9 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.64


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 5, Maison en Bois a Bourbon-Lancy (Saone Et Loire), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36 x 27.5 cm (14 3/16 x 10 13/16 in.); image: 23 x 14.4 cm (9 1/16 x 5 11/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.7


credit_line: Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 73, Manoir De Sillac (Lot et Garonne), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.7 x 27.5 cm (14 1/16 x 10 13/16 in.); image: 23 x 14.1 cm (9 1/16 x 5 9/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.71


credit_line: Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl.6, Ancienne Porte Du Chateau De Malmort (Correze), 1860. Victor Petit (French, 1817–1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 36 x 27.5 cm (14 3/16 x 10 13/16 in.); image: 14.3 x 23 cm (5 5/8 x 9 1/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2014.696.8


medium: wood engraving from bound volume of 34

credit_line: Fontainebleau Forest: Morning, Crossroads of the Route of the Forts de Marlotte (La Forêt de Fontainebleau: Le Matin, Carrefour des Fort de Marlotte), 1890. Auguste Louis Lepère (French, 1849–1918), A. Desmoulins, Published in Revue Illustrée, 1887–90. Wood engraving from bound volume of 34 ; image: 23.5 x 15.2 cm (9 1/4 x 6 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.708.hh


credit_line: Auguste Lepère: Sous bois, à la Rigonette (Vendèe), 1931. Auguste Louis Lepère (French, 1849–1918). Etching, from bound volume with seven etchings; sheet: 30.7 x 22.6 cm (12 1/16 x 8 7/8 in.); platemark: 17.7 x 17.2 cm (6 15/16 x 6 3/4 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2014.710.d


creator: Alphonse Legros (French, 1837–1911)

medium: etching

subjects:
Print
France, 19th century

credit_line: The Village in Flames (L'Incendie du Hameau), 1893–1894. Alphonse Legros (French, 1837–1911). Etching; sheet: 46.5 x 61.7 cm (18 5/16 x 24 5/16 in.); image: 39 x 56.5 cm (15 3/8 x 22 1/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2015.119


medium: Albumen print

country: India, 19th century

subjects:
Photograph
India, 19th century

credit_line: Doorway Through an Inner Enclosure, Angkor Wat, Cambodia, c. 1880. India, 19th century. Albumen print ; image: 26.6 x 20.4 cm (10 1/2 x 8 1/16 in.); paper: 26.6 x 20.4 cm (10 1/2 x 8 1/16 in.). The Cleveland Museum of Art, Purchased with funds donated by Catherine Glynn Benkaim and Barbara Timmer, 2015.35


title: Amida (base)

medium: Wood with lacquer and gilding

country: Japan, Kamakura period (1185–1333)

subjects:
Sculpture
Japan, kamakura period (1185–1333)

credit_line: Amida (base), 1200s. Japan, Kamakura period (1185–1333). Wood with lacquer and gilding; overall: 109 cm (42 15/16 in.); figure: 79 cm (31 1/8 in.). The Cleveland Museum of Art, Gift from the Collection of George Gund III, 2015.487.b


medium: brown wash with scraping; borders in black ink

subjects:
Drawing
France, 19th century

credit_line: Jonction des deux torrents qui forment la Cascade de Grésy, 1814. Jean-Baptiste Isabey (French, 1767–1855). Brown wash with scraping; borders in black ink; sheet: 20.4 x 25.8 cm (8 1/16 x 10 3/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2015.50


credit_line: Vase Design for 'Suite of Vases': Plate 27, 1746. Jacques François Saly (French, 1717–1776). Red chalk on laid paper, incised for transfer; verso coated with red chalk; sheet: 27 x 19.8 cm (10 5/8 x 7 13/16 in.). The Cleveland Museum of Art, Jo Hershey Selden Fund, 2016.58


creator: Lucas Cranach (German, 1515–1586)

country: Germany

subjects: Print Germany

credit_line: Coat of Arms of Philip, Landgrave of Hesse, 1546. Lucas Cranach (German, 1515–1586). Hand-colored woodcut with letterpress text; image, including text: 39.6 x 26.3 cm (15 9/16 x 10 3/8 in.); sheet: 45.6 x 30.3 cm (17 15/16 x 11 15/16 in.); secondary support: 49.6 x 33.8 cm (19 1/2 x 13 5/16 in.). The Cleveland Museum of Art, Anonymous Gift in honor of Jane Glaubinger, 2017.275


credit_line: James the Less from Christ, the Apostles, and Saint Paul, 1563/64. Lucas Cranach the Elder, After (German, 1472–1553). Woodcut with letterpress text, hand colored; image and sheet: 20.1 x 11.2 cm (7 15/16 x 4 7/16 in.). The Cleveland Museum of Art, Anonymous Gift in honor of Jane Glaubinger, 2017.277.11


title: Shimla and the Taj Mahal

creator: Samuel Bourne (British, 1834–1912)

medium: double-sided albumen print

credit_line: Shimla and the Taj Mahal, c. 1860s. Samuel Bourne (British, 1834–1912). Double-sided albumen print; overall: 31.9 x 36.3 cm (12 9/16 x 14 5/16 in.). The Cleveland Museum of Art, Purchase from the Karl B. Goldfield Trust, 2018.225


title: Gloucester Cathedral from the Southeast

creator: Frederick H. Evans (British, 1853–1943)

medium: platinum print

subjects:
Photograph
England, 19th century

credit_line: Gloucester Cathedral from the Southeast, c. 1880s-90s. Frederick H. Evans (British, 1853–1943). Platinum print; image and paper: 13.8 x 10.8 cm (5 7/16 x 4 1/4 in.); primary mount: 16.3 x 12.6 cm (6 7/16 x 4 15/16 in.); secondary mount: 32.6 x 25.9 cm (12 13/16 x 10 3/16 in.). The Cleveland Museum of Art, Gift of Arielle Kozloff Brodkey in memory of Dr. Jerald S. Brodkey, 2019.101


title: Homestead with picket fence and flowers

medium: ambrotype, half plate

country: America

subjects: Photograph America Flowers

credit_line: Homestead with picket fence and flowers, c. 1857–65. America. Ambrotype, half plate; overall: 14 x 10.8 cm (5 1/2 x 4 1/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.72


title: Miner

creator: Robert H. Vance (American, 1825–1876)

medium: daguerreotype, sixth plate

subjects: Photograph America

credit_line: Miner, c. 1853–55. Robert H. Vance (American, 1825–1876). Daguerreotype, sixth plate; overall: 8.3 x 7 cm (3 1/4 x 2 3/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.77


medium: ambrotype, sixth plate

credit_line: Ohio Civil War soldier Hanson J. Cochran with Colt revolver, c. 1862–65. America. Ambrotype, sixth plate; overall: 8.3 x 7 cm (3 1/4 x 2 3/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.78


medium: daguerreotype, quarter plate

credit_line: The Homework Table & Parents of Five Children Doing Homework, c. 1858–60. America. Daguerreotype, quarter plate; overall: 8.3 x 10.8 cm (3 1/4 x 4 1/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.84


title: Boy with hobby horse

medium: ambrotype, tinted, sixth plate

credit_line: Boy with hobby horse, c. 1862–65. America. Ambrotype, tinted, sixth plate; overall: 8.3 x 7 cm (3 1/4 x 2 3/4 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.95


title: English family of five with marble bust

country: England

subjects: Photograph England

credit_line: English family of five with marble bust, 1850–65. England. Ambrotype, half plate; overall: 10.8 x 14 cm (4 1/4 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.98


title: Fallen Statue at the Ramasseum, Thebes

creator: Francis Frith (British, 1822–1898)

medium: albumen print

credit_line: Fallen Statue at the Ramasseum, Thebes, 1857 (?). Attributed to Francis Frith (British, 1822–1898). Albumen print. The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.352


title: Commercial Street, Canton (recto)

country: China, 19th century

subjects:
Photograph
China, 19th century

credit_line: Commercial Street, Canton (recto), c. 1860s. Lai Fong (Afong Studio) (Chinese, c. 1839–1890). Albumen print; image: 20.3 x 15.2 cm (8 x 6 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.425.a


title: Sickle Blade

medium: flint

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.44


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.48


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.59


title: Sickle Blade

credit_line: Sickle Blade, 1980–1801 BCE. Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12. Flint; overall: 5 cm (1 15/16 in.). The Cleveland Museum of Art, Gift of the British School of Archaeology in Egypt, 1915.34.83


title: Carrying Strap for a Jug

date: early 1900s

medium: Plant fiber

country: Africa, early 20th century

subjects:
Botany
Tool and equipment
Africa, early 20th century

credit_line: Carrying Strap for a Jug, early 1900s. Africa, early 20th century. Plant fiber; overall: 64.8 cm (25 1/2 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1915.460.b


title: Lace Border

medium: Linen: bobbin lace (bride ground)

country: Italy, Milan

subjects:
Lace
Italy, milan

credit_line: Lace Border, 1600s. Italy, Milan. Linen: bobbin lace (bride ground); overall: 9.6 x 100 cm (3 3/4 x 39 3/8 in.). The Cleveland Museum of Art, Hinman B. Hurlbut Collection, 1915.504.a


title: Two Pieces from a Scarf

medium: brocade

country: Iran, 18th century

subjects:
Costume & fashion
Textile
Iran, 18th century

credit_line: Two Pieces from a Scarf, 1700s. Iran, 18th century. Brocade; overall: 38.7 x 49 cm (15 1/4 x 19 5/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1429.b


title: Pendant

medium: gold and enamel

country: Spain

subjects: Jewelry Spain

credit_line: Pendant, 1500s. Spain. Gold and enamel; overall: 6.4 x 5.1 cm (2 1/2 x 2 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.562


title: Gambling Dice

date: before 1917

medium: hollow shell, resin, glass beads, mica/shell fragment

country: California, Tulare, Unassigned

subjects:
Tool and equipment
California, tulare, unassigned
Shells & molluscs

credit_line: Gambling Dice, before 1917. California, Tulare, Unassigned. Hollow shell, resin, glass beads, mica/shell fragment; overall: 1.5 x 2 cm (9/16 x 13/16 in.). The Cleveland Museum of Art, Presented by William Albert Price in memory of Mrs. William Albert Price, 1917.413.2.b


title: Velvet Fragment

medium: velvet

country: Italy

subjects: Velvet Italy

credit_line: Velvet Fragment, 1500s. Italy. Velvet; overall: 38.5 x 50.5 cm (15 3/16 x 19 7/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.234


title: Velvet Fragment

credit_line: Velvet Fragment, 1400s. Italy. Velvet; overall: 58.5 x 35 cm (23 1/16 x 13 3/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.272


title: Velvet Fragment

medium: velvet (cut and voided); silk

credit_line: Velvet Fragment, 1400s. Italy. Velvet (cut and voided); silk ; overall: 42.2 x 59 cm (16 5/8 x 23 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.912


title: Velvet

country: France

subjects: Velvet France

credit_line: Velvet, 1600s. France. Velvet; overall: 47 x 47.6 cm (18 1/2 x 18 3/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.914


title: Fragment of Silk

date: late 1600s

medium: silk

subjects:
Costume & fashion
Textile
Spain

credit_line: Fragment of Silk, late 1600s. Spain. Silk; average: 69.2 x 5.1 cm (27 1/4 x 2 in.). The Cleveland Museum of Art, Gift of Miss Caroline E. Coit, 1919.546.b


title: Lace Insertion and Edging of Points

country: Italy, Genoa

subjects:
Lace
Italy, genoa

credit_line: Lace Insertion and Edging of Points, 1600s. Italy, Genoa. Bobbin lace (needle lace, cutwork design); average: 9.9 x 40.7 cm (3 7/8 x 16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1000


title: Lace Tassel (one of a pair)

medium: lace (wrapping)

subjects: Lace Italy

credit_line: Lace Tassel (one of a pair), 1560–99. Italy. Lace (wrapping); average: 5.8 x 3.2 cm (2 5/16 x 1 1/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1131.a


title: Lace Edging of Points

country: Italy, Venice

subjects:
Lace
Italy, venice

credit_line: Lace Edging of Points, 1580–99. Italy, Venice. Bobbin lace (needle lace, reticella design); average: 5.1 x 12.5 cm (2 x 4 15/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1147


title: Lace Edging

medium: Bobbin lace

country: Italy, Abruzzi

subjects:
Lace
Italy, abruzzi

credit_line: Lace Edging, 1600s–1700s. Italy, Abruzzi. Bobbin lace; average: 3.9 x 64.5 cm (1 9/16 x 25 3/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1207


title: Fragment of Orphrey Band

medium: silk lampas

subjects:
Costume & fashion
Textile
Italy

credit_line: Fragment of Orphrey Band, 1500s. Italy. Silk lampas; overall: 28.5 x 28.5 cm (11 1/4 x 11 1/4 in.). The Cleveland Museum of Art, General Income Fund, 1920.1468


title: Lace Edging of Points

credit_line: Lace Edging of Points, 1580–99. Italy, Venice. Bobbin lace; average: 5.1 x 19.4 cm (2 x 7 5/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.892


medium: Bobbin lace (rose lace)

subjects:
Lace
Italy, genoa
Roses

credit_line: Lace Insertion with Edging of Bell Points, 1700s. Italy, Genoa. Bobbin lace (rose lace); average: 6.7 x 26.1 cm (2 5/8 x 10 1/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.932


title: L'Abreuvoir au Point St. Louis

medium: wood engraving

country: France, 19th-20th century

subjects:
Print
France, 19th-20th century

credit_line: L'Abreuvoir au Point St. Louis, 1902. Auguste Louis Lepère (French, 1849–1918). Wood engraving. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1921.1297


title: Shin Guard (Sune-ate)

medium: Arms and Armor

country: Japan, Edo period (1615–1868)

subjects:
Arms and armor
Japan, edo period (1615–1868)

credit_line: Shin Guard (Sune-ate), 1615–1868. Japan, Edo period (1615–1868). The Cleveland Museum of Art, Gift of J. H. Donahey, 1922.31.h


title: The Virgin and St. Anne

medium: engraving

subjects: Print Italy

credit_line: The Virgin and St. Anne, c. 1512–13. Master Na Dat with the Mousetrap (Italian). Engraving. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1922.472


title: Embroidered Scarf

medium: Plain weave cotton (est.): embroidered

country: Madeira

subjects: Embroidery Madeira

credit_line: Embroidered Scarf, 1800–1820. Madeira. Plain weave cotton (est.): embroidered; average: 274.3 x 91.5 cm (108 x 36 in.). The Cleveland Museum of Art, Gift of Mrs. George O. S. Coale, 1923.1086


title: Boy with Fruit Basket

subjects: Print Italy Fruits

credit_line: Boy with Fruit Basket, 1500s or 1600s. Italy. Engraving. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1923.265


title: Wall Tile–Man with a Sword

medium: glazed ceramic

subjects: Ceramic Spain

credit_line: Wall Tile–Man with a Sword, c. 1600s. Spain. Glazed ceramic; overall: 13.7 x 13.7 cm (5 3/8 x 5 3/8 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1923.655


title: Petite Servante

creator: Paul Gavarni (French, 1804–1866)

medium: lithograph

country: France, 19th century

subjects:
Print
France, 19th century

credit_line: Petite Servante, 1857. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1924.284


title: Several Line Borders (verso)

creator: Luzio Romano (Italian, active 1528–75)

date: mid 1500s

medium: pen and ink(?)

subjects: Drawing Italy

credit_line: Several Line Borders (verso), mid 1500s. Luzio Romano (Italian, active 1528–75). Pen and ink(?); sheet: 29.7 x 21.3 cm (11 11/16 x 8 3/8 in.); secondary support: 29.7 x 21.3 cm (11 11/16 x 8 3/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.589.b


title: Armchair

medium: walnut

subjects:
Furniture and woodwork
Italy

credit_line: Armchair, 1500s. Italy. Walnut; overall: 148.3 x 66 x 54.6 cm (58 3/8 x 26 x 21 1/2 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Howard M. Hanna Jr., 1925.616


title: Lace Collar

country: America

subjects: Lace America

credit_line: Lace Collar, 1840–60. America. Bobbin lace edging and embroidery on machine-made cotton net, silk ribbons; average: 363.3 x 31.2 cm (143 1/16 x 12 5/16 in.). The Cleveland Museum of Art, Gift of Florence M. Kimberly, 1926.164


title: Saint Jerome

medium: etching

subjects: Print France

credit_line: Saint Jerome, 1761. Jean-Honoré Fragonard (French, 1732–1806). Etching. The Cleveland Museum of Art, Gift of Mrs. Ralph King, 1926.281


medium: Gum tempera, ink, and gold on paper

credit_line: Text, Folio 53 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.53.b


credit_line: Text, Folio 65 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1932.119.65.b


title: Lace Fragment

medium: Linen: needle lace (cutwork)

credit_line: Lace Fragment, 1600s. Italy. Linen: needle lace (cutwork); average: 4.5 x 13.7 cm (1 3/4 x 5 3/8 in.). The Cleveland Museum of Art, Bequest of Louise Tifft Brown, 1933.360


title: Lace Edging

medium: Linen: bobbin lace (mesh ground)

subjects:
Lace
Italy, milan

credit_line: Lace Edging, 1700s. Italy, Milan. Linen: bobbin lace (mesh ground); average: 15.6 x 29.3 cm (6 1/8 x 11 9/16 in.). The Cleveland Museum of Art, The Frances McIntosh Sherwin Collection, 1936.197


title: Handkerchief

medium: Plain weave linen, embroidered

country: England(?)

subjects: Embroidery England

credit_line: Handkerchief, 1800s. England(?). Plain weave linen, embroidered; overall: 15.6 x 20.7 cm (6 1/8 x 8 1/8 in.). The Cleveland Museum of Art, Gift of Elisabeth Ireland in memory of her mother, Mrs. P. W. Harvey, 1936.717


title: Embroidered Handkerchief

subjects: Embroidery Italy

credit_line: Embroidered Handkerchief, 1800s. Italy. Plain weave linen: needle lace (drawnwork) border and raised work embroidery; overall: 39.4 x 40 cm (15 1/2 x 15 3/4 in.). The Cleveland Museum of Art, Gift of Robert Livingston Ireland Jr. in memory of his mother, Mrs. P. W. Harvey, 1936.730


title: Handkerchief

medium: Plain weave linen: embroidered

subjects: Embroidery France

credit_line: Handkerchief, 1800s. France. Plain weave linen: embroidered; overall: 37.5 x 37.5 cm (14 3/4 x 14 3/4 in.). The Cleveland Museum of Art, Gift of Robert Livingston Ireland Jr. in memory of his mother, Mrs. P. W. Harvey, 1936.745


title: Cradleboard

medium: leather, quills, beads

subjects: America, native north american, lakota (sioux)

credit_line: Cradleboard, c. 1900. America, Native North American, Lakota (Sioux). Leather, quills, beads; overall: 20.3 x 22.9 cm (8 x 9 in.). The Cleveland Museum of Art, Gift of Amelia Elizabeth White, 1937.869


medium: gum tempera and ink on palm leaves

subjects: Painting Palms

credit_line: Text, folio 167 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaves; leaf: 5.4 x 56.2 cm (2 1/8 x 22 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.167.a


title: Candleholder (2 of 2)

medium: carved and painted wood

country: Italy, Florence

subjects:
Furniture and woodwork
Italy, florence

credit_line: Candleholder (2 of 2), 1700s. Italy, Florence. Carved and painted wood; overall: 78.7 cm (31 in.). The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., for the Coralie Walker Hanna Memorial Collection, 1939.174.2


medium: stoneware

country: Siam, Sawankhalok ware, 15th century

subjects:
Ceramic
Siam, sawankhalok ware, 15th century

credit_line: Covered Bowl with Painted Decoration with Lid, 1400s. Siam, Sawankhalok ware, 15th century. Stoneware; overall: 10.8 cm (4 1/4 in.). The Cleveland Museum of Art, Gift of Edwin Lowe Neville, 1939.532


creator: Claude Lorrain (French, 1604–1682)

subjects: Print France Landscapes

credit_line: Landscape with a Country Dance (Small Plate), c. 1637. Claude Lorrain (French, 1604–1682). Etching. The Cleveland Museum of Art, Gift of Robert Hays Gries, 1939.588


title: Brocaded Satin

medium: satin brocaded with silk

subjects:
Costume & fashion
Textile
Spain

credit_line: Brocaded Satin, 1700s(?). Spain. Satin brocaded with silk; average: 28 x 28 cm (11 x 11 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1940.488


title: Velvet Fragment

medium: velvet (cut, voided, and brocaded): silk and gold thread

subjects: Velvet Italy

credit_line: Velvet Fragment, 1400s. Italy. Velvet (cut, voided, and brocaded): silk and gold thread; overall: 21 x 40.7 cm (8 1/4 x 16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1940.493


title: Velvet Fragments

date: early 16th century

subjects: Velvet Spain

credit_line: Velvet Fragments, early 16th century. Spain. Velvet (cut, voided, and brocaded): silk and gold thread; overall: 16 x 14.5 cm (6 5/16 x 5 11/16 in.). The Cleveland Museum of Art, Bequest of James Parmelee, 1940.603.f


title: Tea Bowl: Jian ware

subjects: China, near shui ch'i, song dynasty (960-1279)

credit_line: Tea Bowl: Jian ware, 960–1279. China, near Shui ch'i, Song dynasty (960-1279). Stoneware; diameter: 12.8 cm (5 1/16 in.); overall: 7.4 cm (2 15/16 in.). The Cleveland Museum of Art, John L. Severance Collection, 1942.136


title: Pompon Rose

medium: stipple and line engraving, with hand coloring

subjects:
Print
France, 19th century
Roses

credit_line: Pompon Rose, 1817–24. Pierre-Joseph Redouté (French, 1759–1840). Stipple and line engraving, with hand coloring. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, for the Donald Gray Memorial Collection, 1943.142


title: Portion of a Flounce

credit_line: Portion of a Flounce, 1800s. Italy. Plain weave cotton: needle lace (drawnwork) and embroidery; overall: 50.2 x 193.1 cm (19 3/4 x 76 in.). The Cleveland Museum of Art, Gift of Henry Hunt Clark, 1950.143


creator: Israël Silvestre (French, 1621–1691)

medium: engraving

credit_line: Vue du palais et des jardins des Tuileries, du côté du quai, 1670. Israël Silvestre (French, 1621–1691). Engraving. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1950.175


title: Étude de Femme

medium: lithograph

subjects:
Print
France, 19th century

credit_line: Étude de Femme, 1893. Henri de Toulouse-Lautrec (French, 1864–1901). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.324


title: Velvet Fragment

medium: velvet weave (cut with two heights of pile and brocaded): silk and gold thread

credit_line: Velvet Fragment, 1400s. Italy. Velvet weave (cut with two heights of pile and brocaded): silk and gold thread; average: 113 x 32.4 cm (44 1/2 x 12 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1951.495


creator: Edvard Munch (Norwegian, 1863–1944)

country: Norway

subjects: Print Norway

credit_line: Alpha and Omega:  The Wife Omega and the Donkey, 1908–9. Edvard Munch (Norwegian, 1863–1944). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1952.80


title: Christmas Gifts:  Dawn

creator: Eric Gill (British, 1882–1940)

medium: wood engraving

country: England, 20th century

subjects:
Print
England, 20th century

credit_line: Christmas Gifts:  Dawn, 1916. Eric Gill (British, 1882–1940). Wood engraving. The Cleveland Museum of Art, Gift of Mrs. Malcolm L. McBride, 1953.560


title: Fragment of Silk Textile

medium: plain cloth, brocaded; silk

country: Spain

credit_line: Fragment of Silk Textile, 1700s. Spain. Plain cloth, brocaded; silk; average: 66.7 x 57.8 cm (26 1/4 x 22 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.322.b


title: The Four Evangelists:  St. John

subjects: Print Italy

credit_line: The Four Evangelists:  St. John, c. 1518. Italy. Engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1954.339.2


title: Les Roses:  Rosa cinnamomea

credit_line: Les Roses:  Rosa cinnamomea, 1817–1824. Henri Joseph Redouté (French, 1766–1853). Stipple and line engraving, with hand coloring. The Cleveland Museum of Art, Gift of The Print Club of Cleveland in honor of Mrs. William G. Mather, 1955.472


title: L'Honnête ouvrier

country: Switzerland

subjects: Print Switzerland

credit_line: L'Honnête ouvrier, 1899. Théophile Alexandre Steinlen (Swiss, 1859–1923). Lithograph. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1956.300


title: Lace Collar

country: Belgium (Flanders)

subjects:
Lace
Belgium (flanders)

credit_line: Lace Collar, 1800s. Belgium (Flanders). Linen: machine-made lace net with bobbin lace appliqué; overall: 62.5 x 60.5 cm (24 5/8 x 23 13/16 in.). The Cleveland Museum of Art, Gift of Mrs. Harold T. Clark, 1957.134


title: Large View of Mariakerke

creator: James Ensor (Belgian, 1860–1949)

medium: etching

country: Belgium, 19th-20th century

subjects:
Print
Belgium, 19th-20th century

credit_line: Large View of Mariakerke, 1887. James Ensor (Belgian, 1860–1949). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1959.93


title: The Voyage of Life:  Youth

creator: James Smillie (American, 1807–1885)

subjects: Print America

credit_line: The Voyage of Life:  Youth, 1855. James Smillie (American, 1807–1885), after Thomas Cole (American, born England,1801–1848). Engraving. The Cleveland Museum of Art, Gift of Mr. and Mrs. Severance A. Millikin, 1960.130


creator: Robert Nanteuil (French, 1623–1678)

country: France

subjects: Print France

credit_line: Pierre Seguier Chevalier, Marquis de St. Brisson, 1659. Robert Nanteuil (French, 1623–1678). Engraving. The Cleveland Museum of Art, Gift of William C. Keough, 1960.245


title: Michel le Masle

credit_line: Michel le Masle, 1658. Robert Nanteuil (French, 1623–1678). Engraving. The Cleveland Museum of Art, Gift of Mrs. Malcolm L. McBride, 1960.254


title: Le Chamineau

medium: drypoint

credit_line: Le Chamineau, c. 1870–1920. Jean-François Raffaëlli (French, 1850–1924). Drypoint. The Cleveland Museum of Art, Gift of Mrs. Malcolm L. McBride, 1960.255


medium: gum tempera, ink, and gold on paper

credit_line: Page from Tales of a Parrot (Tuti-nama): text page, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.43.b


title: The Blacksmith

creator: Eugène Delacroix (French, 1798–1863)

medium: aquatint, drypoint, and roulette on chine collé

credit_line: The Blacksmith, 1833. Eugène Delacroix (French, 1798–1863). Aquatint, drypoint, and roulette on chine collé. The Cleveland Museum of Art, Gift of Mrs. Malcolm L. McBride, 1965.260


title: Windmill Hill, No. 1

date: c. 1877 and later

medium: etching and drypoint

country: England, 19th century

subjects:
Print
England, 19th century

credit_line: Windmill Hill, No. 1, c. 1877 and later. Francis Seymour Haden (British, 1818–1910). Etching and drypoint. The Cleveland Museum of Art, Gift of Mrs. Malcolm L. McBride, 1965.266


title: Millbank

credit_line: Millbank, 1861. James McNeill Whistler (American, 1834–1903). Etching. The Cleveland Museum of Art, Gift of Mrs. Malcolm L. McBride, 1965.284


title: View of a Seaport

creator: Horace Vernet (French, 1789–1863)

credit_line: View of a Seaport, 1800s. Horace Vernet (French, 1789–1863). Lithograph. The Cleveland Museum of Art, L. E. Holden Fund, 1966.358


creator: Peter Paul Rubens (Flemish, 1577–1640)

medium: pen and brown ink and brush and brown wash (right half); black chalk, with stumping (left half)

country: Flanders

subjects: Drawing Flander

credit_line: Venus Disarming Mars, Drapery Study (verso), c. 1632/35. Peter Paul Rubens (Flemish, 1577–1640). Pen and brown ink and brush and brown wash (right half); black chalk, with stumping (left half); sheet: 19.9 x 49.2 cm (7 13/16 x 19 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1970.37.b


title: Ornament, Probably from a Tunic

medium: tapestry weave: wool

country: Egypt, Byzantine period

subjects:
Ornament & design
Costume & fashion
Textile
Egypt, byzantine period

credit_line: Ornament, Probably from a Tunic, 400s - 500s. Egypt, Byzantine period. Tapestry weave: wool; overall: 6.5 x 12.7 cm (2 9/16 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.254


title: Fragment from a Curtain (?)

medium: tabby weave with inwoven tapestry ornament, linen and wool

credit_line: Fragment from a Curtain (?), 400s - 500s. Egypt, Byzantine period. Tabby weave with inwoven tapestry ornament, linen and wool; overall: 13.3 x 20.5 cm (5 1/4 x 8 1/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1983.266


title: Plate: Combat

creator: Félix Bracquemond (French, 1833–1914)

medium: porcelain

subjects:
Ceramic
France, 19th century

credit_line: Plate: Combat, c. 1876. Félix Bracquemond (French, 1833–1914), Haviland & Co. (French). Porcelain; diameter: 24.1 cm (9 1/2 in.). The Cleveland Museum of Art, Gift of Ralph Drake in honor of the Trideca Society, 1996.313


title: Caprices: The Italian Farm

creator: Jacques Callot (French, 1592–1635)

credit_line: Caprices: The Italian Farm, 1635–46. Jacques Callot (French, 1592–1635). Etching; sheet: 13.5 x 21 cm (5 5/16 x 8 1/4 in.); platemark: 5.2 x 7.5 cm (2 1/16 x 2 15/16 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.332


title: Portrait of an Old Man

creator: Nicolas Lagneau (French, 1590–1666)

subjects: Drawing France Portraits

credit_line: Portrait of an Old Man, 1600s(?). Manner of Nicolas Lagneau (French, 1590–1666). Black, red, and brown chalk, with stumping; sheet: 38.9 x 27.7 cm (15 5/16 x 10 7/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Anthony R. Michel in honor of Diane De Grazia and Carter E. Foster, 2000.139


title: Two Peasant Girls Seated

creator: Auguste Giraudon's Artist (French)

medium: glass negative

subjects:
Photograph
France, 19th century

credit_line: Two Peasant Girls Seated, 1870s. Auguste Giraudon's Artist (French). Glass negative; overall: 17.9 x 13.5 cm (7 1/16 x 5 5/16 in.); matted: 25.4 x 20.3 cm (10 x 8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2000.34.2


medium: etching with chine collé

subjects:
Portfolio
France, 19th century

credit_line: The Boat Trip: The Steamboats or Watch Out for the Steamers, 1861. Charles François Daubigny (French, 1817–1878). Etching with chine collé; sheet: 31.3 x 44.6 cm (12 5/16 x 17 9/16 in.); platemark: 13.9 x 19 cm (5 1/2 x 7 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 2004.95.13


credit_line: The Boat Trip: Cabin Boy Hauling the Tow-Rope or Hauling by Rope, 1861. Charles François Daubigny (French, 1817–1878). Etching with chine collé; sheet: 31.9 x 44.7 cm (12 9/16 x 17 5/8 in.); platemark: 12.9 x 18 cm (5 1/16 x 7 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2004.95.5


title: Set of six Spoons in Original Box

creator: Liberty and Company (British)

country: England, London

subjects:
Silver
England, london

credit_line: Set of six Spoons in Original Box, c. 1895–1910. Liberty and Company (British), attributed to Archibald Knox (British, 1864–1933). Silver, enamel decoration and leather box. The Cleveland Museum of Art, Gift of Henry H. Hawley, 2008.166


medium: etching, hand-colored

subjects:
Print
France, 19th century

credit_line: Description of Egypt: Thebes. Hypogees Vol. II, Pl. 49, c. 1812. Antoine Maxime Monsaldy (French, 1768–1816), after André Dutertre (French, 1753–1842), after Henri Joseph Redouté (French, 1766–1853). Etching, hand-colored; sheet: 54.3 x 71.6 cm (21 3/8 x 28 3/16 in.); platemark: 37.8 x 50.8 cm (14 7/8 x 20 in.). The Cleveland Museum of Art, Gift of John Bonebrake, 2008.199


credit_line: The Beggars: Beggar on Crutches, Wearing a Hat, c. 1623. Jacques Callot (French, 1592–1635). Etching. The Cleveland Museum of Art, The Jane B. Tripp Charitable Lead Annuity Trust, 2008.34.5


title: Snuff Box

medium: amethystine quartz, diamondsine-quartz, gold

country: Germany, 18th century

credit_line: Snuff Box, c.  1770. Germany, 18th century. Amethystine quartz, diamondsine-quartz, gold; overall: 6.4 x 5.1 x 4.5 cm (2 1/2 x 2 x 1 3/4 in.). The Cleveland Museum of Art, Gift of Howard F. Stirn, 2009.76


creator: Louis Haghe (British, 1806–1885)

medium: color lithograph

credit_line: Egypt and Nubia, Volume I: Entrance to the Caves of Beni-Hasan, 1847. Louis Haghe (British, 1806–1885), F. G. Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 38.8 x 40.7 cm (15 1/4 x 16 in.); image: 29.3 x 25 cm (11 9/16 x 9 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2012.214


country: Italy, 18th century

subjects:
Print
Italy, 18th century

credit_line: Prospettiva della Scala dela coserva d' acqua de' gia detti alloggiamenti, accennata in pianta nella Tav XIII con la lett. G., 1764. Giovanni Battista Piranesi (Italian, 1720–1778), J. Seacome, Chester, England. Etching; sheet: 55.5 x 40 cm (21 7/8 x 15 3/4 in.); platemark: 39.5 x 29 cm (15 9/16 x 11 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake, 2015.124


title: The Dilkoosha Palace

creator: Felice A. Beato (British, 1832–1909)

medium: albumen print

subjects:
Photograph
England, 19th century

credit_line: Lucknow After the Siege: The Dilkoosha Palace, 1858. Felice A. Beato (British, 1832–1909). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2019.170.21


credit_line: Lucknow After the Siege: Gateway and Banquetting Room Inside the Residency, Used as  Hospital by the Garrison, 1858. Felice A. Beato (British, 1832–1909). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2019.170.22


title: The Great Gateway of the Kasierbagh

credit_line: Lucknow After the Siege: The Great Gateway of the Kasierbagh, 1858. Felice A. Beato (British, 1832–1909). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.). The Cleveland Museum of Art, The Severance and Greta Millikin Purchase Fund, 2019.170.4


title: St. Andrew

creator: Hendrick Goltzius (Dutch, 1558–1617)

medium: engraving

country: Netherlands

subjects: Print Netherland

credit_line: Christ, St. Paul, and the Twelve Apostles: St. Andrew, c. 1578. Hendrick Goltzius (Dutch, 1558–1617), after Maarten de Vos (Flemish, 1532–1603). Engraving; plate: 20.8 x 28.1 cm (8 3/16 x 11 1/16 in.). 2019.180.3


title: Untitled (Jama Masjid, Delhi)

medium: albumen print mounted on an album page

credit_line: Untitled (Jama Masjid, Delhi), 1870s (?). England, 19th century. Albumen print mounted on an album page; mounted: 45.7 x 35.6 cm (18 x 14 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum, 2022.369.a


title: Lions and Fox in a Rugged Landscape

creator: Roelant Savery (Flemish, 1576–1639)

medium: Oil on panel

country: Dutch

subjects: Painting Dutch Landscapes

credit_line: Lions and Fox in a Rugged Landscape, 1576–1637. Roelant Savery (Flemish, 1576–1639). Oil on panel; panel: 43.2 x 53.3 cm (17 x 21 in.); framed: 64.1 x 73.7 x 3.8 cm (25 1/4 x 29 x 1 1/2 in.). The Cleveland Museum of Art, Gift of the Kent State University Museum, Silverman/Rodgers Collection, 2024.13


title: Fragment, with Segmentum, from a Tunic

medium: tabby weave, inwoven tapestry ornament; wool and linen

credit_line: Fragment, with Segmentum, from a Tunic, 500s. Egypt, Byzantine period. Tabby weave, inwoven tapestry ornament; wool and linen; overall: 23.5 x 22.3 cm (9 1/4 x 8 3/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1914.531


title: Saucer

date: 300s CE or later

medium: glass

country: Eastern Mediterranean, Roman

subjects:
Glass
Eastern mediterranean, roman

credit_line: Saucer, 300s CE or later. Eastern Mediterranean, Roman. Glass; overall: 2.5 x 13.8 cm (1 x 5 7/16 in.); diameter of foot: 7 cm (2 3/4 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.538


title: Dagger

date: before 1916

country: Sumatra

subjects:
Arms and armor
Sumatra
Skeletons & bones

credit_line: Dagger, before 1916. Sumatra. Blade: steel; handle: horn; scabbard: wood with bone or ivory, horn, and other inlays; overall: 19.1 cm (7 1/2 in.); blade: 12.5 cm (4 15/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.1009


title: Dagger and Scabbard

country: Philippines

subjects:
Arms and armor
Philippine

credit_line: Dagger and Scabbard, before 1916. Philippines. Blade: metal; handle: ivory with silver mounting; scabbard: wood and silver; overall: 29.1 cm (11 7/16 in.); blade: 22 cm (8 11/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.1013


title: Knife

medium: forged iron and copper

credit_line: Knife, before 1916. Africa, Central Africa, Democratic Republic of the Congo or Central African Republic, unknown maker. Forged iron and copper; overall: 40.6 cm (16 in.); blade: 32.7 cm (12 7/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.1016


title: Knife

subjects:
Botany
Arms and armor

credit_line: Knife, 1800s. Africa, Central Africa, Democratic Republic of Congo, unknown maker. Iron, wood, copper alloy, metal, rawhide, and plant fiber; overall: 57.4 cm (22 5/8 in.); blade: 24.2 cm (9 1/2 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.1022


creator: Torii Kiyonobu II (Japanese, 1706–1763)

medium: color woodblock print

country: Japan, Edo period (1615–1868)

subjects:
Print
Japan, edo period (1615–1868)

credit_line: Nakamura Tomijuro and Nakamura Shichisaburo II as the Lovers Agemaki and Sukeroku, 1753. Torii Kiyonobu II (Japanese, 1706–1763). Color woodblock print; sheet: 42.1 x 29.9 cm (16 9/16 x 11 3/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1148


title: Embroidered Square

medium: embroidery, silk and metallic threads, on silk tabby ground

country: Turkey

subjects: Embroidery Turkey

credit_line: Embroidered Square, 1700s–1800s. Turkey. Embroidery, silk and metallic threads, on silk tabby ground; average: 103.2 x 98.5 cm (40 5/8 x 38 3/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1232


title: Embroidered Square

date: 19th century

country: Turkey, 19th century

subjects:
Embroidery
Turkey, 19th century

credit_line: Embroidered Square, 19th century. Turkey, 19th century. Embroidery, silk and metallic threads, on silk tabby ground; average: 63.5 x 54 cm (25 x 21 1/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.1233


title: Embroidered Towel (Peshkir)

medium: embroidery; silk and silver filé on linen ground

credit_line: Embroidered Towel (Peshkir), 19th century. Turkey, 19th century. Embroidery; silk and silver filé on linen ground; average: 80.7 x 41.9 cm (31 3/4 x 16 1/2 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1253


title: Embroidered Square

medium: embroidery: silk, gold and silver filé on linen tabby ground

credit_line: Embroidered Square, 19th century. Turkey, 19th century. Embroidery: silk, gold and silver filé on linen tabby ground; average: 83.9 x 81.3 cm (33 1/16 x 32 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1258


title: Sash

date: 17th-18th century

medium: brocade; silk and metal

country: Poland, 17th-18th century

subjects:
Costume & fashion
Textile
Poland, 17th-18th century

credit_line: Sash, 17th-18th century. Poland, 17th-18th century. Brocade; silk and metal; overall: 436.7 x 28 cm (171 15/16 x 11 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1282


title: Embroidered Table Cover

medium: embroidery; silk on linen

country: Italy

subjects: Embroidery Italy

credit_line: Embroidered Table Cover, 1600s. Italy. Embroidery; silk on linen; overall: 207 x 147.3 cm (81 1/2 x 58 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1285


title: Velvet Fragment

medium: velvet

country: Italy, Genoa

subjects:
Velvet
Italy, genoa

credit_line: Velvet Fragment, 1600s. Italy, Genoa. Velvet; overall: 12 x 56.1 cm (4 3/4 x 22 1/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1390.c


title: Velvet Panel

country: Iran, 19th century

subjects:
Velvet
Iran, 19th century

credit_line: Velvet Panel, 1800s. Iran, 19th century. Velvet; overall: 162.5 x 109.2 cm (64 x 43 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1391


title: Earring

medium: silver gilt

country: Russia

subjects: Jewelry Russia

credit_line: Earring, 1800s. Russia. Silver gilt; overall: 2.9 cm (1 1/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.145.1


medium: bronze

country: France, 19th century

subjects:
Metalwork
France, 19th century

credit_line: Medal: Lieutenant General T. J. Jackson (obverse). Armand Auguste Caqué (French, 1793–1881). Bronze; diameter: 5.1 cm (2 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1876.a


creator: Jules Dupré (French, 1811–1889)

credit_line: Medal:  Five Sols issued by Monneron Brothers, Paris, 1792 (reverse). Jules Dupré (French, 1811–1889). Bronze; diameter: 3.9 cm (1 9/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.1883.b


title: Neckpiece

medium: silver

country: India

subjects: Jewelry India

credit_line: Neckpiece, 1800s. India. Silver; diameter: 12.8 cm (5 1/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.190


title: Anklet, or Kara

country: India - Rajputana or Malwa

subjects:
Jewelry
India - rajputana or malwa

credit_line: Anklet, or Kara, 1800s. India - Rajputana or Malwa. Silver; diameter: 12.8 cm (5 1/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.191


title: Double Column Base

date: late 1400s

medium: marble

country: France, late 15th century

subjects:
Sculpture
France, late 15th century

credit_line: Double Column Base, late 1400s. France, late 15th century. Marble; overall: 30.5 x 49.1 x 25.4 cm (12 x 19 5/16 x 10 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1916.2057


title: Necklace

medium: coins, bone, silver and gold beads

country: Siam

subjects:
Jewelry
Siam
Skeletons & bones

credit_line: Necklace, 1800s. Siam. Coins, bone, silver and gold beads; overall: 43.2 cm (17 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.214


title: Earring

credit_line: Earring, 1800s. India. Silver; diameter: 5.2 cm (2 1/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.240.1


title: Box

creator: Georges Rémond et Cie (Swiss)

date: late 1700s

medium: gold and enamel

country: Switzerland, Geneva, late 18th Century

subjects:
Enamel
Switzerland, geneva, late 18th century

credit_line: Box, late 1700s. Georges Rémond et Cie (Swiss). Gold and enamel; overall: 2.6 x 8.7 x 5.8 cm (1 x 3 7/16 x 2 5/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.299


title: Scent Bottle

medium: glass with enameled silver mounts, partially gilt

credit_line: Scent Bottle, 1850–1870. France, 19th century. Glass with enameled silver mounts, partially gilt; overall: 11.2 x 4.2 x 3.5 cm (4 7/16 x 1 5/8 x 1 3/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.319


title: Scent Bottle

creator: South Staffordshire Factory (British)

medium: enamel on copper with gilt and enameled metal mounts

country: England, Staffordshire, 18th century

credit_line: Scent Bottle, 1775. South Staffordshire Factory (British). Enamel on copper with gilt and enameled metal mounts; overall: 7 x 3.1 cm (2 3/4 x 1 1/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.336


title: Belt

date: early 1700s

medium: enamel on copper with gilt metal mounts and cloisonné medallions

country: Netherlands, early 18th century

subjects:
Enamel
Netherlands, early 18th century

credit_line: Belt, early 1700s. Netherlands, early 18th century. Enamel on copper with gilt metal mounts and cloisonné medallions; overall: 55.9 cm (22 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.360.b


title: Ring

medium: silver and enamel

credit_line: Ring, 1800s. India. Silver and enamel; diameter: 7 cm (2 3/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.388


title: Ring

medium: metal and hardstone

country: European, 19th century

subjects:
Jewelry
European, 19th century

credit_line: Ring, 1800s. European, 19th century. Metal and hardstone; diameter: 4.8 cm (1 7/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.417


title: Pillow-end Plate Pair

medium: white metal

country: Malaysia

subjects: Metalwork Malaysia

credit_line: Pillow-end Plate Pair , 1800s. Malaysia. White metal; average: 16.6 x 7.4 cm (6 9/16 x 2 15/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.438


title: Pillow-end Plate

credit_line: Pillow-end Plate, 1800s. Malaysia. White metal; average: 16.6 x 7.4 cm (6 9/16 x 2 15/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.438.a


title: Brooch with Garuda and Naga

credit_line: Brooch with Garuda and Naga, 1800s. India. Silver; overall: 3.8 cm (1 1/2 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.446


title: Necklace

country: Balkans, 19th century

subjects:
Jewelry
Balkans, 19th century

credit_line: Necklace, 19th century. Balkans, 19th century. Silver; diameter: 12.8 cm (5 1/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.467


title: Nose Ring

date: 20th Century

credit_line: Nose Ring, 20th Century. India. Silver; overall: 6.4 cm (2 1/2 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.490


title: Button

country: Balkans(?), 19th century

subjects:
Jewelry
Balkans , 19th century

credit_line: Button, 1800s. Balkans(?), 19th century. Silver; average: 8.3 cm (3 1/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.494.4


title: Button

credit_line: Button, 1800s. Balkans, 19th century. Silver; average: 8.3 cm (3 1/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.504.4


title: Nose Ring

country: Indo-Chinese, made in France

subjects:
Jewelry
Indo-chinese, made in france

credit_line: Nose Ring, 20th Century. Indo-Chinese, made in France. Silver; overall: 9.9 cm (3 7/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.513


title: Box

medium: lacquer with tortoiseshell lining, gilt metal mounts

country: France

credit_line: Box, 1700s. France. Lacquer with tortoiseshell lining, gilt metal mounts; overall: 3.2 x 8.3 cm (1 1/4 x 3 1/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.595.a


title: Snuff Box

medium: tortoiseshell box with painted portrait miniature under glass, inset on cover

country: Continental, early 19th century

subjects:
Continental, early 19th century
Portraits

credit_line: Snuff Box, c. 1800. Continental, early 19th century. Tortoiseshell box with painted portrait miniature under glass, inset on cover; overall: 2.3 x 6.6 cm (7/8 x 2 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.607


title: Seated Figures

credit_line: Seated Figures, 1800–1916. China, Qing dynasty (1644-1911) or Republican period (1912-49). Silver; overall: 3.6 cm (1 7/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.631


title: Box

date: 19th Century

medium: metal

country: China, Qing dynasty (1644-1911)

subjects:
Metalwork
China, qing dynasty (1644-1911)

credit_line: Box, 19th Century. China, Qing dynasty (1644-1911). Metal; diameter: 5.8 cm (2 5/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.640


title: Bonbonniere

creator: Staffordshire Factory (British)

medium: enamel on copper with metal mounts

credit_line: Bonbonniere, 1700s. Staffordshire Factory (British). Enamel on copper with metal mounts; overall: 4.5 x 4.8 x 5.1 cm (1 3/4 x 1 7/8 x 2 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.643


title: Dagger

medium: iron with horn handle and wood

country: Java

subjects:
Arms and armor
Java

credit_line: Dagger, 1800s. Java. Iron with horn handle and wood; overall: 34.4 cm (13 9/16 in.); blade: 20.4 cm (8 1/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade, 1916.741


title: Sword

country: Indonesia, Sulawesi (Celebes)

subjects:
Arms and armor
Indonesia, sulawesi (celebes)

credit_line: Sword, before 1916. Indonesia, Sulawesi (Celebes). Metal; overall: 66.4 cm (26 1/8 in.); blade: 52.1 cm (20 1/2 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.749


title: Figurine

medium: terracotta

subjects: Mexico, aztec, 14th century-16th century

credit_line: Figurine, 1325–1521. Mexico, Aztec, 14th century-16th century. Terracotta; overall: 7 cm (2 3/4 in.). The Cleveland Museum of Art, Gift of Samuel H. Halle, 1916.922


title: Drachm: Horse (reverse)

country: Greek, minted at Larissa (Thessalia)

subjects:
Coin
Greek, minted at larissa (thessalia)

credit_line: Drachm: Horse (reverse), c. 375–320 BCE. Greek, minted at Larissa (Thessalia). Silver; diameter: 1.9 cm (3/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.988.b


title: Stater: Head of Kore (obverse)

date: c. 340 BCE

subjects: Greek, minted at metapontion (south italy)

credit_line: Stater: Head of Kore (obverse), c. 340 BCE. Greek, minted at Metapontion (South Italy). Silver; diameter: 1.9 cm (3/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1916.991.a


title: Cover for a Basket

date: Unassigned, before 1917

medium: twilled

country: Northwest Coast, Haida, Unassigned

subjects:
Basketry
Northwest coast, haida, unassigned

credit_line: Cover for a Basket, Unassigned, before 1917. Northwest Coast, Haida, Unassigned. Twilled; overall: 10.5 x 13 cm (4 1/8 x 5 1/8 in.). The Cleveland Museum of Art, Presented by William Albert Price in memory of Mrs. William Albert Price, 1917.434.b


title: Libation Cup

medium: jade

country: China, Song dynasty (960-1279) or later

subjects:
Jade
China, song dynasty (960-1279) or later

credit_line: Libation Cup, 960–1279. China, Song dynasty (960-1279) or later. Jade; diameter: 12.8 cm (5 1/16 in.); overall: 4.6 cm (1 13/16 in.). The Cleveland Museum of Art, Worcester R. Warner Collection, 1917.47


title: Twined Cylindrical Basket

medium: twined

credit_line: Twined Cylindrical Basket, 1890. Arctic. Aleut (Attu), late 19th-early 20th century. Twined; overall: 4 x 30 cm (1 9/16 x 11 13/16 in.). The Cleveland Museum of Art, Presented by William Albert Price in memory of Mrs. William Albert Price, 1917.515.a


title: Velvet Fragment

medium: velvet

country: Italy

subjects: Velvet Italy

credit_line: Velvet Fragment, 1600s. Italy. Velvet; overall: 19 x 26 cm (7 1/2 x 10 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.250


title: Sword Guard

date: early to mid-1800s

medium: iron

country: Japan, Edo period (1615–1868)

subjects:
Arms and armor
Japan, edo period (1615–1868)

credit_line: Sword Guard, early to mid-1800s. Japan, Edo period (1615–1868). Iron; overall: 6.8 x 7.4 cm (2 11/16 x 2 15/16 in.). The Cleveland Museum of Art, General Income Fund, 1918.712


title: Lace Edging with Points

medium: Bobbin lace (needle lace design)

country: Italy, possibly Genoa

subjects:
Lace
Italy, possibly genoa

credit_line: Lace Edging with Points, 1600–1620. Italy, possibly Genoa. Bobbin lace (needle lace design); average: 4.5 x 17.9 cm (1 3/4 x 7 1/16 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.928


title: Console Table

medium: carved and painted wood, marble

subjects:
Furniture and woodwork
France

credit_line: Console Table, c. 1720. France. Carved and painted wood, marble; overall: 84.5 x 97.5 x 51.5 cm (33 1/4 x 38 3/8 x 20 1/4 in.); top: 2.3 x 97.5 x 51.5 cm (7/8 x 38 3/8 x 20 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1923.225


title: Ancient Ruins

medium: etching

subjects: Print France

credit_line: Ancient Ruins, 1756. Jean-Claude-Richard de Saint-Non (French, 1727–1791). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1927.333


title: Fragments of Copperplate Printed Cotton

medium: copperplate printed linen

subjects:
Costume & fashion
Textile
France

credit_line: Fragments of Copperplate Printed Cotton, c. 1789. Firm of Christophe Philippe Oberkampf (French, 1738–1815), Jean-Baptiste Marie Hüet (French, 1745–1811). Copperplate printed linen; overall: 15 x 67 cm (5 7/8 x 26 3/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1928.1.c


title: Maximilien de Bethune, Duc de Sully

creator: Pierre Chenu (French, 1718?-1795)

medium: engraving

credit_line: Maximilien de Bethune, Duc de Sully, 1767. Pierre Chenu (French, 1718?-1795), after Gabriel de Saint-Aubin (French, 1724–1780). Engraving. The Cleveland Museum of Art, Gift of Richard Owen, 1928.630


subjects: Print Italy

credit_line: Collection of Various Caprices and New Designs of Cartouches and Ornaments:  No 11, 1646. Stefano Della Bella (Italian, 1610–1664). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1932.374.11


credit_line: Collection of Various Caprices and New Designs of Cartouches and Ornaments:  No. 4, 1646. Stefano Della Bella (Italian, 1610–1664). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1932.374.4


title: School Exercise Alphabet

medium: ink on paper

country: India, Mughal Dynasty (1526–1756)

subjects:
Manuscript
India, mughal dynasty (1526–1756)

credit_line: School Exercise Alphabet, 1700s. India, Mughal Dynasty (1526–1756). Ink on paper; overall: 25.8 x 16.2 cm (10 3/16 x 6 3/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1933.498


title: School Exercise Alphabet

date: 18th century

country: India, Mughal Dynasty (1526-1756)

subjects:
Manuscript
India, mughal dynasty (1526-1756)

credit_line: School Exercise Alphabet, 18th century. India, Mughal Dynasty (1526-1756). Ink on paper; overall: 25.8 x 16.2 cm (10 3/16 x 6 3/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1933.498.1.a


title: Lace Edging

medium: Linen: bobbin lace (Valenciennes)

country: France, Valenciennes or Flanders

subjects:
Lace
France, valencienne or flander

credit_line: Lace Edging, 1900–1935. France, Valenciennes or Flanders. Linen: bobbin lace (Valenciennes); average: 14.6 x 138.4 cm (5 3/4 x 54 1/2 in.). The Cleveland Museum of Art, The Frances McIntosh Sherwin Collection, 1936.129


title: Irish Town

creator: George Bellows (American, 1882–1925)

medium: lithograph

country: America

subjects: Print America

credit_line: Irish Town, 1923. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1936.545


credit_line:
Standing Nude Bending Forward, third state
, 1916. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1936.562


title: Statuette

credit_line: Statuette, 1917. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1936.566


title: Mirror of the Goddess

creator: Ernest Haskell (American, 1876–1925)

medium: etching and engraving

credit_line: Mirror of the Goddess, 1920. Ernest Haskell (American, 1876–1925). Etching and engraving. The Cleveland Museum of Art, Bequest of Mrs. Henry A. Everett for the Dorothy Burnham Everett Memorial Collection, 1938.85


title: New England Factory Life - "Bell-Time"

creator: Winslow Homer (American, 1836–1910)

medium: wood engraving

credit_line: New England Factory Life - "Bell-Time", 1868. Winslow Homer (American, 1836–1910). Wood engraving. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1942.1287


subjects: Print Italy Landscapes

credit_line: Various Figures and Landscapes:  Title Page - Three Figures, 1649. Stefano Della Bella (Italian, 1610–1664). Etching. The Cleveland Museum of Art, Gift of Carl Fredric Clarke, 1945.401.1


medium: graphite

subjects: Drawing America

credit_line: Eel Spearing at Setauket, Long Island, New York, c. 1845. William Sidney Mount (American, 1807–1868). Graphite. The Cleveland Museum of Art, Hinman B. Hurlbut Collection, 1946.1697


title: Vue de la cour du Château de Blois

creator: Jacques Rigaud (French, 1681–1754)

credit_line: Vue de la cour du Château de Blois, c. 1720–50. Jacques Rigaud (French, 1681–1754). Engraving. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1950.173


title: Cup

creator: Wedgwood Factory (British)

medium: jasper ware with relief decoration

country: England, Staffordshire, 18th century

subjects:
Ceramic
England, staffordshire, 18th century

credit_line: Cup, c. 1784. Wedgwood Factory (British). Jasper ware with relief decoration; diameter: 8.6 cm (3 3/8 in.). The Cleveland Museum of Art, Gift of Mrs. John Sherwin, 1951.304.a


title: Length of Textile

medium: plain compound cloth, brocaded; silk

credit_line: Length of Textile, 1723–1774. France. Plain compound cloth, brocaded; silk; overall: 88.6 x 54.6 cm (34 7/8 x 21 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.304.a


title: Coverlet Fragment

creator: Philippe de Lasalle (French, 1723–1805)

medium: embroidered satin and silk

credit_line: Coverlet Fragment, c. 1760–1770. Philippe de Lasalle (French, 1723–1805). Embroidered satin and silk; overall: 21 x 27.9 cm (8 1/4 x 11 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.152.j


title: Silk Fragment

date: before 1779

medium: lampas weave with cannetillé ground, brocaded

credit_line: Silk Fragment, before 1779. Philippe de Lasalle (French, 1723–1805). Lampas weave with cannetillé ground, brocaded; overall: 29.9 x 54.6 cm (11 3/4 x 21 1/2 in.). The Cleveland Museum of Art, Gift of A. & R. Ball, 1956.125


credit_line: The Fountains of Rome (Le fontane di Roma), Book IV, plate 27: View of the Principal Cascade of the River Aniene in the City of Tivoli (Veduta della Cascata Principale del Fiume Aniene nelle citta di Tivoli), 1676–1700. Giovanni Francesco Venturini (Italian, 1650–1710). Etching; sheet: 33.1 x 47.5 cm (13 1/16 x 18 11/16 in.); image: 22.5 x 34.2 cm (8 7/8 x 13 7/16 in.). The Cleveland Museum of Art, Gift of Jean Corser, 1968.118


title: The Distribution of Rosaries

subjects: Drawing France

credit_line: The Distribution of Rosaries, 1793. Jean-Baptiste Mallet (French, 1759–1835). Watercolor and gouache with graphite underdrawing; sheet: 23.6 x 33.5 cm (9 5/16 x 13 3/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.117


title: Jam Pots on Stand (lid)

medium: porcelain

subjects: Ceramic France

credit_line: Jam Pots on Stand (lid), c. 1760's. Sèvres Porcelain Factory (French, est. 1756). Porcelain; overall: 12.4 x 66.3 x 24.4 cm (4 7/8 x 26 1/8 x 9 5/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2009.93.b


title: Girl on a Donkey

creator: Isidore Pils (French, 1813/15–1875)

medium: watercolor and graphite

country: France, 19th century

subjects:
Drawing
France, 19th century

credit_line: Girl on a Donkey, c. 1832–1855. Isidore Pils (French, 1813/15–1875). Watercolor and graphite ; sheet: 15.5 x 9.2 cm (6 1/8 x 3 5/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2015.442


credit_line: Militaire a cheval (Soldier on Horseback), c. 1860. Isidore Pils (French, 1813/15–1875). Black and white chalk on beige laid paper ; overall: 34.8 x 25.5 cm (13 11/16 x 10 1/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2015.445


title: Landscapes (one of a pair)

creator: Unkoku Tōyo (Japanese, 1612–1688?)

date: mid- to late 1600s

medium: hanging scroll; ink and light color on paper

subjects:
Painting
Japan, edo period (1615–1868)
Landscapes

credit_line: Landscapes (one of a pair), mid- to late 1600s. Unkoku Tōyo (Japanese, 1612–1688?). Hanging scroll; ink and light color on paper; mounted: 199.4 x 60.4 cm (78 1/2 x 23 3/4 in.); painting: 120.8 x 47.8 cm (47 9/16 x 18 13/16 in.). The Cleveland Museum of Art, Gift from the Collection of George Gund III, 2015.469.2


title: Landscape

country: Japan, Muromachi period (1392–1573)

subjects:
Painting
Japan, muromachi period (1392–1573)
Landscapes

credit_line: Landscape, 1550–99. Japan, Muromachi period (1392–1573). One of a pair of six-panel folding screens; ink and color on paper; overall: 168.8 x 258.8 cm (66 7/16 x 101 7/8 in.); painting only: 149 x 339 cm (58 11/16 x 133 7/16 in.). The Cleveland Museum of Art, Gift from the Collection of George Gund III, 2015.484.2


title: Scholar's Visit

medium: hanging scroll; ink on paper

credit_line: Scholar's Visit, c. 1500–1615. Japan, Muromachi period (1392–1573) to Momoyama period (1573–1615). Hanging scroll; ink on paper; mounted: 153.6 x 46.5 cm (60 1/2 x 18 5/16 in.); painting: 63.9 x 31.3 cm (25 3/16 x 12 5/16 in.). The Cleveland Museum of Art, Gift from the Collection of George Gund III, 2015.489


title: Amida

medium: patinated bronze

credit_line: Amida, 1300s. Japan, Kamakura period (1185–1333) to Nanbokuchō period (1336–92). Patinated bronze; overall: 56 cm (22 1/16 in.). The Cleveland Museum of Art, Gift from the Collection of George Gund III, 2015.500


creator: Émile Bernard (French, 1868–1941)

medium: woodcut

country: France

credit_line: The Loves by Pierre Ronsard: The Loves of Marie (Les Amours de Pierre Ronsard: Les Amours De Marie), 1915. Émile Bernard (French, 1868–1941). Woodcut; image: 18.5 x 13.3 cm (7 5/16 x 5 1/4 in.); sheet: 32 x 25.1 cm (12 5/8 x 9 7/8 in.). The Cleveland Museum of Art, Bequest of Elizabeth Carroll Shearer, 2016.103


title: Sadness

creator: Albert Besnard (French, 1849–1934)

medium: Etching

credit_line: Sadness, 1887. Albert Besnard (French, 1849–1934). Etching; image and plate: 14.9 x 9.8 cm (5 7/8 x 3 7/8 in.); sheet: 27.5 x 18.4 cm (10 13/16 x 7 1/4 in.); matted: 30.5 x 23.8 cm (12 x 9 3/8 in.). The Cleveland Museum of Art, Bequest of Elizabeth Carroll Shearer, 2016.107


title: The Langterna, Genoa

creator: Muirhead Bone (British, 1876–1953)

medium: drypoint

country: Britain

subjects: Print Britain

credit_line: The Langterna, Genoa, 1912–16. Muirhead Bone (British, 1876–1953). Drypoint; image: 8.1 x 22.7 cm (3 3/16 x 8 15/16 in.); sheet: 17.6 x 32.2 cm (6 15/16 x 12 11/16 in.); matted: 36.2 x 48.9 cm (14 1/4 x 19 1/4 in.). The Cleveland Museum of Art, Bequest of Elizabeth Carroll Shearer, 2016.126


creator: Leonetto Cappiello (Italian, 1875–1942)

medium: Color lithograph

credit_line: Menu Page (Angelus: Liqeur des Salésiens de Dom Bosco), 1911. Leonetto Cappiello (Italian, 1875–1942). Color lithograph; sheet: 30.3 x 20 cm (11 15/16 x 7 7/8 in.); matted: 45.7 x 35.6 cm (18 x 14 in.). The Cleveland Museum of Art, Bequest of Elizabeth Carroll Shearer, 2016.149


medium: etching with drypoint

credit_line: Kensington Gardens, No. 2 (The Larger Plate), 1860. Francis Seymour Haden (British, 1818–1910). Etching with drypoint; image: 20.2 x 12.7 cm (7 15/16 x 5 in.); sheet: 31.3 x 21.1 cm (12 5/16 x 8 5/16 in.); matted: 45.7 x 35.6 cm (18 x 14 in.). The Cleveland Museum of Art, Bequest of Elizabeth Carroll Shearer, 2016.182


title: Brentford Ferry

medium: etching and drypoint

credit_line: Brentford Ferry, 1864. Francis Seymour Haden (British, 1818–1910). Etching and drypoint; image: 13.7 x 21.6 cm (5 3/8 x 8 1/2 in.); sheet: 16.5 x 24.1 cm (6 1/2 x 9 1/2 in.); matted: 30.5 x 45.7 cm (12 x 18 in.). The Cleveland Museum of Art, Bequest of Elizabeth Carroll Shearer, 2016.190


title: House of the Smyth

medium: etching

credit_line: House of the Smyth. Francis Seymour Haden (British, 1818–1910). Etching; image: 11.4 x 15.1 cm (4 1/2 x 5 15/16 in.); sheet: 16.5 x 21.3 cm (6 1/2 x 8 3/8 in.); matted: 30.5 x 45.7 cm (12 x 18 in.). The Cleveland Museum of Art, Bequest of Elizabeth Carroll Shearer, 2016.191


title: Washerwoman

medium: Etching and drypoint on chine collé

credit_line: Washerwoman, 1850. Charles-Émile Jacque (French, 1813–1894). Etching and drypoint on chine collé; image and plate: 10 x 5.7 cm (3 15/16 x 2 1/4 in.); sheet: 30.8 x 23.5 cm (12 1/8 x 9 1/4 in.); matted: 35.1 x 25.1 cm (13 13/16 x 9 7/8 in.). The Cleveland Museum of Art, Bequest of Elizabeth Carroll Shearer, 2016.201


medium: lithograph

country: Switzerland

subjects: Print Switzerland

credit_line: War Sketches: The Two Processions (Croquis de guerre: Les deux cortèges – “Ayez pas peur - on les a - et bien!”), 1916. Théophile Alexandre Steinlen (Swiss, 1859–1923). Lithograph; sheet: 47.6 x 62.2 cm (18 3/4 x 24 1/2 in.). The Cleveland Museum of Art, Bequest of Elizabeth Carroll Shearer, 2016.244


title: Au Jardin

creator: Emile Jean Sulpis (French, 1856–1943)

medium: Etching and roulette with hand coloring

subjects: Print France

credit_line: Au Jardin, c. 1900. Emile Jean Sulpis (French, 1856–1943). Etching and roulette with hand coloring; image: 15.9 x 21.6 cm (6 1/4 x 8 1/2 in.); sheet: 23.5 x 31.1 cm (9 1/4 x 12 1/4 in.). The Cleveland Museum of Art, Bequest of Elizabeth Carroll Shearer, 2016.249


title: Sibylle of Cleves

creator: Lucas Cranach (German, 1515–1586)

medium: woodcut with hand-coloring

country: Germany

subjects: Print Germany

credit_line: Sibylle of Cleves, c. 1547. Lucas Cranach (German, 1515–1586). Woodcut with hand-coloring; image: 32.6 x 21.4 cm (12 13/16 x 8 7/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2026.20


title: Arrow Point

medium: steel

subjects:
Arms and armor
Japan, edo period (1615–1868)

credit_line: Arrow Point, 1700s. Japan, Edo period (1615–1868). Steel; overall: 15.3 cm (6 in.); head: 3.8 cm (1 1/2 in.). The Cleveland Museum of Art, General Income Fund, 1918.699


title: Arrow Point

credit_line: Arrow Point, 1700s. Japan, Edo period (1615–1868). Steel; overall: 14.5 cm (5 11/16 in.); head: 3.8 cm (1 1/2 in.). The Cleveland Museum of Art, General Income Fund, 1918.710


title: Arrow Point

credit_line: Arrow Point, 1700s. Japan, Edo period (1615–1868). Steel; overall: 18.4 cm (7 1/4 in.); head: 5.8 cm (2 5/16 in.). The Cleveland Museum of Art, General Income Fund, 1918.722


title: Arrow Point

credit_line: Arrow Point, 1700s. Japan, Edo period (1615–1868). Steel; overall: 16.8 cm (6 5/8 in.); head: 4.8 cm (1 7/8 in.). The Cleveland Museum of Art, General Income Fund, 1918.724


title: Arrow Point

credit_line: Arrow Point, 1700s. Japan, Edo period (1615–1868). Steel; overall: 18.5 cm (7 5/16 in.); head: 5.8 cm (2 5/16 in.). The Cleveland Museum of Art, General Income Fund, 1918.725


title: Arrow Point

credit_line: Arrow Point, 1700s. Japan, Edo period (1615–1868). Steel; overall: 15.6 cm (6 1/8 in.); head: 5 cm (1 15/16 in.). The Cleveland Museum of Art, General Income Fund, 1918.726


title: Arrow Point

credit_line: Arrow Point, 1700s. Japan, Edo period (1615–1868). Steel; overall: 22 cm (8 11/16 in.); head: 6.1 cm (2 3/8 in.). The Cleveland Museum of Art, General Income Fund, 1918.739


title: Chrysanthemum Censer

subjects:
Ceramic
Japan, edo period (1615–1868)

credit_line: Chrysanthemum Censer (染付菊文透彫香炉), 1700s. Japan, Edo period (1615–1868). Porcelain with underglaze blue (Hirado ware); overall: 24.2 cm (9 1/2 in.). The Cleveland Museum of Art, The Holden Collection, 1918.783


subjects:
Ceramic
Japan, edo period (1615–1868)
Birds

credit_line: Incense Container (Kōgō) in the Shape of a Bird, c. 1700–1868. Japan, Edo period (1615–1868). Stoneware with glaze and carved decoration; overall: 3.2 x 5.8 cm (1 1/4 x 2 5/16 in.). The Cleveland Museum of Art, The Holden Collection, 1918.790


title: Brocade Textile

date: early 1600s

medium: brocade; silk and metal

country: France or Italy

subjects:
Costume & fashion
Textile
France or italy

credit_line: Brocade Textile, early 1600s. France or Italy. Brocade; silk and metal; overall: 27.9 x 42.5 cm (11 x 16 3/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1918.886


title: Medal (reverse)

medium: bronze

subjects:
Metalwork
France, 19th century

credit_line: Medal (reverse). Jules Prosper Legastelois (French, 1855–1931). Bronze; overall: 5.8 x 3.9 cm (2 5/16 x 1 9/16 in.). The Cleveland Museum of Art, Gift of Lawrence Hitchcock, 1919.100.b


title: Miserere mei Deus

creator: Robert Strange (British, 1721–1792)

medium: engraving

country: England, 18th century

subjects:
Print
England, 18th century

credit_line: Miserere mei Deus, 1753. Robert Strange (British, 1721–1792). Engraving. The Cleveland Museum of Art, Gift of George A. Goddard, 1919.672


subjects: Print America

credit_line: Sir Walter Raleigh Parting with His Wife, 1846. Charles Kennedy Burt (American, 1823–1892), after Emanuel Gottlieb Leutze (German, 1816-1868). Engraving. The Cleveland Museum of Art, Gift of George A. Goddard, 1919.678


title: Medal

credit_line: Medal, c. 1914–18. Jules Prosper Legastelois (French, 1855–1931). Bronze; overall: 5.8 x 3.9 cm (2 5/16 x 1 9/16 in.). The Cleveland Museum of Art, Gift of Lawrence Hitchcock, 1919.900


title: Medal

credit_line: Medal, 1913. Jules Prosper Legastelois (French, 1855–1931). Bronze; overall: 4.8 x 4.8 cm (1 7/8 x 1 7/8 in.). The Cleveland Museum of Art, Gift of Lawrence Hitchcock, 1919.905


title: Medal (reverse)

creator: René Grégoire (French, 1871–1945)

country: France, 20th century

subjects:
Metalwork
France, 20th century

credit_line: Medal (reverse), 1914–1918. René Grégoire (French, 1871–1945). Bronze; diameter: 6.7 cm (2 5/8 in.). The Cleveland Museum of Art, Gift of Lawrence Hitchcock, 1919.92.b


title: Lace Edging of Bell Points

medium: Bobbin lace (rose lace)

country: Italy, Genoa

subjects:
Lace
Italy, genoa
Roses

credit_line: Lace Edging of Bell Points, 1600s. Italy, Genoa. Bobbin lace (rose lace); average: 3.9 x 11.8 cm (1 9/16 x 4 5/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1062


title: Half Nude Figure of a Man

credit_line: Half Nude Figure of a Man, 1800s. Robert Frederick Blum (American, 1857–1903). Etching. The Cleveland Museum of Art, Gift of the Cincinnati Museum Association, 1920.1311


title: Textile Fragment

medium: silk

country: Japan

subjects:
Costume & fashion
Textile
Japan

credit_line: Textile Fragment, 1800s. Japan. Silk; overall: 68.6 x 11.5 cm (27 x 4 1/2 in.). The Cleveland Museum of Art, General Income Fund, 1920.1625


title: Border

country: China, 19th century

subjects:
Costume & fashion
Textile
China, 19th century

credit_line: Border, 1800s. China, 19th century. Silk; overall: 71.1 x 19 cm (28 x 7 1/2 in.). The Cleveland Museum of Art, General Income Fund, 1920.1633