Alarums and Excursions
| Title | Alarums and Excursions |
|---|---|
| Artist | Maxfield Parrish (American, 1870–1966) |
| Date | 1899 19th century |
| Medium | brush and black and gray wash, with white gouache, over graphite, framing lines in pen and black ink |
| Classification | Drawing |
| Origin | America America |
| Holding institution | The Cleveland Museum of Art |
| Credit line | The Golden Age: Alarums and Excursions, 1899. Maxfield Parrish (American, 1870–1966). Brush and black and gray wash, with white gouache, over graphite, framing lines in pen and black ink; image: 27.9 x 17.7 cm (11 x 6 15/16 in.); sheet: 37.5 x 24.8 cm (14 3/4 x 9 3/4 in.). The Cleveland Museum of Art, Bequest of James Parmelee, 1940.723 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Alarums and Excursions” is a work by Maxfield Parrish (American, 1870–1966), dated 1899. It is executed in brush and black and gray wash, with white gouache, over graphite, framing lines in pen and black ink and classified as drawing. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The artist
This work is attributed to Maxfield Parrish (American, 1870–1966). Browse every catalogued public-domain plate by this maker.
The medium
Catalogued as drawing. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to 1899. Explore the wider set of works from the 19th century held in the archive.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.