Angel Appearing to Zacharias
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Angel Appearing to Zacharias

TitleAngel Appearing to Zacharias
ArtistBarent Fabritius (Dutch, 1624-1673)
Date1650–75 17th century
Mediumreed pen and brown and black ink and brush and brown, gray, and red wash, over black chalk
ClassificationDrawing
OriginNetherlands Netherlands
Holding institutionThe Cleveland Museum of Art
Credit lineAngel Appearing to Zacharias, 1650–75. Barent Fabritius (Dutch, 1624-1673). Reed pen and brown and black ink and brush and brown, gray, and red wash, over black chalk; sheet: 17.1 x 15.5 cm (6 3/4 x 6 1/8 in.). The Cleveland Museum of Art, The Charles W. Harkness Endowment Fund, 1929.12
RightsPublic domain (CC0). Free to use for any purpose.

About this artwork

“Angel Appearing to Zacharias” is a work by Barent Fabritius (Dutch, 1624-1673), dated 1650–75. It is executed in reed pen and brown and black ink and brush and brown, gray, and red wash, over black chalk and classified as drawing. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).

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The artist

This work is attributed to Barent Fabritius (Dutch, 1624-1673). Browse every catalogued public-domain plate by this maker.

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The medium

Catalogued as drawing. See other public-domain works in the same medium, all free to download and reuse.

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The period

Dated to 1650–75. Explore the wider set of works from the 17th century held in the archive.

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The origin

Recorded origin: Netherlands. Browse more public-domain art from Netherlands.

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The collection

Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.

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Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.

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