Battle between Manuchihr and Tur, from a Shah-nama (Book of Kings) of Firdausi (Persian, c. 934–1020)
| Title | Battle between Manuchihr and Tur, from a Shah-nama (Book of Kings) of Firdausi (Persian, c. 934–1020) |
|---|---|
| Date | c. 1610 17th century |
| Medium | Gum tempera, ink, and gold on paper |
| Classification | Painting |
| Origin | Mughal India, court of Jahangir (reigned 1605–27) Mughal India |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Battle between Manuchihr and Tur, from a Shah-nama (Book of Kings) of Firdausi (Persian, c. 934–1020), c. 1610. Mughal India, court of Jahangir (reigned 1605–27). Gum tempera, ink, and gold on paper; image: 12.4 x 11 cm (4 7/8 x 4 5/16 in.); overall: 34.6 x 22.9 cm (13 5/8 x 9 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1945.171 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Battle between Manuchihr and Tur, from a Shah-nama (Book of Kings) of Firdausi (Persian, c. 934–1020)” is a work of unattributed authorship, dated c. 1610. It is executed in gum tempera, ink, and gold on paper and classified as painting. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The medium
Catalogued as painting. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to c. 1610. Explore the wider set of works from the 17th century held in the archive.
The origin
Recorded origin: Mughal India, court of Jahangir (reigned 1605–27). Browse more public-domain art from Mughal India.
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Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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