Bonnet Veil
Public domain (CC0). Shown at web resolution; the full download is at the foot of this page.

Bonnet Veil

TitleBonnet Veil
ArtistMary Chadbourne Keith Norton (American, 1807-1890) United States, probably Maine, South Berwick
Datec. 1820 19th century
MediumSilk, machine-made twist net; embroidered in chain stitches (tambour work); edged with machine-made picots
Classificationtextile
OriginUnited States United States
Holding institutionArt Institute of Chicago
Credit lineGift of Mrs. Charles A. Spring, Jr.
RightsPublic domain (CC0). Free to use for any purpose.

Subjects: Historical scientific diagrams

About this artwork

“Bonnet Veil” is a work by Mary Chadbourne Keith Norton (American, 1807-1890) United States, probably Maine, South Berwick, dated c. 1820. It is executed in silk, machine-made twist net; embroidered in chain stitches (tambour work); edged with machine-made picots and classified as textile. In this archive it sits within the historical scientific diagrams tradition. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).

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The artist

This work is attributed to Mary Chadbourne Keith Norton (American, 1807-1890). Browse every catalogued public-domain plate by this maker.

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The medium

Catalogued as textile. See other public-domain works in the same medium, all free to download and reuse.

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The period

Dated to c. 1820. Explore the wider set of works from the 19th century held in the archive.

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The origin

Recorded origin: United States. Browse more public-domain art from United States.

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The collection

Made available through the Art Institute of Chicago open-access programme, which explicitly places this work in the public domain.

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Rights: Public Domain — CC0 via the Art Institute of Chicago Open Access programme.

This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to Art Institute of Chicago is appreciated.

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