Carved Tooth
| Title | Carved Tooth |
|---|---|
| Date | late 1800s 19th century |
| Medium | Hippopotamus ivory and organic material |
| Classification | Sculpture |
| Origin | Africa, Central Africa, Democratic Republic of Congo, Cabinda, or Republic of the Congo, probably Vili-style maker Africa |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Carved Tooth, late 1800s. Africa, Central Africa, Democratic Republic of Congo, Cabinda, or Republic of the Congo, probably Vili-style maker. Hippopotamus ivory and organic material; overall: 33 cm (13 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Roseman, 1969.137 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Carved Tooth” is a work of unattributed authorship, dated late 1800s. It is executed in hippopotamus ivory and organic material and classified as sculpture. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The medium
Catalogued as sculpture. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to late 1800s. Explore the wider set of works from the 19th century held in the archive.
The origin
Recorded origin: Africa, Central Africa, Democratic Republic of Congo, Cabinda, or Republic of the Congo, probably Vili-style maker. Browse more public-domain art from Africa.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
Prefer a themed set as a single ZIP with a manifest? See the image packs. The works remain public domain / CC0 whichever way you take them.
US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.