Comte Anibal Altemps
| Title | Comte Anibal Altemps |
|---|---|
| Artist | Ottavio Mario Leoni (Italian, 1578–1630) |
| Date | 1615 17th century |
| Medium | black chalk, heightened with white chalk (stumped in places) |
| Classification | Drawing |
| Origin | Italy Italy |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Comte Anibal Altemps, 1615. Ottavio Mario Leoni (Italian, 1578–1630). Black chalk, heightened with white chalk (stumped in places); sheet: 23 x 15.3 cm (9 1/16 x 6 in.); secondary support: 24.6 x 16.7 cm (9 11/16 x 6 9/16 in.). The Cleveland Museum of Art, Gift of Mrs. Malcolm L. McBride, 1963.599 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Comte Anibal Altemps” is a work by Ottavio Mario Leoni (Italian, 1578–1630), dated 1615. It is executed in black chalk, heightened with white chalk (stumped in places) and classified as drawing. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
Explore the context
The artist
This work is attributed to Ottavio Mario Leoni (Italian, 1578–1630). Browse every catalogued public-domain plate by this maker.
The medium
Catalogued as drawing. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to 1615. Explore the wider set of works from the 17th century held in the archive.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Download this image
Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
Prefer a themed set as a single ZIP with a manifest? See the image packs. The works remain public domain / CC0 whichever way you take them.
US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.