Cup in the Form of a Horse and Rider
| Title | Cup in the Form of a Horse and Rider |
|---|---|
| Artist | Hans Ludwig Kienle (born Ulm [now Germany], 1591–1653) Ulm (now Germany) |
| Date | 1630 17th century |
| Medium | Silver and gilded silver |
| Classification | statuette |
| Origin | Ulm |
| Holding institution | Art Institute of Chicago |
| Credit line | Eloise W. Martin fund; through prior acquisition of the George F. Harding Collection; Henry Horner Strauss, Pauline S. Armstrong, Harry and Maribel G. Blum, Tillie C. Cohn, Richard T. Crane, Jr. Memorial, Stanford Marks, Michael A. Bradshaw and Kenneth S. Harris, Mrs. Edgar J. Uihlein Art Purchase, European Decorative Arts Capital Campaign funds; through prior acquisition from Albert D. Lasker; European Decorative Arts General, Mr. and Mrs. Joseph Varley funds; through prior acquisition of the Kate S. Buckingham Gothic fund; Mary Swissler Oldberg fund; through prior acquisitions of the Howard V. Shaw Memorial and Kate S. Buckingham funds |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Cup in the Form of a Horse and Rider” is a work by Hans Ludwig Kienle (born Ulm [now Germany], 1591–1653) Ulm (now Germany), dated 1630. It is executed in silver and gilded silver and classified as statuette. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The artist
This work is attributed to Hans Ludwig Kienle (born Ulm [now Germany], 1591–1653). Browse every catalogued public-domain plate by this maker.
More by Hans Ludwig Kienle (born Ulm [now Germany], 1591–1653) →
The period
Dated to 1630. Explore the wider set of works from the 17th century held in the archive.
The collection
Made available through the Art Institute of Chicago open-access programme, which explicitly places this work in the public domain.
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Rights: Public Domain — CC0 via the Art Institute of Chicago Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to Art Institute of Chicago is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.