Design for Glass Painting: Man and Woman in Architectural Setting
| Title | Design for Glass Painting: Man and Woman in Architectural Setting |
|---|---|
| Artist | Tobias Stimmer (Swiss, 1539–1584) |
| Date | second half 1500s 16th century |
| Medium | pen and black ink and brush and gray wash, heightened with white gouache |
| Classification | Drawing |
| Origin | Switzerland Switzerland |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Design for Glass Painting: Man and Woman in Architectural Setting, second half 1500s. Attributed to Tobias Stimmer (Swiss, 1539–1584). Pen and black ink and brush and gray wash, heightened with white gouache; sheet: 32.1 x 21 cm (12 5/8 x 8 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1923.74 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Design for Glass Painting: Man and Woman in Architectural Setting” is a work by Tobias Stimmer (Swiss, 1539–1584), dated second half 1500s. It is executed in pen and black ink and brush and gray wash, heightened with white gouache and classified as drawing. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The artist
This work is attributed to Tobias Stimmer (Swiss, 1539–1584). Browse every catalogued public-domain plate by this maker.
The medium
Catalogued as drawing. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to second half 1500s. Explore the wider set of works from the 16th century held in the archive.
The origin
Recorded origin: Switzerland. Browse more public-domain art from Switzerland.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.