Design for Stage Set for the Second Act of Elisca or L'Habitante de Madagascar
| Title | Design for Stage Set for the Second Act of Elisca or L'Habitante de Madagascar |
|---|---|
| Artist | Jean Thomas Thibault (French, 1757–1826) |
| Date | 1798 18th century |
| Medium | pen and black ink and watercolor |
| Classification | Drawing |
| Origin | France, late 18th Century France |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Design for Stage Set for the Second Act of Elisca or L'Habitante de Madagascar, 1798. Jean Thomas Thibault (French, 1757–1826), Charles Percier (French, 1764–1838), Pierre François Léonard Fontaine (French, 1762–1853). Pen and black ink and watercolor. The Cleveland Museum of Art, Delia E. Holden Fund, 1978.80 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Design for Stage Set for the Second Act of Elisca or L'Habitante de Madagascar” is a work by Jean Thomas Thibault (French, 1757–1826), dated 1798. It is executed in pen and black ink and watercolor and classified as drawing. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The artist
This work is attributed to Jean Thomas Thibault (French, 1757–1826). Browse every catalogued public-domain plate by this maker.
The medium
Catalogued as drawing. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to 1798. Explore the wider set of works from the 18th century held in the archive.
The origin
Recorded origin: France, late 18th Century. Browse more public-domain art from France.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.