Frontispiece, from Suite de Figures Chinoises. . . Tiré du Cabinet de Mr. d'Azaincourt (Series of Chinoiserie Figures. . .From the Chambers of Mr. d'Azaincourt)
| Title | Frontispiece, from Suite de Figures Chinoises. . . Tiré du Cabinet de Mr. d'Azaincourt (Series of Chinoiserie Figures. . .From the Chambers of Mr. d'Azaincourt) |
|---|---|
| Artist | Jean Pierre Louis Laurent Hoüel |
| Date | 1755–76 18th century |
| Medium | Etching and engraving |
| Classification | Prints |
| Holding institution | The Metropolitan Museum of Art |
| Credit line | Harris Brisbane Dick Fund, 1953 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Frontispiece, from Suite de Figures Chinoises. . . Tiré du Cabinet de Mr. d'Azaincourt (Series of Chinoiserie Figures. . .From the Chambers of Mr. d'Azaincourt)” is a work by Jean Pierre Louis Laurent Hoüel, dated 1755–76. It is executed in etching and engraving and classified as prints. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The artist
This work is attributed to Jean Pierre Louis Laurent Hoüel. Browse every catalogued public-domain plate by this maker.
The period
Dated to 1755–76. Explore the wider set of works from the 18th century held in the archive.
The collection
Made available through the The Metropolitan Museum of Art open-access programme, which explicitly places this work in the public domain.
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- Chinoiserie with a woman playing a gong, from Suite de Figures Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt (Series of Chinoiserie Figures. . .From the Chambers of Mr. d'Azaincourt) By the same artist
- Jean-Pierre-Louis-Laurent Hoüel ArtistEverything by Jean-Pierre-Louis-Laurent Hoüel
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Rights: Public Domain — released under Creative Commons Zero (CC0) via The Met Open Access.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Metropolitan Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.