Funeral for Marie-Thérèse of Spain, Dauphine of France, in the Church of Nôtre Dame, Paris, on November 24, 1746
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Funeral for Marie-Thérèse of Spain, Dauphine of France, in the Church of Nôtre Dame, Paris, on November 24, 1746

TitleFuneral for Marie-Thérèse of Spain, Dauphine of France, in the Church of Nôtre Dame, Paris, on November 24, 1746
ArtistCharles-Nicolas Cochin (French, 1715–1790)
Datec. 1746 18th century
MediumPen and black ink and gray wash heightened with white gouache on cream laid paper, incised (with graphite) for transfer
ClassificationDrawing
OriginFrance France
Holding institutionThe Cleveland Museum of Art
Credit lineFuneral for Marie-Thérèse of Spain, Dauphine of France, in the Church of Nôtre Dame, Paris, on November 24, 1746, c. 1746. Charles-Nicolas Cochin (French, 1715–1790). Pen and black ink and gray wash heightened with white gouache on cream laid paper, incised (with graphite) for transfer; sheet: 45 x 30.9 cm (17 11/16 x 12 3/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2000.2
RightsPublic domain (CC0). Free to use for any purpose.

About this artwork

“Funeral for Marie-Thérèse of Spain, Dauphine of France, in the Church of Nôtre Dame, Paris, on November 24, 1746” is a work by Charles-Nicolas Cochin (French, 1715–1790), dated c. 1746. It is executed in pen and black ink and gray wash heightened with white gouache on cream laid paper, incised (with graphite) for transfer and classified as drawing. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).

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This work is attributed to Charles-Nicolas Cochin (French, 1715–1790). Browse every catalogued public-domain plate by this maker.

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Catalogued as drawing. See other public-domain works in the same medium, all free to download and reuse.

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Dated to c. 1746. Explore the wider set of works from the 18th century held in the archive.

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Recorded origin: France. Browse more public-domain art from France.

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Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.

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