Handkerchief
| Title | Handkerchief |
|---|---|
| Artist | England or France |
| Date | 18th century 18th century |
| Medium | Linen, plain weave; embroidered in cotton and linen yarns; pulled threadwork in interlocking lace, overcast, herringbone, and single faggot stitches; cut and drawn work in buttonhole, Italian hem, open chain and twisted button hole stitches; with areas of padding and inserts of twist net; embroidered in back, buttonhole, detached overcast, double running, eyelet hole, flame, open chain, padded satin, Roumanian, running, satin, sheaf filling, and stem filling stitches; laid work; couching |
| Classification | textile |
| Origin | England England |
| Holding institution | Art Institute of Chicago |
| Credit line | Gift of Mrs. William J. Robertson in memory of William J. Robertson |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Handkerchief” is a work by England or France, dated 18th century. It is executed in linen, plain weave; embroidered in cotton and linen yarns; pulled threadwork in interlocking lace, overcast, herringbone, and single faggot stitches; cut and drawn work in buttonhole, italian hem, open chain and twisted button hole stitches; with areas of padding and inserts of twist net; embroidered in back, buttonhole, detached overcast, double running, eyelet hole, flame, open chain, padded satin, roumanian, running, satin, sheaf filling, and stem filling stitches; laid work; couching and classified as textile. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The artist
This work is attributed to England or France. Browse every catalogued public-domain plate by this maker.
The medium
Catalogued as textile. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to 18th century. Explore the wider set of works from the 18th century held in the archive.
The collection
Made available through the Art Institute of Chicago open-access programme, which explicitly places this work in the public domain.
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