Herons Among Grasses
| Title | Herons Among Grasses |
|---|---|
| Artist | Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858 |
| Date | 19th century 19th century |
| Medium | Color woodblock print |
| Classification | woodblock print |
| Origin | Japan Japan |
| Holding institution | Art Institute of Chicago |
| Credit line | Bequest from the estate of Mrs. Hedwig B. Schniewind |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Herons Among Grasses” is a work by Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858, dated 19th century. It is executed in color woodblock print and classified as woodblock print. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
Explore the context
The artist
This work is attributed to Utagawa Hiroshige 歌川 広重. Browse every catalogued public-domain plate by this maker.
The medium
Catalogued as woodblock print. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to 19th century. Explore the wider set of works from the 19th century held in the archive.
The collection
Made available through the Art Institute of Chicago open-access programme, which explicitly places this work in the public domain.
Keep exploring
By the same hand
- Botan hana ni chocho By the same artist
- Sudden Shower over Shin-Ōhashi Bridge and Atake, from One Hundred Famous Views of Edo By the same artist
- The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo By the same artist
- Driving Rain at Shōno, from Fifty-Three Stations of the Tokaidō By the same artist
- Night Rain at Karasaki, from Eight Views of Ōmi By the same artist
- Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the Tōkaidō By the same artist
- Eight Views of Kanazawa at Night By the same artist
- Tsukudajima from Eitai Bridge, from the series One Hundred Views of Famous Places in Edo By the same artist
Zoom out
- /browse Browse the whole archive