Hollow Tree, after Roelant Savery
| Title | Hollow Tree, after Roelant Savery |
|---|---|
| Artist | Lambert Doomer (Dutch, 1623–1700) |
| Date | after 1670 17th century |
| Medium | pen and black and brown ink, black chalk, and brush and green, brown, and orange wash |
| Classification | Drawing |
| Origin | Netherlands Netherlands |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Hollow Tree, after Roelant Savery, after 1670. Lambert Doomer (Dutch, 1623–1700), copy after Roelant Savery (Flemish, 1576–1639). Pen and black and brown ink, black chalk, and brush and green, brown, and orange wash; sheet: 31.7 x 47.4 cm (12 1/2 x 18 11/16 in.). The Cleveland Museum of Art, Delia E. Holden Fund, 1958.315 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Hollow Tree, after Roelant Savery” is a work by Lambert Doomer (Dutch, 1623–1700), dated after 1670. It is executed in pen and black and brown ink, black chalk, and brush and green, brown, and orange wash and classified as drawing. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
Explore the context
The artist
This work is attributed to Lambert Doomer (Dutch, 1623–1700). Browse every catalogued public-domain plate by this maker.
The medium
Catalogued as drawing. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to after 1670. Explore the wider set of works from the 17th century held in the archive.
The origin
Recorded origin: Netherlands. Browse more public-domain art from Netherlands.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Download this image
Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.