Hours of Charles the Noble, King of Navarre (1361-1425): fol. 172v, Text
| Title | Hours of Charles the Noble, King of Navarre (1361-1425): fol. 172v, Text |
|---|---|
| Artist | Master of the Brussels Initials and Associates (French) |
| Date | c. 1405 15th century |
| Medium | ink, tempera, and gold on vellum |
| Classification | Bound Volume |
| Origin | France, Paris France |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Hours of Charles the Noble, King of Navarre (1361-1425): fol. 172v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.172.b |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Hours of Charles the Noble, King of Navarre (1361-1425): fol. 172v, Text” is a work by Master of the Brussels Initials and Associates (French), dated c. 1405. It is executed in ink, tempera, and gold on vellum and classified as bound volume. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The artist
This work is attributed to Master of the Brussels Initials and Associates (French). Browse every catalogued public-domain plate by this maker.
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The period
Dated to c. 1405. Explore the wider set of works from the 15th century held in the archive.
The origin
Recorded origin: France, Paris. Browse more public-domain art from France.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.