Ichikawa Norinosuke and Ichikawa Yonejuro as Morihachi and Yonehachi, Two Comedians
| Title | Ichikawa Norinosuke and Ichikawa Yonejuro as Morihachi and Yonehachi, Two Comedians |
|---|---|
| Artist | Hasegawa Sadanobu (Japanese, 1809–1879) |
| Date | late 1830s or early 1840s 19th century |
| Medium | color woodblock print |
| Classification | |
| Origin | Japan, Edo period (1615–1868) Japan |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Ichikawa Norinosuke and Ichikawa Yonejuro as Morihachi and Yonehachi, Two Comedians, late 1830s or early 1840s. Hasegawa Sadanobu (Japanese, 1809–1879). Color woodblock print; sheet: 26.1 x 38.4 cm (10 1/4 x 15 1/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 1980.88 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Ichikawa Norinosuke and Ichikawa Yonejuro as Morihachi and Yonehachi, Two Comedians” is a work by Hasegawa Sadanobu (Japanese, 1809–1879), dated late 1830s or early 1840s. It is executed in color woodblock print and classified as print. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The artist
This work is attributed to Hasegawa Sadanobu (Japanese, 1809–1879). Browse every catalogued public-domain plate by this maker.
The medium
Catalogued as print. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to late 1830s or early 1840s. Explore the wider set of works from the 19th century held in the archive.
The origin
Recorded origin: Japan, Edo period (1615–1868). Browse more public-domain art from Japan.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Download this image
Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.