![Initial A[ngelus Domini descendit] from an Antiphonary: The Three Marys at the Tomb](/img/initial-a-ngelus-domini-descendit-from-an-antiphonary-the-three-marys-?res=web)
Initial A[ngelus Domini descendit] from an Antiphonary: The Three Marys at the Tomb
| Title | Initial A[ngelus Domini descendit] from an Antiphonary: The Three Marys at the Tomb |
|---|---|
| Date | c. 1280–1300 13th century |
| Medium | ink, tempera, and gold on parchment |
| Classification | Manuscript |
| Origin | Italy, Siena Italy |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Initial A[ngelus Domini descendit] from an Antiphonary: The Three Marys at the Tomb, c. 1280–1300. Italy, Siena. Ink, tempera, and gold on parchment; sheet: 18 x 15.8 cm (7 1/16 x 6 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1952.232 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Initial A[ngelus Domini descendit] from an Antiphonary: The Three Marys at the Tomb” is a work of unattributed authorship, dated c. 1280–1300. It is executed in ink, tempera, and gold on parchment and classified as manuscript. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The medium
Catalogued as manuscript. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to c. 1280–1300. Explore the wider set of works from the 13th century held in the archive.
The origin
Recorded origin: Italy, Siena. Browse more public-domain art from Italy.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.