Landscape with Cottage (recto); Studies of Heads (verso)
| Title | Landscape with Cottage (recto); Studies of Heads (verso) |
|---|---|
| Artist | Thomas Monro (British, 1759–1833) |
| Date | c. 1820s 19th century |
| Medium | black chalk and gray wash with scraping |
| Classification | Drawing |
| Origin | England, 18th century England |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Landscape with Cottage (recto); Studies of Heads (verso), c. 1820s. Thomas Monro (British, 1759–1833). Black chalk and gray wash with scraping; sheet: 15.6 x 23 cm (6 1/8 x 9 1/16 in.). The Cleveland Museum of Art, Gift of Louise S. Richards, 2005.300 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Landscape with Cottage (recto); Studies of Heads (verso)” is a work by Thomas Monro (British, 1759–1833), dated c. 1820s. It is executed in black chalk and gray wash with scraping and classified as drawing. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The artist
This work is attributed to Thomas Monro (British, 1759–1833). Browse every catalogued public-domain plate by this maker.
The medium
Catalogued as drawing. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to c. 1820s. Explore the wider set of works from the 19th century held in the archive.
The origin
Recorded origin: England, 18th century. Browse more public-domain art from England.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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By the same hand
- Studies of Heads (verso) By the same artist
- Landscape with Cottage (recto) By the same artist
- Thomas Monro ArtistEverything by Thomas Monro
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Download this image
Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.