Lot and His Daughters (recto)
| Title | Lot and His Daughters (recto) |
|---|---|
| Artist | Pietro da Cortona (Italian, 1596–1669) |
| Date | 1600s 17th century |
| Medium | pen and brown ink over black chalk(?), heightened with traces of white gouache |
| Classification | Drawing |
| Origin | Italy Italy |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Lot and His Daughters (recto), 1600s. Circle of Pietro da Cortona (Italian, 1596–1669). Pen and brown ink over black chalk(?), heightened with traces of white gouache; sheet: 21.8 x 19.6 cm (8 9/16 x 7 11/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1954.696.a |
| Rights | Public domain (CC0). Free to use for any purpose. |
Explore the context
The artist
This work is attributed to Pietro da Cortona (Italian, 1596–1669). Browse every catalogued public-domain plate by this maker.
The medium
Catalogued as drawing. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to 1600s. Explore the wider set of works from the 17th century held in the archive.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
Keep exploring
By the same hand
- Study for the Head of St. Michael By the same artist
- The Idolatry of Solomon By the same artist
- Bacchanal By the same artist
- Lot and His Daughters (recto); Sketch for Lot and His Daughters (verso) By the same artist
- Earthquake in an Artist's Studio By the same artist
- Rape of the Sabine Women By the same artist
- The Tiburtine Sibyl announces the advent of Christ to Augustus By the same artist
- Pietro da Cortona ArtistEverything by Pietro da Cortona
Zoom out
- /browse Browse the whole archive
Download this image
Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
Prefer a themed set as a single ZIP with a manifest? See the image packs. The works remain public domain / CC0 whichever way you take them.
US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.