Lotus Blossom Necklace Terminal
| Title | Lotus Blossom Necklace Terminal |
|---|---|
| Date | c. 1391–1337 BCE 13th century BCE |
| Medium | polychrome faience with inlaid and painted decoration |
| Classification | Jewelry |
| Origin | Egypt, New Kingdom (1540–1069 BCE), Dynasty 18, reign of Amenhotep III (1390–1352 BCE)–reign of Akhenaten (1351–1334 BCE) Egypt |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Lotus Blossom Necklace Terminal, c. 1391–1337 BCE. Egypt, New Kingdom (1540–1069 BCE), Dynasty 18, reign of Amenhotep III (1390–1352 BCE)–reign of Akhenaten (1351–1334 BCE). Polychrome faience with inlaid and painted decoration; overall: 4.7 x 3.9 x 5 cm (1 7/8 x 1 9/16 x 1 15/16 in.). The Cleveland Museum of Art, Gift of Keith P. Smith, 1984.176 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Lotus Blossom Necklace Terminal” is a work of unattributed authorship, dated c. 1391–1337 BCE. It is executed in polychrome faience with inlaid and painted decoration and classified as jewelry. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The medium
Catalogued as jewelry. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to c. 1391–1337 BCE. Explore the wider set of works from the 13th century BCE held in the archive.
The origin
Recorded origin: Egypt, New Kingdom (1540–1069 BCE), Dynasty 18, reign of Amenhotep III (1390–1352 BCE)–reign of Akhenaten (1351–1334 BCE). Browse more public-domain art from Egypt.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.