Minamoto no Nakakuni Visits Lady Kogō
| Title | Minamoto no Nakakuni Visits Lady Kogō |
|---|---|
| Artist | Kiyohara Yukinobu (Japanese, 1643–1682) |
| Date | late 1600s 17th century |
| Medium | Triptych of hanging scrolls; ink and color on silk |
| Classification | Painting |
| Origin | Japan, Edo period (1615–1868) Japan |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Minamoto no Nakakuni Visits Lady Kogō (源仲国訪小督局図), late 1600s. Kiyohara Yukinobu (Japanese, 1643–1682). Triptych of hanging scrolls; ink and color on silk; overall: 180 x 59.4 cm (70 7/8 x 23 3/8 in.). The Cleveland Museum of Art, Bequest of Harley C. Lee and Elizabeth K. Lee, 1992.77 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Minamoto no Nakakuni Visits Lady Kogō” is a work by Kiyohara Yukinobu (Japanese, 1643–1682), dated late 1600s. It is executed in triptych of hanging scrolls; ink and color on silk and classified as painting. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The artist
This work is attributed to Kiyohara Yukinobu (Japanese, 1643–1682). Browse every catalogued public-domain plate by this maker.
The medium
Catalogued as painting. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to late 1600s. Explore the wider set of works from the 17th century held in the archive.
The origin
Recorded origin: Japan, Edo period (1615–1868). Browse more public-domain art from Japan.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Download this image
Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.