Painting of One Hundred Themes (obverse)
| Title | Painting of One Hundred Themes (obverse) |
|---|---|
| Date | late 1800s 19th century |
| Medium | Ten-panel folding screen affixed with album leaves (obverse), calligraphy (reverse), ink and color on silk |
| Classification | Painting |
| Origin | Korea, Joseon dynasty (1392–1910) Korea |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Painting of One Hundred Themes (obverse) (백납도 [百納圖]), late 1800s. Korea, Joseon dynasty (1392–1910). Ten-panel folding screen affixed with album leaves (obverse), calligraphy (reverse), ink and color on silk; image: 117.7 x 33.5 cm (46 5/16 x 13 3/16 in.); panel: 164.5 x 43.6 cm (64 3/4 x 17 3/16 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott, 1998.286.a |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Painting of One Hundred Themes (obverse)” is a work of unattributed authorship, dated late 1800s. It is executed in ten-panel folding screen affixed with album leaves (obverse), calligraphy (reverse), ink and color on silk and classified as painting. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The medium
Catalogued as painting. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to late 1800s. Explore the wider set of works from the 19th century held in the archive.
The origin
Recorded origin: Korea, Joseon dynasty (1392–1910). Browse more public-domain art from Korea.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.