Paulownias and Chrysanthemums
| Title | Paulownias and Chrysanthemums |
|---|---|
| Artist | Sakai Hōitsu (Japanese, 1761–1828) |
| Date | early 1800s 19th century |
| Medium | Two-panel folding screen; ink and color on gilded paper |
| Classification | Painting |
| Origin | Japan, Edo period (1615–1868) Japan |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Paulownias and Chrysanthemums (桐菊流水図屏風), early 1800s. Sakai Hōitsu (Japanese, 1761–1828). Two-panel folding screen; ink and color on gilded paper; image: 152.7 x 154.9 cm (60 1/8 x 61 in.); overall: 157.5 x 158.5 cm (62 x 62 3/8 in.). The Cleveland Museum of Art, Gift of the American Foundation for the Maud E. and Warren H. Corning Botanical Collection, 1964.386 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Paulownias and Chrysanthemums” is a work by Sakai Hōitsu (Japanese, 1761–1828), dated early 1800s. It is executed in two-panel folding screen; ink and color on gilded paper and classified as painting. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
Explore the context
The artist
This work is attributed to Sakai Hōitsu (Japanese, 1761–1828). Browse every catalogued public-domain plate by this maker.
The medium
Catalogued as painting. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to early 1800s. Explore the wider set of works from the 19th century held in the archive.
The origin
Recorded origin: Japan, Edo period (1615–1868). Browse more public-domain art from Japan.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Download this image
Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.