Pomona Britannica: No. 52 - Black Prince Grape
| Title | Pomona Britannica: No. 52 - Black Prince Grape |
|---|---|
| Artist | George Brookshaw (British, 1751–1823) |
| Date | 1809 19th century |
| Medium | aquatint |
| Classification | |
| Origin | England, 19th century England |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Pomona Britannica: No. 52 - Black Prince Grape, 1809. George Brookshaw (British, 1751–1823). Aquatint. The Cleveland Museum of Art, Gift of The Print Club of Cleveland in honor of Arnold M. Davis, 1955.311 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Pomona Britannica: No. 52 - Black Prince Grape” is a work by George Brookshaw (British, 1751–1823), dated 1809. It is executed in aquatint and classified as print. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
Explore the context
The artist
This work is attributed to George Brookshaw (British, 1751–1823). Browse every catalogued public-domain plate by this maker.
The medium
Catalogued as print. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to 1809. Explore the wider set of works from the 19th century held in the archive.
The origin
Recorded origin: England, 19th century. Browse more public-domain art from England.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Download this image
Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
Prefer a themed set as a single ZIP with a manifest? See the image packs. The works remain public domain / CC0 whichever way you take them.
US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.