Portfolio I, Plate 34: The Blanket Weaver-Navaho
| Title | Portfolio I, Plate 34: The Blanket Weaver-Navaho |
|---|---|
| Artist | Edward S. Curtis (American, 1868–1952) |
| Date | 1904 20th century |
| Medium | photogravure |
| Classification | Portfolio |
| Origin | America America |
| Holding institution | The Cleveland Museum of Art |
| Credit line | The North American Indian: being a series of Portfolios picturing and describing the Indians of the United States, the Dominion of Canada, and Alaska: Portfolio I, Plate 34: The Blanket Weaver-Navaho, 1904. Edward S. Curtis (American, 1868–1952), The University Press. Photogravure. The Cleveland Museum of Art, Presented by Mrs. James H. Hoyt, Elton Hoyt, II, and Mrs. Amasa Stone Mather in memory of James H. Hoyt, 1995.203.21.34 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Portfolio I, Plate 34: The Blanket Weaver-Navaho” is a work by Edward S. Curtis (American, 1868–1952), dated 1904. It is executed in photogravure and classified as portfolio. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The artist
This work is attributed to Edward S. Curtis (American, 1868–1952). Browse every catalogued public-domain plate by this maker.
The period
Dated to 1904. Explore the wider set of works from the 20th century held in the archive.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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- Portfolio I, Plate 32: A Son of the Desert - Navaho By the same artist
- Portfolio XII, Plate 405: Watching the Dancers By the same artist
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Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.