Repository for the Great Perfection of Wisdom Sutra and Eleven Volumes of the Great Perfection of Wisdom Sutra
| Title | Repository for the Great Perfection of Wisdom Sutra and Eleven Volumes of the Great Perfection of Wisdom Sutra |
|---|---|
| Date | late 1100s 12th century |
| Medium | lacquered wood with ink, color, gold, cut gold, and metalwork |
| Classification | Lacquer |
| Origin | Japan, Heian period (794–1185) Japan |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Repository for the Great Perfection of Wisdom Sutra and Eleven Volumes of the Great Perfection of Wisdom Sutra (大般若経厨子及び大般若経内11巻), late 1100s. Japan, Heian period (794–1185). Lacquered wood with ink, color, gold, cut gold, and metalwork; height: 160 cm (63 in.). The Cleveland Museum of Art, John L. Severance Fund, 1969.130 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Repository for the Great Perfection of Wisdom Sutra and Eleven Volumes of the Great Perfection of Wisdom Sutra” is a work of unattributed authorship, dated late 1100s. It is executed in lacquered wood with ink, color, gold, cut gold, and metalwork and classified as lacquer. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The period
Dated to late 1100s. Explore the wider set of works from the 12th century held in the archive.
The origin
Recorded origin: Japan, Heian period (794–1185). Browse more public-domain art from Japan.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.