Sir Anthony Mildmay, Knight of Apethorpe, Northamptonshire
| Title | Sir Anthony Mildmay, Knight of Apethorpe, Northamptonshire |
|---|---|
| Artist | Nicholas Hilliard (English, c. 1547–1619) |
| Date | c. 1590–93 16th century |
| Medium | Watercolor on vellum, laid on card, mounted on wood |
| Classification | Portrait Miniature |
| Origin | England, 16th century England |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Sir Anthony Mildmay, Knight of Apethorpe, Northamptonshire, c. 1590–93. Nicholas Hilliard (English, c. 1547–1619). Watercolor on vellum, laid on card, mounted on wood; sheet: 23.2 x 17.1 cm (9 1/8 x 6 3/4 in.); unframed: 23.3 x 17.4 cm (9 3/16 x 6 7/8 in.); overall framed: 32.7 x 26.8 cm (12 7/8 x 10 9/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1926.554 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Sir Anthony Mildmay, Knight of Apethorpe, Northamptonshire” is a work by Nicholas Hilliard (English, c. 1547–1619), dated c. 1590–93. It is executed in watercolor on vellum, laid on card, mounted on wood and classified as portrait miniature. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The artist
This work is attributed to Nicholas Hilliard (English, c. 1547–1619). Browse every catalogued public-domain plate by this maker.
The period
Dated to c. 1590–93. Explore the wider set of works from the 16th century held in the archive.
The origin
Recorded origin: England, 16th century. Browse more public-domain art from England.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Download this image
Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.