Sketchbook, page 132: Marine View with color notations
| Title | Sketchbook, page 132: Marine View with color notations |
|---|---|
| Artist | Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924) |
| Date | 1905–10 20th century |
| Medium | graphite |
| Classification | Bound Volume |
| Origin | America America |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Sketchbook, page 132: Marine View with color notations , 1905–10. Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Graphite; sheet: 18.8 x 11.5 cm (7 3/8 x 4 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Charles E. Prendergast, 1951.423.ggg |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Sketchbook, page 132: Marine View with color notations” is a work by Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924), dated 1905–10. It is executed in graphite and classified as bound volume. In this archive it sits within the marine & aquatic life tradition. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The artist
This work is attributed to Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924). Browse every catalogued public-domain plate by this maker.
More by Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924) →
The period
Dated to 1905–10. Explore the wider set of works from the 20th century held in the archive.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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The wider subject
- Marine & aquatic life ThemeThe history of marine & aquatic life, illustrated
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Download this image
Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.