Slant-Front Desk
| Title | Slant-Front Desk |
|---|---|
| Artist | Attributed to Heinrich Ludwig Rohde (German, 1683–1755) or Ferdinand Plitzner (German, 1678–1724) Germany, Mainz |
| Date | c. 1720 18th century |
| Medium | Marquetry with maple, amaranth, mahogany, and walnut on spruce and oak |
| Classification | desk |
| Origin | Germany Germany |
| Holding institution | Art Institute of Chicago |
| Credit line | Purchased with funds provided by Kathryn Gilbertson, Kay and Frederick Krehbiel, Doris and Stanford Marks, Mrs. Eric Oldberg, Harry Root, and Melinda and Paul Sullivan; through prior acquisition of Robert Allerton; European Decorative Arts Purchase Fund |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Slant-Front Desk” is a work by Attributed to Heinrich Ludwig Rohde (German, 1683–1755) or Ferdinand Plitzner (German, 1678–1724) Germany, Mainz, dated c. 1720. It is executed in marquetry with maple, amaranth, mahogany, and walnut on spruce and oak and classified as desk. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The artist
This work is attributed to Attributed to Heinrich Ludwig Rohde (German, 1683–1755) or Ferdinand Plitzner (German, 1678–1724). Browse every catalogued public-domain plate by this maker.
The period
Dated to c. 1720. Explore the wider set of works from the 18th century held in the archive.
The collection
Made available through the Art Institute of Chicago open-access programme, which explicitly places this work in the public domain.
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Rights: Public Domain — CC0 via the Art Institute of Chicago Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to Art Institute of Chicago is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.