Study for Penelope
| Title | Study for Penelope |
|---|---|
| Artist | Anicet Charles Gabriel Lemonnier (French, 1743–1824) |
| Date | c. 1806 19th century |
| Medium | black chalk heightened with white chalk, with stumping, squared in graphite |
| Classification | Drawing |
| Origin | France, 19th century France |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Study for Penelope, c. 1806. Anicet Charles Gabriel Lemonnier (French, 1743–1824). Black chalk heightened with white chalk, with stumping, squared in graphite; sheet: 36.8 x 20.7 cm (14 1/2 x 8 1/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1996.286 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Study for Penelope” is a work by Anicet Charles Gabriel Lemonnier (French, 1743–1824), dated c. 1806. It is executed in black chalk heightened with white chalk, with stumping, squared in graphite and classified as drawing. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
Explore the context
The artist
This work is attributed to Anicet Charles Gabriel Lemonnier (French, 1743–1824). Browse every catalogued public-domain plate by this maker.
More by Anicet Charles Gabriel Lemonnier (French, 1743–1824) →
The medium
Catalogued as drawing. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to c. 1806. Explore the wider set of works from the 19th century held in the archive.
The origin
Recorded origin: France, 19th century. Browse more public-domain art from France.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
Keep exploring
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Download this image
Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.