Susanna and the Elders
| Title | Susanna and the Elders |
|---|---|
| Artist | Paulus Pontius (Flemish, 1603–1658) after Peter Paul Rubens (Flemish, 1577–1640) |
| Date | 1624 17th century |
| Medium | Engraving in black on ivory laid paper |
| Classification | engraving |
| Origin | Flanders Flanders |
| Holding institution | Art Institute of Chicago |
| Credit line | The Amanda S. Johnson and Marion J. Livingston Fund |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Susanna and the Elders” is a work by Paulus Pontius (Flemish, 1603–1658) after Peter Paul Rubens (Flemish, 1577–1640), dated 1624. It is executed in engraving in black on ivory laid paper and classified as engraving. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The artist
This work is attributed to Paulus Pontius (Flemish, 1603–1658) after Peter Paul Rubens (Flemish, 1577–1640). Browse every catalogued public-domain plate by this maker.
More by Paulus Pontius (Flemish, 1603–1658) after Peter Paul Rubens (Flemish, 1577–1640) →
The medium
Catalogued as engraving. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to 1624. Explore the wider set of works from the 17th century held in the archive.
The origin
Recorded origin: Flanders. Browse more public-domain art from Flanders.
The collection
Made available through the Art Institute of Chicago open-access programme, which explicitly places this work in the public domain.
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Download this image
Rights: Public Domain — CC0 via the Art Institute of Chicago Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to Art Institute of Chicago is appreciated.
Prefer a themed set as a single ZIP with a manifest? See the image packs. The works remain public domain / CC0 whichever way you take them.
US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.