The Adoration of the Magi, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
| Title | The Adoration of the Magi, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier |
|---|---|
| Date | 1602–4 17th century |
| Medium | Gum tempera, ink, and gold on paper |
| Classification | Manuscript |
| Origin | Northern India, Uttar Pradesh, Allahabad, Mughal period Northern India |
| Holding institution | The Cleveland Museum of Art |
| Credit line | The Adoration of the Magi, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4. Northern India, Uttar Pradesh, Allahabad, Mughal period. Gum tempera, ink, and gold on paper; sheet: 26.3 x 15.6 cm (10 3/8 x 6 1/8 in.); image: 22.7 x 12.2 cm (8 15/16 x 4 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.36.b |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“The Adoration of the Magi, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier” is a work of unattributed authorship, dated 1602–4. It is executed in gum tempera, ink, and gold on paper and classified as manuscript. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The medium
Catalogued as manuscript. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to 1602–4. Explore the wider set of works from the 17th century held in the archive.
The origin
Recorded origin: Northern India, Uttar Pradesh, Allahabad, Mughal period. Browse more public-domain art from Northern India.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.