The Hold-Up
| Title | The Hold-Up |
|---|---|
| Date | 1880s 19th century |
| Medium | tintype, whole plate |
| Classification | Photograph |
| Origin | American, 19th century American |
| Holding institution | The Cleveland Museum of Art |
| Credit line | The Hold-Up, 1880s. American, 19th century. Tintype, whole plate; overall: 21.6 x 16.5 cm (8 1/2 x 6 1/2 in.); matted: 50.8 x 40.6 cm (20 x 16 in.). The Cleveland Museum of Art, Gift of Charles Isaacs and Carol Nigro, 2003.299 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“The Hold-Up” is a work of unattributed authorship, dated 1880s. It is executed in tintype, whole plate and classified as photograph. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
Explore the context
The medium
Catalogued as photograph. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to 1880s. Explore the wider set of works from the 19th century held in the archive.
The origin
Recorded origin: American, 19th century. Browse more public-domain art from American.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
Keep exploring
Zoom out
- /browse Browse the whole archive
Download this image
Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
Prefer a themed set as a single ZIP with a manifest? See the image packs. The works remain public domain / CC0 whichever way you take them.
US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.