The Seven Archangels (recto)
| Title | The Seven Archangels (recto) |
|---|---|
| Artist | Massimo Stanzione (Italian, 1585–1656) |
| Date | c. 1620s 17th century |
| Medium | Pen and brown ink, brown wash, traces of black chalk (recto) |
| Classification | Drawing |
| Origin | Italy Italy |
| Holding institution | The Cleveland Museum of Art |
| Credit line | The Seven Archangels (recto), c. 1620s. Massimo Stanzione (Italian, 1585–1656). Pen and brown ink, brown wash, traces of black chalk (recto); sheet: 9.5 x 35.8 cm (3 3/4 x 14 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2025.132.a |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“The Seven Archangels (recto)” is a work by Massimo Stanzione (Italian, 1585–1656), dated c. 1620s. It is executed in pen and brown ink, brown wash, traces of black chalk (recto) and classified as drawing. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The artist
This work is attributed to Massimo Stanzione (Italian, 1585–1656). Browse every catalogued public-domain plate by this maker.
The medium
Catalogued as drawing. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to c. 1620s. Explore the wider set of works from the 17th century held in the archive.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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- Massimo Stanzione ArtistEverything by Massimo Stanzione
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Download this image
Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.