The Spies Returning from Canaan
| Title | The Spies Returning from Canaan |
|---|---|
| Artist | Giacinto Calandrucci |
| Date | 1690s(?) 17th century |
| Medium | pen and brown ink with blue wash over black chalk, squared for transfer with red chalk, on laid paper |
| Classification | Drawing |
| Holding institution | National Gallery of Art (Washington) |
| Credit line | William B. O'Neal Fund |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“The Spies Returning from Canaan” is a work by Giacinto Calandrucci, dated 1690s(?). It is executed in pen and brown ink with blue wash over black chalk, squared for transfer with red chalk, on laid paper and classified as drawing. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The artist
This work is attributed to Giacinto Calandrucci. Browse every catalogued public-domain plate by this maker.
The medium
Catalogued as drawing. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to 1690s(?). Explore the wider set of works from the 17th century held in the archive.
The collection
Made available through the National Gallery of Art (Washington) open-access programme, which explicitly places this work in the public domain.
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Download this image
Rights: Public Domain — released under Creative Commons Zero (CC0) via the National Gallery of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to National Gallery of Art (Washington) is appreciated.
Prefer a themed set as a single ZIP with a manifest? See the image packs. The works remain public domain / CC0 whichever way you take them.
US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.