The Weir at Senju in Musashi Province (from the series Thirty-Six Views of Mt. Fuji)
| Title | The Weir at Senju in Musashi Province (from the series Thirty-Six Views of Mt. Fuji) |
|---|---|
| Artist | Katsushika Hokusai (Japanese, 1760–1849) |
| Date | early 1830s 19th century |
| Medium | color woodblock print |
| Classification | |
| Origin | Japan, Edo period (1615–1868) Japan |
| Holding institution | The Cleveland Museum of Art |
| Credit line | The Weir at Senju in Musashi Province (from the series Thirty-Six Views of Mt. Fuji), early 1830s. Katsushika Hokusai (Japanese, 1760–1849). Color woodblock print; sheet: 37.8 x 25.4 cm (14 7/8 x 10 in.). The Cleveland Museum of Art, Gift of Mrs. Francis F. Prentiss for the Dudley P. Allen Collection, 1924.964 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“The Weir at Senju in Musashi Province (from the series Thirty-Six Views of Mt. Fuji)” is a work by Katsushika Hokusai (Japanese, 1760–1849), dated early 1830s. It is executed in color woodblock print and classified as print. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
Explore the context
The artist
This work is attributed to Katsushika Hokusai (Japanese, 1760–1849). Browse every catalogued public-domain plate by this maker.
The medium
Catalogued as print. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to early 1830s. Explore the wider set of works from the 19th century held in the archive.
The origin
Recorded origin: Japan, Edo period (1615–1868). Browse more public-domain art from Japan.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Download this image
Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.