Three Cuttings from a Missal: Initial L with the Annunciation to the Shepherds
| Title | Three Cuttings from a Missal: Initial L with the Annunciation to the Shepherds |
|---|---|
| Date | c. 1470–1500 15th century |
| Medium | ink, tempera and gold on vellum |
| Classification | Manuscript |
| Origin | Germany, Franconia or Saxony (?) or Silesia (?), 15th century Germany |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Three Cuttings from a Missal: Initial L with the Annunciation to the Shepherds, c. 1470–1500. Germany, Franconia or Saxony (?) or Silesia (?), 15th century. Ink, tempera and gold on vellum; each leaf: 17.6 x 9 cm (6 15/16 x 3 9/16 in.). The Cleveland Museum of Art, The Jeanne Miles Blackburn Collection, 1999.137.1 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Three Cuttings from a Missal: Initial L with the Annunciation to the Shepherds” is a work of unattributed authorship, dated c. 1470–1500. It is executed in ink, tempera and gold on vellum and classified as manuscript. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The medium
Catalogued as manuscript. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to c. 1470–1500. Explore the wider set of works from the 15th century held in the archive.
The origin
Recorded origin: Germany, Franconia or Saxony (?) or Silesia (?), 15th century. Browse more public-domain art from Germany.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.