Traité des arbres fruitiers: Prune bifère
| Title | Traité des arbres fruitiers: Prune bifère |
|---|---|
| Artist | Henri Louis Duhamel du Monceau (French, 1700–1782) |
| Date | 1808–1835 19th century |
| Medium | stipple and line engraving, with hand coloring |
| Classification | |
| Origin | France, 19th century France |
| Holding institution | The Cleveland Museum of Art |
| Credit line | Traité des arbres fruitiers: Prune bifère, 1808–1835. Henri Louis Duhamel du Monceau (French, 1700–1782). Stipple and line engraving, with hand coloring. The Cleveland Museum of Art, Gift of The Print Club of Cleveland in honor of Arnold M. Davis, 1955.315 |
| Rights | Public domain (CC0). Free to use for any purpose. |
About this artwork
“Traité des arbres fruitiers: Prune bifère” is a work by Henri Louis Duhamel du Monceau (French, 1700–1782), dated 1808–1835. It is executed in stipple and line engraving, with hand coloring and classified as print. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).
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The artist
This work is attributed to Henri Louis Duhamel du Monceau (French, 1700–1782). Browse every catalogued public-domain plate by this maker.
More by Henri Louis Duhamel du Monceau (French, 1700–1782) →
The medium
Catalogued as print. See other public-domain works in the same medium, all free to download and reuse.
The period
Dated to 1808–1835. Explore the wider set of works from the 19th century held in the archive.
The origin
Recorded origin: France, 19th century. Browse more public-domain art from France.
The collection
Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.
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Download this image
Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.
This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.
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US vs EU note: in the United States a faithful photographic reproduction of a public-domain 2-D artwork carries no new copyright (Bridgeman v. Corel), which is the basis of these open-access programmes. EU Directive 2019/790 Art. 14 similarly provides that reproductions of public-domain visual works are not protected. If reusing commercially in another jurisdiction, satisfy yourself of the local position. See the full licence note.