Two Bohemian Peasants in Half-Length
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Two Bohemian Peasants in Half-Length

TitleTwo Bohemian Peasants in Half-Length
ArtistRoelant Savery (Flemish, 1576–1639)
Datec. 1600 16th century
MediumPen and light- and dark-brown inks over preliminary drawing in black chalk; framing lines in pen and brown ink
ClassificationDrawing
OriginFlanders Flanders
Holding institutionThe Cleveland Museum of Art
Credit lineTwo Bohemian Peasants in Half-Length, c. 1600. Roelant Savery (Flemish, 1576–1639). Pen and light- and dark-brown inks over preliminary drawing in black chalk; framing lines in pen and brown ink; sheet: 15.1 x 18.8 cm (5 15/16 x 7 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1945.114
RightsPublic domain (CC0). Free to use for any purpose.

About this artwork

“Two Bohemian Peasants in Half-Length” is a work by Roelant Savery (Flemish, 1576–1639), dated c. 1600. It is executed in pen and light- and dark-brown inks over preliminary drawing in black chalk; framing lines in pen and brown ink and classified as drawing. This work is in the public domain (CC0), so the image may be downloaded and reused for any purpose without permission (see the licence note below).

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The artist

This work is attributed to Roelant Savery (Flemish, 1576–1639). Browse every catalogued public-domain plate by this maker.

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The medium

Catalogued as drawing. See other public-domain works in the same medium, all free to download and reuse.

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The period

Dated to c. 1600. Explore the wider set of works from the 16th century held in the archive.

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The origin

Recorded origin: Flanders. Browse more public-domain art from Flanders.

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Made available through the The Cleveland Museum of Art open-access programme, which explicitly places this work in the public domain.

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Rights: CC0 (Creative Commons Zero) via the Cleveland Museum of Art Open Access programme.

This work is in the public domain. You may download the image and use it for any purpose, personal or commercial, without permission or payment. No attribution is legally required, though a credit to The Cleveland Museum of Art is appreciated.

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